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#I’m thinking about Her again
comic-anguish · 1 year
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If Carol Wilson has 100 fans I’m one of them, if she has 1 fan it’s me, if she has 0 fans I’m dead
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hollytree33 · 3 months
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JUDGEMENT
Finally, her fourth and final card for Trespasser!!
1. The Hanged Man
2. The Chariot
3. The High Priestess
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puppyeared · 9 months
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The garment, worn by those in good standing with Hyrule royalty, has been reworked with the latest improvements, such as a new shoulder guard.
#I miss my wife tails. I miss her a lot. I’ll be back#I love the champions leathers design but the story behind it is so sweet too like. she wanted to thank him so she went and#got some improvements added to it?? and she wanted to see his face when she surprises him with it hello?????#I think my favourite part is the half chest just for angst. I like imagining she was very particular about the armour placements#and had a chest piece added because yknow. right over the heart might I add#originally I wanted this to be more angsty but halfway through I was like wait this would completely miss the point#in my mind the armor isn’t just ‘I don’t want you to die again’ but also ‘I want to keep you safe as best I can’#in her diary she was like links armor is wearing down so you know what? I’m gonna add more armor to better protect him!!!#and with her upbringing in mind (and the conversation she had with him about whether he would still choose to be a knight if things were#different) she could have totally asked him to stop doing it altogether. but she made the armor for him instead#sidenote she also got to be a teacher and scholar like she wanted and that is so. dont look at me I’m crying#I don’t know if ANY of this makes sense I’m just rambling. yes I wear the champions leathers every chance I get why do you ask#btw if you squint the leathers chainmail and sweater are taken from the hylian armor chestpiece! slightly modified on the tunic but cool#my art#myart#tears of the kingdom#totk#totk spoilers#totk zelda#totk link#botw spoilers#botw#breath of the wild#loz#loz fanart#comic#tw blood#blood
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firbolgfriend · 2 months
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Im just yapping but there is this fic on fimficton called Discord of Tomorrow that’s about s2 evil discord traveling forward in time right before he can be turned to stone to switch places with the version of himself (reformed discord) that exists when the elements of harmony are gone, so reformed discord gets stuck in the past and has had to snap away and hide the elements of harmony from the mane 6 so he can focus on trying to get back to the future without getting turned to stone, all while dealing with the moral dilemma of him realizing how easy it was to take the elements and how easy it would be to seriously just take Equestria over again vs being worried about what evil discord is currently doing to his friends in present time. It’s only like three chapters but I think the plot is so funny and the author didn’t even get to the part where evil discord is in the future and the mane 6 is trying to figure out wtf his problem is, thinking he has amnesia or something. I want to make a comic expanding on it so bad I’m like seriously obsessed with it I can’t stop thinking about it
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yea-baiyi · 10 months
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oh my god hua cheng is fucking trans we never find out his birth name because it’s his fucking dead name
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wavesoutbeingtossed · 2 months
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Randomly thinking about “tolerate it” (narrator voice: it was not random) and how under the cloak of fiction it is ostensibly inspired by works like “Rebecca” (which Taylor said she read during the 2020 lockdowns I believe?), with the line of “you’re so much older and wiser” indicating that the speaker is significantly younger and inexperienced compared to the person she’s speaking to and a pretty direct reference to the plot of the book.
But I saw something somewhere once that stuck with me about how it might not be referring to relative age between the characters but chronological age as in the passage of time in a relationship. And that made me think about how in a contemporary context, it might not necessarily be referencing an actual age gap between the two characters, but rather a sarcastic or cynical response to the man’s claims that he has matured (“you’re so much older and wiser [than you were before/than you were when we met/etc.]”), which then made me think about that line in relation to the woman. And that it could be taken like, “you act like you’ve matured so much in our time together and like you know everything, while I’m supposedly still stuck as the girl I was when we first met.”
