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#Knight!Van
devskindawritingblog · 3 months
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Princess!Taissa x Knight!Van
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AN: ( please read) ok so this has been something I have been working on for a little bit now. Me and my wifey @schrodingerspsycho were talking about masquerade balls and I knew I had to write something for Tai and Van about it. Historical is in quotations because I suck at it. It’s set in the 1800’s because it’s the height of like masquerade balls but the characters don’t necessarily talk like the 1800’s I tried my best. But I didn’t do much research. With that being said this fic is not based on homophobia during that time because it’s about queer people going to a masquerade ball and I don’t want to write homophobia. There is pressure for Taissa to marry a man but no direct homophobia.Also if you haven’t read my Taissa Turner Christmas fic. I have two like “oc’s” who are Taissa little brother and sister named Tegan and Tyler so I brought them back for this fic, just so no one is confused.
Summary: Taissa is a princess, the daughter of the king and queen and she needs to find her match. Her parents hold a party for her and a certain knight catches her attention. Basically princess!Taissa and knight!Van🥰. Also I’m using they/them pronouns for Van.
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Taissa Turner is the daughter of the royal family. The next in line for the heir. She was going to rule the kingdom one day. Her mother and father have been preparing her ever since she was old enough to talk; now it is her 18th birthday party. Her parents had been trying and trying to find her the “perfect match." They decided to have a masquerade ball. If she was going to have to find her match soon, she would much rather choose for herself.
Her siblings were rather pleased with that idea. The twins have been excited to go to a party ever since they were old enough to attend the balls. They both got outfits made and were ecstatic all week. Taissa, of course, had a gown made for the night; it was her party after all. She got fitted and tailored a beautiful deep forest green dress. It complimented her wonderfully, and somehow it made her look even more stunning.
The night had finally come. Tai was in her room, wearing thedress. Her mother had come by to do her hair, and she was just waiting for it to start. She was very nervous; she was trying to find which jewellery to wear and trying to distract herself. She was actually doing neither; she went back and forth a few times on which earrings. She finally settled on some simple studs that matched her dress. Now her distraction was gone, but before she could stress more, her siblings ran into her bedroom.
“Tai! Tai!” Tegan yells, running up to her sister.
“Mama said the guests have arrived.” Tyler adds as they tug on her arm, pulling her out of her chair and onto her feet.
“Alright, Alright. First, let me put on my shoes.” She smiles fondly at the twins' overwhelming excitement. She slips on her heels and buckles up the straps. Her siblings rush out of the room, running down the hall to the ballroom. She takes one last look at herself in the mirror and makes her way down to where the ball is taking place.
The ballroom is immaculately decorated. Taissa glances around the room; some of the guests have already started to file in. Many from out of town, longtime friends of her parents, travelled to come to her birthday. It's nice to see, but so overwhelming. Many older women dressed wonderfully come over to her to fawn over her dress and inquire about her "prince.”
She politely nods to every reference made to their “perfect” son, who would absolutely be the best for her. She knows there's no need to explain it to them, so instead she trudges through the 15th “perfect” prince. Taissa knows what she wants, but will she really find her “prince” at this ball?
She walks around for a bit before her siblings drag her to the dance floor. She dances with them for a while before the twins get bored and run off to cause a little bit of trouble. Taissa walks over to a table to hopefully get a second alone from all the stress. 
Something catches Taissa’s eye—a certain guest. A person across the floor had gorgeous ginger hair and a sleek dark green suit, almost the same shade as Taissa's. Their mask is beautiful, a lovely green that matches their suit. Tai recognizes them immediately as one of the knights who has been working in the palace. Van... they were hired a few years ago. Strong…. Brave…. Noble…… Handsome…… Cute…… “Stop it, Taissa! Focus on your night and not on their face.” Taissa shakes the thoughts out of her head as her little sister runs over to Van, grabbing them by the hand and tugging them down so she can whisper in Van’s ear. 
As the little girl pulls away, Van smiles and nods a little nervously before Tegan runs off. Van brushes off their suit as they make their way over to Taissa. Tai’s eyes widen as she fixes her dress and avoids looking at Van. She hears a familiar voice clear their throat and looks up to see Van standing before her.
Van looks even better up close, a small smirk spreads across their face as they give Tai a little formal bow. Taissa smiles fondly at the knight's formal behaviour, even at a party.
