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#also a great ship dynamic
wildwren · 1 year
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That feeling when you can’t remember if you’re mutuals with someone or just want to be. Are we having a completely unspoken reciprocal relationship or am I just imagining that.
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twisted-deal · 25 days
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ruggie doodles ft. jade because i think they'd hang out
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deluluzai · 6 months
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Am I the only one constantly sad about the fact that Kunikida's and Dazai's partnership isn't focused on enough instead it's abt Dazai and his ex partner, Chuuya or Fyodor and so on?
Like, yeah this doesn't have to be in the ship sense but I've seen so many ppl in this fandom summarise Dazai's and Kunikida's relationship that Dazai is a smart, silly, perfect character who does what he wants, and Kunikida is the annoying, stuck up, fun-ruiner who hates Dazai with a burning passion, unlike Soukoku.
We need more Kunikida appreciation, and more Kunikidazai acknowledgement bc yeah Dazai's past is focused on a lot, but ppl seem to forget his current partner who Dazai also means a lot too :((((
Anyway I'm rambling sorry ppl I'm sleep deprived
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there is a man smiling and kicking his feet like a schoolgirl while looking at his phone. on closer inspection, the phones is open to messages between him and a contact named “item”. all the messages that “item” has sent have been increasingly personal and hard hitting insults. that man is sung hyunjae.
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aroaceleovaldez · 7 months
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my secret project is trying to convince all the jasico fans to watch Promare because i know they'll like it. tbh percico and valdangelo fans are probably also target audience here.
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pspspspsp hear me out
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potatobugz · 2 years
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......................... ive fallen for pale Eridan♦Roxy and I cant get up. hi guys
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alexiethymia · 1 year
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Everyone’s like ‘Vash has two hands’ or ‘Meryl has two hands’, but guess what, both Millie and Wolfwood also have two hands! All I’m saying is, why does it have to be a line when it can be a circle?
VashMeryl is great. Vashwood is good. Mashwood is awesome, but I also cannot believe we still don’t have an OT4 name when this is one of those series where I can really see it being canon. (Wolfwood x Millie deserve some love too. Big Gal and Mr. Priest were adorable in the ‘98 series.)
I mean, Vash’ and Millie’s types are clearly ‘dark and angry’, while Meryl and Wolfwood are soft for the ‘goofy and sunny’. Vash and Millie get along while Meryl and Wolfwood wouldn’t hesitate to throttle each other. It’s great!
In short, pleaaaase give me Season 2 and Millie, pleaaaase.
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beanghostprincess · 25 days
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I typed shuggy into tag and noticed you answering some stuff about them so I hope it’s alright to ask!!! I finished Netflix version like yesterday and I loved shuggy vibes and I told this on tw and some people came to me and told me it’s mid and there are better shanks ships, because he doesn’t really care about buggy I tried to look through wiki but it’s so many stuff there and it will take me ages to catch up Does he care about buggy?? I want someone to spoil me!! I actually really want to know this!
Some might prefer other ships and that is alright, but straight-up saying that Shanks doesn't care about Buggy is just... Not true at all. That being the main reason why some people seem to not ship them is just ridiculous. The short answer is: Yes, he does care about Buggy. Quite a lot, actually. The Netflix adaptation skipped their flashback for literally no reason (I am guessing we will see it... Someday?) but it shows Shanks cares a lot for him.
A lot of stuff happens between them but the missing flashback is more than enough to know, I think: They were on a pirate crew together and these two are shown to be always arguing about stupid things from a very young age. Like. Childhood best friends type of thing. And I find it funny how people say Shanks doesn't care about Buggy when he is shown to be the one approaching him all the time instead of Buggy doing so. Shanks actually seems more open to showing his care for Buggy than him. Constantly. Long story short, things™ happen and Buggy finds this map and this devil fruit and he wants to sail on his own to sell it and find the treasure on the map to form his own pirate crew. Again, things™ happen and Shanks appears out of nowhere, making Buggy eat the fruit suddenly and drop the map into the sea. And because Shuggy is desperate for a new life and to make a name for himself, he jumps into the sea to grab the map. Of course, he's drowning, and Shanks doesn't hesitate, not even for a damn second to save him. Idk about you, but that is peak romance to me.