Which then made me think of the “right where you left me” of it all and did you ever hear about the girl who got frozen time went on for everyone else she won’t know it and the bit in Miss Americana where she talks about how celebrities get frozen at the age at which they got famous, and how she’s had to play catch up in a lot of ways not just in her emotional growth but kind of in general. (Which also made me wonder if she’s ever been called out for immaturity/lack of curiosity/lack of education about things in her life…)
Which then made me think about the rest of the song, and @taylortruther’s posts yesterday about “seven” and “Daylight” and the way Taylor idealizes her youth yet contrasts it with an almost sinister reality in its wake, and the line, “I sit by the door like I’m just a kid,” because the discussion raised that her relationship let her recapture some of the childlike joy and wonder she’d lost. So this line is a double-edged sword: the speaker sits by the door with childlike hope that the person will come home and cherish her, but on the darker side, feels like the child dealing with the monsters she doesn’t have names for yet and the feelings of isolation she felt as she aged.
I’m not saying the song is necessarily autobiographical; like most of the songs on folkmore, it’s clearly a fictionalized story based on media she’d consumed and created, but we know a lot of the fictional songs were infused with her own feelings and experiences and… This idea swirling in my head picked up steam and now I kind of can’t stop thinking about it. Sorry but I’m a little obsessed now.
Like maybe it might start to shed light on why she identified so strongly with the novel in the first place…
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starstruckodysseys · 1 month
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something about adaine’s hair being longer and her finally beginning to heal. something about having control over your life and getting to choose your own look. is that anything
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ilovefredjones · 5 months
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the frozen ii ending makes me soooooo angry like the whole POINT of frozen i was that elsa learned that she could rule arendelle with her powers and with anna by her side!!! literally in the bway musical she sings ‘i know i’ll never see that sunny day / when this trial is finally through / and it can just be me and you’ like. elsa WANTS to stay with anna
and they try and explain this somewhat in into the unknown, with the ‘who knows deep down i’m not where i’m meant to be’ but. WHY isn’t she where she’s meant to be. all of the first film was her learning that she belonged in arendelle and her powers/herself wasn’t something to be afraid of. why isn’t she meant to be with her family? with her sister who’s been desperate to reconnect with her? why doesn’t she belong where people readily love her and accept her and want the best for her?
and then, what about anna? there is no mention of her wanting/being ready to be queen in either two films. we don’t even see the offer on screen; we don’t get the sisters’ quiet, vulnerable conversation where elsa admits to wanting to live with the rest of the nature spirits and anna offers to take her place as queen. we don’t see anna begging elsa to stay in the forest because she can rule if elsa’s happier there. we never see their dialogue. it’s just so sudden. is anna once again just going along with what her sister wants? is elsa isolating herself all over again? we just don’t know. they both seem happy, but there’s barely any indication that it’ll lead up to that point.
it just makes no sense for either of their arcs, or their previous wants/needs. if they were meant to stay together, why separate them again? they just got each other back. and now they’re alone again.
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some-sort-of-siren · 8 months
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The thing about the Iliad is all the men are undeniably gentle. They’re warriors and they’re killers and yes, the blood doesn’t phase them, But they’re also gentle. It’s why we see Hector playing with his son, Achilles crying with Priam, Odysseus being referred to not as the son of Laertes but as the father of Telemachus. Homer wants us to know that these boys were not warriors from birth, they were thrust into it unwillingly and though they’re good at it and they want the glory, they’re people at the end of the day and they love more then they hate. Hector and was it Menelaus? Book 5? exchange gifts! Diomedes and glaucus exchange armor! These men are gentle and they do not want to be fighting and they are good at it but they do not love battle, that’s not why they’re heroes. They’re heroes because they are all fighting for someone at the end of it, not something. Because at the end of the day, it’s about the people they love because they are not warriors at heart. The war is about Helen and it’s about glory, but it’s also about Penelope and Andromache and Priam and peleus and all the families of the warriors. Which is why the Iliad has survived this long.
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larkspurglove · 1 month
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Broke: Dr Ratio and Alhaitham would get along
Woke: Dr Ratio and Alhaitham would hate each other for being ‘exceptionally arrogant’
Bespoke: Ruan Mei and Dottore are the real crossover academia duo that we should be talking about
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heroesriseandfall · 11 months
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Tim’s self-isolation in the beginning of Red Robin is actually so funny to me because it hardly works.
Tim @ most of his friends and family: nobody contact me. leave me alone. I’m busy. don’t try to stop me.
Tim @ Cass: hey, wanna stay in contact? :)
Tim when Chris Kent asks him for help: I’m actually not Robin anymore so saving people is not my job. Oh her life is in danger? …okay fine but then I’m going back to my thing.