“Good evening, my lady. A little birdie told me that you wanted to dance.” Van says with a soft smile playing on their lips.
Taissa smiles back, grinning a little. “You know how to dance, knight?” 
"No, but I'm a fast learner, and I know you can dance. The royal family's eldest daughter, you know how to waltz.” They shoot Taissa a smirk and again bow and hold out their hand in the hopes that she will take it.
Tai smiles fondly and takes the knight's hand as they help her up and guide her to the ballroom. Many other young couples are dancing and enjoying the night. As they make their way, Tai can't help but admire the fiery-haired knight. She always thought highly of them and spent many nights thinking about them, though she was more embarrassed to admit it.
Tai feels the heat rise in her cheeks; somehow, she is getting hotter and hotter by the minute. She can see that the redhead is also very flushed, yet they still seem pretty confident, having never danced. They end up in the middle of the floor and turn to face each other. Tai smiles and places Van’s hands in the correct place, whispering little tips to Van so they don’t completely make a fool of themselves.
They start to waltz. Tai takes the lead; it's not normally traditional, but she couldn’t possibly care, not right now. Van is very stumbly and trips over their feet a few times. Tai fixes it, shooting them a smile. They giggle quietly together as Van tries to “dip” her. Van saves it and spins Tai around before pulling her back in. They laugh and dance together for quite a while until they both get tired. Tai drags Van off the ballroom floor and over to the table.
Most of the guests are on the floor now, and a soft song plays as couples waltz. Tai looks over and finds her siblings also dancing with their mother and father. She smiles fondly and looks back over at Van, where she finds them staring at her with a certain look in their eyes.
“What's on your mind?” Tai asks, shooting them a teasing smile.
“That was fun; I got to dance with the most beautiful girl at the party.” 
Tai feels her cheeks heat up considerably as she tries to hide her embarrassment with an eye roll. “You're unbelievable.” 
“What? Am I wrong? They smirk leaning over a bit. “You look really gorgeous tonight.” They say it a bit quieter, almost hesitant to say it. 
“Thanks; you look really handsome tonight.” Tai says, smiling as she sees the heat rise in Van’s freckled cheeks. They try to brush off their embarrassment. "You probably get compliments all the time, young princes, trying to win you over.”
“Sure but the conversation usually turns into them bragging and being arrogant.” Tai says, scoffing at the memory of earlier. “There is only one person here tonight who is actually worth talking to.” 
“Who?”
“You”
“What? Me? No, I can't even dance. I'm just a knight; I'm no prince, not even a man.” Van is very confused.
“That's why I like you so much. You're not a man. You’re not arrogant or putting on a show for me. You're just you, and that's a breath of fresh air. Sure, you’re an awful dancer, but you're so caring, sweet, optimistic, and...handsome.” Tai says, and she finally looks up at Van; she can't quite read what they are thinking. 
“You think I'm handsome?” Van smirks, laughing a bit. Tai gets embarrassed as she gives Van a little shove. "Yeah, I do.” Tai smiles, taking their hand and pulling them a bit closer to whisper. “Why don’t we go for a walk then? It's more interesting than this party.”
Van smiles and stands up, holding out their hand for Taissa to take yet again. She gratefully accepts, and Van pulls her to her feet. They quietly slip out a back door into the beautifully lit garden. They hold hands and walk together, making jokes and enjoying the star-filled sky. Tai pulls them over to a little bench in the corner of the garden. They sit down together on the bench, both a little giddy. 
Taissa smiles and plays with Van’s suit. “This is so charming, I hope you know.” She says, and Van smiles, reaches up, and takes off their mask. “Come on, take off yours as well; it's not fair, really. I want to see all of your face.”
Tai sighs softly, the smile still on her face, as she removes her mask, and Van gasps a little, grabbing her hand. “What? Do I have something on my face?”
“You are so beautiful, breathtaking even.” Van says, leaning closer. 
Taissa freezes, her eyes a little wide, almost stunned. “You’re an idiot.” 
“But I only tell the truth.” Van says, leaning a bit closer. Taissa glances down at their lips and finally pulls them into a kiss. Van gasps a bit before melting into the kiss and wrapping their arms around her neck.