That is one of the reasons why Buggy is resentful toward Shanks. Although I think the map and fruit thing is more of a metaphor/symbology than anything else for, like, the real reason why Buggy resents Shanks. But that's another story--
And, if you don't care about spoilers, I'll just tell you THE Shuggy moment for me that shows how much Shanks cares about Buggy: They were supposed to go to the last island together with their crew but Buggy suddenly got sick and was told not to go despite his begging to let him do so. And Shanks (WITHOUT ANYBODY TELLING HIM TO, BY THE WAY, THIS IS ALL HIM) stayed back with him instead of going with the rest of the crew. He took care of Buggy when he was sick. And stayed back because he clearly didn't want to achieve their dream if Buggy wasn't there too or at least he thought it was unfair to do so without him. He was heavily worried about him, too, like-- (Not to mention the parallelisms of this with the same thing happening between a canon romantic couple in the same episode... Oda you're not subtle about Shuggy).
Most people will say "but that's a thing from the PAST! He used to care about Buggy but not anymore" but they are wrong. You truly, genuinely think that SHANKS is going to stop caring for his old friend??? ??????? ????? SHANKS????????? That man values personal connections and friendships so fucking bad it is. One of the things he teaches Luffy???? Like- There is NO way he doesn't care about Buggy. Also the bubble speech theory... When they meet again at Marineford and he smiles at him so sweetly... Crying sobbing...
I hope this was enough to answer your question! People might like other ships and that is completely alright! But saying Shanks doesn't care about Buggy......................... I am side-eyeing them......
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eldrai · 8 months
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"Which one is the bottom?" "But who tops?"
do you remember when derek ran into an active bombing site because hotch was down there and needed help. do you remember when hotch told derek he had and always would trust him with his life. do you remember hotch coming with derek in restorations. leaving the door open in profiler, profiled. derek being the one to hold him after foyet. what about "no thanks, I like my job" "you like him more". how hotch's hallucinated fears culminated in derek dying right in front of him, close enough to feel the blood. or derek saying call hotch--not 911, hotch--when they kidnapped him. or the casual touches. every time they share space they have no real reason to other than because the other is there. remember when derek took on some of the paperwork because he knew what it was like to have a single parent, so hotch wouldn't stress? or when hotch heard derek say he'd lied about a body, he'd needed help, and was instantly ready to go? how over and over they always gravitate back to each other? remember when derek said hotch could sometimes be kind of a drill sergeant, softening it with the qualifiers? when hotch tells derek about haley leaving? when derek says to rossi he's going to do whatever hotch needs him to do because he's lost enough? every single time derek is the one to seriously worry about hotch when he's hurt? do you remember all of that?
to answer the question, i don't know. i don't see why it matters, because i think any of the above tells you infinitely more about them.
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starkcontrasts · 2 years
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*house of the dragon episode 2 spoilers*
literally laughing SO HARD abt rhaenyra pulling up to dragonstone just like "uncle i know you fucking lied abt getting her pregnant and frankly this temper tantrum of yours is both tedious and a sad cry for attention. do you want to kill me? is that it? it'd be easier on all of us" and daemon just smiling at her as if she made him proud calling his semi-bluff before then scowling at otto and yeeting her the egg. truly if the targs have nothing else, it's an abundance of dragon-sized audacity
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You know, I think what really bugs me about the "Dadworth" dynamic applied to Kay and Edgeworth's relationship is that it usually makes Kay out to be this hyperactive, slight problem child (in the 'stealing and pranking' sense rather than the 'moody and abrasive' sense), occasionally with deep-rooted daddy issues like Edgeworth has, when that's... the opposite of her character.
