ngl the "im white so i dont talk abt any characters' race ever bc im afraid of accidentally saying something racist" approach to fandom is like. very weak. imo.
like first of all: i get that "i dont incorporate race into my media analysis because i'm afraid of messing up" comes from a different place than "i don't incorporate race into my media analysis because I Don't See Race 😊 there is only The Human Race." but it has the same functional effect, right? that effect being that your analysis of [INSERT MEDIA HERE] ignores the very real way that race impacts people.
second of all: it feels kinda lazy! like ur saying "i dont know enough abt race to feel comfortable commenting on how race affects this show and i dont care enough to learn." the only way to become more comfortable discussing race is to actually practice discussing race. but when i see people saying this it feels like they're saying "i'm white, which means i don't know how to talk about race, and i don't have to know how to talk about race, and i don't ever have to know how to talk about race, so i'm choosing to never learn how to talk about race."
third of all: just because you don't openly talk about race doesn't mean you're any less likely to accidentally say or do something racist. implicit biases run deep, y'all. it's probably already there in your interpretation of the show. but the "i don't want to accidentally say something racist" implies that you are positive that your interpretation of the show isn't racist. and i'm not saying you're wrong. but i'm saying that if a person of color tells you that something you said about [INSERT MEDIA HERE] was racist, you better be prepared to actually listen and not just brush them off because "i can't be racist! i purposefully never talk about race just to make sure i'm not racist!"
which brings me to my final point: if you do accidentally say something racist... literally just apologize. if someone says you've been doing something racist, apologize and stop doing that thing. it's literally not that hard. i've done it. i've seen other people do it. "i'm scared of being called racist!" is such a weak excuse im tired of it. getting called racist is not the end of the fucking world. calm the fuck down and grow a spine. jesus.
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Do you ever think about the absolute euphoria Duck would feel at getting to be human again? I do. I do a lot.
[ID: a stylized digital painting of Fakir and Duck embracing each other as he lifts her in the air. Fakir stands ankle deep in a pond and water splashes around them. A few white feathers float through the air around Duck. She is nude and her hair is down. Fakir wears a simple white shirt with his pants rolled up above the water level. In the foreground, an open book rests upon the dock. Behind them, the clouds are lit with the pinks and blues of a sunrise. End ID]
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Thinking abt trolls 3 and why it picked up so much traction compared 2 the other 2 movies. Like technological advancements aside I think the main thing is just the character lineup.
Movie one was mostly branch and poppy. All the kidnapped trolls operated as One entity really so it’s not like u could particularly??? Care about them too much. Bridget and Gristle were really really fun but the villain wasn’t anything particularly special or noteworthy judging by just how little people. Talk about her. OH and also creek was there (literally forgor im rereading this for typos and adding this now) but like. Oh no the guy who showed up for like 5 minutes is a Bad guy and im supposed to care about the quest to save him mostly just because theyre telling the audience they should care because Poppy cares . But theres just not a lot of setup (and Creeks just not that. Interesting?)
Second movie had considerably More bangers and was definitely going in the right direction character wise. But it had the Opposite problem with wayyy too many guys that were really interesting and not a lot of time to do anything with them. You get King Trollex’s intro, Biggie, Cooper and Prince D and their parents, Delta Dawn, and Allll the bounty hunter trolls, PLUS Barb and the rock trolls. Barb was definitely a prime example of a major upgrade from the movies, having a villain that the audience actually vibed with and u could Tell by fan reactions I think. (Parb sweep) But there was just. Sooo so much, on top of the lore dump and a plot that you really had to get cool with really quick to get invested in. theres a bunch of new trolls and these strings that are definitely super important promise (lie)
The third one feels like they finally like. Know what theyre doing. With their own universe. No big lore dumps, theres not even any Explanation for what Mount Rageous is, they just introduce you to it and the Rageons with confidence thru Velvet and Veneer and expect you to get it. Plus, theres still a lot of characters, but theyre much more tangibly connected now. All the brozone brothers are well established and have preestablished relationships with each Other so even if we dont get much time with them it doesn’t feel like theyre that out of place. It still requires some suspension of disbelief vis a vis “Branch had Four super secret brothers hes Never mentioned,” but they make it work and frankly, the set-up is a lot more easier to get invested in than “secret magical strings that Invented Magic I Guess.”
