#ALSO ANOTHER THING I DON'T FEEL NORMAL ABOUT FROM THIS SCENE | Explore Tumblr Posts and Blogs

sheeple · 1 month

Text

Heirs of Hogwarts | part 3

Genre(s): Nuisance to Lovers / Fake dating / Fluff / No Voldy au Fandom(s): Harry Potter Pairing(s): Mattheo Riddle x Hufflepuff!Reader Summary: After finding out your (now ex)boyfriend cheated on you with the girl he told you not to worry about, you decide to get into a fake relationship with the kid of another founder of Hogwarts. What could go wrong? Warning(s): Matt's thirsty (but so are you also lowkey) / Awkward family moments / Visuals (Don't like them? Don't use them🤷🏻‍♀️) / I suck at writing kiss scenes (yes it's happening) / it's spicy but not full on smut (smut adjacent) A/n: For now this is the end of the mini-series. Thank you all for enjoying my story and see you all in the next one! [Masterlist] [part 1] [part 2]

Normally you would love to be proven right. Revel in the knowledge that they should have listened to you. But now? Fuck being right. You don't want to right.

You've been carrying the letter with you for a couple of days and the weight of it makes your schoolbag makes it feel like it's filled with bricks. The letter is weighing you down, and everybody around you seems to notice it. Especially Mattheo. You still hang out with him, of course, but every time the words are on the tip of your tongue, you chicken out.

"Have you told him yet?", asks Susan as she sees you reading the letter again during lunch.

Giving her a frowned look, you shake your head. How in Merlin's name can you inform him that 'hey, my parents want to meet you because Meemaw saw us sneak into my dorm. Now they think we are together and having sex and want to meet the hypothetical father of my hypothetical baby if we were actually having hypothetical sex and not being careful. All hypothetically of course. Why else would I sneak a boy into my dorm?'

Not casually at least.

You look over towards his table and meet his eyes. He motions with his head towards the door. You nod with a small smile and finish your juice. "See you in class."

"Have fun with your boyfriend!", she calls after you and you flip her off.

"What was all that about?", asks Mattheo with a small smile while the two of you walk side by side towards Herbology.

You shrug, scratching the nailbed of your thumb. You feel a sharp pain but you continue. You know now more than ever that this is the time. "I've... I've received a letter. From my parents." You fish the letter out of your bag and hold it out for him.

Mattheo stops and looks unsurely towards the folded-up paper. When you give him a nod he unfolds the letter. You watch nervously how his eyes scan over the words.

When he stays silent, you begin to panic. "We- you don't have to! I can totally write my parents back and tell them... something! That we broke up or whatever."

"You've got nieces?" He's got a soft smile on his face as he traces the embellishments of the letter. Of course, the stationery of House Hufflepuff has its letters decorated to match the vibe of the family name.

With a shake of your head, you run a hand over your hair. "Out of everything... the thing you focus on is my nieces? Not that fact that my parents want to meet you?"

Mattheo shrugs, handing you the letter back. "Yeah, so what? That's what boyfriends do, don't they? Meet their girlfriend's parents. Fake relationship or not. Wasn't it your parents you wanted to fool?"

That shuts you up and a flaring heat spreads over your face and neck, even towards the points of your ears. "I-I yeah... But I never imagined them doing this! Then I would have never done all this to you!" With a guilty look, you slowly reach for one of his hands. You rub slow circles over the back of his hand.

Mattheo's brain short circuits as his eyes focus on your hand and his. How soft the pad of your thumb feels against his skin. He wonders if your hands feel as soft on different parts of his body. Or how sharp your nails feel when you scratch his back.

He snaps out of it and shakes his head. Taking his chance, he turns his hand around and laces his fingers with yours. "So... how do I leave a good impression on your parents?"

You think for a moment, looking away. "As superficial as it sounds, they put great value in looking a certain way." In that way they're just like other pure-blood families, you want to add but don't. You don't want to offend him or his family.

With a determent nod, Mattheo starts walking the opposite way you were going, pulling you behind him.

"Where are you taking me? Divination is that way", you point over your shoulder as you catch up to him.

Mattheo gives you a daring smile, his eyes wrinkling playfully. "My dorm. I need your advice on what to wear."

You protest and sputter about your attendance all the way towards the Slytherin dungeons. A snake made of metal rises from the ground and reveals a set of double doors. "Pure-Blood", says Mattheo and the doors swing open. You give him a look and he shrugs. "It's the password. Nothing I can do about it."

"I said nothing!", you laugh, being pulled through the entrance

The common area looks like it's carved out of rock, with marble pillars and arches. Large windows give you a look into the endless depth of the Black Lake, fish swimming by. It takes your breath away how stunning the Slytherin common room looks. It's oh so different from your own, but just as beautiful.

You try to ignore the stares you get from the Slytherin's around the room. You do stand out like a sore thumb with your sunshine yellow robes.

"Don't you ever need to pee very much when you are in the common area?", you ask, motioning towards the waterfall you circle as you enter the common room and the many water features around.

Mattheo rolls his eyes with a smile as he leads you down a corridor and holds open the door for you to enter his dorm. Four four-poster beds with green drapes are arranged in a circle with a heater in the middle of the room, spreading warmth around the room. He motions for you to sit on his bed while he rummages through his closet.

You lean back on your hands as you watch him pull one after the other crumbled-up shirt and pants out of the closet. He sends you a slightly embarrassed look and you hop off his bed.

"Let me have a look", you say softly, pushing him to the side.

"I'm sorry... It's a bit of a mess." He scratches the back of his neck as a slight blush colours his cheeks.

You wave his worries away as you spot a nice pair of jeans and a not-too-crumpled black shirt. It could totally work paired with a dark green jacket. You lay out the pieces on his bed and look proudly between the outfit and Mattheo. It's something you're parents would approve of while still being himself

"If you wear this with the shirt tucked in and your hair just styled like you always do, everything will be okay." You turn towards him with a smile.

While you were arranging the clothes, Mattheo snuck closer to you. He now stands so close to you, that you can smell his cologne. Your lips part as you look up at him. "Matt?", you whisper as he slowly cradles your face with both of his hands.

His eyes flicker from your eyes towards your mouth. Your eyes flutter closed as you feel soft puffs of breath on your face.

Mere millimetres before his lips touch yours, the door swings open and the two of you jump away from each other. "God fucking damn it", you hear him grumble under his breath as Enzo and Draco stand in the doorway.

The two boys look at you with wide eyes before Draco's expression morphs into something more teasing. "I hope we didn't interrupt anything", he says slyly, sending a smirk towards Mattheo. Who gives the blond a scalding glare.

Feeling way too awkward about the situation, you quickly gather your things. "I-I have to go. I wouldn't want to be late for my next class." Giving Mattheo a shy smile, you rush out of his dorm and the Slytherin common room — almost stumbling down and then up the stairs.

Once you deem yourself far away enough, you slump against a wall and cup your scorching hot cheeks. Your heart beats wildly in your chest... and somewhere else. Did that really just happen? Or almost? In Merlin's name, when did you get so hot and bothered about Mattheo Riddle? Not long ago he was a nuisance to you. And now? Now you've almost kissed two times and he's meeting your parents this weekend.

When you close your eyes you still see Mattheo's warm honey ones, looking at you with such softness and want- no need.

Gods.

Shaking your head, you steady yourself and with slightly unsteady legs you walk towards Arithmancy.

Meanwhile, back in the boy's dorm, Mattheo collapses onto his bed and curses out his friends. "Fucking twats!" He presses the balls of his hands into his eyes, frustration running rampant through his body.

This was the second time someone interrupted him trying to kiss you. Just when he has gathered the courage to do so. First your friends and now his own. Who out there has it so out for him to cockblock him two times.

Draco and Enzo just look with high amusement towards their frustrated-to-no-end friend. They're gonna take this moment and tease him forever with it.

You don't get a chance to talk to Mattheo about the kiss. To talk to him in general. Because every time the two of you spot each other, either his or your friends wisk you away and it's driving you mad. It's like they planned it together or something.

It makes you all sulky because you want to discuss what happened between the two of you multiple times. You want answers — which you are lowkey scared of. But it's better to rip the bandage off quickly and get your heart broken than live with questions and never get an answer.

You walk into the Great Hall that Saturday, your fingers anxiously clawing at the nailbeds. But you've taken precautions and bandaged up your thumbs so you can't scratch. The pain stays but there's no blood.

"Don't you look all lovely", smiles Hanah brightly, making you twirl.

You smile and show her a cheeky leg as the split in your skirt falls perfectly when you sit. "Well...", you let out a nervous sigh, "Matt's meeting my parents today. So, we have to look the part, don't we?"

Your friends' eyes bulge out at the nickname you gave Slytherin bad boy Mattheo Riddle. Nobody ever dared to call him anything other than his name.

"Is that why he was not-so-subtly sneaking glances at us before you came?", wonders Susan out loud, which makes you tense up.

Looking at the Slytherin table, you find Mattheo easily. He gives a small wave with a smile and you return the gestures. "I'm going to sit over there. I have to prepare him from the wolves."

Slowly, you rise from your table and walk to the other side of the Great Hall. You feel the eyes of the Hufflepuff's and Slytherin's on you. But the only important ones are Mattheo's liquid honey ones, who look at you in wonder.

"Hi", you whisper when you finally reach him.

"Hi", he whispers back, a wide smile on his face.

"Can I sit with you?"

Without hesitation, he nods and slides to the side, almost shoving Enzo into Blaise's lap. He pats the now-empty spot next to him and you swing your leg over the bench. Mattheo zero's in on your bare leg and his brain shortcircuits.

You try to ignore the weird looks the Slytherin's present are giving you as you reach over and grab a piece of toast. You meet Hannah and Susan's eyes from across the room and they give you enthusiastic thumbs-up.

Swallowing your bite, you turn towards the boy next to you to say something. But your words die on your tongue at the look Mattheo gives you. It's unreadable. But not bad unreadable. There is some fondness in there you believe. "I have to warn you, by the way."

He cocks his head to the side, an easy smile on his face. "For your parents?"

A snort escapes you and you shake your head. "No- well... maybe my dad will grill you. But my brothers are way worse. They will either try to embarrass me or you."

"How many do you have?"

"Brothers? Four. There's a twin pair in there too. They are the second youngest after me."

Mattheo pales slightly. Four brothers? He found Thomas already trouble enough. But Four? He knows he's in for some shit.

You can't help but laugh as he visibly pales. Taking his hand, you pat it. You look around the Slyherin's. They all look very amused at Mattheo's despair.

The two of you finish your breakfast before it's time to go. Your parents expect you for lunch but knowing your family, there's not going to be time during just lunch.

"How are we getting to your home?", questions Mattheo as you both walk through the halls towards Professor Sproud's office.

You knock on the door and when there's no answer, you enter the room. "Via portkey. Which should arrive any second now." And like you said, a little yellow cup appears on the desk.

Placing a hand on the cup, you hold the other out for him to take. Mattheo does so and the two of you are whisked away from the castle.

You stumble for a second before you find your footing. Taking a deep breath, your senses fill with the floral aroma of your home. It feels good to be back.

"Holy fucking shit", you hear Mattheo whisper under his breath as he looks at the estate your family owns. It looks centuries old, with ivy covering most of the outer walls. A sprawling garden buzzes with bees and butterflies. A fountain is heard somewhere in the back.

You feel slightly embarrassed at Mattheo's slack jaw. This is mostly the reason why you never told about or took anyone home. The house mansion has been in your family's name for centuries. It's said that Meemaw bought it, but there's no proof of it.

"Come on." You tug him by his hand towards the front door. Mattheo's too caught up by the exterior of the house that he bumps into you when you stop in front of the front door. "Ready?", you ask, and he shakes his head.

As you ring the bell, Mattheo looks at the inscribing above the door. "Dum spiro spero, vi et animo. What does that mean?"

"As long as I breathe I hope, with strength and courage", says your father as he opens the door with a wide smile. "It's our family's motto. Nice to meet you, son." He holds out his hand for Mattheo to shake.

As he pulls the boy inside, you try your bestest to not cringe. "Dad this is Mattheo. My boyfriend." You shyly glance towards Mattheo to gauge his reaction. A slight blush paints his cheeks and you bite your lip hiding your smile.

Your dad shakes the dark-haired boy's hand enthusiastically. He starts to ramble off about the family motto and what it means and it morphs into an in-depth history lesson about the house. How the tiles and pillars in the foyer are at least four hundred years old and how they're kept in such fine condition by magic.

"Dad!", you call out, not having missed the hidden panicked looks Mattheo has given you, trying his best to look interested. "Don't you think it's a little early for Staghill History 101? Let the boy breathe."

Your father lets go of Mattheo with a jolly laugh, his moustache curling upwards. "You are right. I am so sorry, good chap. Why don't you two go to the library while I round up the twins? They're all very excited to meet him."

Tugging on Mattheo's hand, you nod. "Sure. Make sure they clean off any dirt before Mum has an aneurysm. Again."

As you lead him towards the south wing, you stop just outside of the library. "Are you okay? I'm sorry. My dad's a lot and he's just happy to see anyone and everyone. Could be Father Christmas with how jolly he is." You scratch the back of your neck awkwardly, looking away.

