#I couldn’t find a post on here with this parallel

[gogobootz1]

The Mentor

Finnick Odair x Reader

Summary: As a mentor, you do your best to help your tributes. When one of them turns into a victor, she knows just how to embarrass you in front of people you’d like to impress.

part two | part three

You whisk through the backstage hallways of the filming center, wet hair whipping as you turn corners. You’re on a mission. Apparently your tribute, now victor, is having a total breakdown.

Your fellow mentor told you he could absolutely handle her post-games interview. Clearly not, though, since your phone wouldn’t stop ringing while you sat at the bottom of your shower. When you finally pulled yourself out of your stupor to answer it, the district ten escort was on the phone begging you to get down here and fix her. You thought she was exaggerating until your stylist came on and told you it was bad. At that point, you threw on the closest clothes you could find and flew out of the apartment.

Darla is a sweet girl, and you’ve grown quite fond of her. You busted your ass getting her sponsors. Every year you try your best, but you thought she had a good chance and she proved you right. Seeing her in the hospital bed, though, you knew she was different. You thought something like this might happen, but you didn’t think it would happen during your shower.

Rushing around another corner, you crash right into another body.

“Sorry!” You try to quickly remove your hands from where you’d steadied yourself, and sidestep this new obstacle.

“What’s the rush?” The obstacle won’t quite let go of you, though. Now interrupted from your task, you look up to recognize the person in your way. Finnick Odair. It couldn’t have been anyone else?

“Emergency,” you quickly dismiss, trying to get by him again. If you look into his eyes you will be thoroughly distracted. You generally try to avoid Finnick at all costs. His intense stare makes you rather nervous.

“Everything ok?” He raises a brow.

“It will be when I get through here,” you start to get antsy. You tend to accidentally default to short and rude with him.

He lets out a scoff of a chuckle, “you’re a tough egg to crack, you know that?”

You’re really not. The Capitol knows you as the gentle victor, who often visits classrooms and reads to children. You guest star on daytime Capitol tv, making some of your favorite recipes in your houses’s enormous kitchen. You’ve designed gardens and parks and are generally well liked here for your friendliness.

“Look,” you huff, “Darla’s in trouble.” This, at least, you know he’ll understand. “Let me through so I can help her.”

“That’s why everything’s been delayed?” He asks. He’s right, too. The time it’s taken you to get dressed, get a car, and get here is all time that Darla should’ve been on air.

“Finnick,” you snap.

He steps aside in an instant, “good luck.”

You breeze past him.

“Mother hen is a good look on you,” you hear from behind you.

“Shut up,” you bark over your shoulder.

Back on track, you quickly find the right door. Whipping it open and rushing in, the entire district ten beauty team turns to look at you. Their eyes are wide and they look quite upset.

“She’s been staring at the wall since before we called you,” the hairstylist whispers, quickly rushing up to you and taking your hand. You instantly tug it away, they are not your priority.

You breeze past them and slowly approach where Darla is sat. She faces away from you, and is curled up in a ball staring at the wall. Quietly, you sit parallel to her and enjoy a similar view of the wall.

“Hey, D,” you say quietly. Taking a slow approach will probably be more effective than trying to force her up. You’re certain the beauty team tried that approach, but quickly got scared.

She’s silent for a bit, “I can’t do this.” Her voice comes as a relief to you.

You hate what you’re about to tell her. You’d really rather whisk her away back to the apartments, but there’s not exactly another option here. “Look at me, honey, yes you can.”

“No, I-“

“Darla, you can.” You try to be firm, but it falls short.

“You don’t under-“

“Now I know you weren’t gonna say I don’t understand. Baby, I might just be the only one who does.”

Darla starts to cry, and suddenly she looks her age. In this moment she’s not a victor. She’s just a sixteen year old who’s been through far more than she should. You move from your spot to embrace her.

“I know, honey. I’ve been here. Sometimes I’m still here. I know. But they don’t- and they can’t.” You say as you hold her close to your heart.

“So what do I do?” You pull away to see her teary face. You rise to your feet and slowly pull her with you.

“We’re gonna clean you up, and send you out there good as new,” you say, trying to imbue some confidence in her.

Darla’s eyes widen in fear.

“Relax, honey, we’ve got time,” you wipe her teary cheeks. You wave the makeup artist over, as you sit Darla in a chair. “Now in the meantime,” you start, pouring a glass of water and forcing it into Darla’s hand, “I’m gonna tell you a story. How’s that sound?”

Darla nods reluctantly, taking in ice water through the straw. You sit on the glass coffee table in front of the girl as the makeup artist gets to work.

“Now this happened a looooong time ago- back when I was ten. It was a bright summer’s day on the ranch, and I was up nice and early when my Paw came up and told me he’d lost his wedding ring. Now, my Nana was an insightful gal- if she had noticed (and believe me she would’ve) she’d have pitched a fit.

So I was enlisted to help him find it. Well, we searched everywhere. All around the house, the garage- no luck. Finally, we headed out to the pasture. We were digging through manure, when suddenly my foot sank into a pothole and I went flying toward the ground. I landed face first in an enormous pile of shit. But that’s not the worst of it- ohhh no.

When I pushed myself off the ground, I saw my nana had come home. She’d brought four of her friends and all of their grandkids. That included little Jimmy Price, who I happened to be enamored with. (Not that I ever spoke to him since I was so shy.) And in that moment, my Paw, back turned to the whole thing, held up his ring and shouted ‘found it!’ Only to turn and find me covered in cow poop and his wife watching with all her friends.”

Darla smiles a bit at your misfortune, “so he found the ring in the poop?”

“Oh no,” you shake your head, “it was in his pocket all along.” Darla cackles this, nearly messing up the eyeliner her makeup artist tries to fix from her earlier tears.

“So what was the lesson in this fable?” Darla asks teasingly.

“Oh none,” you reply innocently, but a smirk grows on your face, “but at least you’re not heading out there covered in cow shit.” Darla grins and shakes her head, feeling up to the task now. The makeup artist nods at you and dashes from the room.

“Now honey,” you start, pulling Darla up from her chair, “you just blame your tardiness on me. Tell Caesar I was fawning all over you like a mother hen.” At least something useful came out of your run in with the Capitol’s darling.

Darla smiles a little, nodding. “And remember, just be your charming self- everyone here adores you,” you remind her. She seems a lot better now.

“Oh hey, where were you earlier?” Darla asks, about to head out the door.

“I’ll tell you when you’re older.” You tell her, smile dimming.

“Now you really sound like my mother,” Darla quips back, and you grin again.

With that, a stagehand pulls Darla away to where Caesar’s been waiting. There’s not much else you can do for the girl now. Out of your hands and into the Capitol’s. You can only hope Darla won’t freeze feeling all their eyes upon her.

You shouldn’t have been worried, though. Darla nails her post-games interview. The audience finds it adorable when the girl says she took so long because her mentor was fussing over her hair and her dress.

“You wouldn’t think it- but she’s a real mother hen.” Darla says, and you smile as you watch from backstage. The audience erupts into a gleeful sort of laughter at the comment.

Caesar knows just what to do with it, too, “well it’s no wonder, I’m sure you’ve made her proud!” Darla beams, and very convincingly so. “Let’s take a look back at Darla’s games!”

To your great relief, Darla holds it together through the recap. The girl gets boisterous applause as the leaves the stage, then comes flying into your arms once she’s out of sight. The force of it makes you stumble, but you quickly plant your feet and return the hug.

“You did great, kiddo,” you tell your tribute.

“Thanks!” Darla replies, speaking loudly from the adrenaline rush, “and thanks for telling me about when you face planted in a pile of cow poop back home, it really helped!”

Every single person milling around backstage turns to look at you when Darla says it. Not that the girl notices the extra eyes.

You drop your chin, trying to avoid the stares of these people. This is what you get for comforting her at your own expense. Taking a calming breath, you look up only to meet a pair of sea-green eyes.

Of course Finnick Odair heard that, and of course he’s smirking teasingly at you.

Like Jimmy Price all over again.

You stick your tongue out at him.

———————————————————

I did not edit this so I hope it’s ok lmao. The new hunger games movie was great so ofc finnick’s been on the brain

#finnick odair #finnick odair x reader #the hunger games #finnick x reader #hunger games #hunger games fanfiction #caesar flickerman

[noneorother]

All the music you didn’t hear: The Good Omens soundtrack is lying to you. *Part 1*

The Bonkers Meta Series part 2: Electric Boogaloo.

I so rarely get a chance to misuse my experience in classical music, but here we are. When I realized on my most recent watch-through of the series that the David Arnold score was brilliant, but also really wonky in some parts and I couldn’t put my finger on why, @embracing-the-ineffable suggested I listen to the album soundtrack to compare.

And when I tell you what I found hidden in there, you’re going to need Eccles cakes...

1) The Song is the Clue

So right up top we have this banger. The 12th track on the album is the orchestral backdrop to the scene in the Job minisode where Aziraphale reveals Crowley’s crow/goats. The duration is 2:22 (the only track with multiples on the album), and if you look at the track by itself it doesn’t mean much. But the song just before it is actually from this fucking scene:

You know, the one where there’s a song that’s a clue to a mystery. Except Clue is capitalised, and Aziraphale pronounces it. I’ve seen guesses that this is a reference to the movie Clue, but I would put a lot of money on the fact that we are supposed to read the title of the song currently playing at that moment in the show *as a Clue*, which is super convenient, because the word Clue is capitalized in the track listing. 

Seems like the overlords of Good Omens have a message for us : The song is the Clue. It’s what God wants. Cool cool cool. WHAT SONG?

2) Symmetry in all things 

Before I straight up tell you, we have to go back and look at season 1.

Now I’m far from the first to notice tons of parallels between the story, details and even lines in both seasons. It got me thinking that maybe there are some fun synch-up parallels between the two season’s soundtracks, seeing as they are both 6 episodes long. Here’s the end of S1 and then S2

Oh that’s a bummer, I thought to myself. 

They don’t even add up to the same number, or playtime, and neither of them is exactly 60 tracks. But do you want to hear a secret? S2 is actually missing 3 tracks on the album. And because there are 2 discs in S2 (cute), the numbers of the tracks start over again from 1. Remember how much God likes sevens? Check out where all the weirdness is happening in disc 2 (I’ve added the missing track listings in red to add context):

After checking each track with the show and listening side by side (for reasons that will become clear in another post) I can definitively say that there is something *very weird* going on at the end of episode 4. 

First is track 7, Zombie dressing room, which seems to actually reach over two distinct scenes of the photo evidence in the dressing room and then Shax in hell even though it only has one title.

But *between* these two scenes we get an eerily silent wine date with Aziraphale & Crowley.

There’s really no music or even sound here besides the dialogue and room tone (until after the cheers), and it seems like a very intentionally silent version of a ritz date from season 1.

My best guess is that we are supposed to divide that track into two tracks of 7, before and after the date to get a second track 7. Or maybe the silent one is missing music? The third track number 7 is the weirdest one. It’s this scene here, when Nina parks her bike, and Aziraphale parks the car at the end of S2E4.

