#ANYWAYS LIKE I HAVE SO MUCH IDEAS AND THOUGHTS AND WANT IT

[nereidprinc3ss]

strange perfections

in which spencer reid and fem!reader meet by accident at a coffee shop. and then they keep meeting there. they've really got to stop meeting like this. (no, seriously. hotch is pissed.) / do you believe me now? bonus chapter!

fluff! warnings/tags: meet cute:) some dark humor, romantically inexperienced reader, spencer reid graduated from caltech, mit, and the derek morgan school of rizz a/n: this can absolutely be read as a standalone BUT it was written as a prologue for my series do you believe me now? to explain how spencer and r met! completely optional, if you're only here for the smut no worries! reading this bonus chapter might make the next chapter better though as it contains discussions of how they met:) anyway, I LOVE YOU!! let me know if you like this silly little random thing! kisses

The café door opens again. A blustery wind raises goosebumps on your arms and makes your bones ache again. You look up at the latest intruder—a hobbling elderly man in a newsboy cap and a knit red scarf. 

Stupid scarf, you think. 

Stupid door. 

Stupid wind. 

Your mug is empty, and the table you’re sitting at is sort of sticky and rickety, and there are so many papers in front of you that you wonder why the hell you thought it’d be a good idea to print the PDF out and annotate it that way instead of just doing it on your laptop like a normal person in the 21st century. Nothing is going right today. It’s the third café you’ve tried in the past few weeks as you attempt to find some place that feels homey, lucky, but this one just feels… inconvenient. 

You look at the stack of papers and sigh. 

Stupid Lord Byron. 

Stupid cafe. 

Usually, cafés are relatively quiet and peaceful—a refuge for the overworked to bask in the luxury of quiet jazz and the smell of dark roast as they continue to overwork themselves. This particular establishment, however, today hosts a group of teenagers—presumably playing hooky—who have commandeered a big booth in the back and keep walking right past your table because apparently they couldn’t have just ordered their drinks at once and they all have to do it separately and loudly. 

One of them has an incredibly irritating, gratingly pubescent laugh, and they think everything is hilarious. This whole situation is unbearable. 

Just as you’re gearing up to go, of course the fucking door opens again. This time, it’s accompanied by a particularly strong gust. 

Strong enough that Lord Byron doesn’t stand a chance. 

Your printed copy of his works blows off the table, at first page by painstakingly annotated page and then before you can even process it, all at once. 

Yeah. This is definitely not your lucky café. 

As you curse and go to stand up, you run into one of those dumb kids. His huge ceramic mug goes flying, careening against the edge of your table and completely splattering you and all your stuff in 16 liquid ounces of scalding espresso and milk. 

It’s silent for a second, save for a few drips from the puddle on your table to the floor, before the kid is apologizing profusely and turning red as a tomato. You can’t even respond—you look down at your ruined favorite sweater, and then around at the pages of Byron littered with color-coded sticky notes, overflowing with angry and purposeful red ink that you spent so much time on, scattered all over the floor. 

Eventually the boy catches on that you’re not going to forgive him and he skitters away, back to his friends, who whisper and giggle profusely. Only a few of them get up to start gathering the fallen pages with you. Several other patrons end up helping as well, so the sheets of paper are gathered and returned into your sticky hands fairly quickly. You thank each person without looking up as they hand you their respective stack. All you want is to get out of here. 

“Here—I’m really sorry about this,” someone says—a tenor-ish male voice, distinctly sympathetic as he holds out a rather larger stack of papers than anyone else had bothered to pick up. 

“I’ll live,” you sigh, straightening up. “But thank… you.”

The man standing in front of you is the kind of man who makes you want to untuck your hair from its usual spot behind your ears, and to stand up straighter, and to try and not stare even though you want his attention. He’s gloriously beautiful in a way that repels and attracts you. He’s the type of man who wouldn’t have given you the time of day in high school and probably wouldn’t now. Instantly you feel both insecure and reduced to a former version of you who would simper and fawn over boys who wanted nothing to do with her. You feel like going to the other side of the café and sitting in the best light and staring out the window poetically and hoping he’s looking at you. 

“On the one hand, I feel bad for being the person who opened the door and let the wind in. On the other… I feel compelled to say at least they’re not covered in coffee like the rest of your table is?”

You laugh vacantly, a second too late, positively coveting the awkward smile on his angular face. Then you make eye contact, and his eyes are so the opposite of angular—they’re huge and inviting and the warmest golden-brown you’ve ever seen, and they’re looking right back at you—and you have to look down. Fuck. You hate when you do that. 

Think of something normal to say!

“Yeah, true. Now I just have to reorder 264 pages. That… that don’t have page numbers.”

You shuffle through the papers. They are hopelessly scrambled. Your heart sinks just a bit.

“Um… I might actually be able to help with that, if you want?”

You frown, glancing up. What kind of sex trafficking ploy is this?

“That’s okay. Might be easier with just one person.”

He laughs—it’s similarly awkward, similarly endearing. 

“Do you mind letting me just… try? It’ll only take a minute.”

Only take a minute? Is this beautiful man deranged? Why are the hot ones always crazy?

But, perhaps because you’re a pushover who can’t stand up to people, much less beautiful people, much less beautiful men who are paying you undue attention, you find yourself giving in. You hold the stack out. 

“Sure. Give it your best shot. I’ll be impressed if you can even figure out what page one is.”

He’s already flipping through the papers with a drawn brow, walking away with them, and barely looking over his shoulder as he mutters, “I have Byron memorized. It shouldn’t be too difficult.”

You follow him, because hello, he has all your annotations. He’s definitely insane, you think, as he sits down at a table and starts rapidly sorting the sheets into separate piles. 

All you can do is stand awkwardly behind him as he stacks papers seemingly at random, barely glancing at them before deciding where they go. 

Maybe a minute, maybe a few go by, each of which have you progressively more flabbergasted, before he’s tapping the edges of a stack of paper on the table and standing, handing them to you with his lips pressed into a thin pleasant line. There’s almost a glow about him—like he couldn’t be more in his comfort zone. 

“There you go. Should be in order now.” You sport a frown bordering on a grimace as you take the stack and flip through it a bit. Sure enough, it seems that everything is in order. You keep looking between the man in front of you and the papers, incredulous as you wait for something to be in the wrong spot. 

“How did you do that?” 

His cheeks turn slightly pink. 

“I know Byron really well. I know how each passage ends and begins so I put them together like puzzle pieces.”

“How did you read that fast?”

“Uh. I’m a speed-reader?”

You scoff, taking another look through the stack. 

“I think that may be underselling it.” A thought occurs to you as you’re grazing over one of your longer annotations—full of expletives and strong opinions. “Oh, god. You didn’t… you didn’t read my notes?”

The man’s eyebrows raise as if he was waiting for you to mention that and he smiles like he doesn’t quite know how to break it to you gently. 

“Maybe a few,” he eventually decides, laughing under his breath. “I appreciated the commentary on his relationship with Augusta. It was… colorful.”

Heat rises in your cheeks as you mumble. 

“Yeah, I had a hard time appreciating the romantic poems. They’re less cute when there’s like a fifty percent chance he’s writing about his sister.”

“Half sister,” he corrects. You give him a look. 

“Does that make it better?”

“… no,” he realizes. “Not even a little bit.”

You laugh, relieved that his face looks as warm as yours feels. 

“Well… thank you, for the help,” you say after a silent second. 

“Of course. Sorry, again. I, um—I hope your day gets better?”

“Yeah, well. I feel like statistically it has to, right? It’s kind of a low bar.”

He smiles, a perfect, perfect smile, and gives you a little wave as he leaves. Without coffee. Checking the clock on the wall, you realize it’s approaching one in the afternoon. If he’d been here on his lunch break, he sacrificed it to organize your stupid Byron texts. You smile to yourself. 

He was totally in love with me. 

And he can’t prove me wrong because I’ll probably never see him again. 

All things considered—this coffee shop does seem pretty lucky. Maybe you’ll stick with it for a while. 

The next time you see the mysterious sexy speed reader is four days later—though you’ve been here every day since. He catches your eye right as he walks in, and his brows jump in pleasant recognition. You smile. He smiles back, before going up to the counter and ordering a coffee with a ludicrous amount of sugar in it. 

I should take note for when I make him his coffee in the mornings, you think to yourself, and then you snort at your own delusions, shaking your head at your book. Obviously you’re not that divorced from reality, but you’ll entertain the fantasy forever until one of you stops showing up to this café. 

What you’re absolutely not expecting is for him to walk up to your table with his to-go cup. 

“Hi,” he says. 

“Hi!”

Jesus. Tone it down, girl scout. 

He gestures to your stack of papers: now secured in a three ring binder. The cup says Spencer. 

Spencer. Spencer. 

It feels important. 

“I see you’ve upgraded.”

“Yes! Yes, I did,” you laugh self-consciously, still struggling to meet his eyes. “Thank you for the help the other day. I would still be sorting through all of this if it weren’t for that, so… yeah. Thanks.”

“Of course! I’m glad I could be of use.”

“Spence!” Someone calls from the cafe door. You both look up to see a stunning blonde beckoning him away. 

Ah. Naturally. The girlfriend who is one trillion times prettier than you. 

Spence. 

Reality sets in. 

“Coming!” He replies, with all the eager compliance of a child, before turning back to you. “Um… well… I’ll see you?”

It’s an awkward way to say goodbye to a stranger, but you suddenly don’t care enough to dwell. Instead you nod once, less enthusiastic now that you know he has a 10 waiting for him on the sidewalk. 

“I am a creature of habit.”

Another wave as he walks away. 

The two disappear from the doorway, but the perpetual breeze seems to carry a snatched bit of conversation your way. 

“Who was that?” 

“Uh… I don’t actually know.”

Yeah. Reality definitely sets in. 

Over the next few days, you break your café streak. Life is busy. There’s not always time to artfully ponder Romantic poetry and drink a six dollar coffee while waiting around for certain people to show up. 

Okay, so… maybe it has more to do with him than you’re letting on. But you’re not going to do that thing you do again, where you become limerently obsessed with a man you don’t know and who is way out of your league just because you can’t form an actual attachment to anyone to save your life. Besides, you remind yourself; we probably wouldn’t be compatible anyway. He’s probably a huge loser. Or secretly a douche. Or chews with his mouth open. Obviously nobody that attractive can also have a good personality. 

Not to mention he has a girlfriend. That should put you off, too.

But you hadn’t been lying when you’d proclaimed to be a creature of habit—you return to the café once you feel sufficiently detached from this Spencer character. 

He’s there. Of course he’s there. Why had you been expecting for him to not be there? It’s not like he was a figment of your imagination. 

This time he’s accompanied by a different blonde woman—a bespectacled blonde with a big floral headband and a patterned dress and a red cardigan and tights and heels that look self-injurious. She’s quite eye-catching; you want to keep looking at her, but you seem to draw her attention, too. Her big eyes widen minutely and briefly you wonder if you’re supposed to know her, but certainly you’d remember meeting a person like that. She doesn’t seem easily forgettable. Both of you look to Spencer at the same time, who’s looking between you with an almost panicked expression. 

“Oh! Th—” the woman whispers, cutting herself off when she realizes how loud she’s being in the otherwise silent establishment. “Ah! Okay, right. Never mind.”

 Spencer sighs. You want to laugh, but you’re baffled by the whole thing. So you go back to reading. 

Ten minutes later, they draw your attention once more. 

“Go, go ahead! It’s more problematic for you to be late than me. I’ll be like, thirty seconds tops.”

You don’t look up as Spencer leaves the café—but are you supposed to gather that these two eccentric individuals are coworkers? And what of the first blonde woman, who you’d presumed to be his girlfriend? Where is she?

While you’re wondering all of this, the new blonde teeters her way over to your table. 

“Hi!” She says pleasantly, waving a purple-tipped hand and wearing the biggest grin. 

“Uh… hi?”

“I’m Penelope. You’ve met my friend Spencer. He just left.”

“Oh—sort of,” you smile weakly, closing your book. “Not formally. I didn’t know his name.”

That’s a lie, but maybe feigning non-chalance will make it real. 

“Well, I just wanted to come over and say I love your bag. And your jewelry and your coat. I love your whole look. I bet you’re a really cool person.”

“Um—thank you!” You perk up, smiling genuinely now. The compliment warms you—you didn’t think your look was all that interesting today. “You too. I love your outfit.”

“Great! You’re—you’re great. This is good information. Um… just out of, like, sheer curiosity, could I get your name, age, and occupation? Oh—and your zodiac sign?”

What kind of convoluted sex trafficking ploy—

“Garcia!”

Spencer is at the doorway again, looking adorably miffed. 

Adorable? Get a grip. 

“Wh—I’m just making a new friend! Is friendship illegal, now?”

“This is the kind of friend-making that gets you a restraining order,” he urges. 

You look up at Penelope Garcia, enamored by their whole dynamic. They clearly care for each other, despite the squabbling. What kind of job do they have where they talk to each other like this?

“It’s fine,” you smile, introducing yourself to her.

“That is such a good name!” She says, and you’re getting the sense she’s kind of always this enthusiastic. “So now we know each other’s names—we should probably definitely be friends, right?”

“Yeah! Um, definitely!”

“Yes? Oh my god! I love this! Okay, um—we work at Quantico, so, we’re like, 10 minutes away—but this is better than the coffee shop that’s closest to the building, so we come here all the time. Usually it’s just us and five grouchy old men, which makes this is really exciting.”

“Quantico… that’s the FBI academy, right?”

“Other stuff, too,” she nods, still smiley. 

Oh! Cool. So they’re FBI agents. 

So that’s cool. 

You’re cool with that. 

Her phone starts ringing—she locks eyes with Spencer. 

“Hotch?”

“Ooh, we are in trouble,” Penelope sing-songs, leaning down to write her number on your notebook without asking. Not that you mind, of course. She adds a little heart and a smiley face next to her name before capping your pen and toddling away. “Bye, new friend!” She calls over her shoulder, waving goodbye with just her fingers. 

“Bye,” you manage, though it’s probably too quiet. 

Spencer flattens his mouth into an approximation of a smile and waves again. 

You accidentally find yourself mirroring his goodbye, facial expression and all. Fuck. You hope he doesn’t notice. You hope he doesn’t read into it. 

Nah. Boys are dumb. 

You text Penelope later that afternoon—a simple greeting so that she can save your number—and then you forget about it. 

It’s not until five days go by without sign of any of them—the two blondes, Spencer, this mysterious and foreboding Hotch figure—that you start to seriously question your sanity. Did they drop off the face of the planet, or what?

But of course, just as you’re sitting at your usual table, Spencer walks in. Alone. 

He sees you immediately, but instead of the wave you’d come to expect, he immediately flushes, looks down at his shoes and hurries into the small lunch-rush line. 

Weird.

You corner him at the coffee bar, where he’s adding more sugar to his coffee. How are his teeth so nice if he does this to himself every single day?

“Hey,” you say, affecting casual confidence as you bus your empty mug. “… Spencer, right?”

It’s comical how you’re pretending you haven’t turned that name over and looked at it from every angle hundreds of times since the first time you heard it. 

He nods, only glancing up at you as he stirs. To your surprise, he knows your name, too. When you give him an odd look, he smiles almost apologetically, finally looking at your face for longer than half a second. 

“I heard you introducing yourself to Penelope. Sorry if that’s…”

“No, no! Is she around, today? I texted her last week, but she never responded...”

“Today is operating system update day, so I don’t even really have a way of knowing if she’s alive in her office.” It’s funny to him, but you just smile, baffled. He notices your silence and catches on, scrambling to explain himself. “She’s our tech analyst. There are 243 computers in our building and she has to update them all remotely, which requires getting every agent to agree to not touch their computer at the same time for an hour or so.”

“Oh… does the FBI not have, like… an IT guy, or something?”

He laughs again—the way his eyes crinkle when he does it makes you a little breathless. 

“You should say that to her. I think you would become her favorite person.”

It’s hard not to smile when he’s smiling because of you—however indirectly that may be. Quickly you realize you’ve both been standing in front of the coffee bar for too long. 

“Alright, well… tell her good luck, for me?”

“I would, but I’ve been kicked out for an hour while she does the updates.”

Your brow furrows and you laugh. 

“From the whole building? You just can’t keep your hands off your computer for an hour?”

“Not if I want to do my job, no. And I am kind of obsessive about my job. I’ve been the reason she had to start the whole process over again before and I’d rather not be that person again.”

You say it before you can think too hard. 

“Well, if you have an hour to kill… there’s an open seat at my table? No pressure, obviously.”

And that was the first of thousands of hours you would come to spend with Spencer Reid. 

After that, it sort of becomes a regular thing. He comes almost every day—except for occasional week or so long stretches, which you have discovered are a part of his absolutely fucking insane job—and sits with you, sometimes with Penelope, once with the other blonde, JJ, who you’ve since deduced is not his girlfriend, most often alone. Usually he can’t spare more than ten minutes, but he begins pushing it, little by little, until thirty minutes go by and you think surely his boss (the great and all-powerful Hotchner) must be beginning to notice. 

One day, during your usual lunchtime rendezvous, his phone rings. He talks right on through it, like it’s not happening.

It ceases. And then it starts again. 

Your head drops to your shoulder, something like pity or regret softening your features. He catches your eye and melts slightly, mid-sentence—like he knows you’re about to tell him to be responsible. 

“Do you think you should…”

His hands drop from where they’d been enthusiastically positioned mid-air. 

“They’ll be fine if I’m late from lunch one time. I’m usually more punctual than any of them.”

You roll your lip between your teeth—it’s not that you want to tell him to go; in fact, those delusions you’ve been harboring about your future life together are only getting worse with each inexplicable minute he entertains your company. 

But his job is important. 

“What if you have a case?”

“Then I would have gotten more calls from more people by now.”

Your head tips back as you laugh lightly at his unwavering insistence.   

“I’m flattered that you so enjoy my company that much. But I can’t with good conscience keep taking up your work hours like this.”

As the laughter fades, he just… watches you, lips slightly parted, eyes intense but not entirely present. 

“You’re probably right,” he finally breathes. “Maybe… you should start taking up my other hours, instead?”

Spencer Reid, you unexpected charmer. 

You balk.

“Like… we would hang out? At a different time of day? Not here?”

“Those are the basic premises, yes,” he chuckles, nodding affably. “I’ve never actually seen you anywhere else. For all I know you could be a ghost eternally tethered to this building.”

“Where would this hanging out take place?”

Fuck, you’re totally being weird. His brow knits. 

“I don’t know. Where else do people hang out?”

He’s not genuinely asking you, he’s gently turning you in the right direction. You charge forward blindly. 

“Restaurants.”

There’s that pretty smile of his again, the one that makes all the thoughts drain from your head like cold bathwater. Though, there’s a sort of mischievous edge to it now that you haven't seen before.

“That’s certainly an option. If I asked you to hang out with me at a restaurant... would you say yes?”

You look down. God, your face feels warm. 

“Would you be asking me out on a date? In this hypothetical scenario that we’ve constructed, I mean.”

Spencer seems to think about it for a moment, which fills you with unexpected panic. When you look back up anxiously, he has the same smile on his face, but his eyes are a little softer now. 

“I would.” 

More panic sets in—just a bit. But you don’t let what is undoubtedly a tidal wave of anxiety break through the emotional guard-dam. Keep it together. This is a good thing. This is what you wanted. 

Unfortunately, you are perhaps more transparent than you’d realized. Spencer begins to look slightly worried, leaning forward in his chair. 

“You don’t have to say yes. I know we don’t know each other very well, I just—”

“No!” You find yourself assuring him, though you curse yourself because you kind of want to know what he was going to say. “I would say yes. I’ve just, um—god,” you laugh gustily, self-consciously. “Sorry I’m being so weird. I’m out of my depth. Nobody’s asked me on a date before. I don’t really know the etiquette.”

