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#and i mean it. i have my opinions on the events and the actors and their reactions but i'm not gonna share them here and i want the posts t
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how do i get my character out of the corner i wrote myself in without a dues ex machina😭
How to Not Write Yourself Into a Corner (and How to Write Yourself Out of a Corner if You’re Already In One)
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One of a writer’s WORST fears is writing themself into a corner.
It’s easy to write your characters into death-defying situations…but it’s not as easy to write the actual “defying death” part.
Some writers, in their desperation to get their characters out of a bind, employ the use of a Deus Ex Machina, as mentioned by anon:
Deus Ex Machina: (Translates to "god from the machine") A plot device where a seemingly unsolvable situation is fixed by an out-of-the-blue occurrence. The term “deus ex machina” is a reference to Greek plays, when actors playing a god would literally be lowered into the scene via a machine to magically solve any situation.
Unfortunately, this plot device is often ridiculed by readers, cited as a hack-job solution for a writer out of ideas.
How do we avoid this situation, then? Here are some tips and tricks on how to not write yourself into a corner, and how to write yourself out of a corner if you’re already in one!
Note that these tips may not work for everyone, so make sure to use your own intuition as a writer— you know your story best.
1. NIP IT IN THE BUD— OUTLINES ARE KEY!
I’m sorry to all of you pantsers out there, but the key to prevent writing yourself into a corner is to already have an idea of how each scene is going to turn out; don't make a problem without making a solution! If you keep on top of your outline, you should have no worries about writing your characters into a situation they can't get out of it.
It may be easiest to jot down ideas about a couple of scenarios and then select the one that works best, especially when it comes to dire climax scenes that have a lot of moving parts. 
Check out my posts below for more in-depth advice about outlining!
How to Outline
Plotting for Pansters and Pantsing for Plotters
This advice, although essential, does require a ton of foresight and time to plan…and if you’ve sought out this post, it may mean that it’s too late for preventative measures. The subsequent tips in this post are going to be for people who are already in the thick of it and need a way to save all of their writing progress. 
2. FORESHADOWING IS YOUR FRIEND (AKA “CHEKHOV’S GUN YOUR WAY OUT OF THAT SHIT”)
Foreshadowing: A narrative device wherein a writer gives an advance hint of what is to come later in the story. It helps maintain believability while subverting expectations and making plot twists.
Chekhov’s Gun: A narrative device wherein a seemingly insignificant element or object in the story becomes useful later on. Sometimes used synonymously with foreshadowing, but usually refers to a specific object.
Examples of Foreshadowing/Chekhov’s guns in media:
The 1981 Quarter (Or Extra Life Quarter) in Ready Player One
“Don’t Cross the Streams” in Ghostbusters (1984)
Winchester Rifle Hanging over the Bar in Shaun of the Dead (2004)
The Rita Hayworth Poster in The Shawshank Redemption (1994)
The Water Bottle in Bullet Train (2022)
In my opinion, a Chekhov’s Gun is the more refined twin of the deus ex machina; although it may seem like it comes out of nowhere, observant readers or those who go back into the story will realize that this event was set up from the beginning.
Foreshadowing is the key to turning a deus ex machina into a Chekhov’s Gun. It’s spreading breadcrumbs to maintain believability even when unbelievable things happen.
My advice: plant a line here and there referring to the object/element that will get you out of the corner.
These lines can be about a healing potion that a character carries around to save them when they’re at the brink of death, the fact that the city they’re fighting in often suffers from sinkholes, or that a character has a seemingly useless skill. 
However, haphazardly inserting foreshadowing into your story may come across as heavy-handed; make sure it aligns with the narrative beats. Particularly big Chekhov’s Guns, especially ones that “save the day," may require multiple foreshadowing elements.
It can take a lot of work to incorporate the foreshadowing smoothly, so make sure it actually saves you time in comparison to rewriting the whole scenario/plot point.
3. TAKE A BREAK
Sometimes, the solution to your problem may not come to mind because you’re too immersed into the writing process and not thinking of the bigger picture. Or maybe it might just be good old-fashioned writer’s block. Take a step back, reassess, and return with the scene properly re-evaluated. Maybe start a new book or TV show to get some inspiration, or check out one of my posts below!
How to Overcome Writer’s Block
How to Get Inspired to Write and Regain Creativity
4. ASK FOR HELP
Sometimes, it might be best to have another set of eyes on your story! A situation that may seem unsolvable to you may have an obvious solution to a writing buddy.
5. KNOW THAT SOMETIMES RE-WRITING IS NECESSARY
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I know this sounds horrible. It’s something that I wouldn’t wish upon any writer.
Sometimes, however, no amount of foreshadowing can get your characters out of the debacle they’ve put themselves in. Either that, or the work that it would take to insert the foreshadowing would be more than it’d take to rewrite the scene or the plot point.
My suggestion would be to search for the last place that you didn't feel lost, and then cut out everything after that.
(NEVER DELETE MAJOR CHUNKS OF YOUR WRITING! ALWAYS CUT IT AND SAVE IT IN A SCRAP DOC—IT COULD COME IN HANDY LATER!)
Then, take the time to outline the scenario and figure out the solution to your problem beforehand. It will suck, but trust me, it'll be worth it in the end.
HOPE THIS HELPED, AND HAPPY WRITING!
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red-hot-kick · 5 months
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Theory: Ryuji was popular, before.
I'm not entirely sure if anyone has really talked about this but I maintain my interpretation that, in the canon of Persona 5, Ryuji used to be very (or at least moderately) popular prior to the events of the story.
This is something I've gotten into before when talking to friends who like the game and the character, but I haven't really considered writing it down until now. The main argument I have is based on three things:
Things Ryuji alluded to in canon (but no one believed him on)
The deliberate choice of making him a track athlete
Typecasting for voice actors
1: "There were girls all over me!"
I don't really have the time to go on a deep dive through all the instances in which he hints at his reputation before the Kamoshida incident, but I think the most clear-cut representation of this was during the scene where he and Ann spend the day with Futaba during her post-palace social rehabilitation:
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So here's the thing...I don't think he's lying about this. Nobody in the room would be that impressed to find out whether Ryuji was popular since they are already friends (or in Mona's case, he really just doesn't care), so it wouldn't make sense for him to lie.
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Regarding everyone's reactions though, here's my impression: Ann was simply not aware of what was going on with the track team, being predominantly focused on dealing with rumors, her friendship with Shiho, and her modeling career (and eventually Kamoshida's advances once he started doing that shit) and she mentions a few times that she and Ryuji weren't actually close before joining the PT; they were just in the same class in middle school. Futaba hasn't interacted with anyone her age in years and isn't the most reliable source when it comes to what people generally find attractive; just because she doesn't have any interest in Ryuji doesn't mean that nobody her age would. And Morgana is a cat that brags constantly about how cool he is, so he shouldn't be throwing rocks.
There are many other times in the game when you get little glimpses of his social savvy, and from my understanding of Royal (I'm an OG vanilla P5 player and haven't done 3rd-semester yet, so don't kill me) when the track team returns to "how it was", he is getting along extremely well with everyone. Not only was he the team's ace: this kid was also expected to become the captain by his senior year (as briefly mentioned when he bumps into his former senpai at the gym, iirc). That's huge! If his team held him in such high regard, then the general student body of Shujin surely had a similar opinion. This brings me to my next point:
2: Girls like boys that run fast(???)
This is honestly something that baffles me. It's also really difficult for me to substantiate; any source material on this is obviously in Japanese and if I could find any of it, I sure as hell can't read it. The only English-language source I know of I cannot find anymore; I think it was an old Tofugu article? However. If you've watched any romance anime set in a high school during the last 20 years, you might have seen this trope at some point: the school sports festival is happening, and the relay race is kind of a huge deal (it's the final event! a make-or-break moment for the class!). The boy thinks to himself "If I win this race, I'll be able to win her heart/ask her out/etc." Low-stakes drama ensues. Maybe a confession happens.