(This post got away from me, so TL;DR: Kay is a quick-witted and independent young woman who has worked very hard to be both emotionally and practically intelligent enough to be seen as a legitimate successor to her father's legacy. Making her out to be the traits mentioned above, so she functions as Edgeworth's daughter rather than his investigative partner and equal, undermines her character and semi-conflates her with Maya [the deep-rooted issues bit]. Also I don't like it wksgskaj)
Kay is very, very sharp.
The thing about Kay is that she's not actually in the series as much as it feels like she is, which makes it easy for her character to be altered to suit the needs of the story (which I think happens in The Forgotten Turnabout, but I won't talk about that here). She turns up in two cases as herself in AAI (as in, teenager Kay whom we're most familiar with) and shares her role with Gumshoe, Ema and Franziska when she does, lessening her appearances even further. Nevertheless, there are still concrete elements to her personality that we're made aware of right from the beginning, and the first major one which I feel gets overlooked in favour of her hyperactive characterisation is this:
In terms of mainline assistants, I'd consider her the sharpest of all (maybe after Trucy? But I don't remember enough of AJ to comment on that). Yes, she's shown to be reckless and impulsive, but, when it comes to actual investigating and reasoning, she is solid. With Nick and Maya, you sometimes get the impression that they're both fumbling along until Phoenix catches on (most of the time with Maya's usually a little accidental help, and he still has to explain things to her near every time [not Maya's fault. Following Phoenix's reasoning is like being on a rollercoaster in a minecart]), but Kay is very rarely like that with Edgeworth. Within minutes of meeting him, she can predict what he's going to say (or 'steal his lines', as the game puts it), and there are several moments after he uses Logic and is about to explain what he's connected where Kay interrupts with the correct conclusion herself:
Edgeworth: A second Blue Badger that shouldn't exist... Clearly, the true identity of the person underneath is...
Kay: Oh, I know! It's one of the kidnappers, right!?
There's even a point where she tells him off for overexplaining things to her:
Kay: Yeesh, I told you I got it! Do you feel the need to explain everything!?
And, near the end of their first case together, he acknowledges that's she's generally quite quick:
Kay: OK, what should I re-create first?
Edgeworth: ...You haven't figured it out yet?
Kay: Heh, maybe I have, and maybe I haven't.
Even if you don't take these points into consideration, the fact that she comes up with a new way to use Little Thief, and knows how to use it at all actually, shows you that she's a really intelligent girl! Continuing on a bit from the point I made earlier about her being brash, Kay may be reckless, but she isn't irresponsible. Whenever she rushes into situations, she doesn't expect other people to come save her; she's quite assured that she can and will get herself out of them on her own, and, if she needs help, she asks for it in advance. She treats Edgeworth less like her guardian and more like her investigative partner:
Kay: I didn't get permission to enter Allebahst... so we're going to go gather whatever info we can over on the Babahlese side, OK!?
Edgeworth: Alright, I'm counting on you two.
Kay: Right, and I'm counting on you and Ms. von Karma to sniff out clues in Allebahst!
...
Edgeworth: A number of pieces connect in a very complicated way in this case... It's almost enough to make one completely mentally exhausted.
Kay: Let's not over-complicate matters, OK, Mr. Edgeworth? We've been so focused, like a laser, on only what seems strange and out of place... it's no wonder nothing's clicked and we haven't unlocked anything yet. But, if we think things through calmly, the answer should come to us!
There's an independence to her proactiveness that kind of forces Edgeworth to meet her on equal grounds, and this too is an element that gets lost when the Dadworth dynamic comes in because it involves making Edgeworth responsible -- or feel responsible -- for her actions and general wellbeing when Kay has never expected nor wanted that. She does things on her own terms, and she walks the path she's chosen by herself:
Edgeworth: Preposterous! On what grounds do you suspect her of such a thing!?
