Fun fact: In the original pitch for Stranger Things, El had a little brother.
After being rejected by almost 20 studios for the Montauk pilot, the Duffers were finally green-lit by Netflix. It was at this time that they began casting and then writing the first season officially, which included reworking a lot of that first episode.
This led to the removal of the brother reference, and with it, removing any sort of arc El could have had about her apparent brother.
But the thing about this moment, is that it might not have been scrapped entirely...
Going into the final season, no one can explain why or how El recognized Will back in 1x02. And while there are plenty of things on the show that are left unexplained, with a small portion likely left that way with the intention to uncover it later, what sets this moment apart from the rest is that there are very few possibilities here.
Because for starters, the story presents El's ability to see people in the void in s1 as requiring either a picture of that person for reference, or having met that person before.
But when El see's this picture of Will, she's never met him before. Or maybe she has, but we wouldn't know because they never showed us. They could have just not done this scene at all, given that it's clearly a copy/paste/edit of something scrapped from the pitch. Or they could have even still included it, but explained it.
One explanation could be that the lab had shown El a picture of Will before, similar to what they did with the Russian agent they wanted to spy on. But then that begs to question, why would the lab show El a picture of Will? Why would they want to see what he was doing? That alone is incriminating in and of itself, implying that Will is more connected to the lab than we realize.
The only other, and frankly most likely explanation, would be that El stumbled across Will at some point on her journey between escaping the lab and Will going missing. This is actually something that happens in The Other Side comic, which explores all the things Will may have experienced during his time in the Upside Down.
Though it’s worth noting the comics aren’t technically canon, and I highly doubt they would outright spoil everything in relation to Will’s time there, years before it was intended to be revealed. But still, let's humor this for a moment given that I do think Will's time in the UD is going to be very relevant in s5, which means it's highly likely they will finally address how exactly El saw him.
Basically, in the comic, Will see’s El walking through the woods, almost apparition like, glowing as she passes by, while also sporting the Benny’s burgers shirt. This means they would have crossed passed within a short span of time, between when El escaped Benny’s when the agents arrived, but before she was found by the boys.
Though it’s worth noting that we’re seeing this all from Will’s perspective. This means from the UD, Will was capable of seeing El on the other side, despite them being on different sides. And not only that, but she also looks back at him.
What confuses me about this, is that it doesn’t make sense for El to be in the woods, only to randomly decide to pop in to the void for a moment. She was trying to escape the lab and everything that came with it. I doubt she had any desire to lurk back there for some reason, not until someone encouraged her to. Not to mention, it would make no sense for her to go there and see Will if she wasn't even looking for him in the first place. And so this would mean Will and El could see each other, with Will being in the UD, and El being on the other side.
While it does seem pretty far off, given that you would think Will and El wouldn't be able to see each other from different sides, it is true in the story that El not only recognizes Will, but knows that he is in danger. She mentions that he is hiding specifically.
Which means she has likely seen him within the last 24 hours regardless.
This, in combination with Will being able to respond to El in the void at the end of the season in Castle Byers, when no one else outside of Terry and flayed-Billy have been able to, seems to imply that there is indeed something special about Will that makes him capable of communicating with El from the UD. Not only that, but El also seems to have an ability to be in this constant knowing state of how Will is doing, without even checking again to confirm. She's just certain of it. And she seems terrified about it.
Going forward, El never uses a picture of Will to find him. She never did. And more often than not, they don’t show us what she see’s either, not until the very end. And that’s the moment they reveal that he was able to communicate with her.
Again, there was really no reason to have El recognize Will. If anything it complicates things. But the fact that they chose to introduce this concept, with a scene from the original pitch that was related to El’s younger brother, with her pointing at his name cryptically, startling Benny, only to revamp it and have El not say anything at all while pointing at the picture of Will, startling Mike… It just really makes you stop and think.
Which brings me to the other aspect of this that might have people doubting, which is that El’s brother was originally younger than her.
We know Will is not younger than El, so how could this apply to him?
Well, it might be helpful to consider that in the original script, El was actually 10 years old, while the boys were always 12. Meaning that for some reason, they decided to age her up to the age of the boys, aka the same age as Will…
Ever since @erikiara80 shared this brother discovery with me, I have been sort of reeling. It then led to other little discoveries of changes they made between Montauk and Stranger Things.
It’s important to understand that the Montauk bible and the original script precedes what we ended up with in the final product, with it finally changing and evolving months, maybe even a year since that original vision. Even casting occurred before writing started for the first season. We know this because casting announcements were made in June and August of 2015, with writing not starting until August going into early 2016, simultaneously while they were filming.
And believe it or not, what I've discovered is that a lot of the changes they made between their original plans and what we see in the final product, have to do with not only Willel, but also Byler.