Spencer chuckles. 

“You’re doing great. Don’t worry about it.”

Not, what?

Not, you’ve never been on a date before?

Not, that’s crazy, or that’s weird, or how have you gone your whole life without being asked out?

With the implication being, you’re odd. Different. Maybe not in a good way. 

He says none of that. 

“But I should probably actually ask you, huh?” His cheeks turn pink as his laughter is redirected inwards. 

“Sounds like a good first step.”

Spencer is still smiling as he says your name and it sounds so good from his mouth. It makes you sound so real. 

“Will you go on a date with me?”

Butterflies in your stomach doesn't begin to brush what you're experiencing—your entire abdominal cavity is like a Monarch sanctuary.

“I’d love to.”

He seems genuinely relieved as he beams, slumping back in his chair. 

“Oh, thank god. I was so nervous you’d say no. I never do that. Thank you for not saying no. Not that you couldn’t have said no—it would have been completely fine and obviously within your rights to—”

His phone rings again. Both of you are relieved that he was interrupted—but admittedly you thought his rambling was super cute. 

“I should—”

“You definitely need to go.”

“Yeah,” he agrees with a still-breathless smile. “Um—what’s your number?”

You look around fruitlessly for pen and paper. 

“I don’t—”

“Just tell me. I’ll remember.”

He’s so weird. 

A breeze hits your skin as he opens the door. You’re already writing your wedding vows in the back of your mind as you watch him go. 

#spencer reid fanfic #spencer reid fic #spencer reid imagine #spencer reid x fem!reader #spencer reid x reader #spencer reid x self insert #spencer reid #criminal minds #spencer reid fanfiction #spencer reid fluff #spencer reid x you #criminal minds fanfic #criminal minds fic

[notherpuppet]

Someone asked if I was adding more to "Buckshot"

...and then I accidentally posted it before I was done answering LOL. Anyway, here was the answer:

I have some ideas that I just haven't fleshed out yet. But I really like that AU and I want to return to it.

As for the Buckshot specific "chapter"...I do have some 'deleted scenes' that I just didn't feel like drawing (laziness) but hmm maybe i'll get the motivation to sketch them out eventually.

Some deleted scenes:

Scene 1.5 [Lucifer looks at Alastor's wounds as he's changing his bandages and clothes. Alastor's covered in severe scars exhibiting many different kinds of injuries.] Lucifer: "So many scars...I wonder what he's been through..." [Lucifer glances at Alastor's face, which somehow still has a faint, but visible smile.] Lucifer (incredulous and annoyed): "Yet he always keeps that smile on his face..." CUT TO FLASHBACK MONTAGE: Lucifer, Alastor, and Charlie playing in the park, eating dinner altogether, and singing backup for Charlie while Alastor plays the piano. [Lucifer smiles softly and turns up the corners of Alastor's sleeping smile.] Charlie: "I thought Al needed to sleep!" >:-0 [Lucifer draws his hands back suddenly, embarrassed.] Lucifer: "Where did you--" [Charlie climbs onto Alastor's rest bed. She haphazardly reaches for Alastor's face.] Charlie: "My turn or it's not fair!" >:-D Lucifer: "Charlie, no!" --- Scene 4.5 (happens at the dinner party, in Lucifer's room, after Alastor bleeds through his shirt) [Lucifer quickly changed into a red tuxedo. Alastor is lagging, due to his pain and need to clean his wound with a soft cloth.] Lucifer: "Let me help you--" Alastor: "I can handle this." Lucifer: "Would you stop being so stubborn? You're drugged up, drunk, and moving slow as hell. You want to arouse more suspicion or do you wanna get this over with?" [Alastor rolls his eyes and rudely tosses the cloth at Lucifer's face. Lucifer's quick reflexes catch the cloth effortlessly.] Lucifer: "That's what I thought." [Lucifer begins to clean Al's wound. Alastor has a pained expression. He winces and grabs Lucifer's wrist forcefully.] Alastor: "You're being a brute." [Alastor guides Lucifer's hand gently and drops his hand once Lucifer adapts. Lucifer helps bandage Alastor back up and get dressed. They're now both in new tuxedos, sans bow ties. Before Lucifer can grab his bowtie, Alastor snatches it.] Alastor: "Allow me." Lucifer: "I can tie my own bow tie." Alastor: "Did you not say we were in a hurry? I think we both know it will go faster if I just tie it." [Lucifer rolls his eyes but resigns. Alastor ties the bowtie swiftly and perfectly.] Lucifer: "Ugh, how do you do this so easily? Aren't you high?" Alastor: "As a kite." [There is a beat and they both share a laugh. Suddenly they hear a distant voice yelling:] Adam (distant): "So much for a quickie!" Alastor: "We should go."

#and before y'all start #i'm not drawing this #me @ me #i mean...right??? i'm not gonna..am i?? ugh i don't know #i don't think i have the energy #anyway #radioapple #fanfiction #honestly i think it would be fun to share more 'screenwriting' style fanfiction i got #because i can't draw all these scenes...it's too much #human au

[wandussyfantasy]

request (i hope its still open)

powerbottom!Wanda x Beefy G!P reader

(this is gonna be kinda long and dirty so be prepared)

Reader and Wanda are both college students who have been mutual pining each other, Wanda tells Nat that she likes reader and really wants to get down and dirty with them but doesn't know what to do Nat gives Wanda these chocolates (which is like those sex Viagra chocolate things) and tells Wanda to invite reader over for a movie night and share the chocolate, and that leads to hella sexual tension and they both can't hold it in anymore and fuck, Wanda rides readers abs and also handcuffs reader to the bed and she teases reader a lot and after a while reader just wants to touch Wanda so bad that they break the handcuffs which turns Wanda on even more and they fuck hard, lots of overstimulation and maybe some breeding (also maybe some fluff at the end as well as reader wants to live in this moment forever so reader uses Wanda's polaroid cam to take a pic of her naked and saves it in their wallet)

sorry this is long but if you do decide to write it just have fun with it and add your own stuff as well, love your fics <3

Study Date

Summary: Wanda and Reader have wanted each other for so long. Natasha, being the good friend that she is, helps the two speed things along and realize just how much they want each other.

Pairings: Wanda x NB!AMAB!Reader

Word Count: 4,767

WARNINGS:

18+ ONLY, MINORS DO NOT READ & DO NOT INTERACT!!!

smut, gn!reader shapeshifter, powerbottom!lwanda, fingering, dirty talk, fluff, fantasies, teasing, foreplay, and creampie.

𝐌𝐀𝐓𝐔𝐑𝐄 𝐍𝐒𝐅𝐖 𝐂𝐎𝐍𝐓𝐄𝐍𝐓. 𝐏𝐑𝐎𝐂𝐄𝐄𝐃 𝐖𝐈𝐓𝐇 𝐂𝐀𝐔𝐓𝐈𝐎𝐍

“Hey Wanda, I noticed you weren't in class today. I thought I'd lend you my notes,” you say as you hand the pretty girl from your expository writing class your notebook. She smiles as she accepts your offering. 

“Awe, you're so sweet! You didn't have to do that! Thank you, I'll type this up and get it back to you as soon as possible,” she says. You smile back and tell her to take her time. The conversation falls flat but you don't want to stop talking to her. You stand there awkwardly as you try to think of something to keep the conversation going. Wanda was doing the same, she didn't want you to leave. She wanted to keep talking to you. She always wants to talk to you. “Hey, I heard there is going to be a party this weekend. My brother is hosting it so I'm going to be there and so will other people. Because it's a party! And that's how… anyway are you going?” Wanda asks nervously as she fiddles with the notebook in her hands. Natasha tries her best to not be repulsed by Wanda’s bad attempt at asking you out. She had no idea that her friend was crushing so hard on someone, let alone you. 

“Nah, I have a lot of studying to do,” you reply without giving the invitation much thought. “Maybe another time? This semester has been kicking my ass and I might lose my scholarship if I don't get my grades up.” You admit as you shift on your feet awkwardly. 

Wanda frowns and looks hopeless. Natasha rolls her eyes and then cuts in. “Wanda is a fantastic tutor,” she says. “Maybe you should ask her to tutor you,” she spells it out for you when all you said was cool. 

“I mean. Um. Would you have time to? I would really appreciate it,” you say as you gesture at Wanda. 

“Uh,” she looks at her friend.

“She is available tonight,” Natasha offers up. “I have plans so she’ll be alone in the dorm.” Natasha scribbles down information on a piece of paper and hands it off to you. “Let’s go,” she grabs Wanda and pulls her away. 

“See you later!” You shout at them as they leave. 

Natasha shakes her head as they continue to walk away. “That was pathetic,” she says to her friend. “I know you’re new to flirting but,” she starts as she opens the door for their dorm building. “That was not flirting. That was just… sad.” 

Wanda shakes her head, “I know. I know. I’ve never liked anyone the way I like Y/n before. I want them in ways that I’ve never wanted anyone before.” She presses her palm to her forehead as she blushes.  

“Like, losinging your v-card type of want?” Natasha’s eyes widen as her voice lowers while they walk to the elevators. “You hardly wanted to lose it to your Vision! And you were with him for three years!” 

“I know!” Wanda says as they enter the elevator. “But gosh, there is something about Y/n that has me,” she stops as someone enters the elevator. She puts her hand on Natasha’s shoulder and sends her a mind message to continue the conversation privately. “I’ve had several wet dreams about Y/n since I saw them running around the track field shirtless.” 

Natasha looks at Wanda with wide eyes and thinks, “They had their titties out on the field?” 

Wanda shakes her head. “No, they have a shapshifting ability. It’s why they prefer they/them pronouns because they can shift their physical appearance to how they feel they that day. And that day it was a male chest and it was strong and sweaty and-”

“Ok! I don’t need to know anymore. But that is quite an ability, I’m sure a lot of gender nonconforming people would love to have an ability like that.” She said out loud as they stepped out of the elevator. Wanda agreed. 

“I think they can do more but I could hardly focus. I started to imagine the possibilities and I was just happy mind reading isn’t one of their abilities.” Wanda says as they enter the dorm. 

“I’m glad it’s not an ability of mine either,” Natasha says as she opens the mini fridge. She flips through the different types of chocolate bars that she owns and smiles when she finds the one she it looking for. “I’ve been saving this for a rainy day and honey, it’s getting pretty cloudy.” She hands the chocolate bar over to Wanda. 

“Oh, I’ve been craving chocolate all day!” Natasha stops her roommate from eating the candy.

“Woah, not so fast. Wait for your date tonight. Share it with Y/n,” she suggests. 

“Why?” Wanda makes a weird face as she tries to figure out what is special about the unlabeled candy. 

“Just trust me,” Natasha quickly puts on a special bracelet that prevents anyone with telepathic or empathic abilities from entering her mind and she smiles as she flashes it at Wanda. “The less you know, the better.” She starts to gather her belongings. “I will be out all night. I gave Y/n your phone number so you should be receiving a text or something soon.” She looks around the room to assure herself that she has everything she needs. “Good luck, Wanda. I hope it all goes well. Just please don’t use my bed.” 

Wanda rolled her eyes at the bracelet and smiled at her friends departing words. The hug each other, “Thank you.” Natasha leaves the room. Wanda flops onto her bed as she waits for you to text her. She thinks about the times she’s seen you half-naked and sweating. How she’s wished to have your body on top of hers. Wanda bites her bottom lip as she fights the urge to slip her fingers between her legs and imagine that they are yours. 

Her phone pings with a notification and she springs up to look at it. It’s you asking what time you should arrive. She licks her lips she tries to make a flirty response but she ends up cringing at everything she types. She settles on just telling you to meet her an hour from now and flops back onto her bed with a sigh. She needed to get it together because in anhour you would be in her room and you needed tutoring. And some how she needed to work in sharing the mysterious chocolate bar with you. 

Wanda changed into something a little more suggestive and flashed on a set of lingerie underneath, just in case she became brave enough to try something with you. She cleaned up the room a bit and lit a candle that was enchanted to keep sound in any room that it was lit in. She doesn’t know why but she has a feeling she’s going to get her way and she won’t be quiet about it when she does. 

“Smells nice in here,” You say as you enter Wanda’s room. She shuts the door behind you. 

“Thank you, it’s a new candle I made. I kind of got into the trend,” she says sheepishly as she stands behind you. There wasn’t room for a sofa in the dorm room so there isn’t one. There was only beds and desk chairs as seating options. “You can sit at my desk,” she points to the desk that is between the beds. 

“Thanks,” you say with a blush, “Um, if you’re selling your candles, I would love to buy some from you.” Wanda’s cheeks flush bright pink as well as she sits on her bed. 

“I think I have a couple that I can gift you,” she smiles as she gets comfortable. “Alright, so what subject are we starting with?” She asks as you are pulling assignments out of your bookbag and setting them on her desk. She looks at the chocolate bar that was left on her bed and tries to think of how she can offer it to you without it seeming weird. 

“Um chemistry has been brutal,” you say as you organize yourself. You try to keep your eyes on the work in front of you because her shirt was tighter than the one you saw her in a couple of hours ago. It was hard enough to be around her when she had loose fitting clothing on. Now that it was accentuating her chest, you thought you might pass out. 

“Chemistry happens to be my strongest subject!” Wanda says as she leans over to look at your papers. She quickly gets into helping learn the formulas that you struggled with as well as a lot of the vocabulary that you had mixed up. Deep into the study session, Wanda starts to mindlessly break off pieces of the chocolate bar and eat it. 

You accept the pieces that she offers and by the time you've moved onto math, the chocolate bar is gone. You start to feel even hornier than when first walked in but you try to focus on the subject.

“It's kind of hot in here,” Wanda says as she fans herself with her hand. She doesn't know why but her body is on fire. Her clothes feel horrible on her skin but she can't take it off. Not with you here. Oh but she wishes she could convince you to take your clothes off. 

“Yeah, it um it is,” you shift uncomfortably as your eyes land on her glistening chest. Wanda’s eyes are glued to your chest as well. The sweat on your body was causing the white fabric of your shirt to become see through. The shirt was clinging to your abs, exposing your six-pack. “Maybe I should um-” 

“Fuck me,” Wanda gasps out as she bites her lips. “I'm sorry, I don't know where that came from I-” You cut her off with your lips. Finally kissing her after spending the past few years pining for her. Wanda responds to the kiss just as eagerly. She pulls on your shirt to pull you closer to her until you land on top of her. Your body against hers on her bed. She couldn't think of anything but your lips and your body. She needs you. She needs you now. 

“Are you sure,” you try to slow down your kisses. “We can stop at any moment,” you say as you try to catch your breath. Her lips start sucking on your neck and you let out a soft loud groan. 

“Why would I want to do that?” She says as she rips your shirt in the middle. You are surprised by her urgency. You didn't know that Wanda even liked you. “Wow,” Wanda gasps as she admires your naked chest. She unhooks your bra and her eyes grow hungrier at the sight. You get rid of the rest of the fabric of your shirt and toss it to the floor. You roll off of Wanda and lay next to her to start to get rid of your pants. You had most of your abilities down but when it came to sexual urges, there was one thing you couldn't control completely. That was the cock that is currently growing and will soon be straining against your jeans. 

But before you can unbuckle your belt, Wanda climbs onto your chest and kisses you on the mouth again. “I have an idea,” she says against your lips as she holds your face in her delicate hands. 

“Mmm, please share,” you say as you kiss along her jaw. She maneuvers you so that you are laying properly on the bed. Then with magic, she chains you to the bed. Wanda removes her tight shirt and short shorts to reveal the red lace bra and the black thong. Your eyes widen at her lingerie. You never thought in your wildest dreams that you would be here. 

Wanda straddles your hips and you groan at the contact of her skin against yours. Her thighs rest against your sides. Her pussy juices drip through her thong and land on your stomach as she starts to gyrate her hips on your abs. You watch her breasts bounce as she moves on your abdomen and you lick your lips as you think about touching her. About sucking on her breasts. Licking her smooth stomach. Wanda puts her hand on your breasts as she continues to use your abs to create friction. You moan as she plays with your nipples. She makes eye contact with you as she leans in close to you. She makes you think she's good to kiss you but then her hips slide down and her pussy starts to ride your bulge as her lips kiss your neck. 

“Fuck” you his as her lips move to your collarbone. She sucks on your skin lightly as she makes shapes with her tongue. You imagine her sucking your cock and it causes you to thrust your hips into her middle. She yelps and looks at you. Her pupils have taken over her emerald eyes as she takes your breast into her mouth. “Wanda,” you beg as you thrust your hips up again. She takes her mouth off of your chest as she sits up again. Teasing you by slowly removing her bra. You groan again as you fight against your magical restraints. When her breasts are exposed, Wanda drops her hands to your belt. She unbuckles the accessory and unbuttons your jeans. She pulls your zipper down and stops there. 

Wanda drags her fingers at the top of the waistband of your boxers. She is driving you crazy. When she slips her fingers into your boxers you can't take it anymore. With your super strength, you break the magic handcuffs off and grab Wanda and flip the two of you so that you're on top. “That was hot,” Wanda says as she kisses you again. 

You get lost in her lips as your hands touch her everywhere. You have them on her hips then on her breasts then on her ass. Her skin is so soft and you want to touch every inch of her. You begin to suck on her neck as you move to explore her body with your lips. She sighs and moans when you reach especially sensitive spots on her body. Her hands continue to trace the ridges of your chest. You drop her breast from your mouth and grin. “You like what you feel?” 

Wanda blushes as she grows a bit shy. “I’ve been dreaming about them,” she says with pink cheeks. “I’m sorry, I just want to appreciate them while I have them.” She reaches up and kisses your neck. Your eyes roll to the back of your head as she starts to suck on your neck again. Her hands start to trail further down your body. She starts to push your pants and underwear further down until your cock bounces out. You moan from the relief. Her eyes widen at the sight. Her ex-boyfriend was a super computer that looked like a Ken-doll in the private area. She’s only seen dicks online and none of them come close to what is laying against her stomach. She couldn’t imagine how it was supposed to fit inside her virgin hole. She is surprised that fear isn’t controlling her nearly as much as it has in the past. But she can’t keep the thought as you roll your hips and the base of your cock grazes her clitoris just right. Her lips latch to yours again. You are typically someone that likes to take it slow but something has your body buzzing with energy and taking over your actions. 

Wanda’s hand wraps around your cock and you roll your hips into her soft hand. You have imagined her jerking you off before. It was in a car or in a closet or at a movie and it was always after or during a date. It wasn’t this fast, or this amazing. Your hand doesn’t compare to hers. You have to pull away as you feel yourself near your edge. 

“I’ve dreamt about you too,” you whisper against her lips. You fall lower on her body until your head is between her thighs. You kiss her left thigh first then her right. Wanda wimpers each time your lips press against her thighs. With your tongue you trace letters along her thighs claiming her as yours. “I’ve wanted to be in this position since I saw you at the freshman mixer,” you admit as you drag your tongue along the crevice between her thigh and vulva on her right side. “But you were taken for two  more years after that.”  You lick the left side and Wanda licks her lips as she watches you tease her. 

“Now I’m yours,” she says desperatley, “I’m all yours.” Her fingers lock into your short hair as she pulls you closer to her pussy. “Show me your deepest desires, Y/n.” You nod as you put your mouth on her entrance. You slip your tongue inside of her and use your abilities to have a deeper reach. Wanda’s eyes widen at the sensations as she feels your tongue wiggling inside of her. You feel a wall as you extend your tongue further and your eyes widen as you shrink your tongue to it’s normal size. 

You pull away and ask, “Are you a virgin?” Wanda grows shy again and tries to hide her face in her pillows. “It’s okay to be it’s just, are you sure you want to… with me… like this?” You say as you crawl up her body and remove the pillow from her face. “I just don’t want you to regret your decision later if there are reasons you waited this long,” you tell her softly. 