Mattheo laughs. "It's okay. He's... nice. Now I get where you get it from."

"What?", you question with a cock of your head.

Mattheo wets his bottom lip, his eyes focused on yours. "That twinkle in your eyes when you talk about something you're passionate about." He reaches out for your flaming hot cheeks, cupping them.

The doors to your right swing open and the two of you feel like little children caught with your hand in the cookie jar. Your oldest brother, Felix, raises one disapproving brow and the two of you quickly step away from each other.

"Is it them? Don't hog the door, you big oaf!" Behind Felix appears Herbert, immediately engulfing you in a big, bone-crushing hug.

"They were snogging", says Felix, walking back towards the couch he always sits on when he visits home. His comment earns him a swat from his wife next to him.

"We were not!", you protest scandalised, wrestling out of Herbert's hold. "We were just... It's none of your business what we were doing!" You grab Mattheo's hand and walk into the library, towards your mother.

He scoffs under his breath, mumbling; "You made it everybody's business when you let Meemaw catch you." That earns him another swat from his wife and a stern look from your mother.

"Mum", you say after giving her a hug, tugging Mattheo closer, "I would like you to meet Mattheo."

"It's very nice to meet you, ma'am." Mattheo puts on his most charming smile while holding out his hand.

Your mother shakes her head and gives him one of her signature warm hugs. "None of that! Call me Clementine. Or Clemmy. Or Ma. You're practically family now!"

You blanch, shrinking into yourself. Dear Lord. Why does your mom need to be so much?

Felix snorts. "Is he to stay? What happened to that bloke from Christmas?"

Yours and Mattheo's eyes meet and you purse your lips. "I rather not speak about it..."

That gets their attention, both men leaning forward in their seats. "What did he do?"

"Nothing!" You grow irritated at their endless questions as your mom ushers the two of you towards a couch. Sitting closely together, Mattheo lays a hand on your knee. You don't know if it's to comfort you or to ground himself.

Herbert studies the two of you with his eyes narrowed. He purses his lips while leaning back into the chair. "He beat the ex up, didn't he?"

"Oh, my Gods! Can you not play detective about my life? Stop talking about my ex with my new boyfriend right next to me", you scowl, not wanting the two of them to flip out over something that you're way past.

At that, your mother claps in her hands. "That's right! Mattheo, why don't you tell me something about yourself? What house are you in for instance?"

Mattheo glances nervously towards you and you lay a hand over his own, giving him a reassuring squeeze. "I'm in Slytherin, ma'am. I hope that isn't an issue."

Your mom chortles and waves his concern away. "Oh please, we aren't that kind of family."

"Speaking of family", pipes Herbert from across the room, "Who's family you belong to?"

Both your mom and you sputter and scold Herbert. But the twins coming in gives your brother his answer.

"Why on Meemaw's good name is Mattheo Riddle sitting next to our sister?", sneers Victor, Danny leering over his shoulder.

A groan escapes you while you slink down the couch, hiding your face in your hands. You had hoped that Mattheo's family wouldn't be a subject. The twins are the only ones from your family who have seen the kind of nuisance Mattheo has been to you before leaving school last year. Of course, it looks very fucking weird that he is now cosying up to you, his hand on your knee and claiming to be your boyfriend.

You feel everybody's eyes on the two of you. Mattheo shrinks down under the many gazes, his hold on you tightening in a silent plea to not abandon him right now.

Not knowing how to get away under the scrutiny, you glance at your mom. She looks shocked and when she meets your eyes, her gaze softens before turning stern. "Didn't I always tell you boys to not judge people? What can the poor boy do about which cradle he was born into? So get off your high horses and be nice to the boy!" She stands with her hands on her hips, berating your brothers.

"What did I miss?", asks your father, standing in the doorway with a tray filled with cookies and teacups, the teapot floating behind him.

"Nothing", smiles your mother, turning towards you, "I was just saying that Mattheo should have a tour of the house. Why don't you do that, honey?"

Getting what she's implying, you nod exuberantly. "Yeah, right! Let's go."

Mattheo's all too happy to escape the tense room and quickly follows after you, walking with a big arch around the twins, who are still glaring at him.

"I am so sorry." You cast your eyes towards the floor as the two of you walk through one of the many art-lined hallways. "I- There is no excuse for how they treated you..."

Mattheo's hand on your waist makes you stop and look up at him, unsheathed tears dancing in your waterline. He tuts, wiping away the single one that has managed to escape. "Don't cry, pretty girl. It's a warranted reaction. I'm used to it by now. How awkward it was anyways."

You pout while leaning into his hand. "That's horrible Matt. You don't deserve to be treated like that because your father made a wrong choice!"

"It was more than a wrong choice, lovely. Besides, there's not a witch or wizard who went bad who wasn't in Slytherin, remember?" He laughs, but you see that there's sadness in his eyes.

With a shake of your head, you lean closer to him. "You aren't bad! Such a vile stereotype."

This time a genuine laugh bubbles out of Mattheo's chest. "Oh, sweet, sweet, Hufflepuff", he trances your cheek with the pads of his fingers, "there are many things that make me as bad as they say. Mostly for the thoughts I have about you."

Your brain short circuits and you blink up at him, processing his words. He has what? Heh?

Mattheo chuckles at your dumbfounded look. Oh, how cute you are when you are clueless. He clasps his hands behind his back and looks around. "Is there anything in particular you want me to see?", he asks, throwing you a bone.

That seems to snap you out of your daydream of what Mattheo could do to you and you shake your head. "Yes. There is one final person I have to introduce you to."

The two of you walk side by side as he studies both muggle and magical paintings. You lead him towards the main sitting with an empty frame with a chair hanging above the fireplace. Dragging an ottoman over, you motion for Mattheo to follow your lead and climb on top of the cushions.

"Meemaw", you call out towards the empty portrait, "I would like to meet someone."

It takes a second or two before your ancestor appears from the side, graciously draping herself and her skirts on the chair. "My littlest Badger! How are you, my dear?"

You lean closer, smiling. "Hello, Meemaw. I would like you to meet someone." You motion towards Mattheo, who looks with big eyes at her.

"Isn't that...?"

Heat spreads over your face and you bite your bottom lip. "I- yeah..."

"Mattheo Riddle, your ladyship." He bows slightly, earning a hearty laugh from her.

"Aren't you a charmer? You musn't call me ladyship. Just Helga is fine. Or Meemaw, seeing as you are our littlest badger's love." She sends you a doting smile. "Say, if I may ask; aren't you one of Salazar's boys?"

"Yes. I hope that isn't an issue for you, Helga."

She waves his concerns away. It surprised you how easily Meemaw's taken by Mattheo. He's a naturally charming person when he wants to be after all.

"Oh, of course not, dear boy! Your great-grandfather and I had a... very special relationship of our own when we were younger. It warms my heart that our descendants have found each other." A fond look paints her face as she looks off in the distance.

As a melancholy glimmer befalls her, you take that as your cue to leave. "I have to continue my tour of the house, Meemaw. See you later."

Waving her off, you hop off the ottoman and put it back in the right place before exiting the sitting room. A sigh escapes your lips and you swing your arms back and forth. Mattheo gives you a raised brow before taking your hand in his and continuing the swinging.

It's nice. The two of you just walking and talking about nothing special in particular. You sometimes point out some facts about you growing up around the house. "In that room, we always used to build pillow forts in." Or "I once ran against that door and lost both my front teeth. They were loose anyways", you add quickly at his concerned look.

Everything's so easy with Mattheo that it scares you. How are you supposed to go back to strangers after your arrangement has come to an end? Can you even go back to strangers? Even if Mattheo doesn't feel the same, you wish you at least could stay friends. Because he's genuinely a nice person to hang out with. It would sadden you to lose him.

The ring of a bell plucks you from your thoughts and you turn towards where the sound came from. "Oh! Dinner's ready." You lead the both of you towards the dining room, taking shortcuts and hidden doors. Mattheo chuckles as you press open another hidden panel before finally arriving in said room.

Out of habit, you go to sit at your usual place at the table and Mattheo follows you. But as he pulls the chair back, Danny is quick to sit in it. After sending a glare at your brother, you look apologetic towards the dark-haired boy. His eyes scan the room and the only free seat is right in front of you, between Herbert and Felix.

Mattheo sighs and takes place on the empty seat. He feels your brothers stare at him, and he does his best to try and act normal. He smiles politely and answers any questions your mother asks him. Eventually, he learns that — who he believes is Felix — is a beater for the Caerphilly Catapults. His wife plays for the Holyhead Harpies and that's how they met each other.

Dinner seems to pass by smoothly — not counting the snarky remarks of the twins. But they're dicks. As everybody starts to collect the dishes, your father clears his throat. "Why don't you all go outside and...", he glances towards Mattheo, "Take a lap around the fountain so Mattheo and I can have a heart-to-heart."

Both you and Mattheo send slightly panicked looks towards each other as he gets led away by your father. As your brothers let out an 'oooh', you jab Danny in his side with your elbow. He rubs his side with a slight pout and you poke out your tongue.

"The last one is a rotten egg!", yells Victor and he sprints towards the back door. You let out a curse and start sprinting after him, the others following.

While you and your brothers race towards the burrow, Mattheo gets led towards your father's office. He anxiously takes place in the chair in front of your father's desk. The man leans forward and studies the Slytherin boy with narrowed eyes.

"What are your intentions with my daughter?", he asks, getting straight to the point.

What are his intentions? Well... he can think of a few things. But none are parent-approved answers. "I like her. I really do, Sir. I wouldn't dare to hurt her." Because that is the truth. He always had a crush on you, but getting to know you? You're everything and so much more than he imagined.

Your father hums. "I ask this because I have received some chatter that you've been in a... physical altercation with one Malcolm Preece. So, Mattheo, what is the deal with that?" He leans back in the leather chair, one brow raised.

For the first time in a while, Mattheo feels genuinely nervous. And it's not the same kind of nervous before he took you out on your first date. No. This is a different kind of nervousness. A deep-down fear to disappoint the people who he cares about.

And yes, you are one of those people he realises. He cares about you the most.

Lying will do no good. Because, as your father has shown, he somehow has a way to get information about what happens at school. "In all honesty, sir, Preece was threatening your daughter. They broke up and he kept bothering her. It... indeed got physical because some guys don't know when to take a hint."

Your father purses his lips, his eyes scanning over Mattheo's face. Searching for a sign of dishonesty. But he finds none.

"Did you at least get him good?"

That makes the dark-haired boy laugh. "Yes, sir. He won't dare to bother her again."

Your father stands up from his chair and holds out his hand for Mattheo to shake. With a smile and a firm handshake, he says, "You did good son. Now, I believe someone's way too anxious to wait a second longer." He points towards the door, where a shadow is seen pacing under through the crack.

Mattheo closes the door behind him and sees you look at him with wide eyes, chewing on your thumb. "How did it go? What did Dad say?" You fling your arms around him and press your cheek against his shoulder.

He smiles and wraps his arms around you. "Don't worry. Everything's fine." When you look up at him, he cradles your face and wipes away some stray dirt. "Don't you worry your pretty little head about it", he smiles.

You roll your eyes but can't help but smile. "Fine. You know what, if we leave now, we maybe have some time left before curfew."

A smirk grows on Mattheo's face while he wetts his bottom lip. "And do what?"

"I don't know", you shrug playfully, pulling him with you, "We will see."

"Absolutely not", says your mother when you come and say your goodbyes. "Your room is already set up. Fresh sheets and everything! Wasn't that clear from my letter?"

Your eyes dart nervously towards Mattheo, who gives you the same look. You silently ask him if he's okay with it. If he's not uncomfortable. He shrugs. He's not too bothered by the idea of staying over.

A sigh escapes you. "Fine. But we don't have anything to sleep in."

Your mother claps in her hands and gets up from the couch, motioning for the both of you to follow her. She leads you through the house, towards your bedroom.

The smell of clean cotton hits you as soon as you enter your room and you breathe in the smell. That's one of the many things you miss about your home. The house elves of Hogwarts don't use the same detergent as your mother and it just hits a special spot in your brain when you finally smell it.

"I'll grab a pair of Felix's clothes for you, Mattheo." Your mother pats his shoulders before exiting the room.

The boy in question stands in the middle of your bedroom and a smile grows on his face. He can't explain why but it so much you. In the short period he has gotten to know you, this is exactly the type of room he imagined you to have. Maybe with fewer plants.

A four-poster bed stands in the middle of the room, facing a fireplace. On top of the bed grows some hanging plants that spread onto the walls and turn into wallpaper. There's a cosy-looking chair next to the fireplace with tons of pillows and blankets.

You watch him eyeing the chair and you mention towards it. "You can sit in it if you want. It gives you also a really nice view over the garden."

Mattheo does so, burying himself between the pillows. The garden is almost too perfect with the way it's lit up by floating lights and lightningbugs. When he looks back at you to comment on the beautifulness, he sees you pull away the many pillows from your bed into a trunk at the front of your bed and readying the bed for sleeping.