This is (from what I've been told) based on a long-standing trend of girls and women self-reporting in surveys about how, oftentimes, their crushes in junior or senior high school were simply "the boy who ran the fastest in the races". I have no idea what this means in a broader cultural context. It makes no goddamn sense to me at all. Do not cite me on this. But I think it's worth keeping in mind, even if it's almost entirely speculative (and possibly outdated) information. And even if it's just based on rumors, don't you think it's pretty in-character for Ryuji to go for a track scholarship—despite being adept at other sports like baseball and football/soccer, as mentioned in P5 and P5D—because he was aware of the potential of being more popular with girls? Of course, his priority would be getting the scholarship and paying his way through school to lighten his mother's burden, but hey, getting a girlfriend on the way up wouldn't be half bad!
I think this could also inform us as to why Kamoshida (as a predator who wanted attention from high school girls) felt so threatened by the track team in particular, and why he felt a need to specifically knock Ryuji down a peg and sought out a weakness to do so (as opposed to targeting any of the probably just-as-popular boys on the many other athletic teams and clubs in the school). Just some food for thought on this one! Also, if anyone can find a source or has any insight on the relay race thing, please share. I am so confused about it.
3: Typecasting
So this is something that you really only notice if you are very into keeping up with seiyuu in Japan. I am not one of those people. But I do have some favorite voice actors! One of these being Mamoru Miyano.
So I freakin' love this dude. He's voiced a lot of my favorite characters, sings incredibly well, and has an unreal sense of comedy. He's stated in interviews that his acting inspiration is Jim Carrey, and let me tell you: it shows. He is also quite consistently typecast into certain roles, predominantly as princely pretty-boy types, Coolguys, or complete fucking nutcases. Sometimes all three at the same time (shoutout to my boy Ling FMA!)
ATLUS definitely cast him for P5 because of his comedic chops. But I think they also cast him because having him voice someone like Ryuji is a great way to subvert expectations for the player. I think it's supposed to give you whiplash—"what do you mean the voice of LIGHT FUCKING YAGAMI is coming out of this guy's mouth?" "why does the delinquent character sound like king of the host club Tamaki Suou?" "isn't that Rin Matsuoka's voice?" etc. etc. etc.
(here's a quick list, just to really get the idea across. maybe you recognize a few.)
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This is obviously a non-comprehensive list, but something that a lot of the characters he's voiced over the years have in common is that they were considered cool, handsome, or popular. Not just for fans, but within the canon of their stories! So...what does that mean? What does that say about how we should see Ryuji?
I think players are supposed to expect that he will fall into one of those categories too, and then be surprised to find that it's not the case—that he's been isolated and made bitter and resigned by what happened to him the year before.
Speaking of his tone, I think it's very telling that Ryuji actually forgets to keep up the delinquent act a lot in the original JP audio, which unfortunately doesn't really carry over in the ENG translation. The delivery of his JP lines sounds a bit more subdued in comparison too—yeah he's got a lot of energy and is very hotheaded, but when he gets to talking about serious shit, he sounds a lot more regretful and melancholy as opposed to the EN delivery which depicts him as more resentful and outwardly angry. I think before Shit Went Down, he probably had the Coolguy vibe. Still a bit of a rowdy idiot and a showoff, but I think he probably came across to most people as a very friendly, sincere, and popular guy.
So yeah, the girls probably were all over him, at least for a short while.
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alucardens · 5 days
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Yeah though seriously- you might not ship Buck and Tommy and that's okay- everyone is entitled to their opinion as long as it doesn't harm anyone- what makes it not okay is when you say things like you're being queerbaited- in a show that *literally* has a canon lesbian couple (where one half of the couple is a main character) SINCE the first episode of the show, that, 1) consistently, as a couple, have storylines that get resolved in a way that shows the writers aren't brushing the characters away, and arcs that show character growth.
2) NONE. NONE. Of the canonically queer characters have been harmed in a way that resulted in permanent death. And when they do get in harms way (which is inevitable- this is the nature of the show), it's done in a thoughtful way- their actions and risk of death/ injury WOULD add something to the plot/ storyline. Their loss would have an impact on us as the viewer. They would not be meaningless deaths. And aside from death, even queer characters who 'exit the main storyline of the show' but are otherwise alive, are still done with thought and care. I mean, (and spoilers for the first few seasons of the show,) Michael's storyline lasted (iirc) about 3-5? seasons. (We are not talking about meta events such as why they removed the actor from the show). He and his (named AND on-screen) husband, David, move to help people. His husband is literally a neurosurgeon. There was literally an episode revolving around Michael's proposal to David. Even after they've moved away, they're STILL referenced and talked about. They're not pushed away or ignored like the way some shows treat characters who aren't there anymore.
Josh (my bby fr), who's also been canonically gay since his first appearance, also has a arc that's real and very very relatable to most of us. The show takes it fucking seriously as well. And Josh is GOOD. Even as a side character, he's not reduced to the 'gay best friend'. As I said, he has his own storyline and arc, he has his own opinions, he's good at his job.
Aside from the main characters, imo, 911 also does a damn good job of showing that queer people exist. You might not like it because 'oh they're showing queer people who are in danger/ not happy/ dying.' To which I'd respond by saying that you're watching a show about paramedics. As much as we like to say this is the gay firefighter show (accurate lmao), we need to remember that there's going to be dark themes in this show.
I don't remember every call they've come across that involved queer people, but we for sure remember the 'we ever only wanted to go together' scene, with the elderly husbands. Yes it involves death. That's why we're seeing this scene in the first place- the engine wouldn't have to respond to a call if there wasn't a call in the first place. But it also fucking shows queer people growing old together and making a life for themselves. The opening scene is literally a montage of the husbands' relationship over the years. I don't know how many mainstream shows put that much fucking care in queer characters.
And then there's also the wlw couple in that car accident thing- not as significant as the husbands but like, that's the point, is it not? Not all their calls are significant- we don't even see all of them. The point is that they just show queer people existing as a general thing. It's not strange that the two women who were in the same car in a crash are both gay. There's no weird over-sexualised kiss. There's no show or mention or even hint of homophobia or confusion by the firefighters. It's fucking normal. So yeah. Do I ship endgame Tevan? Not at this moment. Do I like them together as a couple right now? Fucking yes. My personal opinion is that I like Buck and Eddie together more (at least for now), but why would I not ship Tommy and Buck right now? It makes no fucking sense not to. Buck is in a happy (queer) relationship, he's still figuring himself out as a bi man in his 30s, he's dating a masc man, who's past is messy and has since grown (oh look at that, another character arc revolving around a queer person), and they're clearly fucking happy together.
Anyway. I have a lot of feelings about this lmao. You want proper bi representation? Bro. I don't know what to tell you but you're looking at it.
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avenging-fandoms · 1 year
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slow makeouts with pedro after a big event🫣winding down after all that socializing maybe the reader and pedro just had a movie coming out with the two of them and people are loosing their minds about it asking if they’re together
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Pedro Pascal Masterlist 1
Pedro Pascal Masterlist 2
You stood on the red carpet for your new movie and posed for the cameras. You moved down the carpet and saw an interviewer, greeting her hello and making small talk.
"So, I don't know how often you look on Twitter, but everyone seems to think that you and Pedro are a thing after watching this movie"
"Really? I guess that means we're just really good actors, right?" You wink and you both laugh. "I just play his girlfriend, Pedro and I get along very well. I think that's why people think we're together"
Thankfully the interviewer didn't ask anymore questions like that and you soon left, hearing a faint whistle. You turn around and smile, Pedro speed walking over to you and squeezing you tightly.
"You look gorgeous, mí amor. I wish we could go home now" He whispered and you laugh, rubbing his back and you two took pictures on the carpet together.
Pedro wasn't one for flaunting his relationship. He liked to keep it to himself so no one's opinions were coming at him or his partner. He got asked many questions about you and he just gushed about you, which added more fire to the flame of dating speculations.
You made it off the carpet, heading inside and beelining for the bar. You order a drink and wave hello to a few people. "You made it off the carpet, heading inside and beelining for the bar. You order a drink and wave hello to a few people. "I just cannot keep my eyes off of you. I find you in every single crowded room" Pedro's hand held your waist and you smile, giving him a proper hug.
"You look so wonderful in pink, honey" You eye him up and down and rub his bicep with your straw between your lips. "Would probably look better on our bedroom floor"
"Cool it, princesa. We're in public" you smile and Pedro returns one, rubbing your back. "Although it's very hard to not just take a bite of you right now" his voice was low, and his eyes were melting you away.