They both pull away so they can breathe, their foreheads touching as they stare into each other's eyes. “You're breathtaking too, Sir Palmer,” Tai says with a teasing tone before Van cuts her off, pulling her back into a kiss. Tai’s hands run down Van’s back as she pulls them closer and deeper into the kiss.
The both of them freeze as they hear footsteps and the garden door open. They quickly stand up, hiding behind a nearby tree. Van pulls Tai into their arms; they are chest-to-chest pressed against the tree. Tai peeks out of the tree and sees a drunk couple stumble through the garden as they finally stumble back through the other door. Tai leans back to see Van as the both burst into giggles together and pull each other back into a kiss. Tai leans into Van, pressing them back against the tree.
They both pull away as Van presses one final kiss on Taissa’s cheek, making her smile. They take each other's hand and go back to walking around the beautiful garden together. As the night ended, they had to part ways, but since that night, nothing has been the same. Taissa has taken up a new “hobby” of watching the knights train, well singular knight. 
Van starts to catch on after the princess has been interested in what the knights are doing three times in one week. They always send her a little smirk as they train. The two of them have gotten closer over time, too. Lots of “walks” in the garden and sneaking off together in the library. Her parents noticed too, not that they cared much. Van was one of their best knights, humble and kind. It might not be common for a knight to marry into the family, but it didn't matter. It was clear that Taissa and Van were meant for each other. 
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vetusvulpes · 1 month
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softestaura · 6 months
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harper’s bazaar italia december 2023 issue photographed by nick knight
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foursaints · 5 months
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this is what barty crouch jr feels like. if anyone cares.
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maggotknight · 1 month
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sketch dump feat. tastelessful nsfw.
Also including an AU where Lilith pursued the priesthood. The brilliant brainchild of tech priests employing cats to keep rats away from the cables belongs to @darka-art & @holylustration respectively.
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holylustration · 24 days
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Guisorn III Wedding Bells
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Much love and thanks to @skolas-a for this beautiful image of Aurelia and Heinrix getting married in My Knight So Daring.
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lionofchaeronea · 8 months
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A Knight, Death, and the Devil, variously attributed to Cornelis van Dalem (ca. 1528-1573) or Jacob Züberlein (1556-1607)
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koddlet · 4 months
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if they won't give that butch scars....... (the shirt says "i survived a wolf attack and all i got was this stupid shirt")
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illustratus · 7 months
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The Ghent Altarpiece - 'The Knights of Christ'
by Jan van Eyck
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dailydccomics · 8 months
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an alliance. a union. a LEAGUE. Dark Knights of Steel #12
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urlocalrambler · 2 months
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internally crying because rina kent is choosing NOT to write the one LOG book that i was dying for. remington // ariella would've been EVERYTHING, imagine the golden boy and the female stalker trope in action, and the amount of drama that could've occured with this one book between everyone. how did all of the King's get a book (the only book that wasn't about a King was Jeremy Volkov's and of course, that one was my favourite) but Ronan/Teal (my all-time favourite rina ship) got nothing for their one and only child.
justice for ariella // remi, their ship lives on in my brain. i have so many headcanons for them.
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xoxoskai · 5 months
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Things that got overshadowed in RKverse.
Alternatively, things Rina Kent characters still haven't gotten over completely.
I was thinking about Rina glossing over the very traumatic experience that Cole went through at the end of Ruthless Empire, and it got me thinking. So, I wrote a little something to show that yes, love conquers all, but sometimes you still struggle with battles where you've been defeated too many times.
I won't exactly say these were things that were overshadowed as much as these things being experiences one doesn't simply get over in a couple of months. Experiences as traumatic as the ones some of these characters have faced might take years- if not, decades, to get over and I just wanted to bring them to light a little bit.
Silver can't look at dolls.
Ronan probably used to hide in his closet, trembling and shivering, and hated physical contact for a long, long time.
Cole sells his family's mansion and buys the rights to his mother's books so he can unpublish them.
The marks on Kim's wrists still give her phantom pains sometimes.
Jonathan and Aurora always make sure Alicia's grave has her favorite flowers.
Somedays, Teal feels so dirty that she spends hours in the bath trying to scrub herself clean of the demons of her past.
It takes Cole a long time to be able to enter a pool again and whenever he has a nightmare of his mother trying to kill Silver, he drains the pool out and leaves it dry for months.