"I... I can sleep on the ground- if you're more comfortable with that. I could even fall asleep in this chair."

You stop what you're doing and look at him with such a scandalised look that it makes him shrink. "Uhm how about no? I dragged you into this, like hell I let you sleep on the floor!"

Your mother comes back at the right time with a pair of joggers and a shirt in her hands. She gives him a warm smile as she hands him the clothing, instructing him to where the bathroom is. Mattheo takes that as his saving grace to get a moment of his own. He has to admit, your family is a lot. This whole situation is a lot. And he has nobody to blame for it except himself.

Not that he blames himself. He's quite enjoying himself, being with you, meeting your parents and seeing where you grew up. He now gets why you are how you are. How you can shine so bright because your parents do everything to lighten you.

When he comes back you are also changed in quite the same outfit as him. You are sitting on your bed, nervously nibbling on the side of your thumb. He strides towards you and grabs your hand, stopping you from destroying your nailbed and making you look up at him.

"Are you okay", he asks, interlacing your fingers.

You nod with a hum, eyes focused on your interlinked hands. "Yeah... I'm just tired from today." You run a hand over your hair, brushing some stray strands out of your face. "Are you okay?"

Mattheo lets out a light-hearted scoff. "Don't worry about me, lovely. My family is much much worse."

You blink, wanting to ask more. But a knock on your door stops you. Your father stands in the door opening, Victor looming over his shoulder and glaring daggers at Mattheo.

"Will you do your old man a favour and keep the door open? I know it makes you uncomfortable, hun. But I don't think I have to explain why?" He motions with his eyes towards how close the two of you are and with a sigh, you nod.

The house is so old that it creaks and groans with even the slightest breeze. And it freaks you out when you hear it at night. Are you saying that this centuries-old house doesn't have ghosts? Likely.

As your dad walks away, Victor takes a step forward, his jaw taut. "You", he points towards the dark-haired boy, "I'm right next door and these walls aren't as thick as they seem. I will hear everything. No funny business!"

Mattheo sends him a charming smile that you know will irritate Victor. "I promise." But when he turns around when Victor storms away, he shows you his crossed fingers. You let out a giggle and swat him.

After that you take it as a cue to get ready to sleep so you crawl under the covers. Mattheo positions himself between you and the open door and the two of you lay on your backs, staring up at the canopy.

It... feels weird having Mattheo Riddle next to you in your bed. The even weirder feeling is the desire to keep him there.

You turn so you're facing him, your hands tucked under your pillow. "I've been wondering... When you spoke in Parsletongue, what did you say?"

Mattheo tenses slightly before turning towards you, a pink flush heats up his cheeks. His eyes trace every inch of your face, taking in the details; moles, freckles, perfect imperfections. It makes him want to reach out and trace every one of them.

"Oh I don't remember", he says offhandedly, his eyes fleeing yours.

You scoot closer, a mischievous smile on your face. "Yes, you do! Please tell me. It can't be that embarrassing."

His lips part and the same sounds fill the room, raising goosebumps on your arms. "You are... you are the most beautiful person I know and I don't know if I can keep pretending that this is fake."

Your smile melts off your face and you look with wide eyes towards him. An unsure look fills his eyes as his brows knit together. "Say something", he whispers- begs. A hesitant hand reaches out and gets placed on your cheek.

Your heart beats a million miles an hour and every word just escapes your brain. So you do what you have been wanting to do for a while now. And you kiss him. Pressing your lips against his, you close your eyes while your hand travels from his wrist to his shoulder, gripping him tightly.

Mattheo lets out a surprised humph, his eyes wide as he watches your eyes flutter close. He breathes in deeply before kissing you back, pulling you closer.

Two pairs of lips mould against each other while Mattheo's hand slides down and grips your thigh, wrapping your leg around his middle. Your body melts against his as the kiss grows more fierce, lips parting and tongues exploring each other's mouths.

A low growl emits from Mattheo as you part, your chest raising and falling rapidly. He zeros in on your neck and decides then and there how kissable the skin looks and that it needs to be marked.

Your head gets thrown back as Mattheo attacks your neck with kisses, licks and bites and you do your best to suppress the breathy moan that wants to escape you. You bite your bottom lip as your eyes squeeze close.

Mattheo's lips travel down, tracing the shape of your throat with his teeth and he flips the both of you over, hovering above you. He relishes in your bitten raw lips and the half-lidded look you give him. The way your chest raises and makes your shirt tighten... he thanks whatever god there is out there that made this possible.

His admiring takes too long in your opinion and you grab the back of his head, yanking him down so he kisses you again. Mattheo complies and cradles your face, his big hands engulfing your cheeks, feeling the heat underneath them.

He pecks your lips a few times before trailing down, Mattheo's hands finding the hem of your sleep shirt. He glances at you and only continues after a nod. He pushes your shirt up, above your breast while his lips trail from your chin, neck, and collarbones, to your sternum.

When he flattens his tongue tentatively against one of your nipples, a moan escapes you. It makes him smirk against your skin, doing it again.

"Matt... ah!", you squeak out, gripping his shoulder.

His tongue swirls against the nub and one of his hands reaches up, clasping a hand over your mouth to silence the sweet noises pouring out of your mouth. Your tongue swipes over one of his fingers. Mattheo presses the pads of his pointer and middle finger against your tongue before sliding into your mouth.

A 'mmph' escapes you while you suck around his digits, hands trying to ground yourself as everything feels too much; his tongue against your boob, his fingers in your mouth, and something hard pressing against your core.

Your hands find the hem of his shirt and your nails rake up against his bare back. He moans against you and releases your nipple with a 'pop'. He looks at you with dark eyes and swollen lips while he lowers himself towards your core.

While his fingers dance over the elastic of your underwear, you push his fingers out of your mouth. "Matt wait..."

As if your words scorched him, he's off you immediately, his chest raising rapidly and face flushed. "I'm-I'm sorry. I got a little carried away..."

You sit up, pushing your shirt down and shaking your head. "No... please don't- it's okay. I-I enjoyed it too. It's just...", you cradle his face and peck his lips, "I don't want our first time to be in my childhood bedroom and avoid making too much noise."

Mattheo leans into your touch and kisses your palm. You pull him down with you and lay on top of his chest. When you move your legs, you accidentally bump against his boner. You sputter out an apology, feeling bad for blue-balling him.

His hands grab your hips tightly and he presses you closer against his body. He brings his lips towards your ear. "Don't worry about it, Princess. Because when I have the chance, I'm gonna fuck you so good you forget our whole relationship was fake to begin with."

Oh Gods, you created a monster...

Tag list (bold means I couldn't tag you): @mylosz0 @kermits-bitch @jolly4holly @daisiesformylove @frogtape @dancing-inasnowglobe @slytheos @undercover-smutlover @reverse-soe @nikkissecretlibrary @moon-struck-meraki @bengbengbengi @justhavingsomefun1 @itsamusical4lifee @genshingeeksworld @y0urm0m12 @alnitakstarsky03 @mel-vaz @slytherinboysappreciation @sailtomarina @bubybubsters @jasmine2105 @abaker74 @lovelyygirl8 @vickykazuya @eltrss @llpovi@m1kasawps @sol3chu @ledtassoo @itsarajr @glittervame

260 notes · View notes

glutominnn · 5 months

Text

Y'all ever thought about how Sydney change from being this innocent sweet church boy who don't even know what sex is, to an insatiable sex-crazed maniac who also constantly reminds you that you did this (whatever this is, depends on you) and pretty much gaslights that you have it coming to you.

The first time i played the game and corrupted him, I was flabbergasted by his sudden change in behaviors, although the player, us, is fully aware of our choices, the PC however, might not (again, depends).

The reasons why I find myself liking Sydney corrupted version isn't even about his constant craving for carnal pleasure and his openness about sexuality, but more like, I adore how even called "Corrupted", Sydney is very much still have conscience and a sense of rightessness in him, even showing worries for Whitney or Robin if they haven't show up at school. Pure!Sydney also have this, but the difference is, if Pure!Sydney is just gonna give you a pat on the back and tell you to hang on, Corrupted!Sydney will physically want to seek out the person who harmed you.

It's just make the whole Prayer room scene even more traumatic for PC, who would have thought Sydney, who is even no longer an innocent boy still normally very calm and level-headed, would physically beat you into submission if you don't let him have his way.

It's just... kinda felt like betrayal ya know? How he always tells you that you made him who he is, like he have every rights to do this, to have this like you OWNED him, a price to pay for the things you did (doesn't matter intentionally or not) to him. After all, he loved you, yes, but also I feel like living in a town like that have twisted his mindset and how he perceive if someone should take responsibility for his own sexual awakening, consented or not. It's just, really another level of fucked up when you think about it, but also expected since it's been clear you can never really have a completely normal and healthy relationship with any of the LIs in this game lmao

#degrees of lewdity #dol #sydney the faithful #sydney the fallen #dol sydney #sydney is so very complicated as a character and i can't help but rambling whenever i talk abt him #there's so much to interpret and discuss #second fav from ivory

575 notes · View notes

writingquestionsanswered · 29 days

Note

How do I plot a romance story?

Most advice and plot structures I have found seem to be focused on quest-type stories. Do you have any advice or templates that are mpre easily applicable to romance stories? Do I need to include another major plotline?

Basic Romance Structure

Like most stories, there are different theories and methods about structure, and you can find these by Googling "romance story structure." However, let me walk you through a basic romance structure to show you the differences and similarities with the kind of structure you'd use for something like a quest story or an adventure story.

Introduction/Normal World - Like most stories, romance stories usually open with a peek at the protagonist's "normal world" as a means of introducing who they are and what their life is like. And, as with other stories, this also introduces us to the both characters' internal conflicts. In romance, rather than resolving the internal conflict with growth in relation to the story events, the internal conflict will be resolved via change/growth in relation to the romance. [Example: Sandi is a florist with a four-year-old daughter, navigating single parenthood after her husband filed for divorce and ran away to chase a dream.]

The "Meet Cute" - This is essentially the inciting incident... the moment the two characters meet for the first time, or the first time in a long time. All in one moment, we see how undeniably right they are for each other, but due to their individual internal internal conflicts, they're butting heads big time.

[Example: Sandi meets Brent, the new flower supplier who is adorable, sweet to Sandi's daughter, but infuriatingly inept at doing things the way she likes them.]

Forced Proximity - After the "meet cute," something will inevitably force them to spend time together. They get partnered together on the same job, stuck together in the same place, keep coincidentally bumping into each other... whatever. All that matters is that they're forced to get to know each other despite their head butting.

[Example: they get roped into working together on the town's rose festival.]

Resistance/Rejection - Now that they're forced to interact for whatever reason, they're going to spend a lot of time resisting their mutual interest/desire for one another due to whatever obstacles exist, like being from warring factions or one being in the middle of a divorce. But despite this resistance, we can see the sparks flying between them, even if they can't or don't want to admit it.

[Example: Sandi wants to focus on running her business and raising her daughter; Brent just got out of a long relationship and isn't ready for romance.]

Waning Resistance/Giving Love a Chance - Eventually there's a breakthrough... the obstacle gives way... they have a really fun time hanging out at the Christmas market and almost kiss... they move past the misunderstanding between them... or maybe they just slowly get over their issues and start to fall in love. Either way, they decide to give the relationship a go.

[Example: as they get to know each other and bond through working on the rose festival, they can't deny how compatible they are and an unexpected first kiss gives Brent the courage to ask Sandi out on a date, to which she agrees.]

Three Steps Forward, Two Steps Back - This is essentially the first date, then another one, then another one... though it doesn't have to be actual dates. It just needs to be some interactive scenes when they're in relationship mode. Each of these interactions will deepen their feelings for one another while at the same time raising new obstacles or re-raising the old ones.

[Example: the first date goes well except that Sandi is preoccupied with the fact that her daughter is staying with a new sitter. The second date goes okay, except Brent is in a bad mood after his ex came to town to pick up the last of her things. Then they pull an all-nighter to make some final preparations for the upcoming rose festival, which leads to a philosophical conversation about the future, wherein Sandi says she sees herself getting remarried one day and having another kid or two, and Brent says he can't ever see himself getting married or being a father.]

This Isn't Going to Work - This is the midpoint crisis... the "all is lost" moment where one or both put on brakes and say, "I can't do this," citing whatever obstacle/s that now stand in the way of their happiness. Sometimes this follows their biggest act of intimacy yet, whether that's simply their first kiss or going all the way. It could even be the first declaration of love, being introduced to family, or some other important early relationship milestone. But then it all falls apart... maybe because one or more of the obstacles become too much, a fear-based retreat, or some other external force

[Example: the rose festival has arrived... Sandi is there with her daughter and parents, Brent is there with his mom and sister. Everyone meets, Brent continues to be great with Sandi's daughter... it's obvious Brent and Sandi belong together. But then Sandi's wayward not-yet-officially-ex-husband shows up and wants to get back together. Although she's ambivalent, seeing him interact with their daughter and her parents makes her realize giving him another chance is what's best for their daughter. Meanwhile, Brent witnesses this from far away, thinks, "I'm not good enough for a family like that," and he and Sandi go their separate ways.]

