#I try to tell myself that people listen to controversial artists all the time

[s1lly-gh02tz]

Im filled with GUILT. WHY. WHY ON EARTH. DO MUSIC ARTISTS WHO HAVE DONE SUCH TERRIBLE THINGS. MAKE SUCH FUCKING GOOD MUSIC. I WANT to listen to them. I REALLY DO. BUT I FEEL SO GUILTY.

#I try to tell myself that people listen to controversial artists all the time #but man #msi has a handful of songs with the n word in it #this is about msi if you can’t tell. I REALLY really like their music but god man. I CANNOT GET super interested in them bro. #I just read the entire wiki page on them because I was bored #THEIR MUSIC IS SO GOOD BUT JUST AGEHDNDKAUHDHDB #PPLEASEE MAN #PLEASE #I do NOT support anything they’ve done if you couldn’t tell. I just really like their music 😮‍💨 #Lucifer losing his marbles #msi

[jitterbugjive]

I hate that people can easily find the stupid and shitty things I said and did over 5 years ago and jump to the conclusion that that's who I am, and there's no easy way for anyone to see all the efforts I've been making since then to NOT be that person. It's hard to find all my apologies and explanations because I didn't tag them all properly. I've tried time and time again to explain that I was mimicking the behavior bad adults gave me when I was growing up and that no one really called me out on that behavior until it was too late. I've tried to explain that since then I've been going through extensive therapy to separate bad learned behavior from who I want to actually be. There's so much more to this whole story than what one small chunk of the internet is making it out to be. People who actually know me know that this has been eating me up constantly and that I am always living in fear of losing everything to this drama.

especially since some of that info takes quotes out of context, jumps to conclusions that aren't true, or flat out lies about what certain artworks are depicting or meaning to convey (Like claiming a grown ass adult is a child even tho I have proof the character looks totally different as an adult than as a child, or claiming that a shock piece meant to make people reel back in horror was a fetish when it was not at all that)

It takes clips of things without the full picture and puts words in my mouth.

Here's a little something about how I used to talk about sore subjects: I would make a controversial sounding statement, but then I would explain myself in a way that would show the statement wasn't as bad as I was making it out to be. A lot of the time they just take that bad statement and paste it for the world to see, without giving any of that context of me explaining why I said that and why it's not what it sounds like.

I wish people were smart enough to spot cherry picking when they see it, but they just aren't. They'll see one sentence, and someone saying "look they're supporting this bad thing" and that's all they need to think that's what it is. People aren't smart enough to really ask questions and try to understand a situation, all they want is face value to tell them how to think and feel.

People aren't going to bother to listen to me because I'm "the bad guy" and I'll "say anything to cover my ass".

Listen, if I was really that horrible of a person, don't you think there would be more evidence out there that is very clear and blunt and not just making assumptions on what a thing means?

I'm never gonna sit here and say what I said and did wasn't wrong, it was, but it was not done because I was trying to be a terrible person or prey on anyone. It was because I was insanely misguided by someone who groomed me for 5 years since childhood and then abused me for another 3 in a really toxic relationship. And then I never got HELP for it, I never got therapy to cope with it, I never even realized until way later that 'holy shit this person was 7 years older than me and was taking advantage of me the whole time'. Like I knew they were abusive but adults being friends with children was so normalized in my head, and throughout my life many adults or older kids exposed me to things I shouldn't have been and it skewed in my head what was appropriate behavior or not. Or what was okay to draw or not. And a lot of my opinions were formed around this adult who convinced me things like loli/shota were fine as long as they were strictly made up, and he fed me a lot of nonsense about what does and doesn't make a predator to cover his own ass. I was seriously fucked up almost beyond repair for a long time.

I have a warning on my blog now that minors shouldn't be following me, I make it a point to not ever work with minors on projects or talk to a minor in any capacity beyond a fan to artist relationship. I understand now that it is my responsibility as a NSFW artist that I simply cannot have minors as friends. And being much older now I don't even want minors as friends anyway. When I was in my early 20s the age gap didn't feel as bad but I'm definitely feeling it now and I just don't want to deal with minors any more.

I'm not a danger to anyone, I'm not spewing apologetics for horrible people, I've been doing my best to be a much better and more informed person

And I have no easy way to prove any of it in a way that will matter

I'm only talking about this now because once again I was kicked out of something because someone found that old info and that was all it took. No one cares about my side of things.

And I don't know if this will ever go away

I don't know if I'll ever find any amount of comfortable success because I can't get rid of this shit and on the internet it doesn't matter how long ago you did something or how much you've changed, you did it and therefor you're bad forever.

I hate this shit so much.

#vent #drama #sorry #apology

[awek-s-archived]

i am a bit curious as to why you dislike idle. i don't particularly love them myself but i'm curious as to your reasoning

ok thank u so much for asking first of all because i feel like a lot of people over the years have been curious about this and instead of asking me abt my reasoning regarding anything to do w idle they kind of default to anon hate, so. DKLFGJKLDF

im gonna give background, i followed y/uqi predebut, since that video came out of her as a young trainee moving from china to korea and being a part of a series where trainees go up to strangers in the streets and ask them to listen to them sing to gauge some of the public reaction to them if they debut. she sang in front of this one particular girl who used to be a trainee herself but couldn't live with the pressure and kind of yearned for that dream still, i guess? anyway, she gave y/uqi a lot of advice that i feel really helped ground her and to this day i think she's actually the only or at the very least the most grounded member of idle. and the only one i actually have nothing against and would love to see thrive, because i sincerely think she would and i'll come on to that later.

the tldr version is that i don't agree with the rampant racism and cultural appropriation that they engage in from music videos to general looks to sounds and beats in their actual songs. it's a lot. i know kpop groups in general are very guilty of this and sometimes, not very often, when you tell them it's wrong they apologise and stop doing it. but idle fall under the same category as suju and m/amamoo in that they literally don't care that they're doing it, because they have seen and i believe apologised about it then continued to do the same thing. but my issue with them as a group wasn't ever really directed at specific members until miss s/oyeon's international fuck-up where she said she wants to make 'ethnic hip' music as basically her excuse of why she appropriates cultures.

i paid a lot more attention to their group behaviour after that and there was a time of hiatus where y/uqi and m/innie in particular were very chill and doing their own thing where they were extremely different from how they were when s/oyeon ruled over them. y/uqi went back to being the grounded, friendly, chaotic and generally nice person she was before with no issues or controversies and m/innie did also. i don't really care about the other two so i can't comment on them extensively but these two i paid attention to because i know i liked them from before. but miss s/oyeon?? well, she carried on the group controversies all on her own, lmao. more racism and cultural appropriation but this time she also blatantly plagiarised another producer's songs and released them, lied about asking for permission to recreate the song DOWN TO A T (the song is wave by a/teez btw). basically she admitted to stealing it without using so many words but continued to promote it and didn't give the credit that was due for her plagiarism. i think this was one of 3 (?) plagiarism accusations in the space of a few months. so she's very big on growth as an artist and thinks of herself as a big producer but ultimately all she does is steal the songs from smaller artists and smaller producers and pass it off as her own. obviously as a creative myself, i'm not ok with this and i think she's a poor excuse of an artist to do it. she doesn't deserve the title.

in the last couple of comebacks, she profited off m/arilyn m/onroe's death and image, which is disgusting to me. i don't care what excuse her fans think up to make it ok -- especially when this came out at the same time as 2 documentary series about m/arilyn and she was a huge subject of discussion globally again. so it was evidently a ploy for cash and probably a good stepping stone to s/oyeon trying to make ~empowering music~ for women. sadly all she's doing, if her lyrics are anything to go by, is promoting the exact stereotype of women that everybody else is trying to fight against. she's saying, it's ok for women to love themselves but creepy for them to engage in sex or for men to be physically attracted to them because that makes them perverts (nxde lyrics allude to this VERY heavily).

i also personally don't like the attempted profiting off lgbt fans with 'oh my god', which people made theories about BEFORE she publicly came out as saying that it represents love in all forms, and kept alluding to it AFTER to give fans something to talk about despite officially saying she doesn't want to limit it to homosexuality -- so, how was it a song for the gays then? it wasn't. she was going with the fan theory to get talked about. it's not a bad marketing strategy but it is vile from an actual gay person's point of view, and the fact that she backtracked officially to say it's not ABOUT anything specific while feeding into the ~ally~ delusions privately is disgusting to me, personally. and i'd get if it was taboo to the point of it being career-ending, but there are plenty of other kpop groups who have explicitly stated their videos or songs or dramas, or ANYTHING, are strictly in representation of lgbt love both before and after oh my god -- o/nlyoneof in particular.

more recently of course, the attempted dissing of rookie groups, however light -- those are children. you're a grown woman. if you want to write a disstrack, don't do it about people who are a decade your juniors, OR a decade your seniors. she dissed h/yuna and h/yojong in a song and then sent h/yuna a signed album this comeback. weird to me, even if there are no hard feelings. it's not about the action so much as the attitude with which she keeps doing those things. this is where my newfound m/innie dislike comes in too, because she recently PUBLICLY dissed i/ve for winning an award against idle despite the fact that idle had already won a similar award something like the day before or a few days before. but i think i'll get over it because i genuinely don't believe that that's her actual attitude, i think 100% it's s/oyeon's influence.

and my reasoning for THAT is y/uqi's recent interview, where she said she and s/oyeon don't get along virtually at all, and fight all the time. she (y/uqi) finds it funny and thinks it's a sign of being close and honest, which it can be -- but that's not a healthy relationship, period. if you can't talk to someone without arguing, you don't get along ever.. that's not a friendship. but it does in a sense bring me comfort because i hate the type of person s/oyeon is and the fact that y/uqi argues with her so much tells me that she's the polar opposite. furthermore y/uqi also mentioned wanting to be the leader in situations, and that just tells me everything i need to know re: how much they actually agree with s/oyeon's creative decisions for them as a group and perhaps as individuals too, since she's currently cube's favourite and has significantly more pull than anybody else at that company.

i know you asked about idle full group dislike but it does all come down to s/oyeon in the end, because i think all of this controversy and all this behaviour could've been avoided if somebody knocked her down a peg. but i think everything she does is shallow and performative at best, she's not a hard worker like everybody thinks she is, but she does see herself as a martyr in all aspects and i guess tries to capitalise off it. which ok, that's her business, but i think it's gross and unfair to drag the other girls down with her. nevertheless all her choices (that she's proud of, too, let's not forget) up to now have made the group as controversial as it is now and is why i dislike it so actively as a unit, even aside from the other individual members.

#wow this is mad long im sorry #asks

[ragemyfeelings]

Hey,

It's been a little while since I posted something on here, so I thought I re-introduce myself because... why not?

My name is John, I am 22 years-old, I'm Brazilian and I write songs since 2016. I publish them online and share it with my friends and random people on the internet secretly hoping that one day someone (a music producer or a record label manager) sees me and say: ''Hey, I really like your stuff. Would you be interested in making a collab?''

But... I know that my dreams ain't rare. And yes, I am quoting ''You're on Your Own, Kid'' by @taylorswift! She's the reason why I started writing in the first place. And I mean that from the bottom of my heart, I wouldn't have kept going throughout so many years even though nobody's ever paid attention to me if it wasn't for her. She inspires my every move as an artist and a person, and I'm sorry if I sound cocky by referring to myself as an artist but that's my way of manifesting.

Anyway... I only ever publish lyrics of my songs since there are no vocal recording of them. I consider myself to be a nice vocalist but unfortunately I've never had the opportunity to take vocal lessons or record any of my stuff in a professional studio. But someday I hope that changes.

My former artistic name was ''Johnée'' but I was forced to change last year when the Genius website deleted my account (and all my 23 lyrical albums) for no reason. Now I am a part of a one-man band called ''Slaves of the Feeling'' named after one of my favorite songs I've written.

Last year I published my (their) first album called ''HEARTCORE'' and I'm excited to share more soon...like...really, really soon.