Tim when Kon finds him: I’m busy…Oh you need help? okay…let’s have an accidental heartfelt talk and then we can help each other with our latest emotional crises.
Tim when Dick calls him: don’t call me…ohhh, that seems serious. fine I’ll come to Gotham but then I’m going right back to what I was doing. *finishes up what he was doing* okay I’m back, let’s team up.
Tim when someone he’s never met ends up as the League’s semi-hostage with him: Hey when we’re done do you wanna travel for business together & maybe go on a date?
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sexynetra · 3 months
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Hey can we talk about how Dawn literally gave Amanda her first estrogen pill
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skyward-floored · 2 months
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Impa has had plenty of battle experience in her life.
Countless days spent training in both tactics and fighting itself, long hours plugged into doing nothing but honing the skills of her tribe and other abilities she’s been gifted with. Learning the most effective ways to use them all together, and win any fight.
But there’s really no way to prepare yourself for a battle in which both your past lover (who can’t exactly be called her husband since Impa hasn’t even spoken to him in almost two decades, and has also for some reason aligned himself with an army of monsters) and son (who is unaware of the identity of either of his parents, and shouldn’t be on the battlefield anyway since he’s not even of age) are both running around in on opposite sides, making it impossible to keep track of either of them.
Impa huffs as she dodges a spear, worry and exasperation clashing together within her.
She’s lost sight of Link for the third time already this battle, and only has a vague idea of where Volga ended up. Link has demonstrated he can handle himself, but he’s still only a trainee, and Impa’s seen (even from a distance) what sort of trouble he can get into.
And Volga...
The questions that have been swirling around in her head ever since the battle start to come to life again, but Impa ignores them, focusing not on the hurt and confusion and instead on her current goal.
“Where did the boy go, Link?” she asks the captain stationed at the keep she’s helping defend, slashing past a bokoblin and narrowly saving a soldier’s head.
The captain frowns, holding his shield up to block a stray arrow. “I lost sight of him, all I know is he took out a whole squad of bokos and ran off,” he says, forehead creased.
“I saw him heading to the abandoned fort ma’am,” a soldier calls towards her. “Someone said that dragon-man is back there, I think he went to go fight him off.”
A cold feeling steals into Impa’s chest.
“Idiot boy is going to get himself killed,” the captain at her side mutters, slicing viciously at a monster. “Trainees shouldn’t be out here at all, no less fighting dragons. Boy barely looks old enough to shave.”
Impa more than agrees, but doesn’t waste her time with words, leaving the keep in the captain’s capable hands, and taking off to go find Link.
...and Volga.
She follows the soldier’s words, heading to the fort he’d pointed out. Sure enough, as she gets closer, she sees streams of fire burst into the air, hears the clash of weapons and familiar shouts.
Her heart skips a beat, and she runs past bokoblins and moblins alike, pausing only momentarily to fight her way past a few.
None of the monsters that get in her way are terribly tough, but they take time to fight, and Impa is getting anxious, casting continued glances at the smoke and fire nearby. She’s seen firsthand today how good of a fighter Link is, but she’s also well aware of Volga’s strength.
And Link... will need help.
The last bokoblin falls and Impa runs for the fort, arriving just in time to see Volga slam a clawed fist into Link. He cries out as he’s thrown across the cobblestones, landing in a motionless heap, and Impa bolts, blood roaring in her ears.
She slides to a stop in front of Link when Volga tries to advance, putting herself between them and blocking his path. The dragon knight stares at her, shadowed eyes narrowed, and Impa glares back, unmoving in her defense of Link.
She sees no sign of the man she fell in love with in his eyes.
“How noble,” Volga sneers, embers falling from his mouth. “Enjoy your shared grave.”
The fire around him begins to intensify, and Impa’s eyes widen, knowing immediately what it means.
“Oh no...” she breathes, and turns back to Link in a panic, getting to a knee and touching his shoulder. He shifts at her touch, but just a little, his eyes flickering when she shakes him. Volga growls, and Impa whirls back towards him, knowing she doesn’t have enough time to pull Link out of here.
The air around Volga wavers with heat as flames lick up his form, and then he moves forward, blasting a huge plume of fire directly at them both, hotter than death mountain itself.