On Second Thought... - This is the moment when something happens that makes one or both characters realize they belong together... that the obstacles aren't real or don't matter... [Example: Brent finds a drawing Sandi's daughter made of the three of them together that makes him realize he really is worthy of their love. And Sandi sees that her husband hasn't changed, that he's still focused on chasing dreams that aren't what's best for their daughter... or herself, for that matter. ]

The Moment of Declaration - This is where the one character finds the other, or they find each other, and one or both declare their love and commitment to the other, despite whatever obstacles there may be. This is the run through the airport to catch the other before they fly away to a new life. It's the objection at the wedding before the other can go forward with the less-than-ideal marriage. It's the boombox on the shoulders, the kiss in the rain, the "I love, I love, I love you. I never wish to be parted from you from this day on" declaration in a foggy field at sunrise. [Example: Brent hears from a friend that Sandi's husband left again. He goes to the last night of the rose festival, finds Sandi, and tells her he wants all of it... her, the daughter, her quirky parents, the flower shop, marriage, more kids... he is ready to take on the world with her, and she couldn't be happier.]

The Happily Ever After or "HEA" - This is the story's denouement, where we flash forward a few days, weeks, or more and see the happy ending. This is the jump ahead a few months to see the happy couple living their lives together, the one year leap ahead to the wedding, or a leap ahead to a moment even further down the road when the couple is firmly established in their HEA.

[Example: two years later, Sandi and Brent have been married almost a year, and are at the rose festival with the now six-year-old and their newborn twins, Sandi's parents, and Brent's mom and sister, one big happy family.]

Now... like I said, there are a variety of different structure templates for romance as there are for other genre stories. Don't feel like you have to pick one, and if you do, don't feel like you have to stick to it exactly. Story structure is just a guideline to help make sure you hit the important points to help the story unfold.

Happy writing!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

LEARN MORE about WQA

SEE MY ask policies

VISIT MY Master List of Top Posts

COFFEE & FEEDBACK COMMISSIONS ko-fi.com/wqa

#wqaadvice

398 notes · View notes

harmonysanreads · 30 days

Note

HARMONYYY i just finished the penacony quest and OH MY GOD. the emotional damage wtf... and the murderer 😕 i honestly don’t think anyone could’ve foreseen that

on another note, sunday really does have huge yandere potential !!! (i was swooning the entire time he was on screen im sorry.) he literally isn’t beating the allegations at all. even the other characters comment on how weird it is for him to casually keep a model of the golden hour, because what in the control freak 😭

he seems like he’d play dollhouse with darling. after all, in a place like that, every single aspect of it is under his thumb — literally. having that much control over your circumstances is a reassurance. oh, are the placeholder models crashing? don’t worry dear, he can fix the malfunctions. he can even make them speak more realistically for you. he can give anything to you, even change the layout of the place entirely if you’re bored of it. you want to get back to normal size? well, he can’t quite do that just yet, please understand..

or if he pulls that weird interrogation magic thing on them. darling who just lies through the entire thing, and he uses this to scare them about the death countdown while not mentioning the part that he has the power to really just cancel it in the end. though, the same trick won’t work on them twice. at least the process gets darling to become part of the family in the end.

not to mention the spies he has everywhere. stupid birds watching you in every corner…

idk i just want to hold him and shake him aggressively. out of love, of course.

- 🕯️

When I tell you I've lost sleep over the thought of just how much more Sunday is probably capable of doing, nonnie.

If he has access to technology and power like this, which are all unrestricted for his personal use moreover, imagine the things he's hiding. And imagine farther the things he had to do to get to where he is today, another dash of spice to the mix. I went back to his scenes and did some thinking. The me-slandering-Sunday is obviously a joke but I really, really hope people just don't focus on the morally-gray and questionable aspects of him and completely disregard his other characteristics now.

If you think about things from his perspective, he really is just trying his best to keep the image of The Family. But the loss of probably the only person he trusted with his heart and the disregard to bring justice to that case from The Family's side, compelled him to put his agenda first (as he himself mentions that he allowed Aventurine to pull that stunt so that it'd lure Gallagher out). What we get from this is, while Sunday is an extremely dedicated member of their faction, he had to learn to be selfish in certain situations to save his and Robin's backs.

The desire to control usually comes from a feeling of helplessness. We can make some speculations based on the current information of why Sunday has these tendencies, I've also seen some people say he has OCD (Obsessive Compulsive Disorder) but, we can't be sure until his full lore drops. Another thing to note about Sunday is how lonely he probably is, especially at present. The Family is in chaos, the situation of Robin, external forces' traps, the Charmony festival's deadline and he doesn't even have one person he can sit down with and not question their motives. He really must want to rest just as much as the characters around him are suggesting.

So basically, Sunday is a multi-layered character, just like Aventurine. He's definitely a politician, is what I'll say. Even though he is a control freak whose motives are hard to guess, he's still that little boy fighting for his and Robin's shared dream inside.

#but he still deserves to be aggressively shaken for that move on aven #and then sent to a three month vacation #do you guys catch my drift my here like you can still manipulate him to do your bidding :)#opps... didn't mean to drop that #sunday brainrot #──⚝🕯️anon #yandere sunday #yandere sunday x reader #sunday x reader #yandere hsr #yandere hsr x reader

203 notes · View notes

circeyoru · 2 months

Note

Love love love unwanted soul soo much. I really wonder, does the rest of the residents NEVER ask anything about reader and alastor's relationship?? Like even if they're scared of him and that he always insisted that they just have a normal boss-employee relationship, they're way too close. Mostly because reader has passed all of Al's personal space.

I think Husk would be the most suspicious about it, since he is one of the souls Al owns. And the way reader casually orders and asks Al to do lots of things. But Vaggie would be braver to confront Alastor. Maybe Charlie would probably also ask more, because she wants reader to participate more and Al to not give them too much work load even though they don't look tired at all. And more suspicion would arise because how does reader have connection to Lucifer as well??

Thank you for your love!!

Haha~ Curious about others' reaction huh? They asked. But I only did minor parts about their involvement because the focus was on the Reader/you and Alastor.

An ask similar to this one has been answered, but this is them knowing your relationship.

Everyone notice you being extremely close to Alastor, even when it's strictly labelled as boss and worker. They know it's not normal because you were too chill with Alastor and Alastor was too lenient to you as well.

They questioned and got suspicious of your sudden appearance. Even more when you had a connection with Lucifer. The King of Hell's former informant is working for Alastor? What's going on???

The only one to see you before your introduction was Husk. He saw you in the room Alastor claimed as extra, that room was already decorated like you lived there for a while. It was way too cozy. He is also the only one to see you directly ordering (asking) Alastor to do something and he went as told. He would have labeled you to be the one holding Alastor's leash, but you said Alastor was the one to bring you here. (technically it's not a lie) Then there was your weak aura and power levels. No way someone like you can bring down Alastor. When you had a former business relationship with Lucifer, he was pointing you to be the owner of Alastor's soul, even when it was unlikely.

Husk can read people like an open book, right? He can do the same to you and he knew you were a wild card, perhaps another worse case like Niffty's. But, he doesn't question it. Because if you were to feel threatened by Husk, Alastor would do something to him. It wasn't worth it.

Niffty doesn't question it at all. More demons in the hotel! That's it. A friend of Alastor's a friend of hers.

Angel also doesn't question it. Though he does mimick what you do to get Alastor to react the same. When it's different, he whines about it and makes a scene. Only for Alastor to say you have more leniency because you were his employee and he had his duty as employer to keep. That mostly shuts Angel up.

Vaggie is the one to voice out her concerns for your lack of presence to Alastor without fear. Demanding that you work out in the open and not behind closed doors. Mostly, you weren't there to hear this and heard it from Alastor. On the rare moments that you were, you'd say it's up to Alastor to assign you where you work and not her or Charlie. Alastor handles from there on out. He puts the employer and employee card on the table and always got Vaggie to back down. She can't do much when you didn't object to Alastor's words and nodded along. When Vaggie questions what Alastor does, you step in to tell Vaggie it wasn't her business, as long as it wasn't to harm or threaten the hotel and Charlie's dream. Last resort, Alastor (through your approval) threatens to leave the project and bringing along Husk and Niffty too.

Charlie is another one that's questioning too much. You were the newest member but you were barely around. Even though Alastor doesn't join and he's under no obligation to. You can join. I mean, Husk and Niffty joins too. One loophole though, you weren't like those two, you were to work under Alastor as his assistant of sorts. You weren't under Charlie's command. So she had no power over where you were stationed. You and Alastor used this little detail to your advantage. Charlie always bring up new ideas and excuses to get you to join them, but you were rare present and Alastor was a wall she can't overcome. Too perfect for the two of you.

The fact that you were that close with Alastor raises a lot of questions, and Alastor doing things for you? Even more questions and suspicion as well. But Alastor is capable of protecting you from prying eyes and nosy demons like this group. You staying in the hotel wasn't a must, but an interest. Anymore annoyance and you'll be gone. So will Alastor.

#Circe's Nighty Writings #alastor imagine #alastor x reader #alastor x y/n #alastor x you #hazbin hotel #hazbin hotel alastor #alastor headcanons #hazbin hotel fanfiction #alastor #hazbin hotel oneshots #yandere alastor #yandere alastor x reader #yandere hazbin hotel #alastor fanfiction #hazbin hotel imagines #Unwanted Soul

211 notes · View notes

infriga · 8 months

Text

Another thing from the One Piece live action that I have a lot of thoughts about is a certain change they made that normally I might have disliked but actually felt they did rather well.

That being, Luffy listening to crew members backstories.

In the manga Luffy often goes out of his way to avoid listening to crew member's backstories when they're told by other people, because he doesn't like hearing about his crew from other characters and also because he's of the opinion that he doesn't give a shit about their past because doesn't change how he feels about them. All he needs to know is "this person hurt my friend/made my friend cry/has ill will towards my friend". He trusts implicitly that if his friend has a problem with someone then it's with good reason, he doesn't need to know the particulars. He'll listen to the crew member themself if they're the one talking about it, but if someone else is doing the telling he often leaves or falls asleep, with a few exceptions (like Brook's backstory, because hearing Brook's backstory is important for realizing who Brook is, which crew he came from, and his relation to Laboon. I think the fact that the one telling him is another crew member also helps here). This was a trait I liked about him, the way he places importance on hearing about this stuff directly from the person and wants to know what they want and how they feel out of their own mouth. It was a cool, subtle trait that adds some depth to him. It also gives this sense of respect to the privacy of someone who doesn't get to tell their own story, maybe not intentionally on Luffy's part, who doesn't really have a strong concept of privacy tbh, but as a vibe you know? Obviously it's a good way to provide exposition especially if the character isn't the type to tell their own story, but there's still an invasion of privacy on some level even if it's arguably justified.

Nami's backstory is one such instance like this. He refuses to listen about Nami from Nojiko (literally says "no thanks I'm not interested in her past" and leaves). He doesn't need to know about Nami's past to want to help her and he wants to hear that she needs help directly from her.

In the live action however, he listens to Nojiko this time, when she tells Nami's story. And I get why, the way the story is arranged doesn't give as much room for Luffy to wander off and witness Nami's confrontation with the villagers separately, and that aspect of his character would probably be difficult to get across without making him seem like a dick in live action to newcomers, hell it doesn't always get across in the manga/anime either, since I've seen plenty of people complain about him doing it and saying it's a dick move. But! They added a line in the live action that I think managed to get across the same feeling about his character quite well in a succinct way. It was when he says "I'm tired of hearing about Nami from other people".

It brings to mind what he says to Robin in Enies Lobby. "I want to hear it from your own mouth!" he wants to hear about his friends and how they feel directly from them, not second hand from other people. And he wants to hear the truth because he knows when his friends are lying about how they feel. He doesn't care how well those other people know the crew member in question, he cares about learning about them directly from them. And later when they do the scene™ with Nami, it doesn't ring false when she says "you don't know anything about what's going on here" and he replies with "I don't" because to him since he didn't hear it from her directly he doesn't really know what's going on. He just knows that she's in pain and needs him but he wants to hear it from her, that she needs help. It isn't as subtle and doesn't have as many layers of interpretation that the original portrayal of this character trait is able to be, but that's just the nature of an adaptation like this, they have to be smart about what subtleties they keep and what they have to be more obvious/blunt about. There are actually a few areas where the live action are more subtle, like the way they take out a lot of exposition but still manage to explain a lot of stuff about their world through show rather than tell. The dialogue about devil fruits for example, they never outright say that devil fruit users have their power drained when they're submerged in water, but they do have scenes showing the effects and people referencing that aspect of fruits in ways that feel more natural to people who live in the world and aren't giving obligatory exposition. Other people have mentioned this but the live action is surprisingly good with show don't tell, and use it in all the right ways.

I get the feeling that some of the small adjustments they made to the script and exposition and stuff like Luffy's behaviour still feel right and in-character/canon compliant (not literally canon-compliant but in spirit if you know what I mean) to me because they feel like they get across some of the more subtle aspects of his character that a lot of people miss. Like it bugs me when people say the live action made Luffy "smarter" which I'm probably gonna make a whole separate post about. For now I'll just say, Luffy isn't anywhere near as stupid as a lot of people think he is.

