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#'that's the WORST possible ending for them because they have to DIE >:('
everysongineverykey · 8 months
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"but if aziraphale and crowley become human in the end it won't be fair because they'll only have a handful of decades to spend with each other :(" ok. well have you considered that their time together would not be any less valuable or happy if it were limited. have you considered that we wouldn't appreciate anything as much as we do if it weren't finite. have you considered that crowley and aziraphale have always, always only ever wanted to love and live like real people do like humans, without heaven and hell breathing down their necks, without judgment and constraints. that alpha centauri probably wouldn't be as beautiful up close as it is from earth, through human eyes. that the biggest miracle in crowley's eyes is aziraphale and vice versa. that yes their time together may be limited but it will be the sweetest most fulfilling most peaceful time either of them have ever lived, and when one finally goes gentle into that good night, he will know he's got nothing to fear, because the other will be waiting for him on the other side- he always will, in any decade, any century, any lifetime. have you considered any of that?
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churchydragon · 6 months
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I spoke to a nice Mindflayer once in Baldur's Gate 3 and it changed me forever
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tomurakii · 1 month
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I truly apologise but I've never found a character more irritating than Ruby Rocks. It is severely impacting my ability to watch a crown of candy because this bratty literally-the-embodiment-of-the-status-quo bitter bastard child won't stop sulking and being shitty to the only good surviving member of this royal bloodline (Saccharina).
The immediate Rocks family in general is so unsympathetic, I'm sorry but if you want me to feel bad over your personal growth journey you can't ALSO be a monarch who has absolute power over an entire nation-state. If you had literally the best education of everyone in your country and you're still an idiot I don't know what to tell you except that you're a resource hoarding pig who has not earned an iota of the power or luxury you have. They have SERVANTS and all they do is complain about going to class or doing their job. Hey if it sucks so bad demolish the state and redistribute your wealth <3 you won't <3
#shes just wrong and a brat. ive found it difficult to sympathise with the monarch characters the whole time but shes the worst of the 3#i was her age 3 months ago and I've NEVER been as stupid and ignorant and selfish as she is#youre gonna send thousands of your people to die at war over your own petty vendetta??? you grow up in immense privilege and all you do is#complain about the tiny bit of responsibility it comes with but the second someone else (who has worked infinitely harder and suffered#infinitely more) comes along and is willing to take that responsibility you hate her and talk shit and try and turn people against her#because she'll “uphold the status quo” WHERE did you get that from. she has more respect for the people and awareness about the monarchy#than you EVER have. youre a fuckin idiot rich kid. this is game of thrones-themed 1400s monarchy. some 30% of kids die in their first year#barely any of them can read. 90% of your people have experienced the death of their parents or siblings firsthand#but rather than ending the war you're gonna send MORE of them to die fighting the empire over your personal vendetta#saccharina has NEVER been pro church??? she is quite literally only taking the throne to CHANGE the status quo#meanwhile your ass would probably keel over and die after 2 seconds without the luxury that status quo has afforded you your entire life#you dont want to change SHIT. youre just mad it isnt you or your OTHER sister on the throne anymore. your dad is the fuckin EMPEROR#you ARE the status quo. “changing the status quo” means people come and take your house from you brat ass loser. it means they kill your#father. you dont want that youre just making excuses because youre a stupid brat who got oneshotted your first time leaving the castle#because despite 18 years of the best possible education you dont understand simple concepts like “people want to kill royalty”#jet died because she was immature and by god if ruby isnt carrying on her legacy
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minarcana · 1 year
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Can Not stop thinking about urianger being fucked up over visions of the world ending and the wol dying for a solid Bit after getting tossed to the crystarium. im going to eat a brick.
#hes already fucked up over the body count the scions are very rapidly amassing#and he views the wol as a close friend!! theyre very important to him#and uri too falls under the assumption that 'oh theyre the wol they cant possibly die theyve overcome so much'#he feels that with almost all of his friends but the most for the wol#so to be suddenly put in a moment of deep concern for the world then torn from your body and shown The Worst Possible Future-#not only is the world ending but you watch it end and you watch as the last bastion of your hope the person you assumed could and would neve#r truly die-- does die. undoubtedly and viscerally and in front of you#as you are once again (if you are not always!) powerless to help them because All You Can Do Is Ever Observe#i also imagine it was like the wols vision of the oracle. where they know theyre being watched#and they can turn to face uri right before they fall. :) and die :) and the world descends into the eigth calamity#the death of the worlds pillar and then the world itself as every constant is suddenly torn into jarring disarray#and uri lands in the crystarium and he is crying but doesnt understand why or how#(it is fear it is loss it is the terror of the inevitable)#he has been given the visions he always read about and now he feels personally the grandiose scope of prophecy and how heavily it weighs#and how he Has To get the words out right but how is he supposed to communicate exactly the weight of it!! how is he supposed to say all the#se things when he cant easily parse the impact of it all he cant figure out how to communicate the burning of it#and he understands a bit better that the prophecies he scoured over must have hurt and weighed and frightened and how#its not the same any more even the long gone ones#aaaaaAAAAAAAA#im going to EAT A BRICK#me chewing on gravel this elf loves his friends and the world and the wol so much and he cares but he doesnt KNOW HOW#I HAVE A LOT OF THOUGHTS AND FEELINGS AND THE FEELINGS ARE AAAAAAAAAAAURGH#I TOLD MYSELF I WAS GOING TO BE NORMAL ABOUT THIS BUT IM GOING TO EAT TWELVE BRICKS
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jadevine · 4 months
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Preindustrial travel, and long explanations on why different distances are like that
Update March 1, 2024: Hey there folks, here's yet another update! I reposted Part 2a (the "medieval warhorses" tangent) to my writing blog, and I went down MORE of the horse-knowledge rabbit hole! https://www.tumblr.com/jadevine/741423906984951808/my-post-got-cut-off-so-i-added-the-rest-of-it Update Jan 30, 2024: Hey folks, I've posted the updated version of this post on my blog, so I don't have to keep frantically telling everyone "hey, that's the old version of this post!" https://thebalangay.wordpress.com/2024/01/29/preindustrial-travel-times-part-1/
I should get the posts about army travel times and camp followers reformatted and posted to my blog around the end of the week, so I'll filter through my extremely tangled thread for them.
Part 2 - Preindustrial ARMY travel times: https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask
Part 2a - How realistic warhorses look and act, because the myth of "all knights were mounted on huge clunky draft horses" just refuses to die: https://www.tumblr.com/jadevine/732043691180605440/helpful-things-for-action-writers-to-remember
Part 3 - Additional note about camp followers being regular workers AND sex-workers: https://www.tumblr.com/jadevine/740604203134828544/reblogging-the-time-looped-version-of-my
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I saw a post on my main blog about how hiking groups need to keep pace with their slowest member, but many hikers mistakenly think that the point of hiking is "get from Point A to Point B as fast as possible" instead of "spending time outdoors in nature with friends," and then they complain that a new/less-experienced/sick/disabled hiker is spoiling their time-frame by constantly needing breaks, or huffing and puffing to catch up.
I run into a related question of "how long does it take to travel from Point A to Point B on horseback?" a lot, as a fantasy writer who wants to be SEMI-realistic; in the Western world at least, our post-industrial minds have largely forgotten what it's like to travel, both on our own feet and in groups.
People ask the new writer, "well, who in your cast is traveling? Is getting to Point B an emergency or not? What time of year is it?", and the newbies often get confused as to why they need so much information for "travel times." Maybe new writers see lists of "preindustrial travel times" like a primitive version of Google Maps, where all you need to do is plug in Point A and Point B.
But see, Google Maps DOES account for traveling delays, like different routes, constructions, accidents, and weather; you as the person will also need to figure in whether you're driving a car versus taking a bus/train, and so you'll need to figure out parking time or waiting time for the bus/train to actually GET THERE.
The difference between us and preindustrial travelers is that 1) we can outsource the calculations now, 2) we often travel for FUN instead of necessity.
The general rule of thumb for preindustrial times is that a healthy and prime-aged adult on foot, or a rider/horse pair of fit and prime-aged adults, can usually make 20-30 miles per day, in fair weather and on good terrain.
Why is this so specific? Because not everyone in preindustrial times was fit, not everyone was healthy, not everyone was between the ages of 20-35ish, and not everyone had nice clear skies and good terrain to travel on.
If you are too far below 18 years old or too far past 40, at best you will need either a slower pace or more frequent breaks to cover the same distance, and at worst you'll cut the travel distance in half to 10 or so miles. Too much walking is VERY BAD on too-young/old knees, and teenagers or very short adults may just have short legs even if they're fine with 8-10 hours of actual walking. Young children may get sick of walking and pitch a fit because THEY'RE TIREDDDDDDDDDD, and then you might need to stay put while they cry it out, or an adult may sigh and haul them over their shoulder (and therefore be weighed down by about 50lbs of Angry Child).
Heavy forests, wetlands and rocky hills/mountains are also going to be a much shorter "distance" per day. For forests or wetlands, you have to account for a lot of villagers going "who's gonna cut down acres of trees for one road? NOT ME," or "who's gonna drain acres of swamp for one road? NOT ME." Mountainous regions have their traveling time eaten by going UP, or finding a safer path that goes AROUND, so by the time you're done slogging through drier patches of wetlands or squeezing through trees, a deceptively short 10-15 miles in rough terrain might take you a whole day to walk instead of the usual half-day.
If you are traveling in freezing winters or during a rainstorm (and this inherently means you HAVE NO CHOICE, because nobody in preindustrial times would travel in bad weather if they could help it), you run the high risk of losing your way and then dying of exposure or slipping and breaking your neck, just a few miles out of the town/village.
Traveling in TOO-HOT weather is just as bad, because pushing yourself too hard and getting dehydrated at noon in the tropics will literally kill you. It's called heat-STROKE, not "heat-PARTY."
And now for the upper range of "traveling on horseback!"
Fully mounted groups can usually make 30-40 miles per day between Point A and Point B, but I find there are two unspoken requirements: "Point B must have enough food for all those people and horses," and "the mounted party DOESN'T need to keep pace with foot soldiers, camp followers, or supply wagons."
This means your mounted party would be traveling to 1) a rendezvous point like an ally's camp or a noble's castle, or 2) a town/city with plenty of inns. Maybe they're not literally going 30-40 miles in one trip, but they're scouting the area for 15-20 miles and then returning to their main group. Perhaps they'd be going to an allied village, but even a relatively small group of 10-20 warhorses will need 10-20 pounds of grain EACH and 20-30 pounds of hay EACH. 100-400 pounds of grain and 200-600 pounds of hay for the horses alone means that you need to stash supplies at the village beforehand, or the village needs to be a very large/prosperous one to have a guaranteed large surplus of food.
A dead sprint of 50-60 miles per day is possible for a preindustrial mounted pair, IF YOU REALLY, REALLY HAVE TO. Moreover, that is for ONE day. Many articles agree that 40 miles per day is already a hard ride, so 50-60 miles is REALLY pushing the envelope on horse and rider limits.
NOTE: While modern-day endurance rides routinely go for 50-100 miles in one day, remember that a preindustrial rider will not have the medical/logistical support that a modern endurance rider and their horse does.
If you say "they went fifty miles in a day" in most preindustrial times, the horse and rider's bodies will get wrecked. Either the person, their horse, or both, risk dying of exhaustion or getting disabled from the strain.
Whether you and your horse are fit enough to handle it and "only" have several days of defenselessness from severe pain/fatigue (and thus rely on family/friends to help you out), or you die as a heroic sacrifice, or you aren't QUITE fit enough and become disabled, or you get flat-out saved by magic or another rider who volunteers to go the other half, going past 40 miles in a day is a "Gondor Calls For Aid" level of emergency.
As a writer, I feel this kind of feat should be placed VERY carefully in a story: Either at the beginning to kick the plot off, at the climax to turn the tide, or at the end.
Preindustrial people were people--some treated their horses as tools/vehicles, and didn't care if they were killed or disabled by pushing them to their limits, but others very much cared for their horses. They needed to keep them in working condition for about 15-20 years, and they would not dream of doing this without a VERY good reason.
UPDATE January 13: Several people have gotten curious and looked at maps, to find out how a lot of cities are indeed spread out at a nice distance of 20-30 miles apart! I love getting people interested in my hyperfixations, lol.
But remember that this is the space between CITIES AND TOWNS. There should never be a 20-mile stretch of empty wilderness between City A and Town B, unless your world explains why folks are able to build a city in the middle of nowhere, or if something has specifically gone wrong to wipe out its supporting villages!
Period pieces often portray a shining city rising from a sea of picturesque empty land, without a single grain field or cow pasture in sight, but that city would starve to death very quickly in preindustrial times.
Why? Because as Bret Devereaux mentions in his “Lonely Cities” article (https://acoup.blog/2019/07/12/collections-the-lonely-city-part-i-the-ideal-city/), preindustrial cities and towns must have nearby villages (and even smaller towns, if large and prosperous enough!) to grow their food for them.
The settlements around a city will usually be scattered a few miles apart from each other, usually clustered along the roads to the city gates. Those villages and towns at the halfway point between cities (say 10-15 miles) are going to be essential stops for older/sick folks, merchants with cargo, and large groups like noble’s retinues and army forces.
Preindustrial armies and large noble retinues usually can’t make it far past 10-12 miles per day, as denoted in my addition to this post. (https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask )
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God fucked up somewhere letting literally anyone have a kid
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hacked-wtsdz · 5 months
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Every time I read or watch Lord of the Rings I can’t help but think about how Tolkien had survived one of the bloodiest, most cruel, most dirtiest and darkest wars in human history, came back and wrote this:
“The world is indeed full of peril, and in it there are many dark places; but still there is much that is fair, and though in all lands love is now mingled with grief, it grows perhaps the greater.”
And this:
"'I wish it need not have happened in my time,' said Frodo.
'So do I,' said Gandalf, 'and so do all who live to see such times. But that is not for them to decide. All we have to decide is what to do with the time that is given us.'"
And this:
"I do not love the bright sword for its sharpness, nor the arrow for its swiftness, nor the warrior for his glory. I love only that which they defend."
And this:
“Many that live deserve death and some that die deserve life. Can you give it to them? Then do not be so eager to deal out death in judgement. For even the wise cannot see all ends."
And this:
“True courage is about knowing not when to take a life, but when to spare one.”
And clearly they were all written partly because he survived the war, because of what he’d seen and done and learned. But at the same time the unwillingness to lose faith, the courage and strength that this man had to believe in these things after going through hell! It makes the nihilists look so cheap, so uninteresting! People who’ve went through concentration camps and wars believe in humanity anyway, isn’t that proof that hope and love exist? And many, many, many of them did not return or returned broken and cruel and traumatised to the point when no faith in others was possible for them, and nobody can blame them. But there were many who refused to lose faith and hope. They have seen some of the worst that life has to offer and came back believing that we shouldn’t be eager to deal out death in judgement and should love only that which the sword defends.
No matter how many people say that humanity is horrible and undeserving of love, and life is dark and worthless, and love doesn’t exist I remember this and have hope anyway. Because there were people who have actually had all reason to believe in the worst and still believed in the good, so the good must be real. The good is real, even despite the evil, and we must trust in it.
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shisurus · 3 months
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okay but did you think about the fact laios already feels responsible for taking her last breath... this story started with falin sacrificing her life for him, dying in front of his eyes- so that "worst case scenario" already happened. at the beginning he thought all he had to do to fix things is simply bring her back to life like they had done before, but then it was his decision that led her to a fate arguably even worse than death; a reality where the very reason he wanted to save her was erased from her mind, with her becoming a chimera puppet. a reality where he is forced to fight a monster in the form of his sister.
for that reason, his choice to kill falin on his own isn't about saving everyone else from the horror of this "possible" outcome as much as it is him finally facing his own guilt for all he had done: from abandoning her during their childhood to bringing her with him to the island and living a life of hunger and danger at the cost of the safe future she could've had without him, eventually resulting in her dying while being all alone. but unlike his choice to leave their village, this time she was the one forcing him to leave her behind- an act that was not only done out of pure love but was also the result of a lifetime of internalizing the notion that everyone she loves always takes priority over herself.
so when it came to that point in chapter 67, killing her was his way of not abandoning her anymore. taking her last breath to carry alone, so he can never let go of her again. even if they wouldn't have succeeded in resurrecting her, then at least he gave her one last precious memory, at least he didn't let her sleep starving again- which is in direct contrast with her death at the beginning of the series that was caused by their hunger and its effects. but more, or perhaps even most importantly, at least he didn't let her die alone this time- having her most beloved person experiencing the horrors of her death with her while her dear friends are witnessing her suffering that she was trying so hard to shield them from until now.