"Figuratively or literally?" You smirk and he laughs, biting your arm. "Ouch, Pey" you pout and rub over the area, Pedro laughing at the faint teeth marks. Pedro's love language was physical touch - and biting.
You two head into the theatre and everyone claps as the cast stood on the stage, a microphone being passed to everyone. "I would just like to start off, if that's okay" Pedro spoke and you look at him, nothing but love in your eyes. "I just wanted to say I am eternally grateful to have worked with such amazing people who became.. so special to me" His eyes met yours.
Suddenly it was just him in the room, and your eyes never left his face. He finished his speech and you clap with everyone else, letting other people get a chance to speak. It got to your turn and you took a deep breath. Even as an actor who had to speak in front of cameras, you still got very nervous on a microphone.
Pedro noticed you holding your stomach and placed a hand on your back, rubbing his thumb over your exposed skin and you smiled. "This cast.. this crew. You all have become my family, people who want love me no matter my faults or blooper reels" the room laughed and Pedro dropped his hand, standing a bit closer to you. "I'm grateful to be here, and I'm so thankful for everyone who helped bring this film to life"
You pass the microphone to the host and everyone claps and stands up, Pedro taking your hand and holding it up, the both of you looking at each other. You take his other hand and you both pretend to scream, making each other double over in laughter.
-
You were exhausted. Interviewers and even other actors asking about you and Pedro. Dancing with everyone, drinking and screaming in celebration. Now, you wanted to go home and lay in bed.
You got into the car first, closing the door and the driver did a circle around the building and you scooted to the far side of the car, the door opening again and in came Pedro. He waved and shut the door quickly, giggling at you hiding in the corner and the driver rolled up the partition.
"Windows are tinted, hermosa. Get over here" You smile and crawl over to Pedro, hand on his thigh with his finger under your chin as you kiss him slowly. "I've been wanting this all night, I've missed you"
"Yeah but don't forget you sneakily putting your hand on my thigh during that whole movie" Your fingers played with the curls on the back of his head.
"Can't help touching you" he shrugged and smiled, kissing you again with his fingers wrapping around the back of your neck and drinking in every bit of you.
-
Pedro held your hand as you two walked inside your condo, a small number of cardboard boxes still scattered around the place as you and Pedro had just moved in almost 2 months ago. You both were crazy busy for weeks, but your cat, Cheese, didn't seem to mind all the boxes.
"Oh, look at this baby" Pedro laid softly next to the tabby cat and he chirped, pushing his head against Pedro's nose as he scratched behind his ear.
You laid on the other side of Cheese, running a hand down his back and kissing his head. "Don't worry, mommy and daddy aren't busy for another month so we're gonna make it up to you" You pitched your voice up and Pedro stared, taking a picture as you kissed your cat.
You followed the 2 year old to his dish, Pedro's eyes heavy as he sat up. You gave Cheese some food and squatted next to him, petting his back while he purred and chomped away.
You head back into the room where Pedro took off his belt and your hazy eyes watch every move of his fingers.
"Can you unzip me, Pedro?" He hums and you turn around. He pushes your hair over your shoulder, unzipping slowly until he reaches the bottom. His lips drag against your shoulder blades, making you stand up straight and lean into him.
Your dress falls as you both sway softly, his arm over your chest with your eyes closed. He kissed your jaw and you stood up, hanging up your dress and taking off your bra and underwear. You slid on Pedro's Purple Rain t-shirt and a pair of pajama shorts, looking at Pedro who stood in front of the mirror with his shirt unbuttoned and tie loose around his shoulders.
If you weren't so tired, you would jump him right then and there. You head to the bathroom and took out all your clips and bobby pins, putting your hair up. You wash your face of your makeup and grab your toothbrush, Pedro tapping your butt as he walked passed you in his pajamas.
He also grabbed his toothbrush, giving you and himself some toothpaste. You both brush your teeth in silence and you lean against him, closing your eyes. He rubs your back as you spit out your toothpaste, then he does as well. You rinse out your mouths and head into bed.
Pedro turns off the light and you turn on your lamp. Pedro lays on his side with his back towards you and you gasp softly. You bite his shoulder and he yelps, turning over and tapping your forehead. "That hurt!"
"Payback" You giggle and he sighs, rubbing his hand over your cheeks a few times before resting it and rubbing his thumb over your cheekbone. He pulls you in and kisses you softly, pulling away and pushing his nose up against yours.
"How many questions about us did you get?" You whisper and he rolls his eyes. "Every interviewer I met with asked about you and I for almost the whole interview"
"As much as I love to talk about you, I wish they would stop asking. This is why we don't want to go public for a while. Could you imagine if we confirmed it?" He mumbled, kissing you between words. "They would be up our asses even more"
"I like being your secret" you wink and his hand smooths over your hips, pulling you in as he kissed your neck. He hums as his hand falls underneath your shirt, rubbing your back slowly as your leg traps his hip.
Your fingers grip his hair as you kiss him slowly, his bicep flexing against your rib cage. He hums softly as he breathes out when you adjust your hips.
“You are a dream” he whispers and pushes his fingers into your back and dragging down your spine, making you arch your back. Pedro kissed your chest as you tilted your head back.
Your hand falls down his chest, over his ribs while pushing your foot to his. You place your head on his bicep and closed your eyes as he kissed your face softly.
“I love you, sweetheart” he mumbles into your hair and you smile, planting a kiss to his chest.
“I love you, Pedrito”
Pedro huffed as Cheese jumped on his side and you laugh, but not too hard so you scared Cheese.
You all settled into bed, your back against Pedro’s front with his arm underneath the pillow you laid on. Cheese laid against your stomach as your arm draped over him and rested your hand in Pedro’s palm.
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gentlebeardsbarngrill · 3 months
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02/07/2024 Daily OFMD Recap
TLDR; Cast & Crew Sightings; More Rhys Cameos; Damien Gerard; Hugo PIerre Martin; More Samba BTS Feat. David Fane; Cosplay Day; Feb 8 Events: #WeLoveSamson; Upcoming Watchparties; UK Fan Effors: Radio!; YouGov Tutorial; Stats; Schadenfreude; More Clowning; Morale; Love Notes; Daily Darby/Tonight's Taika.
= Cast & Crew Sightings =
Another Rhys Video on Cameo! This one in particular had a lot of folks clowning today. You can watch the video on cameo-- it's the newest one 3:51 seconds long with him in the hat and the red shirt. I tried to download it and upload it, and tumblr literally lost all my drafts because of it, I have no idea what happened so I'm not doing that again lol. Instead, here's the short video of what triggered the clowning.
"Thank you so much for all your support on Our Flag Means Death, they'll be more stuff happening in the future, keep listening and watching, and uh, yeah, peace out, Rhys Out, Don't let that Octopus out! BuhByeeee!"
Thank you @Jodegg for sharing this video with us!!!
== Damien Gerard! ==
Damien Gerard gave us a new BTS photo for #WearFineThingsWell
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== Hugo Pierre Martin ==
Hugo, aka our friend the french doorman from The Best Revenge is Dressing Well poked his head out! We'd love to have you doing venues sir!
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==More BTS from Samba!==
It's a David Fane themed day! Wanna see the videos too? Head on over to Samba's IG!
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==Cosplay Day!==
Today was cosplay day and lots of folks shared their awesome costumes from today or over the past couple years! These are just a few highlights! Please feel free to hop over to IG or Twitter for more!
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== Events for Feb 8! ==
Tomorrow is #WeLoveSamson Day! Let's show Samson Kayo some love for all his hard work and various characters! Feel free to reach out across platforms to send him some love! Pic Src: Samson's IG
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Twitter / Instagram / Facebook
=Watch Party Reminders=
No watch party for Feb 8, but Feb 9 we've got:  Love Birds Watch Party on Feb 9th - 9 pm GMT, 4 pm EST, 1pm PST.
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Watch Party Hashtags:
#AdoptOurLoveBirds
#AdoptOurCrew
#SaveOFMD
== UK Fan Efforts ==
Fans are reaching out to radio stations in the UK! Very cool guide put together by @TeeHeeSeason3 on Twitter for contacting BBC radio stations in the UK regarding what to place to help support the OFMD Renewal.