Wanda gazes into your eyes and takes your hand and brings it close to her. She kisses the palm of your hand as she holds eye contact and then places your hand over her heart. “I'm sure,” she answers softly. Then she pushes you back so that you lay on the bed. She pulls your pants and boxers all the way off and tosses them behind her. “I want you so bad right now, Y/n. I've wanted you for a long time.” She says as she moves her hands up your thighs until they meet in the middle to give attention to your cock again. She kisses the tip of your penis. Her soft plush lips send shivers down your spine just before she wraps them around the bulbous head. Your head falls back as she deep throats your cock. Taking as much as shee can down her throat without gagging. You’ve never seen that before. You can’t believe it. Wanda removes her mouth and you lift your head back up to watch her. “I don’t have a gag reflex,” Wanda smirks. You make a confused expression and Wanda giggles. She taps her temple, “Mind reader.” 

You sit up on your elbows, “Hold on,” you stop her from sucking your cock again. “You’re telling me that you’re more than a witch?” You shake your head. “Oh gosh, I’m sorry for what you saw today. I promise, I like you for more than-”

“No, I don’t… I didn’t read your mind earlier. I,” she crawls up your body and sits on your chest again. She holds your face as she tries to explain her abilities. “I don’t like to know what other people are thinking so I take something that decreases my ability to read peoples minds. I can only read your mind when I’m touching you. I wasn’t doing that earlier,” she explains. 

A slow smile graces your lips. You move your fingers a long the length of her arms. “Does that mean you’re seeing what I’m thinking about now.” You take the palm of her hand and press your lips against her soft skin. The hitch in her breath is enough to let you know that she can see exactly what you intend to do with her tonight. “And what do you think?” 

Wanda leans in close to your lips and whispers, “I already told you to show me your deepest desires. So stop stalling.” She meets your lips in a slow, deep, kiss. Every time she kissed you she felt the effects of something grow stronger. She couldn’t place where it was coming from but she has a sneaking suspicion it has something to do with that chocolate that Nathasha was being so weird about. It didn’t matter anymore. She was so close to having exactly what she wants. 

“Yes, ma’am,” you say with a raspy voice as you kiss her back. You move your hands down her body and rip her thong off of her. You aim the tip of your penis at her entrance and slip just the tip in to tease her as the two of you continue to kiss. You pump in her softly, slowly stretching her out with your girthy cock. Wanda’s mouth falls open as you slip inside her previously untouched walls further. You move your kisses from her lips to her cheeks then to her neck. Her hands move from your face to your shoulders as she helps you lower her further onto your throbbing rod. Her nails start to dig into your skin and it causes you to lose control of your thrust as you break her hymn in one strong thrust. 

“Holy shit,” she gasps. “I can feel you,” she says as you lick the sweat off from her collarbone. “You’re stretching me,” she moans as you thrust further into her. “I’m so full with your cock,” she continues and you groan as you bring her breast into your mouth. You get the full length of your dick inside of Wanda’s tight walls and you nearly bust a nut from how amazing she feels around you. “It feels so good,” she says while she moves her hips. You smile with your mouth full of her boobs. Then you drop it with a plop as you grab her hips.

You begin to pump inside of Wanda and fuck her as hard as you can. She is shocked by the pleasure she is feeling from such force but she is far from complaining about it. “Yes!” She screeches out as you pound her pussy with your thick meat. “Yes! Yes! Yes!” She pulls you closer to her by wrapping her both arms around you. “Fuck you’re in so deep! Oh fuck! It’s so good! Fuck me Y/n! Fuck me!” She shouts as she continues to ride your cock while your hips slam into her. 

Your thrusts get so erratic that your cock slips out of her hole and you have to stop your hips from moving. You flip the two of you so that you are laying on top of her before you enter her again. “Ah fuck your pussy is so good, Wanda,” you moan as you enter her tight wet walls that is gripping your dick and pulling you further inside of her. “I’ve never done it raw before. Oh my gosh this feels amazing!” You say as rock your hips into Wanda. The sensitive skin on your penis is feeling every inch of her and you can’t believe any of this is real. 

“I’m so close,” Wanda gasps as her nails start to dig into your back. You didn’t know that you’d enjoy that feeling as much as you do. It drives you to speed up your thrusts again as you rub her clitoris with your thumb. 

“Cum for me,” you tell her and watch as her eyes roll back and her chest arches up into yours and feel as her walls squeeze the life out of your cock as if her body was trying to milk you. She screams out as she rides the waves of her orgasm. You don’t stop playing with her clitoris even after her body falls limp. 

“Don’t stop,” she says as she enjoys the over stimulation. You continue to rub her bundle of nerves while you pump your cock into her. 

“I’m, fuck, I’m close,” you warn her. “Don’t, mphm, worry. I’ll pull out,” you grunt out as you start to slow down your thrusts. That’s when Wanda’s legs wrap around your waist and lock you in. “Wanda what are you-” 

Wanda pulls you into a deep kiss. She dances her fingers along your jaw as you try to pull away. “Cum inside me,” she whispers. You head starts to shake but the request is too delicious that your eyes roll back as your cum starts to flow out of you and flood her pussy. “Mmm I can feel you pulsing inside of me,” she says as your cock empties inside of her. When you stop erupting, you try to pull out but Wanda shakes her head. “Not yet,” she says, “I don’t want to feel empty just yet.” You nod as you keep the two of you connected and sigh as you lay your head on her naked chest. Your limp body laying on top of hers. She is combing her fingers through your sweaty hair. “That was amazing,” she kisses your forehead. 

You give her a lazy smile with your eyes still closed, “It was. I wish we could live in this moment forever.” 

“I’ll allow it,” she responds softley. “But you’ll have to promise that you won’t want to be with anyone else.”

You make a face, “That’s an easy promise.” You lean up and kiss her cheek. “There is no one I’d rather be with.” You grab her hand and lay it on your chest over your heart. “You can even scan my mind. Sure, I’ve slept with people in the past. But I’ve always wanted to be with you. No one has ever invaded my mind the way you have.” 

Wanda bites her lip and sighs. “I don’t have to search your mind. I trust you.” She kisses your lips. 

After an hour of laying in her bed, connected to each other, you eventually pull out of her. Some of your cum flows out when you do and Wanda catches some on her fingers. She sucks them clean and you almost get hard again. But you manage to control yourself since you’re no longer under the influence of whatever you were under. You grab her polaroid camera from the top of her dresser and you point it at her. She gets shy and pulls some of her sheets over her body. She covers her face with her long light brown hair and you snap a picture. You wave it to help develop the image even though you know it doesn’t really do much. 

You smile as you look down at the image a year later when you’re getting ready for your wedding. You put the image in your wallet again and it’s still there when you’re racing Wanda to the hospital to deliever the babies. You glance at it when you’re sitting with her in the nursery as you remember the first time you got to have the most wild sex with Wanda and think about how the chocolate her best friend gave her led to all of this. Natasha confessed to what she did in her maid of honor toast. You have it with you on your tenth wedding anniversary and show it to Wanda during the special dinner. She blushes as she remembers how things used to be before the two of you became parents. Although she still made enchanted candles, the Tommy and Billy were quite disruptive with nightmares and bedwetting. It made moments that the two of you wer alone long enough to have sex that much more special. 

“You still have this?” Wanda asks as she was looking for cash to pay the pizza guy for the twins fifteenth birthday party. 

“Babe, I will carry this in my wallet until the day I die,” you tell her and give her a sweet kiss before running the pizza boxes over to the insatiable teenagers. Wanda paid the man and smiled to herself as she admired her younger form. She kept herself quite fit and so did you, but she couldn’t help but think that some areas were tighter in the picture than they’ll ever be again. She puts it back into your wallet so that you can keep your promise and you do. 

The End.

#smut #wanda fanfic #wanda smut #wanda x reader #wanda x y/n #wanda x you #wanda maximoff x reader #wanda maximoff x you #wandusssyfantasy answers #wanda maximoff #wanda maximoff fanfiction #wanda maximoff x gender neutral reader #wanda maximoff fic

[russellsppttemplates]

Hi there, I hope you’re feeling better 🫶🏻🤍

I don’t know if you are taking requests but can you write a one shot where Charles is dating Y/N and she decides to do that tiktok prank where she serves a lot of food on his plate but only serves herself a little bit and she pretends there wasn’t enough food for the both of them? I think it would be hilarious, thank you!

Note: It hasn't been so bad, thank you for asking! Hopefully, you're good too! 🫶 until I say otherwise, my requests are always open and you can send things in anytime you want!

"Charles! Dinner is ready!", you called from the dining table, setting both bowls of pasta down. The one you set for Charles was as full as you could have it, piling the pasta shapes on it like an engineer.

"I'm here, I'm here", he called, encouraging Leo to walk with him and hop onto his bed by your feet, "did you forget your bowl, amour?", he asked once he saw the other bowl which was less than a fourth of the way full.

"Whose bowl do you think this is?", you chuckled.

"Leo's - although I think we should put some more chicken for him so it's not just pasta", Charles said as he was about to get up.

"Oh, that won't be able to happen - we have no more food", you blurted out, "and this my bowl - Leo already had his chicken while I was cooking this, didn't you, buddy?", you cooed, "eat your food, amour, it will get cold".

Charles didn't understand, "you're only eating that? Are you sick? Do you want me to make you something else?", he wondered.

"I thought we had more pasta than we needed, so I gave some to Leo - he thought it was delicious, by the way -, and when I noticed it, this was all we had left", you explained, "but it's fine, I'm not hungry anyway".

Now, the amount of pasta you'd have to have fed Leo to end up in this situation was far bigger than anything you could ever possibly do, so your boyfriend grew suspicious, "love, Leo's tummy is so tiny, he can't eat much, and I can share mine with you, I'm a good boyfriend like tha- oh! This is a prank, isn't it?", Charles groaned.

"I got the idea from Arthur - he sent it to me and said he would like to know what you did!", you hugged Charles, hands going around his neck and stroking his chest while you nuzzled your face on his neck.

"For a minute I was thinking the dog was going to explode - even though you're always the one making sure he's eating right!", Charles chuckled, kissing your hands.

(Thank you for sending this in ✨️)

#charles leclerc blurb #inês writes blurbs #f1 blurb #f1 x reader

[bluecollarmcandtf]

Cash Slave, reporting in...

Good morning, master. State Trooper Hernandez reporting!

I hope you're doing well since the last time we saw each other. Again, I can't apologize enough for pulling you over on the highway. I had no idea you were such an amazing hypnotist. Thank you again for letting me get off easy and only making me taze myself twice! I was paralyzed in that muddy ditch for awhile, but you could've given me a helluva worse punishment!

Your instructions aren't negotiable, so I made sure to snap a photo before I started my shift today. As you suggested, I've been eating a box of donuts every morning, and I've packed on a hefty 30 lbs since I've started. My wife has complained, but I know you want me to look more like a cliche of law enforcement!

I'll stop by your house to drop off my paycheck tonight after work. I won't forget to pick up some pizza for you and your friends on the way: extra sausage, just like you said!

See you tonight, master!

Hello sir.

It's been a week since you came into my shop, and I've followed everything you said. I didn't agree with it at first, but you convinced me with that little pendant.

You were right! I really am beneath powerful men like you. Filthy blue-collar workers aren't worthy to lick the dirt off your shoes. You were right to point that out, and you were right to tell me to embrace it. When the world looks at me, they shouldn't see a man. They should see a grease monkey at the bottom of society.

That's why I haven't showered or changed in seven days. My BO is uncomfortable to work in, but I know it's just a reminder of what I am. I used to be proud of my job. Ha! I used to look down on suits like you, but I'm nothing in comparison; just a tool at your disposal.

Anyways, I cleaned and waxed your old car as fast as I could. I know I lent you my convertible, but you're welcome to keep it. I put a lot of sweat and blood in fixing her up, but like you said, fancy cars are meant for you to drive and me to maintain.

Stop back in my garage anytime. White-collar men like you get free service here! It's not the place of any lowly laborer to get in the way of what you want.

Thank you again, sir.

Hello boss.

Just started another long day of window washing! It's another hot one, but I'll keep my head down and sweat through it like usual.

I've gotta say, it's days like this that make me miss the comforts of my old corporate desk job. I'd kill for some AC right now, but I remember how much you made me realize I hated that career. Like you said, I'm much better suited to a life of mindless cleaning.

It turns out you're the real one with a knack for business strategy because all of your advice has been genius! The income is dependent on the hours I put in, and since I'm working for half the price of all competitors, I've gotten a monopoly on the market! I've fully booked all seven days for the next five or so weeks, so I'll be washing windows non-stop!

The business is already booming! I've been billing customers to your bank account, so you should already see all the profit in there!

Later today, I'll make a note of the minimum I need to replenish the cleaning supplies I'm running through. I'd also be grateful if you loaned me a bit for personal use, but it's understandable if you can't spare any! We agreed that I wasn't working for a salary, and I'm fine with that! I've been sleeping in the company van the last few weeks and it's more than good enough for me!

Don't worry, boss. I'll get back to work!

Tell my wife hello for me, master!

Working on a rig has been isolating. The job is brutal, the days are long, and every night I head back to our bunks covered in oil. I thought I'd at least get to bond with the other guys, but most of us are too tired to do anything but eat and sleep after our shift.

The only thing that's getting me through it is thinking about you. I know I also have a girl at home, but you were the one that gave my life purpose. I was never going to make money as an actor, and you helped me see that! You were the one that convinced me to go for this ridiculous job in the middle of the ocean, and now I'm making a ton of money!

You deserve it all.

I wouldn't have seen any of this cash if I hadn't stuck around after your stage hypnosis show. I still remember the wild look in your eyes when you came up with this idea for me. I also remember that hungry look you had when you saw my wife. It was impossible to say no.

Oh, and thanks for keeping my wife company while I'm gone. A man like you deserves her attention more than I do. Like you said, I doubt I was pleasing her to begin with. The only thing I'm good for is earning money, and I hope you're enjoying it because it sure isn't easy to earn!

I gotta get back, but I wanted to let you know that I signed up for another six months like you suggested. It's lonely, but I'm happy to do it, master!

Son, or should I still call you 'sir'?

I'm not sure if I your new title applies through text as well? Being your dad and your servant can be a bit confusing, but I don't mean disrespect you! Just let me know.

My workout is done and I'm headed back to your house. I signed the deed over to you this morning, so you officially own it now! Like usual, I'll clean the place from top to bottom. I've got all the mops and cleaning supplies in my van and ready to go. Since it's Friday, I'll start on the weekly yard work; mowing, weeding, etc... I don't want to bore you with the details, but it'll take the majority of the day to keep your place in tip top shape!

As I understand it, you are having friends over tonight, so I'll prepare a three course meal for eight. I ironed my apron this morning so I should look like a more presentable waiter than last night when I served your food!

As always, please let me know if there's any other way I can be of service today or tonight.

I'll be awaiting your return, sir.

Hey little bro,

I just finished my workout at the gym with dad. We're both hitting PRs and we're really starting to see some results! Still can't believe you hypnotized his dumb ass to think he's your butler! That man looks so stupid changing from gym clothes into a bowtie and gloves. He's constantly calling you 'sir' too, even when you're not around.

He's such an idiot.

Anyways, I'm all dressed and ready for my new job. You were totally right. I'm going to be so much happier as a clown instead of a wrestler. I'm about to head out to my first gig; a ten year old's birthday party. I think he's the kid of someone I used to compete with. It might be a little awkward, but it won't affect my routine. I've got an afternoon of pies in the face and self-deprecating humor ahead of me.

I made sure to tell the guy who hired me that I'm willing to stay after and clean up. Kids make a huge mess after all. I just hope he won't be too weird about me being a clown at his son's party. We may have been rivals in the past, but that was back when I wrestled. Now I'm just a joke for hire. He's technically my boss for the day, so I'll have to get used to taking orders from him.

Wish me luck, bro. I'll give you the money after the dad dismisses me. Let's hope I make a good clown!

#mind control #gay hypnosis #hypno story #gay ai art #hypnotized #servant

[amurih]

Fuck it ima put it out anyway.

COTL AU where instead of staying in the cult Narinder leaves and builds his own little plot of land that becomes a rare occurrence you find while crusading through the different biomes post game.

Like it starts off when the lamb like spares Narinder and he’s like sent to the cult. And is in such a state of shock and bewilderment of what just happened that he doesn’t really know that the lamb is setting up their wedding until he’s at the alter. And he just SNAPS. To trade one prison for another? And to be stuck with the same being that not only took your crown, but your title as the god of death as your jailer? No thank you. Proceeds to walk out while the service is still going.

(I’m not the kind of person to think that he would be murdering or plotting to kill the lamb at every turn or possibly. No I would think that Narinder is smart enough to realize that he cannot fight the lamb in the condition that he is reduced to.)

Anyway, I want Narinder to experience life post-godhood by himself outside the cult. Maybe progressing over time you see how his plot of land develops into a pretty nice home for himself complete with a garden and an actual building/house. Not a hut, but an actual house.

All the while the lamb is going through it. It’s normal game play like one would post Narinder fight. Lore, upgrades, reviving the bishops, mystic seller, etc. All the while experiencing the highs and lows of ascension. I think the lamb would ask the other bishops once they get indoctrinated of how they went through their ascensions went. Only they would tell them that each went through theirs differently, so in the end it wasn’t really helpful.

So going through a process that you have no idea how to get through and the only person who does has fuck off into the land and hates your guts. Really fucking sucks man. So they try to “catch” Narinder while out crusading. Only they don’t find him physically, they find his place of residence while he is away.

I thought of a way to incorporate the quests that Narinder gives you when he is usually established in the cult. Could still be used: like there’s a book left on a table where you could peak in and see what’s going on with the cat that is currently away from his house.

“ I should head to Darkwoods and see if I can find more materials to build that fence and make more paper. Moving materials from one abandon home stead to this place has been challenging enough. My arms hurt after years of being bound to one position for so long...I wonder if camellias still bloom there now that Leshy is gone? If not I’ll have to develop a new alternative for this persistent strain and sharp pains I keep having. Got to get these walls up before it starts raining.”

“Bah! There’s not enough food at the last abandoned settlement let alone seeds. It’ll take long of a walk all the way to smuggler’s cove just to see if that sea louse got any thing. And it hasn’t been that long since the depletion of fish at pilgrim’s passage. I would have just stuck to what vegetables and berries I’ve got growing, but some animal or heratic keeps getting into my garden and stealing my food!when I find the person or thing that is stealing from me I’m going to make them into my fertilizer. In the meantime I should look into Anura and see if those foul mushrooms are still there. If I remember they are just as foul as Hecket when she would screamed about being hungry during dinner…Those should hold me over until I get this unwanted pest under control.”

“The wind and rain coming in through the holes on the side of the house that I use to see if any heretics come to kill me, has gotten too much. I’m tired of having to clean up the puddles of water that enters the home. And the curtains don’t do much in terms of trying to block both of these elements.That stupid squid Kallamar doesn’t need his crystals now that he’s gone. It didn’t help him when trying to hide from me. I’ll go to Anchordeep tomorrow and get some to make crystal windows. They sure would make it more beautiful than their temple…”

“Finally the loom is ready. It’s been a such a long time since I had decent robes. It’s easy to find cotton, but what I really want is a nice, soft, silk robe. One that doesn’t rub against these scars preferably. I miss the old one Shamura they made with their silk. But, that one got destroyed in the fight with that damn vessel. Maybe there is some in Silk Cradle. ”

(I’ll come back to this when I flesh it out more via work time daydreams)

#cotl #cotl lamb #colt narinder #cotl au #could also include: #narilamb #amurih talks #don’t really have a name for this #kinda thinking “Death’s House” #workshop it later #fuck it we ball

[wixenburr]

Saw some ppl talking about Reverse Robins and i had thoughts

Talking abt u guys @eldritchdreamss @brucewaynehater101

Why kill Tim when you could kill baby Jason? What I want is for all of them to keep their own backstories and personalities (Developed in line with the story of course) So ofc i had to write a 1,000 word brainrot abt it.