If you take a close listen to the music, it’s a jaunty little piece, with an oom-pah base in 3 ⁄ 4 time. The thing is, this music does not exist in any Good Omens album. Please feel free to correct me, but I’ve tried to find any part of any song that this could even be a reprise of, and I Shazammed it to be sure it wasn’t anything else. This song does not exist anywhere except in this scene. (It quickly morphs into a reprise of the original theme once Nina leaves Aziraphale). It’s an invisible song.

So we have 3 tracks at the end of S2E4: a long one, a silent one and an invisible one. Only one of which is numbered 7, but that all fit into that place in the track listing.

Which, when we add the two extras to the original total of fifty-nine we get... sixty-one! Hey wait a minute.

How are we going to get to 62?

3) The real missing track. 

So the real reason we had to go back to the S1 album was because it contains the missing track that God is talking about. Let’s compare the last tracks on each album.

I’ve highlighted the mismatch between the in-show music and the album in S2, which means I had to add A Nightingale Sang in Berkeley Square back into the S2 album because guess what, it’s not in the S2 album. Even though it plays in the show. 

You want to know how not in the album it is? Amazon had to track it in the show as a season 1 song. They had to give Tori Amos credit for her song on Good Omens in the X-ray bonus features because that’s how not in the album this song is.

So my fellow beings, if the song is the Clue, then It’s what God Wants.

And if God wants a happily ever after with Aziraphale and Crowley on their own side, then by Job, I think Neil is going to give it to her.

-----------

And there's more where that came from! Part 2 coming shortly.

#good omens meta #art director talks good omens #go season 2 #good omens 2 #go2 #good omens prime #good omens season two #go meta #good omens season 2 #go3 #good omens 2 meta #crowley x aziraphale #aziraphale #anthony j crowley #good omens spoilers

[grimoireofhayley]

Of Friends and Horror

Stu Macher x Fem!Reader x Billy Loomis

Word Count: 1.6k

WARNINGS: Graphic content, Smut (MINORS DNI), Language, Talks of SA, Cheating, Obsessiveness, Gore, 18+ Content, Stalking, Possessiveness, Dirty talk, Religion talk, Suppressed Mental Health problems (I.e., reader has some issues that she isn't aware of)

Taglist: @ev3ningrain @nerdytif @fanfic-enjoyer123 @darkenwolfie @juda-the-simp  @colsons-baker @junnniiieee07  @ok-boke @ren-ni @katie-tibo @bruce-yamada @kenma-izhu @cookielovesbook-akie @elevenpurple @hyunlix-world @mavix @halleest

A/n: Oh-my-god, I am so sorry for the major delay! Trust me, I was in the middle of writing the chapter the same day I said I would post it, but being a mom is super-duper busy and they will always come first and I completely forgot to post the chapter, but here it is FINALLY.. My twins are now 3 so they’re acting like teenagers, but toddler form; super bossy, extremely demanding, always and I MEAN always keeping me on my feet. Plus, I had to re-write it as I didn’t like how the first attempt at chapter 14 sounded 😮‍💨 Anyways, I barely have time to write, but when I can, I hope you all enjoy it. I hope this chapter is up to your liking! More chapters are still on the way, A LOT MORE. Keep in mind, the Billy scene in previous chapters and this scene is my first time writing smut/smut related things… 😓😓😓 Lastly, Thank You ALL so much for getting me to 405 followers! I’m in disbelief 🫢💜

All Chapter Links 👇🏻👇🏻👇🏻

OF&H Masterlist

Chapter 14

Gulping, you shakily took the phone off the counter, hanging it up and unplugged it from the wall, making sure no calls would come through anymore that night for her sake.

Looking over, you saw Sidney gripping at her brown hair, pulling it in every direction, her jaw clenched, yet, her teeth chattering; she wanted to scream, shout and cry, but couldn’t. Her pale features now a rouge from both exhaustion and terror. Her sanity seemed to slip away bit-by-bit each time Ghostface would call; preying on her, taunting her, humiliating her.

“What, what!?” Dewey came running from his room, waving a gun around in his white t-shirt and blue and white striped boxers.

Tatum tsk-ed at her brother’s tardiness, pushing passed him to follow Sidney.

You rubbed the nape of your neck, placing your other hand on Dewey’s shoulder, “Next time.. maybe be a little quicker.” You laughed, half-heartedly, trying to make light of the situation, seeing how confused Dewey seemed to be.

__

“(Y/n) (L/n) and Sidney Prescott who were both…”

Before the news reporter finished his sentence, Dewey shut the tv off, pulling a chair out from the kitchen table, sitting down.

“Billy was released.”

Your ears perked at the sound, relief washing over.

Sidney’s eyes lit up, but she still clearly had her doubts.

“His cellular bill was clean. He didn’t make those calls..” Dewey stated, grabbing a carton of milk before pouring some of it into his coffee. “We’re checkin’ every cellular account in the county.” Dewey finished, taking a long gulp of his un-sweetened drink before continuing. “(Y/n), Sidney..” He eyed both of you, “Any calls made to you two or Casey Becker are being cross-referenced, it’s going to take some time, but we’ll find him.”

Tatum nudged you and smiled at Sidney.

__

Dewey pulled into the school lot with ease, parallel parking at the curb.

He got out and opened the door for you and Sidney.

You smiled at him, thanking him quietly, and he tilted his hat at you as Sidney got out next.

However, your smile quickly faded, seeing a reporter running towards your side; most likely to ambush both you and Sidney about what happened.

“(Y/n) how does it feel to know the murderer is lusting after you and nearly butchering your friends? Do you know who the killer is, are you a part of his twisted game?” A red head asked, shoving a mic at you, accusing you of being his partner-in-crime.

You scoffed, irritated, but somehow calm, honoured that she knows the killer wants you.

“What about you, Sidney? How does it feel to be almost brutally killed?”

Sidney bit her lip, already wanting to cry.

Dewey stepped in front, shoving the reporter away.

“Hey, leave them alone!” He shouted, towering over the petite woman.

She stumbled back, but wasn’t giving up.

“People want to know. They have a right to know!”

You, Tatum and Sidney bolted, getting away from all the interrogations this woman was sure to have up her sleeves.

__

You were pressed against a locker; your mid back arched causing your torso to move forward; and your arms folded, pushing your breasts together, making them pop out.

“This is a mistake, I shouldn’t be here…” Sidney huffed, grabbing her books and slamming her locker door shut.

You sighed, plopping a sucker in your mouth; twirling the red treat around your tongue, pursing your lips tightly around it and without meaning to, your eyes landed on Stu who was already watching you.

You blushed and he smirked, liking how you looked with your mouth full.

“I want you to meet me right here after class, okay, Sid?” Tatum spoke and Sidney nodded.

“Hey, Stu, I haven’t seen Billy around… is he really pissed?”

Stu tore his gaze from you, looking at Sidney.

“Oh, you mean after you branded him the Candyman?”

You shoved Stu slightly, giving him a glare.

He winced, “No, his heart’s broken—“

Suddenly a scream was heard and the four of you looked into the direction it came from, spotting a student running down the hall dressed as Ghostface.

You blushed again, seeing the full cloaked figure and that ghostly-white mask again.

‘Fuck, that’s hot.’ You smirked slightly, turning your head to the side, trying to subtly check out the student who’s dressed up like the murderer, you let out a quiet “Mmph” squeezing your thighs together.

Unbeknownst to you, Stu heard your moan, and knew exactly what you were doing with your thighs. Luckily, the others did not, but he is so glad that he did. He can smell the hormones leaking off of you; they were practically oozing with want for the cloaked-killer.

He bit his lip, trying to contain his excitement.

“Why are they doing this?” Sidney spoke, watching the student run away.

Stu, glanced at you, “Are you kidding me? Look at this place, it’s like Christmas!” He laughed, a devious smirk prying at his lips as the comment was directed at you. You were his Christmas, knowing the woman he wants is full blown horny for him, for Ghostface.

Tatum huffed, hitting him with the lollipop you had given her prior, “Stupidity leak.”

“Hey!” Stu shrieked, immediately looking at his girlfriend, while the school bell blared, signalling the start of class and students were quick to get going.

Sidney ran down the hall, upset at Stu’s comment and Tatum ran after her. You sighed, looking down, picking up your bag in the process. You went to go wave ‘bye’ to Stu, but he vanished.

“Huh?” You mumbled out loud, seeing how he was gone and so was every other student that was there nearly two minutes ago. “That’s my cue…”

__

Tapping your fingers against your hip, you hummed to the tune of ‘Your Dead’ by Norma Tanega.

You stopped in front of the janitors closest to reach for your Walkman that was in your bag, wanting to blare the song in your ears, hoping that actually listening to the catchy tune would make it stop repeating itself inside your head.

Though, the universe had other plans…

You felt the door swing open, hitting you, knocking you out of the way, making you drop your only source of music.

Soon after, a hand covered your mouth and an arm wrapped around your waist, pulling you into the closet.

A scream hitched in your throat as the unknown figure flicked the light on, revealing who the culprit was…Stu.

“Stu, what the actual fuck was that for!?” You narrowed your eyes, clenching your fist, ready to punch him out of fear.

He laughed, but soon afterwards told you to be quiet, locking the door behind him as he stepped forward.

“Shh, I don’t want anyone to hear us.” He whisper-yelled, getting closer to you, placing both hands on either side of your arms.

He was a good two-to-three feet taller than you.

“I saw you, you know…” He bit his lip again, rolling the flesh with his teeth, gripping your arms tighter.

You looked up at him, confused, not sure what he meant, however, a part of you knew where this might be going.

“The way your face went red, how you rubbed your thighs together..” He taunted, poking your nose, “Let’s not forget that sweet-little moan you let out when you saw that student…” He leaned into the crease of your collarbone, nipping at the skin, the coolness of his lips penetrating your warmth.

Your face was hot with yearn, but also embarrassment. “The student who was dressed as the Woodsboro slasher…” He grinned, feeling you shiver at his touch.

“W-what—“ You began, trying to act like you didn’t know what he was talking about; ashamed that you were caught. You were quickly silenced by Stu pressing his lips against yours, his bulge pushing up against your side.

His fingers danced across your arms to the string of your grey tank top, ripping it from your body with force as the sound of the thin material shredding lingered in your ears. Fortunately for Stu, you didn’t have a bra on…

Your breasts jiggled from the impact, bouncing in place which caused a small guttural growl to emit from Stu’s throat.

Stu immediately grabbed your boob in his right hand, rubbing his thumb across the perky bud, while his other hand gripped at your bare side, his fingers digging into your ribs.

He narrowed his eyes slightly, staring at the finger prints you already had bruised into your skin. They almost lined up with his own marks, but his were slightly bigger. Stu only quirked a brow, continuing to fondle your breast, not wanting to ruin the moment by asking.

Stu trembled at the thought of someone else having you, but he was sure to find out who and kill him.

“M-mm..” You let out a breathy moan, making Stu lose track of his thoughts,“But T-Tatum—“ you stuttered, holding back another sound as he slid his hand into your shorts, rubbing your clit through the silk of your panties.

He hooked his finger under the band, pulling you even closer, his forehead pressing up against your own.

“Shut up and kiss me.”

<— Previous Next —>

#fanfiction #scream 1996 #billy loomis #billy loomis x reader #billy x you x stu #scream franchise #stu macher #billy loomis x female reader #billy x stu #stu macher x female reader #stu matcher x reader #stu macher smut #stu x reader

[cerberusxt]

Warhammer 40k & Age of Sigmar – Trans Pride series !