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and in those moments, it was without a doubt falin struggling against him along with the dragon. because of her brother forcing her to make a choice once more, she finally revealed her most raw, selfish and intrinsic side by fighting him back, scratching and pushing and screaming and harming the person she always put first instead of quietly giving up her own life. dying by the hands of love instead of dying for love. in choosing herself this time, it might be what gave her soul the strength to choose living by the end of the series- living a life of her own. and for laios, this was just as essential to his personal growth as well as the first step in his atonement: redoing it "the right way".
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gojoest · 8 months
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non-explicit but suggestive, creampie implied, MDNI, gojo is being dramatic after he wakes up without you in bed
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it smells like the sun, satoru thinks, as he wakes up to the sunlight creeping in through the blinds, hitting his face with a warm glow. his eyes are still closed, a soft smile spread on his lips elicited by the memories of last night, of you chanting his name like a little prayer as your bodies were locked together. the longer he thinks of it, the bigger his smile grows. the way your face flushed and contorted as he dived into you, the way your hands grabbed his hips to push him even deeper, the way your fingers intertwined and your foreheads pressed against each other until you both came down from your high.
*slap*
“shit”, he smacks himself across the face because his smile started evolving into little giggles, “shit”, but also because something down there, between his legs, was evolving, too, “calm down there, buddy. not now. first, we need to find our cute runaway lover who sneaked out of bed while we were sleeping still”
satoru knew you weren’t in bed the moment his consciousness awakened. he didn’t have to open his eyes to see it nor to reach his hand to your side of the bed only for it to end on the empty mattress. he knew, simply because he always holds you in his arms when in bed, even when you toss around and slip away from his embrace in the middle of the night, his hands find you and pull you back where you belong. it’s an automatic reflex of his body that doesn’t require his brain to create the action. it’s a need, to always be as close as possible to you.
it's a struggle for him to open his eyes now and actually see that you’re not there. a voice at the back of his head, a quite dramatic one at that, tells him to keep them shut until you come back so he doesn’t have to witness your shared bedroom without you in it.
but he beats the urge eventually, a big pout present on his face. why would you deprive him of the feeling of waking up next to you in the morning. what a cruel thing to do, he thinks before grabbing his phone from the nightstand. seeing the picture of you on his lockscreen quickly chases away the pout replacing it with a soft smile.
“but i want the real thing”, he purses his lips again and dials your number.
“how dare you” is the first thing he says as soon as you pick up. you can not only hear the pout in his voice from the other side of the line but almost see it on his cutely dramatic grumpy face, “how dare you sneak out and go grocery shopping without me?”
“oh, you miss me already?”, you let a chuckle out, “i am on my way back, can you hold on for 15 more minutes and not die without me, mm?”
“i can’t promise... my heartbeat is slowing down, i can feel my internal organs shutting down one by one, you have to hurry up or it will be fatal”
“you’re such a baby, satoru”
“exactly. and who leaves a baby alone at home and casually goes grocery shopping? you. you are bad-bad”
you can’t help yourself but stop in the middle of the street and start laughing heartily, “sorry, baby, it won’t happen again. but then again… how did you know i was out grocery shopping?”
“i put a gps tracker on you”
“you what?”, your eyes widen at his words. no, he can’t be this crazy, right?, you think.
“yea, it’s the dna i put inside you last night. it’s like part of me is with you, so it’s only natural that i would know where you are at any given moment”
“you know what, you’re the worst”
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adoregojo · 2 months
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mikage's 5 steps guide! - nagi.s
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i missed writing for nagi... my loverboy.. also this writing style is so fun??? wth??? i need to write like this again. i can barely keep one eye open so if there's any typo, ignore pls pls.
warnings: some cussing ig?
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nagi was never that charming.
'charming' couldn't even stand being a word in his dictionary to be honest, nagi truly had zero sense of romance within him. he was an actual brick-walled person when it came to these things, or anything of strong-emotions in particular, there was no thoughts behind those void eyes of his but a circle of: sleep, eat, go to work, eat again, play games, sleep, and repeat.
even back to his high school years, not once he recalls talking to a girl, let alone getting a girlfriend, that was something beyond out of his character. maybe there was a girl that confessed to him, he remembered on valentines day he got a letter saying that he should go to the school's roof. and he ended up leaving the poor girl hanging on the air till the sky was clean orange because he genuinely 'forgot', nagi then earned the title 'heartbreaker' for a year straight, he let it be since it was much of a hassle to keep on correcting them. not like his reputation was any better before.
so you could say that nagi wasn't that much of a company to have around, on the other hand was his friend, reo who was basically the opposite of nagi, if anything he was prince charming himself. those social skills were enough to befriend anyone on sight, he got the looks, money and attention was surrounding him 24/7.
and even if reo gather the earth power to try and motivate nagi would go down hill, every time he tried setting him on a date it's either gonna end up horrible or nagi using the excuse to go to the bathroom and vanish to the nowhere. what an asshole.
at some point, reo accept the fact that maybe he's friend will in fact die alone.
and things switched around when you came to the picture.
first it wasn't that hard to notice you, your desk was glued to him after all. it was weird when you would greet him every morning and wish him a good night when you left, no one ever did that to him before, he tends to ignore and ends up being ignored. it was nice, a little reminder that somone was seeing him, acknowledging him.
slowly, the walls between you two was falling apart with each introduction. when you would pat him from his little naps for lunch time, or when it was leaving time, then he would stare at your back until your figure disappeared with a last wave, staring at the door for a little too long, perhaps wishing for you to walk back in.. who said that?
it was getting worse, or better, not the best at analysing his feelings. but nagi found himself looking out for a glimpse of you around the office, he has no shame to admit that the world suddenly felt gloomy without your presence beside him.
maybe he raised his head a little too fast when you walked in, maybe not. but he mostly did.
then you would ramble about how your shitty neighbour refused to clean after his pets filth and you two had a screaming match for a while before realising you were late. the was the worst way to start a monday morning, so you closed your eyes shut, rubbed your forehead for a peace of mind. then you opened your eyes, a piece of your favourite snaked would magically appear on your table.
for some reason your eyes traveled to the white painted head, he was looking at the other side, avoiding your questionable gaze hoovering over him.
Mondays aren't so bad after all, you thought.
perhaps he did place it there, who knows. —but nagi just really didn't like seeing you glum.
possibly, did he grew fond of you? he doesn't know. all he knew that lunch box you handed him the next day is a blessed gift within his palms. too good for him, you were too good for him.
you were the prove that the sky itself favoured him above anyone.
and when nagi wanted to ask you out, he only had one person to guide him to your heart.
so the very mysterious person behind the scene (reo) had a astounding idea that if someone like nagi; mister, game-addiction-freak. that on every step he'll get points! 100-90 if he did well, 80-70 not bad, 60-40 could've been worse.. 40-20 definitely could've been better... 20-0 yikes....
so with that, nagi was sent on a personal mission to win you over and soothe you with his nonexistent charm.
STEP ONE: be straightforward! it's not good to keep on dancing on someone's mindset with hints, it may cause a lot of confusion feelings and misunderstandings! only ask under a certain circumstances, a suitable place where were you two sit alone so they could have they're attention on you only. SIDE NOTE: try to make a good welcoming conversation to ease up the tension first then ask!
so nagi did just that, maybe a little too well.
he couldn't even eat his own lunch and just kept on rubbing his sweaty hands against each other's, staring back forth —he just noticed how many unfamiliar faces were there? did he really only seeyou?一 he was extra quiet which made you ask him multiple times if he was okay, he would just hum in response. what a smooth talker.
"nagi, you haven't even touched your food. are you actually okay?" you questioned, concerned. after taking a brief sip of your juice, but nagi just shook his head in conform, you raised a brow, a little in disbelief that he would think an obvious lie would go through you just like that. there was something off. the tension upon you two was twisting.
the words were on the tip of his tongue, yet they felt un-removed. all this stressing over four words were a pain, and a heavy burden he needed to reales before he lose his breathing track.
and the moment you took a bite and chewing on it, he just had to drop the bomb carelessly.
"go out with me."
so nagi didn't try and sooth the air, nor start a decent conversation. and when he gathered the earth courage to speak up, it wasn't even a question, that was a whole ass demand.
although, it worked. but it definitely could've gone better than you choking on your own food that you swore you witnessed death himself laughing his ass off at you.
what a great timing.
after you saw the heavens gates open for you and life flashing through your eyes, weirdly enough, you accepted.
huh, maybe he didn't mess up everything like he thought (he in fact did).
20 points!
STEP TWO: dress nice and compliment their outfit! dressing well means that you take the date seriously, complimenting them to foster a better sense of comfort and confidence, and they'll compliment you back! extra points if you made them all blushy and giddy!
nagi really wasn't the best at this.
instead of dressing 'nicely', all he wore was a big white hoodie and pants. didn't put much effort to his hair and just went off. it wasn't his problem that picking an estimated outfit was such a hassle. it's good at least it is something that covers him, right?
it all went downhill when you showed up, listen. he always thought you looked fit and nice in your suit work, and now he definitely wasn't ready to see you in regular, uniform out of work place. you just looked... so good, even great, stunning and beautiful, you name it.
nagi barely breath out a greeting, his eyes too busy scanning you from head to toe over and over, he couldn't take his gaze out of your sight even when you were on your way to the table. and he almost stumbled over twice for that, the first was nearly his face planting on the floor, and the second time he almost knocked out a whole plate of drinks. you just somehow managed to muddle over half of senses with your looks alone, maybe he should've considered writing his last letter.
"nagi.. you're staring too much."
the of yours dragged him out of his thoughts line. he saw as you held a sheepish— extra points?—expression, it was either from his heart-eyes eating you alive, or the date itself was bringing you to the nervous state, or both?
nagi cleared his throat, slightly cringing at himself for staring a little too hard. he was absolutely not doing reo's steps justice.
"sorry. you just, look really pretty." if not the prettiest of all, but again, nagi has eyes for you only to pay a mind to others around him.
your breath halts at that, you don't know what to say for a second, nagi himself was complementing you? and the fact that he said as it was a matter of a fact was such an out character thing. but at the same time a an amiable change. and it was for you only.
"thank you, I appreciate that." you say as you kept on twirling your fingers over your hair, you felt like a lovesick teenager. "I think you look very nice as well." you add, almost like a whisper, he still managed to catch it.
nagi let out a scoff, not even a smile forming on his features for that. "it's just hoodie, really."
"i still like it, it's very like you. I'm happy seeing that you can be yourself around me."
he flinch a bit at that, he really wasn't ready for this- it takes a strong-soulful soldier to handle this. and he really, really wanted to be gods strongest warrior just for you. so he gets a grip on himself and mumble a thanks.
you smile sweetly at that, and nagi may really be not the strongest soldier under your spell.
50 points!
STEP THREE: make a conversation! show interest in their personal life and listen to every ramble they have, try to also throw side comments there and here to support them and blow away any negative feelings of the talk being one-sided. also try and talk about your own life to make it easier for them to talk all night. SIDE NOTE: try and joke around to bloom a friendly tune. extra points if you made them laugh!
third time's a charm, right?
however, since nagi was uncommonly unfond of others babbling. in fact he found it annoying and it was hard keeping his eyes evenly open. but then when it comes to you, he found your feathery tune to be airy, he grew ease to it pitch.
so he handed over all his senses of hearing to you on one knee, and let you speak freely. switching between different topics form nowhere, and like the world- his world- itself was turning for you only, his eyes and soul was for you to talk and he'll rot into a shallow void to your lovely enunciate to play on a broken radio repeating.
maybe he should tell you to stop, because your non-touched food was getting cold, and maybe he should tell that to himself that too because he didn't even realize his plate was even there.
it felt like he had drifted from the original plan, instead the tables were turned and he was the one being swoon by you..
not that he minded honestly. but ending the night with you being the one who filled the space was enough to create a makeshift reo berating him, nevertheless, nagi really, really wanted you to like him back. to consider the idea of another date with him.
plus, he also liked your laugh, he really did. didn't the guide say something about making you laugh? even tried telling a joke that you actually chuckled at, something that was unneeded to say that his book was empty, he had to search on google "funny jokes" for gods sakes, how hopeless can he possibly get?
"why couldn't the sunflower ride it bike?" nagi utter flatly, "why" you slope your head to the side. "because it lost it petals." the joke was old, dusty, forsaken. and the urge to recoil the second it left his mouth was understandable. but somehow you still pushed out a laugh at it, you don't know if it was an amusingly one, or because that nonchalant face was clearly begging you to laugh. with that monochromatic tone and all made it even funnier.
that bloomed the smallest amount of exhilaration within his rib cage. it was lovely, and what was made the giddiness to flourish inside his belly was the fact that he was the reason for it. it felt priceless. a sight to a crave in his midst. completely bizarrely about all of this, nagi let's you take over him. to consume him, his heart, his breath and soul were yours to claim.
at least he did something good that night?
70 points!
STEP FOUR: walk them back home! it's quite a simple act but very affected and gentlemanly, make sure to make them feel save and guarded! hidden notes: try to hold their hand!
after paying the price, you and nagi take your leave. with also nagi's off attitude with him opening the doors for you and let you walk first. although, who were to complain about such a treatment? you'll take it
but weirdly enough, nagi was a bit on the edge. like he had a n amount of ants in his pants, couldn't look at your direction, barely spoke out a response, or anything in general. and 一was he holding his breath???一
wait, was nagi actually.... nervous?
you glanced at him, shoulders stiffened, hands moving too much and fast, mouth was dry and agape, half dizzy 一when he isn't?一
now that you did not expect.
it was even ten times worse than him in the cafeteria earlier, it felt like nagi was about to confess to you his cruelest crime. the tenseness was mixed with the deep-seated tenderness, nevertheless, it was a bittersweet taste. and it kept on going until you two stood together by your home.
"i had fun tonight, nagi." you spoke first.
he finally flinched out of his own world, he sees you rubbing your arm, the gesture was sketchy, almost as if you were waiting for him to say something, anything.
but nagi's mind was blank, blow out an air in his ear and it will run out of the other, empty head. yet his mind was roaming, that need to say something clung up to him again. too many thoughts he cannot process.
but all nagi did know was he wanted you to stay a little longer.
"that's.. good?" he should have stayed quiet, what kind of answer is that.
you nodded awkwardly in agreement, breathing out an 'yeah..' he felt a bit guilty at making you feel uncomfortable, the fact of him being unfaithful may have crossed your mind, and nagi didn't like it. but you always managed to make feel weird, he always felt too warm when you would get close to him, words were lost when he would look at your eyes, and now this..
but despite everything, he felt like himself when he was with you the most..
every game had it secret move, and his was that he need to let himself be.
"can we do this again? i also had a good night." a part of nagi wanted to add that it was one of the best nights he ever had, yet it was too cheesy, cringe.
"yes!" you replied, too fast. you sounded so desperate! you palmed your mouth, embarrassment remains on your face as you cleared your throat. "i mean.. yes, we can do this again."
nagi had to physically bent down his head, he was gonna set you on fire alive with his eyes, if he may say, you looked cute when flustered. and his heart wouldn't stop beating so infuriated, almost bursting out raw of chest.
nagi for some reason, stretched out his arms. it was bold and he knew it, he just did it and hoped for you to handle it. "um.. can i?" he sees you halting at your place. eyes ogling around but his own.
you walk up all jittery to him until there's barely any inches left between the two of you, you kept your eyes glued to your feet as if it was the most interesting thing in this moment, but it's also like you were asking him if it was okay, unsureness. so he pushes your head gently forward to rest on his stiffen chest. an arm runs around your back to force you as close as possible to him.
you shrivel when nagi's nose would be buried deep unto your hair locks. your scent would draw him at slacken, his whole body bending against yours that you felt like he wanted to crawl under your skin desperately, searching for the seeds of endless love you endowed to him.
you didn't know if you were somehow intoxicated, but you swore that you felt a pair of soft lips pressing against your skull, god, you felt like melting and soon to become a paste sliding down between his fingers. you gently pushed yourself back, and perhaps you imagined nagi's whining for you to not let go. it's like you were gonna fly away once he unwrapped you free. the second you meet his face, a pout expression on his lips, and you couldn't help yourself from cupping his cheeks, squeezing them slightly. a smile made it way to your face as his eyebrows grew frowned.
nagi's hands were on yours, pulling them down from his face, but not too far. unabashedly keeping his eyes locked with yours, he was holding you tight and close, basically hostage. the bug-stomach is back at again but more fiercely than ever.