(Also i'll only be going over the main 4 batbros for now i will add more later but these guys are the ones im most passionate about so here we go)

Damian

Let Damian come in, desperate to be of use and be worthy of his father, only for a softer, less jaded bruce (since jason hasnt died yet) to help him open up his heart and let him act as a kid. With no competition for so long, I imagine he and Bruce get along very well while he works with him. Yeah, they need to work on the no killing deal and Damian's... i guess impulse control? But i think it would be easier with very intensely focused reparenting; no distractions of other kids you know? No favoring or anything.

I see Damian growing up as a stoic, jaded adult. He's had a rough life. Maybe he sticks with the vigilante business. but I really love headcanons where he gets out of it, and focuses on something calmer, like his art. (I do appreciate and love the veterinarian Damian AUs, but im going for FULL calmness, you know? And doctor/vet work is Not calm lol)

So yeah, maybe he grows a real passion for heroism, maybe he doesn't? Maybe he goes on to be an artist and that's just what he does. Bro is ready to settle down as a scarred, veteran trophy husband and i adore him for that.

(Sorry lol i just love Damian and i love the idea of him growing out of both of his parent's legacies. Let him live his own life!!! He fights so so hard for at least 15 years. ALL 15 years of his life. He deserves to have some peace.)

Tim

Tim i think would need a much different story to join the Batfam. He still starts out as a stalker who follows batman and. . . . . . . Redimar (meaning Redemption iykyk (I just spend 17min researching names rip)) at night, takes photos, etc... Since Damian doesn't die, maybe he finds Tim? and like, tim is like 11 and Damian is 17 or 18. He's started going out as Redimar less and less, not that B really minds? In fact hes probably happy for his son so...

But then Damian finds Tim, and now he has to keep going out because he can't let this kid get himself killed like this. He would hold himself accountable since hes the only reason Tim keeps going out so much- also i imagine Tim follows Redimar more than Batman.

Cue a classic Tim Joining The Batfam plotline. They get to know each other better, get a grasp on Tim's situation, Damian finally introduces Tim to Bruce... (Probably something like Dami: "Father, this is my new brother. Timothy, say hello to Father," Tim: "Hello, Father," Dami: "Perfect." Bruce: "*falls off the batchair*)

Anyway, so, Tim ends up kinda just merging with the Waynes. They start training him, its all good and nice, and Tim makes his own little hero team unlike Damian, which is actually pretty interesting here; its Tim who made the first young hero team. Damian only ever had Jon (Superboy 1 in this!!) and he finds Young Just Us and becomes a great leader and its all fine and dandy.

Tim and Damian get along well. Damian is the sage older brother whos kinda distant, but only because he has such high emotional walls (but secretly a softy). He is very much like Bruce- nope, nevermind, hes definitely worse than Bruce in this AU, since Bruce is depicted as being much more agreeable before Jason's death, you know? So yeah, Damian is the emotionally constipated bitch in the fam and we love him for that. But hey!! Tim does manage to get through his walls! And Bruce does sometimes too!! (Tho i imagine Bruce and Damian's relationship to be very.. idk let me try to expalain. Dami: "Father." Bruce: "Son :)" Dami: "Tt." Bruce: *nods* "Hrn." Dami: "Hmph." Bruce: "Hm.") DO U PICK UP WHAT IM PUTTING DOWN--- lmfao. They hardly need words.

Tim ends up growing up very very capable. Once his parents die, he gets a little jaded, but hes still Tim. He and Damian become kind of an... ice prince duo? If you get what I mean. But Tim is the one whos actually the ice prince, Damian is secretly a HUGE softie. He is Delicate and Tim protects him lmfao.

Jason

Jason comes along like he does in canon. Has the same backstory. Tries to steal the Batmobile's wheels. Tim is sleeping over at Damian's flat for the night, so its just Bruce. They bond. Shit happens. Jason joins the fam.

I don't imagine them not getting along, but they don't immediately hit it off either. Jason is wary of all of them for a time, but he ends up warming up to Damian pretty fast after realizing what a softie he is. He pokes fun at Damian and Damian just freaking takes it lmao. Hes an adult he cannot be disturbed. Bro has seen too much and he finds Jason adorable. (Dami: "You were never this cute, Timothy." <- he is lying. Tim: *offended* "What the fu- flip!?" Jason: "Lmao Tim just say fuck." Dami: *deadpan stare* Tim: "JASON NO DONT SAY THE FUCK WORD-") ahem.

anywho and then Jason dies rip skill issue ratio.

The whole batfam is heartbroken. Genuinely shattered. Jason was a light in their lives. Not that they were WITHOUT any light, but Jason was the epitome of a sunshine child.

It's been too long since Damian has killed someone. Bro's god oodles and oodles of trauma. He can't bring himself to kill the Joker.

but Tim can.

It's a whole dramatic thing; Damian feels awful that he made his- now only- little brother kill. Bruce is hella upset but feels responsible for not seeing how badly both of his kids were handling the death of their brother. Tim goes a little off the deep end.

Things turn out.... okay. sort of. but not really. Tim changes his hero name to Red Cardinal. He feels pretty lost. Maybe he stumbles into Ra's al Ghul or smthn idk maybe smthn happens there perhaps. Maybe Damian has to put on Redimar again and rescue him? But its less of a rescue and more of a "Stop joining the dark side Tim jesus christ-" (and it does work).

They go home. Tim gets a boyfriend or two. Damian falls into his art. Bruce is throwing himself into work. They're all kind of a mess, but they keep moving.

and then

Dick

(lmao that sounded wrong)

ahem; and then the circus comes to town. The batfam- well, Tim, Damian, and Bruce- all decide to get together to do something fun. Take the opportunities given, yk? So they go to the circus together.

Wham bam rip the falling Flying Graysons.

They see Dick, breaking apart, and they know they have to do something. Bruce is the first to move. Then Tim. Damian is the last.

It's pretty quick getting Dick home, since Bruce is already a foster parent cuz of Tim yk. So Dick doesn't have to suffer in Juvie at all really. But that doesn't change the fact that he is ANGRY.

Dick is SO angry. he wants to kill the person who murdered his parents. He knows what he saw.

The fam of course do their best to investigate. Mostly Tim, who feels unworthy of being around an innocent little kid after his whole.... villain era, i suppose lol. (ofc Dick thinks Tim doesnt like him lol misunderstanding arc GO)

The whole "Dick accepts that justice is better than murder kinda maybe FOR NOW" storyline happens, and Dick becomes the conniving, bright, little Robin we all know and love. (Thinking of the Young Justice Cartoon Robin (but not the characters- just Dick's character) aaaand

Womp womp GUESS WHOS BACK

Jason's Back

but i'll leave that for later.

#my writing #personal #batfam #reverse robins #batman #damian wayne #jason todd #tim drake #bruce wayne #dick grayson #batbros #batkids #batfam fanfic

[scintillyyy]

can i say something. i am kind of scared to say something bc dick ship wars kind of scare me even though i have absolutely no preference and care extremely little about dick ships. but. hm. the thinking about 80s and 90s medias as products of their time got me thinking a bit.

so. the interesting thing to me about dick-kory in the 70s and 80s vs dick-babs in the 90s and early 00s os how much each of those couples was entrenched in the media ideals of the time and what people were looking for in a ship.

so like, if you look at dick-kory, theirs is a larger than life love that is destined from the moment she kissed him to learn human language. and theirs is a dynamic and relationship dripping in the popular soap opera tropes that were very pervasive a the time. you can't actually divorce their tribulations (dick being kind of condescending to kory as the Man of the relationship, she's a princess who has to get married for political reasons and dick gets mad, kory gets mad at him for supposedly cheating when he was raped by mirage, the epic wedding that gets literally blown up by raven to name a few) from the media norms that were very popular. they fight passionately and make up passionately very frequently. this is a very common dynamic in the 80s, where soap operas were topping the charts. everyone was watching general hospital. *30 million* people tuned in to see luke and laura get married and their relationship started with him raping her (which was later turned into "seduction") and they were considered like THE couple ever. everyone was watching dynasty. dallas was hugely popular. falcon crest. knots landing. dick and kory's relationship mirrors a lot of what people were eating up back then in the soap opera type media the new titans was emulating. luke and laura. gary and valene. bo and hope. bobby and pam. dick and kory. can you really talk about dick and kory if you don't know what was going on with "bope" back then? for reference, here's what was going on with bo and hope:

anyways. enter the 90s and the soap opera fervor died down in a massive way. soap operas were no longer prime time material and their popularity died down in a massive way & actually people started more making fun of the overwrought storylines and soaps in general. the ideas of destined, one true love was suddenly far more unappealing to people who thought it was cheesy & tired. what people in the 90s were looking for was not true love that is constantly tested and put through the wringer--what was gaining in popularity was UST and will they won't they dynamics. enter dick-babs. and while i wholly disagree with the idea of diminishing kory's importance in dick's life just to uplift babs, i don't entirely disagree with the notion that kory probably wouldn't have really worked in batbooks, so i understand why batbooks wanted to focus on a loveline for dick for a character they had full control of and could work into the stories. and, hm. moving dick away from the destined one true love at the time that was kory allowed them to put him in the romantic situations that 90s audiences were vibing with instead. because you can't suddenly do a will they won't they with a couple who's been solidly dating for *years*. so with dick and babs you're able to do that. he's interested while she's dating someone else. he flirts with someone else for a bit while she's single. while the entire time they're still good working partners while circling around each other. will they? or won't they? and this was super common in late 90s/early 00s sitcom shows that people loved and were at the top of the charts. the x-files with scully and mulder. friends with rachel and ross. fran and mr. sheffield from the nanny. it's still very much playing to what people wanted to see back then.

anyways as someone who truly has no horse in this race i do think media norms of the time around couplings are interesting to dissect.

#anyways i think you can make similar comparisons to bruce-talia and bruce-selina #in that o'neil had created talia as this grand epic love for bruce #in the 80s but under his editorial directorship in the 90s there was still a move away from bruce-talia to instead focus more #on the more flirty bruce-selina dynamic in accordance with what the viewers at home wanted #anyways. just some thoughts of mine. #i do think there is a push in media once again towards the romanticism of destined lovers

[crispycreambacon]

Ending April with a small parting gift. I’m gonna miss this.

Anyways, an announcement of my own.

The short of it

I’m leaving the Watcher fandom. Don’t worry, I won’t be unfollowing anyone, but I will be ceasing the creation of art for Watcher and interaction with the community at large. Thank you all for this short but meaningful ride. Feel free to unfollow me if you were here for Watcher art, and for those who stick around…

Thank you :]

I hope to not disappoint with this new era of mine.

The long of it

It’s been a couple of days since a certain channel dropped an announcement that imploded its fandom. It was… a mess. A lot—and I mean a lot—of us didn’t handle the news well, and we made that known to everyone. The impact was so massive that YouTubers, who are nowhere near the niche that Watcher operates under, covered the situation, and some of them explained very well why the decision went over so poorly. Meanwhile some of them made fun of the situation, and some were just there for the clicks, but that’s the cycle of YouTube drama for you.

With the amount of ears waiting for even a peep out of their mouths, Watcher couldn’t ignore the backlash any longer and released an apology video three days after the announcement. By all accounts, it was a pretty good response. The reception was mixed, but it was definitely more well-received than their first video, and they actually listened to their fans who gave them valid criticism over the sudden shift to a streaming service.

However…

For as much as I appreciate their response, I still can’t find it in myself to continue following Watcher. I really mean it when I say this disaster soured any enjoyment I had for them. I don’t think I’ll ever be able to watch them again for a long time without thinking about this situation or remembering the people they have hurt, even if unintentionally, through their poor execution of a business decision.

Do I believe they could’ve pulled off moving their content to a streaming service? Absolutely. However, so many factors doomed this decision and their announcement from the start from them believing that $5.99/month was “affordable to everyone” (seriously?) to them insisting that this was for the fans even though the fans have vocalized that they were never there for the high production value. They were there because the three guys who run Watcher were enjoyable!

I feel like if they had been honest about the fact that the TV quality they are aiming for was more for themselves than anyone–hell, it’s the mission statement in their About page, and, I don’t know, considered the idea that $6 is not cheap, especially for international fans, people wouldn’t have gotten so angry at them. Now, there are still numerous issues plaguing this business model, but to go through all of the arguments would require a separate post, and I’ve already expended too much energy on this situation. Needless to say, Watcher has burnt their bridges, and it will take a while before they can build them back up again, let alone get people to trust them enough to cross them.

On the other hand, I can’t blame Watcher fully for my departure. Despite my heavy disagreement with their initial decision, I understand why they thought this decision was a good idea in the first place as YouTube is a very unstable career path, and it would rather hurt its creators with its relentless demonetization, censorship and restrictive guidelines than give up just a tiny amount of its profit. Besides, they’re in control of their content, and they could do what they want with it even if their fans disagreed with them.

Speaking of the fans, my god. The situation revealed a side of the fandom that I never thought I would see, but in hindsight, I should have seen it coming. To see fans resort to anti-Asian racism and death threats so quickly was extremely heartbreaking, and as an Asian person, it made me feel very unsafe and unwelcome in the community.

Moreover, using Steven as a scapegoat to absolve Ryan and Shane of any wrongdoing was unfortunately a very common response. Yes, he is the CEO, and yes, his series being centered on traveling and eating expensive food really doesn’t paint him in a positive light, but need I remind you that RYAN AND SHANE ARE GROWN ADULTS. They’re the founders of Watcher, and they both have to agree to the initial plan for it to be implemented. You can’t assume that Steven was a boogeyman terrorizing your precious little boys just based on a 15-minute video. You don’t know what’s going on behind the scenes.

All of this to say that the initial announcement combined with how the community reacted violently to the announcement really nipped my interest in Watcher in the bud. It was a shame too because I really did love Watcher, and I still do. Had it not been for the time I invested in following them, I wouldn’t have made great friends, regained the joy in creating art–even reviving a hobby/skill that I assumed was long dead, and had a reason to be able to laugh or smile even in terrible days. I truly am grateful for Watcher, and I do not regret ever getting into them at all. However, I think it’s time for me to go.

Thank you all for this weird and wonderful ride, but at some point, you’ll have to hop off. I just didn’t expect to hop off it so soon.

#Back to hiatus I go (for real this time) I’ll see y’all in 3 weeks 🫡 #I’m more sad than anything #But alas we move forward #Thank you everyone #It was fun while it lasted #the professor #puppet history #watcher #watcher entertainment #we are watcher #art #chris p fried art #chris p fried rambles

[weneeya]

comforting nanami after a long day ??

Angst to fluff ofc, he starts being dry over text and accidentally ignores u at home but then realizes and apologizes and we comfort him <3

Some peaceful time

hurt to comfort with Nanami

YES omg I love this idea as much as I love nanami himself, thank you for this!! feel free to request :)

Nanami Kento wasn’t the type to do anything that could hurt you. In fact, he was always really careful about it because he loved you so much ; doing anything bad to you was probably the worst thing for him. But today was complicated. 

He had a difficult day, a way too long one which seemed to never come to an end. You tried to text him, because you started to worry as he was usually never this late. Except that you didn’t think he would be this harsh to you. His messages were dry, more than they have ever been to you. It was almost like you were annoying him. 

You decided to wait until he came home, so you could understand what was happening. But when he finally came back, he didn’t even glance in your direction. You stood up to welcome him, but your husband simply made his way to the kitchen without caring about your presence. It hurt, you had to admit it. He never treated you this way and you thought that you did something wrong. 

You decided to leave him alone, not wanting to be more of a burden than you already seemed to be to him. You joined the living room again, sitting on the couch and taking back the book you were previously reading. Maybe it would help you think about something else. 

As Kento was drinking the coffee he just made, as it would be a good idea, a long sigh left his lips. He turned around to say something, before he noticed that you were gone. This is when he realized what he had done since he came home. He closed his eyes, another sigh leaving his lips. He massaged his temple for a moment, before he came back to the living room. 

He simply walked towards you, before kneeling in front of you. You put your book on the side, a slight frown over your face. What was he doing exactly? Nanami took the book from your hands, putting it on the table behind him. Then, he took your hand between his and left a kiss on top of it. You finally met his gaze, and you could see how tired he seemed to be. 

“I’m sorry my love, I shouldn’t have acted this way with you. Forgive me, please,” he said, and you didn’t give him the time to say anything more. You made him stand up, and guided him to sit next to you on the couch. Kento let you do it, as he didn’t have the strength to disagree anyway. 

In no time, he was now laying down on the couch, with his head on your thighs. Your fingers were slowly running through his hair, and he had his eyes closed. He could almost be falling asleep right now. Nobody was able to ease his heart and his mind as much as you could do it. 

“How about you take a few days off? You need it, Kento,” you started, and he simply hummed as an answer. You were probably right, he really needed those days to take some time. Not only for himself, but also for you. You deserved to be treated better, and he was ready to spend his days off only by taking care of you. You were the best thing that ever happened in his life.

as I always say, here's the best husband anyone could dream of <3 thank you for reading!!

#nanami kento #jjk nanami #nanami x reader #nanami headcanons #nanami hcs #jujutsu kaisen #jujutsu kaisen headcanons #jujutsu kaisen hcs #jujutsu kaisen x reader #jjk #jjk headcanons #jjk hcs #jjk x reader

[mrsparrasblog]

Advice from Price

Sometimes it feels strange, but as a writer, it's like the characters you create live in your mind - rent free, and you sense them judging you every move. "Why are you not writing my happy end, babe?" - Kyle. Let's just overlook my midnight thoughts for now. I promise I'll be fully focused next week- finishing the Makarov fic and my requests, but these days have been quite shitty. I had my first final exam today, tomorrow is the state Championship of my Apprenticeship, and I'm having numerous interviews for an exchange year. Anyway, enough rambling.

At times, I think about Price and the advice he shares with me throughout the day- always sitting like an Cartoon Angel on top of my shoulders. I thought maybe I'd share them with you, in case you need advice from Price too :)

If this fic isn't your cup of tea just ignore it I clearly made it for myself and don't want to be judged lol:(

----------------------------------------------------------

Overcoming Perfectionism

You: "What if I don't win? What if I'm not the best? What if my grades slip?"

Price: "You're one of the smartest and most capable women I know, if not the smartest and most capable. You've worked hard for those grades, and I'm confident you'll ace whatever test comes your way. But let's entertain the idea that you don't. It wouldn't change how I feel about you one bit. You're already my best girl. You don’t have to be perfect to earn my love, Darling."

You: "Sometimes I feel like if I don't have good grades, I lose the only special part about me. Having good grades is the only thing I can do, and if I fail that, I'll just be ordinary."

Price: (He would sigh at your words, acknowledging your fears even if they aren’t logical to him) "Darling, you're so much more than just your grades. You have a bright personality, you're sweet, kind, and beautiful. No matter what happens, you'll always be special and extraordinary. There's not one thing in the world that could make you ordinary to me."

------------------------------------------------------------

Gaining Weight

You: "John, love, I gained weight again," you sighed, looking at your body in the mirror. Of course, you were incredibly beautiful, but sometimes the monsters in your head just didn’t want to shut up.

Price: "Where's the problem?"

You: "You don’t mind?"

Price: He would smile warmly at you, his smile like in the campaign you know what I mean "No, you're already perfect just the way you are. That slight extra meat on your bones makes you even cuter, besides, there's even more of you for me to love and manhandle." He would make you laugh, letting you forget all your concerns.

Needless to say, he showed you just how much he didn’t mind your body. All night.