My other big pride project, with the pride marine series ! The goal here is to paint one representative for each of the Warhammer40k and Age of Sigmar universes faction using the Trans Pride flag color scheme.

I’ve already done 11 factions (12 to be exact, the Ork I finished lately isn’t on the group picture yet).

Pictured above, from left to right :

Banshee (Nightaunt – AOS)

Horrmagaunt (Tyranids – W40k)

Spiritseer (Eldar – W40k)

Drone (Tau – W40k)

Cadian Castellan (Astra Militarum – W40k)

Reiver Space Marine (Adeptus Astartes – W40k)

Royal Warden (Necron – W40k)

Plague Marine (Death Guard – W40k)

Palatine (Adepta Sororita – W40k

Skitarii Marshall (Adeptus Mechanicus – W40k)

Xandria Azurebolt (Stormcast – AOS)

And a Warboss in Mega Armour I will post here later, probably.

Project Origins

For those who are wondering why I started this project, it’s pretty simple.

Everything started with a single model (obviously), the Horrmagaunt. I was trying to find an interesting gift idea for a close friend and, remembering that friend love the Tyrannids, I thought of painting them a little bugger. Since I wanted that gift to be even more personal, I decided to use colors that would be really meaningful to them, the trans pride flag colors. It was a first, since, up until that moment, I almost exclusively painted classic schemes (imperial Fists, blood angels, salamanders, etc...).

Here was the result :

As you can see, my goal when translating flag colors on a mini isn’t to reproduce the flag 1 for 1, but to evoke it as naturally and logically as possible.

To be perfectly honest, when I started that little gift, I wasn’t entirely convinced the result would be all that great. After all, it was first and foremost more about the meaning behind the colors than anything else. But oooooooh boy was I wrong because, as the kids says, « that shit slaps yo » or something. I don’t know, I’m not a kid anymore !!

But one thing was certain, I fell in love with that scheme and couldn’t wait painting it again.

So, that’s what I did, that time with a Space Marine seeing those are my personal favorites. And once again, I was really pleased with the end result :

Also look at them, being best friend forever, woooooh !

You can easily guess what’s next. I simply had to try that scheme on basically everything, so I started the project of doing it on every faction !

Hell, I had so much fun painting such an unusual scheme, and having to find ways to integrate it logically on a mini, that it's the reason I started another project in parallel, the pride marine one, to try and see if the other pride flag schemes would work as well as the trans pride flag (guess what : not a single one of the scheme I tried disappointed me, even if I have favorites).

Anyway, if you want to try that scheme on your minis and need some inspiration / guidance, here is the recipe I use for the 3 main colors of the flag. Have fun !

#miniature painting #warhammer 40k #warhammercommunity #lgbt pride #lgbtq #miniatures #trans pride #age of sigmart #adeptus astartes #drukhari #astra militarum #adeptus mechanicus

[matan4il]

Buddie 613 meta

We now know that the man who risked himself to get Buck out of the line of fire during the shooting arc is Jeshan, which means ‘clear’ (if you’re interested, you can find more name meanings for 911 characters here). So let me just giggle for a second about the fact that 911 had once again reunited Buddie with a character who can be referred to as Captain Clear Me(h)ta. Coincidence? IDK. But I have to admit, it kinda made me reflect back and feel nostalgic. When I first started watching the show, I had no intention of writing meta for 911, but after going ballistic when 309 aired, I knew I would HAVE to use the s3 hiatus to write down all my thoughts about everything Buddie related so far. That’s what I did, I wrote and shared my baby, my first round of Buddie meta. That’s where it was supposed to end, but then people asked and encouraged me to write meta for the eps in 3b as they would air, too. I figured I could try, and that’s how my Buddie weekly meta posts were born. At the time, there was no one else writing proper weekly meta (I don’t mean a summary/review of the ep, or meta posts that stand on their own, but proper analysis on Buck, Eddie and those who matter to them, organized and serialized for each ep as it aired). And now, I’ve been writing them for almost 3.5 seasons. And I feel like they’ve inspired others to do the same. TBH, I can’t actually remember seeing weekly meta posts in other fandoms (maybe they exist and I just haven’t come across them, IDK). So I got all emotional, thinking about how these posts may be love notes to Buddie and the show, but most of all they’re a love letter to the wonderful people who have been supportive and encouraging, who’ve been reblogging the posts, who’ve been commenting on them and telling me that what I do makes a difference for them. Thank you so much, these posts wouldn’t exist without you. You have a much bigger impact on the fandom than you might have realized! So if Captain Mehta is indeed a nod to the meta, it’s a loving, appreciative nod that belongs to all of you. ~~

When Chim shows up to escort Hen to work, he ends up sitting down for a talk with Denny instead, and I really enjoyed this scene, it was lovely, but it also once again emphasized the difference between the firefam kids’ relationship with their parents’ colleagues and the r/s Buck and Chris have. Chim talks to Hen’s son when he happens to come across the kid, but he only sits down for a proper conversation because Denny implies Hen and Karen are up to something intimate, and Chim shouldn’t interrupt them just yet. Consider how different that is to how Buck intentionally looks to spend time with and dedicated to Chris! And then Chim is impressed by how smart Denny is. It’s cute, but it also reveals just how little they interact that this comes as a surprise to Chim. It’s so different to the intimate familiarity of a parent, which is what we know Buck has with Chris (and that Chris has with Buck, which can even be seen in the kid’s teasing, for example regarding the snoring in 414). ~~

You might have seen that, when the promo came out, I momentarily lost my sanity and posted this. I just couldn’t get over the fact that they actually had Eddie correct the chief on the duration of Buck’s death. It was such a spouse thing to do. It was a declaration about the anguish that each single second represented, when Eddie couldn’t breathe because Buck wasn’t. It was a confession of sorts, on how Eddie felt as he desperately NEEDED his husband to live (I’m not even joking when I ascribe him this title, Eddie said with his whole chest, “THAT IS MY IDIOT HUSBAND THAT I HAD TO WATCH DIE FOR THREE MINUTES AND SEVENTEEN SECONDS AND I WILL NEVER FORGET ANY OF THOSE SECONDS, NOR LET ANYONE ELSE DO THAT”). It was a glimpse into how time must have moved differently for him as each second etched itself forever into Eddie’s mind. And yes, it’s a clear parallel to 413, when we witness time slowing down for Eddie. And I mentioned in my post that in both scenarios, Buck is just out of his reach, so close, but simply not close enough. In one case, this forced Eddie to believe he must now accept his own death. In the other, he couldn’t accept the possibility that Buck would die, so he just fought harder, and if he couldn’t save Buck with one course of action, he tried another, Eddie just had to keep going, 'coz the idea of those three minutes and seventeen seconds turning into an eternity? Unacceptable. ~~

But notice in my unhinged post from that day, I used the word ‘counting.’ Eddie counted the seconds, and this is revealed to us at a poker game where Buck is counting the cards. I already noticed that when we saw the promo, but this connection was reinforced in the ep itself when Chief Williams vocalized what Buck was doing. The thing about counting is that it’s reserved for what matters, what’s crucial. Buck is counting the cards in order to win, and he wants to win because it matters to Eddie. Buck wasn’t the one who initiated the search for a poker game where he could use his newfound skills, Eddie was the one to take that initiative. And he could bring Buck along without telling him where they’re going (I would normally scream for a whole separate paragraph just about Eddie telling Buck to dress nice and there being no need for any further explanation or prompting, but we were so well fed, I’ll have to scream about it into my fist for just one sentence) 'coz Eddie was so sure his husband would go along with whatever crazy scheme he’d come up with. And he was right, even though Buck didn’t think it would end well, he still went along with what his husband wanted. Please let me reiterate: Buck’s counting cards because Eddie is so important to him, and Eddie was counting the seconds because Buck’s his vital sign. ~~

Another thing to keep in mind about the poker game is that the only other time we’ve seen Buck playing poker was in 312. In that ep, Eddie was off to meet Christopher’s school teachers (leading to his eventual lackluster r/s with Ana), so having a free evening, Buck spends it with Maddie, Chim and Josh (and is told he unequivocally sucks at Poker). Jokes were made about setting Josh and Buck up, and it was implied whatever Buck’s sexuality was, that was not the reason why Maddie abstained from making the match. What I find interesting is seeing how far our boys have come! In that ep, they were operating separately, and it led them down the wrong paths.

In this ep, Buck and Eddie were inseparable both as a couple (even sharing the winnings from Buck’s new talent, because what don’t these two share? And I was particularly chewing glass when Chief Williams asks Buck how he wanted HIS winnings, but instead of answering her, he looks at his husband. THEY ARE SO FREAKING MARRIED), and as a family unit with Chris (which is maybe a good moment to point out that all of the romantic couples were paired off in 613, and so were Buddie! Now, one could argue that Buck and Eddie were paired off because, well... who else is left for them to hang out with? But 312 is a reminder that when the show wants to, it can push the main cast and minor characters into the same orbit, so it still didn’t HAVE to pair Buck and Eddie off here. It chose to. On top of that, by showing them with Chris as well, 911 reminded us they’re far more bonded than just two best bros hanging out together ‘coz none of their other friends are single). In short, during 312, Buck lost and Eddie was about to be lost on a detour in his romantic journey. In 613, they ARE a family, they work as one throughout the ep, not just in parts of it, and they’re both winning. ~~

Something that gets to me is that when I first shared the BTS pic of Buddie at the poker game, it was clear that Eddie was just bursting with self confidence. He looked like he would be the star of that game. But when we got the promo, we discovered that it was actually going to be Buck who would shine that night. So what makes me slightly froth at the mouth is that all of that sexy confidence we picked up on in the photo? It was real. We weren’t wrong. It just wasn’t confidence that Eddie had in himself, it’s confidence he has in Buck. All of his swagger? Is a reflection of how much he believes and enjoys seeing his husband be a star. I am gonna need 3-6 working weeks at least to recover from knowing this. ~~

Speaking of things that destroyed me forever, everything about the Buckley-Diaz family in this ep falls into that category. I mean, not only did we once again have incredibly domestic scenes, we had one that was very reminiscent of the lasagna one in 601 (Eddie with Chris at the table, Buck fussing around them only to join in once he brings along something to be consumed), reinforcing that this is THEIR NORM, we also had Eddie and Chris being so cute and supportive when it comes to Buck’s new ability (Chris calls him a superhero, Eddie goes along with it, and when Buck’s upset he didn’t get a better superpower, naming some he would have liked to have, Eddie comforts him by saying those other options sound horrible). 

