Super canon divergence. Like I am diverging so hard here! Look at all that divergence!
I have been thinking about Johnathan Morgenstern lately, and as horrible as he was, I can't help feeling sorry for him, for the way his life played out, hardly giving him a chance to be anything but a monster.
And I love Magnus (and Magnus with kids), and I thought,
What if Magnus was in Edom the day that Valentine sent Johnathan to Lilith.
(Reason for Magnus being in Edom could be because he needed to re-bind his father to the realm, because Asmodeus almost got out?).
And Magnus, on his way back, saw Lilith hurting the boy and saved Johnathan. Portaling the both of them back to his apartment in Brooklyn.
How would the story go if Magnus had raised Johnathan, giving the boy a real chance at life?
Magnus getting the story of Johnathan's origins out of the boy (as far as Johnathan knew at that point).
Fearing the Clave would condemn Johnathan for his demon blood and relation to Valentine, maybe Magnus would use his connection to Brother Zachariah (who was a Shadowhunter once), to get Johnathan both the tools and training of a Shadowhunter, as well as teaching him magic and control over his demonic heritage.
There could even be some kind of meeting with Sebastian Verlac, and maybe the two (Johnathan and Sebastian) become friends and later even more?
Maybe Magnus would convince Jocelyn to let her daughter and his son form a friendship (maybe Magnus suspects about the two being siblings?), in exchange for removing any supernatural memories from Clary, giving Johnathan a relationship with his sister (that isn't tainted by his obsession with her).
And when it comes time to meet the rest, a grown up Johnathan could be protective over Magnus and that stupid Shadowhunter (Alec) that flirts with Magnus.
21 notes
·
View notes
I was thinking about how long it takes to build a relationship with an animal.
like when I first got Tallgeese, she'd run in fear if I tried to approach her. and now three years later it's hard to walk through the backyard, because she's following me about like a puppy and placing herself directly beneath my descending feet.
meanwhile Grim was standoffish for the first few years of me having her, and would act all offended if I tried to scritch her ears. and now, in year eleven, she keeps me up at night by forcing herself under my arm and purring like a jet engine.
it makes me emotional. like here are my little guys, we've spent years figuring out how to love eachother, no big deal or anything.
4K notes
·
View notes
Indy
8 September 2007 - 8 June 2024
My beautiful boy has left us. The friendliest, most laid back big, boofy cat you could ever hope to meet. As soon as your hand touched him, he'd start up that huge, chainsaw purr. My magnificat.
RIP
2K notes
·
View notes
one who had dreams of being a hero
This comic is based on Story 3, which speaks of his hobby of ice fishing originating from the days he'd go out with his father on the ice, 'accompanied by his father's unending tales of adventure,' and dream of being the protagonist.
Nowadays, he keeps up the hobby, though only as a method of training... and it seems he fishes alone.
I thought a lot about fairytales and stories told to children -- how they are used to impart lessons and shape a child's growing sense of morality.
I think these stories were Childe's father telling him what kind of man he hoped his son would become.
In Story 5, 'his father had no choice but to hand his beloved son over for conscription into the Fatui' in an attempt to discipline his temper, but was disappointed when Childe continued ascending the ranks, further and further from the gentle boy he was..
His father named him after the hero Ajax. Is he still disappointed in the path Childe has taken? Does he still see his son in the man he sees before him? Does Childe feel in himself the chasm between who he dreamed of becoming and who he is now?
It's interesting, that fairytales should often have a very strict good/evil morality. Childe professes he has no use for such things, and will gladly become a mindless weapon so long as he can continue honing himself for battle. And yet, has he truly given up on being human?
For a Harbinger, Childe is oddly principled, preferring straightforward battles without deceit. He retains a sort of moral code, reluctant to involve those who are defenseless in his plans.
And of course, he deeply cherishes his family. What sort of weapon has a family? Why does he cling so desperately to this identity as a defender of childhood dreams, of being his sister Tonia's knight?
Perhaps his own dream of being a hero died long ago, but a part of him still recognizes the tragedy of it and maybe... in some way, is still trying.
This is somewhat of a companion piece to my Scara comic "one who has given up on being saved". Childe, unable to live up to his childhood ideals of heroism, and Scara, whose pleas for help went unanswered.
A failed hero, and someone who never had one.
ARGHH yknow it drives me nuts. I haven't known peace since I started thinking about it.
5K notes
·
View notes