#cod #cod mw2 #cod mwii #cod x reader #call of duty #tf 141 #john price #captain john price #captain price mw2 #captain price #price x reader #price #141 #cod fic #captain johnathan price

[johnslittlespoon]

leaving bikeriders anon here again i’m going crazy over the back and forth constant neither of them saying anything out of nervousness of it all like of COURSE it would take them forever to actually get together there would have to be an honest to god crisis a completely off-kilter situation for them to get together they’re so bad at communicating. also have not been able to get the thought of them running into each other by chance at a bar across town and even though bucky showed up with people he just ends up at a table in the corner with gale the whole night. gale jokingly asks if john is even old enough to drink which turns into a whole thing where john suddenly has to prove to gale that he CAN drink and he IS old enough and is Definitely Worthy of gale’s attention. anyways!

HIII i'm still ON one about this too dw

exactly my goddd the back and forth would be physically painful to write/read honestly lol the flirtation and the sexual tension!!

ur so right smth absolutely wild would have to happen, or one of them would have to slip up, or there'd have to be an argument where feelings are blurted out in anger/hurt, orrrr, in relation to your idea at the end which i'm going clinically insane over bee tee dubs:

john is so offended by the insinuation that he's too young to drink even if gale's joking, made worse probably by gale throwing in a kid– "you old enough to be in here, kid?" with the corner of his mouth quirking up a bit.

john puffs his chest out and tries not to let the one beer he's had slur his words, goes "'course i am" all huffy, rolls his eyes, reaches for gale's full shot glass while holding determined eye contact and tips it back without a second thought, really has to clench his fist in his lap for a second when it threatens to come right back up, not used to anything quite so harsh.

it's not gale's intention to egg him on like that, john's just bristly, a messy college kid used to bulldozing his way through life, never turning down a bet or challenge, has maybe been watching a pretty girl hang off gale's other side on top of everything and wants to prove that he can be exciting and mature too.

john ends up drinking too much, taking whatever shots the others in gale's group pass him for their entertainment until gale shuts the next person who tries down with a pointed glare, slides the shot glass away before john can reach for it, says "alright, we're cutting you off" when john whines out a complaint, leaning heavily against gale's side.

the night ends with gale helping john out of the bar because john's friends leave long before he does. he gets john out to the parking lot out front, gets him situated on the back of his motorcycle, keeps a hand on his shoulder and asks where home is, and john's like, "oh, no, can't go home like this buck, dad'll gimme a shiner" and gale's jaw clenches hard, but it's not the time to get angry.

he's at a loss, because he's not gonna bring john home to an environment he's had a faint suspicion isn't the greatest since they met (however that might have been, that's shit for me to plot out later lol) but bringing him to his house seems like a bad idea, but he's also not sure what to do and john's friends don't seem the greatest to just leave him with a borderline stranger. so what else is there to do?

"am i gonna have to tie you to me, or are you gonna hold on tight?" he asks as he climbs on the bike in front of john, and john giggles out a "y'can tie me to wh'tever y'want," filter completely gone from how sloshed he is, and gale looks to the sky and says a silent prayer because jesus fucking christ. what.

i'm like 99% certain that alcohol would be involved in a feelings confession, probably that night when it slips out from john's lips, so drunk he doesn't even realize it. nothing would happen that night, because gale's trying to be a responsible adult and he wants to make sure john's not just saying shit, but he's also quite forward, so he'd bring it up in the morning after he's brought john a water and some painkillers, and john would go so red and he'd drop his head into his hands and whisper an "oh my god" because he can't believe he's slipped up so bad.

and then yk. feelings–talk ensues. john is so mortified, he wants to die. gale is so enamoured but trying to be realistic about things. etc etc i'll flesh it all out eventually when it's time to start writing it >:)

#leaving bikeriders au #<- for other posts set in this au/future fic <3 #i already know this au is gonna be stuck in my brain for a while #i'm not gonna be able to shake it loose till i finish the dog fic and then get to writing this one lol #buck x bucky #buckbucky #johnslittlespoon asks #johnslittlespoon brainrot

[aihoshiino]

chapter 147 thoughts

you guys ever hear the tale of the monkey's paw. grants your wish but you suffer dire consequences as a result? just felt relevant to this chapter for some reason. anyway.

Chapters Since The 143 Kiss Happened And Went Completely Unacknowledged And Unaddressed Count: 4

I'm gonna be up front and say that while I really wanted to like this chapter and it has the bones of interesting ideas, so many of the existing issues with the Movie Arc just bring it crashing back down. I probably dislike it more than I necessarily should because knowing that this definitely is the end and seeing concretely in hindsight just how much time was wasted and how much excellent material has been squandered or flat out skipped over entirely just makes me want to put my head through a brick wall. And it just sucks because, like… man, I don't want to dislike Oshi no Ko! I really don't enjoy feeling like I'm just putting negativity out each chapter because when the story hits, it hits so fucking good!! The Movie Arc has been clunky but it's had some truly breathtaking individual moments and character beats that make me remember why I fell in love with the series so deeply but then chapters like this come along and I wonder why I'm even bothering to keep reading.

anyway. Anyway.

To my genuine shock and surprise, the RBHK conversation happens entirely onscreen and isn't needlessly dragged out which I will take as a W at this point. What is less of a W is how just… underwhelming this ended up being? This is Hikaru's first meeting (that we know of) with the child he fathered and then essentially orphaned… at least as far as Ruby is concerned. So her total lack of reaction to him is baffling. The question currently seems to be whether Ruby is only pretending not to recognize him in order to try and pry the answer she's looking for out of him or whether Akasaka really, genuinely wants me to believe that Ruby does not recognize her father, when Akane recognized him on sight, he looks identical to her twin brother she spent 18 years growing up with and she is in the middle of MAKING A MOVIE THAT STARS HIM. If the latter is the intent then all I can say is that I feel genuinely fucking insulted on Ruby's behalf at her being dumbed down this badly and for myself as a reader that Akasaka thinks I'm stupid enough to buy this. So I am very much hoping it's the former.

The talk they go onto have is also………………………….. man. I want to like it. I really want to pull it apart and analyze it because it is fascinating. It's a really important look into Ruby's feelings and I even myself said this was something I really wanted to see Ruby dealing with - being faced with the realization that the person who killed her mother isn't some ephemeral faceless force of uncomplicated evil, but a fucked up human being who was hurt and suffering and who faced horrific and monstrous abuse just like Ai did. The idea of Ruby wrestling with her conflicting feelings of empathy and resentment, similar to Kana trying to reconcile her lingering hurt with her love for Ruby as her friend, is super compelling.

But like… she didn't! Akasaka having Ruby look into the camera and having her say "uhhh i was totally having all these deep and complicated feelings this whole time trust me bro" is the first we have heard Ruby struggle with literally any of this. It's yet another example of what I've been saying this whole time of Akasaka both lacking enough respect for Ruby to seriously interrogate her as a character and rushing her to the endpoint of what should have been long term characterization in lieu of showing us the work it takes to get there. Rather than organically weaving any of this into the prior story and letting us actually see Ruby work through this, she just starts awkwardly monologing about it to a conveniently placed guy who is, depending on your interpretation of the chapter, either some rando with an umbrella or the guy she's pretty sure killed her mom.

There is no reason her struggling to reconcile these contrasting feelings of resentment and empathy couldn't have been explored as the movie was being filmed. There were countless opportunities for this to have come up while the movie was filming the scenes dealing with Hikaru's abuse - we even get this set up in 139 during the filming of their first meeting but it gets derailed by a dumb brocon joke because I guess that was more important to spend pagetime on than the arc Akasaka is trying to suddenly pretend Ruby was having.

And it's not like it even matters! Unless the next arc is also going to be about 15 Year Lie where we interrogate the content of the movie not shown to us, Ruby's struggle here comes to nothing. That overhanging question of "Will Ai('s actress) forgive her killer or not?" is cut short and goes unanswered. So what was the point of this?

I also just really can't get my head around this continued thread of Ruby wanting to be an idol who 'surpasses' Ai. I had a whole rant about it here I ended up deleting lol but the long and the short of it is it feels entirely incongruous with the series' broader portrayal and Ruby's own attitude about chasing Ai's light and what being an idol did to Ai but at this point I've given up.

The exchange with Kamiki that follows is like, the one part of this chapter I think is just uncomplicatedly interesting and worth interrogation. He actually gives Ruby a lot of genuinely good advice here - that she can only find an answer to that question by interrogating it herself and an answer from someone else won't solve the issue. Does she actually want suffering and revenge? Are those really at the core of who she is as a person?

The framing here is obviously and overtly sinister and suspicious and we're pretty clearly supposed to think he was about to shove Ruby down the stairs, but a few things jumped out to me. The first is that if you pay attention to the backgrounds, they seem to have actually already been close to if not at ground level by the time Akane caught up to them, so… what exactly was a push from that height going to do if he did, in fact, push her?

Not only that but uh… holy shit! His white hoshigan!!!!

Like, am I misremembering, or is this not the one and only time we have ever seen adult Hikaru - maybe even the real Hikaru full stop - without black hoshigans??? Given what we've seen of him so far and how the black hoshigans have been used as a symbol, if he really was about to kill Ruby… where did THAT come from?

Added together with the deeply sympathetic portrayal of his younger self in the movie, it continues to raise a lot of questions for me as to exactly what we're supposed to be thinking of Hikaru and how we're supposed to feel about him that I am finding very compelling. ambiguity enjoyers when the

NINO IS HERE!!!! MISS NINO I'M FREE THURSDAY NIGHT IF YOU WOULD LIKE TO HANG OUT

Joking aside, I'm really glad Nino is here because it implies her whatever the fuck is going on situationship with Kamiki is going to continue into the final arc(s?) of the series and that we'll get to see more of her as a result. Nino's been one of my favourite OnK characters since I first read 45510 so any more content of her in the main story is a treat.

Kamiki's words about the movie killing him via public opinion also lines up with what I was expecting to happen more or less… I'm curious to see how this is all going to play out and what this means for Aqua given that, if last chapter is anything to go by, he's still very much struggling with suicidal ideation. can someone PLEASE give my son a bone crushing hug.

akane stalking kamiki is up there as one of the funniest things ever in this manga btw. what is wrong w her <3

This is unfortunately where me having nice things to say about this chapter ends because the chapter - and therefore the Movie Arc as a whole - ends with this transparently rushed sequence absolutely mach speech blasting through the remaining material of the movie in one and a half's pages worth of silent single panels. Honestly, I really can't properly articulate how mad and frustrated I am about this lmao. It really just feels like Akasaka admitting to the reader that he's stopped giving a shit about what the movie was supposed to be about. The HKAI breakup that was given a huge amount of setup and weight at the start of filming? Ai's pregnancy? AI'S DEATH???? It's all skipped over and brushed aside as if it never mattered in the first place. Never mind any of the interesting characterization we could've gotten out of it. Never mind that the Movie Arc was promised to be about Ai and untangling her past. Never fucking mind Ruby having literally any interiority about having to act out the death of her beloved mother and reliving the event that destroyed her and her brother's lives. If Akasaka doesn't care, why should I?

It feels like a slap in the face for getting invested in the story's promises and trying to engage with it. But of course, I'm going to be back like a clown doing just that when the next chapter drops anyway.

at least we're finally moving on to a new arc but by god. at what fucking cost.

break next week……………………………………………..

#oshi no ko #oshi no posting #onk spoilers #chapter reviews

[aita-blorbos]

AITA for.... losing my rival his job? Feeding a homeless person? Inadvertently hiring a hitman? I don't even know anymore.

So a little while ago I started up a pizza shop. Typical, I know, but I just really believe in the wonder of pizza and what it can do for people. There was a rival pizza shop across the street, which made things a bit difficult, but I could get by.

Anyway, a few nights in, this guy comes in right before closing time. He's looking pretty bedraggled, obviously he hasn't got much to his name, and he asks me if I have anything left over from the day I wouldn't mind giving him. I didn't, but I'd had a pretty profitable day, so I made him a pizza and gave it to him for free. He thanked me profusely and left, and I thought that was the end of it.

The guy came back a few times. Not incredibly often, but it was a semi-regular occurrence. Every time, he'd ask me if I had anything for him, and I was continuing to get incredible profits, so every time I would say yes and go make him a pizza. Good pizza, too, not just like, cheese. I was putting mushrooms and sausage and stuff on it, I wanted him to have some substance.

For a while, nothing really notable happened. The guy kept coming in sometimes, and I kept giving him pizza. After a while, he seemed to feel we were buddies, which I figured was fair, seeing as I was repeatedly feeding him for free without asking me anything in return.

But then he starts acting a bit weird. More confident, I suppose. A bit less like a hungry guy just looking for food to make it through the day. But I kept giving him pizza, even though there was a broadcast on the news that someone had tried to feed pizza to the bears at the zoo and I (only briefly, at the time) suspected it was him, because I wasn't about to just let some guy go hungry because I thought he was acting kinda funny.

Then one day, he comes in acting REALLY odd. I was rather off-put, but I made him a pizza anyway, figuring it to be an isolated incident. Honestly, I thought he was just getting to be in a financially better place, but didn't want to stop getting the free pizza. I resolved that if he came in acting like that again, I would cut him off. But I make him a pizza, and I give it to him, but instead of thanking me like he's been doing he tells me I won't regret it. Which strikes me as weird, but he's already out the door, so I can't really do anything about it.

The next morning, I go to work, clock in, and look out the window at my rival's pizza shop. Remember that guy? Yeah. His entire pizza place was swarming with bears.

I had no idea how to process this, but before I could, my rival comes in and tells me that he doesn't know how I did it, but I win, and then he just leaves. And THEN the homeless guy I've been feeding comes in and says he made it so my pizza shop was the best on the block. And then he leaves. So I'm at least 99% sure that guy somehow released a bunch of bears into my rival's pizza shop because he wanted to repay me for giving him food.

I don't even know what to do in this situation. I feel kinda bad for my rival. I mean, don't get me wrong, he was a bit of a jerk, but he was kinda just a guy, y'know? I genuinely did not expect for anyone to release BEARS into his shop because they perceived me as a friend.

He ended up signing the shop over to the bears, who are now friends with the guy I was giving free pizza, who gave me a cut of the profits, and I think they made a pizza cult in the old building or something? I don't know. I didn't expect any of this to happen. Am I at fault for it, seeing as I ignored all those warning flags?

#aita #am i the asshole #unreality #cult mention

[little-emerald-snake]

I come bearing another potential "sequel" idea. Obviously you don't have to write this. I randomly thought back to the "Sebastian with a reverse PA" story and, well...

Let's say f!MC decides she wants to return the favor, in a way. She decides to get a piercing of her own that can help stimulate them both. My mind says either a tongue piercing or a fourchette piercing, but that's completely up to you if you decide you like this idea 🤭

Anyways, she gets it and it becomes so hard not to ruin the surprise and she's holding off because it's still healing. She has to keep coming up with excuses for why they can't (too tired, have to study, etc). Both Seb and MC are sexually frustrated so by the time she feels it's healed enough, it's feral while also trying to be careful with both piercings.

(I'm just realizing how both my requests have a bit of a theme to them. Don't know what that says about me 🤣 Anyways, much love 💜)

Piercings pt3 - Sebastian Sallow X F!MC

🔥 NSFW 🔞 MDNI

My lovely cyan1de, your brain is absolutely filthy and I love it 🫶🏻. I’ve taken your inspo but I changed the piercing to something with a little less heal time for the stories sake. Hope you like it anyway 💕. Thank you as always for the requests!

Warnings: descriptions of healing piercing, please have mercy and if you get a ‘spicy’ piercing let it heal fully/follow aftercare instructions so you don’t get an infection, modern college a/u, unprotected p-in-v, oral f receiving, mattress fucking?

2k words

Things had been incredible between them. While they had no label per say, they very much went on dates, spent the night with each other and hooked up fairly regularly.

She knew his birthday was only a few weeks away and while he swore he only wanted to spend the day with her and refused gift ideas, she had a fun little idea that had manifested after a saucy conversation or two about piercings.

After talking plenty about his she’d decided to ask what he’d think if a partner were to get one. He chuckled and gave her a wild playful look, hair messy from the combination of sweat and her fingers carding through it. “Wouldn’t mind it. What? You thinking about getting one?”

She’d only shrugged playfully, pretending to mull it over. She couldn’t deny the fact that she had in fact been thinking about getting a piercing ever since their first encounter. “Well if you do decide you want one-“ he paused to wiggle his brows and glanced at her bare chest “or two…I think it would be hot. But don’t feel like you need one just because I got one.”

She’d of course done her research of healing and pain and decided her top contender was a VCH piercing. Between the benefits, healing time, and the aesthetics of it she decided that would be the piercing she got.

Her roommate had agreed to go with her and hold her hand while she got it done, all kinds of on board for her and Sebastian since she seemed to be really happy since they’d started hooking up.

Thankfully the piercing wasn’t too painful, a big pinch and a bit of soreness but nothing she couldn’t handle. Her roommate had been hysterically laughing since she’d gotten home to look at it and her first words uttered were “She’s so pretty!”.

The next day Sebastian had tried to come over between classes for a bit of midday fun. But she’d quickly made the excuse that she was really tired and needed a nap. She’d also carefully evaded going back to his after a coffee date by saying she had to do some extra studying.

Luckily she’d been able to just get away with a good blowjob for him on the couch during their movie night at his place later in the week. He’d started to get a little suspicious after about two weeks of evaded sexual encounters or only blowjobs. “You know you can talk to me right? Like if something is wrong…is something wrong?”

She quickly waved him off just saying she’s been having some hormone changes which have made her tired and have a lower libido. In all honesty she was having an incredibly hard time telling him no, but she was almost halfway through the recovery and was determined to surprise him with her new piercing. “Love, is this because of your period?” He’d said while nipping the spot just below her ear, grinding against her thigh. “You know I don’t mind a bit of blood, I’ll still take good care of her. I promise.”

She of course already knew this since they’d already had period sex and he hadn’t been deterred in the slightest. Of course he’d been all too accommodating of her surge of desires during her ovulating week though.

He whispered incredibly sweet things and treated her like a princess but they definitely were a very sexually active couple. So when his hands began to wander when she stayed the night just a few days into her third week of healing she was losing her battle.

He whispered raunchy filth into her ear, rubbing and grinding against her inner thigh and moving closer to her crotch. One intense drag against her had her wincing and her mouth falling open.

Sebastian immediately stopped, cupping her face in his palms. “What’s wrong, love? Did I hurt you? Are you okay?”

She finally broke down, just three days before his birthday she felt like it was unavoidable at this point. She flashed a shy smile, looking up at him cheekily. “So you know how I talked to you about getting a piercing right?”

Sebastian’s lust lidded eyes popped and she swore she saw them sparkle. “You didn’t.” He looked down between them as if he’d see it through her clothes. He looked back up with wide eyes. “Holy shit…what did you get pierced?”

She laughed and rolled him off of her, carefully shimmying out of her pajama shorts and spreading her legs for him. “Surprise! Happy Birthday.”

His eyes darkened and he looked up, licking his lips. “Gods I’ve missed your pussy…and now she’s all pretty for me. God you know you didn’t have to do that.”

She smiled, blushing as he looked back down in awe. “I wanted it. It wasn’t just for you, promise. What do you think?”

He licked his lips again and she practically moaned from the look on his face. “How long till it’s healed?”

She bit into her bottom lip nervously. “Healing time is 4-8 weeks and it’s been 3 weeks and 4 days.”

His eyes widened. “You got it to be healed perfectly on my birthday…” he crawled up the side of her body, holding her neck carefully in his palm and he whispered against her lips. “Naughty girl.”

He kissed her deeply, tasting her and groaning into their kiss. She could feel his arousal against her thigh and it had her moaning into his kiss. He pulled back, eyes dark and lusty. “You can’t make those sounds, not when I still need to let that pretty little pussy heal up baby.”

She practically whined against his lips. The soreness had long since disappeared and she knew if she kept things clean that it would likely be fine for them to fool around a bit. She pushed at him till he was shoved out of bed and standing beside it, confused. “You’ve showered, right?”