And then to top it all off, we had Buck and Chris cooking together. Bobby’s been explicitly acknowledged as basically being Buck’s dad by both of them, and we know Bobby’s been teaching Buck how to cook. Now we get Buck doing the same with Chris, clearly marking them as father and son, especially since this is done with just the two of them, this special time that’s allocated just to their bond together. Eddie is not needed as a middleman. I know that this isn’t news, but every single time the show reinforces this truth, that Buck is Christopher’s other dad, that their bond is that deep, I gain 10 years, so I have to mention it. ~~

For 613, I made my weekly gifset about Buck and answers, but I’d actually like to elaborate on what you see there. In 602, at the happiness center call, we see Buck looking to Lev in search for his own answers on what his happiness looks like. When he still can’t find any, he turns to Hen, because she always has them. Along this season, that’s been his theme. He’s trying to figure out what he wants in order to be happy, which is connected to the couch theme we’ve all been screaming about since 601 (and especially after he fell asleep on Eddie’s in 612). In 613, Buck suddenly finds that he’s the guy with the answers and he likes it. But has he really got them? Buck says these words to Eddie and Chris, and in addition to that, while he utters them, he’s literally captured in the same frame together with Eddie. But it’s also essential that we heard why Chris can’t just be given the answers. It’s in order to learn, Eddie tells him. That’s exactly what Buck has to do, he has to find his answers in order to learn from the search process. He’s not just there yet, but the framing of the whole scene coupled with the ongoing couch theme is very loud. ~~

What gets me maybe most of all in a whole ep of REALLY GOOD BUDDIE CONTENT, is the way the whole thing wraps up. The storyline on Buck’s new abilities doesn’t end with any commentary on those or on his recovery process. His last scene in this ep is the one with Chris. It follows directly the one with Hen and Karen, a scene which reminds us that we’re never surprised at either woman spending solo time with and caring about Denny, even though neither is biologically related to him, because they ARE BOTH his parents. In the same way, it’s only natural that we see Buck spending alone time with Chris, without Eddie around. It is so meaningful that the last shot of Buck in this ep is not about his story line at all, and neither his abilities, nor having died for several minutes is the point. Instead, the last, and therefore most significant shot of Buck in this very Buddie domestic ep, is him smiling at their son. I feel like that says everything about his trajectory.

~~ (my weekly meta posts) (my Buddie gifs) (all of my content)

~~ My tag list will follow in the reblog, please let me know  if you wanna be added/removed here.

~~ Thank you so much for reading and for any reblog, like, comment or supportive tag! Also, HUGE thank you to @whosoldherout​. On top of real life stuff, she makes her own amazing gifs AND helps make these posts so much better. She’s the one with the real superpowers!

#buddie #911meta #buddie meta #911 meta #9-1-1 #evan buckley #eddie diaz #911 spoilers #evanbuckleyedit #eddiediazedit #christopher diaz #wm #911edit #buddie gifs #buddieedit #911onabc #911 on abc #911abc #911 abc

[strawberrystepmom]

senku x f!reader. reader has a background in agriculture. reader is referred to as princess in jest and the unpacking of the reason it upsets reader follows. reader and senku are both 25. post canon au where he and the other ishigami village settlers find a small settlement in california. robert is an oc created specifically for the au. wc 1.7k

divider thanks to @/cafekitsune as always

“You and Gen have a lot in common.”

Snorting at Senku’s words, you dab at the droplets of sweat on your hairline with the back of your gloved hand. He hasn’t been superbly helpful weeding the carrot patch but at least he has been decent company, the two of you working in parallel worlds and occasionally exchanging remarks about what you’re doing. This is generally how things just go when you’re together.

You won’t go so far as to say that you enjoy him, you barely know the man who stepped foot on shores not far from where you are now a little over a month ago, but it’s pleasant to have someone around who will listen to you ramble about whatever has been on your mind. You don’t judge him and he has never judged you, a silent mutual understanding that people will be people, the thread that ties the two of you together.

It doesn’t mean he isn’t observant, though, and he’s all too apt to share said observations with you.

“Why do you say that? Is it because we are both charming, hilarious, and beautiful?”

Senku chuckles while you wipe your free hand on your pants. Very glamorous, you think and laugh to yourself quietly. The sun hangs high enough in the sky you know it’s midday and you offer small waves to everyone who passes by you, smiling big enough people can see it even from a few feet away. You don’t have to do this but you go out of your way to do it, something that always strikes Senku as funny.

“Humble, too.” The scientist remarks and you look up at him, noticing he’s jotting notes away in a leatherbound notebook he swiped from the medical barn.

He has a makeshift ink pen, an invention of his own making, and he’s jotting down thoughts of how to improve the settlement. Watch towers, another well, perhaps mechanized farming equipment to keep you from having to do as much heavy lifting as you do.

“So you agree?” He chuckles again at your words and keeps scribbling, raising his brows. “You know I don’t point out the obvious, princess.”

The recent nickname makes you scoff but your cheeks warm. He heard the village doctor and navigator, two of your closest friends, call you the name in jest and he couldn’t possibly let it go considering what an apt descriptor it is.

“Don’t call me that, it’s bad enough that they do.” Sighing, you reposition your sunhat before leaning down to dig up another weed. “There’s nothing princess-y about me.”

Tossing a carrot down, you decide to rest a moment and sit down next to him in the yellowing grass. The weather is still moderate and pleasant but six weeks from now, it’s likely a small blanket of snow and frost will cover the world and your plants in the process so time is of the essence with the less hearty members of the settlement garden. You feel Senku looking at you but don’t entertain him by glancing back, situating yourself and stretching your legs out in front of you.

“No?” Senku shoots back and you groan, laying back in the grass and closing your eyes. He looks over you and shakes his head, placing the notebook on his thighs where his legs are crossed. “Let’s be honest with ourselves here. If this were thousands of years ago, you’d be in a big tower in a pretty dress waiting for some muscle-brained knight to come and slay a dragon for you.”

You want to be offended but you’re instead curious about what exactly makes him feel that way and how it relates to you and Gen at all.

“What do you mean? I can take care of myself and have managed to do it pretty well so far.”

Senku shakes his head. He can tell you aren’t offended thanks to the lightness in your tone and he appreciates that you don’t read between the lines considering there are none when he comes to him. He says what he means and you listen to it appreciatively.

“I’m not saying you can’t, I’m saying you inspire that kind of action in people.” He shrugs. “Think about the stories I know you used to read. A princess never has to ask for devotion, she simply gets it.”

Raising a brow, he meets your eyes and glances further out in the distance where one of the villagers he brought with him, Ginro, slumps in the fields while pulling weeds. The blonde man keeps glancing in your direction and waving before tilting his face downward to make sure you notice that he’s doing what you asked him to.

“I’ve never seen Ginro work so hard,” the scientist sniffs and you laugh louder than intended, bringing your hand to cover your mouth to stifle the noise.

“Not very fair of you to start with the easy target, Ishigami.”

He snickers and looks across the settlement, seeing if he can spot any of the others he has brought with him that have been more than happy to assist with anything you ask them to. You flash a smile, flutter your lashes if you have to, and shit seems to get done. It’s how you did things before you were petrified too.

“I overheard Hyoga arguing with Robert about being the one to escort you on the next foraging expedition.”

Thinking about the white haired man you feel a little uncertain of yourself and you look away. You find him extremely handsome despite his evasive nature and the two of you have only had a handful of conversations but he’s surprisingly helpful when necessary, you simply go out of your way trying to avoid asking for his help because he makes you nervous. Robert, on the other hand, is an issue that has followed you even thousands of years into the future (pro tip: don’t get petrified and then depetrified near a man harassing you in a club) but he insists on being your personal security whenever he can.

You make a note to genuinely contemplate trying your luck by asking Hyoga personally to accompany you but for now, you turn your attention back to your spiky haired companion.

“No you didn’t. Besides, we haven’t even planned a trip before winter even though we need to make one.”

Senku purses his lips and continues to look around the lands surrounding him.

“When have I ever lied to you?”

Considering his question for a moment, you hum and tilt your head. He hasn’t lied to you but this specific instance feels like a stretch.

“So you heard Big Mouth Bobby mention me and now I’m a princess? Seems like that criteria is a little unfair.”

Senku shifts where he sits and stretches his legs out in front of him to match your position. You shade your eyes from the sun with your palm and look up at him to find he’s glancing over his shoulder at you, shaking his head.

“You seem to think I’m telling you that it’s a bad thing people like and want to be liked by you.”

Shrugging, you settle back against the grass and kick your feet gently. He watches your every move and you feel observed and viewed rather than enjoyed, something about him that always makes you squirm despite yourself.

“Maybe you’re right.”

Senku smiles.

“I’m always right.”

You laugh and shake your head, shutting your eyes to keep from being further intimidated by his weighted glance. If he has any other assessments he’s clearly going to keep them to himself so you press forward, sun warming your face while you speak.

“I don’t get how that relates to me and Gen being similar though. Is he a princess too?”

A chuckle from your companion. At least you can always make him laugh even if you know your other charms won’t work on him. Looks have no effect on Senku nor do fluttering lashes or cute, coy smiles - he judges people off of their character only and you admire the depth it takes for him to do so.

“Oh yeah, that.” He picks his notebook back up and begins scribbling again. “You’re both very persuasive and understand people better than they think.”

Giggling, you sigh contentedly and even Senku finds himself a little bit drawn to the sound. You are charming and sweet and funny and perhaps a bit too honest beneath the slightly self deprecating humor you use to keep people from knowing who you really are. Even Senku can acknowledge all of these things - they’re true, after all. Proven and quantifiable.

“Well, thank you. The power of people skills can never be underestimated in a world where half of the people you meet want to kill you and the other half probably want to kill themselves because we don’t have social media to numb their brains.”

Again with that too honest humor. The scientist shakes his head and scribbles down a doodle for the vision he has for the tower he’s going to build in the coming weeks, halfway between your fields and the little cabin you call home. It’s the perfect position to see the entire settlement and he assumes the only reason you don’t have one yet is that you’ve lacked the people to assist with making it.

He may not be a muscle-brained knight, saving you while you sit forlornly in a tower, but he can be the genius that builds the tower you’ll help create the future society all of you will someday live in from. It’s a far more noble cause if you ask him.

“Keep it up.” He adds simply and you shield your eyes from the sun again, opening them to meet his. You offer a thumbs up and a grin and he shakes his head.

“I am going to tell Gen you called him a princess, though.”

Senku scoffs and leans back, still glancing down at you.

“Well then you’d be lying and it isn’t good to lie, now is it?”

You sit up, ready to argue back and forth but you’re interrupted by Ginro calling your name from a distance and approaching you, three carrots in his fist. Senku rises to standing and reassuringly pats your shoulder with the hand not holding his notebook.

“Looks like your savior is on his way, princess.”

You sigh, shaking your head and waving the scientist goodbye when he parts, watching him leave before plastering on your best persuasive smile and greeting Ginro exuberantly.

#senku x reader #ishigami senku x reader #senku ishigami x reader #kendall writes

[yinyangofnevermore]

So you’re considering watching RWBY

Or you’re trying to convince someone else to watch it

(I made another similar post about this a while back)

But you/they aren’t sure. Something is holding you/them back. Like:

“But the animation n stuff is SO BAD!” - Sure. In the beginning it’s not great (though many of us now look back on those early volumes with fondness.) But you have to understand, RWBY started as a passion project at a small company with a budget of like $20 (yes I’m exaggerating but STILL.) They simply didn’t have the funds for good animation. But, after volume 3 came out, the show became a literal international hit and so the budget increased. And, subsequently, so did the animation quality. You can see that progression easily enough here. The quality goes from this:

To this:

“It looks stupid and childish!” - Yeah, in the beginning it’s meant to seem silly. And it still has its cartoonishly silly moments later on too. But those silly moments are meant to soften the blow of the PAIN. Because, while RWBY starts off as a silly, “good always triumphs over evil” slice of life magic academy type show it does not STAY that. There is PAIN. LOTS OF IT! If you keep watching, you’ll find out within like 6 hrs worth of watching that it’s not just some silly slice of life show. There is a complete 180 along the way when you find out what RWBY is truly about. The show actually delves into some pretty heavy stuff. PTSD, abuse, neglect, abandonment issues, alcoholism, loss, the inability to move on from loss for some, and more. For more on this, check out this post.

