Top 10 Medieval Fantasy DND Campaign Themes
Adventurers and storytellers! 🎲✨ Discover the secrets to a truly captivating #DnD campaign. From the eerie whispers of brooding forests to the power struggles of royal courts, our latest article has it all. #dungeonsanddragons
Many Dungeon Masters know the thrill of crafting a captivating scene that leaves their players mesmerized. Delving into Medieval Fantasy DND Campaign Themes presents a world rich with endless opportunities for epic tales. Picture this: adventurers weaving through a bustling market, not for trade, but to unmask a secret spy for a local baron, a move that could reshape the kingdom’s balance of…
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in the absence of comfort
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Rock Candy 🍬 :}
Don't know if I can do all the hells cause busy, but all y'alls suggestions are so fun 💛
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For all my fellow name nerds out there, I am very pleased to present the second annual "Gloyd Roberson Memorial List of Actual Human Children Who Wrote Letters to Santa in 1920s/30s Oklahoma".
These aren’t all necessarily “weirder than Gloyd” but fall into three rough categories which I’ve dubbed: “that’s got a nice ring to it”, “if I used this in a novel it would be considered too unrealistic” and “you’ve got 5 seconds to name a character that lives in 1920s Oklahoma, GO!”:
Selvyn Atteberry
Dyer Banfield
Bert Baxter
Hilda Bender
Imogene Berry
Heloise Blakely
Burl Boyer
Clyda Pearl Boyington
Okal Brooks
Vada Jo Bricker
Deverett Brumley
Lee Roy Buck
Vivian May Burdue
Donnie Buster
Elmarie Button
Junior Buzzard
Melchor Caldex
Tycene Calhoun
Tiny Bell Callison
Dapalene Caywood
Edney Clopton
Buster Combs
Georgia Countryman
Vantruba Crockett
Alto Day
Buddie DeWayne
Violet Divine
Elwanda Downing
Cletys Durham
Thurlo Epps
Apple Fields
Floyd Fleetwood
Metherine Franklin
Ula Fay French
Wanda Jo Fronterhouse
Irline Fuller
Jack Gritzmaker
J. D. Grizzle
Billie Jean Gulley
Joline Hardcastle
Kaloolah Herrill
Thelias Hatfield
Elva Heavins
Coleman Hewlett
Helen Hillhouse
Virgil Holderby
Katymae Houston
Myree Huffstutlar
Estelline Hurrypack
Blondie Huhm
Lila Lou Jackson
Denver Jones
Vernell Lambert
Sonny Boy Lockart
Dinkey Long (autocorrect really wanted this to be Donkey Kong)
Bamma Lynn
Rep Madden
Standford Mann
Jack Mattingly
Goldia McGee
Madge Messinger
Mauzell Mullins
Jeffie Wayne Muskrat
Archibald Neighbors
Hazel Nickerson
Eulah Oakley
Lyle Oyler
Milburn Partain
Jackson Payne
Montana Phillips
Bobbie Dean Phoenix
Toots Putman
Madonna Mae Rickey
Cyprine Robertson
Juanelle Schneeberger
Billie Jean Sparks
Texanna Smith
Pansy Stetson
Patsy Ruth Stubblefield
Eldon Sweezy
Hoy Trotter
Pearl Vandorien
Leland Weems
Joe Bob West
Wayness Whitely
Buster Wyatt
John Ira Youngblood
Domby Zinn
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Home is where the heart is
(Alastiel is a vampire lord NPC from @luposlipaphobya's D&D campaign, Une Cour de Chair et de Charme!)
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Take A Chance
Role The Dice
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I understand not being a big fan of the appearance of past PCs, and I shared that earlier on, and even shared the argument that I wanted Bells Hells' story to be about them...but I feel like the time for that argument has passed. As we've gone on, that is in fact the story - that they're a bunch of level 8 adventurers who have fallen into an endgame scenario because of little peripheral threads and because of who one of their companions is. The story is, on some level, about not being about them. They've had so little time to drive their own destiny; it's been fetch quests and pursuit from the start, with little in the way of the odd jobs and proper stumblings one would usually expect.
And I hope that after the solstice they'll get to do that! But I think having Keyleth and the Ashari, Beau, and Caleb there hammer the above home: this is so much bigger than Bells Hells is prepared for, and they're here because a few weird things that happened in Jrusar (which is all that Eshteross ever wanted to look into, and all Treshi ever wanted to do) were unbeknownst to them part of a plot Ludinus Da'leth has likely been working on for several centuries; and because Imogen and Fearne are involved through accidents of birth. In many ways, it echoes Laudna's entire story. It's just people who were minding their own business in a town, and someone powerful and ruthless did things beneath it that affected the population at large because of a plan with cosmic ramifications, and they became involved out of an accident of location.