He nodded, a confused tilt of his chin as she waved him towards the bathroom. His gray shorts doing very little to cover all the freckles littering his skin or the bulging mass thickening between his legs. “Go wash your hands then come back to bed.”

His eyes bulged and he hurried to the bathroom. He came back quickly, sliding into bed with her. She could smell his hand soap and smiled up at him as he crowded over her. “What are you comfortable doing? I don’t want to hurt you.”

She reached between them, palming his erection through the sweatpants he wore and hummed softly with approval. “I need this tonight, that is, if you’ll give it to me.”

He ground against her hand, leaning down to nuzzle into her neck and inhale her scent. He groaned, rolling his hips harder before frustration pulled somewhere inside him and he reached down to free his aching cock. It sprung free, cool air kissing his swollen leaking tip, silver barbell glinting in the low light. “Gods I’ve needed your pussy.”

She giggled breathily as he notched himself at her entrance, sitting up to watch the head of himself disappearing, his eyes fixed eagerly on her brilliant new piercing. His mouth practically watered with the urge to roll his tongue against it, use his tongue to flick the jewelry over her sensitized clit. “Does it increase your stimulation?”

She nodded, gasping as the head of his cock sunk inside. She was tight from their lack of fucking and she felt him pulse excitedly from inside of her walls. “Y-yes, even just cleaning it and looking at it in the shower, whenever I bump it, feels so good.”

He groaned in agony, shutting his eyes and sliding another inch or so inside, rolling his hips to increase her friction and spread the wetness. “Gods your so fucking tight. Been too long since you've been stretched around my cock, love.”

She nodded, gripping his shoulders. His hand slid down, barely pressing against the jewelry and she cried out, legs wrapping around his waist. Holding himself back was going to be a feat and a half.

He sunk the rest of the way inside her and she constricted around him. He nudged the jewelry against her clit again and her head tossed backwards in pleasure. The sight of her falling into pleasure was absolutely breathtaking. He groaned, adjusting to straddle on leg, bringing the other so her knee hooked up over his shoulder, now spread apart his pubic bone ground against the piercing and had her moans heightening in pitch.

His thrusts were slow rolls that casually surged to desperately needy thrusts that he couldn’t hold back no matter how badly he tried. She felt far too good and it had been far too long. “God you’re cock, oh and the way your r-rubbing the piercing. Fuck, I’m gonna cum!”

He chuckled as she gripped the sheets and arched up as she tightened like a vice around him. He tried to keep a cocky tone in his voice but it came out far more strained than he’d hoped. “Oh yea? Already, baby? That little piercing really does help you out, doesn’t it?”

He pressed a thumb right over the jewelry and she lurched up, practically shrieking as she rippled around him, crashing over her edge so fast. He groaned, surging his hips through her orgasm till she finally stilled, loud cries dulling to whimpering coos.

He pulled out of her, having her look down at him in hazy confusion as he settled, laying himself between her legs, spreading her warm thighs open in front of him. She flushed all the way from her cheeks to her thighs as he groaned, spreading her open and grinding his hips against the bed, glutes flexing and drawing her attention before he whispered in a gruff tone. “Fuck it.”

He dove in, licking her cunt from her silky wet opening and up to her newly decorated clit. He moaned at the taste and she frantically reached for the mass of fluffy hair. “S-Seb you can’t! You just fucked me there!”

He made another groan, rolling his hips steadily against the mattress. “I don’t care. This pussy is mine and I’ll eat it whenever I want to. I don’t care if your fresh out of the shower or freshly fucked and filled with my cum. I’ll taste you whenever the fuck I feel like it.”

Heat pooled deliciously between her legs as his tongue flicked precariously over the jewelry through her hood. He teased it over her clit, ran his tongue below it and tortured her with direct pressure that had her absolutely wild and all the while his hips never stopped against the bed.

The sight from between her legs had her quickly climbing the rungs of another orgasm. Her tugs in his hair became more urgent as her toes curled against the warm blankets and her thighs bracketed his head as she arched up into his talented tongue.

She came, shuddering and loose against his face and she didn’t stop till finally he lifted his head, licking her shiny wetness from his lips and chin.

Her eyes bulged when he sat up and she saw the strings of cum trailing from his cock to the blanket. Had he really fucked their sheets till he came while eating her out?

His eyes met hers and he glanced to where she was looking, chuckling and using that low satisfied tone that made her tingle. “How about I change the sheets while you shower off so everything stays clean?”

She swallowed, nodding and getting up into shaking feet and padding into his bathroom while he tossed sheets into the wash. He joined her and a whole new fresh wave of arousal rising inside of her as his erection slipped between the cleft of her ass and she was suddenly wondering if the slap of his balls against her clit as he fucked her from behind would feel as good as it sounded.

#hogwarts legacy #hogwarts legacy smut #hogwarts legacy fanfiction #sebastian sallow #sebastian sallow fanfiction #sebastian sallow smut #little emerald snake #requests

[apparitionism]

Asleep 2

For the anniversary this year, I have the second “half” of my @b-and-w-holiday-gift-exchange story for @kla1991 : an involuntary bed-sharing situation that turns not sexy but disastrous. The first part took on Myka’s perspective; this conclusion is written from the other side of the bed. A confession: I find in-universe Helena’s head voice a somewhat difficult register to compose—because while she can’t be fully insane, she needs to teeter or list, sometimes more than a little (but without falling into histrionics). Which is to say that if you don’t entirely buy the turns of thought and/or coping mechanisms I’ve given her here, your skepticism is well-placed. Ultimately I hope it’s the case that a person can be broken but still want in a way that’s... pure? Justified? Sweet? Reciprocatable? Maybe just “vaguely recognizably human”?

Anyway, this is long, first because it extends well beyond the point at which the first part ended, but also because when a Bering and a Wells get to talking (as they at last do!), they need to work things out at their own pace...

Asleep 2

My arm is asleep.

Under normal circumstances, a person would, upon becoming aware of this, shift position so as to restore blood flow.

Under normal circumstances.

But very little is normal about the circumstances under which Helena’s arm is asleep.

She is in a hotel-room bed, in the dark of night, lying on her left side, with her left arm, her now-asleep arm, pinned beneath her. So ends the disturbingly limited “normal” portion of the situation.

Here begins the larger portion: she absolutely must not move.

Irony guts at her with that, a shiv-and-twist remembrance of bronze restriction—but that prohibition had involved a significantly different auxiliary verb: “cannot” rather than “must not.”

Grammatical particulars aside, her immobility now is barely less a torment. This is because her other arm, her alive right, terminates in an even-more alive sensate hand, one that now rests—but is in no way at rest—on Myka’s right hip.

Myka, too, is lying on her left side, a small distance in front of Helena, lying in this hotel-room bed. Such proximity in such a space might, under other circumstances, signify the fulfillment of a long-held dream... but here, now, it seems a nightmare. For Myka is Helena’s colleague and no more; they are in this bed for sleep and no more; and Myka is playing her part correctly while Helena is not, in contravention of what she has sworn to herself she would do no more.

Such drowsy sense the placing of that hand had seemed to make, when she had found herself facing Myka’s back. She had in the past regarded that length covetously, relishing the idea of touch both salacious and tender.

For all her coveting, however, she had in fact only once laid hands on that back, both hands with intention on the clothed blades of Myka’s shoulders: a terrifying embrace, one that was in the most basic physical manner right but overall searingly wrong, screaming bodily truth but surrounded by words that said nothing they should. A perversion of promise, like so much else that had happened in Boone.

Yet Helena had clung to its memory all the same.

She’d thought, here in this unexpected proximity, to supersede that, to touch once again, once again but brief, once again though brief. To erase and replace.

First she touched the right blade, light; yet her hand wanted stillness, more connection than a mere pat against cotton-clad bone. And there was Myka’s hip, a beckoning promontory jut... a place to rest. Rest, however brief.

Once placed, however, her hand had proved reluctant to retreat.

Brief, she reminded it.

No, the hand had responded. I belong here.

Helena knows this is true. She knows also that it cannot be true.

But she is no stranger to holding contradictory thoughts in her head. This has been essential to establishing and maintaining, in these new Warehouse days, a functional equilibrium. Functional. Indeed her goal, in this “reboot,” has been to function, which she has lately defined as something on the order of “to move through time nondestructively.”

This definition had come about due to her realization, pre-reboot, that her difference from others, her inability to fully perform a modern self—her arrogance about that inability, even as she attempted to hide both the inability and the arrogance—chipped at, chipped from, the good (the good nature, the good will, the goodness) of those around her. Over time, such chips accrued as wounds.

Nate. (Adelaide.) Giselle.

She had as a result finally understood that coming back to the Warehouse would mean, at the very least, that those with whom she interacted had already made a bargain, perhaps even a peace, with the inevitable violence of history: with the way the forces of the past could—would—affect, even infect, the present. Helena herself was, at her simplest, merely one more of those forces.

She did consider requesting that she be re-Bronzed, now absent any pretension of traveling through time, but rather as a way of neutralizing a dangerous, and demonstrably unstable, artifact. But then an image had come to her, possibly as an omen, possibly as only a desperate wish: Myka’s devastated face upon hearing such news.

Boone all over again.

Thus the reboot. Because the most significant entry under “function,” with additional emphasis on the “nondestructive” portion of that definition, was her resolution to spare Myka pain. In the past, Helena had been both careless and careful—surgically so—in her infliction of damage on Myka above all others. But she had sworn to herself that those days were done.

Done, but Helena knew she had not paid anything near a sufficient price.

So. To maintain distance, no matter how troublesomely ardent her wish to close it, was—had to be—part of her penance. And to do so decorously was—had to be—the gentlest approach. That was what Helena told herself in her more rational moments.

This moment, in this bed, is not one of those. If it were, she would simply remove her hand. Simply remove it, then roll over.

But her mind races, finding complication: She doesn’t know what sort of sleeper Myka is. Had Helena’s placing of hand awakened her? If she had awakened, has she now fallen asleep again? If she has, would she then be reawakened by the hand’s removal? Or would she, if still awake, draw some negative inference about the entire situation based on removal?

Ideally, Helena would maintain a facsimile of entirely blameless sleep while engaging in that removal, but can she make such a performance believable?

Never in her life has Helena been so concerned about her ability to mislead convincingly as when she has attempted to deceive Myka. That was the case in the past, even at her most nefarious, and now she worries day-to-day that her strictly disciplined disguise of near-constant wishing ache will slip and fail. A simple I am asleep should be... well... simple. But it is not, and Helena is reminded of Claudia’s tendency to observe, in situations both dire and banal, “Here we are.”

Here we are, because Myka is apparently indifferent to the idea of sharing a bed with Helena.

Here we are, because Myka is apparently indifferent to history.

Here we are, and that latter indifference is a surpassing irony, due to the fullness of—

Helena sees that she needs to divert her train of thought, as descending into unjustified anger will help absolutely nothing.

First, she entertains a fantasy of sitting up, turning on a light, and explaining to Myka that this entire situation is untenable, and that if they are going to share a bed, they should share a bed. But it’s true that Myka did not seem even to consider that as a possibility, which seems ludicrous, given the past... no, that’s back to unjustified anger, for who is Helena to resent what Myka wishes not to consider? And indeed, who is she to interpret the past in such a way as to believe she understands what Myka would have considered?

Focus on the facts, she tells herself. What actually happened in that nefarious past. And do so dispassionately.

Regrettably, the word “dispassionately” brings to mind another word: “passionately.”

Again. For she had thought that word not long after she and Myka had first entered this room, first entered it to find, as Helena’s unrestrained fantasies might have conjured, only one bed. That they were clearly intended to share. Thus her mind’s unruly leap to... an adverbial manner in which they might do so.

But Myka had said not one word about the accommodations, so Helena had held her tongue as well. She nevertheless couldn’t help but feel it an elaborate lack of remark on both their parts, the silence practically baroque in its fullness.

Baroque too had been the courtesy with which they jointly prepared for bed, a you-first-no-you stutter-choreography of politeness that ensured privacy, yes, but also reinforced the barrier between their past and their present.

Which Helena understood was necessary. It did nothing, however, to mitigate the breath-hold of preparing to lie down beside Myka.

Once she had managed that lying down, however (with a relative aplomb for which self-congratulation was not, she felt, unjustified), she hoped her torment might ease. A bit. If she could manage the additional task of pretending the body beside her was no more significant than any other human. Some flesh, recumbent.

But when they were situated thus beside, Myka spoke. “You seem a little upset,” she said.

Helena had barely been able to restrain a snort. Now Myka saw fit to comment? As if allowing this portion of the play to pass without remark would create some undue strain upon collegiality? As if their incongruous bonhomie might buckle under the weight of that silence? Oh, that was rich.

Bottling her pique, Helena questioned: “With?” To make Myka say it. Mere saying wouldn’t hurt. Would it?

“You haven’t been yourself since you put that camera in the static bag. Was it a problem, seeing it again?”

Helena held herself rigid so as to keep her body from betraying neither her disappointment at the question nor, contradictorily, her relief...

It was a reasonable question. A good question. Not one on which Helena particularly wanted to focus (although it indicated a certain attention on Myka’s part, an attention on which Helena suspected she should not dwell), but it did deserve an answer. “It closes a door, doesn’t it,” she told the ceiling, for turning her head to address the other body directly seemed an invitation to peril. “That one I opened so nefariously, long ago.”

“Or—and—maybe it closes a loop,” Myka said.

Unexpected. “A loop?”

“Right after college, I went through a self-help phase,” Myka said. She paused, and Helena found herself on relative tenterhooks regarding the applicability of this (new!) information to the current situation. Which reminded her how much she had missed talking with Myka... because of the very sound of her voice, yes, but also because her conversation could range so unanticipatedly. So rewardingly unanticipatedly. Helena had known few people who could lead her on such unpredictable, yet productive, journeys.

Was Myka’s apparent willingness to begin such a journey now indicative of... anything? A softening, perhaps, of relations between them? Not a rebooting of their once-burgeoning intimacy, for that had to remain taboo, but could it be that some restoration of their previous intellectual engagement might be, at the very least, neutral rather than harmful?

Helena had moved a tentative pawn in that direction during their conversation on the airplane. Perhaps this was Myka’s answering move?

With an exhale that seemed like resignation at what she was about to say—to reveal?—Myka said, “I felt like I needed to be someone different—someone better.”

Another pause. Helena considered that such a feeling seemed very Myka (and she heard that phrase in Claudia’s voice), but also very misguided. Of course she was not at all placed to make such judgments, and even less so to convey them to Myka. Thus she said a simple, “Did you,” to encourage without prejudice.

“So I read a lot of books,” Myka said, to which Helena had responded internally, Of course you did. “One was about how to get things done.”

“All things?” Helena asked.

“Sort of.” That was followed by yet another pause. Yet another puzzle.

All these pauses. Was Myka on the verge of sleep? Helena said, soft, thinking she might go unheard, “Perhaps I should read that book. As a help to myself.”

At that, Myka had laughed, more delay, but also soft. “I don’t think it’s any kind of help you need. The guy who wrote it had a big system, all these rules, and I love rules, but these... I admit I didn’t stick with most of them. Honestly, any. But an idea that did stick was actually a pretty minor part: open loops. Stuff you track subconsciously, all the time, because it’s incomplete. How troubling that is. And what a difference it makes when you close a loop, when you each a resolution. I mean, he was talking about stuff like answering emails.”

“Emails,” Helena echoed. So far from artifacts.

“Which this is so much bigger than,” Myka said, exhibiting, not for the first time, an uncanny ability to scoop from Helena’s thoughts. “But maybe the principle holds. You don’t have to tell me. But I hope you have fewer open loops now than you did. Before.”

“Yes. The number. Fewer,” Helena said, factually.

She of course couldn’t say out loud (but it was equally factual) that Myka herself was the loop most capaciously open. The one that gaped, superseding, never mind the number of lesser.

Indeed, however, that number was now minus-one. Oscar. Oscar and his ballad... that loop closed.

Helena had in fact, while handling the camera, begun to ideate a wish that someone (Steve? Claudia?) might be persuaded to use the camera to capture her image... for it had occurred to her that a spark of art, some production on which to concentrate, might animate this reboot... something to pursue, rather than to be pursued by...

But. Lying abed, still and strangely hopeful—a state she should have known would not endure—a realization had struck her, as an open hand to the face, a realization of why Myka had brought up loops and the closing thereof: she had somehow discerned Helena’s wish, via that scooping of thought, and was discouraging her from pursuing it.

So much for any softening. This was instead a warning: Helena should not open a loop that Myka might be obligated to close. And Helena had no trouble grasping that the warning was in no way limited to the use of a single artifact... no, it doubtless applied to any burdensome loops Helena might be thinking of opening, any new incompletions that might come to trouble Myka.

“I understand,” Helena had said, regretting that pawns could not be moved backwards.

At the same instant, Myka said, “I’m glad.”

That collision had canceled communication entirely; in its wake, Myka had turned out her light and turned away from Helena.

Leaving Helena to her thoughts.

Well, fine, had been the first of those.

Next had come an equally mulish sniff of And I will have no difficulty directing any subsequent away from this shared bed.

Whereupon she had proven herself both wrong and right, thinking about history, about the fact that, whatever Myka’s commentary or lack thereof had or hadn’t signified, the fact of Warehouse agents lodging together, sharing beds completely platonically, was certainly nothing new.

This line of thinking had enabled Helena to distract herself by recalling a mission with Steve and Claudia, one in which Steve had announced, after checking in at their hotel, “Bad news. Just a king room left, but they said they’d bring up a cot.”

He had then immediately assigned Claudia to said cot, prompting her to protest, “No way! This situation screams rock-paper-scissors tournament! Loser gets the crappy night’s sleep!”

“No way,” Steve protested back, far more mildly. “The father of science fiction gets first dibs on the lumbar support, and my back’s got a decade on yours, so I call second. If that father agrees.”

Helena had. Sharing with Steve had been fine.

Sharing with Myka should of course have been no different.

Should of course have been...

But now, here in the impossible present, as Helena’s left arm slumbers and her right hand sparks, what should have been? Isn’t isn’t isn’t.

She needs further distraction, so she casts her mind again to Claudia and Steve, to the compensations they have offered her during this strange and estranging reboot: at first Claudia, who had welcomed Helena back so unreservedly and continues to offer wholehearted allyship; and then Steve, who had quickly become an unanticipated boon companion, a partner upon whom Helena has felt increasingly, and increasingly exceptionally, lucky to be able to rely.

And yet these compensations, though Helena hopes she conveys all appropriate gratitude for them, are never sufficient, for Myka—necessary yet unreachable—is always present.

She’d been so, even during that cot-delineated retrieval. Its aftermath had (so much for distraction) involved a significantly Myka-related incident, for Helena had dared, as she, Steve, and Claudia were relaxing in the hotel lounge prior to retiring, to broach Myka as a topic of conversation. As one might do, she’d thought: speaking about a colleague.

“I have an inquiry,” she’d phrased it. To make the ensuing question sound... scientific?

Dispassionate, she jeers at her recalled self.

She jeers also at what she’d said next: a too-bald, “How is Myka?”

She had known, even at the time, that what she had truly wanted was to say that blessed name, to speak about that blessed person. She could not speak to Myka in any meaningful way, and she was starving.

Steve and Claudia had then shared what seemed an extremely charged glance, so Helena hastened to dissemble, making sure to use questions so as to prevent Steve from finding her immediately untruthful: “Given that her liaison with Pete ended? They’ve... recovered, as it were? Both faring well?”

But her tone had struck her own ears as too bright; a desperation rippled behind it, and Helena knew from experience that behind that tiptoed a still deeper threat of rupture, which required work to be kept at bay. As Helena had been instructed by her most successful therapist to do when such awareness overtook her, she began to breathe with attention.

