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#Ren Osugi
may8chan · 7 months
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毒婦 プワゾン・ボディ 1994
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shihlun · 8 months
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Kiyoshi Kurosawa
- Eyes of the Spider
1998
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annoyingthemesong · 1 year
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SUBLIME CINEMA #653 - HANA-BI
Humanist take on a gangster picture that nabbed Beat Takeshi a Golden Lion in Venice and finally garnered him respect as an artist behind the camera as well as in front of it. 
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Audition - 1999 - Dir. Takashi Miike
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Eyes of the Spider (Kiyoshi Kurosawa, 1998)
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moviemosaics · 2 years
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Hana-bi
directed by Takeshi Kitano, 1997
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dyingenigma · 2 years
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Bitter Honey (2016) dir. Gakuryu Ishii
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abs0luteb4stard · 2 years
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W A T C H E D
Finally finished the OUTRAGE Trilogy.
Amazing Yakuza films.
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randomrichards · 3 months
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SHIN GODZILLA:
Shapeshifting kaiju
Play by play of Gov response
To bring down the beast
youtube
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genkinahito · 6 months
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DOOR ドア (1988) Remaster Director: Banmei Takahashi
Happy Halloween! This is the time of year when people celebrate the supernatural and ghoulish aspects of popular culture and national myths. I do my part by highlighting horror movies on Halloween night. So far I have reviewed Nightmare Detective, Strange Circus, Shokuzai, POV: A Cursed Film Charisma, Don’t Look Up, Snow Woman (2017) Snow Woman (1968)  Fate/Stay Night Heaven’s Feel, Gemini, John…
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facesofcinema · 2 years
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Uzumaki (2000)
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may8chan · 9 months
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Dangan Runner
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shihlun · 8 months
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Kiyoshi Kurosawa
- Eyes of the Spider
1998
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byneddiedingo · 2 years
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Takeshi Kitano in Fireworks (Takeshi Kitano, 1997) Cast: Takeshi Kitano, Kayoko Kishimoto, Ren Osugi, Susumu Terajima, Tetsu Watanabe, Hakuryu, Yasuei Yakushiji, Taro Itsumi, Ken'ichi Yajima, Makoto Ashikawa, Yuko Daike. Screenplay: Takeshi Kitano. Cinematography: Hideo Yamamoto. Art direction: Norihiro Isoda. Film editing: Takeshi Kitano, Yoshinori Ohta. Music: Joe Hisaishi. Perhaps a film about a rogue cop like Fireworks is not the most appropriate thing to be watching in these days of protest against police brutality. It certainly doesn't skimp on bloody violence and a disregard for rule by law as its protagonist, Nishi (Takeshi Kitano, who also wrote, directed, edited, and painted the pictures featured in the film), kills and robs his way toward vengeance for the wrongs done to him and his fellow policemen. As an actor, Kitano channels such taciturn vessels of wrath as Charles Bronson and Clint Eastwood in his "Dirty Harry" phase. But it's so often also such a beautifully photographed and sensitively crafted film that I can't help feeling that it transcends its baser moments and motives. Nishi has got himself deep in debt to a yakuza loan shark to pay the medical bills for his wife, who has terminal leukemia. Moreover, their young daughter has recently died, and he has left the police force after one of his colleagues was killed and two others seriously wounded in a shootout. He finds an unscrupulous junkyard owner who sells him an old taxicab and a police car rooftop light bar, paints the cab to look like a cop car, puts on a police uniform, and robs a bank -- eluding the cops called to the scene of the robbery with this disguise. He pays off the yakuza and takes his wife away on a vacation. But he is tracked down by both the yakuza, who claim he still owes them interest on the money he borrowed, and two of his fellow officers. He guns down the yakuza, but when the two policemen arrive, he and his wife are on a secluded beach. Nishi loads two bullets into his revolver, and as the film ends we hear two shots. We're left to decide whether the shots were fired at the cops as they close in or if Nishi has killed his wife and himself, but the film has tilted us so far in the direction of believing him to be an honorable man driven to the limits by painful experience that only the latter conclusion makes thematic and emotional sense. Integrated with Nishi's story is that of Horibe, his fellow officer who was wounded in the shootout and is now confined to a wheelchair. His wife has left him, and Horibe tries to fill his days by painting pictures, some of which blend flowers and animals and some of pointillist-style scenes. The last picture we see Horibe painting is of snow falling in darkness and the word "suicide" inscribed on it. But once again, Kitano, who actually painted the pictures, gives us no clear resolution: Does the word refer to Horibe's intention or to Nishi's? The ambiguities of Fireworks sit oddly with the more conventionally staged movie violence of the film, but it's clearly the work of a gifted filmmaker.
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Riding the hype from Shin Godzilla, Godzilla tried crashing the 67th NHK Kohaku Uta Gassen (a lavish New Year's Eve music competition) in 2016. The storyline spanned a decent portion of the 4.5-hour broadcast and doubled as a Shin Godzilla cast reunion. In the end, X Japan froze him with the power of song.
I've compiled the 15 minutes of relevant footage here for the curious, and found the full show here.
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Eyes of the Spider (Kiyoshi Kurosawa, 1998)
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