80 points!
FINAL STEP: kiss.
the dull hue travels down on your lips. boldly, he doesn't look away for what felt like eternity, if anything it seems like they grew heavy the second you parted them slightly to say something that sticked on your tongue.
"can i kiss you?"
was he trying to kill you?
you don't respond, instead you made a move to give him a quick peck on his cheek. backing off faster than ever. nagi stood still, rooting in his place, completely bamboozled. his mind stopped working and his eyes were drifting off in different directions.一is it normal that he felt like melting to the ground?一
"im so sorry, nagi- i just got really nervous and-"
"seishiro."
"eh?"
"seishiro, call me seishiro." he finally found a piece of mind to say. he didn't know if it came out as a command, but he sincerely wanted you to call him by his name. he'd die a happy man then.
"well.. goodnight, seishiro. can't wait for our next date," you said, weaving before your door. nagi barely being able to wave back, his mind was still half empty. you just made him see the light of the stars and left with with the sweetest, loveliest smile for him to think about for the next couple of weeks.
maybe he stood there for a little longer than he should have, his face was on fire, his heart on race track. antithesis of the nonchalant face he had, he made a move to rub the spot you pressed your soft lips against. and the first thing that came to his mind that it was definitely worth it.
and by now, he absolutely forgot about the points and the game itself. oh well, at least half of it worked. he just did it in his own version, which apparently was charming to you. nagi thinks if being charm to you, than he can come over anything.
limitless points! you have made your own path to the heart!
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571 notes · View notes
bunji-enthusiast · 3 months
Note
Hi hello! Idk if your request is currently open or not, but I'd like to request a fic where the Reader is a member of the Smiling Critters, they're still alive due to Catnap's fondness of them. They're on his side but hate it, only doing it in exchange that Dogday wouldn't get hurt.
With Catnap's permission, they would visit Dogday and give him whatever food they could find ( let's say Catnap still has some fondness for Dogday inside of him ) but with limitations.
You can change the idea into how you prefer! Thank you in advance :D
Ps. Mind adding a scene where Dogday calls the Reader " Angel " and reminisces about Catnap's fondness for both of them? I hope it makes sense, I just melt seeing Dogday calling us Angel :'D
Here We Stay
Note || KSJSJSJD I loved writing this, everything makes sense :D My apologies I took so long to write this! Kinda short too but UUHHHHH-
WC || 1,176
Sypnosis || being a member of the Smiling Critters meant you would’ve died one way or another, but you didn’t. Now all you can do is hope for the best.
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One of the worst possible things could be corporate greed, even just having good intentions yet the worst execution is a plausible answer. Just how could you be forced into this situation? Trying to make things worth Catnap’s while is harsh, the only reason you knew you were alive right now was merely because he was particularly fond of you and DogDay alike. He wasn’t the same after the fact the Prototype’s reign began, you weren’t aware of much yourself, so all of this was just plain scary to you.
All your friends just disappeared and died, some of which you didn’t know was happening. You only got all that information because of DogDay.
You hated the circumstance he was put in, it seemed so painful for one’s legs to be severed and just hung up there the way he is now.
Repeatedly however, DogDay has assured you he didn’t mind being like this so long as you were in good health. He couldn’t bear knowing he wouldn’t be able to do a single thing for one of the only friends he has left. So many of his friends were gone already, DogDay would elect to die for you if it meant you would live.
Truth be told, you had only exchanged the peace you had before so that DogDay would not get hurt anymore then he already has. Catnap had full will and the power to completely end your life otherwise, you just were scared. 
Sometimes when you could, you would take a look at the broken clock that had somehow still worked like normal–and think about what time it would be in the day–Is it nighttime? How about daytime. Oh how you wished you weren’t subject to things the way they are now, all because of the wretched rules of humans and even the abject rulings of the Prototype himself.
Why would Catnap even view that silly toy as a god anyway? Perhaps that was for him to know, and for you to find out. Once, your life isn’t in any danger any longer. Just maybe it will be possibly any hour now, one can only hope. 
Trying to scrounge the Factory for any possible food was getting harder and harder every hour, one could argue it may be the stupid little mice stealing those last precious crumbs away. You would argue it would be the little Wuggies, those small toys were objectively brisk–and limpid too (colors so closely related within the walls of the factory, you forget sometimes they are even there).
You try hard to not forget where you are, in order to get back to DogDay with food for him. That was the only reason you were even anywhere else and away from your sunny friend, you would still be close to him any chance you get on account of Catnap’s permission. 
You wished otherwise.
“Ugh!” Groaning, you step over the possible weak spots that would have you falling through the floor. “There has to be food around here somewhere..” You mention, notioning to the fact you had now stepped into an office. There would be bound to be food here!
With an ounce of hope, you began scrounging the office for any possible heaps of food that you find. Ruffling through any drawers and papers, this office seemed to be a mess. You paid no mind to the messes anyway, there are bound to be messes since the last ten years in Playtime Co. 
“Success! Haha!” You triumphantly hold a bundle of donuts in your hand, “Take that Hour of Joy!” 
Winding down from your self inflated permeated success, you began making your way back to DogDay. You’d have to speak to Catnap to get to him first unfortunately, you always hated this part. Nonetheless, it was necessary.
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You picked up the phone, already dialing Catnap to inform him of current conditions. You carefully had curated your words, you always did this when you spoke to him which ever way.
His deep voice rumbled soundly in your ears, “Food, for him?” 
“Yes.” You silently groan, kicking a benign rock stubble as you stand around while awaiting his confirmation. Why the hell was he so scary to you? Though, Catnap’s voice was oddly reassuring when he spoke without malcontent. For a moment, there was a long pause. 
You swore you could hear someone screaming and pleading to the giant purple cat; you felt bad for the unlucky victim that had crossed paths with Catnap.
“...” Then the phone hung up, you sighed a breath of relief that you could visit DogDay. Many things you would do for him just aside visiting, was having to loop in Catnap on whatever the contents of the material you would bring in hand with you. You knew the cat well enough his pause of silence meant yes. 
Well, you can go now at least. You don’t even want to recount the last time you had brought something to DogDay without telling Catnap. 
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You stepped over the rubble that had led up to the heretic altar, you recognize he is one of the many dubbed a heretic, you truly wished he wasn’t in so much pain this way. Though immediately another thought crossed your mind.
This hallway needed some serious cleaning up to do.
A strained voice pulled you from your thoughts, “You didn’t have to bring anything my friend.” DogDay was being positive about you as per usual, you sighed as you stepped up to him then sat down as your legs were weary and tired. 
“DogDay we are friends, I’d do anything for you.” You motion, taking out a donut so you could feed it to him. Though in a rare few circumstances you were allowed to free DogDay’s hands so he could eat himself. Unfortunately it was not one of those circumstances. He took a willing bite, chewing it up as he savored it. 
For a moment, he wasn’t sure how to articulate anything, “Do you, remember how he was before… Angel?” DogDay was still mournfully thinking about Catnap’s old self, which he had every right to do. Knowing someone for as long as you would, then that someone changing so drastically–especially not in a good way–can be startling. 
You fed him another bite of the donut you held in your hand, “How could I forget? He was quite silent, sure enough. But he was always considering each and every one of us.” You nod with a tilted head. Oh, if you had the chance to turn back the clock and change things, you would’ve done it all in a heartbeat. 
Sincerely, you were scared. Scared for Catnap, scared for DogDay. All your possibly living friends you know are still alive. 
You grin slightly, wanting to alleviate the conversation and change the subject, “You might need a cleaning.” DogDay couldn’t help but bark–reminiscent of laughter–at your words. He shifted himself noticeably, most likely to bear the weight from one end to another. And remove the discomfort for a little bit before it would dare come back. 
“You may be right, my angel.”
"One can only hope."
541 notes · View notes
munsons-hellfire · 4 months
Text
Forever Together 1 | Poly!Bat Boys
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SUMMARY: You didn't think you'd find a mate, let alone three mates. Over the course of the decades it snaps for them first, then snaps for you one at a time until the worst possible thing could every happen. With truths revealed you can finally have the happiness you had always deserved.
PAIRINGS: Bat Boys x Reader
CONTENT WARNINGS: Wing clipping (mentioned at the beginning in detail, and mentioned somewhat through out the one shot), mentions of cheating (reader's mother), mentions of abuse (reader's father and brothers), angst, fluff, no smut.
AUTHOR'S NOTE: Firstly I feel as though in some parts they might be rushed. I didn't entirely follow the books except for the ending of the third one and I did change the plot line as the bat boys are reader's mate. Feyre has a different mate, and if you'd like more to this story Nesta would be mated to someone else. I have more ideas for this storyline in particular, so let me know if you'd like to see more. Anyway I hope you enjoy.
WORD COUNT: 6.2K Words
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Pain. Pain was all you could feel. Blood was what you could smell. Laughter coming from your father and brothers is all you could hear. You didn’t know how you had reached this point. You were leaving for Velaris to see the males you considered family more than your own family. You had your bags in hand and were getting ready to take off when they had attacked you. Your brothers had tackled you down to the ground and held onto you while your father took your wings and clipped them from your body.
You didn’t know you could feel so much pain like you did as they were being cut off. They had taken away the most important thing in your life, and they had all laughed while they did it. They didn’t give you a reason they just did. After taking your wings this disappeared and left you on the outskirts of their camp to die. Moans of pain left your throat as tears cascaded down your cheeks. Your back was on fire, as rain droplets hit the open wounds. Your wet hair covered your face, and your body was covered in mud with bruises forming around your wrist and on your knees.
You rested your forehead against the ground as you continued to cry at the loss of your wings. You knew that Rhys, Cass, and Az were probably worried when you hadn’t showed up. They were your best friends and had been since you had met them before Rhysand had become High Lord. You were lucky to find them when you did, they had given you a second chance to have a family that cared about you. Morrigan had easily become one of your closest friends. Amren didn’t warm up to you at first but she eventually pulled around.
Rhysand had asked that you permanently move to Velaris with them, you had agreed simply because you were afraid of losing your wings. You just wished you had left sooner when the offer left his lips. Now they were gone and you would never be able to feel the wind in your hair as you flew through the sky. You’d never be able to feel the freedom it gave you anymore. It was taken from you, and those males you had called father and brothers had taken from you. Azriel had been flying back to Velaris after a mission when Rhys had spoken to him.
“Y/N hasn’t shown up. Can you find her and bring her home?” Rhys asked the Shadowsinger.
“I’ll bring her home, Rhys.” Azriel adjusted course and headed towards Illyria, towards your camp.
When Azriel changed his course a wave of pain rushed through him and he almost crashed into a tree. He could feel your panic, and he was certain that Rhysand and Cassian could feel it too. Maybe that was why Rhys had spoken to him and asked to look for you. When he got closer he could smell your blood. He knew what had happened almost instantly. He regretted not fighting harder to bring you home weeks ago. The male collapsed to his knees beside you, his scarred hand reaching out to you and moving your wet away from your face.
“Y/N, can you hear me?” He questioned, moving to feel for a pulse.
You didn’t answer, but he sighed when he felt a pulse. It was weak but there. His shadows were just as panicked as he was. Very gently Azriel picked you up from the mud and held onto your body. Azriel called to Rhysand as he moved with his shadows. When he arrived in Velaris he took off to the House of Wind. When he landed outside the house they were all waiting. Fear had been etched into each of their faces as they all took you in. The blood had somewhat clotted but in some areas it was still gliding down your back. Mor took in your state, your face pale from the bloodloss.
“What happened?” Was all the female had managed to get out. Anger had made its way onto Rhysand and Cassian’s face as they stared at them.
“I don’t know. I think she was attacked, they clipped her wings.” Azriel explained, a sob ran through your throat at the words that left his mouth. You clung onto Azriel tighter. But it wasn’t enough, you felt yourself slipping, the voices around you growing distant. Everything disappeared, you were alone in complete darkness. But one thing remained that you held onto, a golden string that tied you to three males.
Cassian was pacing the hallway, Rhys and Azriel sat next to each other watching the male. Mor and Amren sat in the living room, waiting. Madja and a few other healers were in the room working on your back. Cassian stopped moving when your screams ripped through his ears. It pained him to not be in there with you.
“Do you know who did it?” Cassian finally asked, closing his eyes fighting the urge to run into the room to be with you.
“No.” Azriel’s jaw clenched. “Though I have a feeling her family was responsible. Something happened for them to act the way that they did. Attacking her at night when she’s set to leave knowing she’d never return.” Azriel added.
“I want the entire family brought to Hewn City and locked up until we can figure out what to do with them. I don’t care who did this, they will pay for taking away the one thing that meant the most to her.” Rhysand ordered sharing a look with his Spymaster and his General.
“I can go get them right now and lock them up until we’re ready to talk to them.” Azriel said, though he didn’t want to leave you. Hearing your screams of agony was killing him just as much as it had been Rhys and Cass. He needed something to distract him until Madja and the other healers had done what they could. Rhys gave a simple nod of his head.
Before Azriel could leave another scream escaped your lips, he allowed a shadow to leave him and stay in the room with you. The shadowsinger watched as it slipped under the door. It found a spot on your neck, helping you cool down. With that Azriel disappeared moving into the shadows to find the ones that had taken your wings for their own sick game. Though he had no doubt in his mind that your father was getting ready to place them on the mantle in your home as a prize.
“We can’t tell her about the bond, not now anyway.” Cassian mumbled as he sat down next to his High Lord.
Rhysand turned, his violet eyes searching hazel eyes. The mating bond had snapped for them all at once a few weeks ago when they were with you. They had shown up to the war camp and taken you to the cabin where Mor and Amren already were. It had been such a fun time for you and all of them. To be able to spend free time without the fear of your father looming over you. You were completely wasted alongside Mor, the two of you dancing and singing not a car in the world. And as the three males stared up at you with your arms wrapped around Mor laughter falling from your lips that golden string connected the three males to you and to each other.
The confusion was clear as day when it happened, and you were completely oblivious to it. In the coming days after discovering the bond the three males had managed to work through what they felt, they were better now because of it. But they wanted you to know, they didn’t want to force the bond, but keeping it from you would only anger you so they agreed to tell you when you had come home to them. Rhysand reached out for Cassian’s hand and held it tightly in his.
“We’ll tell her after she gets through this. She’s going to need all of us, Mor and Amren included.” Cassian gave a nod of his head. The affection that each male received from each other since the bond had snapped was still very new, however it was a welcome surprise. Finally the doors opened and Madja stepped out. Her eyes landed on the High Lord and the General.
“How is she?” Cassian was the first to ask the question, needing to break the silence both between them and in his mind.
“She’ll pull through. Though she’ll be in pain for a few days, it’s best for her to rest while the scars heal. She’s also asking for you two and the spymaster.” Madja explained, looking between the two males.
“Az, get back here now.” Rhysand’s words were firm but an order. Luckily he had your parents and brothers locked in cells in Hewn City. They would most likely be waiting a few days in the cells.
“I’m on my way.” Was all he said.
Rhysand watched Madja and the other healers disappear, leaving them in the hallway. He could hear Madja talking to Mor and Amren, most likely explaining what she had explained to Rhysand and Cassian. The two males finally walked in, the door closed behind them. You were in the center of the bed, laying on your stomach. Your eyes were closed, sweat was falling down your forehead. Bandages covered your back where your wings had once been. They moved closer to the bed but stopped.
Azriel appeared in the corner of the room, his shadows surrounding him, talking to him, “safe”. They’d said, and you were and you would be from now on. Finally you opened your eyes and stared at the three males that stood before you. Sorrow rested in their eyes as they continued to stare at you. They could feel your pain through the bond, feel how much it  was killing you to not feel them on your back anymore. These next few months were going to be hell but you were thankful to have these three males by your side.
───── ❝ ◂ ❚ ⊱ꕥ⊰ ❚ ▸ ❞ ─────
Rhysand stood in a dark room with Cassian and Azriel behind him. The High Lord was staring down at your father. He had talked to your mother and brothers but none of them had said an ounce of anything. A few days after you had gotten enough sleep and had healed somewhat Rhys had brought up the topic of what to do with your family. You had given the decision to the male considering you could never look at any of them again. So here they were trying to get to the bottom of why your wings had been completely clipped from your body.