Neither Steve nor Claudia spoke as she did so.

When the danger passed, she smiled, as best she could, to signal to them her appreciation—and to herself, her success.

Steve then said, “You’re not asking about Pete.”

Helena valued—as a personality trait—Steve’s discerning willingness to push. She did not in that moment value how he thus so easily revealed a glaring flaw in her initial approach: she should have asked about Pete; with that as her entrée, the talk might organically have turned to Myka. Foolish of her to think so unstrategically... or was her failure to do so a paradoxically positive sign?

“Give it time,” Steve said, and Helena knew he was making no reference to Myka and Pete’s recovery.

“My relationship to time,” she said, with contempt. Time: she’d taken it. Now she had to give it? A forfeit. Well, that was fair.

Claudia said to Steve, “Speaking of, we’re wasting it. Are we gonna do the thing?”

“Only if H.G.’s on board,” Steve told her. It was an unexpectedly mind-your-manners utterance.

“What is the thing?” Helena asked.

“Claudia’s trying out alcohols,” Steve said. “We can’t do it around Pete, obviously, which means retrievals are our—”

“So many questions to answer, right?” Claudia interrupted, her avidity increasing. “You know, am I über-suave James Bond with the martinis? Or a fights-against-my-general-cool-geek-vibe Carrie Bradshaw with a cosmo?”

Helena had had no idea what she was referring to, but the investigation seemed entirely fit for someone her age. “What have you determined thus far?”

“Turns out cosmos don’t work for me,” she said, “as the prophecy foretold, and Bond-wise, I like a martini all vodka, no gin; sorry, Vesper.”

“Is that all?” Helena asked.

Further avidity: “Oh god no. Vodka drinks aren’t perfect: white Russians are way too sweet. Also in the white family, the wine category pretty much bores me. Also there was this one time Steve ordered a gin drink called a white lady that I couldn’t even think about because it had an egg white in it and one look made me retch.”

“Quite the wide-ranging experiment,” Helena said, hoping to forestall further off-putting description. “Not conducted with inappropriate... ah... intensity, one hopes?”

Steve patted Claudia’s shoulder, at which she rolled her eyes. “I’m supervising,” he said. “No more than a few tries in one sitting, and we’re doing it mindfully.”

Claudia abandoned her attitude and nodded. “Paying attention to what I’m tasting. How to find, you know, notes and stuff. Except for the disgusting egg-white thing, it’s honestly been fun.”

“I’m not opposed to fun,” Helena said, and she was a bit surprised—but pleased, and pleased to be pleased—that Steve didn’t squint in response. “So, Mr. Supervisor, what’s next?”

“I’ve been pushing for the wide and wonderful world of beer, but—”

“Seems too jocktastic,” Claudia said. “You know, ‘Beer me, bro.’”

“I don’t know,” Helena said.

“Anyway that’s really not me,” Claudia continued, as if Helena hadn’t spoken. She did have a tendency to ignore Helena’s ignorance, a tendency that Helena enjoyed and found frustrating in equal measure.

“Her beer perspective is severely limited,” Steve lamented.

“I myself have always found a strong stout ale quite enjoyable,” Helena said: her contribution to Steve’s cause. It was also true, the fact of which he seemed pleased to affirm with a quirk of lip and a quiet “so you have.”

Claudia’s expression remained skeptical, but she shrugged weakly and said, “I guess I could give it a shot?”

“Oh, because H.G. says so,” Steve twitted.

To that, Claudia squared her shoulders. “Yeah. Don’t you know who she is?” she demanded.

“Who I was,” Helena hurried to emphasize, “and given that Steve assigned me the bed on that basis, he—”

“Who you are,” Claudia corrected, throwing the emphasis back.

“And who is that?” Helena asked. What distinction did Claudia imagine was relevant?

“The person who told me my destiny was glorious. You’re still that guy, right?”

Relevant indeed. Helena was taken aback, indeed taken back to that extremity, back in a novel way. She had been so mired in the Myka of it all in the intervening time, that she had lost her view of the bright salience of Claudia’s presence. Wrongly. “I am,” she said. She hoped Claudia believed her.

“Okay,” Claudia said. “So I’ve got this big-as-Pete’s-biceps incentive to hope the stuff you say is true. And by the way, one of you has to casually drop in front of him how I said that, because I want the points.”

Steve snickered and said, “I know my job. But in the meantime, I think I’d like to toast to all these sentiments, and to the agents offering them. With a strong stout ale.”

They tasted the three strongest the hotel bar had on offer, and Claudia pronounced that her favorite, one purporting to convey roasted notes of coffee, chocolate, and other darkness, was “way too complicated for your average broseph.” Which Steve seemed pleased by, as a judgment, so the overall experience scored a success.

There was no further talk of Myka, however, the avoidance of which topic seemed quite deliberate... as if Steve and Claudia had determined that Helena would not benefit from it.

Or that she did not deserve it.

For the best, Helena had concluded. Either way.

Now, in a similar “for the best either way” sense, she makes to raise her hand, with that intended overlay of feigned sleep, so as to shift away and at last regain equilibrium, restoring feeling to her sleeping arm and calming that oversensitive hand. But instead—in what she can interpret only as a stupidly id-driven attempt to bank some never-to-be-repeated sensation, to the memory of which that desperate id might cling in a touch-deprived future—she moves her hand, not away from Myka, but further down her leg.

And her worst fears are instantly realized: Myka’s body reacts violently, as if in revulsion at the very idea of Helena touching her.

It was only a hand at rest, Helena begs, with no conception of why or to whom she is rendering that supplication. That was all.

Alas, that was—is—not all, for in the next split second Myka is falling from the bed and crying out in pain.

Helena, at a loss, attempts a faux-innocent inquiry, which Myka answers unintelligibly. In trepidation, Helena ventures to the mattress-edge, then lowers herself to the floor next to Myka—and she is appalled, for the situation that confronts her is all debility, even more so than the absurd “my arm is asleep” with which this farce began: Myka’s shoulder is dislocated.

Further, Myka is now unconscious.

Spare Myka pain. How utterly unsurprising Helena finds her inability to obey such a dictum in even this most basic physical sense.

Unsurprising... worse, dispiriting, and it brings her low, such that again the incipient rupture asserts its subterranean power, urging Helena to give up, to run away and leave this broken Myka to someone else to bind up and save.

You’ve done it before.

That resounds in her head as both accusation and affirmation, and the voice pronouncing it might be Myka’s, or some deity’s, or that of any of the other personages who jockey audibly for primacy in that space, including Helena’s own.

She initiates breathing with care, even as an eddying undertow tempts her to entertain the notion that escape, too, might be rebooted, tempts her to entertain and revel in its ostentation as a response to Myka’s indifference, her rejection of history, even her revulsion.

Here is my answer to all that, a departure would declare.

Helena labors to breathe herself away from such perfidy, but the scenario creeps along, with an undertone of sinful relish, as she imagines leaving Myka to awaken alone and in pain.

But then—because her labor leads her there—she further imagines the various permutations of “someone else” who might be called upon to save the day in her absence. Whereupon the thought strikes her that moving through time nondestructively requires her to think seriously of, and to think seriously out, such knock-ons... how, for example, would Steve and Claudia respond to having to clean up this mess, knowing that Helena had made it?

Moving through time nondestructively. Interesting, here, the overlap with moving through time selfishly: selfishly, she does not want to destroy Claudia’s image of her as someone whose opinion matters. She does not want to destroy Steve’s image of her either, for it seems to have at least some positive components. Further, she does not want to destroy the fellowship they three are building.

If for no other reasons than those, she concludes that having caused this quite specific damage, she must fix it.

Because she can.

The fact of the matter is, Helena cannot fix most things. She has tried mightily to maintain the pretense that she can... but she has been forced over and over to confront the absurdity of that bravado. This very specific fix-it, however, she can perform. And while that performance—inconveniently, in the present circumstance—requires touch, here it can be functional. Perhaps in success she might in some way efface her earlier invasiveness...

Yet she can do nothing without two functional arms. She thumps her still-insensate left against the bed, hard—too hard, for Myka’s eyes open. She mumbles out something Helena decodes as “whatareyoudoing.”

“Preparing to remedy a situation,” Helena says.

“Okay.” Myka murmurs. She seems oddly comforted by the answer, to such an extent that she relaxes, losing consciousness again.

That’s fortunate, given the required manipulation.

Helena prepares herself to do it quickly, efficiently, as she has done in the past... rather dramatically on one occasion, as she recalls, for an agonized Wolcott... but she should not think of Wolcott. For the regret.

She sets that aside, preoccupying herself instead with the necessary activity. Her manipulation, determined and strong, is rewarded: what begins as a sluggish resistance resolves into a slip-pop of relocation, one that shudders a familiar path through her own bones. She then cushions Myka’s arm with a fresh towel and uses a pillowcase to fashion around it a tight sling.

Levering Myka up onto the bed would most likely cause further injury, so Helena sits beside her on the floor, ensuring periodically that she continues to breathe. The wait is calming, cleansing, its peace a renewal of a soothing activity of which Helena has been long deprived: observing Myka closely, at actual leisure. At no point since her return—so at no point in, literally, years—has she had such an opportunity.

She’s reminded, in that observation, of the true fundament: this precious person. Who could never be merely some flesh.

After a lengthy time, during which Helena is pressed to consider, to remember, to value Myka’s singularity, that precious person’s eyes flutter open.

That person tests her bound arm, a tentative physical investigation that approaches elegance in its delicacy.

But Myka’s delicacy and elegance, too, Helena should not think of. For the regret.

“I’m not in the hospital,” Myka burrs.

Reasonable, practical. This is what Helena should think of. “Not yet,” she says. “But we’ll go if necessary. If you’re in pain.”

Myka’s face contorts. “Not if. I am. Some. More than some. I’m sorry.”

“For being in pain?”

“That. But also, for changing this whole thing.”

Helena leaves the latter alone, for she cannot begin to interpret it. Focusing on functionality, she asks, “Can you dress yourself?”

Myka nods, but she winces far too much with even that motion, so Helena screws her courage to it and says, “I’ll change and then help you.”

Herself, fast, then Myka: Functional, she snarls internally as she addresses the situation, and even faster. She’s relieved to find that Myka’s trousers and boots are less complicated than she’d feared, and as it happens, preventing Myka suffering additional physical pain—even while undressing and redressing her!—is, paradoxically or not, far easier than navigating emotional shoals, or even hand-on-hip physical shoals. Focusing on Myka’s face for twists, listening for labors in breath, adjusting accordingly... it’s distractingly, satisfyingly concrete. Only the present moment matters.

Only the present moment matters. This is the mantra Helena iterates internally as they proceed to the nearest urgent care facility.

Yet as they wait there for attention, Helena finds herself increasingly unable to ignore why they are waiting there for attention. In the present moment, which matters. She begins—or does she intend it as an ending?—with, “I’m assuming you flung yourself to the floor in an attempt to escape a circumstance.”

Myka hiccups a laugh that makes her cringe in protection of the shoulder. “That’s weirdly accurate. As an assumption.”

Helena recoils at the confirmation, but she must acknowledge it. “A circumstance in which I touched you in a way that was unwelcome,” she agrees, with gloom.

“Unwelcome,” Myka echoes.

It’s so... definitive. It was one thing for Helena herself to think it, believe it, say it aloud. Quite another—though it shouldn’t have been—to hear it from Myka.

A punctuating end to what never truly began between them: there is some consolation, if only philosophical, in the idea that after so many starts that were false, they may at least enjoy a finish that is true.

“Of course it was,” Helena says, following with, “and how could it have been otherwise.” She puts the final period upon it by adding a bare, spare dig: “Given history.”

Myka closes her eyes... in acceptance of the cut? When she opens them, they are glistening. Tears? Helena is egotistically gratified by such a response, never mind that it means she has yet again failed to hold to her resolution.

“Helena,” Myka says, and now Helena is gratified simply by Myka’s low utterance of her name. Myka does not always use that deeper voice, and Helena does love (yes, love) the rare pleasure of hearing her name in it. “I’m so tired,” Myka says next.

That is less gratifying. It’s yet another utterance Helena should leave alone; of course Myka is tired. But in what she is sure is a mistake, Helena says, “Of?”

“Everything. But particularly, you.”

A dagger, that was. A cut back. Testimony to Helena’s concatenating mistakes.

“This you,” Myka adds.

The additional twist of blade leaves Helena unclear on the devastation Myka intends. “Of course” is all she can think to say.

Myka closes her eyes and exhales heavy, a near-sob. “Sorry. Sorry. Sorry,” she intones, but what need has she to apologize? “That was the pain talking—or, no, I still know you well enough to know you’ll hear that wrong. What I mean is, I’m saying something I could keep holding back if the pain wasn’t cracking me open.”

The pain. Cracking her open. Which would never have happened in the absence of Helena’s stupid, thoughtless touch. Which in turn makes abundantly clear that the stupid, thoughtless person who applied that touch is the “this you” Myka means.

If Helena is to remain in this situation she must take measures, so she lengthens her inhales and exhales, entirely ashamed both at needing such a crutch and at having to exhibit that need.

After a moment of silence, Myka asks, “Are you breathing differently than you were just a second ago?”

Myka isn’t Steve. Helena could at least attempt to lie about this, to cloak her shame... but it’s effort, either way. “Yes,” she says, choosing the unpredictability of Myka’s interpretation over the unpredictability of her own performance.

“Is that good or bad?” Myka asks. “Or both?”

The questions stop Helena, stop her in the same way her at-leisure observation of Myka had. I still know you well enough, Myka had said, and it is true. This is why, Helena would say if she could. Your knowing to ask that.

But she can’t say it, and, worse, she doesn’t know what she should say. What should come next.

Apparently Myka doesn’t either. That not-knowing persists, hanging, until “next” arrives, as an intrusion from outside their suspension: medical attention is at last directed Myka’s way; she is escorted out of the waiting area and taken elsewhere.

“We’ll call you when you can see her,” Helena is told.

Alone in the waiting area—for no other human seems to have suffered damage this night—and uncomfortably situated on a hard plastic chair, she tilts her head back against a similarly unforgiving plaster wall.

She closes her eyes. She’s had no rest, no rest for so long. She is drained. Physically empty.

Philosophically as well.

She imagines trying to sleep... or rather, she imagines not trying to remain awake.

Doubtless futile, either way.

She next imagines constructing an airtight argument that could not help but persuade all who hear it—Myka in particular, but all others as well—that this entire situation is Artie’s fault.

Also futile.

This despite its being the fact of the matter, for indeed he did bring the situation about. Perhaps not in a proximate sense, but in the ultimate... the idea of which, after a moment, strikes her as both comic and tragic: Artie as the ultimate cause? Of anything, from the universe on down? Though he would doubtless like to imagine himself so... even at the Warehouse, however, he must be not even penultimate, given the bureaucracy that sits over the entire concern...

Helena thus spends the bulk of her time in the waiting area stewing about—stewing over? stewing under?—the relative positions of god, Mrs. Frederic, and various Regents in the universe. None of it, however, requires her to alter her breathing; rather, she composes in her head the opening paragraphs of several publishable monographs on these and related topics. It isn’t restful. But is evidence of something other than emptiness.

When someone does at last call her to see Myka, everything has changed.

Well. Not everything. Helena herself hasn’t, as her bureaucracy-pantheon thought may have been philosophically valid but made no difference.

Myka, however, has changed entirely: her arm is now professionally dressed, but more importantly, the knit of pain has left her face. “They medicated me,” she says, giving the word “medicated” a rapturous cast. “The X-rays said I didn’t break anything, so we’re waiting on results of a scan to see if I need surgery but in the meantime I feel better than I maybe ever have in my life and I am so happy to see you. All these doctors were like ‘why did she think she could fix you’ but I knew why and it was because it’s you. and that scan? It’ll shout out how Helena Wells relocated Myka’s shoulder so she didn’t need surgery, and they don’t know this, but actually H.G. Wells relocated Myka’s shoulder, which is even more amazing. Wait, that’s not more amazing. You’re the most amazing when you’re you than when you’re that guy. Even though I guess you are that guy. Sort of. Wait, Claudia’s been saying ‘that guy’ a lot now. And I cut and paste from her so much, but I don’t like it. The way things are.” She heaves an enormous sigh and blinks at Helena, as if she’s just re-understood that another person is present.

Is there some ideal way to answer this flood? Helena settles for an antiseptic “I’m pleased to see you out of pain.”

Myka gasps and flails wildly with her uninjured arm, which gesture eventually resolves into an index finger directed at Helena. “That’s it exactly. I’m out of pain. All out. No more pain to give. Particularly not to you. So saying I’m tired of you? I regret it, and I apologize for it, and I promise that’s the end of it. I was wishing to get something back, and you don’t want it back, and so I have to be fine. Without it. Without you.”

Without you. Helena supposes she should be impressed by how concisely Myka can foreshadow disaster. “Should I not... be here?” She braces herself for the answer.

“Of course you should. I have to be fine without how you were,” Myka says, very quietly. The collapse of her volubility gives Helena pause.

She knows it would be better not to probe; she ought to, as Claudia says, “take the win.” But “Of course you should” is only facially a win... “How was I?” she asks. To wound herself by making Myka clarify what has been lost.

“Oh, how you were...” Myka says, her words dragging. How much—any, all?—of this might be due to the varying effects of the medication? “Putting me into this story,” she continues. “It was so big, and I didn’t understand what it was, really or at all, but it felt so big. Yearning and tragedy, and there I was, still me, but in it, so in it, all in it, next to you. Bigger than life, and I... loved it? Needed it? Something to take me over. But my wishing for any of it back, when of course you don’t?” She raises that free arm, then lets it fall. Futility, it says. “So small. Only somebody little and desperate would want to make you revisit any of that.”

Medication effect or not, Helena can’t let Myka keep on with this. “Make me revisit it? Yearning and tragedy? I’m the one who inflicted that, and with malign intent; I damaged you. And I cannot imagine a scenario in which that debt is discharged.”

Myka squints. “Debt,” she says, as if articulating a new noun, but not one that names an abstraction; no, this thing is big and blunt, a dumb object that takes up space. Unfunctional furniture. That I carry on my back, Helena moods.

“Oh!” Myka then yelps, her tone shifting to excitement. “But I just damaged myself. So now we’re even!” She delivers that last bit big and broad, for all the world as if she’s the comic lead in a panto.

Helena has not spared a thought for panto in years. “That makes no sense at all,” she says, because it’s the case, but also to scorn the memory. This is no time for that past.

“Would you like me to dislocate your shoulder?” Myka asks, as if it were a reasonable proffer. Still comic, but now strangely sincere.

Helena meets this bizarrely compelling, ridiculous combination with as much severity as she can muster. “Honestly no. I would not.”

“I see,” Myka says, and she points again, this time without preambling flail. “Some prices you aren’t willing to pay.”

Helena can at the very least be honest about this. How nice it would be if Steve were here to verify. “Willing to... in the sense of volunteering to? No. In the sense of understanding that I deserve to? Certainly. So do me damage if you must. In particular, do me damage if you think it could even the score between us. It won’t, but if you think it could? Please do.”

“That’s pretty twisted,” pronounces the only arbiter who matters.

“You sound like Claudia again,” Helena observes. To push the judgment away? Yes, and she tries to make certain of it with, “Is that another cut and paste?”

“Maybe. But now that I think about it, she sees things pretty clearly a lot of the time. Don’t you think?”

“I would like to think,” Helena is compelled to admit. Hoist by her own petard.

At this point—suspending any resolution—a doctor reenters the curtained area. “Good news: no surgery,” she tells Myka.

“See, I told you she fixed it,” Myka preens.

“You did,” says the doctor. “Several times,” she adds, dry.

Helena says “I’m so sorry,” only to hear Myka say, at the same time, “Sorry not sorry!” Another echo of Claudia... this one, however, clearly heartfelt.