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== Focus Groups ==
Remember the focus group/surveys we mentioned yesterday on yougov.com? Well some folks have been trying to sign up and been having some issues finding OFMD, so our lovely, sweet, amazing @libbyroseitm was kind enough to make a tutorial for everyone! Twitter Thread. YouGov rating tutorial! Make an account first, then follow these steps. If you'd like to see what kinds of questions it asks for you to sign up, visit here. Step 1: On your Account page, scroll down until you see a link for "View All Ratings", and click that
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Step 2: You'll be taken to a screen that says "Rate Everything", click on the link for "Not What you're looking for?" and it will pop up a model that gives you a button to click that says "Previous Version" Click that.
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Step 3: Once in the new version, type the name of the show (or actor, writer, etc) you'd like to rate
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Step 4: Select your show when it pops up, and then rate it and add an opinion if you'd like!
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Special Notes:
People probably aught to be careful to keep personal information to themselves.
You can search for actors and other films and tv shows related to OFMD, not just the show itself.
Vote on things other than OFMD so they don't get suspicious.
= STATS STATS STATS =
As always, special thanks to our dear friend @meowzawowza_ over on twitter for their constant stats updates
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== Schadenfreude ==
Awww, looks like WB Discovery Inc is still trending downwards. How sad. Thank you @btweenhisteeth for keeping us up to date on these sad sad times for WB!
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== More Clowning ==
So today I learned of this "Honk Weather Control Center" account on twitter (@HonkForecast) and I have to say it's pretty great. So far for several days they've had "clown" forecasts for how much we should be clowning. Love it.
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== Morale ==
Definitely head on over to Rhys' New Cameo video if you haven't already because as always his sunshine is a big ol dose of Vitamin Darby right to the soul and there's nothing that can replace that feeling!
== Love Notes ==
Done with your Rhys love? Great! But now you have to endure my unconditional love as well! *Maniacal laughter*
Are you aware that you are so very loved, my dear?
But also, did you know you're worthy of love?
All the love--- Like every kind you want (platonic, romantic, parental, agape, etc)
You are not difficult to love. Not at all.
You are not too much, or too little,
you're exactly the right amount,
and you are worthy of love just the way you are.
I've probably said it before, but I want you to know just how imperfectly perfect you all are, and every moment of every day you deserve love and happiness and everything you want in life.
The world is such a better place with you in it and all of your crewmates want you to know that. We care for you deeply my friends.
You matter, don't ever forget that.
= Daily Darby / Tonight's Taika =
So I just got done watching a bunch of Radiradirah on youtube (which is goofy AF btw, like New Zealand Monty Python style fun) and I can't get over Space Waltz, so tonight that's the theme. Look at these two stinking goofballs and their faces.
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Night lovelies <3
PS: I never say it but thank you for all the lovely comments in the tags! They always make me smile, yall are the best!
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bulkhummus · 1 month
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Hey!! I’m curious, in what ways do you think wtnv sucks? I’m not necessarily disagreeing but I can’t think of anything tbh and your tag made me start wondering
Hi!
No piece of media is perfect, and expecting it to be is unfair to the creator, and unrealistic of the consumer. Being able to consciously understand the ways in which something you love also has flaws is a healthy way of engaging with the things you enjoy without succumbing to the all-or-nothing mentality of being able to enjoy, well, anything!
I love wtnv, obviously, it's about 90% of my blog, and I have listened to it for a very long time. I respect the creators (including the actors) for what they have accomplished.
However, there are a few things about wtnv that I as a listener and long-time fan have recognized as, lets call them, potential critiques. Sucks is too strong a word because I’m not focusing on specific instances where they have messed up (and they have, people make mistakes). This isn’t a list where I tell you specific things— but rather I just explain to you some thoughts I have about the show. This is, by no means, a complete or solitary list, or even an ‘accurate’ one. This is just my own opinion and you're welcome to disagree.
Consistency
I do not have the expectation of wtnv having continuity. I never once have, due to the nature of what it is, what it's about, and how it's written. I don't care if facts change. Cecil is an unreliable narrator. Timelines shatter and splinter off regularly in the show. Time doesn't work right for most of the podcast. The Cecil we listen to currently is not the same Cecil we were introduced to. Writers make mistakes when shows have been on for over a decade. etc etc etc. Instead, I use the word consistency.
The show lacks consistency in story telling. This is its strength! WTNV was a podcast made by a small group of people that skyrocketed in popularity very quickly. It was a passion project. It was a bunch of think pieces where the writers got to explore different styles of writing, different characters, and their thoughts and feelings on current events in real life. That’s what it was built on. It was recorded in a coat closet on a shitty mic and then suddenly it became a livelihood with a massive following. So, the show lacks consistency in story telling, which to me has always been the joy of it, because of its freedom to do as it pleases. A lot of ‘plot’ would happen and we’d leave on a cliffhanger, and in classic Night Vale fashion, it’d be like 4 months before you heard about it again. However.
WTNV was introduced as a serial podcast where the only consistency was that they'd upload twice a month. With the introduction of mini-arcs, and later longer arcs (such as STREX, the DOW, or UOWII) the writers introduced the expectation of continuity. The story would build over the course of several episodes and resolve in some type of way. This requires more planning and greater attention to detail than episodes that are one-off or ongoing by the nature of what the show initially was. My issue here is that they have given themselves the problem of continuity given how they write longer arcs now — but they just don’t seem to fact check or communicate with one another when it comes to these arcs that span several episodes or rely upon info from older episodes. Now, the show often feels like its fighting between what it wants to focus on, and how it focuses on it and I am left sensing this inconsistency that I once used to enjoy. Which brings me to my next point.
Understanding A World
WTNV is a show about a fictional town, told by an unreliable narrator in the form of a radio show. When the show started, I felt it understood that very well. New characters were introduced as callers, or interviews on local news, ad reads, and even Cecil playing his voicemail on air. It operates under a VAUGE set of rules (but rules nonetheless) that this was a radio show.
There have been several instances, more recently, where I feel as if the show forgets that Cecil is a radio host and the story is told through his perspective about 90% of the time. It is that exciting 10% where we gain insight to the same stories from different characters giving us new information.
For example, having Carlos and Janet go back and forth at one another in the finale of the UOWII arc completely casts aside Cecil's perspective as the narrator, and as having control over the story. Cecil hated Janet. it would have been more amusing and in character for him to have ad libbed whatever Janet said and only play Carlos' parts -- only for her to burst into his live studio outraged that he wasn't fairly reporting and THEN tell her side of the story after wrestling the mic away from him.
My issue here is that, more recently, it feels as if they forget that operating under rules, or constraints, in story telling, actually helps them be more creative in how information gets delivered to the listener.
I think how they use their patreon needs a massive overhaul too but thats a different post. Which brings me to my next point.
Hand Holding
They are good writers. They are capable of balancing humor and horror in a way that enhances both. I have felt gutted, I have felt hopeful, and I have felt absolutely feral after certain episodes because they have good ideas and can write well!
So it becomes really frustrating when they just tell me a bunch of stuff without it being reflected in the show, or they don’t trust themselves as writers. I get it. Not every episode can be their best, but there have been several instances recently, in moments where it really counts, where I am just being told what's going on instead of it going on. I’m being told why things are happening instead of listening to them happen, and often I feel they forget they are writing something to be performed. They don’t need to explain all of their metaphors or explain what the point of a characters actions are. The audience is not stupid and things don’t always need to be spelled out. Which brings me to my next point.
Writing for an Audience
All creators have to work off of in terms of how well something is doing is fan engagement, especially in a smaller project like this. However, they have an audience that varies in ages of 11-45 given how long this show has been running for. Go to a live show you will see what I mean. How do you write for an audience who is that diverse in age? Should you have to? Is it bad engagement to not think about your audience? Sometimes something a 30 year old understands, a 11 year old may not. Not for any other reason but time and lived experience. Theres things 30 year olds forget about being 11! That’s how it works.
And while this is less of a problem they may have, it’s something I noticed about the reception of different episodes by fans. The second to last live show I went to I had the enjoyment of listening to two 13/14 year olds sitting behind me offering their vastly different perspectives on some recent episodes, especially given the fact that I heard one of them say they had only just started listening after listening to the first 100 episodes summary. Which brings me to my next point.