Here's some of my favorite lyrics of mine:

''Crush someone's heart in my hands Play the piano with bloody fingers Stab them with my pen, one for every song I've written I was a teenage serial killer Filled with rage and bones to pick with I might've poisoned some of the things they said to make me a victim Maybe I'm not a saint but I'm more sinned against than sinning And it was just corn syrup''

— What Do I Know About Love

''Funny boy, I see all your true colors I could never paint you wrong in my songs Hard-luck stories no one's ever bought it You've got skeletons in your closet and I'm sorry I became one I hope you find someone who makes you feel like you don't have to be so strong all the time And you make them laugh but then life happens and it makes you cry You know the punchline''

— funny boy

''Stepped on the scale and realized I've failed to lose the weight of you I wanna be less like myself and more like the guys you're into Just a mullet wouldn't do it, I hate the way my body looks And I'm afraid to ask the mirror 'cause he might tell me the truth I skip dinners to get thinner but he's prettier on the inside, too

Everyone else left it, how did we come to this? You're not Joseph Gordon-Levitt and I don't listen to The Smiths Sad was just an aesthetic, now it's my reality All the voices in my head are laughing at me''

— Someone's Girlfriend

''I know it's controversial but I want it all to be over There's only so much one can put up with It's been twenty-one years, six months and fourteen days of being me I'm wholeheartedly not playing the tortured artist I thought this was what every other person feels I can hardly put it into words Do I really deserve this pain? The things I've done for love, I know that no one understands''

— To The Women Who Raised Me

''Thought I could start over with a clean slate But it turns there's still so much on my plate I could shed the layers but I can't replace the original shape When you try to escape your past, you re-do the steps That's the path to take When you least expect, you're back at this place The more you make your way back, the further it gets All the emotions you avoided All the things that were left unspoken ''I know you're scared to be open 'cause you've already been broken'', they say But they don't understand, do they? I'm easily discouraged, a simple ''but'' is all it takes For me to walk away I don't wanna give my hopes up But I'm just not cut out The fear of missing love really gives you something to think about And I'm sorry to the ones I've hurt trying to figure out''

— clèrambault

''There isn't a lot of perks in being a wallflower I sing in the shower but people can't come to my shows Sometimes I wanna throw in the towel But I believe in the power of ''what you water grows'' Maybe I'm a loser, but I'm not a coward I choose to fight even though I'll always get a bloody nose When the cupid aims, I just follow the arrow I stay awake past the witching hour waiting for love''

— Grenade

I'll see you soon. 💌🏹

#taylor swift #writing #songwriter #singer songwrtier #swifties #poetry #poem #lyrics #lyric quotes #lyric posting

[capricores]

hey, love 💓 hope you’re having a good day. I just discovered I have an Aquarius stellium and I don’t really know what it means 🙃

thank you so much angel! aquarius stellium:

“extrovert-passing introverts” // aquarius stelliums are great at being social, and they like connecting with people, but they tend to hate being social at the exact same time, they like isolation/alone time and can have a pretty short fuse for dealing with people (it’s pretty conflicting! they have a love-hate relationship with being social lol, it highly depends on the house of the aquarius stellium in this case)

they tend to have that “social battery”, but it works both ways. they need social interaction for happiness (esp aquarius moon/venus), but they also usually need a day or three to recharge after social interactions/gatherings

despite their very chill, calm exterior i do find they get irritated and frustrated pretty easily, they have a very low tolerance for people’s bs and they aren’t usually great at hiding their annoyance (mostly because they simply don’t care to; in an aquarian’s mind they don’t generally see why they would hide their emotions for your sake)

surprisingly very stubborn! people expect them to be open since they’re an air sign; and mind you, they are very good at listening and understanding new ideas, concepts, ways of thinking/doing things, etc., but it’s pretty rare for aqua dominant people to change their ways/mind; and if they do it has to be on their own terms & feel like it was their own choice/idea

they can have issues when it comes to embracing & accepting their emotions; they tend to intellectualize and try to rationalize everything they feel (this will depend heavily on the individual’s moon though)

tend to be musically and/or artistically inclined, usually the most talented and creative people you’ll ever meet (i find most aquarians use art/music as an outlet; and a huge chunk of aquarius stelliums i’ve “studied” or read for have made their careers in the art fields)

i’ve noticed they tend to stutter a lot when speaking! aquarian dominant people (esp aquarius moons, mercurys) have this habit of speaking before they’ve actually formed the thought/planned out what they were gonna say: so they kinda of just “sjlkfdjdlkf” irl sometimes or take a while to finish their sentence (scattered speaking style)

they don’t like talking about their emotions/feelings unless they can be self-deprecating about it or make a relatable meme/joke out of it

very analytical people and they overthink anything and everything that people say and do (especially with aquarius moon and/or mercury)

they’re quite blunt, they don’t generally sugarcoat things and can be as cutthroat as aries/capricorn are stereotyped to be

on that note, they often just say what’s on their mind at the time and they don’t intend to hurt people, they just don’t often realize the things they’re saying are hurtful/too blunt

aquarians are very, ‘why would i filter myself for someone? i don’t want people to filter to me’, and it can be hard for them to understand some people’s sensitivities in conversation

they really despise copycat or reflector-type individuals; their biggest turn-offs tend to be those who follow the crowd, don’t think for themselves, mold themselves for others, etc

aquarians can take a really, really long time to fall in love i find, as they tend to not care for it and usually just view people in a “friend way”, but once they find “their person” they are 100000% committed and will probably make big steps (from saying “i love you” to straight up moving in together, marriage, etc) very fast

undeveloped they do run a habit of having “hot and cold” relationships; a tendency to become super attached very fast only to flip the switch and detach shortly after, usually after they lose interest or become too comfortable

on the topic of romance again, aquarians also (or at least as i’ve noticed) do not use “i love you” very easily or lightly, even if they DO love you and you’re best friends/in a committed long-term relationship/etc, they don’t use the phrase very often and tend to save it for very select times

again can have a lot of trouble expressing their feelings and emotions so they can be a bit awkward at first and for a while in relationships

again they’re VERY independent and they need alone/recharging time or they’ll get very frustrated and anxious

they get very protective of their creations, ideas and style; so when they feel they’re being imitated; or when their ideas are criticized; they get extremely upset and defensive 

also very humanitarian!! i’ve noticed despite most aquarians being like “oh i hate the world/society/people/etc” they have this constant, inner need to help people/the environment/the world and tend to be really passionate about it (aquarius energy is very “fuck the world!! im gonna still save it tho”)

aquarian stelliums probably had an emo phase and if they managed to escape it they probably still dress like they’re in their emo phase lol

depending on their ascendant/midheaven they likely have a pretty unique sense of style as well; i find those with strong aquarian influence often wear very “stand out”, “in your face” and original outfits; very much the type to constantly be changing their hair colour & makeup styles as well (they like wearing things or having aesthetics that tend to shock others; they secretly enjoy getting reactions out of people)

these individuals are very committed to their work and hobbies, they tend to put those above everything else in their life. a lot of people forget the aquarian connection to saturn; aquarians are usually very committed to their jobs and work very hard when they’re in the work-zone

their friends tend to be a hugely significant part of their life too; aquarius moons/venuses especially tend to talk about their close friends ALL the time and they’re very, very protective of them (so loyal)

aquarius stelliums tend to have lots of acquaintances but only a few select close friends (and even most of those close friends they don’t fully open up to)

usually struggles with intimacy and vulnerability 

they tend to radiate a lot of natural confidence and security in themselves, despite how insecure they may feel inwardly 

not to stereotype, but they do usually tend to be drawn to obscure, occult or controversial things. often the types to have “weird” hobbies, interests or habits

often very into, or open to, things like astrology, conspiracy theories, spirituality, etc! but they do think very rationally and logically, so they like to analyze and pick apart these things at the same time, they don’t just accept and follow these things (they have no issue with picking apart their own passions and interests either, so if you debate an aquarius they probably already know what you’re gonna say lol)

usually have the nagging desire to be known (whether it be famous, or just accepted/loved by many/friends/family/etc); they likely felt misunderstood and abandoned their entire life (namely in childhood) so now they have a huge craving to be in the spotlight; although they hate admitting this

aquarians have the ability to fit in well with many types of people, yet often in childhood they were excluded and/or subjects of bullying i’ve noticed (oftentimes from their own family), which is part of the reason why they frequently grow up lacking a feeling of “belonging” or feel like “outsiders”; they deep down crave to be accepted and embraced/have fans/supporters

aquarius stelliums often struggle with fears of abandonment which contributes more to their isolation habits and independent “i dont need anyone but me and my spotify playlists” nature

they despise being controlled, tied down or told what to do; often if you tell an aquarius not to do something they’ll go out of their way to do it, even if they initially didn’t want to do said thing lol (the house that’s in aquarius will show the area of life in which they “rebel” the most; or are the most uncontrollable/free/independent) 

random note: i also find aquarius stelliums are frequently very awkward around children/don’t usually desire nor want any at all

#astrology #aquarius #aquarius stellium #anonymous #question

[immaturityofthomasastruc]

#5: The One With Astruc's Self-Insert

In my introductory post, I said the main inspiration for this blog was @hypocrisyofandrewdobson​. For those who don't know, Andrew Dobson is an infamous webcomic artist known for drawing webcomics that tend to demonize people he's come across in public or people who disagree with him online (either critical of his art or his political views), while portraying himself as the victim or wise man calling them out on their differing beliefs.

If you want to learn more about this guy who I consider to be far worse than Astruc, check out the blog in question. And no, I don't know why he draws himself as a blue bear.

Why am I talking about this? It's one thing for some schmuck on the internet to use his work to respond to criticism, but the creator of a popular animated series dedicating an entire episode to attacking his critics and trying to get others to feel bad for him is another story.

The second episode of Miraculous Ladybug's third season, “Animaestro” served as a wake-up call for fans (myself included) to make them realize how immature Astruc could be. The plot centers around the premiere of a movie about Ladybug and Cat Noir directed by Thomas Astruc, who voices himself in the original French dub.

And this isn't just a brief cameo like what Stan Lee did in the MCU. Astruc is the Akumatized person this episode, so there's naturally a lot of focus on him. Throughout the first half of the episode, Astruc portrays himself as this timid man who nobody recognizes or respects, like this idiot who doesn't know what animation is.

Doorman: This is a private event, sir.

Astruc: Huh? Excuse me? I'm Thomas Astruc, the movie director.

Doorman: You filmed Cat Noir and Ladybug? What are they like in real life?

Astruc: Er, it's an animated movie. It's all cartoon characters. We don't actually film anyone. See, there's this whole team that draw the chara—

Doorman: Whatever. Who would want to see Ladybug and Cat Noir as cartoon characters?

Get it? Wasn't that meta joke hilarious? This is how much I was laughing:

And Astruc continues to get about as much respect as Rodney Dangerfield when he interacts with other characters like Jagged Stone and Chloe.

Jagged Stone: Ladybug is one of my best buds! I can't wait to see her movie!

Astruc: Well I—I'm the director, so actually it's more my movie, so to speak.

Jagged Stone: Oh, so you're the one who created the story?

Astruc: Well, technically the screen writers wrote the story, inspired by Ladybug's exploits.

Jagged Stone: Oh, okay. So you did all the drawings?

Thomas: No, no. The animators do all the drawings.  

Jagged Stone: So what do you do then?

(Later on...)

Chloe: So you're the one responsible for this movie?

Astruc: Yes, yes! Exactly! That's me!

Chloe: Then you were the one who left Queen Bee out of the trailer. You're lame, utterly lame.

I can't believe Astruc had a scene where he interacted with Chloe and didn't insult her at all.

The episode is determined to make the audience feel bad for Astruc. Nobody respects him and what he does. Isn't that saaaaaad? Nobody cares about animated film directors like Walt Disney or Tex Avery anyway. Not even these stupid children understand how hard Astruc works.

Several Children: Ladybug! Where's Ladybug?

Astruc: Hey there, kids!

Teacher: Ladybug isn't here children. We came here to meet the director of the movie. Children: (frowning in disappointment) Aww.

(Astruc looks visibly disappointed.)

Way to insult your primary demographic, Astruc. I thought you said kids have a better understanding of these stories when people criticized the writing of a certain episode (It's that scene in “Puppeteer 2” if you're curious/don't value your sanity).

It's almost like you're using that as an excuse to half-ass your work while still getting to claim this show is so groundbreaking.

In case you can't tell, “Animaestro” is one of those episodes. The ones where the showrunners decide to dedicate an entire episode to attacking critics of the show in a blunt fashion. Whenever a show addresses criticism, they either create an obvious strawman character to parrot the opinions of fans who don't like their work, or have someone defend the show and insult the critics directly.

The problem isn't that they're ignoring criticism. It's their show, and they aren't obligated to listen to critics or fans who don't like the direction the show is taking. On the other hand, they aren't obligated to fight back like this and treat their audience like crap. Any show that does something like the three clips I showed you usually comes off as petty and immature because they dedicate so much time to insulting the critics. 

Even during the Akuma fight, Astruc has to call out Ladybug for having problems with his movie in-universe, obviously representing critics of the show Astruc claims have no right to criticize the show while it's still airing.

Ladybug: What's with that trailer too? I am not scared of cats, at all.

Astruc/Animaestro: You haven't even seen the movie and you're already slamming it?

Cat Noir: He does have a point, you know.

Ladybug: I wasn't slamming it. It's called constructive criticism!

Yeah, how dare Ladybug be angry that this movie is portraying her as a powerless coward dependent on Cat Noir as opposed to a confident and brave superhero. She just doesn't understand the genius of Thomas Astruc!

And of course the character Astruc claims is “perfect” is the one to take his side.

And that's another problem with this episode, the metatextual references. Before he gets akumatized, Astuc says he spent three years of his life working on his movie. I get that time in this show is weird (we somehow had episodes taking place on the first day of school, Christmas, Valentine's Day, and the first day of Summer), but how did Astruc's self-insert work on a movie based on a superhero who has only been active for a year? Meta-wise, it's an obvious reference to the scorn Astruc has gotten from fans after working so hard on his show, but the only people who would get that reference are the ones who are aware of Astruc's reputation online.

Self-Insert aside, I actually think the titular Animaestro is one of the more visually impressive Akumas featured on the show. Animaestro takes on several forms based off several different forms and eras of animation, like flash, anime, rubber hose, and they all stand out. Granted, some of them are obvious parodies of other characters like Goku or Sailor Moon, but the actual Akuma fight is fun to watch. According to the Mexican Miraculous Ladybug Twitter account, this episode took two and a half years to create, and it shows. It's too bad the story behind it is completely insufferable, almost like the cartoon equidistant to Pixels.

But then comes the part that honestly makes the episode worth it, mainly for how unintentionally hilarious it is. Do you want to know what Animaestro's weakness is? Do you really want to know?

Animaestro is physically incapable of moving unless someone is watching him. I am not making this up.

Ladybug and Cat Noir literally defeat Animaestro by getting everyone to stop paying attention to him.

I could make so many jokes with this, but I can guarantee you're already thinking of something just as good, if not better, than whatever I write.

And there's the end where Astruc gives Marinette his ticket to the movie, which prompts Marinette to kiss up to him for no real reason.

Astruc: Sorry, I guess you don't know who I am either.

Marinette: Of course do. You're Thomas Astruc, the movie director!