“Why did you do it?” Rhys’ voice was powerful as the question swam around the dark room.
The male glared at Rhysand, then his eyes fell onto Cassian and Azriel. Finally after hours of asking the same question the male snapped and shared his true intentions behind your wing clipping.
“Because she is a bastard child, never should she have been born. But who was I to deny my wife another babe? I should’ve seen it though. She looks nothing like me.” His voice was cold and his eyes were dark. This information that he had discovered was something the three males needed to know without realizing it.
“What are you talking about?” Cassian urged, taking a step forward but still holding his ground behind Rhysand.
“The female that you consider a friend, she isn’t my daughter. She belongs to that High Lord in the Day Court. According to my wife she had gotten pregnant when she went to visit some friends in the Day Court.” The male paused clenching his fist as he thought about it. “I should’ve picked up on it sooner.”
Azriel and Cassian had shocked expressions on their faces as the words ran through their pointed ears. They quickly put on a neutral mask to hide the shock.
“You’re saying that Y/N is the princess of Helion?” Rhysand asked, trying not to let his voice falter.
“Unfortunately.”
“Why did you take her wings from her?” Azriel asked.
“She didn’t deserve those wings. She didn’t deserve to have any trace of those wings. That female got what was coming to her. I only wished I had ended her life that night instead of taking her wings from her.” He seethed, staring at the males.
Rhysand leaned forward and lifted his hand to the male’s head and slammed it into the table, breaking his nose. “You took away the only thing that meant everything to her you damned bastard.” Cassian and Azriel were quick to pull their High Lord from the male and out of the room. When they were no longer in the room the two males let go of Rhysand. They stared at him intently as his emotions flew down the bridge between them.
“What are we going to do with them?” Cassian was the first to break the silence between them.
“They’ll stay locked up. And we’re telling Y/N everything. She deserves to know the truth about her father, about who he actually is. But not today. Let her rest today. We’ll tell her in a few days.” Cassian and Azriel gave a nod to Rhysand.
───── ❝ ◂ ❚ ⊱ꕥ⊰ ❚ ▸ ❞ ─────
They had done just that, allowing you to take in the new information of who your real father was. You had taken the news better than they thought you would. Somewhere deep down you had always known that the male that raised you wasn’t your father. And now there was a chance for you to have a relationship with your biological father. In the days since you had started your recovery they had decided to keep the mating bond from you just until you had healed back to full strength.
It would see that fate would have other plans for the four of you. A few days after your recovery had started Rhysand had left for a party. He had received an invite from Amarantha herself. You had tried to get Rhys to stay with you and the others, you needed him more than ever (though you still weren’t sure why). But his duty as High Lord rose above, he promised you, Cassian, and Azriel that he’d be back before they knew it. He made it clear to Cassian and Azriel that they’d discuss the mating bond with you when he got back as he no longer could keep it hidden and honestly neither could they.
When Rhys had been locked up Under the Mountain and you all had been locked in, Velaris, not able to leave. Things changed. The bond had snapped into place for you with only one of them. It had snapped one day when you were out on the roof training with Cassian, he had knocked you down and held you down to the mats staring into your eyes. The wind had been knocked right out of you when you looked back up at the General. That was when it all came out to you, the truth. Azriel stood near the two of you.
“How long?” You asked, still staring at Cassian.
“We’ve known since the Cabin. It snapped for the three of us at the same time when you were dancing with Mor in the living room by the fire.” Cassian explained as he moved back from you allowing you room to breathe and process the information.
“You’ve all known I was your mate since before my wings were taken and you didn’t say anything?” You looked between Cassian and Azriel, you still only felt the bond between you and Cassian but it was strong. They both gave a small nod.
“We were going to tell you that night, the night I found you in the rain bleeding, crying out at the loss of your wings. But you were so broken, and having found out that Helion was your father we couldn’t tell you. We all felt that it was too much stress to have you under and we didn’t want to put you under the pressure of the mating bond. Rhys said we would tell you when he came home from the party but now who knows what’ll happen.” Azriel said.
You could see the pain in both of their eyes and while you were missing Rhys more than anything right now. You could see just how much they missed Rhys because they had felt the bond snap for them, they were connected to each other and it was only now that one of them had snapped for you. It was just Cassian and not Azriel and Rhysand. Your heart ached just thinking about it. About when the bond would snap for you. But right now you need time to clear your head.
“I need time to process this.” You breathed out, dropping your head into your hands. “I only felt the bond between Cass and I snap.” You paused looking up at Az. “I don’t doubt that all three of you are my mates, that we are mates for each other. I will admit that the Cauldron had blessed us with this mating bond. But I know that you and Rhys will snap for me when the time is right. But for now I need time to process.”
“You will have it, we’ll give you as much time as you need.” Cassian exhaled.
“We’ll wait however long it takes.” Azriel added.
Later that day you had found yourself in the kitchen making dinner for everyone. Mor and Amren were in the living room with Cassian and Azriel. You had found that cooking had helped you find some semblance of peace. It cleared your mind and allowed you to think properly. What you hadn’t expected was to feel the return of something you had missed for so long. You stopped what you were doing walking into the living room and staring towards the door.
Mor noticed you first, she stood from the couch and walked over to you. She grasped a hold of your hand as tears started to fall from your face. Rhysand stood there near the front door, a male behind him. Rhys’ eyes were panicked as he looked for each mate. Mor finally turned to see what you had been looking at.
“Rhys.” You breathed out. Cassian and Azriel had already been staring at their mate. You felt the tug of the bond through Cassian, his happiness flowing through it. You left Mor’s side and ran to him, colliding into his body and hugging him tightly. He hesitated hugging you back, something you, Cassian and Azriel had picked up on. But then your thoughts washed away when he hugged you back. Then you took in the male that stood behind Rhys, when you pulled away from him he noticed the confused look on his face.
“This is Ryder, he is my friend. Feyre is his mate, the one who saved all of us. He was kicked out of his court because he attended the party with his High Lord.” Rhysand started to explain.
“It was more like I went against the wishes of Beron. I couldn’t stand the male anymore.” He said, looking at the ones that stared at him.
“Welcome, I was just finishing setting dinner out, please join us.” You said softly. Rhys found his heart skipping a beat at your kindness towards someone you had just met. You walked away from them, Mor followed behind to help bring the food out. When you disappeared, and Ryder walked with Amren over to the table, Rhysand's eyes found Cassian and Azriel staring at him.
“We have a lot to discuss but not tonight.” Rhysand said, the two gave a nod of understanding.
───── ❝ ◂ ❚ ⊱ꕥ⊰ ❚ ▸ ❞ ─────
In the months since Rhys had been freed a war had been looming over everyone’s heads. Feyre Archeron had after a few months had officially joined the Night Court leaving Tamlin behind. Things were changing and you could feel it. But then it happened, you were on the ground near Rhysand tears spilling out of your eyes. Cassian and Azriel were both hurt and the Feyre’s sister’s had been forced into the Cauldron.
But you couldn’t focus on anything else, not when the bond for you and Azriel had finally snapped into place. You were now tied to Cassian and Azriel, but now you might lose both of them. A sob escaped your lips. You looked up as the Hybern king walked towards you. He pushed Rhysand out of the way and grabbed a hold of your chin lifting it towards his face.
“What a surprise? Mated to three males, but only two have snapped into place. Two of whom might die.” His words ran around the room and shock fell onto some faces.
“You don’t know anything, bastard.” You spat, choosing at that moment to put yourself together. This had been why Rhys had made you High Lady. He knew that you had known about the mating bond and while you had fully accepted it you had still been waiting for it to snap between you and Azriel and you and Rhysand. The High Lord knew you would make a wonderful High Lady as his equal.
“Don’t I?” He taunted. “Your wings were taken from you because your father discovered that you were the princess of the High Lord over in Day Court. You're mated to three males. You little shining star are easy to read. Your face gives away everything, and so does your father.” Your heart stopped beating as you looked at the male that still held onto your chin.
“What are you talking about?” The confusion was evident in your voice.
“Well someone let go of your brothers and parents when Rhysand was trapped in the Mountain. And let's just say they joined my army. Though I can’t say the same for your mother. She put up a fight but it was easy for my niece and nephew to squash her brain like it was nothing. She was given a worthless death.”
“No.” Was all you could manage to say. You could feel something running through your body but nothing could escape. You just kneeled there not believing that your mother had been taken from this world. The Hybern King had been hoping that some of your power from your true father might escape at the mention of your mothers death but nothing happened.
“I guess your mother wasn’t important. Maybe I should kill the shadowsinger. Or how about the general since he was the first to snap for you. Maybe he’d be the one to bring forth your power.”
You moved your hand behind your back as you lifted your face glaring at the male before you. Rhysand, Feyre and Ryder watched and pulled a small dagger out of hiding. Slowly you stood from the floor to better match up to him.
“You will not lay a hand on any of my mates because if you do, I will make sure you die a slow and painful death.” As those words left your mouth you pulled your hand back and managed to throw the blade into the male’s chest. He roared back in pain and it had been enough of a scene for everyone to make it out. Rhysand wrapped his arms around your waist and pulled you with him.
Your eyes found Feyre and she gave a nod to you. This plan had been exactly what the three of you had discussed. Minus the injuries to Cassian and Azriel. Upon winnowing back to Velaris you collapsed to the ground finally breaking at the loss of your mother. You couldn’t do it in front of them, you know they were in the shadows watching. And you couldn’t give them that satisfaction. Rhys wrapped himself around you and held tightly as you sobbed into his chest.
“She’s gone.” She whispered, another sob leaving your mouth.
Rhys didn’t say anything, he just held onto you while the others made themselves useful making sure Madja was helping Cassian and Azriel. You pulled back and looked into Rhys’ violet eyes.
“I know the war is coming. I can’t lose any of you, I won’t allow it to happen.” Your lower lip quivered.
“Nothing will happen.” But you and Rhys knew that it was inevitable. That someone would die.
───── ❝ ◂ ❚ ⊱ꕥ⊰ ❚ ▸ ❞ ─────
You stood next to your father, Helion. He had come to see you before the battle started. As he looked at you, he could see the glimpse of your mother on your face.
“Did you love her?” You asked, staring into his golden eyes.
“Your mother was one of my many lovers when she’d come to visit my Court. But she held a special place in my heart. And even though she’s no longer here with us there’s a piece of her in you.”
Helion paused as you processed his words. Rhysand, Cassian, and Azriel stood not far off from you and Helion. They could hear the conversation between you two.
“When this is over I’d like to get to know my daughter more. Only if you are okay with that, my little sunshine.” A smile graced your lips as you stared at the make you’d be happy to call your father.
“I’d be happy to do that. I’d like to get to know my real father. I’d like to know what I could’ve had with you in your Court.”
“As my first born you would be High Lady when I step down.”
“No.” The word was stern as it came out of your mouth. You couldn’t take that duty over not only because you were already High Lady of the Night Court, but because you knew Helion had a son as well. You had been told by Feyre and Ryder that Lucien was in fact the prince of the Day Court, that meant that you had a half brother. “I am already High Lady and I do not plan to step down from that position for a long time.”
“Very well.” Helion looked back at the three males that were -almost- your mates. “Do they treat you well?”
You turned to follow his gaze, the males looked away pretending to do something, to act like they weren’t listening in on your conversation when you knew very well that they were. You released a laugh, it had caught their pointed ears and the three males gazed back over to you. The love was ever so clear in each of their eyes, and while the bond might not have snapped for you with Rhys yet; but you knew one thing for certain. You were going to accept the bond with all three of them. You turned back to Helion as he placed his amber eyes on you.
“Even before I knew that we were mates I knew that I had loved each of them for different reasons. And to know that we are mates had heightened that love. I’d go out onto that battlefield and die for them if it meant a better tomorrow and I knew that they’d do the same for me. I may have lost my wings but one way or another they saved me in every way they could.”
“That’s wonderful news my little sunshine. I may not have been part of your life, I wish I could’ve been because I would’ve taken you and your mother away before they ever took your wings from you.”
“I wouldn’t change any of the things that have happened to me. I may not have liked them at the time it happened and what happened with my wings, it was painful to go through but I pulled through. I wish Rhys had been there for my recovery but he was going through worse at the time and so were you. I have learned to move through my trauma and it is because of my mates that I have healed.”
The three males behind you had the biggest smiles on their lips as you explained all of this to your father. “Maybe when you come over to the Day Court to visit we can figure out if you have my shape-shifting ability, if you do then you might be able to shift Illyrian wings onto your back once more and fly through the sky again.”
Your heart beat fast against your chest, it felt like it was going to break through at the mention of it. Cassian stepped forward, joining in on the conversation.
“She could do that?” He asked, his hazel eyes switching to Helion then back to you.
“It’s possible. If Feyre has the ability to shift Illyrian wings on her back then I have no doubt that Y/N could too.” Your knees were going to buckle, you could feel it so you made quick movement and pulled your father into a hug. The first of many for sure. He was shocked at first but eventually he hugged you back. “Now I must go ready my army. I’ll see you out there.”
You watched silently as your father winnowed away, you turned towards the three males. They came over to you gathering around in a circle. You grabbed a hold of Rhys hand, and Cassian’s hand. Azriel stood across from you holding onto Cassian’s and Rhys as well. You looked at each of them taking in this moment before your friends would join.
“I love you all, and I need you to know that before this battle. If one of us doesn’t make it…” You closed your eyes trying to hold back your tears. “I couldn’t go onto that battlefield not admitting to you all that I love you. Regardless of the mating bond not yet snapping for me and Rhys, I love you.”
“We love you too, darling Y/N.” Rhys said, squeezing your hand tightly. You smiled at him as the others joined in the circle and more words were spoken.
───── ❝ ◂ ❚ ⊱ꕥ⊰ ❚ ▸ ❞ ─────
The battle had raged on, you were separated from Rhysand, Azriel, and Cassian. Blood, mud, and grim covered your body and you knew you’d need a bath after this was over. The bond was over the place causing you to panic. You could feel strings tying you to three males, tying you to Azriel, Cassian, and finally Rhysand. A little laugh left your mouth as you threw your sword into one of the Hybern men.
But it didn’t last, something was wrong you could feel it. You knew Cassian had been injured, Rhys had told you via thoughts. But this was Rhys, you could feel something wrong. Especially when his voice came in through your mind and sure enough Cassian and Azriel as well, he was using the bond between the four of you.
“I love you all.” He whispered in your minds. “I love you, more than anything.”
Helion was suddenly next to you, arms wrapping around you he winnowed to where Rhys had been with Feyre. You let go of your father running over to your mate sliding down on your knees.
“He offered his power to allow me to repair the Cauldron.” Feyre’s voice was running through your ears but you couldn’t hear it because you couldn’t feel Rhys, seconds later Az and Cass were there. Tears in their eyes as they looked down at their dead mate.
“No. No. No. Rhys, come back to me, come back to us. Please, we can’t lose you.” You cried out pulling the male into your body. You couldn’t feel anything, couldn’t feel him through the bond, couldn't feel a heartbeat. He was gone, and this was the worst feeling in the world for you, for Azriel, and for Cassian. The two were on their knees watching you cry over Rhys. Tarquin and Helion kneeled down next to you.
“He’s gone, Y/N.” Helion said first, a sob followed after the words left his mouth. You looked at the two High Lord’s as they stared at you.
“No.” You said, shaking your head, tears falling down your cheeks.
“I’m sorry.” Tarquin spoke.
You looked back at Rhysand as those words broke you. You screamed at the top of your lungs, as loud as you could. Power flowed through your body, it lit up covering every inch of you as you screamed for the loss of a mate. Tarquin and Helion backed away from you, the power pushed out of your body and turned into an orb shooting to the sky before bursting into a firework. You rested your forehead on his. Finally Azriel moved over to you, as did Cassian despite his injury. The two tried to pull you from Rhysand so they could hold onto you but you refused.
“Bring him back.” You shouted, looking at the lords around you. This was not ending, this was not meant to be the ending he got. Not when you had finally felt the bond between you and Rhysand. Not when the four of you could finally be happy together after so long. The High Lords didn’t say anything, you could only feel their gazes on you. “Bring him back. You did it for Feyre, you can do it for him.”