Duration
Everything I have said previously comes back to the duration of the show. I think its impressive that its been running for over a decade with consistency. And they should! In a perfect world, WTNV would run forever because of how much I love it. I love this show and I don’t want it to end. HOWEVER. If the quality of something begins to degrade because there is not enough time dedicated to it and the creators no longer find it engaging and exciting then I’d want it to come to an end. They’re people. They want to work on new things. I respect that! And I’d be heartbroken if the show faded out or ended in a rushed manner in an unsatisfying way because they decided on a whim they don’t want to make it anymore.
I think it is a disservice to the work, effort and history of the show for them to create a 100 episode summary and tell people to start there. Idc. “But Bulk people might not want to listen to 10 years worth of podcasting—“ Babes the show is 245 episodes long. They’re like 25 min a pop not including ads. It’s a bimonthly show. Buckle up and settle down. The creators should take pride in their work, and how long the shows been on for, and be encouraging people to start from the beginning. Let people experience for the first time what many people fell in love with. Why on EARTH would you tell people to NOT start at the beginning? To me, as a long time fan, it feels like the creators don’t have faith or pride in their work.
I’m not saying they don’t dedicate time to their show of 10 years, because how could I know that, but, when they don’t fact check (because now there is the precedent of continuity, especially with newer fans, because they chose to write more serially) and they tell fans its ok to not start at episode 1, and they are advertising other projects on WTNV episodes where fans call them out for not fact checking and and and— where does that lead me as a fan? It sometimes makes me feel like they don’t care about what they’re making anymore.
I also think that this show has become a means of income for them. And it has. They have a patreon now, they do shows, they sell merch. What was once a passion project for them is now a product. People who pay for something demand a better quality— thats like almost universally true. And people who are newer fans, and don’t understand what podcasting was like a decade ago, who don’t know what WTNV was like a decade ago, don’t have that background knowledge of what the show was built up on and created as (ie. A bunch of experimentations, think pieces, and whacky one-offs as previously mentioned).
Because they’re telling fans not to listen to the first 100 episodes and focusing on more serial story telling. Am I making sense? It’s all connected and I feel like I’m making sense.
Conclusion
I love WTNV but, in my opinion, it was never meant to be what fans often demand it to be, and the creators sometimes have to respond to. What I fell in love with it for is often the things I see people criticize it for. It’s this story that sort of does what it wants, when it wants, because that’s how it started. It’s grown into something else now, which all things do over time, and I just hope they don’t grow it into something it is not if they aren’t careful. The show was is deeply unserious but also really interesting and exciting and chilling and worth the time spent, despite the ways it may be imperfect. Perfectly imperfect, if you will (wink wink).
You don’t have to agree with what I’ve said here, and maybe none of it reads true for you, because I really am just speculating and offering thoughts, and thats fine! I’d never tell someone their viewing of the show is wrong, but I do think it’s good to stop and think about your favorite pieces of media like this. Anyways thats why it sucks or whatever
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snowviolettwhite · 3 months
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If a marginalized person from marginalized group is dealing with bigotry and very clearly is upset and just needs to let out their emotions and vent don't try to debate with them, even if you think you are being being civil. I don't have the energy to debate with people that antisemitism is just as bad all the other forms of oppression and bigotry while then being told Jewish people have it better than other all groups.
I will block you, do not tone police me. I come on tumblr to express myself and enjoy and share my hobbies and escape, not to become more stressed. This is my page if I want to vent I will vent.
Someone said to me that Jewish are the most represented minority but the smallest minority, so it would not make sense to hire Jewish actors. It would be too hard to find them. There more Jewish roles than Jewish actors, which is laughable. I wonder why Jewish people are one of the smallest minority could it be because of an event that happen less than hundred years ago and the increase in hate crimes and over 2000 years of prosecution.
There are barely any explicit Jewish roles that are not stereotypes or about the super religious or about the holocaust and most of them that are are played by Italian actors. When actually Jewish actors play these roles they deal with fetishization and are called unconventionally attractive and often play the comedic characters.
Look the Andy Samberg and Timothee Chalamet both great actor, extremely talented and attractive. Andy Samberg is a cutie pie in my opinion.
People have had audacity to say to me that 'you might not to be getting cast for the roles you actually want because you're unconventionally attractive,' despite the fact in my mother was considered the most beautiful girl in her Jewish community, I look so much like her and people from my family's community are constantly trying to convince my parents to set me up with their sons.
Also, calling someone unconventionally attractive is not a commitment.
People are constantly talking about the privilege in masking or hiding certain parts of yourself to avoid possible harm and how not all Jewish people look stereotypical Jewish but have you thought about Jewish people who do look stereotypical and how saying these things are affecting them.
Their physical traits are being presented as ugly and saying they can not hide for safety.
I have had strangers come up to me and ask me if I am Jewish because I look Jewish. It is mostly well meaning older Christine people who are trying to be friendly and start a conversation and like learning about different types of people, so I don't really mind.
But if people whose families have been who have been in the U.S for generations can tell someone is Jewish just by looking at them then but about people who actually want to cause harm to Jewish people.
I as a Jewish person and actor was calling out erasing of Jewish stories stories, misrepresentation, underrepresented and double standards in film, television and theatre.
Non-Jewish actors still to this day wear prosthetic noses and wigs to play Jewish roles. You can look it up, there are loads of articles about non-Jewish actors doing this. Look up what Bradley Cooper did. He knew Jake Gyllenhaal, a Jewish actor had been planning for years on producing and acting in a biopic about Leonard Bernstein a Jewish man and bought the rights before he could and now in the film Bradley Cooper is wearing a prosthetic nose.
Comic books and Broadway were built off the handwork of Jewish Americans and Jewish Immigrants. The Marvel Cinematic Universe is changing canonical Jewish characters from the comic book and completely erasing their Jewishness and sometimes even turning them into Christians. They are barely any Jewish actors or writers involved in the MCU, if any.
Characters and very clearly show plays and musical that are about being Jewish sometimes don't even have one Jewish actor in the cast. I read a article a while back about a Jewish actress being the only Jewish person cast in a production Fiddler On The Roof. The makeup artist wanted to give her a wig to make her hair look coarser, thicker and darker and wanted to give her a prosthetic nose to appear more Jewish. When the actress told them she was actually Jewish they proceed to tell her she was too pretty to be Jewish.
In the book Red, White & Royal Blue Nora is Jewish. For the film they hired a Christian actress who from what I heard pressured to the creators to change Nora to Christian because she did not feel comfortable playing a Jewish character and because she is a devout Christian. If they want to have black actress they could hire an actual Jewish black actress. If I was hired to play a character who did not align with my religious or spirit beliefs I would not ask them to change it for me.
Before anyone comes at me Judaism is an enthoreglion, people are Jewish by ancestry and linage, not just their beliefs. Most people who identify as Jewish are born into Jewish families and Judaism is one of the hardest religions to convert to, so you have be extremely dedicated. This is not a dig at Jewish converts I am just making a point.
Jewish actors are still being told to change their names to sound less ethic. Zachary Levi is not a full name, it is his stage name and he is not Jewish. The reason Levi is a part of his stage name is because he has the same name as another actor. He has said before he has angered about missing out on roles because people think he is Jewish. Actually Jewish actors are being turned away from role because they look too Jewish or sound too Jewish. Jewish actor get nose jobs and chemically straighten their hair.
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i-magines · 1 year
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Wildest Dreams: Chapter 3
Pedro Pascal x fem!Reader
CHAPTER 1 | CHAPTER 2 | CHAPTER 4 | CHAPTER 5 | CHAPTER 6  | CHAPTER 7 | CHAPTER 8 | CHAPTER 9 | CHAPTER 10
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synopsis: You’re an assistant director in an indie movie set and fate makes sure you keep crossing paths with a certain Chilean actor.  
disclaimer: This is my first Pedro Pascal’s fictional work + the first fanfic I write in English, as it isn’t my first language. Unfortunately, I do not own Pedro and this is all a product of my imagination.
rating: M (keep scrolling if your under 18 please)
warnings: age gap, mature content, fem!reader, eventual drinking and drugs, a little smut but nothing crazy (yet), a bit slow burn but not really.  
word count: 1,509
Over the first month, your friendship with Pedro only grew stronger. You were afraid once the production set was moved to the country, he was going to just disappear, as you were no longer roommates. You’d be lying to yourself if you said he didn’t make you feel anything, especially with how charming and flirting he was. You both had shared a lot of personal stuff over smoking joints and you were already used to hanging out together after a day of filming. But today things were going to be different, because the producers had organized a little happy hour for the crew.