Astruc: She recognized me. Somebody actually recognized me!

Nothing happened to make her change her opinion on the Ladybug movie, she didn't really say anything to him earlier in the episode that connects to this exchange, and outside of a few lines Animaestro said, she doesn't even know why he got akumatized (even though ironically she and Chloe accidentally contributed to it because of the awful subplot involving Kagami I talked about last time). If anything, it comes off less like she actually appreciates Astruc's work, and more like she's stroking his ego just to keep him from getting akumatized again.

So yeah, this episode is awful, and the fact that it came out right after the controversial “Chameleon” only proved to show what kind of direction the show was taking this season.

But honestly, even if Astruc still wanted to make about how he doesn't get enough respect the episode could have potentially. All he had to do was make a simple change: Instead of making it about validation for Astruc as a creator, make it about validation for animation in general.

It's a common misconception that animation is only used for shows and movies aimed at children, so the episode could reflect it. Instead of the huge turnout where several celebrities appear at the premiere, instead, the turnout could be a lot smaller, with the media dismissing it as some stupid kiddie flick. Instead of getting akumatized because he gets humiliated in public/getting no respect from anyone else, Astruc gets akumatized because he sees the audience didn't go wild for the movie after the premiere. All he can hear them say is that it's just “kids stuff”.

So when Astruc is Animaestro, he goes on about how important animation is. How it's helped produce propaganda since World War II. How it helped improve special effects in big blockbusters. How the medium is used to create movies that simply can't be filmed on a physical set.

After defeating Animaestro, Ladybug shows up to talk to him. She had seen the movie earlier, and actually enjoyed it. She had a few problems with the story, but they were just minor nitpicks and inaccuracies Astruc wouldn't know about, and she was blown away by the animation. She tells Astruc not to be deterred by his critics, and continue to do what he does. As a designer in her civilian life, Ladybug knows the joy creating brings her, and both she and Astruc want to spread that joy through their work.

Back at the premiere, Astruc thinks about what Ladybug said to him when he sees some kids reenacting a scene from the movie. Astruc walks over to them and asks what they thought of the movie. They said they loved it and how energetic it was. When he tells them he is the director, the kids' faces light up and they say they want to do what he does when they grow up, bringing a smile to Astruc's face.

Isn't that a much more humble approach instead of what we got? It would have helped Astruc come across as more sympathetic, especially with animation fans. But instead, we got an entire episode of Astruc whining about how misunderstood he is.

And you know the footage used for the movie at the beginning? Remember that, because I have a huge rant about it saved for a later post.

For now, here’s an example of a creator appearing in his work done right.

#immaturity of thomas astruc #thomas astruc #thomas astruc salt #miraculous ladybug #miraculous ladybug salt #animaestro #marinette dupain cheng #ladybug #adrien agreste #cat noir #chat noir #jagged stone #chloe bourgeois #queen bee #queen b #star trek: the next generation #the simpsons #harley quinn #teen titans go #thundercats roar #thundercats #spider-man #stan lee

[iwanthermidnightz]

When she was 18, Taylor Swift wrote a song called “Fifteen.” “Back then I swore I was going to marry him someday, but I realized some bigger dreams of mine,” she sang, sounding more like a wizened great-grandmother than a rising senior.

“Fifteen” is evocative, if a little sanitized: Nimble mandolin strums mimic the nervous-excited butterflies of the first day of high school, as Swift sings of wide-eyed hope that “one of those senior boys will wink at you and say, ‘You know I haven’t seen you around before.’”

There was a certain emotional truth to the lyrics — do several years’ age difference ever seem more consequential than when you’re a teenager? — but some older listeners were skeptical. “You applaud her skill,” wrote a critic for the Guardian in a mixed review of Swift’s second album, “Fearless,” “while feeling slightly unsettled by the thought of a teenager pontificating away like Yoda.”

Swift, now 31, sings, “When you are young they assume you know nothing,” on “Folklore,” an LP that is both compositionally mature and braided throughout with references to the specific, oft-denigrated wisdom of teenagers. By the end of that song, “Cardigan,” the narrator has excavated such a heap of florid but emotionally lucid memories that she must conclude, with the force of a sudden revelation, “I knew everything when I was young.”

Though it’s not as flashy a topic as exes, fame or A-list celebrity feuds, age has long been a recurring theme in Swift’s work. A numerology enthusiast with a particular attachment to 13, Swift has also released a handful of songs whose titles refer to specific ages: “Seven,” “Fifteen,” and, of course, “22,” the chatty “Red” hit on which she summed up that particular junction of emerging adulthood as feeling “happy, free, confused and lonely at the same time.” Like her contemporary Adele, Swift seems to enjoy time-stamping her music, sometimes presenting it like a public-facing scrapbook that will always remind her what it felt like to be a certain age — even if, with their millions of fans and armfuls of Grammys, neither of these women is exactly typical.

Swift’s critics have often seemed even more hyper attuned to her age. Perhaps because precocity played such a role in her story from the beginning — at 14, she became the youngest artist to sign a publishing deal with Sony/ATV; at 20, she became the youngest to win the album of the year Grammy — many listeners have been fascinated with how her evolution into adulthood has, or hasn’t, played out in her songs. People comb Swift’s lyrics for allusions to sex, alcohol and profanity as meticulously as MPAA representatives do a borderline-PG movie. Particular attention was paid to her 2017 album “Reputation” and its several mentions of drunkenness and dive bars — even though Swift was 27 when it came out.

The relative puritanism of Swift’s music up until “Reputation” did feel like an intentional decision: Unlike the female pop stars who broadcast their “loss of innocence” as a sudden and irrevocable transformation, Swift seemed acutely conscious that she did not want to repel younger listeners — or lose the approval of their parents. At best, it felt like an acceptance of her status as a role model; at worst, it had the whiff of a marketing strategy.

But the mounting obsession with whether Swift was “acting her age” also reflected a larger societal double standard. Famous or not, women face much more intense scrutiny around age, whether it’s those constant cultural reminders of the biological clock’s supposed ticking or the imperative that women of all ages stay “fresh-faced” or risk their own obsolescence. (“People say I’m controversial,” Madonna said in 2016. “But I think the most controversial thing I have ever done is to stick around.”) And while girlish youth and ingenuity are rewarded in some contexts, they’re also easily dismissed as silly and frivolous as soon as that girl strays too close to the sun — as Swift has experienced time and again.

Despite having once been a teenage girl myself (unlike a lot of music critics), I confess that I am not completely free of these internalized biases. I was initially dismissive of “Miss Americana and the Heartbreak Prince,” a song that appeared on Swift’s 2019 album “Lover.” The first few times I heard it, I wondered what a grown woman on the cusp of 30 was doing still writing about homecoming queens and teenage gossip.

But over time, I’ve come to appreciate the song and its dark vision, which acknowledges cruelty, depression and the threat of sexual violence (“Boys will be boys then, where are the wise men?”) more directly than any of the songs Swift wrote when she was an actual teenager. The senior boys in this song are not the sort who wink and say to freshman girls wholesome things like, “Haven’t seen you around before” — which, unfortunately, makes them feel more authentic. Even the title “Miss Americana” alludes to a larger world outside the high school walls, and the greater systemic forces that keep such patterns repeating well into adulthood.

“Miss Americana and the Heartbreak Prince” now feels like a precursor to some of the richest songs on “Folklore,” which finds Swift returning once again to her school days with the keen, selectively observant eye of an adult. Consider “Seven,” an impressionistic recreation of her perspective at that age. The second verse, charmingly, plays like a first-grader’s breathless sequence of unguarded observations:

“And I’ve been meaning to tell you, I think your house is haunted, your dad is always mad and that must be why/And I think you should come live with me and we can be pirates, then you won’t have to cry.”

But “Seven” is not cutesy so much as poignant, because of the tensions that result when Swift’s adult perspective interjects. “Please, picture me in the trees, before I learned civility,” she sings in a yearning soprano, prompting the listener to wonder what sorts of feral pleasure she — and all of us — have exchanged for the supposed “civility” of adulthood.

Quite a few songs on “Evermore,” Swift’s second release of 2020, also toggle between past and present, conscious of what is lost and gained by the passage of time. The playful “Long Story Short” passes a note to Swift’s younger self (“Past me, I wanna tell you not to get lost in these petty things”), while “Dorothea,” like “Seven,” revisits a fevered childhood friendship from the cool perspective of adulthood.

Most striking is the bonus track “Right Where You Left Me,” a twangy tale of a “girl who got frozen” (“Time went on for everybody else, she won’t know it/She’s still 23, inside her fantasy”). That language echoes something Swift admits in the 2020 Netflix documentary “Miss Americana”: “There’s this thing people say about celebrities, that they’re frozen at the age they got famous. And that’s kind of what happened to me. I had a lot of growing up to do just trying to catch up to 29.”

But Swift’s recent songs, at their best, understand that “growing up” isn’t always a linear progression in the direction of something more valuable. Take the “Folklore” songs “Cardigan” and “Betty,” which use an interconnected set of characters to chronicle teenage drama and celebrate the heightened emotional knowledge of youth. “I’m only 17, I don’t know anything, but I know I miss you,” Swift sings in the voice of James, a high schooler who broke Betty’s heart and has shown up on her doorstep to ask forgiveness. Maybe that is a melodramatic thing to do; maybe it is the sort of thing adults could stand to do more often. Swift’s music helps us to remember that growing up doesn’t automatically mean growing wiser — it can just as easily mean compromise, self-denial and growing numb to emotions we once felt with bracing intensity.

In a gesture to regain control of her songs, Swift is currently rerecording her first six albums (her master recordings were recently sold by Scooter Braun’s Ithaca Holdings to the investment firm Shamrock Capital). Last month she released a note-for-note update of her early hit “Love Story,” and has promised to release an entire new-old version of “Fearless (Taylor’s Version)” later this year. It has been amusing to think of Swift going back and inhabiting the voice of her teenage self: On the face of it, “Fifteen” is particularly surreal to imagine her singing as an adult.

In another way, though, “Fifteen” — with its distant reflections on the youthful folly of expectations — makes more sense and carries more emotional weight being sung by a 30-something than it does an 18-year-old. Perhaps Swift was preparing for such an exercise when she made “Folklore,” an album that shakes off years of scrutiny and finds her reveling in the creative freedom to be as young or as old as she wants to be.

#posting the whole article with my emphasis because i thought this was very interesting #taylor swift

[ducktracy]

Please tell us about what your job working on Spongebob is like! I’ve been an avid fan my whole life but in more recent years after Steven’s death I felt the feeling of the episodes changed, how do you feel about it or do you feel like that’s not true? What do you do in your job to help shape the finished product of the show? Have you met any of the central actors and are they actually as cool as they seem? Obviously any questions you can’t answer because of your job is totally understandable but I’m just super curious because i haven’t really ever known anyone who worked on a show I admire so much and has always been such a part of my life. Thank you and I wish you so so much luck and success!!!!!

oh, this is the SWEETEST THING!!! 😭😭😭💖💖💖 i’m so glad you’re enthusiastic! i’ve only been freelancing for a month and i’m JUST STARTING full-time work, so i don’t exactly feel the most qualified to answer this in depth, but i’ll try with what background i have!

1) i think evolution and change is inevitable, and that certain things will grow and change over time. i know there’s a lot of controversy surrounding stephen and his legacy, and i’m not one to speak for him (especially since i’m such a newbie who never met the guy), but the sponge is in VERY good hands. the crew is incredibly hardworking and loyal, and many of his closest friends are working to make sure that spongebob is honored the best he can be.

i know this isn’t really what you were asking, but as someone who needs to spend a little less time on the internet i feel a little compelled to address all of the drama 😅 again, i feel a little swell-headed myself answering this because i’m so NEW and don’t have much experience at all, but. while shows may evolve and change in direction, the heart stays the same. listen to the people who actually knew stephen and knew what he was like and how he worked, not the outrage of a bunch of well-intentioned but rabid fans online who never knew him. (and as a side note, can we please stop with the “the artists are just doing what they’re told?” thing? i can’t speak for everyone, and i’m not working on kamp koral, but for me i’ve never once felt like my job was an obligation and that i was just being ordered around... i think everyone here loves what they do and they have a lot of fun and it SHOWS. i know the intentions are good, and no, you shouldn’t harass the artists over silly drama, but we’re not charity cases either 🥲)

but anyway, drama aside. i think you also have to remember that while things may change, the target audience is the goal. things may be different from the spongebob you and i remember as a kid, but you have to remember that spongebob IS for kids, and that a 7 year old probably isn’t going to be saying “hey, that’s wrong! that should be a reference to episode 72b, NOT 94a! the level of incompetence is outstanding!”

SO... i admittedly have a lot of catching up to do with the latest season(s), and i can’t feel that i can really speak 100% on how i feel about that, but change is bound to happen and at the same time the show is in VERY good hands and i’ve laughed out loud way too many times than what’s necessary in the work i’ve done so far, speaking as a crew member and a fan.

2) i’m a storyboard revisionist! my drawings are gonna be the ones you see on TV! there’s a storyboarding crew, and they do rough boards of the episode. an audio track is applied, and then us revisionists tighten things up—push the poses, make funny expressions, make the characters look more like themselves. we talk with our directors, see if there are any changes we need to make, if our revisions are good or not, what needs to be added, etc, and then we send it off! the animators’ll then trace over the revisions and then that’s what you see on TV! being a storyboard revisionist is the entry level storyboard artist job, and i love it. it’s such an honor to know that my silly little drawings will be on TV—an honor and a big responsibility!