“She was human.” Helion said, looking down at you. He could see the heartbreak over your entire face. Over your mates faces as well. “It is not the same─”
“I don’t care. Do it. I can’t lose him, I won’t. Please, father.” You looked up at him, the words escaping your lips before you could stop them. Helion felt his heart squeeze tightly at the new title. It had been something he never imagined could be possible until this moment.
Your eyes found Feyre, you didn’t need to say anything to understand what she would do to help you, Cassian and Azriel get your mate back. Tarquin stepped forward, eyes on you.
“For what he gave,” Tarquin whispered. “Today and for many years before.” You watched as a seed of light appeared in Tarquin’s palm. More tears escaped from your eyes rolling down your cheeks as you watched the light fall down into Rhys’ throat vanishing into his skin. One by one the High Lords started to offer up a seed of light repeating what Tarquin had done. You heard Feyre talking but were trying to feel out the bond for Rhys to listen in.
When Tamlin came up she begged for you, the two of you had become best of friends over the last few months and while she couldn’t understand the loss of a mate because Ryder was right next to her he understood the pain of almost losing a mate. Feyre couldn’t let you go through that pain. You glanced at Tamlin as he dropped the seed of light into Rhys’ mouth.
“Thank you.” You whispered.
“Take care of her.” Tamlin said, as he looked back at Feyre while Ryder held onto her.
“I will.” You placed your head on his chest, closing your eyes, waiting. Cassian and Azriel kept their eyes trained on Rhysand also waiting. In fact everyone had been waiting. But you could feel it, the thud of the bond growing brighter and brighter for the four of you. You glanced at Az and Cass to see the same reaction on their faces. Then you felt it, the graze of his hand on your back. A soft touch and something you never wanted to let go of.
Then Rhys groaned, “If we’re all here, either things went very, very wrong or very right.” Cassian released a broken laugh, he and Azriel placed a hand on top of your hand that was connected to Rhys’. You didn’t let Rhys go, nor did you open your eyes to look at him. You breathed him in as you felt his heart beat against his chest, against your ear. The tears still streamed down your face, but were falling onto his leathers. “You lot will be pleased to know… My power remains my own. No thieving here.”
“You do know how to make an entrance,” Helion started. “Or should I say exit.” That earned a glare from you, your eyes had opened and you had looked up at your father.
“You’re horrible.” Viviane snapped. “That’s not even remotely funny.”
“I meant no harm by it.” Helion paused and became serious as he looked down at the three males that would soon become his son-in-laws once they were mated to his daughter. “Do not hurt her like that again. And that goes for you Shadowsinger, and you General.” The three males gave a nod to your father. Finally Rhysand called your name, for the first time since he had come back you looked at him.
“I’m here, my loves.” He said as he looked at the three of you. His violet eyes lingered on you.
“Good, I don’t want to see what would’ve happened if you hadn’t come back.” Cassian whispered.
“So, does this mean we can finally accept the mating bond?” Rhys asked, a smirk on his lips as he continued to switch at who he was looking at. You looked at Azriel who gave a nod, then at Cassian who did the same. Finally you looked back at Rhys.
“If it means we get forever together then I can’t wait to accept the mating bond. I don’t wish to live in a world where none of you exist. And I don’t wish to live another day without being able to call you mine forever.” You smiled at them, the smile never leaving your lips even as you returned back home.
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Part 2
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misty-caligula · 11 months
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Okay this is gonna be long, but I’ve got a lot of ground to cover so please bear with me. In a real way, this is my series thesis.
I’ve said before, many times now (like a cycle) that for me the most important scene is ep 1 act 1 scene 1. There’s something There that I have been struggling to see clearly, struggling to articulate, and s2e9 really finally gave me the last pieces for it.
I think that Pit Girl is the point of the entire story. But not in the way that I thought going in. I feel like I’m rambling, so I’m going to try to structure my thoughts.
Imagine you’re a new viewer. You haven’t watched yj start to finish 30 times, you’ve never even buzzed before. You turn on the tv and the FIRST thing that happens is you see ... brutality. A half dressed girl chased through the freezing woods, murdered without a chance. They drag her through the snow, string her up, pour her blood on the ground. Hack her into unrecognisable chunks. Sit around in scary outfits and rip at her, with a huge focus on the teeth, as horror music plays. Then, Misty takes off her mask, puts on her glasses, and does the worst possible thing. She smiles. Directly at you.
Again, forget everything you know and go on vibes. You’re seeing the teens pre-crash, and you’re seeing them in the third timeline, fully formed, with horror motifs and covered in fur. You’d be mistaken for thinking that you were seeing start and end. Except that... we know, and you know, that Pit Girl is the middle. These monsters somehow came back from this. How? When they’re so so so far gone?
Hence the show. I know I’m not breaking new ground here, but bear with me. I’m going somewhere.
(Edit: Readmore added because honestly, LONG post)
You’d be forgiven, fresh-faced new viewer, for thinking you were watching some kind of gross-out slasher. But what happens in S1? Restraint. Laura Lee, the first non-crash victim dies at the end of episode eight. Jackie end of ep 10. (For the sake of this thesis we’re going to be almost exclusively focused on the teens.)
And yet there’s this tonal shift, It’s like ... inevitability. Like watching a crack in a window that’s very slowly spreading. Everything is steadily Getting Worse. The weather is slowly getting colder, the days are getting darker, food’s getting scarcer, life is getting harder. But so much of this difficulty is coming from external events and pressure. Yes, cracks start to show in the internal relationship dynamics, of course, but if food was plentiful, if shrooms were less so, if the weather were better, then they could probably work out a very long term stable situation. Sadly for them, things are not stable, and the pressure is building.
Then Jackie dies and the glass gets a really big break.
It’s worth mentioning at this moment that Jackie at any time could’ve come the fuck inside. Safety and warmth and even love were available to her. All it would’ve required was for her not to be the centre of the world. To make actual goddamn concessions and join the team. Which is why she couldn’t possibly make that choice, because she had to be invited, she had to be apologised to, she had to be accommodated. She couldn’t see the rest of the ‘jackets as being people who just like her were in a really shitty situation. She saw them as being external, as being in cahoots against her, as being part of some Thing that she wasn’t in on. She couldn’t let go of the society they’d left, and she preferred to die. Which sure is a choice...
Keep all of that in mind though. We’re taught to blame Shauna for Jackie’s choices. Let’s stop with that. Jackie chose not to assimilate, she looked around the cabin at the team eating the bear and praying to the wilderness and instead of just paying lip service to fit in, like Tai, she decided to put her foot down and make a Thing of it. She decided that being Right was more important than being Included.
Seriously, keep that in mind, we’re coming back to it. Cycles, you know...
Season 2, everyone’s hungry and hey we have this spare Jackie lying around. And we joke like “ha, you gonna eat that?” Only...
No. They WEREN’T going to eat her.
Really think about that for a second. They put her in the meat shed. With the bear. Think about what that does, psychologically. Linguistically. The meat shed is made to store food. The bear has a word: carcass. Day after day after week after month they carve progressively more pathetic chunks from it, subsisting on what little it offers. In the EXACT same room, sitting right there is Jackie. Her body has a different name. Corpse. With many different connotations. At NO point does ANY of them raise the fact that they’ve taken their friend and added her to their meat stockpile.
Because they haven’t. Instead, they’ve added a new sub-room. The meat shed is now also a morgue. And nobody ever once had to say it. They got it. We got it. You got it. And while they starved and their bodies BEGGED for food, Jackie’s corpse lay there, frozen and fresh, and stubbornly refused to become a carcass, because they wouldn’t let it. They knew that there were more important things than meat, even when they were starving.
The bacchanal was a mistake. A literal error. It simply wasn’t planned, wasn’t meant to go down that way. Maybe if they HAD considered that route earlier and had a discussion about it they’d have been prepared, psychologically, maybe if they weren’t so starved. Who knows. But in the middle of the night they were offered a way out, and they took it.
But Shauna took it first.
Even in their state, even faced with an ideal roasted feast infront of them, they waited until Shauna said it was okay. Because Jackie was Shauna’s friend, and they knew that she was still a person. That this was still a corpse first. It was Shauna who was able to give them permission to survive. To turn a friend into a meal. It was not their place to take that step. To shoulder that guilt. So Shauna did it for them.
The next day they’re devastated. The heavy reality sets in, now the hunger is settled. And Jackie’s carcass is far too real, they can’t change her back into a corpse. Nat tries, bless her heart. But Tai’s screaming reaction at having eaten Jackie’s face is only an externalisation of the grief and horror and agony they’re all going through.
And after Jackie they starve again. Hope and heat and light dwindles further. Every single day they all take another step towards death. That’s what starvation is, it’s the same thing as dying, you die a little bit every day until you can’t die anymore.
Kristen falls. Misty doesn’t even consider that she might bring her back as meat. If she had’ve, she might think, maybe she’d be considered like ... heroic. It doesn’t even occur to her. She’s not going to LET those bitches eat her one and only friend, and she goes out of her way to protect her.
Shauna has her horror show birth. And, no matter WHAT the context is, she produces.... meat. In the most awful, brutal way. And while the fandom made so many jokes and stuff, the reality is that yes... at least to an extent there was real nutrients there. And it was never once even brought up as an option, by these desperate, starving girls. 
When Coach tries to kill himself, here’s a ready source of willing meat. And Misty uses it as a threat to stop him. But it’s hollow, she’s just putting on fake fangs to try to keep him safe. She’s not actually that vicious thing that she’s pretending to be, just like she’s not actually homophobic.
When Lottie tells Misty to eat her if she dies, Misty fights her on it. Lottie has to insist. Then when she tells the rest of the team, they are so overwhelmed with the selflessness of the gesture that it inspires them to twist it into their first hunt. That’s what it takes. The hunt is an act of self-sacrifice and love.
And so we get to the hunt. The proto-pit-girl, we’ve come full circle and we start to learn all these answers to questions posed in act 1 scene 1. And they’re not the answers that were assumed.
How do they get to the point of eating each other? They sacrifice themselves willingly, for the sake of each other’s survival.
Why do they hunt the way they do? Because Shauna just can’t stand to murder a friend in cold blood, a friend she cares for and has no reason to hate.
Why the spike pit? Because it keeps the blood off their hands. Because it lets them blame It and preserve a tiny fragment of their innocence.
Why the weird symbols? The ritual itself? Because they need SOMETHING to hold onto, to make it all make sense.
Why so brutal? Is it? We THINK it’s brutal. It’s certainly bloody. But Pit Girl dies almost instantly. Her pain is over fast. She doesn’t have a good time going into it, obviously, none of them want to die. But she chose to run, she could’ve taken the knife instead. And the spike trap was efficient. Yes they drag her through the snow and string her up, but it’s mechanical and just part of the process and she’s dead already. Her pain is over fast, it’s not sadistic.
Why do they chop her up into chunks like that? Because nobody wants to eat her face. Because nobody wants to struggle with her humanity, they want her to look just like any other meat. So that they might be having deer or bear or ... friend. They’re eating because they are biological machines that need to eat, that NEED death to survive. They didn’t ask to be made the way they are, and they’re doing their best to cope. Shauna, probably blindly, takes on that responsibility, to transform their friend into unrecognisable meat to change a corpse into a carcass. She takes that pain for them, holds that sin for them, out of love. So they can eat, so they can survive.
What’s with the creepy horror masks? During the ritual they can’t handle being themselves. They create alternate versions of themselves to hold what must be done. The masks aren’t there to scare anyone, because there IS NO AUDIENCE. The masks are there to hide behind. That’s why Misty takes hers off at the end of the scene. The ritual is over and they can go back to being people again.
Why is Misty fucking Quigley in charge? Because she CAN be. Because she’s strong enough. If Lott/Nat/The AQ is the goddess/queen, Misty is the priestess/handmaiden, tasked with actually carrying out her orders. She interprets the queens words when she’s too weak, she provides counsel when she needs it, she tells the team what they need to hear in the moment, she gives out the micromanagement. Misty’s the power behind the throne, because when she says she’ll do something she fucking follows through. No matter the cost. And what the team NEEDS, whether they choose to admit it or not, is a backbone.
So...
They bring home Javi. The music uses a reference that’s never been done before. It uses the spiritual powerballad that was playing when Laura Lee tried to fly away. It builds the expectation of Great Things, of big, potent ...
And then it just stops. As the girls are faced with the reality of what’s laying on the table. The cold, blue corpse of a soft child who never hurt anyone. No matter what they do, no matter how hard they try they just cannot make him a carcass. But they have made the choice already, and if they turn back now it’s not like it’ll bring him back. They’ll just be starving and regretful as he rots.
So Shauna, blind and shaking, does the best she can. And when she brings in the meat, she - of all people - understands EXACTLY what Travis is going through. She knows what he needs. Because she’s been here. With Jackie. So she brings him Javi’s heart. His core. His love. His soul.
(She doesn’t bring him Javi’s head. She cuts that off and puts it aside so nobody has to eat his face... Some things are worth more than pure nutritional survival.)
And Travis, god bless him, does the only thing he can do left to respect Javi. He takes his heart, and he bites it, raw and bloody.
It hurts him to do so. It disgusts him so much, but he manages not to throw up. It disgusts the girls too, but they watch on, horrified. And that’s the POINT. Travis makes sure that before they do this, before they do what they have to... that they all remember this is Javi, this is human, this is a person. And he preserves the horror. For all their sakes. And only then, after he’s given his blessing, after he’s done his human acts, do these starving, ravenous girls allow themselves to reach for their food.
S1E1. Act 1, scene 1. We do not know who Pit Girl is. We do not know the exact circumstances that get us there. But we do know where we started now. What the original meaning is behind each of these little things. And it’s not brutality, not barbarism. It’s love. It’s not lord of the flies, a bunch of monstrous human-shaped creatures giving in to their primal nature and predating on each other. It’s a team of terrified people desperately clutching at their own humanity as hard as they can. Trying SO hard not to let that glass break, to not become the thing that the framing of act 1 scene 1 tried so VERY hard to convince us they were. Context changes everything.
And the proof is in the pudding. After they eat Jackie the shock explodes throughout the cabin. The atmosphere is thick, and horrific. Now with Javi, reduced to simple meat, carefully and lovingly seperated from what made him human, so they can grieve him while they sate their natural needs, the mood post-eating is calm and soft and warm and loving. For once they’re all together,  with grateful full stomachs and in a time of peace and plenty. They’ve done the impossible and maintained their humanity and love for each other and their respect for Javi in a nearly impossible situation.
*takes a deep breath*
Which brings us to THIS asshole.
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Right from the start, Jackie is only kind of part of the team. She’s the team captain, put up there by Coach Martinez, but not because she’s the best of them but because she can maybe wrangle them into doing better. And they KNOW that she’s not really one of them. They plot around her, and just don’t bring her in on it. They put up with her, more than loving her, she’s just kind of forced upon them. But she does her best, to try to maintain some semblance of order, giving pep talks and the like.
Wait, Jackie? I mean coach. My bad.
Anyway, so Jackie has one friend, Shauna. She SEEMS popular, and everyone talks to her, but Shauna’s the only one who actually likes her. And Shauna’s her connection point to the team. She’s got one foot on each side, and is torn as to where her real loyalties lie.
Sorry I’m talking about Jackie again.... weird.
In S1E9/10 Shauna finally chooses the team, for real. And Jackie tries to pull her back away, but Shauna puts her foot down. No way, she counters, I’m ON the team, you’re the odd one out. Why don’t YOU leave, Jackie? Jackie looks around at the burgeoning cult, she thinks “Look at these evil monstrous bitches, and now Shauna’s one of them TOO?” And instead of finding a compromise, instead of doing introspection, instead of anything like that, Jackie goes and freezes to death because it turns out that sheer rage won’t keep you warm in sub zero temperatures. Because no matter what happens, Jackie’s Right and it’s more important to her to be Right than Included. If she’s not in charge than why is she even THERE?
Hold on, I see my mistake. Let me backtrack.
Right from the start, Coach is only kind of part of the team. He’s trying to hide from his real life, from Paul and the complexities of being genuine in society by taking on the job of coaching the ‘jackets. And they KNOW that he’s not really one of them. He’s just the guy they have to listen to, because society put him there. But he tries his best, giving pep talks and the like.
So Coach has one friend, Natalie. He SEEMS popular, and everyone talks to him, but Nat’s the only one who actually likes him. (Ignore Misty, a schoolgirl comphet crush is not the same thing). And Nat’s his connection point to the team. She’s got one foot on each side, and is torn to where her real loyalties lie. Sometimes she’s on the bench with Coach, complaining about the state of things. Sometimes she’s in the thick of it with them all, and Coach is nowhere to be found.