Speaking of them, you had asked Pedro to keep your friendship on the low, at least during the job. You knew what everyone would say and think, mostly about you alone, so you were looking after yourself. He understood that and apparently didn’t care to be sneaking out like a teenager to spend some time with you.
“There you are”, Pedro happily greeted you on the corner of the happy hour room, about two hours into the event. “I almost didn’t get the chance to see you today. How’s everything going?”
At this point, you were certain the director hated you, but thank God he was the only one. Everyone else seemed to really like you and your work, which helped a lot with your anxiety.
“He spent the day trying to drive me crazy… Again”, you told Pedro. “You?”
“I would definitely rather be directed by you, if I’m being honest” he said in sympathy. “But yeah, it won’t take long for me to tell him to fuck off. Super nicely, of course.”
You both laughed. You could see he had been drinking and so did everybody in the room. Somebody turned up the music and Pedro dragged you to the improvised dance floor. You danced for about half an hour, until you saw him going to talk to Donna, one of the producers. They seemed friendly— too friendly, if somebody asked your opinion. You noticed it before, how close they acted sometimes, but at the end of the day, it was none of your business. Flo, the make-up artist that got you the job, got your attention and you walked to her.
“What’s up with that face?” She shot you the question. Flo was in her mid 40s and you got to know her in your first gig, since then she was always trying to connect you with people. You really liked her and, most importantly, trusted her. “You looked like you were about to commit murder on the dance floor. I know Dave is giving you a hard time, but honestly he is doing this to every single soul.”
“I was just wondering, is Donna taken?”, you asked as if you had no intention behind it.
“Yeah, I think so”, she told you. “Why? You gay too?”
“Someti— wait, what?” You stared at each other for a few seconds. “Is she?”
“As far as I know”, she said simply. “And by that I mean I’ve known her for about 10 years now. Sorry to disappoint you.”
“No, you didn’t. I mean, good for her, right.”
You decided you need to put your shit together now on. You excused yourself and went to get another drink — you can be a new woman tomorrow. You took some shots and got a drink to hold while you watched everyone dancing and having a good time. You tried to force yourself to stop thinking about your crush on Pedro.
“I need professional help”, you whispered to yourself.
“And why is that?”
“Shit, Pedro!” You jumped, realizing he was right by your side. “You scared the shit out of me, you shithead.”
“Wow, language, sweetheart”, he laughed at your reaction, putting his arm over your shoulder. “What are you up to?”
“Not much, just enjoying the free drinks”, you replied, also enjoying the proximity of his body. “I can see you’re enjoying them yourself.”
“Nah, I’m thinking about getting out of here, people are starting to get too drunk and God forbid I witness anything I can’t unsee”, he was being playful and seemed happy when he got a smile out of you. “Care to join me? Or you already have plans for tonight?”
“Yeah, you know me, Miss Popularity herself”, you both laughed. “Seriously, though. I’m ready whenever you are.”
“Is it okay if we leave together? Considering your privacy policy”, he whispered in your ear. Only if he knew how weak that makes you. You just nodded. “After you, mi princesa.”
Fuck you, Pedro Pascal, you thought as you made the effort to move your shaking legs. Two options: first, he had no idea of his effects on you, or second, he did know that and he just liked to torture you. However it is, you were not willing to make a move to figure it out. 
The location of the shooting was a huge farm, so you walked together through the open field, towards his cabin. You got inside and took your shoes off.
“Hey, mister ‘I’m just a common worker as everybody else’, tell me again why exactly you are the only one with a private hot tube”, you teased him. He laughed. “Is it because you’re such good friends with Donna?”.
“So that’s what it was about back in the happy hour?” Pedro looked deeply into your eyes. “Such a jealous little girl, uh?”
You looked away, embarrassed. You can’t deny your brain formulated that sentence, but the alcohol spilled it out your mouth.
“Answering your question, I’m not really friends with Donna, but her partner is one of my closest colleagues in the industry”, he said in a patient tone. “And you’re welcome to use the hot tube whenever you feel like it.”
You could feel your cheeks burning. Fuck.
“I didn’t mean to— to be honest, I don’t even know what I meant, so don’t mind drunk Y/N”, you breathed out strongly.
“Why don’t we forget about it and instead go chill in the hot tube?” He offered you a smile. Pedro was so easy to deal with, always trying to make you comfortable. “I have more of that nice whisky you like.”
You quickly put on your bikini in your room and head back to Pedro’s cabin. You could hear the happy hour turning into a party on the back, as you joined him inside the tub. You did your best to not stare at his toned, tanned body. He was smoking a cigar and handed you a glass.
“You know what’s funny”, he started, you already knew you wouldn’t find it funny at all. “This is the second time I see you in a tub.”
“Well, fuck you very much sir”, you held a serious face before letting a smile scape. “That was traumatic.”
“Why is that? I would say you made quite an impression”, he laughed, something different sparkling in his eyes. “Would it bother you if I said I still think about it?”
You felt your body hot, as if the water was on boiling point.
“God”, you whispered. He never took his eyes off yours. “I don’t know what to say, Pedro.”
“It’s a simple question, sweetheart”, he replied, coming a little closer. You got chills all over your body. “Honestly, I don’t know if you only see me as this friendly, older, disgusting man—”
“Are you out of your fucking mind?” you cut him before he could finish. “Feel free to think about whatever you like.”
“Good”, he said quietly, his body even closer, but still not touching yours. “Tell me what you were doing on the tub that day, sweetheart.”
“I-I was, uh,” you felt like you were about to explode, your brain trying to process if this was really happening. “I was touching myself.”
“Finally, princesa”, he let out a deep breath against your neck. “You don’t know how many times I wanted to hear you say this, to be sure my memory wasn’t fucking with me.”
He touched your waist with his hand, putting the cigar away with the other one. You felt delirious.
“What are you going to do now that you know?” The question popped out of your mouth.
He grabbed your arm to move your body, making you sit on his lap. Face to face. He was hard as fuck.
“I will take you back to your cabin, give you a goodnight kiss…” He made a pause. His stare was deep down your soul. “Come back to mine and think ‘bout you while I mind my own business.”
He was dead serious.
“I’m too horny to go to sleep”, you cried to him, all your blood concentrated between your legs. You moved on his lap, rubbing against his cook.
“Trust me”, he said as his hands firmly held your hips down, making you stop and yet feel him ever harder. “I feel the same way.”
He gave you a little forehead kiss.
“C’mon, let’s get you to bed.”
CHAPTER 4 AVALIABLE NOW
TAGLIST: @kyuupidwrites @omg-its-typical-aesthetics-fan @vivibabiez @ivyohmy @sebastianstansimp @tubble-wubble @28cnn @3zae-zae3 @technicallysassyfox @bellatrixyoass @mandolover86​ (edit: i’m not sure why i wasn’t able to tag everybody i’m trying my best here)
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simpinberry · 1 year
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Hii xx
could you do bella ramsey hcs where reader is jealous of bella because shes with other girls but then they end up together in the end 🫶
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heyyyy, i’m backk. i tried to make this as healthy as possible while also adding a bit of spice to it. i hope i interpreted this correctly <3 should i also write jealous!bella hcs? hehe lmkk
established relationship, jealous!reader, kisses and cuddling
bella is fine as hell (we all agree, can i get an amen) so naturally lots of people want them. bella is very much in the public eye and has got promotional duties as an actor. she has to go to lots of events like fashion shows, premiers, award shows and interviews. they’re gonna meet lots of ppl and you’re usually extremely proud and happy for them! u pride yourself on not being the jealous type.
usually bella doesn’t text when she’s working/at events, mostly because she gets too overwhelmed and would rather be focused and present where they are. so you decided to go on twitter and check up on how it was going. unfortunately smth about a video of bella with a bunch of girls at a fashion show didn’t sit right with you. they were surrounding her and getting too close. bella didn’t do anything wrong and was being super polite as usual but the girls were all extremely pretty. they were all so elegant and looked so incredibly cool. it was both dumb and understandable at the same time. you trusted bella for gods sake. you shrugged the thought away and tried to go on about your day.
you ended up calling your best friend to rant about the whole situation because you couldn’t get it out of your head, “listen it’s not like i wanna go to these events and it’s fine that she talks to other girls i just ugh, i’m so jealous and i hate it”. your best friend told you exactly what you expected her to, “bitch just talk to them istg, you’re overthinking it too much”. ofc you spent another 30 mins ranting about it but you knew you were gonna do the healthy thing at the end of the day.