3) i have NOT, but i’d LOVE to! i don’t know if i will—i really hope so! i’ve only realy been talking/zooming with my director, i know a bunch of my coworkers through twitter but i’ve only talked to them through twitter so far. but since i’m going fulltime, that’ll change! i don’t know if the voice crew does zoom meetings? i’d assume so, but i don’t know how all that works. i REALLY want to move to LA someday, i hope i can meet them!! (fun fact, clancy brown spoke at a school’s graduation in my county a few years ago in the next town over... needless to say i was incredibly jealous LOL)

thank you SO MUCH!! this is genuinely super heartwarming and encouraging. i hope i don’t sound like a raging braggart, answering all of this when i haven’t even started full-time work, but it’s been such an amazing experience so far and i’m so excited to be going full-time! the crew is amazing and i’m really excited to get closer to them. i absolutely hope i can follow this up someday with more insight, information, and experience! i feel like i’m speaking more as a super fan than a crew member here, but 🤣 thank you SO much!! i promise you guys are in for a treat!

#anonymous #long post

[ellebi-studies]

Hello everyone,

Today I would like to talk about a topic which our society often neglects.

We are bombarder by motivational slogans on social networks about how important productivity is. We are committed to working harder and harder. "Push yourself" is one of the mottoes I read more often on the Internet. Also, professors and parents tell us to devote ourselves to studying or working.

These are all great incentives to express the best of us, but there is a dangerous risk of exaggerating.

Those students who want to be the best tend to take this advice too seriously, ending up studying for hours and hours without breaks.

It is what I mean by "toxic productivity". We forget our focus and the reason why we are doing it. We convince ourselves that we are a failure if we do not manage to study for too long. It becomes counter producing and ruins the joy of the process.

We should enjoy school and university. We should study because we are in love with the process of learning. We should recognise when we need a day off and take it without feeling guilty.

I think this is an underestimated problem that I no longer want to be influenced by.

Here I want to share with you some tips to scale down the argument when we lose focus. I sincerely would appreciate it if you could add some more suggestions.

Tip 1: Distinguish between what is fake and what is real

It is a general problem in our society. We tend to believe that all we see on social networks is real. But there is nothing wronger.

I post photos on Tumblr only when I am motivated. I only show the best of me. It is normal. None of us would ever show breakdowns, failures and bad days.

I like sharing my successes, giving advice and trying to motivate others through my work.

I think nobody wants to make people believe he/she is perfect. Anyhow, that is what we may assume.

When I feel afflicted by these assumptions, I always try to resize the problem by comparing it with real role-models.

I ask my best colleagues how long they are working, how they are studying, how many books they are considering, etc.

Knowing that the best in my class are not striving much harder than I is a relief. It avoids me being over judgemental towards myself.

Tip 2: Do not lose time

Sometimes we see pretty and elaborate notes, and we might be tempted by spending time creating them.

Anyways, remember that you are not supposed to be an artist (exception for art students). Your notes should be efficient and not time-consuming.

When I realised my notes did not have to be photogenic, the quality of my study improved.

Also, I cheated with myself by telling me that rewriting notes the all-day was an extremely productive activity. Indeed, it was only taking considerable time away.

The point is: it is okay if you do not study for the all-day, as long as your studying was effective. It leads to the following point.

Tip 3: set goals

You have to respond only to yourself. Set goals and respect them. If you did it, it is okay to reward yourself, even if you only worked for 30 minutes.

You are the only person who knows how demanding your tasks are. Do not measure yourself with the number of pages or the number of hours. Make your best, and be kind to yourself.

Tip 3: Listen to your body

"Do not stop until you are proud". "Do not complain: just do it". "Push yourself because no one else is going to do it for you". These are high-impact slogans, but they may be misleading.

Quit when your body tells you it is enough. When your body "complains", you should not push yourself too much.

It will not be productive: it will be frustrating. You need to rest. You deserve breaks. You can not expect your mind to stay fresh after too many hours. You will blame yourself for not having done enough while you did the possible.

You can educate yourself to increase your level of attention or to reduce procrastination. But you can not train yourself not to sleep or to rest. Again, be gentle to yourself.

Tip 4: Force yourself to take free time

When you want something too much, you may end up forgetting about everything else. You may cancel your interests, your hobbies, your friends and your love for your body in the name of productivity.

It is okay to try your best for becoming the person you dream of, but do not lose the person you are on the way to.

Here are my banal hacks not to be overwhelmed by all the Rory Gilmore we are supposed to emulate. Let me know what you think. I know it is a controversial topic, and I hope I clearly expressed myself.

(P.S.: I actually love Rory Gilmore, I just do not like breakdowns)

[nightswithkookmin]

Imo there is enough to support the possibility of a romantic relationship, but you are writing full on narratives with impossible specificity. You know what confirmation bias is but some young impressionable people dont yet . Forgive me but misleading with ' alt facts' can hurt someone even if you dont mean it. I think you are a good person not looking to hurt anyone. But the way you postulate without any evidence makes your actions a little but like those of a charlatan. Peace and kindness

All these kind words you spew...

It feels more like an advice than a question so I'm not sure how to respond to it...

Let me just say thank you? I never quite understood what the brouhaha was about with my posts but after talking to a few people, 'on the other side' lol and reading your Ask, I think I'm starting to get a better sense of what the problem is.

Something about young impressionable minds or people?

Let the council of elders know, those are not my audience please. I cater to a much more mature audience- at least so far. The people that I interact with and engage with on my posts on and off Tumblr are very mature and not impressionable at all.

They are People with brains who can tell an opinion from fact and can engage in deep complex controversial conversations without throwing up, shedding tears or cussing through to the heavens.

If there are 'impressionable people' reading my blogs- they do so at their own risk. If you know any such people or they run to you with my theories kindly point out to them it's just theory because that's what my opinions are.

I think the best thing you can do is to advice such people to grow up if they are going to sit at the adult table or not read my posts at all. I think you need to learn to hold the right people accountable for their actions.

The best I can do in this case- to hold myself accountable, is to put up a disclaimer on my posts to let people know what it is that they are reading- something I do quite often. But I will make conscious efforts to put up those disclaimers each time henceforth. Thank you.

That I write full on narratives with impossible specificity:

Is this Latin for, 'you write fiction get the fuck outta here?' Chilee.

I don't even know what you mean by this exactly so I may not be able to respond to it to your satisfaction. Bare with me.

So what if I write fiction? What is wrong with writing fiction? Do you hate fiction writers? I don't get what the hate is with these complaints honestly. Do you want me to put up a disclaimer stating my blogs are fiction? Would that help? I would glady do it.

If it helps you sleep at night think of my blogs as fiction- a rose by any other name. I've been keeping up with Shakespeare. Lol.

I don't think it's that deep. Listen, you gotta understand that just because we both 'ship' Jikook don't mean we are on the same team...

Most alt shippers I know and who read my posts and engage with it are not even Army to begin with, for your information. They could care less about these shipping politics of yours. Have you thought about that?

Some simply ship JK and JM and support them because they believe they are members of the LGBTQ plus community not because they are part of BTS.

There are different communities out there who are also into Jikook- for very different reasons. You gotta respect that.

To you, Jikook is just a ship within BTS that may or may not be real, but to some of us they have very much outgrown that description...

They are a brand of their own, a power couple and members of the LGBTQ plus community- Gay Icons extraordinaire. I think we take very different stock in Jikook. So stop trying to fit us all into one box.

It's disrespectful to try and control the way that people perceive their OTP and support them. Jikook don't just belong to Army Jokers, they belong to different communities outside Army. Are you aware of that?

And please don't confuse the intersect. I am an alt-shipper yes but I just so happen to be an Army too. But if I wasn't an Army, I'd still pretty much 'ship' and support Jikook- make no mistake. There are quite a few of us running around these streets, you know?

So you have every right to want to gatekeep your Army Jikook- but you have to do that without infringing on other rights of other 'Jikook communities.'

Throughout my blogs I have tried to shed light on what altshipping is because I thought it would help bridge the gap but clearly that hasn't worked. Sigh.

Misleading alt facts

Do you not know what it means or you are just being ironic?👀

Why is it ok for you to believe and proclaim that JK and BigHit lied about JK dating the Tattoo artist but it's not ok for me to believe JK is telling the truth when he says he didn't date her and that BigHit saw an opportunity to kill two birds with one stone- hence why they didn't press charges against the shop for breach of privacy like they had said they were going to do. Instead, they had asked the shop to keep calm till the scandal died down on it's own?

You start your piece off with the whole, 'there is enough evidence to support a romantic relationship' between JK and the tattoo shop lady- I assume.

For context, this Ask by this anon is in response to my recent post/ answer on the tattoo girl scandal where the topic of discussion was on BigHit, JK and the tattoo artist and not Jikook perse.

A statement that is in direct conflict with JK's statement, BigHit's and the lady in questions, all denying that there was a romantic relationship between her and Jungkook- and somehow I am misleading who- who now with my theory??? Chileee.

Do you see the problem here? Double standards- the hallmark of bigotry. Lmho. You are literally doing the very thing you are accusing me of. Making confident assertions and claiming you know more about JK and the Lady's relationship and even have 'enough evidence' contrary to BigHit, JK and the Tattoo artist's statements denying the rumors- at least when I theorize I admit I'm being delusional. What's your excuse? When you say charlatan are you referring to yourself? You must be. Lmho.

Now I'm confident in my comprehension skills and intelligent enough to know when you make an assertion like this- it is your opinion and you are just stating your opinion. If you are not then honey you'd be opening yourself up to some serious litigation... goodluck I guess. Lol.

You are allowed to form an opinion about a topic. There is nothing wrong with that. If to you, JK and this person dated that is fine. I am not going to cyber bully you, stalk you, throw slurs at you, harrass you, dox you, slid into people's Dms to spread hate and lies about you just because I don't agree with your opinion. And for the record, I don't agree with your opinion. Hehehehe.

I have stated my opinion on the matter. I said I think JK and this person did hang out, go on dates but that there was no romantic sexual relationship between them because I believe that would have had much serious consequences and effects on Jikooks dynamics no matter how much they tried to keep a cool facade. Whoever felt cheated on would have acted more insecure than usual post the incident- how does this make me a charlatan? Are you saying it's wrong it have an opinion? Chileee.

Now if you can produce 'evidence' of them having sex or even kissing, then I will gladly change my mind on the topic and not sweat it.

Jikook have done way worse questionable things in 7 good years and people still don't believe they are dating. Jk hangs out with a female friend a few times in less than a month and suddenly he is dating her? Lmho.

You don't need me to tell you people are more eager to accept a heterosexual relationship than wrap their heads around the fact that two male idols are gay and in a gay relationship with eachother. Don't you just love it when homophobia meets heteronormativity and stinks? I do. Lol.

I mean this is a fandom that thinks JK is 'too touchy' and doesn't respect his boundaries- they practically swear JK is cheating on Jimin with every member any time he hugs, kisses, wings at within the group. You think they will be 'objective' about JK hanging out with a girl? Even if it happened once?

You said something about confirmation bias.... I will not touch it. Lmho.

This is not the first time JK has gone on a date with a girl. This is not the first time he has 'dated a girl', he has hand girls on his laps or whatever- what is a back hug? I think people need to stop defining Jikook's lives by their own standards. If a backhug is intimate to you. Thats you. If you think a grown ass man cannot hang out with a female friend, that's equally you.

You think if he thought it was inappropriate and risky he would do it 'in public?' Get with Kpop Idol dating culture. Lmho.

Do you know the lengths they go through to keep their relationships a secret? Especially non celebrity girlfriends? Chen from EXO got married and where is his wife? They keep their flings tighter than Trump keeps his toupee on his head. Lol.

They hide them not out of shame but out of love and the need to protect their loved ones. These idols have family members who have their restaurants and businesses shut down because they want to keep their privacy.

You think JungKook's girlfriend would- on her own, issue a statement regarding a scandal that Jungkook's agency had specifically directed her and her shop to keep quiet about and lay low till it blew away on its own? And later, started liking couple posts about her and JK? If they were dating, certainly JK would have dumped her after that move. In my opinion.

You think JK would let his fandom drag the person he is in a relationship with to the extent she loses her Job- when in his Itaewon gay pub scandal BigHit referred to the issue as his private affair immediately it happened? They could have kept the same energy with her, no?

They handled his gay pub scandal much better, with much respect and consideration for his privacy- if he dated her sorry but she mustn't have meant much to him at all. And if I were her I would have dumped him for that shit and not stay liking couple posts about us. Damn- But do you.

Taehyung was in a scandal with a girl too- did you see her liking posts and shit and going out of her way to do the most? Did you see how BigHit handled that scandal?

Nothing wrong if JK is 'dating' her or had 'dated' her and whatever person he decides he wants to be in a relationship with I will support him- that's why I support Jikook.

But your opinion is equally valid my guy. Just don't call me a charlatan for mine. You believe they dated, I believe they didn't- and to your impressionable young minds, I hope you are not selling them anything contrary to BigHit and JK's statement. That would be very irresponsible of you. Lol.

What else did you say?

Oh postulating without evidence...

Next time I write a theory based on my observations about Jikook, remind me to break off a piece of my brain and attach it to it- I guess that way people would finally understand when I say things like 'I think' 'in my opinion' 'I feel' 'I believe' that these are just my thoughts and opinions and not facts.

Let me leave you with this:

Peace and kindness. Namaste.

Signed,

GOLDY.

[queensgaybeach1d]

HELLOOO, I just discovered your blog, shame on me. So, I read your masterpost about the stunts in the industry (great work btw) and was wondering how to tell if something is real or purely pr. Would you mind giving me a few pointers ?? Answer however and whenever you can.