The doctor turns to Helena. “Don’t try anything like this again. You got ridiculously lucky.”

“That’s kind of her M.O.,” Myka says. “Except when it isn’t.”

The doctor sighs. “I’m pretty sure that’s my point. And listen, make sure to follow up with your local doc. They’ll prescribe a ton of PT, so brace yourself.”

Myka snorts. “Brace myself? Sure, but not for the PT; my boss is going to flay me alive.”

The doctor barely reacts. “Oh, maybe this one can fix that too,” she deadpans, directing an eyeroll at Helena, accompanied by a murmured, “not a suggestion.”

“Oh, she’s in for the flaying,” Myka says, with more than a little cheer. “If not for this, then for something. Eventually.”

The doctor shakes her head, eyes unfocused. “Good news for me: I don’t have to care.” She points at Myka: “You go to PT.” Now at Helena: “You don’t try to practice medicine.” At both of them, her eyes flicking back and forth with purpose: “Got it?” Helena nods; she senses Myka doing the same. “Excellent,” the doctor says. “Or whatever. I’m done with you now.”

She conveys with her rapid exit that interacting with both of them has been a most exasperating experience.

While Helena does not appreciate being chastised—and especially not for attempting to care for Myka—she does appreciate expertise. Especially when it contributes to Myka’s well-being. It’s a conundrum. “I find your doctor’s aspect strangely appealing,” she says. “Speaking of bracing.”

Myka grins. “I was totally thinking the same thing.”

“And yet I would practice that medicine again.”

“For me that’s good news.”

As they prepare to depart, Helena says, “I confess I’m curious as to what you intend to tell Artie.”

Myka offers a slight stretch of her right shoulder in the direction of her ear: the only version of a shrug available to her, bound as she is. “Maybe I should leave that to you. You’re the writer.” Forestalling Helena’s reflexive objection, she adds, “I know, I know. The research. The ideas.”

“And yet I don’t have any. I certainly don’t see a path to inventing anything that would—”

“How about I take your photo with that camera? Think that’d help?” This is accompanied by a different grin: sly.

Whither the warning? Or is this a test? Myka isn’t Steve, yet Helena goes with truth: “It might. With any number of things.”

“If only,” Myka says, inscrutably. “Anyway I intend to tell Artie that this is all his fault, because he sent us on this retrieval in the first place. Obviously I won’t say what really happened.”

While Myka bestowing such grace is not surprising, it moves Helena all the same. “Thank you,” she says.

Myka opens her mouth, then closes it. She does it again. This wait... it’s grace too. “You’re welcome,” she eventually says. “I mean I’m tempted to tell him how you saved the day—the arm—but I know I shouldn’t, because I don’t want to draw attention to the hotel charging us extra.” To Helena’s quizzical eyebrow, she says, “For the missing towels and pillowcase. Which I tried to talk the nurses into giving back to me, but they’d already tossed them as hazardous waste. Or something. Or maybe I’m just not very persuasive? Or clear in what I’m asking for?”

Helena would very much like to explain that her own answers to those questions are negative and affirmative, respectively: no, you are persuasive; but yes, you are unclear.

“On the other hand, they did medicate me,” Myka says, perking up. “I keep thinking it’ll wear off, but not yet!”

The consolations of intoxication. “To the delight of your shoulder I’m sure,” Helena says. To my delight as well, she wishes she were free to say.

Their return to the hotel room offers another “everything has changed” hinge: no longer a stage for new and awkward performances of politesse, the space is now familiar, a place they have reentered. For the next act of the play?

Myka, who has preceded Helena in, stops and sways—just a bit, but Helena instinctively steps close, taking her by the elbow of her uninjured arm with one hand, stationing the other around the curve of her waist.

She feels Myka’s breath catch at the contact; immediately, she curses herself, loosens her hold, and says a terse, “I’m sure you want to lie down.”

“More than maybe anything. Or, wait, no, not anything.” Myka turns and catches Helena’s eyes with hers, but Helena cannot use that gaze as the basis for any inference.

She backs away as Myka lowers herself onto the bed; eventually, she backs her way into the room’s one armchair. It lacks give. It also lacks arms at a height that might provide anything resembling support. Helena slumps down, trying to be grateful that it exists at all.

Long minutes pass. As in the hospital’s waiting area, Helena imagines trying not to remain awake.

Similarly futile.

She chances a glance at Myka, who meets her eyes again and says, “That looks uncomfortable. Or what I mean is, you look uncomfortable. Which honestly is pointless, unless you’re doing some hair-shirt thing, because we’ve got this big bed. Not a lot of hours before we have to leave it, but we’ve got it for now.”

“That went poorly before.”

“I think circumstances have changed. Don’t you?” Weighted.

Circumstances are always changing, Helena could say. Usually for the worse. Instead she ventures, “You’d let me lie down with you?”

“I never wouldn’t.” Myka squints. “Wait. Did that come out right? Anyway, yes.”

Medication: not yet worn off. “You’re sure?” Helena asks.

“I’m pretty sure this bed is almost as big as a field where Pete’s favorite sport happens. It’s at least as big as an ice rink anyway, and those aren’t small.”

Helena refrains from pointing out that that was no help in the previous disaster. She doesn’t, however, appreciate being able to recline. For the first while, the fact of being beside Myka is less relevant than the slow loosening of her lower back and hips.

 “Can you sleep?” Helena asks, as they are both evidently lying with eyes open to the ceiling.

“Not now,” Myka answers, and the sentiment seems clear: not after all of this. All of this with which we must deal.

The bed first, perhaps.

She turns to look at Myka, if minimally. “Did you request a cot?” she asks, because she doesn’t know. Because the answer might reveal... something?

Myka’s eyes widen. “Oh my god I should have,” she says. Stricken.

“Why didn’t you?”

“It didn’t even cross my mind.” She’s talking more to herself—or perhaps to the room at large?—than to Helena. Is this continued evidence of the medication?

“And do you know why that is?” Helena asks, hoping for that revelation, even if drug-induced.

“Honestly I think I thought I was being given an ultimatum. Like it was something I had to be fine with or else.”

“Fine with ‘or else.’” Helena means the echo as rueful agreement.

But: “Sharing a bed with you. Platonically,” Myka says, taking it instead as a request for explanation.

“Platonically,” Helena scoffs, unable to avoid the idea that agreeing to accept that adverb would, paradoxically, usher in others. (Passionately.) (Speaking of paradoxically.) “That word is so often misused.” It’s a push-off. A push-away.

“But I’m using it correctly.” Myka sounds not offended, but rather self-satisfied.

Fine. Harden the position. “You are not referring to our consciousness rising from physical to spiritual matters.”

“Well... but how about love for the idea of good? As a path to virtue?”

Myka is well-read. In this moment, that fact is not entirely pleasing. “I suppose we were both attempting to be courtly,” Helena concedes.

“I mean I’ll grant you that nobody ended up transcending the body,” Myka says. Helena is about to agree, to snap away from churlishness, to express regret and apologies, when Myka exclaims, “Hey! I just had the best idea for a joke. So you’re not a hologram anymore, right? So you know what you were trying to be? Last night, in bed?”

Jokes. They confound Helena nearly as completely as metaphors do Steve. “I have no idea.”

“A Platonic solid,” Myka declares, triumphant.

Helena is mortified to find that in this case, she “gets it.” “Myka,” she sighs.

“Too soon? But come on, it’s not bad!”

“Alas, it is.” This quality, Helena can recognize.

“Right, but the good kind.”

Helena is not made of stone. Or bronze. How much easier everything had been then, sans choice and sans reason... and most importantly, sans the near-irresistibility of this one human. “I did always enjoy the word ‘icosahedron,’” she tenders.

“See,” Myka says, now in indulgence rather than triumph. “Pretty sure you have more than twenty faces though.”

“You do as well. Some revealed only under the influence of opioids.”

“Here’s one I don’t think I’d have the guts to use otherwise: my explain-it-to-you-using-words face.”

“Explain what to me?” Helena asks. It’s a surrender. She should better have said she did not wish that face revealed, but that would never have stopped a determined Myka.

“Why I flung myself to the floor.”

“I thought that had been explained? You were attempting to escape a circumstance.”

“First, the flinging was more involuntary than an attempt. And second: your hand.”

“Perhaps you don’t remember”—a strange thing to say to Myka—“but we had this conversation previously.” Helena does not want to have it again.

“Not this conversation. In that one, you drew the wrong conclusion. Or relied on an invalid assumption. Actually both of those. Anyway, your hand.”

“Please stop saying that,” Helena requests. Begs.

“Fine, I’ll finish the sentence: Woke up every nerve in my body,” Myka says, causing Helena to cringe and wish she could this very instant construct a truly useful time machine so she could fly backward, overleaping this latest passage so as to muzzle Myka before she could say that, because she believes it but knows it leads nowhere functional. To her continued mortification, Myka carries on, “Woke them all right up.” This, she says rhapsodic. Helena feels that tone in her gut, a hot twist of something she deserves as pain, but that manifests, shamefully, as pleasure. “Then your hand moved, and it shorted out the system—my system—and I fell out of bed, and the rest is history.”

“On the contrary, the rest is quite present.” Helena tries pushing all of it away, striving for detachment. For function.

“So, your hand,” Myka says again.

Helena raises the offender. “Also present.” Detachment. Humor, even; pushing, pushing, pushing. Trying to maintain.

“No, I mean why,” Myka pushes in turn.

Helena bats back, in faux innocence, “Why is it present?”

“Why was it present. On me.” Low now, her voice, just as compelling as, and even more commanding than, when she uses it to utter Helena’s name.

“I have no excuse,” Helena says.

“I don’t need an excuse. I need a reason. Do you have one?”

“It isn’t exculpatory.”

“As long as it’s explanatory.”

No escape now. No excuse, and no escape. “Here is my reason: I wanted to touch you. So against all better judgment, I did. Intending only that, nothing more.” Myka’s response to these words is an exhale. Loud. Unlike the hospital sob, however, this is slow and controlled. Helena allows a decorous pause, but no words ensue, so she goes on. Myka deserves an explanation that is complete. “But then I found myself unable to... un-touch you. Competently. And the rest will at some point be history, upon which I will never cease to look back and berate myself.”

Waiting for whatever may come next, Helena feels exhaustion inch through her, infiltrating her eyes, limbs, brain, sapping every vestige of energy... her surrender to the creeping leach is imminent when Myka says, “I like that reason.”

All right then. Awake and aware. “You do?”

“You really can be impossible to talk to. Listen to me: if I did that—touched you—I would find myself the same. Unable to un-touch. Do you understand?”

What would be the cost of abandoning her resistance? “I don’t know...” she begins, then reverses course and begins again. Truth, never mind the cost. “Yes. I do understand. But I don’t know what to do about that.”

Myka turns her head full toward Helena, twisting her long neck. Helena turns her own head, but that isn’t enough, so she shifts onto her side—her left side, punitively aware that it will be weeks before Myka can turn in such a way.

They look at each other, Helena both knowing and fearing how her guilt must freight her gaze. Regarding Myka so close, looking now into eyes that are open, is a boon she does not deserve.

After a time, Myka says, “I know what I want to do.”

Her intent is abundantly clear. The entirely of Helena’s being balks, stranding her again in Boone: if she makes a move for the momentary better, it will most likely end worse. She cannot find the... courage? or is it foolish disregard for consequences?... to reach for that moment of joy. Neither, however, can she find the discipline to dismiss its possibility.

“But I also know I shouldn’t,” Myka says, breaking with clarity into Helena’s indecision.

Well. Helena can certainly see the wisdom of that, so perhaps at last they are approaching a real accord that will render all hopes and wishes moot, so that neither courage nor discipline features in the—

“I can tell the meds are messing with my head,” Myka says, “and if there’s one thing I want to remember in picture-perfect detail, it’s this.” She moves her right index finger near to Helena’s lips, then withdraws it.

Unable to un-touch. That withdrawal reaffirms that Myka believes what she says. “This,” Helena echoes, mesmerized.

“So I’m going to wait till tomorrow to—listen to me saying it out loud—kiss you. For the first time. I want to be all there when it happens.”

There is a practicality to Myka’s thinking, and to Myka, that Helena worships. She tries to match it with a bit of her own: “If it happens.”

Myka’s jaw drops. “Come on! I said it out loud! It’s real now!”

“It’s been real for some time, hasn’t it? But I’m being realistic about the circumstance. You might not remember that you wanted to.”

“Seriously? I’ve remembered it since we met.”

Helena has remembered it just as long. She has. Denying it is pointless. But she has a larger concern, and though this is the wrong time to address it, perhaps medicated Myka will afford an unfiltered read...

“Or you might think better of it.”

“Of kissing you? I don’t think so.”

“Of what could ensue. The possibility of a... relationship. Between us. What if it doesn’t work?”

“Relationship.” After she says the word, Myka’s lips part and close, as if the very word is savory. “What if it does?”

It is savory. However. “I’m asking as a practical matter, not philosophically. I’m constrained: I can’t leave again. That’s why I came back.” The thin strand to which she is clinging... refraining from attempting to rekindle an intimacy hasn’t been only to keep Myka safe. It has also been to keep the Warehouse safe for Helena herself to inhabit.

“Then don’t leave again.”

“But what if that means you do?” This is not philosophy either. This, too, is history.

“If I do, then I do, but I’d like to think I won’t. We’ve both had our walkaway crises, and they didn’t take. So if it doesn’t work, we put it behind us like adults. If Pete and I could, then so can you and I. But I’d rather not have to. So let’s be careful.” She pauses. “Breathe however you need to.”

The words are an embrace. A physical clasp might be more galvanizing, but right now, Myka is managing just fine with words. “If this works, it will be because you say things like that.”

“Good news, because I mean things like that. And I intend to keep saying them. Hey, speaking of saying, do me a favor and write down what I said just now, about the adults and the careful, because I want to remember it.”

Sluggishly, Helena ideates rising, going to the room’s desk, finding logo-bearing paper and pen, writing...

****

Helena and Oscar are in a salon. They are engaged in a dispute regarding choices and consequences. Helena is standing at a lectern, and Oscar is reclining on a lavishly upholstered chaise longue, kicking his right leg such that its calf bounces in a languid little rhythm against the low cushioned edge.

Kick. Kick. Kick.

“The choices that create a circumstance will not, repeated, resolve it satisfactorily,” Helena says. Is she reading from a monograph? “As we see in the case of your own Ballad of Reading Gaol, do we not? And yet injury need not lead inevitably to future debility, so clearly some choice in the matter is—”

“Helena,” Oscar says, interrupting her monologue. “Helena,” he repeats. He sounds nothing like himself, but rather someone else, and Helena is straining to connect the voice to the correct person.

Kick. Kick. Kick.

“Time to wake up,” Oscar-as-someone-else admonishes. Encourages?

“I know,” she tells him, hugely frustrated, fighting. “I’m trying.”

His impassive mien is no help. It never was.

Kick. Kick. Kick.

Trust Oscar to cast some part of himself as the pendulum of a particularly annoying clock—

“Seriously, wake up,” Helena hears, and consciousness jolts at her: Myka’s voice.

Oscar dissolves. Into laughter or tears, no doubt, as he was wont to do...

Helena’s eyes open, meeting Myka’s, and she is brought back to it all: the hotel, the bed; the shoulder, the hospital... then hotel again, bed again... and finally words, as if for the first time.

Myka is lying on her right side, facing Helena. Her eyes are bright, her gaze intense.

“Are you in pain?” Helena asks.

Myka leans forward, as if that were a signal. The signal: for Helena is the astonished, grateful, transported recipient of a kiss, a first kiss—the first kiss—one that is swift but soft, gentle, genuine. Like morning... “Better now,” Myka says when she pulls back. “I’m going to brush my teeth. Stay there.”

Better now. Not lost on Helena are all the ways that signifies, including: better that this happened now than at some point in the desperate past. Then, such a kiss would have been a tragic wish for all they would never have. Now, instead, it can stand as a reward for having survived all of that, as well as, universe willing, a mark of embarkation.

By the time Myka returns, Helena has sat up, stationing herself on the edge of the bed. She has also realized that she must apologize—for they should not embark on this new voyage with yet another of her many faults unaddressed. “You charged me with writing down part of our conversation. I didn’t. I fell asleep instead.”

Myka hesitates before joining her on the bed’s edge, clearly considering which arm should be next to Helena. She chooses the functional right. “It’s okay. Even if I don’t remember exactly what we said, I remembered what we needed to do.”

“Needed to,” Helena reprises. She could supply words of her own, but why? Myka is saying the ones that matter...

“Needed to,” Myka affirms. “So where were we?” She raises her useful hand to Helena’s cheek, cradling. Helena leans into it, saying nothing, because silence now says everything.

This is a longer kiss, more wandering, more suggestive of possibility, more likely to lead to such possibility... Helena is the one to this time pull away. “A place quite new,” she says.

“And yet I’m pretty sure we’ve been headed here all along.”

“It wasn’t inevitable,” Helena says. She is thinking now of dream-Oscar, who is slipping from her mind, dropping, like a poorly initiated painting, but he must have obstreperously been maintaining something about inevitability. He always did.

“No,” Myka agrees. “And it still isn’t. So let’s be careful.”

“You remember that part? Despite my stenographic failure?”

“Even if I didn’t—but I do—I’d know it’s important.”

Helena turns and touches her right hand to Myka’s right hip. She would certainly not be able to do this now if she had not done so in the night... the night’s ontogeny recapitulating the phylogeny of their shared history. Myka covers Helena’s hand with hers, and there is healing in the simple fact of their sitting. But eventually that is not enough, and another kiss ensues, longer still, and lips outweigh quiet hands—or no, lips add to quiet hands, but hands are not content to remain so calm, and so this continues and might continue—

Myka makes a noise that is clearly not of pleasure; she moves entirely away, her right hand pressing protectively at her left shoulder. “We’re going to need to be careful about this stupid shoulder too. I’m so, so sorry.”

“You’re sorry? I’m the one who can’t keep my hands to myself.” Ontogeny, phylogeny.

“It’s not like I’m some paragon of self-control... and I am sorry, because I’d like to be able to participate fully. But also I’d like to not have to hurry on account of catching a plane. In good news, eventually my shoulder will heal. I know we can’t stay here till then, but...”

“It would help,” Helena supplies.

“If only because we have to come up with how this supposedly happened. I still think maybe I should take your picture. Or you could take mine? Because by the way, here’s a funny thing: I was trying to write a novel.”

“You were?” More that is new... “Speaking of icosahedra,” Helena notes.

“I want to tell you about it.”

“You do?” Trying to convey her incredulity. That Myka would allow her such... access.

“I want to tell you everything. But in the meantime we have to tell Artie something... I guess we’ve got both flights plus the layover in Denver to get our story straight.”

Stories. Narrative. Novels? “But we’ll tell Steve the truth. Won’t we?”

“Of course we will. And Claudia, right?”

“Also necessary. Although most likely mockery-inducing.”

Myka smiles. It’s a sunrise. “Stress testing. If we can take it from her, we’ll be fine. Then again we might need the time on the planes to rest up for that.”

“Weren’t you able to sleep, this past while?”

Myka shakes her head, and just as Helena opens her mouth to express regret and apologize again for her own sleep, Myka silences her with a kiss, one that lingers, lingers, lingers... still half against Helena’s lips, she says, “The un-touching part really is difficult. But don’t worry about my not sleeping: for the first time in a long time, I was happy to be awake.”

END

#bering and wells #warehouse 13 #fanfic #Asleep #part 2 #B&W holiday gift exchange #kla1991 #also anniversary! #which this year arrived a bit unexpectedly #so I decided to do this mashing up of occasions #because I apparently cannot work fast or well anymore #but as for this story #something something sleep and wakefulness #and when one finds oneself in those states #and whether one recognizes the state one is in when in it #or when finally out of it #and of course there are also the transitions