Or when people think him not wanting to eat when he's worried about Zoro is out of character, when we've seen in the original series that Luffy actually *does* have a harder time eating or thinking about food when he's stressed out about his friends. In the original series it does generally take a bit more stress to get him to that point, but like I said I think they adjusted it to make this point more clear in live action, that Luffy's love of his friends and crew overshadow his love for food. And it also gives them a small moment to showcase more of Sanji's caring nature when it comes to food when he responds by trying to feed Luffy and convince him to eat, which is a great moment to add especially since they were limited with Sanji's characterisation due to him joining the latest in the season, they managed to pack in so much characterisation for him into a relatively short window and I was impressed by that. And I have some examples regarding Luffy abstaining from food for the sake of others or being more reluctant to eat when stressed, but I think I'll leave that for a separate post as well.

They had less time to develop the crew relationships so they made sure to emphasize their bonds within the scenes they did have, putting more weight on Luffy's worry for Zoro, having Luffy be a bit more outwardly attentive to the interpersonal dynamics of the crew, being a little bit more obvious about Luffy's emotional intelligence, etc. None of these things feel like they actually change anything about Luffy's core character, they just showcase aspects of his character that already exist and are just more subtle in the original, because it's a long running series and can afford to take more time to establish these character traits. Luffy might not have shown as much outward anxiety over Zoro's injury in the manga, but that's because Oda had more time to build up the relationship before that point, so the live action took advantage of the injury subplot to be more overt about how Luffy feels about Zoro, as well as how his one point of anxiety that really gets to him consistently is the safety of his crew and him feeling helpless when he can't do anything because the problem isn't something he can punch away. So in altering that scenario a bit they can still keep that sense of a deep bond between the two despite having less time to show them growing close in smaller moments like the manga does. They probably realised that having Luffy leave or fall asleep during Nami's backstory wouldn't come across as well in the live action or fit the narrative structure changes, but they still took a moment to add a line that acknowledged that part of Luffy's character.

Like part of why most of the changes they did make didn't bother me is because of that feeling that no matter what they changed they were still dedicated to being as true to the characters as possible in the most fundamental ways. I'd certainly much rather have the live action place emphasis on Luffy's emotional intelligence and empathy and care for his crew instead of putting emphasis on him being stupid and comedic and sacrificing some of his empathy and emotional intelligence in the process. Do I love when Luffy is a hilarious dumbass? Absolutely, but that isn't the most important part of his character, so I'm glad they did the opposite of flanderize him, and they still did keep the funny dumbass part of him intact they just didn't put more importance on it than they needed to.

Anyway, this got away from me, but I just wanted to make a post about this because I feel like it's a good example of how the show makes most of the changes work because it still feels like they get the core of the show and the characters. Which makes sense if Oda was so anal about it and had them change scenes or lines if they didn't feel right for the characters. Oda of all people would know what is or isn't in character for them, so I can feel the way these subtle changes still feel right despite the differences.

#One piece #one piece live action #Opla #OPLA spoilers #Long post #Okay I didn't mean for this post to be anywhere near this long #but I still have so many thoughts and emotions about the live action and the series and Luffy in general #I gave up on proofreading this post cause I typed it in the bathroom lol so sorry for any typos #This was supposed to be my thoughts about literally one line of dialogue how did this happen #Sp

479 notes · View notes

ray4hotchner · 9 months

Text

Reckless

❀ 𝕡𝕒𝕚𝕣𝕚𝕟𝕘: aaron hotchner x reader

❀ 𝕤𝕦𝕞𝕞𝕒𝕣𝕪: Y/N, a team member of the BAU, faces her past during a challenging case. Struggling to cope, Y/N's impulsive actions strain her relationship with Hotch.

❀ 𝕨𝕠𝕣𝕕 𝕔𝕠𝕦𝕟𝕥: 5.5k

❀ 𝕒𝕦𝕥𝕙𝕠𝕣’𝕤 𝕟𝕠𝕥𝕖: Hi everyone, I finally caved in and wrote something on my own. This is my first fic, so let me know what you think

❀ 𝕞𝕒𝕚𝕟 𝕒𝕔𝕔: @iyv-ray24

On Ao3

Normally, Y/N was one of the last people to board the jet after a case. Not this time though. She didn't wait for the team and drove straight from the sheriff's station to the airport once the case was wrapping up. It had been a couple of stressful days, and everyone was exhausted. However, Y/N was not only exhausted but also very, very pissed – pissed at the team, pissed at herself, but most importantly, at Hotch.

This case was not easy for any of them. Three girls between the ages of 9 and 13 were abducted, horribly abused, and killed before their bodies were dumped in different local parks in the city. The BAU was called in when the third child was missing, but unfortunately, they arrived way too late. Now, the fourth girl, Casandra Johnson, an 11-year-old, was missing.

Most of the times, Y/N wouldn't have problems with distancing herself emotionally from cases, but this one just hit too close to home. Her little baby sister was abducted from their front porch when she was 9. Y/N herself was only a teenager at that time, and she was the one babysitting her sister. Just a couple of minutes of distraction, and her baby sister was gone forever. They found her body a week later, and the man who killed her luckily got caught, but Y/N never forgave herself and lived every day with the guilt of letting her sister down.

Yep, the team knew all about this stuff. They were familiar with each other's messed-up pasts and traumas; they were like a close-knit family, after all. So, when Penelope started laying out all the details about the case, she could feel her teammates' eyes on her. Sure, it wasn't easy to stare at pictures of innocent little girls and remember what happened to her own sister, but that wasn't going to stop her from getting her job done. She was a pro at this, and as far as she was concerned, this was just another case.

She found herself in the tiny kitchenette of the jet, pouring a cup of coffee, when Hotch walked over.

"Hey, want some coffee?" she offered, but he just shook his head.

"You doing okay?" he asked, standing close because the kitchenette was so darn small.

"Why wouldn't I be?" she replied, knowing exactly why, but she wasn't about to show her feelings to him.

"You could sit this one out, you know.”

"Hotch, no way! Please don't even suggest that! These girls deserve justice, and I've got to see it through."

"I get it, but if things start getting too heavy and overwhelming, promise me you'll give me a heads-up," he said gently.

"You bet," she nodded.

They hung there for a few more seconds. Hotch's presence always had a calming effect on her, and she felt more grounded when he was around. He saw the tension on her face and he probably wanted to reach out and offer comfort, but he held back. So, he turned around and went back to his seat. She watched Hotch walk away and caught eyes with Emily, who gave her a knowing look. She was the only one on the team who knew how Y/N felt about Hotch. To this day, she regretted telling Emily, on a drunken night, that she had a crush on their boss. Emily had persistently encouraged her on more than a few occasions to confess her feelings, but she had consistently declined, fearing the potential embarrassment and awkwardness it could create between them. Emily smirked at her, but she only mouthed "Don't" before also returning to her seat.

The case was progressing as usual – examining the crime scene, talking to victims' relatives and potential eyewitnesses, and creating the unsub profile. Throughout the investigation, the team noticed Y/N becoming increasingly agitated. However, things took a sharp downward turn after Casandra was kidnapped. Y/N grew moody, neglected sleep and food, and immersed herself in reexamining the same files and evidence over and over again.

Y/N and Spencer found themselves back at the last crime scene, as Y/N insisted on revisiting it, when new information arose. Penelope added them to the group call and informed everyone that her research had led her to a man fitting the unsub's profile. She sent over his last registered address.

"We're nearby. It's not far from the last crime scene," Y/N informed the team.

"We'll meet you guys there," Derek said before they ended the call. Y/N and Spencer then drove to the address.

They parked in front of the house and awaited the team's arrival when Y/N spotted movement inside. She immediately called Hotch.

"Hotch, there's someone in the house. Maybe he's holding the girl in there. We need to go in. Now!"

"We'll be there shortly. You can't go in there without backup," Hotch cautioned.

"Spencer is here too."

"Agent Y/L/N, I said wait. That's an order!" Hotch's tone was stern.

"I'm sorry, I have to," Y/N replied, and with that, she exited the car and headed toward the front door of the house. Hotch heard Spencer shouting after Y/N before the call ended. Cursing under his breath, he instructed Derek to speed up.

In under 5 minutes, the team reached the unsub's address. The front door had been kicked open, and the team could hear Y/N yelling at someone.

"Where is he? Tell me! Where is your brother?" She was shouting, pinning a young man facedown on the carpet. Y/N's knee was pressed into his back, immobilizing him as she held his hands behind his back.

"Agent Y/L/N, that's enough!" Hotch's order rang out, and he turned to Emily, gesturing for her to take over. Emily walked over, cuffed the man's hands, and assisted him to his feet. The officers and the team exited the house. As they were leaving, Hotch turned to Y/N and said, "We will discuss this later."

Upon arriving at the station, Hotch instructed Derek and Rossi to interrogate the suspect's brother regarding the unsub's whereabouts. He told the team, except for Y/N, to leave the room the sheriff assigned to the BAU upon their arrival. Facing her, Hotch clenched his jaw, in order to stay calm.

"You are off the case," he stated in an unwavering voice.

"Hotch, no, I'm—"

"You. Are. Off. The case. Agent Y/L/N."

"That's not fair. We have the guy's brother."

"That's not fair? That's not fair? Are you really talking back right now?" Hotch's anger escalated.

"I said I'm sorry! But what if we would have lost our chance? That guy had his things packed; he was leaving!"

"I don't care if he was leaving or not! You can't act on your own in situations like this! You put yourself and Spencer in danger."

"We're fine!"

"Yeah, luckily! But you didn't know what awaited you behind that door. Both of you could have been injured or worse. Your actions were selfish and unprofessional. I don't want you anywhere near anything related to this case until we're back in Quantico. Do you understand?"

Y/N didn't even respond; she simply stormed out of the room. She headed straight to the bathroom, seeking some privacy to calm down. Splashing her face with ice-cold water, she leaned over the sink, taking deep breaths while still seething with anger. Just then, JJ entered the restroom. Like everyone else at the station, she had heard the heated exchange between Hotch and Y/N and came to check on her.

"Hey, are you alright?"

"I'm off the case."

"Maybe it's for the best, don't you think?"

"Not you too, JJ," Y/N replied, releasing a heavy sigh as she dried her hands and face. She walked past JJ and left the restroom, unwilling to argue with her as well. Although she was banned from anything related to the case, Hotch hadn't instructed her to leave the station entirely or return to the hotel, so she remained. In the breakroom, she sat, observing and straining to catch any updates. She watched as Derek and Rossi emerged from the interrogation room, but they refused to share information due to Hotch's orders. Naturally, Spencer and Emily also followed Hotch's directives, all for Y/N's own well-being.

Suddenly, there was movement as the team geared up, putting on their vests. Clearly, they had a new lead. Y/N swiftly rose, walking toward the team to grab her own vest, but Hotch halted her immediately.

"I told you that you're not allowed anything related to the case."

"Hotch, come on! Punish me with paperwork or anything else, but not like this, please!"

"No."

"Hotch, maybe you should—" Derek attempted to intervene.

"I said no!" Hotch's tone was firm as he locked eyes with Y/N. He could see the anger in her eyes and how she was holding back tears of frustration. With Hotch's final words, the team exited the station and drove away. Unable to hold back, Y/N retreated to the bathroom, shedding a few tears of anger. She knew she had made a mistake and was in the wrong, but the frustration and sense of being left behind lingered. Hotch should have been the first to understand the weight of guilt from not saving a loved one. Yet, he treated her as the issue, disregarding the missing child who might require the help of every agent for her rescue.

She let out a deep breath, a release that felt like she had been holding it in for days, as the team returned to the station with the little girl in Emily's arms. Y/N's gaze remained fixed on the heartwarming scene of the girl reuniting with her parents, embraces and kisses shared all around.

Mistiness gathered in Y/N's eyes once more, her mind drifting to how it might have felt to get her own little sister back all those years ago. Lifting her eyes from the heartwarming family reunion, her gaze locked with Hotch's, and it was as if he could read her thoughts. He took a step towards her, but she promptly spun around and walked away.

Hotch was not surprised by her reaction; he didn't even know why he had attempted to approach her. He did know, deep down, but he wasn't ready to admit it to himself, especially not at this moment. A few minutes later, he noticed Y/N storming out of the station, her bag slung over her shoulder.

"She said she'll be waiting by the jet," JJ informed Hotch as they both watched Y/N leave.

That was why she found herself being the first to arrive at the jet, a rarity. Normally, she'd take the seat in front of Hotch, and they'd dive into their paperwork during the flight back home. It was an opportunity to talk and maybe even steal glances at his handsome face. But now, she didn’t even want to hear his voice.

Instead, she settled onto the broad couch, the same one where Spencer often napped, and attempted to drift into sleep. Exhaustion from the past days quickly pulled her into slumber. She faintly registered the team entering the jet and briefly woke at takeoff, but she promptly turned away and slipped back into sleep, determined to avoid everyone, especially Hotch.