I'll admit - I do prefer a story where people are actively seeking something, or running from something, rather than caught up in bigger and bigger webs of conspiracy, but that's not the one being told right now, and the version in which far more powerful allies don't appear is a tragic and cynical one, whereas one with Keyleth, Beau, and Caleb says "yeah, this is fucked up, and it's not fair that you're here on your own to deal with this rip current of an event."
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My fav thing about TAZ is that any aspect out of context sounds fucking bonkers.
Like, in the balance finale there's a scene in which Garfield (who is very specifically never described visually bc most people imagine him as like. The Lasagna Cat. Who in this universe is the most powerful warlock in the realm and also has a hobby of cloning people, which is great for the one character that got forced into haunting a mannequin) is summoned by an alien spaceship that runs on the power of friendship so he could beat up some flashing balls. In D&D.
And that was just. Such a normal scene in the narrative. No one blinked an eye. I would like to bow down to Griffins clear unmatched talent for making me feel such big emotions over ridiculous shit like a goddamned umbrella or a regular ass pair of jeans or the idea of a taco recipe.
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you have a whole separate cowboy angel Kickstarter right??
LOL we joke but, I do want to make more themed monster pins so if there's enough demand, I'll consider a mini collection of cowboy (Pride?) angels!
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Vesper - Fire Genasi Rogue, a loyal member of The Black Backfire Company. My beloved dnd rogue, but also a nasty villain in my other DM's campaign!
Her personality summed up is: "Feeling cute, might dig dirt on you later and blackmail you with it >:3c" while also glowing in the dark with her lava vein/scars.
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just curious if there's a consensus here so:
Specifically THEME music, this isn't about the rest of the soundtrack (or the rest of the campaign for that matter). I’m excluding Balance both so as not to bias the results, and cuz the theme’s not original music.
Linky links under the cut in case anyone needs a refresher (listen to all of them before voting if you can!) Also feel free to listen to them all and vote even if ur not in the fandom! ^^
Commitment
Amnesty
Dust
Graduation
Ethersea
Steeplechase
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the fey ocs I’ve been working on!!!! updating old designs
first one is Pien Duskmeadow, formerly an eladrin twilight druid/ celestial warlock and now............ something else? possibly a bard or artificer..
They are a fashion enjoyer and tailor!
(currently working on their seasonal forms and clothing design)
second is Slieka (temporary name, hopefully. it means earthworm), a hexblood long death monk! A grave robber and bone enjoyer
(currently struggling with their tattoo designs, especially what words to use on their knuckles)
(he/they for both)
please send asks about them if they interest you!!!
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Every time Aabria Iyengar steps into the dome she creates something that makes me fall in love with the wonder and possibility of ttrpgs all over again
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clint mcelroy creating a dnd character: oh yeah, this bad boy can fit so much simple zest for life in him
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im honestly very happy ira is one of if not the most beloved npc of campaign 3. and while i know most of his surface level appeal is the sheer unhinged faeishness of him, i think it fundamentally comes down to ira, despite his most un-human everything, being the most Man in his struggles as a fae can get.
as early as his intro he was set apart by past established fae, by working on technology, wearing a tattered suit. he was kicked out of the courts and the vanguard after they asked him to create their war weapons. he is a veteran of a mortal war, and got no accolades. he has spent 3 decades living in caves, taking the shittiest jobs imagineable just to get by, even torturing folk for his shit bosses again (the treshi job) because cash is cash. he knows folk will Just Die if they cant keep up and accepts it bluntly. his voice creaks with age & experience in the dust. it is easy to pin his pettiness & need for vengeance solely on the intensity of a fae til you see that he approaches even those goals with the rusty, tired caution of a man who was a spy, who understands the gravity of war, whose bosses have screwed him over so badly they made he, the nightmare king, scared.
he is a victim of the greed of the rich, easily isolated and made a scapegoat as a sole evil by them. he has lived a life with absolutely no lavish design. even artagan, whom i love with all my heart and find deep relateability in, is so disconnected with mortality at first, in large part because he was a literal fae lord. when vox machina adjusted the leylines to let artagan into exandria, ira was locked out of his home at the same time. ira has lived in the grime of the worst the fae courts and humanity has to offer, wanting to make a mark but always being a pawn hurt by a grand design. and so, while he clearly & obviously knows the difference between mortal & fae, he also knows there's really no defined line between who can hurt you worse... and how it shapes you. does your callousness begin with your fae nature, with everyone deeming you a monstrosity, or with your experience at the bottom rung? it all ends the same, regardless. i think it is fascinating to see the classism & even capitalism choking exandria and its sister realms, and ira is so fascinating because he is the primary example we have of that happening to a fae, and we get to see how that has gruffly shaped someone who could have been as utterly unphased & whimsical as a flower in the breeze.
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