Shih-na: The fact that she calls the Yatagarasu. That in itself is a more elegant proof.
Kay: Ms. Shih-na.
Shih-na: Yes?
Kay: I... have no intention of taking back any of what I've said.
Shih-na: ...?
Kay: I am the Great Thief Yatagarasu. And I refuse to allow some imposter to claim that name as their own! The path of justice that my father pointed me towards... I will walk it the best I can!
Her relationship with Edgeworth works as an inverse to that of Nick and Maya's in the way that, where Nick and Maya have deep respect for one another beneath layers upon layers of playful insults and messing about, Kay outwardly respects Edgeworth first (and expects that respect to be returned) and razes him second -- that, too, never to an extent she wouldn't with anyone else or that crosses a certain boundary. Her messing with Edgeworth is shown to be more an attempt to get him to lighten up or not take himself too seriously than an act of (platonic) intimacy as it is with Nick and Maya (which makes sense because Nick and Maya have spent years together, while she's known Edgeworth for all of two weeks) or genuine obliviousness/silliness (although it definitely sometimes is). This is pretty obvious simply from the fact that she always calls him 'Mr Edgeworth', though she's perfectly comfortable calling Gumshoe and Badd, people whom she is more familiar and comfortable with, 'Gummy' and 'Uncle Badd' respectively. Also Kay, in general, is quite polite? Edgeworth calls something she said rude at one point and she gets insulted, and, when you ask for her opinion, she doesn't go 'What?' or 'What is it?', she specifically says, 'Yes?' (this changes in AAI2, which I promise I'm not discussing here) Upon meeting Oldbag, she has this exchange with her, where Kay chooses a more formal mode of address than what is actually offered:
Oldbag: My name is Wendy Oldbag. But you can call me "Wendy", or "Granny", or whatever suits your fancy.
Kay: Nice to meet you, Ms. Oldbag! I'm Kay Faraday.
She's also had moments where she calls Edgeworth out for being 'tactless', and she's shown to feel very strongly about rudeness throughout the whole game. I'm not saying she isn't mischievous or playful, she very much is, but the point is that she's really quite respectful, and this extends to her relationship with him. Her characterisation in Turnabout Ablaze, where she's considerably more excitable/high-strung than in Kidnapped, seems largely due to them chasing down Calisto Yew. Edgeworth even comments on this:
Edgeworth: Kay, you need to look before you leap. You tend to lose your cool when it comes to anything related to that woman.
Generally, though, you can tell that she was obviously raised with an adherence to certain formalities. She's not looking for another parental figure (because she doesn't need one, which I'll go into after this), but, if she was, she'd make that clear.
Kay's a very straightforward person at heart; she doesn't hide any part of herself, even the part that should be hidden (i.e. the Yatagarasu). There are points where she suggests that Edgeworth reminds her of her father, but, in AAI, she specifically mentions that it's both Edgeworth and Gumshoe who remind her of her father and Detective Badd. It's not about her seeing Edgeworth as a father figure; it's about their and her own dedication to the truth. Even in AAI2, where her comments could be read as leaning more towards the former angle, she doesn't get cut up about him not picking up on that or really paying it much emphasis at all, because it doesn't matter. The fact that he reminds her of Byrne is just that: a fact.
Returning to the point about Kay not needing/wanting another parental figure, I think it's pretty self-explanatory, but to put it succinctly: Kay has the guidance she needs without him.
To put it less succinctly, Edgeworth's possibly the worst candidate to go for for emotional support and guidance in the first place, and by the time she meets him again, she's basically processed her father's passing and has a better handle on herself emotionally than Edgeworth does (not a brag; most characters have higher EQ than Edgeworth); what she wants isn't necessarily closure for Byrne's death in the emotional sense but in the I-want-answers-to-this-mystery-that-will-restore-my-family's-honour sense. You could make the argument that Kay becoming the second Yatagarasu and shaping her entire future around continuing her father's work prove that she isn't over his death, but I don't think that's true and more of a result of conflating her with Maya a bit.