In S2E9, Nat finally chooses the team, for real. And Coach tries to pull her back, but Nat puts her foot down. No way, she counters, I’m ON the team, I’m worse than them, you’re the odd one out. Go, save yourself, you don’t belong in this place. Coach looks at a table covered in blood and gore, at Nat’s face, at the rest of the team pledging fealty to her. And instead of looking for context, or looking for compromise, or even remotely trying to understand what he’s looking at he thinks
Look at these evil monstrous bitches. They’re eating each other. They’ve all gone mad. They’ve even gotten Nat now. There’s no hope for them, there’s no hope for anyone out here.
And he decides that they’re corrupt. That the way you deal with that is fire. And he’s wrong.
(I have a theory that he’s gone and jumped off the cliff, that he set the fire to clear the corruption, and now like Jackie, unable to live in this situation any longer, he’s decided to die himself. I’d not be surprised to find him in s3e1 that way)
Jackie was a frustrating, difficult person. Because no matter how things went she just COULDN’T let go of the fact that she was trying to fit a mold that just didn’t suit her. She was raised with super high expectations, when she was really just kind of mid. And that’s fine, honestly, most people ARE mid, that’s why it’s mid. But she refused to see that those around her were shedding their social pressures, were adapting to the wilderness. They weren’t having a good time, they weren’t hunting and foraging because they were out there, camping for fun. Nobody wanted to be there. They were just trying not to complain about it, because they were all in the same boat.
Coach is similar. He simply won’t adapt. Refuses to. I mean this is a guy who’s STILL trying to live in the closet when there’s open lesbians making out in public around him. Who thinks of others as inherently monstrous when he himself, as a gay man, should know better. Because that’s what trying to fit your society-assigned role does to you.
It’s no accident that he and Jackie both spend a long time in the woods and neither of them can do something as basic as start a fucking campfire. Javi, a little kid, survived for MONTHS on his own in that cave. Coach couldn’t make it a day alone. Jackie couldn’t get through a night. They both rely so heavily on the team without ever once recognising it. Because SOMEONE was keeping the fires going. They both just ... refused to engage.
And just like Jackie can’t see that they’re not having fun out there in the woods, on the knifes edge of survival, Coach can’t see that they’re not having fun when they are so desperate they feel it’s warranted to sacrifice one of their own. He always thought of them as monsters, and he just sees what he expects to: a bunch of stupid useless teenage girls, finally doing what he always expected they would.
At any point... At ANY point he could’ve come in from the cold. He could’ve just accepted reality as they have. He could’ve taken some meat and accepted the price, as they have, joined them in their GRIEF about it, shared their humanity, and survived. Just as Jackie could’ve come in from the cold, and become part of the whole. But instead, they sit in the cold, consumed by their bitter hate, and decide that no, it’s everyone ELSE who’s wrong.
And who emerges from the burning cabin? A bunch of scared kids. Shauna, the FIRST cannibal, who saves Jackie’s prom dress before anything else. Travis, who grabs Javi’s wolf. Nat who grabs the ammunition - that they NEVER use on each other - because if they lost that they’d get SERIOUSLY desperate. And they protect each other, they make sure everyone makes it out. These supposed monsters who are so far gone they don’t even care about eating each other go out of their way to save each other, not just themselves.
Because Coach is wrong. Just like Jackie was wrong. Just like WE were wrong, in s1e1. Which brings me to my actual point.
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This question is asked so many times in S1 it’s almost a mantra. And the ‘jackets’ oath of silence really builds up that it must’ve been something REALLY bad, right? But S2E9 has really made me recognise that fundamentally... Act 1 Scene 1 is entirely what everyone who asks this question is expecting.
Imagine they DID know what really happened out there. With that bloodthirsty fucking look in their eyes...
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They’re not looking for an answer. They’re looking for a story. For an exciting spooky nightmare they didn’t take part in, so they can get a shiver and a thrill they didn’t earn.
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They’re not looking for a love story. They’re not looking to hear how HARD these scared, tragic, broken people fought to hold onto their morals and their humanity and their sanity even against their own survival. They’re not interested in Shauna blinding herself just to try to stop her hands from shaking. They’re not looking to hear about Travis choking down the blood of his brother just to make sure that he can really FEEL it. So he can share the guilt, and never ever pretend like it’s Just Meat. The look in his eye when he can’t think of any good response to Van’s arguments that he needs to let Javi save him. What they want is...
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They don’t want the context. And if the ‘jackets ever did try to tell anybody what actually DID happen out there, all they would see is ... Episode 1, Act 1, Scene 1. A bunch of monsters. Eating each other. Just like Jackie. Just like Coach. Just like we did, on first glance.
I’ve been saying this whole time that Yellowjackets is doing something really special. That it’s letting us see behind the curtain, that while everyone’s asking this big question, “what really happened?”, we’re the ones who get to know. Because it can’t be told. It can’t be spoken. It can only be seen. Experienced. I think that S2 has finally finished the first major arc in the teen timeline, that we now have the context to understand what comes next. And I do believe that it will get messy, it will devolve. Into fighting and screaming and battles. It’s tragic, but it looks like that’s the downward spiral, spiraling. As Travis and Nat deal with the guilt of what they did with Javi for each other. As Shauna and Nat butt heads and people pick sides. As Misty Mistys. As resources get even more desperate now their shelter is gone. As potentially new people (hikers? other cabin people?) get brought into conflict with them (I believe the cabin is a smoke signal, personally).
But don’t ever forget that we got here with love. Expect that the downward spiral will be lubricated with toxic, broken, codependant, self-destructive love as well. Watch them love each other to death... they’ve already begun.
2K notes · View notes
genshinluvr · 9 months
Text
Final Moments
Pairings: Various Honkai Star Rail Men x Isekai'd!Reader
Summary: You're somewhere alone, bleeding, and on the verge of death. Everyone is scrambling to reach out to you, but you're not picking up your phone, and no one knows where you are. Not even Nanook knows your whereabouts. You didn't think you could die in a universe you didn't belong to, but you were wrong. At least you were able to hear their voices in your final moments, right?
Note: I haven't written angst in so long. This is probably not the best angst I've written. This is an answer to an ask I received not long ago. I'm not sure how I feel about this mini-fic, but I think something sad happening for once is somewhat good for a fanfic one-shot series. To be really honest, it doesn't feel like angst to me. Idk if it's because I wrote it or if it's because it's not sad enough. Who knows. I don't post anywhere else but on Tumblr (Genshinluvr) and on AO3 (Aaliah_exo).
Warnings: Major character death, blood, probably my worst angst
Word Count: 3.9k
Your connection with Nanook has been severed. Whenever you sleep, you and Nanook communicate while you’re asleep. When you’re unconscious due to being knocked out by a flying prosthetic arm, Nanook is there— while you’re physically unconscious. You and Nanook have always been connected through body and mind since your arrival to their— Nanook, your Astral Express, Stellaron Hunter, Xianzhou Luofu, and Jarilo-VI companions— universe. However, this is the first time you realize you and Nanook are no longer connected to each other.
In the state of unconsciousness, you’re in the void. Only this void is different from the one where Nanook is covering the sun and sky. This abyss you’re in is pitch black, and you’re the only living being in the endless darkness. There’s no sky, no sun, no stars to light a path along the way in the void. At first, you’re uncertain whether you’re physically in this void or if you’re just unconscious.
That is until you hear ringing in your ears, and light starts flooding in. You gasp aloud as if you finally made it to the surface after being underwater for more than you can handle. Your lungs hurt, and so does your head. As a matter of fact, now that you have regained consciousness, your entire body aches, and you’re tired. So tired. Your eyelids threaten to shut, but you’re trying your best not to lose consciousness again.
Where are you? 
What happened?
You push yourself upward and slump against the wall, choking out a gasp and breathing heavily. Your heart hurts— you didn’t think it was possible for you to feel your heart hurting to the point where you want to cry. Your vision is blurry, and you try to rub your eyes, but you can’t feel your arms. Exhaustion soon overtakes your body, and you fall unconscious.
Meanwhile, on the Astral Express, everyone is crowding around on the Parlor Car, their phones facing upward on the table. Everyone has been trying to call you, only for them to get a voicemail, or the call would fail to go through. The monotonous beep haunts their minds as everyone frantically tries to reach out to you.
“Are you sure the signal is good? Maybe we can’t call them because of the awful signal on the Astral Express,” Caelus comments, chewing on his nails.
March ignores Caelus’ comment. She presses her phone against her ears, listening to the ringing. If the signal was terrible, then how come the phone call was going through for her? The ringing stopped briefly, making March gasp, startling everyone on the Astral Express.
“Hi, this is [Y/N]! Sorry, I can’t come to the phone right now—”
March groans, ending the call. “Never mind. I thought they answered my call, but I was wrong,” March sighs in defeat, sliding her phone on the table.
The lights on the Astral Express flicker, and the door slams open. Nanook steps into the Parlor Car, his gold eyes scanning the Parlor Car, searching for your face. Nanook sighs and stays close to the entrance, running his hands through his hair. Just as Nanook feared: you’re not on the Astral Express either. 
Welt furrows his eyebrows at the Aeon of Destruction. “Nanook. Your presence is sudden,” says Welt.
“Where is [Y/N]? Are they not on the Astral Express?” Nanook asks, crossing his arms over his chest.
“Unfortunately, they’re not on the Astral Express. We,” Jing Yuan gestures to him, Blade, Luocha, Luka, Sampo, and Gepard, “were contacted by the Astral Express in hopes that [Y/N] is on the Xianzhou Luofu or Jarilo-VI. To everyone’s disappointment, they are nowhere to be found.”
After hearing Jing Yuan’s explanation, Nanook starts to visibly panic. The Aeon of Destruction paces back and forth, taking deep breaths and muttering something under his breath. Everyone on the Astral Express gazes at Nanook worriedly. This is the first time they see him act this way. Nanook has always had this cool, calm, and collected exterior. Nothing can phase him, and only you can get a reaction out of him.
Sampo raises a finger. “Hold up. Why are you asking us where [Y/N] is? Aren’t you the one who can communicate with [Y/N] inside their dreams?” Sampo asks, crossing his arms over his chest and raising his eyebrows at the Aeon.
“Nanook, have you been able to contact them by any chance? We’ve been hitting countless dead ends, and we’re really worried about them,” Gepard says, looking at Nanook pleadingly.
Nanook sighs and stops pacing. He looks at the people on the Astral Express with a deep frown. While Sampo is correct about him being able to communicate with you through your dreams, the people on the Astral Express, Xianzhou Luofu, and Jarilo-VI aren’t the only ones whose struggling to get into contact with you.
Nanook wasn’t able to contact you through your dreams prior to your disappearance. When Nanook brought you into this universe, Nanook made sure to form this connection with you— this unbreakable bond between you and him. But despite creating this unbreakable bond, it somehow severed, and he can no longer contact you through your dreams and unconscious state.
This bond is supposed to be a way for him to track you anywhere in this universe. No matter how out of reach you are from him. Whether you’re in the Astral Express, on Jarilo-VI, the Xianzhou Luofu, the void, etc., Nanook should be able to feel your presence somewhere throughout the universe. Nanook mutters something, closing his eyes and pulling at the roots of his hair with frustration.
“What’s Nanook saying?” Himeko whispers, not taking her eyes off the anguish Aeon.
Luka whispers, “He’s muttering something about [Y/N] and the bond between them. I can’t hear what Nanook is saying, but those are the things I can pick out.”
Dan Heng stares at his phone intently, staring at your contact picture while listening to the monotonous ring. This is the fourth attempt. The fourth time he’s tried to call you, only for there to be a voicemail or just constant beeping that’s shaking him to his core. You can be anywhere in the universe, and finding your precise location without you telling them where you’re at will be the most challenging thing they deal with.
“Are they still not answering their phone, Dan Heng?” Luocha asks, approaching the black-haired man.
Dan Heng sighs, ending the call when he hears your voicemail through the speakers. “No,” Dan Heng mutters, shaking his head.
Blade stares at the panicking Nanook, frowning deeply. Blade sighs, rubbing his temples with shaky hands. As much as Blade wishes he was mishearing the things Nanook was muttering to himself, the more Blade thinks about it, the more it makes sense. Nanook is the one that brought you into this universe— he should know your exact location no matter what planet and fleet you’re on. Nanook should be able to communicate with you through your dreams or unconscious state, and because Nanook is visibly panicking and stressing out over your whereabouts, Blade concludes that—
“Your connection with [Y/N] has been severed, isn’t it?” Blade asks, breaking the tense silence in the Astral Express and bringing Nanook out of his thoughts.
Nanook clenches his jaws, nodding. “It has been severed, unfortunately. I do not know how it happened, and I’m sure [Y/N] isn’t the one that severed it. There’s no way for them to sever the connection,” Nanook replies.
Everyone stares at Nanook in horror. If Nanook is unable to contact you, then it’s very unlikely they’ll be able to find you sooner. You, [Y/N]. The same person not from their universe, the same precious star everyone holds dear to their hearts— whether as a best friend, little sibling, or a small crush that developed into something bigger— the same star that shines the brightest in the universe. You’re somewhere out there in the universe, exposed to dangers you’re not used to handling. Heck, everyone didn’t plan on letting you be exposed to any hazards that exist in this universe, but now?
“So, you’re saying there’s no way for any of us to contact [Y/N]?” Welt asks, raising his eyebrows at Nanook.
While Welt looks calm on the outside, the man is freaking out internally. How did this happen in the first place? You were supposed to be safe and sound under his watch, but you suddenly disappeared without a trace, and no one was able to reach out to you or track you down. Not even the Aeon of Destruction is able to track you down, and the Aeon has connections with you— well, had a connection with you.
“What are we going to do now, Mr. Yang? Searching for [Y/N] seems impossible at this point,” Caelus says, plopping down on the chair and running his hands through his hair.
Jing Yuan shakes his head. “I’ll have Yanqing lead the Cloud Knights to search throughout the Xianzhou Luofu,” Jing Yuan says, taking his phone from the table and sending rapid texts to his blond retainer.
Gepard nods. “And I will have the Silvermane Guards patrol the Overworld and the Underworld. If they see [Y/N], their duty is to detain [Y/N] until we arrive to get them,” says Gepard as he grabs his phone to message Dunn.
“Whoa, whoa, whoa! Detain [Y/N]? As in, keep them in cuffs and behind bars?!” Sampo exclaims, propping his hands on his hips, and looks at Gepard with disbelief.
Gepard, Welt, Nanook, and Dan Heng sigh simultaneously, rubbing their temples and pinching the bridge of their noses after hearing Sampo’s question. March snorts, rolling her eyes. The door to the Parlor Car opens. Pom-Pom waddles into the room, his eyes scanning the Parlor Car for a familiar face other than the ones that are present. 
Pom-Pom sighs with disappointment. “I see that none of you have found [Y/N],” Pom-Pom says, crossing his arms over his chest.
Himeko gives Pom-Pom a sympathetic look. “Sorry, Pom-Pom, but we still haven’t found them. They’re not answering our texts or phone calls, and not even Nanook can contact them,” Himeko replies.
Pom-Pom sighs and waddles to the Phonograph, pressing his forehead against the machine. A dark stormy cloud looms over Pom-Pom’s head as he lets out a string of whimpers and sniffles. Everyone on the Astral Express nearly forgot about how close you and Pom-Pom are. The closeness between you two is adorable, and Pom-Pom treats you like his favorite passenger on the Astral Express. Well, you are his favorite passenger. There’s no denying it. Sometimes, when everyone is asleep, you would keep Pom-Pom company and spoil him with his favorite snacks.
Of course, that was before Nanook became a passenger on the Express. Now you would keep Pom-Pom company on the nights you can’t sleep or when Nanook isn’t on the Astral Express due to his duty as the Aeon of Destruction.
“Pom-Pom?” March asks softly.
Pom-Pom turns to face them, his eyes blurred with tears. “How could all of you fail to protect someone that protected me!?” Pom-Pom wails, tears cascading down his cheeks. “What if we never see them again? They could be in danger!”
Everyone looks away, their shoulders slumping. Pom-Pom’s right. They did fail to protect you— this is the second time they failed to protect you, and they wish they could turn back time and prevent it from happening.