“honeeeyy i’m homeee” you hear bellas mocking american accent before you even see her. she finds you curled up on the couch binge watching willow. with a quick kiss to your forehead she heads upstairs to take a shower after such a long day. god, u have to talk to them about this.
by the time bella gets out of the shower you’re already settled into bed, comfy as hell tbh. crawling her way into bed, they lay next to you, facing you. “babe, you awake?” “MHMMM” you had to make your move now. “how was the fashion show today?” bella being the cutie she is, tells you everything. talks about her favorite looks, a fit she took a picture of because they thought it would look good on you and how she ran into her past costars. as much as you love hearing about her day you’re overthinking and trying to find the perfect moment to talk to her abt ur jealously and all the girls and how pretty they are and how you’re scared and worried and god so so jealous and how you feel- “can i confess smth?” bellas face drops and she’s full of concern. “DID U EAT MY LAST MUFFIN CUZ ISTG” oh, that’s what they’re worried about. “no, not this time….. i’m, i mean i was, kinda super jealous today. cuz like you were with all these pretty girls at the show and they were surrounding you and god- ik how fine you are and how lucky i am but i just felt,,,, like rlly jealous”
iwl bella was a bit shocked by your sudden outburst. you’re rarely ever jealous so this was a first, maybe a second. “mhmm i understand, i didn’t think you were the jealous type but i get it” she takes your face into her hands, you snuggle into her touch. “i know it’s hard dating someone in the public eye, i’ve actually embarrassingly asked pedro for advice on this before. thank you for telling me though, my love. a little bit of jealousy is normal. in myyyy expert opinion it means you need some reassurance and lottts, lottts and lottssss of kisses”
this idiot. they always know how to turn smth like this into a good thing. “yeah sure i mean those girls were nice and everything but at the end of the day i only want you and i’m just as lucky to have you darling” they bring you into a sudden kiss. melting into the kiss, you tangle your legs together to be as close as possible. It was a tense, reassuring and urgent. she poured a lot into that kiss and you gladly accepted it all.
i’d like to think she’d make an extra little effort in the future to make you feel more secure. whether that’s with physical affection, words, time or gifts. bella is yours and they wanna make sure you always remember that.
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jaywalking-rogue · 5 months
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Listen, I know that The Best Film Wrap was ultimately just a little silly mixed event that primarily focused on Nene's character development and Kamiyama chaos, but I've been rotating one particular moment in my head and I need to talk about it.
Event spoilers under the cut!
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So I've been wondering, (while I'm very proud of her, look at her go), how and why exactly An jumped from being insecure and not confident in her acting ability literally a couple episodes prior to ad-libbing an entire scene? I know both Akito and An have been getting some lessons from Nene but that's not nearly enough to have that much of a confidence jump, right?
And maybe I'm looking too much into it, especially since we don't even get An's POV in this, but in my opinion it's because her acting partner was Akito.
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I mean, they've been singing together for probably something over a year now and during this time An has definitely learned Akito's telling signs, when he stumbles or loses the rhythm or whatever, so you course she's gonna jump in to cover for him! It's almost an instinct at this point, it's what VBS do!
Akito losing his timing was supposed to be a minor enough thing that Nene, the director who's paying the closest attention to the scene, only notices something is "off" a moment before An cuts in. Neither Nene nor the other actors have a clear sign that something's gone wrong, but An's somehow paying enough attention to notice Akito acting off at the same time as Nene does, and at the moment's notice makes a correct decision to jump in and save the day. And Akito catches on immediately, too.
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Neither Akito nor An have any prior acting experience but what they do have experience with is being on stage together. I don't think this episode would have gone in the direction it did if An wasn't absolutely confident she interpreted the situation correctly.
VBS bounce off each other so nicely and the way they're almost always ready to cover for each other (remember Akito dragging An into a wedding and her just rolling with it? Basically same thing), and I think in-universe this dynamic between An and Akito is exactly what made the movie work and why they've been able to act their best. These two are physically incapable of letting their teammates down in any possible way.
Idk, I just think they're neat.
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shoezuki · 6 months
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ok it seems dream has slowed down or went to cry himself to sleep or something idk but now im gonna try n chronicle this shit as unbiasedly as i can. but whoooooa baby
anyways. it started when Nicolas Cantu (yes yes junkyjanker gumball voice actor) was replying to the dream parody account, dreamwastalen.
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(also yes he knew it was a parody acct dude said he was roleplaying lmao)
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Dream qrted the 'you can't joke when u an actual pedophile' tweet essentially saying that cantu is a horrible person, accusing him of assaulting dream, treating an uber driver horribly, and that he was saying the r word and being racist. Also says cantu apologized to dream on twitter by blaming it on alcohol and weed.
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nicolas qrts, saying 'yes i slapboxed you in front of the hoes', confirming he mistreated an uber driver and said he tipped the driver well after and has been handling his drinking, says he called dream 'fat and a predator'. Nicolas denies being racist. He ends it with "hire a harvard professor to calculate why despite texting every twitch streamer in austin not a single one wanted to fuck you."
also in a qrt to a now private account that basically said 'dream reaching out to streamers doesnt mean he wanted to fuck them' nicolas said dream was sending streamers dick pics.
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dream replies saying that nicolas didnt even tip and with screenshots of the dms nicolas had sent him apologizing. The dm is a massive text of paragraph . In an attempt to summarize it is essentially cantu apologizing for hitting dream n that he was out of line, mentioning he was drinking and high, that he thought dream would be an asshole but says he is 'humble, grounded and decent', that he relates to the pressure/discourse around having to deal w fame and havin a lot of influence at a young age, and also that he doesnt know who is and isnt lying w the allegations but he knows having lies n rumours spread bout u sucks.
worth noting im not sure when this message took place so I cant say if its extremely recent, but later dream i believe mentions it having to do with the latest twitchcon. idk [edit: looking ahead robbo mentioned this happened months ago]
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Another contender, robbo, comes in saying he was there and that dream was slapped for calling a girl they are friends with a whore. They technically recant this accusation, saying they mixed the cantu slap up with another event that took place at twitchcon, but they continue to claim dream did this.
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dream qrts this saying robbo 'wasnt even in the same state' at the time, that he doesnt know who robbo is, that he doesnt go around harassing women and accuses robbo of upholding the benevolent sexism trope of women being weak and needing to be protected by men.
Nicolas cantu makes a reappearance and screenshots dreams reply and tweeting it, then qrting his own tweet with a video of classical music and showing a text allegedly from dream (the name 'clay' at the top of the screenshot) saying 'tsk tsk whore' to someone. The video also has a clip from when dream was in mcc with captainsparklez and said 'we should lynch them' in reference to i think ppl allegedly cheating?.
thats the most of it so far. although robbo and dream continued to argue and at one point dream said he was going to sue them for slander/defamation and robbo qrted with 'sue me.' theres more to that bit but im not puttin screenshots this shit is already too long
anyways. my final opinion: i literally odnt know like half what happening here or if nicolas cantu really was racist or if that screenshot was 'real' and cantu said he wouldnt reveal who the friend dream called a whore is cuz he dont want to pull her into this. so im like what. but dream gettin clapped by nicolas is fucking hilarious and dream pullin the suing thing again is wild. i seen ppl in qrts saying how he already said he was gonna sue amanda and didnt, sayin he instantly pulled the dms w cantu but wont show the evidence showin amanda lied, etc. and those r a lot of what i think a this like. i feel he got angry and exploded again when eh coulda let it die out. but that always happens
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c-schroed · 6 months
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Bram Stoker's Dracula (1992) Or Why The Probably Most Accurate Movie Adaptation Of Dracula Still Is Not Accurate Enough
I mentioned some time ago - while salivating over the marvellous razor scene of Francis Ford Coppola's Dracula adaptation - that there is quite some stuff to unpack here. And now I found some time to unpack. So let's begin. I'll start with the good stuff, firstly the good stuff that's not in the book (i.e., the Flourishes), than the good stuff that's true to the book (the Well-Conserved). Thirdly, I'll make note of things that were, unnervingly, changed (by which I mean They Came Back Wrong), and then I'll deal with what is unfortunately left out from the book (the Missing). And finally, finally I'll rant over that two bad things that never were in the book in the first place (a section I'll call JUST WHY?).