Hello Sweetie,

Thank you so much for your lovely words. I would love to help you dig deeper into the PR industry. In fact, I did some research myself and I stumbled upon a great confirmation on how everything works. I think it is just the right fit for you, sweetheart.

Please take your time reading the post and if you have any questions or suggestions, please do not hesitate to ask me. Have a great day and enjoy!

Kisses,

Suman 😊

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How to spot a PR relationship?! 

This post is made for everyone who would like to learn how to spot a fake relationship in Hollywood. This information is supported by a very reliable source. The name of the source is Jack Ketsoyan, he set up two PR relationships himself. If you would try to compare this to your favourite Hollywood couple, you might be surprised of the outcome. I wish you all the best while reading this and if you have any questions/suggestions please do not hesitate to ask. Enjoy! :)

 This is the link of the podcast about the PR relationships (skip to 5.40). I will make a little summary of the very important things Jack said. There is also another man who is speaking about this subject. His name is Christopher and he is a lawyer who has worked with cases like these for a long time.

 (Please note that I am in no way hating on anyone. I have a strong dislike for all ‘’beards’’, but what they do with their lives is their responsibility. Therefore I mean no harm to any of these people. It would be very sad if any of these people would do it because they needed money for their families. If that was the case I would truly feel sorry for them, but the thing is they want to become famous by dating someone else who put his/her hard work in his/her career. That it just not fair. There are plenty of ways to become famous by dedication, hard work and staying yourself.)

I want to give compliments to the lovely @Totallylost4you on twitter. She made me aware of the podcast.

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-’’To hide the artist’s sexuality; boosting of the careers.’’ --> (Louis, Harry, Zayn, Liam and Niall. Also, Kristen Stewart, Cara Delevigne and Taylor Swift) -->

‘’It is more common on the male side than on the female side. There are certain celebrities who were, back in the day, in the closet and it was not okay to be out. We live in a completely different time nowadays, these days being gay is okay. So back in the day that was the biggest secret, it was a big taboo, if a certain high profiled male, the heartthrob is all of a sudden gay, they were not going to get the bigger roles anymore. They were going to be type casted, so that was the big way of hiding things. Them hiding their sexuality was dating a female who would keep them in the limelight basically and cover it up.’’  [about closeting] ‘’Times have changed, it still happens, but a lot has changed.’’ --> There are still people who would not like attending a Harry Styles (the heartthrob) concert when he comes out as gay.

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-’’To be able to sell the hype of it.’’ --> (Whenever a picture of Taylor and Tom or Louis and Eleanor comes out, people are quick to retweet, post and talk about what happened. Within no time the pictures have traveled through the internet. Which automatically means that a lot of people have seen it. All of this gives the label/couple/artist attention and money. --> Whether it is bad attention or good attention, attention means money.) a few examples of these couples are also: Haylor, Zigi and Elounor.

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-’’To sell tickets to concerts or movies.’’ --> 1D world tours and solo tours. That is also why beards like Camille Rowe, Eleanor Calder and Maya Henry attend their concerts. As for movies think about Robert Pattinson and Kristen Stewart (who is gay) fake dating, moments after Twilight came out. Think about 1D bringing their fake girlfriends to the world premiere and Zayn and Perrie getting engaged a second after. The purpose of these events are attention. Sweethearts, whenever people go to these shows/movies all they will focus on is 1D and their ‘girlfriends’. Photos will spread faster than ever and people will talk about how ‘real’ they are. Their aim is to kill two birds with one stone; making them look like a ‘real’ couple whilst promoting their movie/album.

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-’’To sell albums.’’ --> (Zigi, Chiam, Elounor, Hamille, Nailee, Haylor.) Let us be honest, are they not the biggest reasons why antis buy the album? Just to see what stuff they write about their fake girlfriends/boyfriends. Just to see how ‘Camille’ pronounces ‘’Coucou’’or just because Gigi Hadid starred in Zayn’s music video. Or maybe to finally know the ‘truth’ about Taylor’s fake relationships.  

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-’’It's all about the hype at the moment. Especially with the social media world.’’ --> I am going to point out an important thing Jack said. He said ‘’especially with the social media world.’’ Remember when there were only rumours of Louis and Eleanor being back together? The whole fandom tweeted about it. This made it popular and that was the solid moment 1D’s label knew that Elounor 2.0 would do it for them. They would earn a lot by it. The same thing counts for Zigi, Chiam, Haylor, Hamille. Hamille is a good example too. When all of you heard that Harry wrote a song about her and that her voice was going to be included in his song, what happened? Exactly, everyone went nuts and made sure to listen to that exact song. That is exactly what they want. They want that power over you, that is what gives them the money. Another example, how fast do you think solo Zayn stans and Directioners tweeted about a ‘power couple’ when the news broke that Zayn and Gigi are ‘expecting a child’? How fast did people open their social media accounts when Kylie Jenner was pregnant for the Kardashian’s 10th anniversary? (Social media does A LOT. Whenever a picture of Eleanor (beard) and Clifford (Louis’ dog) arrives on the internet, people automatically assume they are together in a room. This, is not the case. That is how convenient social media is to arranged relationships. Why start a rumour by hiring newspapers instead of posting a message on social media? It is much cheaper and more people will know about it in less than four hours.)

Promoting certain brand like Coca Cola (Elounor), YSL, Gucci, Vogue (Zigi) and Hugo Boss are also a part of it. Celebrities wearing those brands make their fans want to buy it too, think of the Kardashians promoting Adidas and other expensive brands. Also think of people like Briana Jungwirth promoting flat tummy tea. This is called ‘celebrity branding.’

Tell me, how many times do you get HQ pic of your PR couple on your phone? People tend to go out of their mind when pictures come out. That is the immediate effect Hollywood has on social media/ you. That gives them the promo they need, even during quarantine the beards post pictures of themselves, making you think they are together when in reality they are not. :)

{About why Jack hooked an arranged relationship up himself} --> ‘’It was more of a mutual agreement between the agents. {Tells a story about an actor getting bad reviews for a movie and in order to let people focus on something else they got the actor a girl, so the media would focus on the girl instead of the bad movie.}’’ -->  ‘’Just a one year deal. Basically they finished of the press and the international press and then they went their separate ways, because she did not want to do a two year deal.’’ {interviewer asks if it worked} --> ‘’It worked.’’ -->  A few examples of (approximately) a one-year deal: Calvin Harris and Taylor Swift, Niall Horan and Hailee Steinfield and Louis Tomlinson and Danielle Campbell. It is also good to point out that the beard can decide whether she wants to continue or not, but the celebrity has to do what the agent arranges.

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{Interviewer asks what reasons people might have to agree to one of these PR relationships} --> Different reasons, that could be to deflect attention away from a controversy (damage control. think of something Larry or Ziam related happening and the next day Zigi and Elouno are papped. Or fans finding out Louis is in the same country as Harry and the next day they will let Elouno do a pap walk. Another example is when Ziammies find out a Zigi picture is photoshopped, the next day you will see Zigi in person. This happens when their stunts fail). So if an actor has drugs and alcohol problems they may want to give the appearance that they have settled down and are in a committed relationships so that they can banked for films. Or they are going to be able to get bonded and get work and people will trust them, because they have settled down. It also could be done to create a brand. Two celebs getting together and 'now there's this tremendous interest about them being a power couple.' [...] We create strong provision against the disclosure of any negative facts against the celebrity - with consequences. So these agreements need to be structured with a hold back of money so that over time if they have complied with the agreement and not disclosed ehh no personal information and violation the agreement then they would be entitled the payment, so under the agreement. " --> The last part might be difficult to understand, because the lawyer uses difficult words, but what he is actually saying is very important. He says if the celebrities who are in the PR relationship have done their part (parading around with each other) then they will receive their money (please correct me if I am wrong). The host also confirmed that contracts like these are the reason why a lot of celebrities do not admit they had a PR relationships.

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Clues on how to spot a PR relationship:

-‘’The main clue you would see is if, you know, a certain high profiled male is dating a female (or when a high profiled female is dating a regular male), who was not high profile. All of a sudden, she is, overnight, the most talked about girl in Hollywood and everyone want a piece of them. That is the biggest thing, you know, it is such a career boost for the female that some females end up taking the deal.’’ --> Zigi, Elounor, Chiam, Brouis, Haylor, Taylor and Calvin. How does the world know Eleanor Calder? Because of Louis Tomlinson. No one knew her before, except her family. How did Gigi gain so many followers? Because she started dating Zayn Malik. Gigi already had a platform for herself, but she gained a lot of followers by dating Zayn. Zayn also gained followers by dating Gigi. Gigi needed promo and Zayn was in the spotlight, because he just ‘left 1D.’ This made him the perfect target. I hope all of you also notice that when beards/fake girlfriends post pictures of them with their fake boyfriend, it gets way more likes than their usual pictures.

{What was the benefit for the girl in the scenario?} --> ‘’Ehm, she has a huge career at the moment. She benefit from that by becoming a household name (someone that is well known) and getting bigger roles than she would have. She would use to be the 3rd or the 4th lead in any auditions or any jobs that she was getting. She then became the first lead. She got a great career boost out of it, for sure.’’ --> Gigi Hadid, Eleanor Calder, Sophia Smith, Cheryl Cole, Maya, Camille Rowe and Kendall Jenner are just a few examples.

How did the world know Townes? Because ‘Harry named’ her in one of his songs. How did the world know about Maya Henry? Because Liam Payne started dating her. Before this, she was just a fan. How did Cheryl Cole get the attention back? Because of baby gate and by fake dating Liam Payne. How did Briana gain so many followers? Because Louis Tomlinson fans gave her the attention and because she participated in faking a pregnancy. How did Shawn and Camilla become a couple in the spotlight? Because people have always shipped them, ever since the beginning and their label gave the fans what they wanted. How did Kim Kardashian become famous? A *** tape of her and Ray J leaked and she became famous. Now, she is a lot richer and more famous than he is. A quick note, not many people know how Kim Kardashian became famous. They only really know her from Keeping Up With The Kardashians. The newer generation does not know about the tape scandal, and that is what they do. You need to dig a little deeper to see that. This all is an on-going cycle and it will not stop unless we all stop believing it. 😊

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  What do they do in order to make a PR relationship look real?

{Interviewer asks what the clauses in an arranged relationships contract are} --> ‘’An arranged relationship is estranged by definition. So certainly we are going to see requests that are equally odd. They are certainly going to have requirements as to how they hold themselves out to the public as a couple. This would mean appearances at award shows, parties or events together as a couple and that there would be requirements maybe for specific events.’’ --> Eleanor attending Jay’s wedding and being ‘maid of honor’, Calvin and Taylor at Award shows, Elounor at the fashions show 2013, Haylor and their NYE ‘kiss’, Zigi at the MET gala and Chiam at the Brits, celebs at after parties with their ‘girlfriends’. All of these couples have also pictures with each other’s family members. That made a lot of you think they are close and real, well my loves, now you finally know that it is all part of a PR stunt. The fake girlfriends also have to look supportive, that is why they have to be there at concerts, soccer matches, award shows etcetera. 😊

Remember when Eleanor (beard) posted a picture of herself and in the background you could see a picture of her and Louis in 2012 and ‘Louis’ written on a board? Remember when she posted a picture of herself with her and Louis’ boots in the background in 2018? All of these things are there to make it look like they truly live together and  that they truly own each other’s stuff. The same thing counts for Haylor’s airplane necklace. Do you genuinely think they did that by accident? No, that is the purpose of the whole picture. 😊

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‘’Then there is going to be particularly some none disclosure issues surrounding them as to what cannot be said about the relationship and what needs to be said. There could be a script even as to what they have to say if asked about the relationships. There would be photo sessions showing them as a couple. And then I have seen issues of sexual relationships and specific whether this would happen or not happen in an agreement. But if it is truly a PR relationships then sex would not be a part of that relationship, because it is not real.’’ --> Loves, do you remember a moment when someone asked a celebrity about his/her relationships and they stuttered and looked uncomfortable, or they just said something wrong or embarrassing or tried to talk themselves out of it? Well, that happens when you have to make up stuff that never happened.  Louis Tomlinson confirmed his interviews are scripted, so this one is just an extra thick layer of confirmation. I also recall Gigi doing a live and someone asked about Zayn and she just stuttered and looked away, not knowing how to answer a question. (I think there have definitely been times when two people who were in an arranged relationship gave different answers to the same question, why? Because they do not know anything about each other.) Here is an example of a moment that is repeated and scripted about Louis’ ‘relationship’ with Eleanor, even know we have legit proof that is not what happened:

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Now I can hear all your lovely brains working and thinking whether a celebrity is willing to sign a contract like that or if their label is making them sign it. Well, if you have read my previous masterpost about the music industry you can see confirmations of the label making the artist their puppet. They own you, so if they think you should have a girlfriend to hide gay rumours then they will give you one. ‘A label cannot force you anything’, but it does make you sign a contract. When you sign the contract without reading it carefully, then your label will mess you up. In those contracts they do not write ‘’Taylor Swift has to agree to arranged relationships.’’ They write stuff like ‘’When signing the contract, Taylor Swift allows the label to make changes in order to get her to fame.’’ Of course Taylor (and other artists) would think that they mean changing her outfit and looks, but no. The label thinks being gay is something that will not get people enough fame. So what do they do? They change her, they change her sexuality. They closet her and even though Taylor and other LGBTQ artists do not want that. You cannot deny because when you do so, the label will show you the contract you signed. A contract like that is never written literally, they can manipulate their words. To the label ‘’being gay or a part of the LGBTQ+ community’’ falls under ‘’making changes’’ in order to make her famous. Of course there are celebrities who willingly closet themselves for various reasons. I hope to create a single post about how devious these contracts are for you all! 😊

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Here are a few things I hope you have learned from this: 😊

 - Fake relationships still exist and they will always exist. It has been confirmed, so no one can deny this anymore.