“There’s nothing to worry about. We’ll find [Y/N] and bring [Y/N] back to the Astral Express, alright?” Luka says, kneeling in front of Pom-Pom and patting the conductor’s head.
Pom-Pom whimpers. “But what if they’re injured?” Pom-Pom whispers.
“Then I will do everything in my power to heal them,” Luocha answers.
You’re rudely awoken by the sharp pain in your lower abdomen. You gasp and sit up, letting out a strained gasp and whimper. You look down at your body, now realizing the state you’re in. You don’t remember what exactly happened, but the more you look at your surroundings, the more you start piecing things together. You were attacked by the Mara-struck. It happened so fast that you weren’t able to comprehend what happened before it was too late.
And now you’re here, on Cloudford, bleeding out, going in and out of consciousness, with no cell signal to call or text your traveling companions. You can’t even contact Nanook due to the severed connection between you and the Aeon of Destruction. No matter how many times you lose consciousness, Nanook isn’t there— even if you scream his name, bloody murder. You will always be in the void, alone and searching for the Aeon that brought you into his universe.
You sprawl out on the ground, digging your phone from your pockets. Your vision blurs every few minutes, making it hard for you to do your task. You turn your phone on, attempting to call the first person on your contact list. Blade.
You tried to call Blade, but the call didn’t go through. You tried calling every person on your contact list, but the call continues not to go through. You push yourself off the ground, nearly slipping on the pool of blood beneath you. It’s a miracle that you manage to hold on for so long. The question is: how much longer can you hold on? Black dots dotting your vision, you’re extremely tired, your eyelids are threatening to close, and your legs and arms are tingling.
“I can do this, I can do this,” you chanted, limping as far away as you can. “I’ll be okay. I’ll be okay.”
You’re not sure if giving yourself a false sense of hope is going to do any better. Still, it’s better to do that than lay in your puddle of blood, watching the time tick away and your life slipping from your fingers. With each step you take, you feel your strength slipping away. You’re exhausted, and everything hurts. The Mara-struck did not go easy on you until they assumed you were dead. 
As much as you wanted to blame yourself for not being careful enough, there’s no one else to blame. Not even yourself. People will blame you for not being careful and watching your surroundings, but is it really your fault? The Mara-struck are ruthless, and they’ll attack anyone and anything that is alive and not Mara-struck like them.
You’re brought out of your thoughts and self-pity when your foot gets caught over the other, sending you to the ground with a loud thump. You let out a screech of pain and remain on the ground as every part of your body is stinging and throbbing with pain. The small cuts on your body reopen as fresh blood oozes from the wounds, spilling to the ground.
“Please, just end my misery,” you whisper, tears rolling down your bloodstained cheeks as you slowly drift in and out of consciousness.
The faint sound of buzzing coming from your phone wakes you up. You gingerly turn your head to see the screen of your phone lighting up and vibrating. You reach for your phone and roll over on your side to see Blade calling you. You swipe to the green button and hear a faint scream and frantic voices coming from the other end of the call.
“Blade?” You croak, wincing when you feel how dry your throat feels.
Blade sighs in relief on the other side of the call. “Thank the Aeons, you’re okay. Where are you? Are you safe?” Blade asks.
You chuckle bitterly, close your eyes and continue to lie on the ground. At least you’ll be able to hear their voices one last time, right? It’s better to listen to their voice before…. Someone calls your name, grabbing your attention.
“Huh? Sorry, I didn’t catch onto what you were saying,” you mumble, squeezing your eyes shut and fighting back a whimper that’s crawling up your throat.
“[Y/N], please tell us where you are. We’re very worried about you,” Dan Heng says.
You sniffle. The pain is beginning to feel unbearable. Everything hurts so much, and you want someone or something to end your pain and suffering already. You shouldn’t have played dead when the Mara-struck attacked you for who knows how long. You should’ve let them end you right then and there so you wouldn’t have to continue to suffer like how you are right now.
“[Y/N]? Are you still with us?” Caelus asks, his voice crackling through the speakers.
Fuck. Is the connection starting to act up?
“Yeah, yeah. I’m still here,” you reply, black dots dotting your vision. Is it normal to see a small burst of stars in your eyes each time you blink? “Sorry, I’m not feeling well right now.”
The other end of the call falls silent after hearing your response. As of now, Jing Yuan and Gepard haven’t received any reports from the Silvermane Guards and Cloud Knights about finding you. 
The General of the Xianzhou Luofu and the Captain of the Silvermane Gaurds text their trusted companions regarding the search, only for Dunn and Yanqing to reply that they have yet to find out despite the number of Cloud Knights and Silvermane Guards scrambling to find you. 
Mr. Yang walks over to Blade and takes the phone from his hands. “Sweetheart, can you look at your surroundings and tell us where you are? Even if you don’t know the precise location, do you know whether you’re on the Xianzhou Luofu or Jarilo-VI?” Mr. Yang asks.
“I’m on, uh, the Xianzhou Luofu. The Mara-struck…” you trail off, closing your eyes. Your hands are shaking— you don’t think you can hold your phone up any longer. Your arms feel awfully weak, and your phone feels heavy.
Jing Yuan’s voice crackles over the speakers. “What happened with the Mara-struck?”
Jing Yuan sounds frantic.
You shrug, completely forgetting that the others can’t see you. “They attacked me out of nowhere. They left me for dead, and there’s blood. So much blood,” you whisper, cracking your eyes open and looking at your surrounding.
“[Y/N], can you turn on the video call so we can see where you are?” Gepard asks, his voice crackling in the speakers.
You sigh, gritting your teeth as you turn on the video call. Your face appears on the screen— if you weren’t bleeding out and losing consciousness every few minutes, you would be gasping in horror at the sight of your reflection. Dear Aeons, you look horrendous. You blindly show your surroundings for the men to see where you’re at, but you don’t think you’re doing it correctly. Your arm soon grew tired, and your arms collapsed beside you.
“I’m really sleepy, guys,” you whisper, swallowing the lump in your throat. You nearly gagged when you tasted a mouthful of blood. You don’t know how much more you can hold on until they find you.
“Does anyone recognize that area? We’re not from the Xianzhou Luofu— nothing looks familiar for us,” Sampo mutters, gazing at the others worriedly.
Luocha steps forward and takes Blade’s phone from Mr. Yang’s grasp. “I know this is going to be complicated for you, but do not fall asleep, alright? Keep your eyes open and try to stop the bleeding. We’ll be right there soon,” Luocha instructs.
The men hear and see nothing coming from Blade’s phone. The camera is pointed to the sky of  the Xianzhou Luofu— they see the color of your hair peeking in the corner. You rub your eyes and press your hands against the deep gash on your abdomen. You lift your head to see various cuts on your body. All are bleeding.
You whisper, “Which ones do I cover? There’s too many,” you mumble, gazing at the gashes with bleary eyes. 
You let your head fall back on the ground, attempting to cover up as many as you can. How much longer are you going to hold on? You can hear a commotion coming through Blade’s phone as you lie on the ground, your phone lying beside your head. You didn’t think you could die in a universe you didn’t belong to.
“Stay on the phone with us, alright? We’ll be there soon, we promise,” you hear Blade say through the phone.
You can’t tell if Blade is panicking or not. He sounds so far away, no matter how close your phone is to your ears. How could this have happened anyway? It was all your fault, wasn’t it? Were you reckless like last time? No, no. Last time, the Astral Express was under attack. But this time, you left the Astral Express and ended up getting attacked by the Mara-struck. And now look at you, bleeding out on the Xianzhou Luofu while trying to stay conscious.
“You’re not mad at me, are you?” You whisper, staring at the clear blue sky above you.
Luka grunts. “We’re not mad at you, [Y/N]. We’re very worried about you,” Luka replies.
Luka is trying his best to remain calm, but his heart is racing against his chest to the point he fears it might burst. 
You close your eyes, feeling nausea hitting you. “Is Nanook mad at me?” you ask weakly.
Dan Heng looks at Nanook from the corner of his eyes as they run through Cloudford, searching for you. It’s just them racing against the clock to get to where you are— racing against the clock to save you. But will they make it on time before you lose consciousness?
Dan Heng shakes his head. “I’m sure he’s not mad at you, [Y/N]. Why do you think that?”
You crack a smile. “I… Nanook and I aren’t connected with each other anymore. Did I do something wrong for him to sever that tie between us?” You whisper, tears blurring your vision. “If I did something to upset him, please let him know that I’m sorry for whatever it is that I have done to upset him.”
Nanook snatches the phone and gazes into the camera, his gold eyes searching for your face. “I’m not mad at you, little one. However, if you lose consciousness, I will be upset with you,” Nanook states.
You laugh weakly, tears rolling down the side of your face. “I’m sorry, everyone. I’m sorry for not being strong enough,” you whisper.
Just when you lose consciousness, you feel someone cradle you in their arms. Your vision slowly turns black as the voices around you fade away— almost sounding like you’re underwater, sinking deeper into the depths.
“No, no, no, no! Please don’t leave me,” Nanook whispers, pressing you against his chest.
Your head lolls back, laying limp in his arms as blood continues to pour out of your wounds. Luocha kneels before you and Nanook, frantically trying to heal the cuts and deep gashes on your body. Sampo, March, and Himeko look nauseous at the sight of the pool of blood below you and Nanook.
March looked away, closing her eyes as a stray tear made its way down her cheeks. “Please tell me [Y/N]’s going to be okay, please,” March pleads.
Nanook presses his index and middle finger against the side of your neck, frantically searching for a pulse. Nanook buries his face into your neck, his body wracking with sobs as he holds onto you tighter. You can’t be gone. Please, please, please, please. Luocha’s hands fall to his side, and he looks away. 
“Well?” Dan Heng demands, his chest rising and falling with heavy breaths.
Luocha shakes his head, tears rolling down his flushed cheeks. Luocha grabs your cold hand and presses a kiss on your knuckles. Maybe in another lifetime, you will meet them again. But for now, stars don’t live on forever.
Note: Just because this is angst with death doesn't mean it impacts the overall HSR isekai series. This is a mini-fic, and to make it up to all of you, I will make a Nanook smut for this upcoming week! Yes, smut is finally here! Nanook got the majority of votes. Therefore Nanook is the first HSR male character to be getting smut! As I have stated in my Genshin Isekai fics, the fics in the series are like my multi-verse. Anything can happen in these fics, but it will not significantly impact the overall series. So, even if something traumatic happened to the reader in one fic, the next fic, it never happened to the reader. Some things will impact the story, but others won't be mentioned in other fics. For those who want to be on the taglist, here is the [Google Form]. For those who want to join the Discord server but weren't able to, here is the new temporary link to [Zhongli's Abode]! Please make sure to read the server rules— you can lurk, chat and hang out on the server if you'd like! If you don't vibe with the server, you can leave whenever you want ^^ To my new and/or returning readers, please keep in mind that I ONLY post on my Tumblr (Genshinluvr) and my AO3 (Aaliah_exo)! Nowhere else except Tumblr and AO3!
Taglist for the HSR one-shot series: @mompt2, @elegantnightblaze, @lunavixia, @jadedist, @reversearrowhead, @pinksaiyans, @aurelia-xyt, @lilliansstuff, @ssunset0, @starrry-angel, @kaoyamamegami, @kodzuvk, @for3very0urs, @a-cosmicdawn, @g3n0dtt, @theblades, @raaawwwr, @immahuman, @irisxiel, @siaracarroll, @crazydreamcat, @sagekun, @orichalcumthief, @dyingsweetmackerel, @rosiesareblue, @ichikanu, @hispasian-otaku, @asoulsreverie (Accounts that I was unable to tag are not tagged in this fic. Those who do not want to be tagged in a specific fic are not tagged. Remember to check your settings to see if you're allowing people to mention you/tag you in posts or not)
Read more of my works on my Masterlist / Masterlist 2 | Maybe support me by tipping me on Ko-Fi or by reblogging my fanfics! ^^ I will also be posting exclusive fanfics on Ko-Fi as well very soon! I might post all of my stories on there too, but who knows. You can also tip me on Tumblr if you'd like as a way to show support! ^^
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weebsinstash · 3 months
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Kinda obsessed with the idea of a reader pregnant with Lucifer's kid and just he's really into it and wants to get married while the readers there being like damn I just wanted the bragging rights of saying I fucked the king of hell and now I have to be married to him !?!
Reader: ugh oh my god that dick was so fucking good, thanks Lucifer
Lucifer, currently painting sigils with his own blood on your tummy: oh my god, no, I know, right, it was amazing, I had an amazing time
Reader: hey uhhhhhhh by the way, what are you
Lucifer, taking a break from speaking ancient Latin incantations: oh hey, no don't worry about it it's totally cool I'm just, doing a thing here
Reader watching the very foundation of Hell shake around them like an earthquake as all the candles in the room burn higher and the unseen spirits of the damned sing comgratulatory praises for their dark lord: you know this kiiiiiiiiinda feels like you miiiiiight be doing something kinda sinister and magic-y right now
Lucifer, watching his symbol appear on your belly: whaaaaaaaaat, no, that's crazy! It's just a little.... surprise! Nothing to worry about! So hey also completely unrelated but I kind of need to splash some of this goat's blood on you--
I feel like sleeping or even FLIRTING with Lucifer is the ultimate case of fuck around and find out because at the very least you have an all powerful clingy depressed obsessive boyfriend in THE DEVIL and at his very worst you have you know THE DEVIL, treating you as his equal half, wanting all to bow before you, worship you, erecting churches with stained glass telling the Epic Tale of how you two fell in love, wanting you draped in fineries, at his side at all times, having only the best
I just feel like... he's one of those yandere that really could take you 0 to 100. You fuck the guy ONCE as like a drunken one night stand, a real "fuck it why not maybe it'll be fun" kinda romp, and then he's making plans behind your back about marriage because, well, he just loves you so much already that he can't see doing anything else! 🥰 like can you imagine going from getting cream pied to like only a week later some church is getting constructing with like biblical art of "oh how the king of hell met another and fell in love" and it's foretelling some epic saga that hasn't even. Happened yet. Like imagine the whiplash of finding out the guy you casually fucked is dedicating buildings to. A story of. How he impregnated and married you and you guys "lived happily ever after" and you still barely know him
I like the contrasting options of Lucifer intentionally impregnating you vs unintentionally because THE VISUAL of like. He's just nutted and you're laying there amd he looks down and suddenly there's this little glowing moving picture on your skin of a snake twining around, circling, becoming an apple with a heart or some-- this is a real specific genre of fetish I'm discussing here ok we don't need to like exactly describe whatever magical mark of pregnancy the devil gives you fjdnfjf. But the apple appears and he's blinking at it and, finally, it clicks, and he's all "BABY! B-BABY! IT'S A BABY HHHOHHHHH MY GOD" and he's like EXCITED but also just like. Do you think he'd get a little biblical drooling about 'your womb being blessed' or some shit. Your absolute fucking LUCK OR LACK THEFEOF if Lucifer turned out to ACCIDENTALLY BE CORRECT and you kind of WERE created to be his wife or end up with him, like GOD is up there, "yeah Luci I threw you a bone, enjoy it 👍" like SHIT the one time you ARE cosmically fated to have a mate and it's AFTER YOU DIE? It's also LUCIFER MORNINGSTAR???
I feel like, genuinely the only way Lucifer would mistreat the Reader is completely unintentionally, like he has a bout of depression and neglects you a little, or he becomes socially withdrawn and you think he doesn't like you but really he's just feeling sad or working on something that's really important to him. I mean. This is BESIDES the possibility of confinement but that's for your protection and it's not like you're in PRISON. This guy is clearly packed with goofy loving positive energy. He'll be taking you to the circus and to musicals with his daughter like you've always been a member of the family, getting you your own special throne to sit beside his own. He's having audience with like some wretched soul, there are flames, he's being TERRIFYING, telling them how they've betrayed him and he's going to tear their soul to pieces and sentencs them to eternal suffering, and then he turns to you, "I'm sorry am I making it too hot in here shnookums 🥰 I don't wanna make you and our lil hellion uncomfy 🥰" like.... truly, you got yourself a man that can do both
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cy-cyborg · 6 months
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Disability Tropes: The Miracle Cure
The miracle cure is a trope with a pretty negative reputation in disability circles, especially online. It describes a scenario in which, a disabled character, through either magic, advanced technology, divine intervention or some combination of the three, has their disability cured throughout the course of the story. Sometimes this is literally, as in the disability is completely and entirely cured with no strings attached. Other times, it looks like giving an amputee character a prosthetic so advanced that it's basically the same as "the real thing" and that they never take off or have any issue with, or giving the character with a spinal injury an implant that bypasses the physical spine's break, or connects to an exoskeleton that allows them to walk again. Sometimes, it can even look like giving a character some kind of magic item or power that negates the effects of the disability, like what I talked about in my post about "the super-crip" trope. Either way though, the effect is the same: The disability is functionally cured and is no longer an "issue" the author or character has to worry about.