At some point, Asher and Reina take their sons bungee jumping but after Asher nearly loses his mind when Gareth and Killian are getting geared up, the family decides to go home and indulge in other fun activities.
Sebastian develops claustrophobia after he loses Naomi for seven years.
Gwyneth makes it a point to hug both her parents as much as she can. She needs reassurance that it won't be the last time she gets the chance to hug them.
Kyle obsessively keeps track of his children after Mia's kidnapping. He has cameras installed everywhere near the twins' apartment and Nikolai's penthouse after they move to Brighton. He knows it's unhealthy, but he does it for his peace of mind.
Knox has days when he's away from Anatasia that he functions on autopilot to repress his demons.
Daniel still can't eat food on selective occasions. He prefers munching on peach flavored lollipops instead.
The first time Lia is teaching Annika different ballet stances, she has a breakdown and curls up on the floor and cries. Yan has to take Annika away and Adrian holds Lia and rocks her back and forth for a while.
It takes Sasha a while to not flinch at loud sounds/noises that are like a prelude to bombs blasting.
Anton has a hard time looking in the mirror because he stole someone's identity and hasn't made peace with it.
Jayden wakes up in cold sweat, scared that his father will finally catch up to him at some point. Once he's of an acceptable age, Daniel sits him down and tells him why his father will never show his face around them again.
It takes Astrid some time to get her driver's license. She mostly prefers to have someone else drive her around.
Xander has recurring dreams about waking up in a puddle of Kim's blood for years on end.
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Thank you for reading! It hurt my heart to write this, but it was still exhilarating in a way to shine some light on the not-so glamourous parts of some of our beloved characters.
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disgruntledexplainer · 10 months
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the characters of Generator Rex as living symbols
Something interesting that's been bouncing around my head for years is the inherent symbolism of several of the characters in Generator Rex.
Van Kleiss is transhumanism; the philosophy that humanity can and should be changed into something new through technology. in other words, he is the idea that humans should abandon their humanity to become gods, at any cost. he's brilliant, but menacing, and everywhere he goes unsettling change follows. he commands nature, enslaves time and space, and nearly becomes what he seeks to be, but he leaves suffering and misery in his wake.
White Knight is the inverse of this, a reactionary fear of change. he sits alone in his sterile room to insulate himself from change. he is the last vestige of the old order, the last memory of humanity before the event. he may be a "good guy", but in the first 2 seasons he's a nasty old bastard all the same. ultimately his efforts preserve humanity, but also hold it back from truly growing.
Black Knight is something of a synthesis of Van Kleiss and White Knight. She is a symbol of the old order, but specifically the part of the old order which brought about the new order. she is power hungry but calculating and manipulative, and willing to crush others under her heel if it allows her to get what she wants. she is in many ways similar to a bureaucrat, ceo, politician, or career military officer, or some kind of combination of the most dangerous and callous elements of all four.
Caesar Salazar represents science, in all it's glory, and all it's horror. He is capable of creating devices which can entertain and make life easier for others, and to solve problems which everyone else is unable to solve. but he also creates weapons of terrifying power, and has a knack for inventing things that nearly end the world by accident, over and over again.
So where does that leave Rex? well, that's simple. Rex is the living manifestation of all the positive aspects of science and technology, all of the potential of humanity's mind and spirit. He heals the sick and defends those who cannot defend themselves. he builds, he fixes, he creates wonders. he is a living miracle. in many ways he represents humanity at it's very best, even with his disdain for authority and difficulty following directions.
of course characters like no-face, hunter cain, quarry, and gatlock are also living symbols, but I don't feel like typing all day. if anyone wants to pick up where I left off through reblogs, feel free.