“I saw some stuff on Twitter/Tumblr/Youtube about how bad it is.” - That’s because there are ppl out there who want the show to be something it’s not. Or they got upset when things didn’t happen the way they wanted. Like Blacksun shippers or Adam and Ironwood Stans. Or they just want to shit on something. But EVERY show has its haters. Every piece of media has its haters. And they like to be loud edgelords about it. Sometimes just to be controversial and pick a fight. But that doesn’t mean shit. There are ppl out there who absolutely hate your favorite pieces of media, whether you’re aware of it or not. And that doesn’t stop you from liking it, does it? Don’t let a few haters prevent you from potentially finding your new favorite thing. Because there are a LOT of ppl out there who absolutely LOVE this show.

“I tried watching the first few episodes and I just... Couldn’t.” - Dude, I get it. Trust me. I did the same exact thing when I started watching. I watched the first couple of episodes and literally turned it off. But then I saw a few ppl posting about it here on Tumblr a while later and gave it a second shot on a whim. And BOY did it not disappoint when I got far enough in (and yes, that took a minute.) Mind you, this was back when Volume 3 was originally airing, so the drastic improvements in animation hadn’t happened yet. But I stuck with it anyways. And now look at me. But the show does take a while to really ramp up, so to speak. The beat doesn’t DROP until a bit later on in volume 3.

But, if you enjoy character growth and analysis, then you will most likely enjoy this show. The number of analyses on Tumblr and prolly Twitter as well are MANY. The main 4 characters are badass ladies learning how to fight and deal with life. Every character in the show is based on either a fairy tale, mythology, history, pop culture, etc. (sometimes they have multiple allusions to different degrees) and teasing out those details on top of everything else is quite fun if you enjoy searching for Easter eggs, significant imagery, foreshadowing, parallels, and so on. Interesting villains too. Not just the standard “Evil Witch because she’s evil with henchmen” thing. But fleshed out villains that have their Reasons™️. Like “Cinderella took so much abuse as a kid/teenager that she fucking snapped” type reasons. There is SO MUCH you can delve into with this show if you want to. Details as small as a whale statue in Gepetto’s office, or Belle reading a book with a candelabrum that looks like Lumiere, or characters wearing the colors of the person they love, or characters having eyes the color of their love’s aura (an extension of their soul.) SO MANY PLACES TO FIND THESE DETAILS. Including the lyrics to the music.

Which leads me to the music in this show is freaking AWESOME. And if you can’t appreciate that Casey Lee Williams has been singing in these soundtracks since she was like 13 or 14 (and listening to how she’s grown as a musician throughout it all to the point where she is now one of the music leads for the show) then I don’t know what to tell you. The music is all produced in house. And the lyrics reflect that. Each song is from the perspective of a RWBY character (or like team RWBY in general, depending on the song) and the lyrics give insights either about the characters or about stuff in the show (lore, foreshadowing, etc.) And they’re as fun to analyze as they are to jam out to.

The writing is FANTASTIC. Is it perfect? No. Of course not. They made mistakes along the way. Prolly will make some more. But every piece of media does to some extent. People aren’t perfect and so neither are their creations. But those imperfections don’t outweigh how amazing the story they’ve woven is. The writers of RWBY constantly subvert expectations in a BRILLIANT way. Not in a “wtf?? Where did that come from?” sort of way. But in a “OMG! Now that I go back and watch this again it makes SO MUCH SENSE” sort of way. And things that happen in early volumes actually COME BACK to affect things later. The show doesn’t just MOVE ON. The writers have been playing the long game this whole time. And rewatches will almost always show new details and foreshadowing you might have missed before.

Also, it GAY. And it’s THE major romance of the show. Not just a side story. And the voice actors are the Captains of the Ship! And it’s a beautifully written slow burn romance (amongst other romances also in the show) with yearning and pining for DAYS.  I believe it was Monty who said, “Good romance is earned.” And boy are they earning it!

So, in short, FUCKING WATCH RWBY.

DAMMIT.

If you do decide to watch, Volumes 1-8 are all on RoosterTeeth.com for free or everything is on Crunchyroll. And I definitely suggest starting with the 4 trailers, in order: Red, White, Black, then Yellow.

#RWBY #Ruby Rose #Weiss Schnee #Blake Belladonna #Yang Xiao Long #Bumbleby #CRWBY #Casey Lee Williams #Bees #Cinder Fall #Pietro Polendina #Monty Oum #rwby analysis #rwby meta #long post #WATCH RWBY #wlw #Arryn Zech #Barbara Dunkelman #yin yang of nevermore

[gothicfairytopia]

How act two of The Sound of Music might foreshadow Good Omens season three ~

I was reading this post about Aziraphale’s ball idea coming from The Sound of Music rather than Jane Austen, and remembered that I’d meant to make a post about parallels between Aziraphale and Maria. The romantic plot of Good Omens has a lot in common with the plot of The Sound of Music, and season two just so happens to leave off at the very end of act one. So, is there a chance that act two could provide some clues about season three? I find the idea very compelling, so here’s my analysis of the movie and how I think it compares to what we’ve seen so far, as well as what we can hope to see in season three.

In the beginning we have Maria at the abbey, where it is made clear that she does not fit in because she has a hard time abiding by the rules. She also has a tendency to prioritize the natural/material world over her spiritual duties, which is represented by the opening song (“The Sound of Music”), the singing of which literally makes her late to return to the abbey. This has obvious parallels to Aziraphale’s difficulties conforming to Heaven’s way of life, as well as his worldly attachments.

(A fun bonus parallel is in the song “Maria,” when the nuns say “she’s always late for everything / except for every meal.” Aziraphale-coded fr.)

Maria leaves the abbey to be the governess to the von Trapp family, and this is where she begins to really learn about herself as an adult outside of a tightly controlled religious environment. She still doesn’t conform to the new world she lives in, but begins learning how to retain her selfhood without feeling ashamed of doing so. This period is obviously a parallel for Aziraphale’s time on Earth—although the time frames are quite different, the same general lessons are learned.

At the end of act one, as addressed in the linked post, there is a ball where the Captain and Maria dance, and this is the moment where Maria discovers her feelings for the Captain. Although this scene is an obvious parallel for the Jane Austen ball scene, I think it’s honestly more similar to the kiss in the final 15. Maria, mid-dance, stares into the Captain’s eyes, freezes, and backs away, saying she can’t remember the dance anymore. The Baroness is watching from the doorway, and when Maria runs upstairs to get changed for dinner, the Baroness follows her.

Up in Maria’s bedroom, the Baroness confronts Maria about her feelings for the Captain, which Maria denies initially. The Baroness convinces her of her own feelings and of the Captain’s, and essentially encourages her to run away—I’ll get into why in a second. Without a word to anyone, Maria returns to the abbey. This is a super obvious parallel to the end of season two, with the Baroness acting almost in the role of the Metatron by pulling Maria aside and reminding her of her “duty.”

Now into the more speculative side of things, trying to think of how The Sound of Music might offer hints as to what’s coming in season three.

When Maria returns to the abbey, she remains in constant silent prayer for the first several days before being called upon by the Abbess. Maria confesses that she ran away because she was frightened, and admits that she had accidentally developed an attraction for the Captain. She gives her reason for not telling the Captain about her feelings and choosing to return the abbey: “I was there on God’s errand. Oh, I couldn’t stay, I just couldn’t. I’m ready at this moment to take my vows.” This sense of misplaced duty might not be all of it, but again, we’ll get to that in a second.

The Abbess responds with probably more kindness than we’d expect from anyone in Heaven: she says that romantic love can be holy, that Maria needs to discover how God intended her to spend her love, and assures her that “if you love this man, it doesn’t mean you love God less.” With this, she commands Maria to return.

While this may seem incongruous with Heaven’s general business model and something unlikely to be paralleled in season three, I think it’s important to think back to the conversation at the end of season one immediately following the failed apocalypse, when Crowley asks, “Angel, what if the Almighty planned it like this, all along? From the very beginning?” People joke about God trying to set them up from the beginning of time, but I don’t know that it necessarily has to be a joke. The question of God’s ineffable plan is a constant throughout the series—the whole point is that it’s impossible to say what exactly God intends.

This is the exact same conflict Maria faces in the scene with the Abbess. When she objects to returning, she says, “But I pledged my life to God, I — I’ve pledged my life to his service.” The Abbess rejects the idea that this is the only possible plan that could have been intended for Maria, saying, “You have to live the life you were born to live.” Perhaps there will be something similar in season three, some way in which God communicates the same thing to Aziraphale—that loving Crowley doesn’t mean loving Her any less, that their love is holy, and that the life he is meant to live is not one pent up behind heavenly walls, but rather out in the world with Crowley.

After Maria returns, she’s reunited with the children, the Captain and the Baroness break off their engagement, lots of little plot things. What I’m interested in is the song “Something Good” (which I would just like to emphasize is sung in a gazebo... anyway). The song introduces an additional reason for Maria’s departure—namely, that she did not feel worthy of the Captain’s love, a sentiment that he returns. They both come to the conclusion, though, that they must have done “something good” to deserve having found each other. Here are some lyrics:

For here you are, standing there, loving me

Whether or not you should

So somewhere in my youth or childhood

I must have done something good.

The basic theme of the song is self forgiveness, and the acknowledgement that past imperfections do not make a person unworthy of being loved. Rather, both characters here have felt themselves to be inadequate, but view the other’s love as a sign that they must, in some way, be good.

I love the idea that Crowley and Aziraphale might have a moment like this, because I think it would be massive in terms of their own self acceptance. For Crowley, Aziraphale’s love (and possibly God’s endorsement?) is proof that his fall did not make him irredeemable, that he remains a being who can love and be loved in return. For Aziraphale, Crowley’s love is an affirmation that he can honestly be forgiven for his transgressions, rather than marked forever by them (like removing the stain from his coat, allowing it to be forgotten).

Unfortunately, the movie does not end with their marriage—they still have to escape Austria after the Captain is called to serve by the Nazis. I think we can assume the Nazis parallel Hell, and say that perhaps Aziraphale and Crowley really will have to establish “their own side.” Maria has to break free of the abbey, and the Captain has to break free of the Nazis. They do this by running away, and I’m not sure Aziraphale and Crowley would ever flee Earth in the wake of the Second Coming, but I will say that it does immediately evoke the idea of the pair running away to Alpha Centauri. I do think that given the “they are bad at their jobs and did very little to seriously prevent Armageddon” joke from season one, it would be a little funny if humanity managed to save itself during a momentary retreat from Aziraphale and Crowley.

I don’t mean to imply that the blueprint of season three is found in act two of The Sound of Music, but I do think that the movie being canonically a favorite of Heaven’s, the recurring theme of the ineffability of God’s plan, and the sheer number of parallels within the plot so far make it a fair place to look for clues. Who’s to say that God’s plan wasn’t hidden in plain sight?