And right before the flames hit, Link stumbles in front of Impa, a hand outstretched like he hopes to hold back the flames with nothing but his arm.
Impa barely has enough time to be horrified (he’s only a boy, he shouldn’t be protecting her, she can’t watch her son die—) before the flames engulf them both.
...
But instead of burning alive in her former-lover’s flames, Impa instead feels a gentle warmth.
It’s equally soothing and powerful, and she opens her eyes, not even realizing she’d closed them. The sight that meets her makes her startle, and she stares up at Link in utter shock.
Golden light is pouring around Link— around her son, in a wide, protective glow, encircling and keeping them both safe. All of him holds a shine, but his left hand is glowing especially bright, triangles outlined on the back in a beautiful luminescent gold. A sign of which Impa would know anywhere and had already begun to suspect, but almost doesn’t want to believe, to face what it truly means for them all.
Link is the Hero.
Volga’s flames finally peter off, and the light fades, but Link still holds his hand up, fingers shaking a little. Volga studies him, giving Link a calculating look as his eyes dart across his face, and Impa finds herself holding her breath.
Will he notice the similarities, will he pick up on the features he and Link share, will he put the pieces together—
But Volga appears not to recognize anything amiss about Link, or even herself, and he barely spares her a glance as he growls something about not being beaten, and departs the battlefield.
Link shakily falls to a knee almost the moment he’s gone, and Impa resists the urge to grab him by the shoulders and make sure he’s okay, instead joining his side not too quickly.
“H-how...” he croaks, staring at his hand in equal awe and terror. “What was...”
“The triforce of courage,” Impa supplies, and he looks at her, his face covered in grime and sweat, and layered with a healthy amount of shock.
She takes a deep breath as what the meaning of this truly signifies begins to sink into her chest, fear and pride and several other emotions all vying for her attention. But she ignores them all, especially the sharp ache at the realization her son has a long fight ahead of him.
A monster howls somewhere nearby, accompanied by a soldier’s yell, and Impa closes her eyes, then reopens them, packing the emotions away with practiced ease.
“...I’m afraid we don’t have time for me to explain everything to you right now,” she apologizes, offering Link a hand up. “But I promise I will. At the moment, we have a battle to win.”
Link swallows, looking like he wants to say more. But then he straightens his shoulders and nods, letting her pull him to his feet. Impa can feel his hand still faintly shaking, and she can’t resist giving it the lightest of squeezes before she lets go, quickly returning her attention to the battle still raging outside the fort.
They can figure all of this out later. She can figure all of this out later.
Right now, they have a battle to win.
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ghostdrinkssoup · 10 months
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thinking about how abigail only has one real double in the show. sure she has the other dead girls, but they’re just copies of her. fakes. they weren’t real in the eyes of her father. they’re so hollow we don’t know anything about them other than their likeness to abigail, and abigail foils no one else. except one other girl: mischa. hannibal’s golden ticket. the only girl that really matters. the girl will has to chase the ghost of because he desperately wants to understand hannibal, and he knows this is the only way he can, so he visits his ancestral home and finds chiyoh. because ultimately abigail wasn’t the girl all the other girls were mirroring, at least not from a narrative point of view. to hannibal, her new father, she was just another copy of a girl who died a long time ago and could never really replace
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ilovebeingaturtle · 9 months
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I don’t really ship 87 Ramona (although I do love the idea of them in a QPR) but. If they did feel romantically for each other it would take forever for them to actually get together, if they even do, in sharp contrast to the 2012 “we’ve known each other two hours now we’re committed for life” speedrun. Raphael would have fallen in love years ago but would not recognise this fact once. Mona Lisa is also part of the problem. She has a layer of superficiality she always uses as protection over her true feelings, so how does she even know her flirting is sincere? How would Raphael be supposed to know? She’d overthink it. Also she’s a lesbian so falling in love with your best friend is like mandated and agonising. She’d have accepted her fate and already resigned herself that it’s never going to happen. She’s just happy they’re close to each other. Meanwhile Raphael thinks “huh, I want to marry her” then goes about his day. This realisation occurs multiple times but he never reads into it.
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sevikasenby · 5 months
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sevika gently scratching your back with her claws while you cuddle. or her scratching your back while you lay on your stomach and her occasionally kissing your back, shoulders or head.
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