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#2000 bb
ghou1icks · 2 months
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$$$
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bunnithechubs · 2 months
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townie makeover 2.0
thank you for the suggestions: @waitingforspoons, @sojutrait, @socialtownie, & @nuttydragonbird ! 💗
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alicenpai · 1 year
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kuroshitsuji rewired my 14 yr old brain fr 🎩🕷🍬 buttons here !
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horseshoemybeloved · 5 months
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comfortfoodcontent · 2 months
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2008 Metal Gear Solid 4 for Sony PlayStation 3 Magazine Ad
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444girlbl0g · 2 months
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ukgk · 2 months
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ranchthoughts · 11 months
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thinking about Pran's "Pat, you've got to stop doing this to me"
The way that's so... blatant. So explicit. Pran is admitting "this is how you interactions are reading to me" (romantic, sexual) and "this is making me feel things". He's not directly stating these things, to be fair, but it sure is honest and revealing in a way Pran generally isn't.
Pat and Pran don't say a lot explicitly - there's something about their communication style, born from how long they've known each other, that doesn't really use words? Pat can show up to fulfill a part in the play and give a speech ostensibly in that character's voice, and Pran knows the meaning of the gesture; Pran can feed Pat and wipe food from his mouth and Pat knows what he means. Heck even the whole bet was them saying "I like you" over and over, both of them knowing it, but neither using words directly.
So while "Pat, you've got to stop doing this to me" isn't an explicit declaration of "I like you, and you flirting with me without meaning it hurts me," it's as close as it needs to be for these two.
They both know where they stand now. Pran might not have thought Pat realized what he was doing before, how his gestures and utterances were coming off, but Pran knows something has shifted recently. It was in Pat's behaviour when he came to Pran's dorm and asked pointed questions about Wai. It was in Pat's behaviour in the fight with Wai at the entrance to the dorm, the way Pat seemed like he had something important to say. Pran may not know exactly what or why something is different, but he knows there is something new at play.
And then on the rooftop, Pat is so... deliberate with his words. It's almost like a prepared speech, the way he outlines their history and goes into what Pran means for him. Pran listens to this, puts two and two together, and realizes that Pat does know how his actions have read; even if he's just realized it, he knows it now.
So Pran can be more explicit in his words too: "Pat, you've got to stop doing this to me". So close to an actual confession, so close to saying outright "the way you act plays with my heart". It's such an open, desperate plea - Pran is so tired at this point of Pat saying and doing the sweetest things without even realizing the effect it was having, or that now Pat seems to be aware of the effect it is having and leaning into it though they both should know any relationship would be impossible. Pran's reached the end of his rope, this is the final confrontation they've been building to for a while but especially in the aftermath of the fight scene just prior: Pran has got to nip this in the bud.
Despite Pran saying that, pleading for Pat to stop, Pat keeps being soft. It seems like... he might mean it? He might want to stand by his words? And so Pran has to try and offer an out ("Do you want to be friends?"), hoping Pat will take it, however flimsy and transparent an excuse it is, so Pran doesn't have to reckon with the new information that Pat knows he's being flirty and wants to be, because he loves Pran back. Which would be the worst, because now Pran has to live with the confirmation that this could happen, if everything in their lives was different (if he wasn't Pran, if Pat wasn't Pat, if their parents weren't their parents). Happiness and love are so painfully within reach, but Pran knows that reaching for them will only end in pain (they are in a tragedy after all).
and then we see desperate Pran again, going "screw it" and diving in for a second kiss because at this point, he might as well go all in (just this once)
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greenrosequartz · 4 months
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HELP IM FALLING DOWN THE RABITTHOLE OF OLD KINGDOM HEARTS VIDEOS
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AHHHHHHHHHHHHHHHHH
youtube
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vamp1rexgf · 1 year
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ogbeefarmr · 2 years
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Rawr x3
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coffeeandcalligraphy · 7 months
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jeremiah playlist goes so hard btw
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pinkpilatesprincesz · 9 months
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Live Laugh Lizzy Grant
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messinwthkid · 8 months
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to be loved is to be changed but with the blues brothers in the second movie.
the fact that the entire band had changed, had aged and had moved toward their own things because they all had people with them, had each other and the support, but elwood coming out of prison looking the same because he hadn't gotten any love, hadn't been able to change or age properly because it was just him, the outside world was changing and evolving and he missed changing and evolving with it.
that's why the ending and the buildup to the battle of the bands in bb2k is so important because it shows elwood opening up, and everyone opening up around him. it shows that he can love and he is loved, that there's people who rely on him after he relied on jake so long, he's changing. by the end of the movie he's completely different: he's happy, you can feel the love in the battle of the bands scene and the way he truly doesn't want to let go of anyone again because he loves them. by the end of the movie he's not stuck with curtis's kid, the bartender and the orphan mother mary gave to him; they become their own people in his mind, they become family members and at some point in the movie during the county fair scene you can see it change from the bartender and the kid to mack and buster, and cab changes in the revival tent scene because he finds all of this stuff out and begins to process it through song afterward.
everyone in the main four have their recognition scenes in the movie, whether it be elwood sitting on that log alone and having buster hyping him up, buster listening to elwood say the same to willie in the club, cab on the phone in his office realising curtis was his father and mack realising during looking for a fox that he's good at what he does, he's a good friend.
that's why bb2k is so important !! it's the story of change and how some things have to go on, no matter how much it hurts- that you never have to forget it, but you have to shift it so it becomes a sweet memory rather than a bitter one.
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hollifo · 1 year
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Oekaki | Copic Markers
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From a simpler time when the internet was young and so was I.
This is my piece for the Art Kids show Nostalgia Baby! Oekaki boards were my home as a kid and where I met some of the most fabulous folk that I still talk to this day, 22 years later.
I tried to capture the essence of the Oekaki UI, with my 12 year old self and my then (and always) obsession with Gatomon. I even gave it the NP signature for old time's sake <3 The second picture is a small selection of my actual Oekaki pieces from 2000-2002ish.
Feast your eyes on some nostalgic eye candy at theartkids.org
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arconinternet · 9 months
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BBS: The Documentary (Videos, Jason Scott, 2005)
Message boards from before the internet as we know it. You can watch it here or here.
You can watch tons of raw interviews conducted for the documentary here.
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