The jet's interior was dimly lit, and most of the team dozed off in their seats. Hotch occupied a couple of seats away from the couch where Y/N was deeply asleep, while Rossi sat directly in front of him. He observed her for a moment, noticing her curling up into a ball – she must be cold. The realization prompted Hotch to stand up promptly. He opened one of the jet's cupboards and retrieved a blanket. Quietly, he approached Y/N and draped the blanket over her, observing as she snuggled into the soft fabric. With the exception of Rossi, everyone else was already asleep, so his actions would likely go unquestioned by the team. Besides, he was merely helping a colleague, right? He lingered by her side for longer than necessary; her relaxed face was undeniably beautiful, and he wanted – no, needed – to savour it for just a little while longer. He was painfully aware that the only expression he'd encounter in her eyes when she woke would be resentment toward him. He would give anything to reach out and caress her cheek at this very moment. Eventually, he returned to his seat, and Rossi's gaze immediately landed on him.

"You're hopeless, Aaron," Rossi chuckled.

"I don't know what you're talking about," Hotch replied, his gaze shifting to the files before him.

"You know, she kind of has the right to be angry at you."

"You can't seriously think that what she did was right."

"No, I do not. It was actually really fucking dumb, but you're sort of being a hypocrite here."

"How so?"

"Well, yes, she made a mistake barging into that house on her own, and she acted impulsively. But so did you. Every one of us has made stupid mistakes at some point, and hers at least helped us locate the unsub. If it were any other agent, you would have let them join the rescue and handed them a pile of paperwork as punishment later. But because you have an emotional attachment to her and feelings for her, you were afraid she'd act recklessly again. You couldn't risk her getting hurt, like, say, jumping in front of a bullet – which we both know she would have. So, you left her behind. Not to mention, you understood why she acted the way she did. This case was deeply personal to her. Needless to say, you both acted like idiots."

Hotch leans back in his seat and lets out a sigh. He knows Rossi's right, though sometimes he hates working with profilers.

"We all want to protect the people we love, Aaron. But remember, she's still an agent, and this is her job," Rossi adds before returning to his files.

Hotch glances over at her and ponders Rossi's words. He realizes he definitely overreacted because it was you who put yourself in danger. He knows she's a great agent and can take care of herself in these dangerous situations, but just the thought of something happening to her makes his stomach drops.

It had been a couple of days since the team had returned to Quantico, and as Hotch expected, Y/N was avoiding him at all costs. She submitted her reports well before the deadlines, left the office earlier than usual – a rarity for her, as she was typically one of the last agents to leave. Hotch even noticed her falling silent whenever he entered the break room or the bullpen, and she seemed to find excuses to distance herself from him. This avoidance was starting to irritate him more and more. He missed the late nights spent doing paperwork together in his office after everyone else had gone home. He longed to hear her laughter and engage in conversations with her. He just missed her. While she appeared to be getting along fine with the rest of the team, her anger toward Hotch still lingered. He knew he needed to talk to her and explain his actions; he hoped that she might understand once he did.

So, as soon as he arrived at the office the following day, he made it a priority. Upon entering his office, he noticed Y/N's completed report on his desk, finished once again before deadline. He was aware that she was completing her work ahead of time to avoid any interaction with Hotch about the report. Without even glancing at the report, he stepped back out of his office.

"Agent Y/L/N, a word, please," he said, his tone possibly more agitated than he had intended. The rest of the team exchanged questioning looks as Y/N ascended the few stairs to his office. She knocked on the door, even though it was already open, and announced herself before entering.

"Close the door," Hotch ordered, his voice firm as he removed his jacket.

He had initially only wanted to apologize and explain his decision on the case, but seeing that finished report again ignited a kind of anger within him. Particularly because he knew how much she despised working on it in the first place. Now, she stood in front of him, alone for the first time in days, yet she didn't even glance at his face.

"You finished your work early again, Agent Y/L/N?"

"Yes, sir." Sir... she never called him 'sir.' He really wanted to hear his name from her. He tried to catch her eyes, but she purposely looked away. There was a brief silence before she finally spoke up, "Is there something wrong with it, sir?"

His emotions were getting the better of him due to her distant tone, possibly amplified by the frustration that had built up over the past few days. So, he responded with unnecessary sharpness.

"Yeah, there's something wrong with it. Do it again," he snapped, tossing the file onto the desk closer to her. For the first time in days, she met his eyes, her brows furrowed in irritation, though her voice remained calm.

"May I ask what was wrong with it, sir?" she inquired, striving to sound neutral.

"You may not, Agent! Get back to your work," he replied, his voice unintentionally louder than he intended.

Y/N stormed out of the room, doing her best to restrain herself from slamming the door behind her. She settled back at her desk, aware of her colleagues' watchful eyes on her, though no one said a word. In his office, Hotch couldn't help but curse under his breath. "Why did I do that?" he wondered. This kind of pettiness was uncharacteristic of him, yet there was something about her that could evoke such strong emotions from him, both positive and negative.

He struggled throughout the remaining day to focus on his work, his mind repeatedly drifting to thoughts of her. Glancing at the clock, he realized that the workday was drawing to a close. He had planned to talk to her today, and he was determined to do it before she left, especially since she tended to head out before the others. Stepping out of his office and peering down into the bullpen, he noticed Spencer packing up while Y/N and Emily waited. Derek and Penelope were already on their way to the elevator, and Rossi had left hours ago due to personal matters.

"Y/L/N, to my office, please," he called out in his strong voice from the top of the stairs before returning back into his office. Spencer and Emily exchanged glances, and while Y/N was clearly displeased, it was inevitable that she had to have a conversation with Hotch.

"You guys go ahead. Don't wait for me. I'll see you tomorrow," she said, placing her bag back on her desk before making her way up to Hotch's office.

"Sit down," Hotch says as she enters his office, gesturing to the free chair in front of his desk.

"For how much longer do you plan to keep this up?" Hotch asks in a plain tone.

"I don't know what you're talking about, sir."

Hotch rubs his face and lets out a sigh before continuing. "Cut it out! This whole 'sir' thing. You haven't spoken to me in days. It's affecting the work environment."

"I don't think it's affecting anything. I've been working efficiently, and my reports are always on time."

"I don't give a damn about your reports, Y/N!" Hotch exclaims, standing up and slamming his hands on the table as he leans toward her.

She stands abruptly. "Then there's no reason for me to be here if this isn't work-related," she nearly yells, matching Hotch's intensity. She starts to turn around, indicating her intention to leave.

"You're not leaving before we talk about what happened and clear this up!", he said and walked around his desk to now stand infront of her.

"There's nothing to clear up!"

"How is there nothing to clear up? You've been avoiding me since we got back from the case. You won't talk to me, you won't look at me—hell, you leave the room when I walk in."

Hotch's frustration was palpable as he stepped closer to her. "You think you can just avoid me and everything will be fine? You think you can act like nothing happened?"

Y/N's voice trembled with anger. "I'm doing my job, just like I always have."

"Your job? This is more than just about your damn job. We're a team, and that means communication and trust."

Y/N shot back, her voice rising. "Trust? Is that what you call it? You completely shut me out during the case. You made me feel like I can't make decisions, like I'm incapable."

Hotch's eyes blazed with frustration. "I made a decision to protect you, to keep you safe!"

"By treating me like a child? By belittling me in front of the team?" Y/N's cheeks were flushed, her anger evident.

"You were reckless, Y/N! You put yourself and Spencer in danger!"

"I had a lead, I had a chance to save that girl!"

"By charging into a potentially dangerous situation without backup? You're lucky nothing worse happened."

Y/N's fists clenched at her sides. "You don't understand. You never understand."

"Oh, I understand more than you realize," Hotch retorted, his voice dripping with frustration.

The room seemed to crackle with tension as their argument escalated. Each word was a jab, a release of the pent-up emotions they had been harboring. The distance between them had grown from physical to emotional, and they were both struggling to bridge the gap.

Suddenly, a knock echoed through the room, and JJ's head appeared in the doorway. "Oh, sorry for disturbing. I just wanted to say goodbye before I leave. Don't let me interrupt," she said, sensing the tension in the room, and then closed the door behind her. Throughout JJ's brief interaction, Y/N and Hotch's eyes remained locked on each other.

JJ's interruption seemed to inject a moment of calm into the charged atmosphere, allowing a slight easing of the tension in the room.

Hotch's voice broke the silence once again, this time with a calmer and more composed tone. "Believe me, I understand why this case held such significance for you. The entire team recognised that. However, that doesn't justify putting yourself in harm's way."

Y/N's voice softened, her frustration mingling with a touch of vulnerability. "I know it was reckless to charge in without waiting, and I've already apologized for that—I'm still sorry. But what you did was unfair. You left me behind. Aren't we supposed to be a team? How could you make that decision, Hotch?" Her eyes misted over, a mixture of hurt and confusion in her gaze.

Hotch's gaze softened as he heard the hurt in her voice. He took a step closer, closing the physical distance between them, and rested his hands on his hips. "Y/N, it's not about whether you apologized or not. It's about the fact that you charged into a dangerous situation without considering the consequences. In this line of work, we can't afford to act on emotions alone. We have to think logically, strategically. Acting solely on emotion can get people killed."

Y/N's eyes welled up with tears as his words sank in. She looked down at her hands, her voice choked with emotion. "I know that, Hotch. I do. But in that moment, all I could think about was finding that girl, saving her. It was like... I couldn't control myself."

Hotch took another step forward, his presence a comforting presence in front of her. He reached out and gently lifted her chin, guiding her gaze to meet his. His touch was tender, his thumb caressing her cheek. "Y/N, I get it. I do. But I was scared. Scared of losing you, of seeing you hurt. I couldn't bear the thought of something happening to you."

She looked up at him, tears streaming down her cheeks. His touch was a lifeline, grounding her in this vulnerable moment. "I... I couldn't save my sister," she whispered, her voice trembling. "I was supposed to be watching her, and I let her down."

Hotch's grip on her chin tightened ever so slightly, his eyes locking onto hers. He leaned in closer, his voice tender. "Y/N, what happened to your sister wasn't your fault. You were just a child yourself. You couldn't have known."

A sob escaped Y/N's lips as she leaned into his touch, her tears falling freely now. Hotch gently wiped away her tears with his thumb, his touch soothing. "It's okay to feel the pain, Y/N. But you can't let it dictate your actions now. You have so much strength, so much potential. I just want to keep you safe."

She let out a shaky breath, her emotions raw and exposed. Hotch's presence and his words were a balm to her wounded heart. "I'm sorry," she whispered, her voice filled with remorse.

Hotch shook his head softly, his eyes never leaving hers. "There's no need to apologize. I should have handled things differently too. We both made mistakes."

They stood there for a moment, their gazes locked, and the air around them seemed to shift. Hotch took a step forward, his hand moving from her chin to her cheek, his touch gentle and caring.

"Y/N, we're a team. And I promise you, I'll always have your back. But I need you to promise me that you'll think before you act, that you'll prioritize your safety."

She nodded, her tears slowing as a small smile tugged at her lips. "I promise."

And in that moment, with their bodies close and their gazes intertwined, they found a connection that went beyond words—a connection forged in vulnerability, understanding, and the unspoken bond of a team that had weathered the storm together.

Y/N closes the distance between them and wraps her arms around Hotch in a tight embrace. Her face is buried in his chest, and he holds her close, his hand caressing her hair with utmost tenderness. In this vulnerable embrace, their walls begin to crumble, and the weight of unspoken emotions hangs heavily in the air.

Hotch's voice is barely above a whisper as he presses his lips to her ear, letting all the truths he had been holding back spill forth. "I was so scared, Y/N... scared to lose you. I can't bear the thought of ever losing you. Please, don't ever put yourself in that kind of danger again."

His words are a mixture of desperation and genuine concern, a heartfelt confession that had been weighing on him for far too long. He holds her tighter, his grip on her waist firm yet gentle. "I don't know what I would do without you. You've become such an important part of my life."

His voice quivers with emotion, each word carrying the weight of his feelings. "I missed talking to you, missed hearing your laugh. Even the complaints about paperwork, I missed those too. You mean so much to me, Y/N, more than you might realize."

Y/N's grip on him tightens, her tears soaking into his shirt as she listens to his heartfelt words. It's a moment of vulnerability, of raw honesty that they had both been avoiding. Hotch's whispers in her ear are like a soothing melody, erasing the tension that had been building between them.

Their embrace lingers, a silent acknowledgment of the unspoken bond that ties them together. Hotch continues to caress her hair, his touch a silent reassurance of his feelings. In this moment, surrounded by their shared emotions and the warmth of their connection, they find solace in each other's arms.

Y/N pulls away slightly, creating enough space to look up at him, her eyes glistening with sincerity. She takes a deep breath before speaking, her voice a mix of vulnerability and determination. "Hotch, Aaron... I became so upset about this situation because it was you who was disappointed in me. You mean the world to me. Your opinion, your feelings, they matter more than I can even express. Not just as my boss, but as a friend and... and maybe, just maybe, even more."

Her cheeks flush with a soft hue of pink as she admits her feelings, her gaze dropping to the floor as if overwhelmed by the weight of her confession. She's both relieved and terrified to have finally voiced her emotions, unsure of how he'll react despite his previous words of comfort.