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why-i-love-comics · 5 months
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Avengers Inc. #4 - "Who is Victor Shade?" (2023)
written by Al Ewing art by Leonard Kirk & Alex Sinclair
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j2x3e · 2 months
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Heinkel patting Reinhard
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queer-ragnelle · 7 months
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i’m new to arthuriana but love your posts nonetheless
i am just curious about the many references to gawain sleeping with so many people when, to my understanding, in sir gawain and the green knight he specifically breaks this promiscuous behaviour and makes sure he doesn’t sleep with the wife of the duke
(i apologize if this is a stupid question!)
hello anon!
welcome to arthuriana and thank you so much for the kind words. this is not a stupid question at all! the truth is gawain is nothing if not inconsistent between texts haha. he's different from other knights such as lancelot who pines solely for guinevere across text after text, in that it seems every author wanted to create their own special gal for gawain. he therefore has numerous women attached to him, and when readers try to reconcile those many texts into a single story thread, it gives the impression our mans gawain gets around! (and he does!) i have several examples here to illustrate this so i'll put it below a cut.
for all the textual variance, sir gawain and the green knight is the exception that proves the rule—meaning that it's perhaps the only text in which gawain is abstinent. we know this because one of the five virtues attributed to the five points of his pentacle crest on his shield is chastity.
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furthermore, on the wife's second seduction attempt, gawain pleas his own inexperience with "love" (ie: women).
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whether or not that's true is up for debate, but it's worth mentioning, as it's a departure from other texts where his virile prowess is well-known, and in the knight of the two swords, he openly boasts about his own attractiveness and popularity. (humble guy, that gawain!)
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there are several examples of gawain's reputation with the ladies preceding him and actually benefitting his odds of getting laid. one of my favorites is from lancelot part II in the vulgate. gawain had just cured his brother agravaine of an illness and agravaine's amie basically wingwoman's her sister.
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goated of her. so gawain pencils it in on his calendar. later, he locates the castle, sneaks in, and succeeds in bedding the maiden. she's not named here, although malory later refers to her as "the lady of lys," and accredits her as the mother of gawain's three sons, (although the couple never formally wed).
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among the strangest of examples is the middle english text the carle of carlisle, in which the carle brings gawain to the bedchamber and orders him to make out with his wife. but things quickly heat up...
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so the carle stops gawain from outright cuckholding him, then leads gawain to his daughter's chambers, gives them his blessing, and locks them inside. at the end of the text, gawain marries her.
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now i would be remiss not to mention my beloved the wedding of sir gawain and dame ragnelle. i think it's notable that ragnelle specifically asks for gawain by name, much like the lady of lys did (according to her sister and her warm reception of him).
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now the conclusion of this poem brings us to another theme of gawain's which ties into his many partners, and that is his consistent subservience to ladies. he breaks the curse on ragnelle by granting her "sovereignty" in the relationship. this seems to be another aspect of character which sets gawain apart from other knights, as this is not a chaste expression of courtly love, but a precursor to fornication, and draws the attention of strong-willed ladies, such as ragnelle, with whom he is "a coward," or according to the translation notes, "submissive."
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then again in roman van walewein, he's already famous by the time he meets his ladylove, ysabele, and whilst tied up in her father's prison, he leaves the decision of his own life in her hands.
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which then results in their coming together because this is a gawain story and he always gets the girl.
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even in the post vulgate, which we can all agree portrays every single character at their absolute worst (and is therefore invalid<3), gawain's choice of words consistently upholds the lady's desires above his own. at first, gawain intended wingman for pelleas by pretending he, pelleas, was dead to begrieve arcade. he discovers instead that she's elated by pelleas's supposed passing, so she and gawain fall in love. but even after admitting his feelings, he still takes great pains to frame the final crossing of that line as her choice, and only relents when she makes her intentions plain.
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he might also just like it when women boss him around if his treatment from orgeluse in parzival by wolfram von eschenbach is any indication.
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similarly to the knight of two swords, in parzival, gawain is aware of his fame, fosters it, and then employs his orgeluse brain worms as a motivation for sparing lives instead of like...morality.
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i think what's particularly interesting about gawain's relationship history is that many of his partners are named, whereas it's pretty common for damsels and maidens in medieval texts to exist without identities of their own. there are so, so many named, interesting, fully developed women linked to gawain, it's actually pretty awesome! here are a few more:
lunette in yvain: knight of the lion by chrétien de troyes...
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amurfina in the crown by heinrich von dem türlin...
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bloiesine in the 4th perceval continuation by gerbert de montreuil...
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marjorie in gawain and marjorie by oscar fay adams (if we extend our search through the 20th century!)...
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and on and on forever! so in conclusion, gawain has been pulling bitches for many hundreds of slutty, slutty years, and from what modern retellings i've read, authors have no intention of interrupting this trend. i hope that helps clear things up somewhat. thanks for the ask!
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