If you've read the original script for Montauk, you'll know that Mike's crush on Jennifer Hayes was focused on right from the jump, along with the birthmark on his face being focused on, which was the main cause of the bullying he experienced.
This has actually been talked about recently, and some of the claims people make do fit with what I am genuinely starting to consider here, which is that the initial plan for what makes Mike an outcast shifted.
I think when they completed casting, and started actually deep diving into what they wanted this world to look like, both from a short-term and long-term standpoint, they were presented with some pretty interesting discoveries, arguably already hiding in their initial plans without realizing it.
And this is where it sort of becomes a 'chicken or the egg' situation. Because which one came first? Byler or Willel?
I can't say for certain, because obviously this is all just speculation. But in the case that Willel came first, I think Byler would come very naturally after that.
The Duffers themselves are twins. Then they hire Noah, who is a twin. Then they're thinking and planning for El's past and how her family all fits into this, and they're thinking... wait a damn minute... We could totally Star Wars this bitch!
And then when they think it couldn't get any better, they uncover another layer that they hadn't planned or really considered in their initial plans.
While Will was always going to have sexual identity issues according to the Montauk bible, meaning that the writing process for him likely involved sitting down imagining scenarios that encapsulated this arc for Will from the beginning, they were simultaneously now finding very interesting aspects of Mike's character that made it hard not to at least consider the possiblity that Mike is not exactly straight.
Just think about it. The Byers and Wheelers are basically polar opposites on the spectrum of what a family looks like. While Will's discovery and acceptance of his queerness is interesting to explore because he comes from a low-income, single-mom household, all while having been bullied for years based on his perceived queerness, he also has a mother and brother constantly reinforcing that they will accept him no matter what. They've been sort of hitting us over the head with it for years, and so it wouldn't be very satisfying for his entire arc to merely lead up to something we've known all along. It's pretty much a given at this point.
On the other side of the spectrum, Mike comes from a more upper-middle class family at the end of a cul-de-sac, more aligned with what a nuclear family looks like. Mike's family is also presented as being more conservative, and while Karen does give that very queer-coded speech to Mike in s1 (I'm convinced they only wrote this after deciding to explore queer-coding more heavily with Mike), it also comes with comments from Ted and even still Karen that hint that they are probably not as open-minded and accepting as Will's family is to him. Which means Mike's arc would be a lot more about acceptance around him from his loved ones who we have been led to believe might not be as accepting of his queerness in contrast to Will.
And so as they're putting this story together, and they're being presented with something very interesting. Two similar experiences that play out in different ways because of the characters circumstances.
Will goes missing, and his twin sister with a buzzcut pops up and has the ability to help them find Will.
This leads to several moments where El is being compared to as not only a boy, but Will as well.
Now suddenly, their initial plans to have Mike's arc be about having a girl be interested in him and to hopefully have his first kiss and feel like less of a loser, starts to look a lot like what the experience a queer kid in his position might encounter growing up in the environment that he did.
And if you don't want to take my word for it, just hear the Duffer's themselves hinting at what they initially planned for Mike and the fact that it changed.
The changes don't stop there.
Believe it or not, 'It was a seven', did not exist in the initial pitch. When the boys went outside bickering over Nancy, they leave right after that.
Another thing that changed from the first script, was Scott Clarke's introduction:
And so you might be thinking, who cares? What does that have to do with anything?
Well, it's interesting because the line we end up with on the show is arguably one of the most on the nose Twelvegate proofs to date. Mind you, this is from the first episode:
Why chuck the original version, which was arguably more interesting and fascinating in terms of it hinting at the mysteriousness surrounding this story, only to replace it with him listing off tips about their upcoming test?
Well, I think it's the irony of it all. Here Mr. Clarke is practically telling us where to look to figure stuff out for ourselves what is going on, with all the kids filing out and ignoring him...
I relate to Scott a litttle too much in this shot here, any time I try to drop Willel evidence.
And the changes go on, as they obviously would.
Things like Terry Ives not even being El's mom, but actually a man who more so aligns with the characterization of Murray.
And one very interesting one I almost overlooked was in Hopper's introduction, where instead of a kids drawing done by who we assume to be Sarah, we actually see a picture on the wall of him and his wife and daughter... Interesting that they decided to switch it something that is a lot less definitive in presenting what Hopper's past looked like...
If you've made it this far, congratulations.
If you still think I'm out of my mind, just remember that El was going to have a brother in the original script, but they scrapped the scene and gave a near identical one to introduce her connection to Will instead 😘
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Fic-to-Art #39: Gladiator's ELEVENTH Anniversary! (+ BONUS: Fic-to-Art #36...)