Hotch's breath catches in his throat as he absorbs her words. His heart races, and a mixture of surprise, hope, and affection blooms in his chest. He reaches out to gently lift her chin, his thumb brushing against her skin as he tilts her face up to meet his gaze. His expression is a mixture of tenderness and warmth, his eyes reflecting the depth of his feelings.

"Y/N..." Hotch's voice is soft, carrying a mix of emotions that mirror her own. He searches her eyes, his thumb tracing over her cheekbone, his touch both soothing and electrifying. "I've been struggling with my own feelings, with the fear of crossing a line. But I want you to know... you're important to me too. More than I can put into words."

A gentle smile tugs at the corners of his lips, his gaze locked onto hers. "I never wanted to push you away or make you feel like your actions don't matter. They do, because you matter. And I'm sorry if I made you think otherwise."

Y/N's heart swells with his words, and the warmth of his touch resonates deep within her. Her eyes well up with tears, but this time they're tears of relief and joy. Her lips tremble into a soft smile as she meets his gaze with renewed hope.

"I'm glad we talked," she whispers, her voice filled with sincerity. "I don't want to avoid you, Aaron. I want us to be honest with each other, no matter what happens."

Hotch's thumb continues to caress her cheek, his touch grounding her in this moment of emotional intimacy. "I feel the same way," he admits, his voice a mere breath against her lips. "And I promise, from now on, we'll face things together."

Their proximity becomes charged with a newfound understanding, their unspoken connection now verbalized. And as they stand there, gazing into each other's eyes, they both know that this conversation is just the beginning of a deeper and more meaningful journey ahead.

As the weight of their emotions lingers in the air, Y/N takes a small step closer, her heart pounding with a mixture of anticipation and vulnerability. Hotch's gaze softens even further, and in that moment, they both feel the pull of an unspoken desire.

Without any more hesitation, Y/N tilts her head slightly, her lips brushing against his in a tentative yet gentle kiss. It's a kiss filled with the tenderness of their shared feelings, a silent promise of everything they've both been longing for.

Hotch's arms instinctively wrap around her, pulling her closer as he deepens the kiss with a mixture of longing and affection. His lips move against hers with a slow and deliberate rhythm, their connection intensifying as their bodies press against each other.

The air between them grows warmer, their shared emotions igniting a spark of passion. Y/N's fingers thread through his hair, holding him close as the kiss becomes more heated, a reflection of the desires they've kept hidden for so long.

Their breath mingles, the world around them fading as they lose themselves in the intoxicating sensation of their lips moving together. The kiss becomes a dance of emotions, each movement a declaration of their feelings.

Finally, they break apart, their lips still lingering just millimeters away. Their breaths come in ragged gasps, their eyes locked in a heated gaze filled with a mixture of surprise and bliss.

A soft, love-drunk smile tugs at Y/N's lips, and she brushes her thumb against his cheek, feeling the warmth of his skin beneath her touch. Hotch's fingers continue to caress her back, his touch a silent affirmation of his feelings.

"Wow," Y/N breathes, her voice barely above a whisper, her heart still racing from the intensity of their kiss.

Hotch chuckles softly, his forehead resting against hers. "Yeah, wow," he replies, his voice filled with a mixture of wonder and contentment.

Their smiles mirror each other's, and in that moment, they both realize that this is just the beginning of their journey together. The walls that once kept their feelings hidden have crumbled, replaced by a newfound connection that's deeper and more meaningful.

As they stand there, breathless and gazing into each other's eyes, they know that they're embarking on a path of honesty, vulnerability, and love. And with their lips still tingling from their kiss, they share a quiet understanding that whatever challenges lie ahead, they'll face them together.

#aaron hotchner #aaron hotchner x reader #criminal minds imagine #criminal minds #hotch x reader #aaron hotch hotchner #aaronhotchnerissuchadilfandIwoulddieforhim

627 notes · View notes

beanghostprincess · 2 months

Note

Silly vampire buggy being so very normal about it while the rest are absolutely FERAL is so funny.

Buggy, before Roger passed, still on the Oro: hmm, I'm kinda thirsty-

Shanks, ripping his already open shirt further off: Oh Dear, Oh My Look At ALL THIS So Very BITEABLE SKIN, Sure Hope There's No VAMPIRES Thirsting Near Me, Wink Wink!!!!

Buggy: I bet Gabban still has some juice boxes. I hope he has that guava one. I'll be right back!

Shanks, half naked and drooping: 🥺😟😥😫

<><><><><><><><><>

Mihawk: I read this interesting novel yesterday which gave me much to ponder.

Buggy: oh? Awesome! Which was it?

Mihawk, side-eying Buggy pointedly: it was a supernatural romance between a human and vampire. It was rather explicit and had many scenes which piqued my interest.

Buggy, absolutely Not Getting It: oh man. I usually hate those. It's a toss up between bad writing or the vampire is always a top. Like? Give me gay bottom vampires too, we deserve to be recognized!! Oh, Hawky, can you hand me my sunscreen?

Mihawk: ........... here.

Buggy: thanks, love!

<><><><><><><><><><><><><><>

Crocodile: hey you drink blood.

Buggy, sipping A+ out of a care bear cup: yeah?

Croc: does it work on Logia users? Or would your fangs need Haki to pierce us?

Buggy: hm. Good question? I dunno, actually!

Crocodile: seems this could be a learning experience. Would be a shame to not experiment. I know how much you like your science.

Buggy: I do like science. Yeah. Yeah. You're right! I SHOULD experiment on that!!

Croc, unbuttoning his shirt, tugging down his cravat: uh huh, well, I suppose we ought to get to it- where are you going

Buggy: to my workshop! Science waits for no man!!! Nor clown, in my case. Man clown? Vampire? Who knows. Wait. Am I a man...? Hm, what is the gender today... wait, have I eaten at all? I don't remember. Anyway, I need to grab my suit, I'm low on sunscreen again. Oh, remind me to add that to the next shipment request. Oh, I should also grab a bloody mary!! That sounds great! Okay. Bye bye!!

Croc, halfway undressed, watching Buggy run outside, start swearing bc he didn't pull up his hood and is cursing the light, before tripping flat onto his face: ............. shit.

<><><><><><><><><><><><><><>

Buggy rarely pushes the limits of his abilities BECAUSE of the vampirism. If he uses his DF more than usual, it makes him hungrier. And once he hits a certain point, he begins to lose his already loosey-goosey sense of humanity. It scares him to be so cold and uninterested, especially since he always feels things turned up to eleven. When his hits that point, EVERYTHING turns off. At best, he'll be mildly annoyed, angry, amused - but it's like being in a glass bowl, watching things happen from the outside. It terrifies him.

His partners...? Well. It does things to them too, but terror isn't exactly the dominating feeling... 👀

((Also, the romanticism of blood. Of life energy. Of an exchange of that out of love. Of giving parts of yourself to sustain and satiate another. Carrying pieces of someone else in your body to propagate your own life. Of giving and taking consensually the liquid which carries your time. The inherent provocative nature of taking someone else's essence into yourself with full permission and full understanding because they receive so much from you in turn that it is simple, easy, logical to consent to this.))

Vampires 🥰

THE FIRST ONE IS SO REAL EFJKBWEJKBWJEKBF Shanks does that constantly he's DYING for Buggy to bite him and the clown won't even notice he's trying so much. It's ridiculous. Shanks and his failguy moment simping for a vampire that doesn't want his blood.

Mihawk and Crocodile trying to flirt and failing miserably because Buggy is always oblivious to what they do is amazing and no matter the AU it's always like this. I adore. They just want their vampire boyfriend to bite them :(( Failguys.

The last thing you said is so real. Vampires can be something so romantic and I think usually books/TV shows/Media in general don't focus on the important stuff. I want to see teen!Shuggy with Buggy and Shanks traveling together right after the crew disbands (before Roger's death) and Buggy not having access to other types of blood. So Shanks offers him his blood and they have like-- This moment of realization of how intimate it is. And Buggy will forever remember what it felt like to feel Shanks' embrace while sucking his blood without any complaints. And!! Both Mihawk and Crocodile wanting to do the same but it's definitely just for the horny, they don't expect it to be so passionate and intimate, and romantic.

Also, I agree with Buggy, the vampire should be the bottom. Really necessary for this situation.

#this is amazing thank you for this masterpiece #i genuinely laughed so loud with the first one #one piece #buggy the clown #red haired shanks #dracule mihawk #sir crocodile #shuggy #bughawk #crocobug #cross guild

157 notes · View notes

dropthedemiurge · 3 months

Text

Love for Love's Sake | Things You Didn't Notice #3 | Learning Korean with the boys

I have (barely) emotionally recovered after the ending of this series, and so I'm back with my usual translation notices and cultural specialties posts ^^ Long post ahead!

// Read previous posts with translations & comments I pointed out //

This time I'll look at the Episode 3 [Yeowoon's Affection level from 0 to -99]. Disclaimer: I'm not fluent in Korean but I've been learning it for years and I've lived and studied in Korea for a while. However, in particular Sangwon and Sia annoyed me so much this episode because their banter is so funny but I cannot decipher their wordplay 100% by ear without KR subs so I have to skip over their dialogues %)

Anyway, there's still some fun language stuff to point out!

- "You're late, Senior (hyung)" - "Senior? (Sunbae?)"

Fun fact: Sangwon, who's the same year as Yeowoon, addresses Myungha as "hyung". Meanwhile Yeowoon addresses Myungha only as "sunbae". Hyung is a term guys call their older male friends (if you're familiar with Thai BLs as well, it's same as "Pi"), meanwhile gender-neutral sunbae means senior, someone who's been longer than you in the industry or some institution (like school).

If I remember correctly, Yeowoon keeps calling Myungha 'sunbae/senior' until the very end of the show. Even when they are sleeping over in the same house after school hours, Yeowoon doesn't call Myungha hyung but sunbae only. In Korea, you use titles or formal full names to people older than you or acquaintances, and you usually use names with the people younger than you. That's why, if you think about it, there wasn't a moment in show when Yeowoon says Myungha's name :D Only sunbae. And that's normal. (this is also why Myungha never mentions Writer sunbae's name at all)

Also, we'll return to Myungha's usage of Yeowoon's name a bit later.

"Keep doing it if you want to die young, Sangwon-ah." "*gasp* You call me by my name when you're mad?"

But Sangwon is talking to Myungha in a very familiar way, using 'hyung' instead of 'senior' every time, making it feel like they are friends (and most of their interaction this episode revolves around Sangwon trying to make Myungha talk to him like a close friend as well xD).

Why is Sangwon so thrilled every time Myungha calls him by his name? Because there are many other Korean words you can use for people, especially if you're angry with them (ranging from the impolite 'this guy' to swearwords). But every time Myungha gives a casual warning to Sangwon who's annoying him, he still says "Sangwon-ah", which is how you'd call your younger friend who's just being a brat. No wonder Sangwon keeps pushing Myungha to get his attention and affection^^

On the topic of names and intonation: I noticed Myungha uses aegyo (acting cute) often when he talks to his grandma. However, with other school students, like I mentioned in my previous language posts, most of the time his speech feels like a patronizing talk of a 29-y.o. adult.

But! I found that one scene when Myungha is deliberately using aegyo with Yeowoon! The reason for it is that Yeowoon finally responded and wanted to meet up after avoiding him for so long, and Myungha is extremely excited.

"Yeowoon-ie, you're waiting for hyung?~" "Don't use that voice".

Two things: Myungha calls himself Yeowoon's "hyung" which feels closer than "sunbae", he wanted to take the next step and make their communication less formal. And instead of saying friendly "Yeowoon-ah" like he always does, he changed the pronunciation of his name to "Yeowoon-ie" — which is, together with the playful intonation in his voice, is so. fucking. cute. However, Yeowoon instantly rejected his aegyo and Myungha returned to the way he always spoke x) RIP.

I already pointed it out briefly in another post but – Myungha cooked a curry rice for dinner with Yeowoon. It might not seem like anything, but I thought it was an amazing detail to show later in the series that even when Yeowoon almost forgotten about Myungha who disappeared, he kept bulk buying rice with curry (yellow packages) for his dinner.

"You act like you're my parent (guardian)." "Well, you're not wrong."

I thought that Myungha telling Yeowoon he's not wrong about him being his "parent" was a bit weird, and indeed, the word they are using here is 보호자 (bohoja), which is "guardian". It can be said about parents but also about anyone who's protecting something or someone as well. Which is exactly what Myungha is striving to do in this world and in this game. To protect and take care of Yeowoon.

"My mom split (ran away) but my dad said she died." "I wish I could split (run away)... I kept running around the field because I felt frustrated. But how could I run away?"

Here I'll need some help from native English speakers, which I'm not, can 'split' be used in this dialogue with the same connotation? Because in Korean, Myungha clearly says "My mom ran away", to which Yeowoon responds "I wish I could run away" and immediately remembering about the reason why he became a runner. And I just loved the accent the show made on this word, which got lost in Gaga subs.