#brought to u by ur local theatre kid fr #i’ve prepared for this sound of music analysis my whole life #good omens #ineffable husbands #aziraphale #crowley #good omens s3 #sound of music #aziracrow #good omens meta #good omens s2

[lovelycleon]

Hello there

I recently had a horrific argument because some people can’t let a ship just be a ship. I genuinely have my fun and love for Cleon and it getting attacked was too much. However the person I got into a fight with also told me to count up 3 reasons why they should work. And I couldn’t believe that I had to think about it and it took longer than it should have. Out of curiosity…if you had to count up three reasons what would it be?

Hello!

I'm pretty sure I've already answered a question like this at some point, or at least the answer is spread out somewhere in several of my posts over the last 3 years.

But don't worry, I will try to make a short summary of the 3 things about Cleon that would make them work as a couple:

1.They have a lot in common.

Although their work occupies most of Leon and Claire's lives, through the franchise they have shown very similar everyday interests and hobbies:

Such as love for motorcycles. Capcom made Leon and Claire the official bikers of the franchise, always putting little references here and there in games and movies;

Their whole style. The taste for custom leather jackets, obviously, but also many other alternative outfits. Believe me, of almost all of Claire's costumes, Leon has one somewhere to match.

Even the same kind of sense of humor, with similar one liners, bad good jokes and literary references that I posted here many times before;

It would be easy to imagine what their life together would be like outside of work, on a daily basis with so much in common and the banter they have when they are together.

2.They have the same morals.

Despite following different paths in the fight against bioterrorism, Leon and Claire carry the same code on how to act in certain situations:

Like the idea that both have already stated about not giving up the fight in the name of their comrades who died alongside them (Damnation, Heavenly Island);

The strong will to protect those in need, like Sherry, Ashley and others, no matter how impossible the mission seems or what has to be done;

Not blindly believing in something and always questioning and digging deep when something doesn't feel right (Degeneration, Infinite Darkness);

Trying to understand all sides of the situation and even sympathizing with some of the villains they faced (Annette, Rodrigo, Jason, Buddy, Dr. Taylor and more);

Along with many others, sharing these characteristics can bring stability to their relationship. Having them always on the same page, knowing what each one stands for.

3.They can understand each other.

Besides the shared trauma in Raccoon City, Leon and Claire went through very similar traumatic events even on different missions years apart and, in one way or another, felt the same type of pain:

Being kidnapped, infected and subjected to a race against time to save themselves and others (RE4 and REvelations 2);

Having to see their superiors whom they trusted (and are somewhat emotionally involved) become monsters obsessed with power. (Neil and Krauser)

Being used, mistreated and framed... Leon by the government and its corruption; Claire (along with terrasave) by willpharma and later on by Neil and the FBC;

Witnessing friends sacrifice themselves for them... some even in a very similar way: like Gabe and Mike exploding in a helicopter while Claire and Leon can only watch;

Don't get me wrong, a lot of RE characters have trauma and they all can bond through that, it's undeniable. But here, about Leon and Claire, I'm not just talking about "what happened and their reaction", but also HOW it happened and the physical and psychological similarities of each event for them. As if the narrative chooses to create parallels between them.

And this opens the door for a deep interactions (like the one in Degeneration) that can add new layers to their relationship and find comfort in each other.

Now just let me give you a little bonus (because I would like to write a lot more, but that is already too far from the short summary I promised)

4.Their amazing chemistry.

Haters will always try to deny it (and that's expected since they are haters), but the chemistry between Leon and Claire is great.

Not just the way they look and smile at each other, but how they act together and how they care for each other. I mean, Capcom didn't write scenes like Claire's big smile when she sees that Leon is okay, or Leon giving up of himself for Claire's safety, or them flirting cracking jokes in the middle of a zombie outbreak, or running and screaming each of their name in despair as soon as they see the other is injured for nothing.

It's to highlight their chemistry. The chemistry they are writing for Cleon.

Again, haters will always deny it, because it's inconvenient for them, but it's there.

Leon and Claire love and care for each other deeply, they can have fun hobbies, overcome hardships and find comfort together. The entire basis for a healthy relationship is there, written by the devs at Capcom themselves.

We just need to wait and see what they do with it.

#claire redfield #leon kennedy #ask #cleon #claire x leon #leon x claire #resident evil #resident evil infinite darkness #resident evil death island #resident evil degeneration #resident evil 2 #resident evil darkside chronicles

[wisecrackingeric-2]

SPOILERS FOR SEPERATE WAYS UNDER CUT N O T OPEN IT IF YOU DONT WANNA SEE EM!!!!!!!!

Here’s my little tiny exploration of Luis’ character because it is my god-given duty to pull him apart and analyse him

• Ok so first off………. THE OPENING SCENE??????????? Oh my god there’s S O MUCH TO TALK ABT. Yes Luis dancing is hot as SHIT but also???????? He was about to get TORTURED and MURDERED and he STILL decided to have fun with it and do a lil dance?????? That’s so!!!!!!!!!! He wants to live out his fantasies right until the end!!!!! He truly does think his confidence can get him anywhere!!!!!!! And then when the dance ends he’s READY TO FISTFIGHT THE MONKS?????? NO WEAPONS HES FULLY ABIUT TO GO FISTFIGHT THEM???? He KNOWS it’s a loosing battle but he’s gonna fight tooth and nail to the very end!!!!!!!!!!!

• Also when he turns to face the person who was also dying in the cell and says “this next dance is for you brother” and we get a close up of his face……….. god it hurts to know that that was a person. Somebody who was beautiful in their own right and maybe even somebody who meant something to Luis. Even in the face of death Luis sees the beauty in it ARGHGAGWHSGSB

• Also also I’m sure SOMEBODY could find meaning behind the Flamenco (somebody more knowledgeable in Spanish culture than me) but I’ve heard some people say it symbolises capture and death???? CAPCOM HOW DARE YOU HURT ME SO

• I LOVE that we get to see a more relaxed side of Luis around Ada and less of his flirtiness and damn. It’s so obvious he and Leon are in Love. He’s trying soooooooo hard to impress Leon every time they talk by being super flirty with him and then whenever he’s with Ada he’s a total nerd he’s soooooooooooooo in love w that blonde twink

• GODDAMN THAT FIRE SCENE. WHAT I S N T THERE TO TALK ABOUT??????? First of all the paralells between his childhood where he watched his grandfather die in a fire?????? Also he FULLY RAN INTO A BURNING BUILDING AND ALMOST DIED J U S T TO GET LEON HIS MEDICINE????????????? HE CARES ABOUT LEON SM I WANNA RIP SOMETHING APART. He didint wanna see Leon die in the same way his Grandfather did because he couldn’t save his Grandfather back then!!!!!!!!!!! He wants to make things right!!!!!! HE WAS LITERALLY ON HIS HANDS AND LNEES CRYING I CANT I CANT

• Also ADA CARES ABT LUIS SM,,,,,,,, SHE RAN INRO A BURNING BUILDING TO SAVE HIM AND MAKE SURE HE DIDINT DIE,,,, THE BESTIES EVAH

• godDAMN that scene where Luis heals Ada?????? I LOVE that we see him hesitate for a good solid few seconds on wether or not he should run away from her or stay,,, wether or not he should go back to his usual habits of running away from the people he loves or stay to help,,,, ANS HE STAYS TO HELP BECAUSE HE CARES ABY ADA AND ALSO??? ADA BEING LIKE “leave me here……… besides…… you’ve got a promise to keep……..” OOOOOOOUGGHHH SHE KNOWS,,,, SHE KNOWS HOW MUCH LEON MEANS TO HIM I CANNOG RN also that lil apothecary thing he had was sooooo gender of him

•OH MY GOD HIS DEATH SCENE WHERE HE CALLS HER?????????????? I don’t remember EXACTLY what he said and I’d have to comb through like hours of footage to find it again but,,,,,. THE FACT THAT HE CALLED HER TO SAY GOODBHE????? HE CARES ABOUT HER RIGHT UMTIL THE END?????? AND HE CALLS HIMSELF HER ‘Good Samaritan’ IN THE SAME WAY HE CALLS HIMSELF DON QUIXOTE TO LEON AOAOAISAUJSSOSISKS,,,,,, and then he’s like “sorry I’ve gotta go Leon needs my help ;)” OUGH,,,,, I’m gonna reference another post from my mutual but it’s so sad that Luis got to spend the rest of his life with Leon but not the other way round………………..

• I’m so glad we got to see more of Luis and more of his personality when he’s not tryna swoon the blonde twink he’s in love with BXNSBEHEJXIAIS he feels like such a deep and real human being especially whenever he interacts with Ada and I just,,,,,,,,,, sigh. He’s my favourite character for a reason. 10/10 no notes

• Edit: also the parallels between Luis calling himself Ada’s ‘Good Samaritan’ and Leon his Sancho like AAAAAAAAAA???? You could pick apart the meaning and argue abt how good samaritans are usually friends and Sancho is a code word for Gay Lover in a lot of old fashioned Spanish bars like how ‘friends of Dorothy’ was but ANSNWUENDUNXXUNDDHXN SHUT UP I can’t rn

•Also I’m SURE you could pull some symbolism from the bugs and from Luis having an apothecary as catholic self-exorcism and how ‘science is the roof of all evil’ and Luis is using it to help others etc etc etc……….

Also if anyone else finds anything abt luis lore wise like how you have to find a picture of his grandfather or of him with Umbrella in the original PLEEEEAAAAASSSWE SHOW ME I NEED MORE LUIS BACKSTORY I NEED IT IN MY VEINS

• ALSO ALSO EDIT: the fact that one of the ingredients for his cure are butterfly wings???? And butterflies symbolise CHANGE????? HIS ENTIRE ARC IS ABT CHANCE??????? I’m actually gonna be sick.

#ericswriting #serennedy #luis sera #luis serra

[alterialfrey]

Season 5 will reflect season 2 Theory

Season 4, despite its flaws, was a clear-cut reflection of Season 1. Here are some examples (There are many MANY more, I can make another post about it while waiting for Season 6) : - Harrow’s and Ibis’ deaths (Harrow gives The Key of Aaravos and Ibis his staff – to Callum) - Harrow gives a letter and Ibis his last breath (message). Both talk about Aaravos.

- Callum meets Rayla for the first time in Episode 2 of Season 1 – He sees her again for the first time in Episode 2 of Season 4.

- In both Seasons 1 and 4, episode 3 ends with death and both have a message regarding said death (Runaan’s arrow on Harrow’s death + Ibis’ breath on his own death).

- The rest of the Season is about going UP the mountain to save Zym – while in Season 4 they are going INSIDE the mountain.

- Both Lujanne and Rex Igneous are unable to help the group – In both cases Callum finds the answer (use the Primal Ball – understand it’s a map).

- Both last episodes end with the “bad” gang finding a map (Claudia’s dark magic spell in Season 1)

!Bonus note on Rayllum: They are not in love in the first season and almost the same can be said about season 4. They are not exactly together yet and Callum seems to act like Season 1 Rayla while Rayla is more cheery like Season 1 Callum.

Ever since we got the Season 5 trailer and screenshots, I couldn’t stop myself from comparing them to Season 2. So here are some examples!

Beautiful irony! In the first episode of Season 2 Janai and Amaya fight to the death and the sword Janai used to destroy Amaya’s sword is gifted to Amaya in Season 4.