And here we are! March 26th arrived and I did not forget about it, but I paid for my ambitious madness with my wrist and forearm. Somehow, I finished my intended pieces on time, but I do not advise that you ever try to make 9 artworks in 3 days. No, sir. Bad life decisions, that's what that was... but this fic, as anyone knows, moves me to do things I never thought possible, starting with writing the fic itself!
It's really crazy every time it hits me that I've been doing this for as long as I have. It's been a complicated, chaotic journey, with its many ups and downs, but ultimately, it has been our journey. For some people, this is just one more fic in the pile: for me, it's been the best adventure of my life so far. Everyone who has ever been touched by Gladiator, who has ever cherished this story, who's looking forward to the big conclusion, who wants to see how the chaotic war is going to end... you're all part of this crazy adventure along with me, and I can only thank you for joining me.
This year, I had no time to make as big a project as I usually go for. Thus, I did a sort of free-for-all edition of Fic-to-Art over at Patreon and challenged myself to draw as many scenes as I could, out of their suggestions. I even sprinkled in a few scenes I impulsively wanted to draw because I loved writing them or because I look forward to writing them... and this is the result!
In order, the scenes are as follow:
Sokka combing Azula's hair, a common occurrence throughout the story.
Azula watching over a convalescing Sokka in the Chase of Jeong Jeong arc.
The outcome of Sokka's final battle in the Superior Gladiator League, namely a moment where Sokka and Azula more or less gave away their relationship's true nature to the public by raising their hands towards each other...
And now, spoiler territory! Some were by my choice, some by Patreon requests:
An important moment shortly after Sokka and Azula reunite.
Azula confronting her father, with a LOT of backup.
Xin Long's long-awaited freedom.
The aftermath of the final battle.
The full-blown confirmation of their relationship to the general Fire Nation populace.
Sokka, Azula and Hotaru's first night together
And the big final one is ACTUALLY Fic-to-Art #36 but hahaha woops I didn't post it here on time because it was super hard to finish since I had a LOT of things going on... but here it is now! :'D it's a glimpse VERY far into the future of this fic's timeline!
Alright, that should be enough talking and explaining. Some things are vague, some things aren't, but ultimately I really hope you guys will be looking forward to the scenes you haven't seen yet, and to Gladiator's eventual outcome.
So now... with all this being said and done, I'm gonna go take a trip down memory lane and watch my Tenth Anniversary video once more! Feel free to do the same thing if you'd like to commemorate the fic, I think it's a good way to experience Gladiator all over again, hahaha.
Thank you if you read all this, and if you read all THAT: 5 million word landmark, here we come! Thanks for hanging out with me across ELEVEN years of Gladiator!
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I require johnny fluff! (This is a stick up🔫) maybe with a reader who's sick/tired/injured etc
OH SHIT- ✋😨🤚
But YAYAYAY!! Tysm for giving me something! I wasn't super hopeful that I'd actually receive anything, but this and the other prompt I got have made me so happy :'] thank you thank you!!!
I planned on writing these as short little blurbs but ofc I went and got carried away. AGAIN. Go figure, lol. Anyway, I hope you like it! :D
(THIS WAS SUCH A CUTE IDEA BTW)
Johnny Cage x Reader (SFW)
Tags: no use of Y/N, gn!reader, sick!reader, sick fic, flirting, established relationship, directly pasted from Google Docs (forgive weird formatting), Johnny takes great care of you <3
AO3 link: https://archiveofourown.org/works/51606256
You had been out with Johnny on a date, enjoying each other’s company as the two of you walked hand-in-hand down the pavement. Everything was perfectly fine when you guys had first left: the crisp autumn air was refreshing, and little made you happier than getting to spend time with your partner. However, whatever it was you had come down with hadn’t taken long to make itself known. About half an hour into your outing, you began to feel a little clammy. At first, you had just chalked it up to the cool weather giving you the chills, but the vertigo that checked in shortly thereafter quickly changed your mind. Like hell you were going to say anything about it, though; you didn’t want Johnny to worry. So, you bit your lip and got a grip, hoping to bear through it…until you couldn’t anymore. Mumbling a weary, “I think…I’m going to pass out,” you immediately collapsed. Johnny’s reflexes were sharp, thankfully; he reached out and grabbed you before you could hit the ground.
Johnny carries you back to the car, drives home, then carries you inside the house. All the while he’s transporting you to bed, you have your face buried in his chest, weakly groaning.
He helps you remove your damp clothes before he slips a soft t-shirt over your head, which is followed by a pair of pajama bottoms being gently pulled up your legs. You’re barely able to stand, so he lays you down in the bed, literally tucking you in as he pushes the sheets in around your body. Apparently, you had made this process rather difficult; you kept feebly tugging at his arm and whining for him “not to go”. He had to continuously reassure you that he wasn’t going anywhere. “Nooo,” you had whined, “don’ leave the bed.”