"Don't slack off because you think no one sees." "Maintain your image (Do some mental training)"

This one is surely a mistranslation. The coach says "Do Image Training", in Korea and in some other Asian countries, as far as I encountered this term, this basically means "mental training", or "meditation" and has nothing to do with maintaining one's reputation.

Think "breathe in, breathe out and think how well you'll do and imagine yourself running that race before it starts".

Yeah, probably no one cared about that dialogue or scene anyway, but I hope you're still enjoying my hyperfixation on this show xD Anyway, it's been a long post and I'm done for Episode 3 — but as a bonus, let me share bonus with one of the Sangwoon x Sia scenes.

I tried hard to figure out the word that Sia uses when Myungha pleads her to get rid of Sangwoon, and the closest I could get was 분력 (the power of Buddha), but one thing for sure — following Myungha's begging, Sia cross-sprayed Sangwoon with perfume like holy water and ordered him like "Begone, demon!". Lmao :D

#love for love's sake comments #haha i hope I won't fixate over every moment in the next episodes otherwise I'll never end #but there is such an interesting scene in Episode 4! It'll take me another long post for sure #love for love's sake meta #korean language #language #love for love's sake #kbl #korean bl #kdrama #bl series #korean drama #love supremacy zone #dropthemeta

142 notes · View notes

albertonykus · 5 months

Text

I have many feelings about Hilda, but foremost is that it's so good. How does a show manage to be this charming?! I don't rewatch series often, but I suspect I'll be returning to this one again. Also, natural history enthusiasts who like anglerfish and closed-mouth vocalization will enjoy the final season.

Stray thoughts about Season 3 below the break. Contains spoilers!

I love how the changes to the opening in each season reflect Hilda's evolving relationship with Johanna (and this time, with the trolls as well).

This is a big mood.

The Wood Man is still great.

I liked Eugene's anglerfish lure, very symbolic.

Johanna hanging out with Alfur and Tontu is definitely one of the most underrated dynamics in the series. (...I think. I don't browse Hilda fandom content much.)

David can be brutal. (He had some really good lines this season in general.)

Hilda being traumatized by bells from her time as a troll was not unexpected, but oof.

This was such an amazing creature concept. Having it speak entirely through vocal sacs and not its mouth was an inspired choice.

I definitely chuckled at this.

That was one jam-packed finale. There were probably at least two or three moments where I thought the story was about to wind down, and then they'd throw another wrench into things. Despite that, I felt they managed to keep the narrative remarkably well paced.

I think it was a really brilliant move that after all the mystery surrounding Hilda's dad, Johanna turned out to be the one with an extraordinary heritage, especially considering that most viewers probably would have pegged her as the most "normal" major character.

I was wondering how they'd follow up with Victoria Van Gale, so I wasn't surprised to see her return. Didn't quite expect her to make the save in the end though.

I did predict Twig being critical to saving Hilda and Johanna (especially remembering how the trailer showed him summoning the bridge to the deerfoxes' realm), but it made for a great scene regardless. Also, credit to Frida for pushing herself to the limit while trying to bring Hilda back.

I loved the character cameos in the epilogue. I might have been a little disappointed by the Thunderbird not getting a plot-relevant role, but he did get an entire montage for his return and even a couple of lines, so I can't complain too much. Besides, it's more than what Kaisa got.

#Hilda #Hilda spoilers #Hilda the Series #Hilda Season 3

174 notes · View notes

noroi1000 · 4 months

Text

F**k your fav 13 - You, and your boyfriend's friend

F**k your fav | ←Previous • Next→

Summary: It finally happened. After watching your boyfriend have sex with his best friend, it was your turn. You started kissing Suguru, then you started undressing. Your boyfriend was watching all this. What was about to happen was obvious... You're going to have sex with Suguru...

A/N: I wrote the last three chapters one after the other, so they may seem short. Just like I ended the previous chapter with the start of sex between Satoru and Suguru, here I went further and ended the smut scene.

Warnings: Geto x reader smut (oral - m!receiving and f!receiving; vaginal sex; cum on body) watching someone having sex; masturbation.

"Suguru, Follow my advice, and she will melt beneath you."

"Same as you?" the dark-haired man laughed, styling his hair.

"I don't have a pussy!"

"But you were moaning. So..."

"You're asking me to hit you!"

"Fine fine! So what are your tips?"

The white-haired man sighed, sitting up straighter on the couch. They had to hurry. After all, they heard you splashing in the bathtub. You could leave soon.

"Well, you already have a big cock, so you don't have to worry about most of it." he said, thinking for a moment. "Eat her pussy and she will be more sensitive. Almost every time after I ate her, she squirted all over my cock. Besides, let her give you a blowjob, and she'll be so wet that even a concrete dam wouldn't keep the river out of her pussy."

"I hate how you talk about the most perverted things calmly, comparing them to things that no one finds arousing..."

"And?"

You were visibly nervous as you sat between his legs on the bed as he lay down, giving you plenty of space between his knees.

Your fingers finally played with the waistband of his boxers as you very gently kissed his cock through the material. You were shy, that was obvious. You finally have a boyfriend, and now you have to fuck someone else. Plus, your boyfriend is sitting in the corner of the room with his dick out.

He wanted to somehow encourage you not to be afraid. After all, it won't be as pleasant as it can be when you're so nervous.

He leaned on his hands to look at you properly.

Satoru was forbidden to speak. If he said something that would embarrass you, it would be bad. So all he could do was sit there and jerk off while watching someone else fuck his girlfriend.

Sure, it turned him on. But he was also a little jealous now that you were lying between another guy's legs, grabbing his cock. All this time, you were only catching his! He wanted you to fuck Suguru. He wanted to see if you felt as comfortable with him as you did with Suguru. He was a bit selfish, thinking that he should be the one lying there now and not Suguru. But he also wanted you to discover new lands. This will be absolutely new for you. And he wanted you to feel as good as you could. Besides, he found out that if you weren't his girlfriend, you would probably fall in love with Suguru. That's why there was nothing so bad about it...

"Baby, you don't have to be afraid. There's nothing wrong with that." He said it with a small smile, waving to you. Looking at your small blush.

That was the only sentence now. And it was very normal. He wanted to convince you to move forward.

You nodded, looking into Suguru's eyes, before swallowing, and with a little help from him, you pulled his boxers down, removing fabric from him.

Up close, Suguru was bigger than it seemed before. So what Satoru had inside him was a really good piece of cock... No wonder even your boyfriend, who had so much stamina during sex, trembled under his thrusts. So even he is sensitive when you approach him properly?

Maybe you should use your dildo on him more often?

But when he was with Suguru, he apparently felt different. This shows that they feel good together. So maybe you should let them fuck you more often? After all, what's going on between them goes back even before your relationship with Satoru.

Maybe when you two are comfortable now, you can give Satoru some more sex with Suguru in the future?

Although you weren't sure if you should consider it normal.

You wrapped your hand around the thick shaft, massaging the hot skin to tentatively place a chaste kiss on his head, licking up some of the precum.

You're not sure what exactly Suguru likes. Satoru sure liked watching you choke on his cock. But from what you could see, Satoru was a little slower when he was in your position. While Satoru received strong, sudden sensations, Suguru received strong but slow sensations. Maybe it's something of his preference? But you also saw him fucking Satoru hard. And it certainly wasn't calm and gentle.

It was powerful and intense.

Satoru always fucked you hard. Quick. All at once. He changes styles to annoy you. But you're sure his favorite was strong. Abuse all the sensitive points in you.

To find out, all you could do was do what you had to do. You lay there and sucked and kissed Suguru's cock, sometimes lowering yourself to lick a stripe from his base to the tip.

Everything about it was right. Both Satoru and him like it.

When you lick like a kitten. Those were Satoru's words.

You wanted to take another hint of what he likes best. But his hand suddenly grabbed your chin, pulling you away from his length.

He pulled your face away to look at him. And in this position, you really felt how he radiated the energy of dominance over you.

"Lie on your back, okay?" He said it with a small smile, sitting up straight and pulling your wrists to make you obey him.

Sitting almost breathless on the bed, you watched as the dark-haired man placed himself under your hips, suddenly opening your legs.

A shiver ran down your spine as he pulled you down slightly, signaling you to go a little lower. You obediently did so, slightly resisting his hands as they spread your thighs open for him.

Suguru was the type who expected obedience. He tells you to do something, so he expects you to do it. While Satoru doesn't wait for obedience, he just keeps going. With Suguru, you feel more pressure than he causes. It turns you on. He dominates you so much. As soon as he says something, you're ready to do it. This is what sets them apart. Satoru is not patient. He may do something unexpectedly and suddenly. He can come up with something, set you up, and move you himself. And Suguru tells you calmly but firmly what he wants from you. And this is a sign that he dominates you and wants to do it all the time. Suguru told you how to position yourself as an order.

You looked to the side at Satoru, whose hand was slowly sliding down his length as he looked at your friend between your legs.

A mouth appeared on your clit, giving you a kind of command. You were supposed to focus on him.

Satoru was right. You were wet as hell. Even though you acted shy, you were so horny for him.

Every time Satoru eats your pussy, you squirt all over his cock? We'll find out soon.

Two fingers press into your wet heat, finding a spot to massage your g-spot.

Apparently it's hard to find, and this is the second man who found it in you the first time and will abuse this place!

Soft moans escaped your lips as you tugged on his bangs lightly as he played with your nub with his tongue and rubbed your sensitive spot with his fingers.

Another difference between Satoru and Suguru.

Satoru would like to make you orgasm and give you the most intense sensations. Suguru slowly and carefully pushes on, doing something to make you a little disappointed, but in the end you get the most intense orgasm.

You feel equally good with both of them. But their technique is different.

You moaned loudly as his fingers unexpectedly dug into your walls, pressing hard against that spot and sucking harshly. Forcing you to orgasm suddenly. And your body complied, sending sparks up your spine as you trembled against his lips and fingers.

By this time, Satoru would probably be smiling and starting to lick up your juices. Suguru didn't pull away from your pussy, lightly flicking his tongue against your clit as he slowly fingered you, letting you come down from your high faster.

The sooner you come to your senses after your orgasm, the sooner he will be able to load you up with his cock.

Only when you stopped shaking did he pull his fingers out of you, letting you rest for less than a minute before he knelt between your thighs, stroking your swollen cock with his hand.

You saw out of the corner of your eye as Satoru moved his chair to get a better view of your pussy, which was about to be loaded with cock. But he didn't speak.

"Are you ready?" Geto asked, lightly rubbing your entrance with his tip.

"... Mhm..." you muttered, looking a little horrified at its width. It was the same when you were to take Satoru inside for the first time.

But since you can do everything with Satoru, there won't be any problems with a dick like that, right?

"Without a condom? So brave." Satoru laughed. "Cum on her, okay? I want to see it."

Satoru's words, although perverted, were fine. You could bear it.

But it was different when you felt the wide tip pressing against the ring of muscle, stretching you to fit inside you.

You're really doing it...

You can take it. It will fit inside. You can take Satoru, so Suguru won't be a problem either. It just seems that they are so big! They are just very tall! And you seem smaller next to them! But it doesn't change the fact that their dicks are also big!!!

You moaned loudly into your hand as he reached the end. You placed your hand on your stomach. You knew he was there. You didn't feel him as deeply as Satoru did. But he stretched you more. And it was as overwhelming as with Satoru...

You lose track of time lying there with your legs on either side of his hips. That's why you didn't know how long it had been since you were lying there and getting used to him.

"Can I move?" he asked you, holding your knee.

You nodded, giving permission.

And he didn't regret it. His hand pushed your knee closer to your chest, giving him better access and also giving Satoru a better view.

You were so tight and hot. No matter how he moved, you still pulled him in.

And slamming his hips against yours, he growled softly, enjoying your moans. You held his shoulders, trembling. He now knew how Satoru felt inside you. It's a divine feeling... You're so damn tight...

Even though Satoru was doing a lot to your pussy, you would still remain just as tight.

Satoru laughed and said that your pussy was the same as at the beginning. And after he had fucked you a few times, he thought you were still a virgin because you were still just as tight. But you take big cocks like his so well.

His plan was to stuff your pussy into his shape. So that he will feel crazy about you. But he didn't know if it would be better to have you this tight. It's the perfect feeling when you squeeze him and suck him inside.

Suguru also felt so good.

It wasn't long before you came underneath him, murmuring his name as you tightened around him.

And your grunts caused Satoru to stand up, struggling quickly. And he moved towards your body as Suguru continued to thrust into your heat to spill his load onto your chest and watch how it all flowed over you. That was right.

The sight of you covered in cum was fucking beautiful.

So Geto added more to your stomach so they could watch, stewing over your sweaty, wet body.

Next time, you'll be dealing with two cocks at once...

The last chapter is coming soon. Something I'm excited about but terrified of. Because the first and last chapters are the hardest to write. I don't want to disappoint anyone with a poorly written last chapter.

#jujutsu kaisen #jjk #gojo satoru #gojo x y/n #jjk x you #gojo x reader #gojo #geto suguru #jjk x reader #geto x reader smut #geto x you #geto x reader #geto x y/n #f**k your fav

159 notes · View notes