But why would this be a bad thing? In a world with magic or super-advanced tech, if you can cure a character's disability, why wouldn't you?
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[ID: a screenshot of Roy mustang from Full metal alchemist Brotherhood, a white man with short black hair in a hospital gown. In the corner of the screen is the hand of another person holding a small red gemstone. /End ID]
Well there's a few reasons. First, lets talk about the purely writing related ones. If you've been around the writing or even media critique communities for a bit, you've likely heard people voicing their frustrations with tropes like "The fake-out death" where a character is either implied to have died, but comes back later, or is explicitly shown to be dead and then resurrected. Often when this happens in media, it leaves the audience feeling cheated and like a character's actions and choices don't really matter if even the worst mistakes and consequences can be undone. In the case of the latter situation, where they die and are brought back, it can make the stakes of the whole story feel a lot lower, since even something like death is shown to be reversible, so the audience doesn't really have to worry about anything bad happening to their favourite character, and once you've used this trope one time, people will constantly wonder why you wouldn't use it every time it comes up.
The same is true for "fixing" a character's disability. It sets a precedent that even things as big and life-changing as disability aren't permanent in this setting. We don't have to worry about anything major happening to the characters, there's no risks associated with their actions if it can all be undone, and it will lower the stakes of the story for your audience. Personally, I also feel like it's often used as a cop-out. Like writers wanted to include a major injury the leads to something big like disability for shock value, but weren't sure how to actually deal with it afterwards, so they just made it go away. Even in cases where the character start the story with a disability and are cured, this can still cause issues with your story's stakes, because again, once we've seen you do it once, we know its possible, so we won't feel the need to worry about anything being permanent.
Ok, so that's the purely writing related reasons, but what if that situation doesn't apply to the story you're writing? What if they're "fixed" right at the end, or the way they're cured is really rare, so it can't be used multiple times?
I'm glad you asked, because no, this is far from the only reason to avoid the trope! In my opinion, the more important reason to avoid it is because of how the a lot of the disabled community feels about the miracle cure trope, and the ideas about disability it can perpetuate if you're not very, very careful.
You might have noticed that throughout this post, I've put words like "cured" and "fixed" in quotes, and that's because not every disabled person wants a cure or feels like their ideal to strive for is able-bodied and neurotypical. For many of us, we have come to see our disabilities as part of us, as part of our identities and our sense of self, the same way I, as a queer person might see my queerness as a part of my identity. This is an especially common view among people who were born with their disability or who had them from a young age, since this is all they've ever really known, or who's disability impacts the way they think, perceive and process the world around them, how they communicate with people or in communities who have a long history of forced conformity and erasure such as the autism and deaf communities. Many disabilities have such massive impacts on our lives that we literally wouldn't be who we are today if they were taken away. So often though, when non-disabled people write disabled characters, they assume we'd all take a "cure" in a heart-beat. They assumed we all desire to be just like them again, and this simply isn't the case. Some people absolutely would, and there's nothing wrong with that, but it's not as universal as media representation makes it out to be.
Another reason it's so heavily disliked is because this trope is often used in conjunction with other ableist and harmful tropes or it's used in ways that perpetuate misinformation about living with a disability and it can have ableist implications, even if that's not what the author necessarily intended.
If the miracle cure is used right at the end of the story for example, as a way to give characters a happy ending it can imply that the only way for a disabled character to be happy in the long run, is for them to be "fixed", especially if they were miserable all the way up until that point. If it's used earlier in the story as a way to get said character back into the action, it can also be read as the author thinking that disabled people can't be of use to the plot, and so the only way to keep them around is to "fix" them.
Of course, there's also the fact that some authors and writers will also play up how bad being disabled is in order to show why a cure is justified, playing into the "sad disabled person" trope in the process, which is pretty much what it says on the tin. Don't get me wrong, this isn't to say that being disabled is all easy-breezy, there are never any hard days and you should never show your character struggling, not at all, the "sad disabled person" trope has it's place (even if I personally am not a fan on it), but when both the "sad disabled person" trope and the miracle cure trope are used together, it's not a great look.
This is especially bad when the very thing that cures the disability, or perhaps the quest the heroes need to go on to get it, is shown to be harmful to others or the disabled person themselves. Portraying living with a disability as something so bad that it justifies hurting others, putting others at risk, loosing yourself or killing yourself in order to achieve this cure perpetuates the already harmful idea that disability is a fate worse than death, and anything is justified to avoid it.
I've also noticed the reasons the authors and writers give for wanting to cure their characters are very frequently based on stereotypes, a lack of research in to the actual limits of a person's disability and a lack of understanding. One story I recall reading years ago made sure to tell you how miserable it's main character, a former cyclist, was because he'd been in a car accident where he'd lost his arm, and now couldn't ride bikes anymore, seemingly unaware of the fact arm amputees can, in fact, ride bikes. There are several whole sports centred around it, and even entire companies dedicated to making prosthetic hands specifically for riding bikes. but no, the only way for this to resolve and for him to be happy was to give him his arm back as a magical Christmas miracle! It would be one thing if the story had acknowledged that he'd tried cycling again but just had difficulties with it, or something was stopping him from being able to do it like not being able to wear the required prosthetic or something, but it really did seem as though the author was entirely unaware it was even possible, which is an issue when it's the whole point of your story existing. This happens a lot more often than you'd think, and it's very clear when an author hasn't even bothered to google search if their character would be able to do something before deciding the only solution is to take the disability away.
There's also the frustration that comes from being part of an underrepresented minority, finally seeing a character like you on screen or in a book, only for that representation to be taken away. Disabled people make up roughly 16% of the population (though many estimate these numbers are actually much higher), but only about 2.8% of American TV shows and 4.1% of Australian TV shows feature explicitly disabled characters. In 2019, around 2.3% of films featured disabled characters in a speaking roll, and while it's slowly getting better as time goes on, progress on that front is very slow, which is why its so frustrating when we do see characters like ourselves and so much of their stories focus on wishing to be, trying to become or actually being "cured".
An finally, there's the fact this is just a really common trope. Even if we ignore the issues it can cause with your story's tone and stakes, the harm it can do to the community when not handled with care, the negative perceptions it can perpetuate and everything else. It's just a plain-old overdone trope. It shows up so often that I, and a lot of disabled people, are just getting tired of seeing it. Despite everything I've said, there are valid reasons for people to not want to be disabled, and just like how I made sure to emphasise that not everyone wants a cure, it's important to recognise that not everyone would refuse it either. So long as it's not done in a way that implies it's universal, in theory, depicting someone who would want and accept a cure is totally fine. The issue is though that this trope is so common and so overdone that it's starting to feel like it's all we ever see, especially in genres like sci-fi and fantasy (and also Christmas movies for some reason).
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[ID: A Gif of a white man in a top hat nodding his head with the caption "Merry Christmas" down the bottom. /end ID]
Personally, because it's so common, I find even the few examples of the trope used well frustrating, and I honestly feel that it's at the point where it should be avoided entirely where possible.
Ok but Cy, you mentioned there are ways to use this trope well, what are they?
So, like I said, I'm of the opinion that this trope is better off not being in your work at all, but if, for whatever reason, you can't avoid it, or it's use is really that important to the story you want to tell, there are less harmful ways to implement it.
Don't have your only disabled character take the cure
If you really must cure your disabled character's disability, don't make them the only disabled person in the story. Show us another character who, when offered the same cure, chooses not to take it. This at least helps push back a little against the assumption of "of course everyone would want this" that these kinds of stories often imply and doesn't contribute (as much) to disability erasure in the media.
Don't make it a total cure
In real life, there are cures for some disabilities, but they rarely leave no trace. For example, an amputee's limb can sometimes be reattached if it was severed and they received medical treatment fast enough, but it usually results in at least a little nerve damage and difficulties with muscle strength, blood flow or co-ordination in that limb. Often times, these "cures" will fix one issue, but create another. You might not be an amputee anymore, but you're still disabled, just in a different way. You can reflect this in your fictional cures to avoid it feeling like you just wanted to avoid doing the work to write good disabled representation.
Do something interesting with it
I got a comment on my old tumblr or possibly Tik Tok account ages ago talking about their planned use for the miracle cure trope, where their character accepts the cure at the cost of the things that made her life enjoyable post-disability. Prior to accepting the cure, she had found other ways to be independent to some extent and her community and friends helped her bridge the gaps, but they were all taken from her when she was "cured" forcing her into isolation. Kind of like a "be careful what you wish for" sort of thing. The story was meant to be a critique on how society ignores alternative ways of getting the same result and how conforming to other people's ideas of "normal" isn't always what you need to bring you happiness. This was a genuinely interesting way to use the trope I think, and it's a perfect example of taking this trope and twisting it to make an interesting point. If you must use a trope like this, at least use it to say something other than "disability makes me sad so I don't want to think about it too much". Alternatively, on a less serious note, I'm also not entirely opposed to the miracle cure being used for comedy if it fits the tone. The Orville has some issues with it's use of the Miracle Cure trope, but I'd be lying if I said Isaac amputating Gordan's leg as a prank, knowing it could be reversed in a few hours did get a chuckle out of me.
If your villain's motivation is finding a cure for themselves, don't use it as justification for hurting people
Disabled villains need a post all their own honestly, but when a villain's motivation for doing all the terrible things they do is so they don't have to be disabled anymore, it's especially frustrating. Doubly so if the writer's are implying that they're justified in their actions, or at least that their actions are understandable because "who would want to live like that?" Honestly, as a general rule of thumb, avoid making your villains disabled if you aren't disabled yourself (especially if they're your only disabled character), but if they are disabled, don't use the disability as a justification for them hurting people while finding a cure.
So are there any examples currently out there to look at where the trope is used, if not well, at least tolerably?
Yeah, I'd say so, but they're few and far between. Two examples come to mind for me though.
The Dragon Prince:
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[ID: A Gif of Ava the Wolf from the Dragon Prince, a light brown, fluffy wolf who is missing her front right leg. /End ID]
The Dragon Prince on Netflix uses the miracle cure twice, but I still really enjoyed the show (at least I did, up until my Netflix subscription ran out, so I've only seen up to season 4). The first time the trope is used in the series, it's actually a fake-out. Two of the main characters, while looking for someone to help them heal the dragon egg they're carrying, encounter a young girl named Ellis and her pet wolf Ava. The two explain their egg is not looking good and they need to find someone to help it, but no one they've found had the knowledge or ability to do anything to help. Ellis says she knows a healer who can help them, and tells them that this healer even restored Ava's amputated leg when she was a pup. When we actually reach this "miracle healer" however, she is revealed to be simply an illusionist. She explains that Ava is still missing her leg, she simply made it look as though she had restored it because Ellis's parents were planning to throw the puppy out, believing it would not survive with its disability and would only be a drain on supplies. This was not actually true and Ava adapted to her amputation very well, she simply needed more time, and hiding her disability and making her appear abled gave her the time she needed to fully recover and adjust. When they return to the healer with the main characters, she removes the illusion and explains why she did it, emphasising that the real problem was never with Ava, but with how people made assumptions about her.
While I do feel it was drawn out a bit too long, I do appreciate the use of the trope as the set up to an overall positive twist. Disability does come with down-sides, it's part of the deal and it would have been nice to see a bit more of that, but for disabilities like amputation in particular, the worst of our problems often come from a lack of adequate support and people's pre-conceived ideas about us, and it was nice to see this reflected, even if it is a little overly simplified.
The second time this trope comes up in the series is when one of the antagonists, Soren, is injured during a fight with a dragon, becoming paralysed from the neck down. His sister, Claudia is absolutely beside herself, believing it was her fault this even happened in the first place, but Soren actually takes his new disability very, very well, explaining that he understands there are things he can't do now, but that there's a lot of things he can still try, that his previous job as a soldier just didn't allow time for. It's possible this reaction was him being in denial but it came across to me as genuine acceptance. He is adamant that he doesn't want a cure right from the beginning because he knows that a cure would come at a cost that he doesn't want his sister to pay, and that he is content and happy with this new direction his life will be going in. Claudia, however, is not content. It had been shown that she was already using dark magic, but this event is what starts her down the path of using it in earnest, disregarding the harm it will cause to those around her. She ignores Soren's wishes, kills several animals in order to fuel the healing spell that will "fix" him, and Soren is pretty clearly shown to be horrified by her actions. What I like about this use of the miracle cure trope is that it touches on something I've seen happen a lot to disabled people in real-life, but that rarely shows up in media - the fact that just because we accept ourselves, our disabilities and our new limits, doesn't mean our friends and family will, unfortunately. In my own life, my mum and dad were always accepting of my disability when I was younger, but as I got older and my support needs changed, my body took longer to heal and I stopped being able to do a lot of things I could when I was little, they had a very hard time coming to terms with it and accepting it. I'm not alone in this either, a lot of disabled people end up cutting contact with friends and family members who refuse to accept the reality of our situations and insist "if we just try harder maybe we won't be so disabled" or "Maybe you will get better if you just do [xyz]". Unfortunately however, some disable people's wishes are ignored completely, like Soren's were. You see this a lot in autistic children who's parents are so desperate to find a cure that they hurt their kids through toxic and dangerous "treatments" or by putting them through abusive therapies that do more harm than good. Claudia has good intentions, but her complete disregard for Soren's decision still harm them both in the long run, leading to the deterioration of their relationship and causing her to spiral down a very dark path.
Full Metal Alchemist: Brotherhood
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[ID: A Gif of Ed from full metal alchemist, a white boy with blond hair, staring angrily at a jar of milk on the table. His brother Al, a sentiant suit of armour, is in the background looking directly at the camera. The caption, spoken by Ed, says "So we meet again you little bastard" /end ID.]
The show does begin with Ed and Al looking for a way to cure their disabilities (which they gave themselves when trying to resurrect their mother as children went horribly wrong). However, when the boys discover that the object needed to do that - a philosopher's stone, can only by made through absolutely abhorrent and despicable means, and using one, likewise, comes at the cost of potentially hundreds or thousands of people's souls, they immediately stop, and shift their focus on finding the stones that had already been made so it can't fall into the wrong hands, and preventing the creation of new ones. The core theme of the show is that everything has a cost, and sometimes the cost is simply too great.
However, right at the end of the show, several characters are healed in a variety of ways. Ed gives up his ability to do alchemy to get his brother's body back, as well as his arm so he can save his friends in the final battle, but neither of the boys come away from this completely "healed". Al's body has not been used since he was a child, and so it is shown he has experienced severe muscular atrophy that will take a long time and a lot of work to recover from, acknowledging that he has a pretty tough road ahead of him. When we see him in the epilogue, he is still on crutches despite this being several months after getting his body back. Likewise Ed is not fully healed, and is still missing one of his legs even if he got his arm back.
The more... interesting use of the trope, however, is in the form of Colonel Mustang who was blinded in the final season. Mustang is shown to take to his blindness pretty well given the circumstances, finding a variety of ways to continue doing his job and reaching his goals. When other characters offer to let him use the philosopher's stone to heal himself however, he takes it, acknowledging that this is a horrible thing to do and that Ed and Al would be extremely disappointed in him if they ever found out. He uses it both to cure his own disability, and to cure another character who was injured earlier in the show. While I'll admit, I did not like this ending, I can at least appreciate that the show made sure to emphasis that a) Mustang was doing fine without the cure, and b) that this was not morally justified. The show spent a very long time drilling into the viewer how morally reprehensible using the stone was, and it didn't try to make an exception for Mustang - you weren't supposed to like that he did that.
When I talk about these tropes, I do try to give them a fair chance and discuss the ways it can potentially work, but I really do want to reiterate that this particular trope really is best avoided. There are ways to make it work, but they will still leave a bad taste in many of your viewer's or reader's mouths and you have to be exceptionally careful with your wording and framing, not just in the scenes where this trope is used, but in the lead up. If you really must use it, I highly recommend getting a few disability sensitivity readers and/or consultants (yes, even if you are disabled yourself) to help you avoid some of the often overlooked pitfalls.
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