 - The girl and boy have to go to special events, such as award shows, family dinners and weddings in order to make it look real.

 - Homophobia is still a thing and the biggest reason why arranged relationships exist.

 - The beard has a contract too, so your idol has no say in how long she can or cannot stay. If she does good then she will stay. (I see many people say that Louis chose Eleanor because they are friends and that is why she is back, but he actually has no say in anything. Your idol is their product to sell. Your idol is basically a marionette.)

 -The PR team does everything to make it look like they are truly together, think of photos of each other in each other’s homes and ‘personal gifts.’

 -Celebrities get an enormous boost on their social media accounts when they start being part of an arranged relationship. Something I have always thought was a bit odd, is the fact that Eleanor never created an insta account until her and Louis’ ‘relationship’ had its peak; in the middle of June 2012. When in reality, insta was created in 2010. She also created twitter in 2012. Exactly when the first few big events were attended by them. (I genuinely think she did that, because everyone wanted to see more of her. Plus, she has always wanted to be a fashion blogger and this was her ‘big moment’ to do so.)

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The credits for this post go to @Totallylost4you. They made me aware of the podcast and they continue to shine light on hidden treasures like this one. They also hardly get credits for their solid hard work and I hope they will continue doing this! Thank you!

Thank you so much for your attention. If you have any question/suggestion, please do not hesitate to ask/tell me! I wish all of you the best and please stay safe. Have an amazing day!

#pr stunt #pr industry #music industry #pr relationships #damage control #arranged relationships #celebrities #fake relationships #zerrie #elounor #hamille #hendall #haylor #chiam #zigi #masterpost #masterproof #closeting #homophobia #hollywood #secrets #jack ketsoyan #pr strategy #brands #taylor swift #kylie jenner #kardashians #one direction #celebrity branding #label

[simkjrs]

Is drawing a pale skin character with dark skin dubious when I myself am not dark-skinned? I know the answer should be obvious to me but since I have been getting complaints about it I'm questioning? I'm a pale hispanic artist for reference so I don't know if it makes a difference. However, if its something that makes other people uncomfortable, I will stop if its a valid complaint

speaking as someone who is nonblack and light skinned and also draws characters with darker skin tones than they have in canon: i think its fine to do this, and i think that any artist should make an effort to learn to draw features outside of their own ethnicity/race -- you will be stunted as an artist otherwise. HOWEVER: you should always carefully examine your motives for making one character dark skinned versus another before you commit to that choice. 

as an overall trend, something i’ve seen in fandom is that nonblack people tend to pick the “aggressive” “wild” “rowdy” “violent” characters to make dark skinned. or maybe the only character they’ve drawn dark skinned also happens to be the villain, or controversial for one reason or another. 

while this isn’t necessarily malicious on the artist’s part (maybe just unthinking), it reflects an internal bias about what traits the artist associates with dark skin, and perpetuates racist stereotypes. in this case, even if the artist had good intentions, it would have been better not to try and “diversify” their art in the first place. 

(concrete example of the above: i believe in the naruto fandom there was something of a trend for a while where people would make naruto and kiba dark skinned, but not really anyone else. naruto and kiba are both rather wild and rough characters, associated with animal imagery, etc. so choosing only them to make dark-skinned is really suspect.)

basically, these are the things i would consider before making a character dark skinned: 

if i make this character dark skinned, is it positive or negative representation? i’ve talked about this above, the basic question to ask yourself is “does making this character dark skinned play into any racist stereotypes?” if it does, you should make sure that this character isn’t the only character you’re making dark skinned, and that other characters you choose won’t play into the stereotype; or, consider not choosing this character at all. i can’t tell you what the right answer is but definitely give some thought to who you’re drawing dark skinned. (ALSO be aware of who gets lighter or darker skin -- for example, if you make both the protagonist and the villain dark skinned, but the villain has a much darker skin tone, that is ... not really good... i would advise you to read some articles about colorism)

am i only trying to make this character dark skinned because i want to look good? examine your motives for doing this in the first place! if you’re only doing it because you want to impress your audience with your diversity and openmindedness or something you should probably take a step back and work on that first. 

have i researched how to represent this particular ethnicity/race? it’s good to see representation but if all you do is slap a darker skin tone on a character without changing anything else then its shallow representation at best. this isn’t to say that you have to have an encyclopedic knowledge of every culture on earth so that you can make an informed choice, but for example if you’re going to draw a character as black then you should also look up things like how to draw different kinds of black hair, etc. and above all listen to what people of that race/ethnicity have to say about how to represent them!! there are lots of people on the internet volunteering their time to write these kinds of things so try and do your research! have your friends or beta/sensitivity readers check what you make! 

okay i’ve written quite a bit and i know it may seem quite long and overwhelming, but it is definitely doable and the longer you keep at it the more practiced you’ll get. when you make mistakes (and you probably will), just acknowledge your mistake, apologize, and work hard so you’ll do better next time. 

there are tons of resources out there to help you too. i’ve been following @writingwithcolor for years now as well, and would definitely recommend keeping up with the blog! 

this is just a personal guideline post, so if anyone wants to add onto this or make corrections, please feel free.

#ask #long post / #etc #Anonymous #i am east asian and living in america which is what informs my perspective ..

[newmusickarl]

Album & EP Recommendations

Album of the Week: Grapefruit Season by James Vincent McMorrow

“I’m trying to be less prepared” stated Irish singer-songwriter James Vincent McMorrow this past week at his Rough Trade Nottingham In-Store show. This was mentioned in the context of McMorrow telling the audience of his decision to “wing it” for his first gig back post-COVID lockdown, rather than intensely rehearsing as he would previously. It turns out this new laidback outlook on life has been key to McMorrow coping better with the anxiety he has dealt with his whole life, but also to unlocking the songs that are to be found on his fifth album, Grapefruit Season.

During the Nottingham show to which I was lucky enough to attend, McMorrow made a point to say that this new album, his first in four years, is the one for which he is most proud, as he felt it was him being as open, honest and care-free as possible with his audience of listeners. This is evident almost immediately on second track Gone, which feels like the tone-setter for the rest of the album, centred on a striking refrain of “I give less f*cks than I used to, still give a lot of f*cks.” Discussing the track with Broadway World last year, McMorrow said:

“Gone is about the disintegration of relationships. In my case, the disintegration of my relationship with myself. No song or lyric I’ve ever written has come as close to this one at capturing how I feel about life - how I hear it, my fear of it, my obsession with it, my belligerent belief that I can control it, my quiet acknowledgment in the middle of the night that I will never control a single thing. And there’s nothing wrong with any of it. There’s absolute beauty in embracing the chaos and the decay.”

This freedom and “embracing the chaos” attitude have clearly helped McMorrow to hit a new creative peak, with many of the tracks on this new collection some of the very best he’s written to date. From the soulful guitar grooves of Planes In The Sky, the string-tinged piano ballad Poison To You and the infectious downbeat pop melody of Hollywood & Vine, McMorrow is constantly found in fine form. However, arguably the album’s finest moment comes in the form of Headlights, a gloriously produced, synth-driven track, which also features some wonderful gospel-like vocals and bluesy guitars towards the back end of the track. It’s quite dazzling, much like almost every track here.

James Vincent McMorrow has always been an immensely talented songwriter, but thanks to his moment of personal enlightenment he is sounding better than ever on this latest album. With unfiltered, sincere lyrics and inventive sonic explorations, Grapefruit Season makes for quite the audio journey.

Listen here

Montero by Lil Nas X

Rapper-singer Lil Nas X seems to cause controversy through simply being unapologetically himself and as a result, his debut album Montero has been one of the most hotly anticipated pop albums of 2021.

Having burst onto the scene with his breakout single Old Town Road, Lil Nas X has since delivered several massive singles in the build-up to this debut, with each one accompanied by a cinematic or visually extravagant music video. The reaction to these by some narrow-minded folk has been that of shock and outrage, with people seemingly appalled and astounded by Nas X’s openness with his own sexuality. Off the back of the bold, tongue-in-cheek video for the title track, some even suggested the singer was actively promoting Satanism through his work. This is all of course nonsense and if they were to listen to his debut album with an open mind, they would find that Lil Nas X is just a pop star that is willing to be refreshingly honest and candid about who he is and what he wants from life.

Both introspective and confessional, Nas X proves across every track on this record that he’s not only capable of writing great pop music, but he’s also not in the least bit afraid of showing his vulnerability to the listener either. This can be seen on recent single Sun Goes Down, where Nas X offers insight to his struggles growing up and fitting in, conflicted by his complexion, his homosexuality, and finding himself lonely and isolated as a result. There are several quite tender moments like this, including the brilliant guitar-driven rock ballad Life After Salem, however they are evenly balanced out with more upbeat moments like horn-backed single Industry Baby. There’s also some pitch-perfect collaborations to be found here with Doja Cat, Megan Thee Stallion, Miley Cyrus and, most notably, Elton John, all lending their talents at appropriate moments.

However arguably the strongest moment comes when Nas X dips his toe into some pop punk for the album’s sort-of centrepiece, Lost In The Citadel. With some stylish production, heartfelt lyrics and a killer mix of guitars and synths, it’s just a mightily well-crafted pop song.

Overall, this is a star-making first outing for Nas X, who was already well on his way to global success before this record had even landed. However now he is well on his way and importantly with this debut, he has shown he is not just a flash in the pan but a truly great popstar in the making.

Listen here

Silence by Alexis Taylor

And finally this week, Hot Chip frontman Alexis Taylor released his quite stunning fourth solo album, Silence, a record that comes from the other end of the spectrum to that of his electronic outfit. Built entirely around Alexis’ soulful vocals, a piano and some well-placed, understated string arrangements, there is no dance to be found here but rather a beautiful collection of ambient ballads.

The pick of these is the title track itself as well as Violence, the latter of which offers one of the most haunting tracks I’ve heard all year. Ending quite unceremoniously with the gentle crashing of the Wollongong Waves, if you need something peaceful and reflective this week then I can’t recommend this album enough.

Listen here

Tracks of the Week

Let’s Get The Party Started by Tom Morello & Bring Me The Horizon

Kicking off the singles front this week is a rock collaboration of gargantuan proportions as Tom Morello of Rage Against The Machine teams up with Sheffield metal behemoths, Bring Me The Horizon. Built on goliath-sized riffs and an anthemic chorus, this one is a straight up rock banger that will have you moshing out in no time.

Listen here

U&ME by Alt-J

Elsewhere, Leeds-based trio Alt-J marked their return this week with the first single from their upcoming fourth album, The Dream, which is due to drop early next year. My initial thoughts are that this track feels a lot like more of the same, with Joe Newman’s quirky vocals backdropped by some folky harmonies and guitar melodies. It is not a dramatic comeback or shift in style, but fans of their sound will no doubt still enjoy this one.

Listen here

Hall of Mirrors by Let’s Eat Grandma

Also making their comeback this week are the brilliant duo of Rosa Walton and Jenny Hollingworth, otherwise known as Let’s Eat Grandma. Hall of Mirrors is their first new music since their phenomenal 2018 sophomore album I’m All Ears, and sees the duo shift away from their experimental electronica over to the dreamy synth-pop melodies that they first started introducing on that wonderful second album.

Listen here

Godsend by Sundara Karma

Also returning with new music this week are Reading-based indie outfit Sundara Karma, who continue with the pop experimentation they started on last year’s Kill Me EP. With a heartbreaking chorus and some soaring instrumentation, it’s a comeback that’s both immensely moving but also quite triumphant.

Listen here

Earthlings by Nick Cave & The Bad Seeds

Nick Cave & Warren Ellis have also announced a new B-Sides & Rarities album this week. Due for release in October, it pulls together all their best lost gems from 2006 to 2020, including this stunning off-cut from Ghosteen that features gentle tribal chanting over some truly transcendent synths.

Listen here

FAKE by Lola Young

Singer-songwriter Lola Young continues to be one of my favourite discoveries of the year so far, with this new single seeing her channel the late-great Amy Winehouse for this soulful and bluesy ballad. If you’ve not heard Lola sing yet, just check this one out and I guarantee you’ll be blown away.

Listen here

I’m Sorry by Josef Salvat

Australian singer-songwriter Josef Salvat also released his brilliant new single I’m Sorry this week, a pulsating synth-driven track with a wonderful neon-glow and 80s-style pop shimmer.

Listen here

Set You Free by Kyla La Grange

And finally this week, Kyla La Grange made her long-awaited return to the music world, releasing this absolutely amazing and completely unique cover of the N-Trance classic, Set You Free. Also comes accompanied with a typically artistic and colourful video from La Grange, which you should find the time to check out.

Listen here

#james vincent mcmorrow #grapefruit season #headlights #montero #lil nas x #alexis taylor #tom morello #bring me the horizon #josef salvat #lola young #sundara karma #alt-j #nick cave #nick cave and the bad seeds #kyla la grange #let's eat grandma #new music #best new music #album of the week #tracks of the week

[yourbleedingh3art]

04.05.21 the trouble with sexual assault

personal essay / blog post

content warning // related to sexual assault, grooming, power imbalances 

I was sexually assaulted on Valentine’s Day. Painful annual reminders are expected, and never fail to make their presence. I know I never got over it.

The assault itself happened when I was unconscious, thus unbeknownst to me until the morning after, when I woke up in my bed with no memory of how I’d gotten there. The realization didn’t fall on me. It was an attic leak I didn’t notice, cause I’d never go up there, until water’s dripping on me from the ceiling. Drip, drip. Harmlessly eroding the surface. 