And with Brozone and Viva theres a connection To the main characters rather than just being tag-alongs for tag-alongs sake. They’ve all got their own niches to make them individually compelling but theres a connecting thread here so they still feel like they’re a part of the story. And they’re all there to do something!! And then Velvet and Veneer of course continue the vibe that Barb had of being villains with enough screen time and personality that you like them As characters and arent just viewing them as The Plot Obstacle. Which is cool i think. Overall i just think the third movie felt a Lot more confident to do what the fuck ever and thats Really good.
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Ranking the books I read in Japanese this year
It’s the end of the year and I don’t think I’ll be finishing any more Japanese books this month, so I thought it would be fun to rank what I read! I read twelve novels in Japanese this year, hitting my goal (but not quite reading one a month). There won’t be twelve rankings here, though, because I read multiple books from the same series and will be combining those.
9. コーヒーが冷めないうちに - 川口俊和: This book just didn’t do it for me. I listened to it on audiobook in February for a target language listening challenge and got stuck in a vicious cycle of not paying attention because the story was boring me and being bored of it because I wasn’t paying enough attention. Most other people I’ve seen who have read it in Japanese also thought it was boring, though, so I’m not mourning any loss.
8. 宝石商リチャードの謎鑑定 - 辻村七子: I really wanted to like this series but the negatives outweighed the positives so much that I only read the first volume. The most damning part of this for me was that I couldn’t stand the writing style. It was extremely confusing, and having a language barrier on top of that just made it miserable. I’m really glad I read this with others because I was not the only one who found the writing style to be ridiculously confusing for a book that doesn’t even handle confusing or difficult topics. Seriously, the writing was so bad that I considered continuing the series in English. But the characters were good.
7. あん - ドリアン助川: Now we get into the books that I enjoyed, just not as much. I liked this book well enough, but it was just a bit middling. I wasn’t overly invested in the characters or story and I found myself wondering how on earth this story could go on for another hundred pages. It was sweet, but ultimately I don’t think the story will stick with me at all.
6. ちょっと今から仕事やめてくる - 北川恵海: This was another audiobook read and although I know I enjoyed it, I really don’t remember much about it. I’m also not sure if the twist, which I did think was really good, actually happened or was something I misunderstood (I’m pretty sure I understood it though). Overall, this one goes on the to-reread pile, just as soon as I can find a physical copy of it.
5. 旅猫リポート - 有川浩: This was an adorable story perfect for cat lovers, but the end had me a little bored. Honestly though, it was quite the experience to go from being a bit bored to crying my eyes out in the span of ten pages. The writing style and the main cat’s perspective was super charming as well.
4. 人間失格 - 太宰治: This was my first classic in Japanese and wasn’t as difficult as I expected. Dazai’s writing style is a pain in the ass, but I will admit that it started to grow on me as the book went on and now I find it endearing. It also wasn’t as depressing as I had heard it was, and I really enjoyed getting a perspective of that time period.
3. 美しい彼 - 凪良ゆう: I only read one volume of this, probably exclusively because I suddenly couldn’t stand romance when I had fifty pages left of this. What can I say, I love a good toxic gay romance. The writing style is chronically readable and the story is super engaging.
2. No. 6 - あさのあつこ: I’m a fan of the anime for this and the novels have not let me down. I’ve only read two so far, but the story and characters are super gripping. I really love the emphasis on dialogue in this series, I really feel like it makes the characters pop more. The only problem I have is this odd quirk in Asano’s writing style, where the majority of the series is told from third person point of view, but will suddenly switch to first person point of view for a single sentence. It’s not enough to deter me, but it is a little odd to see.
1. キノの旅 - 時雨沢恵一: My number one favorite read in Japanese this year and no one should be surprised. I’m a massive Kino fan and read three volumes this year. I love books that I can analyze the hell out of and this is exactly that. Additionally, I think the writing style and the way both Kino and Hermes are characterized adds so much to both the stories and the underlying meanings that Shigusawa is trying to get across.
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actually my roman empire is how elinor and marianne are essentially metaphors for the two sides of the same coin in jane austen’s extremely repressive society,, how elinor is the “facade” you had to put on and marianne is everything that hides behind that mask, all the things you wanted to feel and show but you had to hide, bc it would make you a social outcast,, and how it is the intensity and the rawness of marianne’s emotions that almost kill her and how she became less emotional after her illness, as if it were not only a great example of (a VERY MUCH needed) character development but also jane austen’s way of telling us that once again social rules win in the end and there’s no way to fight them.
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