With Maya, becoming the Master isn't something she chooses; it's given to her by Misty and Mia. With Kay, it's the opposite. Kay's decision to become the Yatagarasu and pursue the truth is wholly her own, and her approach to that goal reflects that. While Maya uses her cheery, upbeat attitude to conceal a lot of self-doubt and vulnerability (and Franziska does the same with her hostility), Kay does not. Her cheerfulness is precisely who she is; it's not a mask so much as it is a distraction. It keeps people from looking at her too closely and realising exactly how capable she is, and, while I don't think it's fully intentional (again, she believes in living her life in a straightforward and upfront manner), she does imply that it's sort of her (or the Yatagarasu's) MO:
Kay: Well! By the time everyone notices, it's already gone! That's the Yatagarasu way!
Interestingly enough, this unintentional tactic of using humour and cheeriness as a distraction from her abilities makes her a mirror to Calisto Yew, who also uses her seemingly always light-hearted nature as a disguise for what she's actually capable of (Calisto's joviality is her true self, too, or at least as 'true' as she can get). The difference between them is that Calisto delights in ironically mocking the world around her, whereas Kay finds joy in life itself, and she's stronger for it.
The only part where we see Kay attempt to mask her feelings is when she's a child, and even then she admits that she feels better after crying, which, I believe, led to her becoming more open with her emotions later in life (see how her older self has a teary sprite which makes pretty frequent appearances where her younger self does not). In any case, to me, this shows that she has people in her life already who are helping, and have helped, her confront and process her trauma. She's not looking to Edgeworth to help her make sense of her father's death and she definitely isn't looking for a replacement (again, literally dedicated to continuing her father's [and Badd's] legacy). Whenever Edgeworth even gets close to becoming parental with her, she dismisses it, unless she acknowledges that she is in the wrong:
Edgeworth: ...Kay, it's not good for you to stay up late, you know.
Kay: Yes, gramps!
...
Edgeworth: ...I appreciate your sense of justice, however... I would appreciate it if you wouldn't go running into the heart of any more raging fires.
Kay: Nngh... Yes, Mr. Edgeworth... I'll try...
Despite her buoyancy and bright attitude, Kay is quite firm that she be treated as an adult (she doesn't see her cheeriness as a mark of youth; it's joie de vivre, it's who she is, and that's that), and, throughout the game, she gets annoyed when people don't respect that (her arguments with Lang are largely over how he calls Little Thief a toy and her crow-girl). She holds her own and relies on herself while being unafraid of asking for help.
Anyway, this post has gone on for long enough and I think I've addressed the points I wanted to. I should mention that I realise that a lot of how many people portray/interpret their relationship is validated by AAI2 but that's honestly a discussion for a separate post HAHA I feel like, when it comes to AAI, the father/daughter interpretation can maybe be argued with regards to the way Edgeworth treats her? Honestly, though, I think he'd treat any young lady who suddenly becomes part of his team/responsibility in pretty much the same way. And, like, he drops the ball almost every time he's supposed to give "fatherly" advice because he's just not that great with it/children!! It's actually hilarious HSKSDHSK
Either way, yeah! I just think Kay is actually given a lot less credit than she's due when the Dadworth card gets played and I just! Want better for her!!
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avemstella · 5 months
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I want Furina and Venti interactions sooooo bad. They can gush about their dragons and music and overthrowing the heavens together.
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varyathevillain · 7 months
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one thing I definitely don't want out of the rest of S2 episodes, and afraid that will come to happen nonetheless due to the "love triangle" interview, or due to stereotypic expectations of "softer love saving from past abuse and toxicity", and also, like, LOTS OF SPOILERY STILLS for the episodes premiering tomorrow... is for Izzy Hands to come out of his fucked up dependent toxic love for Ed into another romantic relationship, especially if it includes Edward.