Both Seasons will start in Katolis.

The tables have turned! While Aaravos was secretly desperate to use Viren for his own benefit, now Viren needs Aaravos to save his life.

Just like Callum had to fight his inner dark self, Viren comes to realise how he lost his own battle and that it’s probably too late.

Keys vs Doors.

The Callum-Viren parallels continue (Dark Magic Coma).

The Great Bookery! Both Season 2 Viren and Season 5 gang look for information on Aaravos. They end in battle : Viren against Katolian soldiers, the gang against corrupted banthers. Talking of bathers...

Season 2 banther vs Season 5 banther.

Sol Regem is back!

Claudia and Soren using an empowered arrow with dark magic vs Callum and Rayla using sky magic on an arrow!

Season 2 Pirate city vs Season 5. Quite the different tone huh...

Meeting the pirate!

The boat from Season 2 is quite similar with the one from Season 5. I doubt they’re the same though.

Struck by lightening. We’ve seen this before... Could a similar turn of events happen in Season 5? What if the gang is on the white boat and are attacked by the pirates on the red boat. What if like Season 2, Callum and Zym go together, but to slow the pirates down (being the only ones that can fly).

Season 2 Claudia uses an octopus-like creature to catch the gang when they try to escape on Phoe phoe. Well what if she uses it again to catch... Callum?

We’ll have to wait and see. Thank you for reaching the end. ^^ 

#tdp #the dragon prince #tdp s2 #tdp s5 #tdp s5 speculation #tdp theory #tdp spoilers

[ao3commentoftheday]

Hi!

There’s a fic I have unfinished in a fandom I’m not really part of anymore, but I’m proud of it and would love to finish it one day, but I’ve found the best way for me to write is to be able to vibe with other people in the fandom or just talk about it. Now im not longer invested in the fandom its very difficult and the fandom itself isn’t quite as popular as it used to be. (Still very big)

I tried finding discord servers to do with the fandom but I couldn’t find any that were suitable. I was wondering if anyone else has had this problem where they want to finish a fic they love but aren’t in the fandom for anymore and if anyone has any suggestions on what I can do to try and invest myself in the fandom again or meet people who are passionate about it.

Sorry if this is a stupid question or has been asked before!

There are no stupid questions, and every question that's been answered before will still find a new audience with each response (see also: that explanation about no beta we die like X)

Question for you anon: what is it about "vibing with other people in the fandom" that helps you get your write on? Do you need to be able to bounce ideas off of people who are already familiar with the characters? Do you enjoy discussing canon moments and using that as a way to inspire fix it scenes or missing moments? Do you need people you can ask a quick question to in order to check on your characterization or canon compliance?

Or is it a case of needing an enthusiastic group of people who are interested in what you're writing? Do you need folks who are cheering you on as you write and maybe willing to give you a beta read here or there? Do you need to do a kind of "parallel play" where you're writing while someone else is creating a gifset and a third person is curating a playlist? Do you need someone you can do writing sprints with?

From those two sets of questions, you can probably see what I'm aiming at. The first set requires you to find folks from that specific fandom. The second set just requires people who are interested and friendly and fannish-in-general.

If you need the first group of people, you can try posting in the tumblr tag seeking cheer readers or betas. If you need the second group, you can find any kind of fandom writing server or even a local writer's group that's not associated with fanfic.

I'll stop here and let the blog folks add in their own ideas, but if you can figure out what it is that you need in order to hit that vibe, that'll get you on the path to finding it.

#asks and answers

[raayllum]

Was thinking about the Gifts scene because it was one of my favourites and has made me cry every time, thus far, and something that stuck out to me the first time has now collected more thoughts, in terms of parallels and parental relationships. 

Ezran and Rayla both sacrifice something in remembrance to their fathers. For Ezran, it’s the symbol of him finding a way to both honour his father’s memory and take a better path than he did. The way they worked his short story and musings over his father’s sword directly into the show was delightful and heartfelt. Ezran acknowledges that the crown isn’t made of precious metals or bearing special jewels, but it carries an emotional weight and shows his humility and his own strength as a king. It says just as much about Ezran as it does about Harrow, if not arguably more.  

Then you have Rayla stepping up first (was anyone else relieved she wasn’t offering herself up to be eaten?) and arguably with the biggest sacrifice. As she says, these blades are all she has to remember Ethari and Runaan, two of her parents, by. Unlike Ezran, who shares in his grief with Callum and the rest of the council about Harrow, there is no one left who remembers Ethari and Runaan the way she does and did. There are no more family heirlooms waiting for her. She can’t even truly go back to where they raised her.

Ezran gives up something he had crafted in Harrow’s memory, and Rayla gives up the one and final gift her fathers gave to her, her most constant companions in the two years she was gone, and her last line of defense.

Then you have Callum, who offers up Ibis’ staff. Now, Callum’s statement here is still meaningful. The staff here has been incredibly helpful, he’s presumably seen Ibis more than a few times over the past few years with Ezran and Zym assumedly visiting regularly, Ibis taught him the spell he uses the most this season and the one that let him save Rayla. But it’s hardly a parent-child bond or even a mentor-mentee bond. 

So what does Callum have from a parent? Well... the Key of Aaravos, really. He has his sketchbook, which is full of spells Rex Igneous would never be interested in (it’s not even his primal) and he has this magical, mystical key that unlocks something of great power. And I want to write a bigger post about how I think it relates to his identity and sense of self worth as a mage as well, but I do think given we see Callum lighting a candle for Harrow and that it’s attached to Harrow’s letter as it is, as well as some things Callum’s VA, Jack De Sena has said, in addition to this panel from TTM:

J: [Regarding trauma and growing up]  I think that’s part of, just to speak to like, right, season four stuff, that’s part of the I think some of the anger he holds about Rayla leaving is that like, “we went through all this really intense stuff together and that—like, I’m cut off from that, in some ways.” T: Yeah. J: This—this person who you shared that with is gone, and—

Through The Moon makes it clear that Callum hasn’t moved on from grieving Harrow, if indeed you can ever quite let a grief like that go in the first place. We know from 4x03 that Ezran likewise still feels hurt, pain, and anger regarding the death of their parents, but he also had Callum to mourn with, other people to remember with, and Zym most of all as a silver lining. 

We know from 4x01 he’s been quietly but actively grieving Rayla for a while now, too, and then she shows up. It’s clear that Callum has emotionally closed himself off in her absence and in her return (seriously, did anyone ever have to prompt him into talking in s1-s3?) which makes sense, since over the course of their journey she became his main confidant and peer. But, as Jack de Sena noted, he was cut off from that. His grieving stagnated in more ways than one because he couldn’t precisely move on, even before she left, never mind after.

Now he’s a loose end, frayed and jagged, still grieving in multiple ways. And with the coins now in Rayla’s possession, S5 may force him to confront just how not okay with Harrow’s death he still is in some ways, now that freeing his father’s killer is something he’ll both want and loathe to help with, in addition to being further entrenched in Aaravos’ schemes. 

What will Callum hold onto, and what will he let go of?

#tdp callum #brotp: we're in this together #the royal family of katolis #moon fam #parallels #analysis series #4x08 #arc 1 #arc 2 #s4 #s4 spoilers #analysis #don't know if this is as articulate / if i actually expressed everything i want to but #this is the bulk of it at least #tdp #the dragon prince #callum #rayllum #multi #tdp spoilers #tdp meta

[sheltershock]

I just unlocked Eight’s palette yesterday and the additional challenge placed on this run specifically is really interesting from a story perspective with what was set up earlier in the DLC. So I ended up typing up this little essay on the intersection of gameplay and themes in Side Order. Slight spoilers under the cut!

Eight so far hasn’t gotten much attention at all in Side Order. Which makes sense for a silent protagonist, but I couldn’t help but see the narrative parallels with the gameplay associated with Eight’s run. Side Order is about confronting the fear of change and the fantasy of living in a bland, but safely controlled world of order. Marina gets a lot of guilt from the Memverse getting all messed up with her constant apologies, but maybe her desires and the ones of engineers aren’t the only key players in the development of Order and its takeover. 

It’s revealed in the Dev Diaries that Eight was always intended to be the first subject in the Memverse project. Which inherently makes her special since the tower’s creation at some point took her specifically in consideration. But then when everything goes wrong, Eight is trapped there. Even when you beat the DLC and can leave the Memverse, it’s always your player character that transitions between spaces, not Eight. And sure, (a piece of) her soul is trapped in the program, but so are Deep Cut’s, and all of them are able to give the pre- and post-run news report about the situation in Inkopolis. So why is Eight unable to leave the space? 

What I was surprised to find was that Eight’s palette wasn’t actually inside locker 36 like the game implied, but it was revealed that her palette was the lockers themselves. Like, all 36 of them. And even Marina calls out that it's “kinda weird.” Afterwards, the extra challenge of the final run reveals itself, a run with minimal hacks. The more hacks you have enabled, the less chip slots you are afforded. In order to have access to all thirty-six chip slots in Eight’s palette, you need to have zero hacks enabled, which resets you back to where you were in the beginning of the DLC after the tutorial run. 

The thing that got me thinking about how interesting this was from a narrative perspective is that this challenge is really hard. It’s very difficult, in fact, at time of writing I have not beaten it and I’ve played for multi-hour sessions. But this difficulty switch actually reflects the themes of the DLC, and possibly how Eight feels and what she’s experiencing. 

At the beginning of the game, the tower is chaotic and scary. You don’t know about the floors or their properties and the chips you can get are random. You don’t know what awaits you on that next floor and that could make you entirely start again from the beginning. And that’s exactly the fear that Octolings have about going to the surface. They are completely starting over at a game that they don’t know the rules of, or if there are any rules at all. 

But then there’s the introduction of the hacks. The hacks are a valuable and life changing modification to the challenges and randomness ahead. You want more lives? Sure! Take less damage? Go for it! More upgrades for the drone? The more the merrier! Are the prices at the vending machine more expensive? Here, have a discount! Oh, you don’t like challenges or the chips available for this floor? Just hand over some coins and we’ll spin the roulette again! You can even reveal the bosses ahead of time and reroll what you get if you don’t want a certain one. Runs get easier, and more forgiving. And as you get further, the tower gets safer, more secure. More controllable. If you know what you’re doing, you can even manipulate the entire program to get solely what you want. 

Except your memories. 

As a player, you have to fully clear the tower eleven times before even unlocking Eight’s palette. Which matters because once you’ve cleared it eleven times with different loadouts, you become pretty familiar with the mechanics and might even have reliable plans for specific floors. And that’s without the hacks. The tower becomes routine at that point, and with all the hacks, it’s likely you plan trips to specific vending machines on certain floors. I remember having specific membux amounts I wanted to reach and trying to save up to spend on floor fifteen. You watch your in-game timer on levels start to decrease and feel a bit of pride when the happy clear music plays and you see the little “updated!” next to your time. You know your way around the tower now. 