He rolls his eyes affectionately and continues fussing over you, constantly touching your forehead and repositioning the blankets. You whine again as Johnny moves away, and he’s trying very hard not to give into your pleas; he needs to go get some things so that he can properly take care of you, damn it!
You just keep making those adorable little whimpering noises, though, seemingly having given up on words, and he can’t help but pivot his head to look at you. He sees you reaching out with pitiful grabby-hands, pouting adorably, and—oh, fuck it.
Johnny relents, already making his way back to you as he asks, “What about the things you’re gonna need? Water? Advil?”
You wrap your arms and legs around him like an octopus the moment he settles in next to you. “Don’eed that; jus’ need you,” you grumble against his neck. Johnny huffs in amusement, but underneath the surface, his heart is swelling with affection. When he feels you shiver against him, he knows he won’t get anywhere if he tries to get up to grab another blanket for you. Instead, he just holds you closer and pulls the duvet further up. He runs his hands through your sweaty hair, unbothered.
“Alright, honey, try to get some rest now, alright?” he says and kisses your forehead. You don’t need to be told twice; within minutes, you’re out like a light. A smile tugs at the corner of Johnny’s mouth while he gazes down at you. It truly didn’t matter whether you were all dressed up and confidently strutting about, or if you were sweating bullets through a baggy t-shirt and whining for him to hold you—Johnny always saw you as nothing short of amazing, and he’d take care of you for as long as you needed, any time you needed.
~~~
Barely a week had passed since you had first fallen ill. You had nearly made a full recovery by this point and you were feeling like a brand new person. It was in no small thanks to your boyfriend, Johnny, who tended to you every step of the way. Nothing was too big of an ask for him, though you tried not to be a bother if you could help it. He insisted that you weren’t, though, which made you feel a bit better about it.
The only times he left your side were when you really needed something. Otherwise, he was just as glued to you as you were to him, calling into work and everything to ensure that he could be there for you around the clock.
You sighed and smiled at his sleeping figure—his hair was sticking out this way and that, and the bedhead alone was enough to make you giggle. This slightly roused him from his sleep, causing him to mumble something incoherent as he pulled you against him. Your smile only grew; he was so goddamn cute. “I’m sorry, did I wake you up?” you whispered.
Johnny shakes his head and mumbles, “Nah, you’re good.” He pulls you even closer and releases a long, tired exhale. Unable to help yourself, you reach out to scratch at his scalp which elicits a pleased hum from your boyfriend. “Y’know, I think I might be getting sick,” he suddenly claims. You frown and immediately move the hand in his hair to his forehead, which causes him to grouse in disappointment. Your brow furrowed in confusion; he was slightly warmer than usual, but you wouldn’t call it a fever.
“Are you sure?” you ask, looking at him quizzically. He lazily grabs your hand and drags it back to his scalp. You take the hint and continue the task of brushing your fingers soothingly through his sandy locks.
Johnny practically purred at the sensation. The pleasurable feeling of your nails lightly dragging across his skull caused him to slur his words a bit. “Hmm, yeah,” he spoke through the haze, “real sick, but I heard a kiss c’n make you feel a lot better…”
Understanding his game now, you asked him in a tone dripping with suspicion, “Oh, really? That so?” Johnny just answered with an unconvincing ‘mmmmm-hm’ as he continued to revel in your touch. “Alright,” you acquiesced, and pressed your lips to his forehead. “Feel any better?”
“Hmm, I think I need another one for the effects to kick in,” he idly insisted. You could hear the smile in his voice, though, a clear indication that he was obviously bullshitting. You continued to entertain him anyway by giving him another kiss, this time on his cheek.
“How about now?” you pressed, though you already knew the answer.
“One more should do the trick,” he lilted, the cheeky bastard. You outright laughed this time before moving in for the final kiss. Johnny lifted his head at the last moment, surprising you a bit as he captured your mouth with his own this time. The two of you became entangled in an impromptu makeout session as you lost yourselves to each other. That is until Johnny suddenly pushed you away so he could cough into his elbow. He sounded like he was hacking up a lung. The heat that was beginning to gather in your body immediately fizzled out as worry swiftly took its place.
“Hey, are you alright?” you asked with genuine concern. He held up his index finger as if to say ‘one moment’ while he finished his coughing fit. At the end, he took a deep breath and pressed his palm to his forehead as his face twisted into a grimace.
“Ah, fuck…” Johnny sighed before he flopped back onto the mattress. “Okay, nevermind—I think I might actually be sick.”
You shook your head fondly. “Well, it’s a good thing you have me then, huh?”
Johnny smiles up at you in earnest and reaches for the hand that had long since stopped its ministrations, but he just holds it in his own this time. “I couldn’t be luckier.”
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