Healing was painfully slow. I was an unwilling patient. To me, there wasn’t anything to heal from; Nothing happened. It was an automatic choice. That couldn’t have happened to me. The denial did not feel like denial. It felt like nothing. It felt like the truth. Because nothing happened to me. Nothing out of the ordinary. I didn’t think about it. 

Months after I was assaulted, I started to piece together I was assaulted. And everything hurt. 

This isn’t about that, but what came before it. 

Middle school. 

No fun! Really, though. I hated middle school. 

It hated me right back. I’m not sure who hated who first, but middle school and I got to being straight up enemies. And I wasn’t very friendly, because screw this school, screw everybody in it, screw this big stupid world where everybody’s having fun but me. I was dramatic, expressive, smart, negative. I didn’t seem to interest other people much. Yes for conversations, yes for homework, not so much for friendship. But I didn’t want their friendship anyway. I thought I was awesome. They didn’t. So screw them. Strike first. Nothing hurts if you didn’t care about it in the first place. In sixth grade, I decided I would never be dateable. It was just natural order. But I was gonna surprise them all. I just wasn’t going to care. 

I feel like I grew up fast.

Everybody told me so, too. Is that just a thing they tell kids with no friends? I kinda thought so. But I saw their point. I was always talking to adults. I could sense my own maturity. On birthdays, how old is she turning? “11 going on 20!” 

I started to really like that about myself. 

High school was a lot different from middle school. It was bigger. And it wasn’t private and Catholic, which really made the biggest difference. And boys - they liked me here! They saw me here! I was reconsidering the Truths of the World I’d decided in sixth grade. 

The boys that liked me, at first, were my own age. The flirtations were predictable. It felt good, so good, to be wanted. Everything right in the world was to be the one pined after, the one they notice, the one they talk about, just for the power that comes with it. I never liked feeling powerless. And I was damn tired of it. 

I liked the feeling of being in control more than I liked any boy. Besides, I’d already decided they were all unimpressive back in middle school. And I was more mature than them. So I liked the juniors more. The seniors seemed too out of my league, too hard for someone with no connections. But I knew the juniors would talk to freshman girls from time to time. I had a shot. And it’s what I deserved, someone older, more suited for me. 

I didn’t really have to try.

I guess they just found me. I started listening to punk music, fell in with the alternative crowd, started dressing different, looking different. I started knowing people that knew people. I became a familiar face and name in the community. My friends dated juniors. Or they fucked them, which was crazy to me, the ultimate unreachable status. I wanted it. Just to be able to say I’d done it. I was a complete virgin. 

They found me. And they were the artists and the band members and the designers and upperclassman and how could I be so lucky. I was eager to impress. They introduced sex to me, told me regular sex was boring, not for people like us. People like us, we were 11 going on 20. We had a dominant and a submissive and it would be so hot if you would let me choke you and I can sit there and let him choke me and he���ll call me hot, doesn’t seem so bad, and I’m a man so I like to be more dominant, and if you like it that way, I guess I like to be more submissive. People like us, we work like that. 

I was better than everyone else if I was People like us. I’d have more power. Everyone would want to be me. I sparked intrigue. 

I played the part with enthusiasm. The little slut, the little whore, learning all the words they wanted, learning when to say what, and when, and what it did to people. I just couldn’t do the actual sex part. It terrified me. I had a low pain tolerance. I was scared it would hurt. 

But it was easy to say I wanted to get slapped, spit on, degraded. It was making me stronger. It was making me wanted, which was making me stronger. What they wanted became what I wanted. I didn’t see the problem with that. For all of high school, I didn’t see the problem with that. When the juniors became seniors and then became graduates, still saying the same sweet things to me, I didn’t see the problem with that. When I finally did start having sex, 17, first time, I asked him to choke me and spit on me. And I didn’t see the problem with that. either. 

I thought I had always been the one in control. 

Which made me very stupid. And very easily controlled. 

I was far from the only one. That realization was another painfully slow drip. This was wrong. I wasn’t a winner. I was a victim. And so were my friends. And none of it was normal. It never had been. Fuck. 

It came after the sexual assault by at least a year. The realization I had been groomed, and the people I’d looked up to and modeled myself after, they’d been groomed, too. Fuck. 

One big mess. 

It felt like another problem. Even though it had already happened and the effects on my behavior and personality were cemented, the realization was the problem. Things are so much easier when you can frolick around in ignorance. I wanted it back. I hated when things when hard. It seemed like things were always hard. How was I supposed to take it? 

And why? 

Why me?

Why was this my fucking problem?!

I was upset first. Sobbing second. Confused third. All three now, fourth. 

It wasn’t my problem alone. Thus, I had responsibility. Nobody else needed to get hurt like me. And if I continued not to do anything, they would. The bad guys were still out there. And they were winning. And all the small people they’d hurt had to watch. Motherfuck. 

Everyday could be a day I throw a tantrum about the world being unfair. 

But what else could I do?

Because I knew it had to be something. In the months it took me to process I had been sexually assaulted, I watched people befriend, praise, and publicly uplift my assaulter right in front of my eyes. It felt so wrong, but I’d decided the pain was my cross to bear, my price for taking so long. I felt so much anger with myself, for letting him live a life unaffected. I felt so much guilt. And it felt so unfair, he could be happy, when I walked around changed. 

If you don’t say anything, victims hurt. Victims will always hurt, but they don’t have to hurt from silence. 

Two days ago, I got back from a vacation in Florida. Before my vacation, a member of a formerly popular and adored local band, the Happy Yew, directly messaged me. The “formerly” is due to the fact Happy Yew frontperson, E. Streeter, had racked up dozens of accusations of inappropriate sexual behavior, assault, and grooming of minors. The band member was asking me if I had any firsthand “proof” of E’s misconduct. It upset me to think about the subject. I told him no, went to Florida, and tried to ignore the entire thing. Sensing a pattern here? 

Two days ago, I got back from a vacation in Florida. And then I read some Instagram stories. The Happy Yew had disbanded upon E’s controversy, as well as publicly distanced themselves from them. (E is nonbinary and uses they/them.) This announcement, posted on their Instagram page, was erased. All traces of controversy had been scrubbed. The band members were actively on a “proof run,” messaging anyone they assumed had information to discredit the current portrayal of their frontperson. All signs pointed to this: They were going to let E back in the band. They were going to pretend none of this had ever happened. 

But I think it did. 

Because E was one of the juniors that groomed me. And I have proof. 

#blog post

[sparkles-and-trash]

My fav 3 versions/interpretations of South Park characters thing!

I’m so sorry this took much longer than anticipated, I was gonna do it Friday but then I had a panic attack for the first time in forever because my CFS have been real bad lately and I was in such bad shape my BFF had to come and smack me back to life, and Sunday was suddenly full on breakdown day, a bad BPD episode and yeah, it was rough, but today I’m doing better and I realize nobody really cares about my personal issues lol but I just have a need to excuse myself here and I realize that’s kinda dumb but here we are ANYWAYS I hope these are okay, and that these are in no way the RIGHT interpretations, just my personal favorites! 

Kyle:

suggested by the wonderful  @otherluces <3

#1 

I’m not gonna lie, I love nerdy, preppy Kyle. Sweater-vests, collard shirts, doesn’t realize how attractive he is Kyle, oblivious to people having crushes on him Kyle, set on Harvard to become a lawyer and fight for justice and argue for a living, yanno? 

#2 

I also really like the more dorky and nerdy Kyle, where he has really niché interests that he gets totally invested in and talks about 24/7, loves reading and studying, but not just to get good results, but because he genuinly enjoys it.

#3

The last version I can think of with him, is the tall, lanky and kinda hard to read Kyle. He keeps a lot of his feelings to himself, but that doesn’t mean he doesn’t have them. He plays basketball, he’s good at it too, and while he does well in school and everyone expects him to go into law, he has some totally different dream he keeps to himself for now. He kinda perks up a bit when in smaller crowds, esp with his cloest friends, but he still carries a lot of secrets that some time needs to come out.

Tweek:

suggested by my new fren  @soft-craig-and-tweek ^^

I like Tweek in so many ways these were hard to pick, but I’mma try to narrow it down a bit and not go totally off haha

#1

I actually quite enjoy the jagged, tired Tweek, the one who with help from friends and family manage to get off the meth his parents feed him secretly, but who still struggle with withdrawal, dark bags under his eyes, kinda pale and with sharp features, but he’s still a sweet and kind boy, a boy who wants to make the right choices and change the world to a better place, but who still has a darkness he carries, and the fact that he never gives up that fight is what makes him so special 

#2

and okay I have to be honest, I do love myself some sunshine boy Tweek. This Tweek still has issues, he is maybe even more anxious than the last one, but he’s also just as vibrant and energetic as he is anxious! He is an artist, he paints with bright colors, he composes beautiful, hopeful melodies, he feels everything so much,  and he is a contagious and exciting person to be around. Cannot dress for the life of him. So much mis-match and odd outfits, but it kinda works? 

#3

The last one I’m gonna mention for this wonderful boy, is the more alternative Tweek. He writes obscure poetry, he watches too many conspiracy theory videos on youtube, he draws the monsters in his mind, and he writes the scariest, most hauntingly beautiful stories on the internet, and people online love him. He has no idea how to deal with being popular in that sense, because irl he is the type to not belong to a certain friend group, but he does go along well with most people on a surface level. Dark circles, shaky hands, crooked and cute smiles, baggy t-shirts and ripped jeans. When he first opens up to someone, he really, really does, and he will always support and be there for you. If you deserve it, that is. 

Nichole: 

also suggested by  @soft-craig-and-tweek <3 

#1

I love nerdy Nichole who isn’t afraid to show it! Maybe she’s a streamer or youtube gamer even, I can def see her writing fanfiction, and being hella good at it too! Makes quite a name for herself online, and hangs out with the boys a lot irl, has game nights with the boys from Board Girls (even Cartman sometimes), is funny in a sarcastic way, but never mean. 

#2

Popular girl Nichole is also a favorite for me, but not in the “classical” sense. I imagine her to be a sporty, maybe on both the basket and volleyball team, captain for the basket one, she’s a born leader, she’s kind and fair, but can also be strict, and people always trust her to be honest and true.  

#3

Artsy Nichole!! I imagine her in bright yellow dresses and with her hair flowing and free, with flowers in her hair, freckles on her face, a big, genuine smile, a loud laughter that is so contagious, she loves spending time with Jimmy because they have a very similar humor, and she’s a theater kid, she sings like an angel and can act, oh boy can she act, she can make anyone laugh or cry in just a blink of an eye, she’s just a human sun-ray and I love her a lot 

Butters: 

suggested by @kinguidamundo, thank you so much!! 

#1

I love edgy Butters soooo much??? Like, he’s still a kind and bright boy, but he can also stand up for himself a lot more, he likes fashion a lot, he gets tattoos and piercings, he explores tons of ways to express himself, he’s a yes-dude, he goes out on dates a lot, but isn’t ready for a “real” relationship yet, but he enjoys meeting people and testing out himself around different types of people! Also he is a bi icon change my mind jk u can’t 

#2

I have a weak spot for the kind of soft and timid looking Butters too, who wears pastel colors and have big, innocent eyes, he is genuine and kind, but he carries something darker inside, something he isn’t sure how to deal with, something that scares him, but in reality it’s just normal feelings, anger, resentment and fear, but he’s lived his life ignoring them so much they catch him off guard at times. He learns to live with them slowly, and he does so with lots of help and patience from friends and loved ones. 

#3

Okay, last one, totally self-indulging here, but yeah, happy sunflower boy is also a big favorite. He is more confident than the previous version, but in a gullible way if that makes any sense? He believes the best in people, and if he is proven wrong, he’s willing to try to help them become better people, if they want to or not! This is honestly the version I love most with Stan, Butters being the ray of sunshine in Stan’s life and Stan being the realism to keep Butters grounded and them both supporting each other so much? Fuck yeah that’s the good stuff. 

Clyde:

suggested by @horrorpumpkin, ty sm friend! <3 

#1

Himbo Clyde!!! Jock dude who genuinely loves sports, he’s a team player, and while he might not be super intellectual, he is very socially smart, he is kind and empathic, he is funny and likable, he always tries his best to make everyone feel included, and while he loves chicks a lot, and is a sexual dude, he does it with nothing but respect and admiration for the ladies! 

#2

Bisexual disaster Clydeeee <3 obv being bi isn’t a personality trait, but he is very open about it, he wants to be confident and good at flirting, but goddamn is he a MESS! He’s also a huge supporter of every single relationship his friends is in, he loves love, in all shapes and forms, he is emotional and kind and awkward in an endearing way. 

#3

Can’t leave out crybaby Clyde, can we now? He’s a bit of an awkward bean as well, but he owns it a bit more. He is kinda like a puppy, a cute, excitable and emotional puppy who loves his friends, video games and lazy movie nights, kinda chubby, he loves baking and does it a lot with Tweek, he is also a huge nerd for Harry Potter and totally geek out over it with Kyle and Nichole sdhlksgdhl

Kenny: 

suggested by anon! 

#1

First up I guess I should put my high school AU Kenny. I know it’s controversial, but I imagine this Kenny to be more on the quiet side, but not really in a shy way. He’s just a bit of an observer who doesn’t speak unless he really sees fit, and while he still has his crude humor and is kinda rumored to be sleeping around a lot, he actually struggle with intimacy issues. He never imagined them to include sexual stuff, but turns out they do, and balancing being sexually open and curious and having these issues ain’t easy on the boy, let me tell you that. 