And Eight gets that experience too. Eight also experiences the repetition of each successful and unsuccessful run. The tower becomes familiar to her too, and maybe, comfortable. Eight gets to climb the tower, again and again, with her friends in an environment that she understands and can reasonably control. Pearl even has a line sometimes when you start a floor that echoes this sentiment, “let's hurry this up so we can go hang out with Marina and Acht some more!” And isn’t that the perfect fantasy for a freed Octoling? An environment of freedom, with a little spontaneity for spice? To be able to hang out with people you like, and aid each other in battle where the greatest punishment is that you get to enjoy this all again? Nobody controls you or tells you what to do. You call the shots. You pick the floors. You snap your fingers and decide how hard you want this to be. 

And that’s exactly what Order stands for, an unchanging, safe world. Born from the wishes of the Memverse’s engineers, ironically standing in the way of the point of the program. At least, that’s what Smollusk said. But this is a world that Marina designed, with Eight as an intended subject. Not the only, but an intended subject. The person who was supposed to be saved first, ended up to be the last you find to save. Interesting. But maybe Order came to life specifically from Eight’s desire.

Eight is special. When you reach the top of the tower and face Smollusk with Eight’s palette, it recognizes it. “At wast[last]!,” it says, “you finawwy bwought me THAT Palette!” And it even calls Eight out by name. Smollusk doesn’t have dialogue calling out or even recognizing specific palettes you’re using, but it recognizes Eight’s. And the thing separating the palettes from the player is the lockers, a piece of Eight’s soul itself, may represent Eight’s desire to stay. The reason to keep playing is because everyone’s palettes are locked in a piece of Eight’s soul, tucked away. Because if the lockers weren’t there, then it would be significantly easier to reconfigure everyone’s palette. And easier means faster. 

All of this would make the necessity of minimal hacks symbolic. Eight’s palette is resistant to Marina’s hacking, which serves two purposes for the narrative. One, it makes the game harder, which makes it harder to walk away from. If it takes one hundred attempts to clear that tower with minimal hacks, then that’s one hundred more repetitions experienced before it all has to eventually end. It’s another form of the lockers, extending the time of the evitable. 

Its second symbolic purpose is that Eight has to let go of her grasp of control and embrace chaos to reach the top and reconfigure her palette. And it’s hard. Both mechanically like previously mentioned, but it also makes you feel Eight’s frustration with embracing chaos. Disabling my extra shields and damaged swim speed and extra lives, going back to the hardest, least controlled phase of the game feels bad. Embracing that chaos is difficult. Just like how it would be for Eight. 

But it is possible, it’s just a slow climb up. Floor by floor. Facing nearly impossible challenge after nearly impossible challenge. And while you have the option to skip, it’ll cost you. But prices are much higher, the hits you can take are much more expensive, and you move much slower. But you still have your friends. Even if they can’t help you hack your way to the top, or drop five consecutive bombs, they’re still there for you. Keeping the elevator warm, and helping you resist gravity. Maybe they can’t exactly be much of help going up, but Eight’s friends can help her from falling back down. A team of four. How fitting. 

Now, I haven’t cleared Eight’s palette yet, I’ve already mentioned this. And the 2/3 secret Dev Diaries I got doesn’t spark confidence about learning more about Eight, unfortunately. And I’ve accidentally been slightly spoiled that she doesn’t get her memories back which is disappointing. I wish there was more specific emphasis placed on the characters in the DLC, to be honest. But as I was playing I noticed this little ludonarrative happening with Eight’s run that I thought was super interesting and probably the closest I’m going to get for Eight development for the DLC. I haven’t played the first or second game(I didn’t have the hardware at the time), I just watched them and I heard that the memcakes in Octo Expansion actually reveal Eight’s personality so I’m going to have to read those, because I haven’t. But I like Eight, and I liked this neat little unspoken story going on in Side Order, like the agent herself. 

#splatoon 3 #splatoon side order #splatoon 3 side order #side order #side order dlc #side order spoilers #agent eight #i just had some thoughts and hopefully organized them coherently enough #I’m really liking side order though #very fun #I want to make fanart but I’d have to actually build up the nerve to draw again #but I’ve always liked the Splatoon artstyle and wanted to learn from it so…. #yeah #goodnight #thanks for reading #shelti rambles

[echooefrost]

TGGTVAV x TGS AU!

Ok so Sage has always been talking about The Gentleman’s guide to Vice and Virtue and I finally got around to reading it and to say the least… I LOVED IT, every part of it! Whilst reading this fantastical tale, I just COULD NOT stop thinking of the Jekyon parallels to Monty and Percy… Just AGRGHHH they are all such big, lovable, queer Victorian idiots! Anyway If you couldn’t tell by the title of this post, I slam-dunked that book into my favorites pile and hastily made another AU. (also,,, SPOILERS! I am warning you. But what are you doing? Go read this book already!) 

In short I’ve basically taken The Characters from TGS and dumped them into the storyline/plot of TGGTVAV, In saying that neither Jekyll or Lanyon are strictly Percy or Monty, if that makes sense? I contemplated this over and over and I just couldn’t cram Jekyll or Lanyon’s characters into Monty or Percy’s. as an example; Lanyon’s personality is a lot more similar to Monty’s than Percy but Lanyon isn’t bisexual (a big aspect of Monty’s character) Yet at the same time both Lanyon and Percy play the Violin, both have dreamy freckles etc. But he just doesn’t fit into either of them, same goes with Jekyll; Jekyll and Monty both share similarities but are both very different, yet not different enough to take the role of Percy. So with all of that confusing explanation, Jekyll and Lanyon remain themselves with a few extra ~touches~: 

Jekyll is going to be sent to the mental asylum in Holland due to the existence of Hyde. Lanyon finds out about Hyde when he involuntarily transforms in Marseilles. 

Lanyon still plays the Violin and brings it on the Tour with him (for the reasons of plot accuracy and me pushing the Violin-Lanyon propaganda) 

Lanyon takes Monty’s position of power (as in his father is an Earl, and sends them on Tour) although Lanyon is rich, racism still very much exists and isn’t a terminated theme.

Before I continue and as a side note: Felicity Does not exist. As much as I wanted to work her into this, I just couldn’t without complicating a bunch of things, and as I said this is an Au, my au and I can do what I want - I do love Felicity but She just wasn’t going to work here.

Frankenstein (still a woman) takes the role of Mateu Robles because I thought it would be fun to play on the idea that Frankenstien created life and that Mateu’s panacea can heal people. After researching and experimenting, Frankestein tried the potion on Elizabeth but it stopped her heart, similar to how Frankenstein's original creation (the creature) ended up killing her love. I thought it would be interesting, that because Frankenstein kind of killed her wife, she created Helena and Dante the same way she made the creature, although they technically aren’t human, Helena and Dante still look and act like humans, and they believe Elizabeth equally as their mother as they do with Frankenstein. (Don’t ask me how a WLW relationship would work in the 1800’s ,,, everyone just thinks that Frankie is a guy {kind of like in TGS} ) 

Queen Lucy is Scipio because a.) We need more female badasses and b.) take ONE LOOK at her character design and Tell me she DOESN’T Look like a pirate queen- I also just think Lucy is a super fun character that I wanted to incorporate here. 

Those are about all the added things/changes - the rest basically just follows the same points of the plot :0 

If I’m completely honest, I probably won’t do much with this I just had an idea and wanted to share it :))

Here’s a little image of them - Also I gave them both slightly longer hair because I looked at fanart of Percy and fell in love. 

#tgs #the glass scientists #echo's au's #the gentleman's guide to vice and virtue #tggtvav #the glass scientists au

[fullerthanskippy]

professor hawk fanfic ???

Ahhhh I'm just gonna do it ok here's a sneak peek of a fic I'm writing about Hawk and Tim!!!! I keep thinking about it and I need to post it somewhere to hold myself accountable.

It's AU modern day professor Hawk & student Tim, parallel timelines from 10 years ago to today. It will eventually contain very, very explicit content. Ok here's the preview:

***

Tim stepped out of the large glass double doors onto the stone staircase, descending into the back yard. A garden party, he thought. WHO could have pictured him here? Dressed in a three-piece suit on a Saturday afternoon, ready to enjoy a manly something-or-other on the rocks with members of his Georgetown graduating class.

When Tim received the formal invitation in the mail, he wondered if it had been a mistake. While the envelope was addressed to one “Mr. Timothy Laughlin,” he was surprised at its contents

The Georgetown University Alumni Association  cordially invites you to celebrate the 10 year reunion  of the class of 2013.

It then listed details of date, time, and location which appeared to be someone’s home address just outside of D.C. Still, Tim was perplexed. He was a member of this graduation class, but weren’t these alumni things usually to raise money?

He had received letters over the past 10 years asking for donations to certain scholarships, fundraisers, and the occasional new building. He’d throw a check in the mail every here and there, $100 or what have you. He gave what he could, though he knew that was never the amount they were asking for or expecting of their alumni.

So now? There must be something huge they are raising money for to be including him in this mailing list. But on the rare occasion that he had the opportunity to dress up, he took it. Plus, he was curious to get eyes on some certain members of his class that might be in attendance. As well as certain professors. Perhaps one certain professor.

He stepped into the grass from the stone steps and took in the view. A gorgeous property, trees lining the yard just enough for privacy from neighbors, though the nearest ones were barely within eyesight. Tim scanned the beautiful green space for any familiar faces. His initial scan yielded no success but to find the refreshments.

In the far corner of the yard sat a large bar with a handful of unfamiliar faces loitering about. Tim sauntered over to the bar with absolutely no clue what to order. When he had been out with friends or the occasional, albeit rare date, he would just order whatever they ordered and sipped on it regardless of how awful it tasted.

To his misfortune, everyone standing and chatting around the bar already had a drink in their hand and it did not appear he could piggyback onto anyone else’s order. He smiled at the bartender who asked him what he’d like and while trying not to show his panic, eyes the alcohol selection behind the man in the waiter’s uniform.

“Ummm, hm,” Tim mumbled aloud. “I guess, well, I guess I’ll just have —“

“He’ll take a whiskey on the rocks. And make that two,” the man who spoke up held a bill between his pointer and ring finger and handed it over to the bartender, who nodded in appreciation and went to get the drinks. Tim vaguely recognized the man who gingerly removed his hand from Tim’s back and placed it back in his pocket. The man suddenly realized that Tim couldn’t place him.

“Oh, I’m sorry. Tim Laughlin, right?” The man asked. Tim nodded and wondered how to politely ask this man how they know each other. Luckily, he didn’t have to ask as the man continued, “Marcus, er, I guess you’d remember me as Professor Gaines???”

“Of course,” Tim smiled and extended his hand out, which Marcus shook with a firm grip. He hadn’t taken any of Professor Gaines' courses, but he had many acquaintances who did. Though, the real reason he remembered him was due to to his association with —

“Hawk!” Marcus called out from across the yard, raising his fresh glass of whiskey in the air to garner the other man’s attention.

Tim swallowed the lump in his throat. He did not think he would be in this situation so early in the garden party. He looked up and caught the bright blue eyes of the man he was both hoping and fearing he would see. Hawk’s eyes lit up at the sight of Tim just a few yards away. He had a surprised yet delighted look on his face as he approached Tim and Marcus, placing a hand on Marcus’ shoulder and coming to face Tim.

“Tim, you remember Professor Fuller, yes?” Marcus asked. And Christ, was that the understatement of the century. 

***

#hawk and skippy #tim laughlin #hawk and tim #matt bomer #jonathan bailey #fellow travelers #hawk x skippy #hawkins fuller #marcus gaines #professorhawk