I want Izzy Hands to be developed as a character, to finally untangle his love towards Ed/Blackbeard, not through falling in love again... but through the love towards the crew, and of them towards him. I want for the trauma pack of attempted Ed Teach murderers to bond, not so hard it's impossible to untangle them from one another, but enough to see "yeah, all these people are together, and they're gonna stay shoulder to shoulder to protect one another".
I want a friend group that did bond through a traumatic experience, but came out trusting one another because of care, not trauma. I want that to be the crux of Israel Hands' development, to be someone who can finally see himself apart from Edward Teach, and apart from "this love he has", like a disease... I want him to embrace what he has yet refused to admit. that he wants to care for his people, his crew, and to be cared for back equally, without any dynamics of power in the way.
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vanlegion · 1 month
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I don't buy it.
I mean, if Bernie legit flat out said " This is a retcon; we're throwing it all out," staring at the screen like Steve from the Office, then. . . obviously, okay he's saying it is. But I just don't buy it, if it's all being based on what was in the teaser for S19. In order for Seasons 15-18 to be Epsilon Simulations, that would imply Epsilon would need to know information he could not possibly have: Knowledge of the AI Gods Knowledge of Huggins Knowledge of Dylan Andrews Knowledge of Kaikaina's deepest regret/fear from her early childhood Knowledge of Tucker's fear of being a shit leader Knowledge of how the other Alien Temples actually work - not just their function but how they'd actually work on the planet Knowledge of both sides of the war on Chorus and every single inhabitant's motivation, feelings, flaws, speech patterns And so much fucking more between interpersonal thoughts, memories of people he's never touched, locations he'd never been to, etcetera. Like, No. There's no fucking way you can run a simulation on data you DO NOT POSSESS. Or at least, not without it being very unbelievable. Unless they're trying to just say all this shit was made up, which frankly would be such a dick move to do. Not to mention, as someone else also pointed out, that Red Team finally got some awesome story beats and arcs for all their people. Finally got some movement on some much needed interpersonal developments. Like, the way I took the teaser, it felt and sounded more like Church(Epsilon) was saying how he was going over the big fight we didn't get to see, and how he was trying to make sure everyone would live - and that THAT was what was causing him problems. Like there would have to be some kind of sacrifice somewhere, and the only way to keep everyone else alive was for himself to be that sacrifice... AND then, on top of all that... Once he does, and the events we witness do come to pass, perhaps the change is that maybe there's a moment here and there that plays out just slightly differently or we see like, missing moments during 15-17... like Retconning to add in moments/tweek moments...instead of flat out trying to rewrite/rid all that development and emotional journeying we all did. I dunno. I want to have faith and be hopeful for S19, but to just think that everything we got from 15-17 (not counting 18 atm since it's not full out and also very different) could be hand-waved? I REALLY do not want S19 of Red vs Blue to do to it's series as a whole what Trollhunters: Attack of the Titans did to it's legacy.
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bisexualpunk · 5 months
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i like spuffy, i like bangel, i like fuffy, and i see the appeal and complexities of all three ships. love reading all the discussions and arguments from all sides and being like ‘so true bestie’ the whole time i’m reading them. love the gifsets. love the analyses. i’m just happy to be here. vibing.
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eloquent-edits · 3 months
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listen I KNOW the black cat x golden retriever or introvert x extrovert or red x blue dynamics are very fun to write, but consider the following:
Unhinged x unhinged (in completely different ways)
Major flirt x subtle flirt (bonus if the character who is subtle is the more experienced one)
Grizzled and bitter x grizzled and bitter (their mutual hatred for different things is the foundation for their relationship)
“I want you to say you hate me” x “I want you to be laughing too hard to continue” (they both make terrible jokes ALL THE TIME and are insufferable to their friends because the jokes have gotten WORSE as they spend more time together)
Insomniac x insomniac (you’d think they’d never sleep, but this is actually the only way they both get healthy, restful sleep)
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