#2

This one is kinda heavily inspired by Luces, but I love him as kind and loyal, but also a bit more chatty and charming, but not for his own gain. He wants others to feel good about themselves, in social settings, his friends, during sexy times, he is selfless and good, but he is also living for the moment, he is a likable and wonderful guy, but he does still only REALLY open up emotionally to people he really trusts. Not traditionally attractive, but interesting looking in a way. Lots of freckles, bit of buck teeth with a big gap between his front teeth, messy kinda curly hair, long straight nose. Always wears baggy hoodies and worn out jeans, shrugs and gives that lopsided smile when people ask him about anything personal.

#3

Mysterious Kennyyyy. You think you know him, everyone does, but in reality, very few have seen the real him. He likes people, and he likes to help them, he’s always down to listen to people’s problems and help them, he wants to inspire kids like himself to never give up and think there’s only one path for them, because he knows there is not. Volunteers at the animal shelter with Stan, works part time at Tweek Bro’s and is good buddies with Tweek. Had a early sexual debut, slept around a bit and got his heart broken unexpectedly when he was a Freshman, so there are some walls there now, but he ain’t usually one to turn down someone who’s up for it and whom with he has good chemistry either. 

#kyle broflovski #tweek tweak #nichole daniels #leopold butters stotch #butters stotch #clyde donovan #kenny mccormick #south park #south park headcanon #south park headcanons #sp #South Park tag #sp kenny #sp butters #sp clyde #sp nichole #sp tweek #sp kyle

[sole-cuore-amore-e-droga]

Cyprus brings shampoo to Rotterdam 2021

I FELL IN LOVE, I FELL IN LOVE, I GAVE MY HEART TO PRODUCT PLACEMENT.

Though I do see where they come from. Everyone from Panik Records, from her to Eleni Foureira featuring Perfectil on the “Fuego” MV, gonna need that sweet sweet money all of the time. But has Greece’s economy not really recovered for them to constantly need to advertise products on music videos or am I just losing my mind overthinking things?

Eitherway, this review may or may not appear before or during their rehearsal day, so see how do I make a fool of myself by trying to estimate Cyprus’s chances!

ARTIST & ENTRY INFO

This year we have a 26 year old Elena Tsagrinou from Greece here (the way they were last represented by a somewhat Cypriot on 2017?). She did music early on in her age, also participated in the Greek version of Got Talent. Though, before breaking out as a solo pop sensation in ways you cannot imagine, she used to be in a pop band OtherView. Strangely enough, I’ve heard of them because of this song below but I could’ve NEVER estimated it was her and never could have I predicted she would land herself a Eurovision entrance all alone:

The band has had quite a few successful enough singles with her, she did some music shows participation and hosting, her band switched labels midway through (guess into which one they eventually landed, hint: some of the screenshots in this review have this peculiar logo), and in 2018, she had to “withdraw” from the group to go ahead and pursue the aforementioned solo career, somewhat. She continued doing a lot of shows (particularly seen on the MAD music channel related events), and doesn’t have as many singles as she had with OtherView right now, but she’s possibly well on her way to blossom as an artiste. Some of those reading (lol who am I kidding who even reads these) may be familiar with this little song of hers:

You’ve heard way too many things about “El Diablo”, her 2021 entry, so idk if I feel like explaining the technical side of things all by myself or you already know everything. But in these reviews I repeat everyone else regardless, so let me just say that “El Diablo” is an obvious pop song, with a lot of Swedish related touches to it, because at least one person on this song also worked on Alvaro Estrella’s Melodifestivalen 2021 entry that glorifies at least a handful of the same cliches that “El Diablo” does lyrically. Dear Eurovision lyricists, you can use more foreign languages than Spanish for your obligatory foreign language incorporations, thanks~

Although I’m not sure about whether it is more Laurell Barker’s fault as much as it is Joker Thörnfeldt’s, but it’s easier to blame them equally, because the former probably came up with “ta-taco, tamale” and the latter couldn’t get enough of the word “mamacita” they used for the aforementioned Melodifestivalen entry. Anyway, the lyrics, from what I get, is that she’s in love with an eeeevil guy because he’s sweet talking her, they do some sexy stuff together (presumably), pour sauce on their bodies for no explicit reason other than “obligatory-foreign-reference-itis”, she’s breaking the rules (and idk if it was “mama-mamacita” telling her to do it), got the icy edges that the spicy is melting for her, throws eyelashes on the floor when she’s got no wigs to throw (but that doesn’t matter because even without a wig, she can flip her hair and make him look twice), and there’s as much as you need to know about the song’s lyrics as I feel like I should show to you, because eh. Eurovision has suffered from worse cookie-cutter lyricism through the years, “El Diablo” is painful but not the worst.

REVIEW

But I do like the song somewhat!

“El Diablo” was initially compared to Lady Gaga’s “Bad Romance” upon release, and I totally kind of see why, because in all the right spots you can absolutely hum over the chorus to that over the one of “El Diablo”’s, it just exchanges gratuitous French translation of one of the already sung lines on the bridge for obligatory inserted Spanish terms just for the sake of being trendy with the crowds of the nowadays, because as we learned nothing these days, having a lot of Spanish in your song is apparently trendy. And Elena does nothing absolutely batshit insane on the music video (other than advertising) - no lapdance for the devil Lil Nas X style, no being forced into a bath, no person to sell her body to (not even the titular diablo), no dancers that rise out of their Christian sleep pods. Just Elena singing behind lots and lots of trash bin bag wrap.

Honestly the bigger issue for me than the song being “sAtAnIc because it is called “the DEVIL!!!”, aside from the lyrics, is that the MV does not come with any forewarning whatsoever for the people that are seizure prone when they see strobe lights? And that happens for some extended periods of this clip? I know you are indulged in your advertising and good for you but don’t just care for the companies that pay you if you use their products, do care about people’s wellbeings too, sometime.

But enough about the MV.

The song is decently sounding. It has interesting uses of what sounds like hi-hats during the verses (e.g.: a moment when this happens for the first time on the song is after Elena sings “tonight we’re gonna burn in a par-tY” the second time, and then there’s something that sounds soaring - that’s what I think that the hi-hats did.). It also has some sort of a synth piano on the second verse to boost the song’s sound rather than just relying on 808s and beats. I quite like how the chorus is so instant somehow, idk why but it is for me. Might have a gripe with that childish choir singing “I LOVE EL DIAB-LO” in the tune of standard kindergarten children teasing tune (aka ”NA NA NA BOO BOO”), as well as the constant breathing sounds, but they don’t distract me from generally “fucking” with this song, lol. It’s just that likeable imo.

I just can’t cope with the fact that Cyprus can’t seem to dare to go at least a little bit original with their song, yanno? Ever since 2019 they were called out as being a ripoff of something... hell, everyone since 2016 except Eleni was a ripoff of something. Alter Ego? “Somebody Told Me” by The Killers. Gravity? “Human” by Rag’n’Bone Man. Replay? “Fuego” itself. Running? “Lose Control”, Meduza x Becky Hill. Now we have a Lady Gaga song wannabe that even caught the attention of another singer that the music video looked like it was ripping off, and the Eurofandom caught up in hysterics:

Heads up, folks: not EVERY short haired blonde with messy hair, silvery tank top and shortpants that writhes on the floor is a Zara Larsson clone. And I don’t know who stirred controversy first - her or the fans - but this was ridiculous to see, even for me.

Although for a second I saw where they were coming from.

Now see why I want Cyprus to go original for at least once? Because I guess that the way “Fuego” was conjured up, it brought Cyprus so much success with how the package was, how Eleni sold it, and how the song sounded. You know the first thing of everything potentially going wrong for you later on is if you find the formula you’ve been looking for, but you proceed to be using the exact same formula that got you this far in the first place, without realizing what was it in the formula that you needed to bank on to further to make it click, but instead proceed to copy everything like it was an easy, fill-in-the-blank form. You can and should do better than that.

Though that doesn’t stop me from ranking it 11th this year.

Thing is, I really expected it to be the one female pop song of the year I would have the constant impulsive need to replay, replay, yeah. Ever since the chaotic entry MV drop that occured on some random-ass Cypriot TV show where three guys talked a lot (and before that, we got a cooking show), and kept growing increasingly agitated that no one is liking their show, until at some point one of them erupted in “IN TWU MEENETS... EL DIABLO... ON UR TEEVEE”; I was really devastated I couldn’t be able to break the replay button because of Panik Records deciding to rather benefit for themselves to have the MV on their app, then on Youtube, THEN on Spotify in that order. So I listened to a few video rips that I received / had for myself, and it was a fun time... until I realized the desire to play it declined much faster than I thought it would when it actually dropped on Spotify, oops. So I can’t really let myself rank it higher, when there are at least some catchier female bangers with better overall sound, better lyrics, and better multiple-replay factor. But I can’t really settle for a much lower rank for her than 11th, anyway. Girlbanger 2021 power y’all!

That and vocally she’s actually not that bad, even if she has shown up singing her song drunk in a handful of Instastories for some event of some party house, and at the time people overreacted, but I think that at least a large audience of those same people has collectively dropped their “Cyprus obvious NQ” talks come the pre-parties.

Panik Records, when will you put the yeehaw El Diablo on streaming? Now THAT’S a version that has replay value, and I might never get bored of it instead :(

Approval factor: Yeah, there exists some for me in it Follow-up factor: CyBC did one of the nastiest in terms of following up their 2020 arc of “Bring Your Artist Back for Revenge Year” that was 2021, straight up ditching Sandro probably right after Eurovision was done (well it doesn’t look like the case because CyBC published a statement later, but I sense that it might’ve been the case), because “Running” wasn’t doing so well with the “YAS QUEEN” branch of the Eurofandom. Which sucks because Sandro would’ve actually been down to be asked again for Eurovision, as he revealed it to NikkieTutorials during many of her interviews with last year’s class of. “Agreement from both parties” my ass, unless Sandro secretly realized that like Tom Leeb, he was too busy for 2021 Eurovision, which I doubt. It actually sucks imo that Sandro can probably be considered as even a forever non-returnee, because Sandro is more of German roots than Greek, and if we learned anything about the Mukuchyangate 2021, is that Germany will never send a returning artist, at least one that didn’t represent their country first and foremost. So Greece could only ask Sandro nicely only if the contest comes on to Germany, I guess? How do you think they decided on getting Stefania, who still ever so regularly appears on Dutch music, to represent them this year? So on that regard the follow-up from CyBC stinks, eventhough I think that entrywise the follow-up was rather decent, at least in the usual Cypriot way of sending female pop (going from “Replay” to��“El Diablo” which I like more than “replay”), and eventhough I’m falling out of the hype for Cyprus I once used to have, their 2015-2021 entry streak had entries that I largely feel positive for overall, so in that regard, the follow up is decent. Qualification factor: In a year of Semi 1 Female Banger Slaughterhouse, Elena goes out in my eyes with several scratches, but not enough to completely kill her chances. If anything, given the divisiveness of Ireland’s rehearsals, Elena is likely to obliterate any last memory of Lesley Roy any first time viewer has ever had, except for her stage graphics. Even if Elena’s staging will not be as mindblowingly cartooney as the last, once a bop comes on, everyone forgets the slower song and gives into the bop, at least that’s how the draws work when choosing what insignificant song to put on 2nd and wedge in between the opening banger and some lesser-key banger, right? I know that “Replay” barely qualified, but I find “El Diablo” slightly better, and it all goes well, it will barely just as qualify as well. Because in a Semi 1 Female Banger Slaughterhouse, she can’t be the losing one, really.

INTERNAL CORNER

I already told everything that was noteworthy about Elena’s journey in previous sections, honestly.

• That I said that CyBC likely ditched Sandro right after cancellation just like Hooverphonic ditched “Release Me” should they have had a chance to keep or toss their entry. It doesn’t present itself as the case, but I just feel like it is.

• That the song was revealed on a Cypriot talkshow where three dudes were aware that we were waiting for “El Diablo”, trying to throw some gratuitous English our way, hating that we didn’t like our show, but promising that “El Diablo” MV will be shown in “TWU MEENETS”, which wasn’t but worth the wait eh?

• That people were cackling at Zara Larsson joining in the talks of Elena’s MV having aspects of her own song’s MV plagiarized.

• That Elena performed her song in a private-ish event when drunk and having heaps of fun and people cried that it was gonna be a NQ.

And do I really need to elaborate about the local Cypriot church scandal? It just so happened that a bunch of people read into a song’s title so much, thought it was rude of their country to sing about the devil (eventhough the bigger offenses made here is the gratuitous Spanish more than anything), and hoped that the broadcaster will disqualify the very song they okayed to be internally chosen because they are displeased with it - and if it’s not disqualified, they even threatened to burn the headquarters down. No, really. That’s like the most amusing part of that whole spectacle. Imagine burning a broadcaster headquarters down for a song... if I did it for every favourite of mine that lost to other broadcasters, the broadcasters would run out of locations to rent, because everything else good is pre-occupied or the ashes of their lost headquarters staring back at them.

Imagine being toxicly Christian in 2021... How long until Elena’s face gets photoshopped on the main protagoniste of The Unholy?

ANY LAST WORDS?

Even if I’m with this song, part of me kind of wants me to fail to make Cyprus realize that their formula is starting to wear thin and they got to be somewhat of a versatile nation in Eurovision if they want to be on the radar of not just one specific niche. But then again, they learned nothing when they flopped with Tamta, because she sneakily qualified as opposed to failing even harder than Tulia, ah well. Will they ever learn?

But why would I openly wish this to a top 11 song of mine, oh dear. Good luck Elena, may God be on your side, I guess. :P

#eurovision #eurovision 2021 #rotterdam 2021 reviews #cyprus #elena tsagrinou #el diablo