So. A tragedy in five acts. Here we go.
Act I - The Flourishes
The razor scene. I think I dealt with this enough by now. It's perfection and I'll die on that hill.
The music. Obviously, Bram Stoker's gothic lil masterpiece is lacking some gorgeous score. But mourn no longer, because Wojciech Kilar cooked up some dashing, pushing tune for us, fitting perfectly to this dark tale of spreading darkness and deepening madness.
Some basic knowledge about blood groups. Yeah, Stoker can't be blamed for this, but still. It's a nice addition to remind us that we do indeed live in a world where blood groups exist.
The Westenra Estate. As much as I pity that the lovely town of Whitby did not make it into the movie, I do love Lucy Westenra's house. Because I'm a sucker for hedge mazes. Simple as that.
Those glasses. Those. Fucking. Nice. Glasses.
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Act II - The Well-Conserved
The plot in general. Yes, there are a lot of maddening differences, as we will see soon. But still, this movie at least makes the impression that most of the people working on it had indeed read the darn novel. Which is something that I can't say about many other Dracula adaptations I have seen.
The costumes, the sets, the atmosphere. Well done, everyone!
The Actors. The good thing about being not native in a language is that one is not very prone to dialects that seem off. And as I happen to not be a native speaker of English, I have little problems with Keanu Reeves and Winona Ryder adding some US touch to what should be very, very, v e r y British characters. I even find Reeves perfectly fitting for the oh so darn young Jonathan Harker. And the rest of the cast is marvellous, too (with the exception of Winona Ryder, see below for details). Especially Tom Waits, who is hard-wired to the name of Renfield in my brain ever since I first saw this movie. And Gary Oldman as Dracula… Well. I think I already made clear what opinion I have about that sexy bastard.
Some lucky few of lovely quotes made it over to the film. Dracula's welcome. The Fowl Bauble of Human Vanity, of course. And Qunincey almost making me faint when saying "Little girl" when I least expected it.
Act III - They Came Back Wrong
The dates. Goshdarnit, the dates! It's an epistolary novel, so why make the effort of making up completely new dates for events that already had a precise date in the novel? I just don't get it. And it unnerves me. Every. Fucking. Time.
Time in general. Watching the movie after Dracula Daily makes it feel so very, very hasty. Jonathan travels to Castle Dracula like it's no thing at all. And the first few days in Castle Dracula are condensed into one weird evening.
Dracula meeting Mina before Jonathan is back. I really, really loved the book for avoiding the most terrible tropes. And then comes this movie, and struts right into this terrible pitfall.
Mina. I'm sorry, usually I love the work of Winona Ryder, but here she was way too bland. Maybe it was because her character had quite a revamp (ha. ha.) and no one cared to tell her what new approach she should take. But whatever reason, the clever, adorable train fiend of the original did not deserve this!
Act IV - The Missing
The Voyage of the Demeter is way too short. Where is "But I am captain, and I must not leave my ship"? Where is the poor sea captain tying himself to the wheel? And where is his funeral? Oh, I really missed all that. And, I mean, I don't mind hearing Anthony Hopkins read the lines, but would it have been such an expense to at least hire an additional actor to voice the correspondent or the sea captain?
Jonathan Holding Mina By the Arm. That's really not an objectively big issue. That's just me who fell in love with JonMina after reading this chapter. And almost no one does it properly. They deserve justice!
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(Thanks a ton to @smieska for capturing my mood just perfectly!)
Act V - JUST WHY?
Elisabeta. Don't get me wrong here: All of the oh so tragic Drac backstory they invented for this movie is terribly unnecessary. But in this sea of uselessness, the tragically deceased wife of Vlad Țepeș that just so happens to perfectly resemble Mina Murray is an audience-insulting island of unoriginality. I mean, yeah, I guess someone wanted to add some romance to the story of Vlad the Fucking Impaler. Because, well, nineties or so. But Mina, of all women? Why not invent some new character that can be bothered with such stuff? Why ruin an all-nice JonMina ship? I don't get the whole new backstory, and I especially don't get this aspect.
Dracula raping Lucy in his shitty werewolf form. Everything about this is wrong. And it has no relevance for the plot. Just. Blergh.
Epilogue
It's cruel to watch Francis Ford Coppola's take on Dracula right after finishing @re-dracula. I know that now. Everything is still too fresh. It's a good movie, after all, but especially because it's quite good it is frustrating to be so terribly aware of all its shortcomings. In a few weeks or so, I would recommend it, again, I guess. As long as it's still Dracula Off-Season. 7 out of 10 points.
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meraki-yao · 3 months
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Some people say Nick posts about mary & george when there is something about Taylor because he wants to show that he has real jobs and shift the focus to real projects god, they're so evil
Jesus Christ, fuck them. They're stirring drama for drama's sake. That's their FUCKING JOB. M&G is literally 2 weeks, 14 days away, why wouldn't Nick post about M&G? Like they didn't choose for these dates to collide, it just did.
So yeah you're right, those people are fucking evil who can't leave a good thing alone.
But honestly, I'm amused by this "argument"/"criticism", and I'll tell you why (warning: discussion of real-person shipping under the cut, please don't read if you're uncomfortable with the subject)
Also warning, I ended up with a short-essay, because I'm me lmao
As I mentioned before, for rwrb I'm mostly active here; but I also look at the posts and opinions of the Chinese rwrb fandom (i don't post there though, I don't have nor want to have Chinese social media accounts)
and the thing about shipping culture in China is that RP shipping is almost DEFAULT (and I can write a whole dissertation on this phenomenon if anyone wants to read it) like, if you ship a pair in a show/movie unless the actor/actress is publicly in a long term MARRIAGE, not just relationship, MARRIAGE FOR LIKE AT LEAST FIVE YEARS, the audience will automatically ship the actors too. So much so that this is part of THE MARKETING STRATEGY of all locally-produced streaming shows
Also, when I say ship, I don't mean "aww that's cute they're cute together", I mean tin hatters. I mean they genuinely try to find snips and bits in photos that might serve as proof that they're together. We call it 嗑(磕)糖 ke tang (Eating/Drugged by Candy), because in Chinese weddings candy (called 喜糖 Xi Tang "happiness"-"candy") is given to guests, and because it's sweet. The "evidence" is called "candy", and the act of looking and finding "candies" is called "eating candies".
all this to say, nearly all rwrb fans in China ship Taylor and Nick together, and they're genuinely convinced that they're together. I've seen my fair share of "candy"/"evidence" and they keep coming. (some of those i genuinely think they're trying too hard but there are really some that I see and go "...damn.")
now finally back to this ask. Nick posting when Taylor has an event, what the people mentioned in the ask is bitching about, IS CONSIDERED A CANDY. EVERYBODY IS GIGGLING AND GRINNING OVER THE FACT THAT NICK AND TAYLOR POPPED OUT TOGETHER IN THE PAST COUPLE OF EVENTS LIKE THE GQ, THE ACADEMY GALA, MILAN AND TODAY. IT'S LITERALLY THE OPPOSITE END OF THE SPECTRUM.
a last little tidbit from me and my opinion on the whole shipping thing for now: personally I don't entirely agree with the default real-person shipping, it has proven to be problematic in the past and honestly I hate how monetized it is, but 1, it's such an "everybody in the country does it" thing that I... would be lying if I said I'm not influenced by that mindset at all, 2, I know where this mindset came from and it has stuff to do with the societal pressure of young adults in the country and rebellion against traditional concepts of marriage and stuff. It's a sociology phenomenon, and when I look at it as an outsider, I find it kind of fascinating.
As for my opinion on the boy's relationship, I don't...care? I know they have a good relationship and that's all I want for them. As for what type of relationship they have, I don't really mind/care, and I don't think we should look too much into that. That's their relationship for them to define and them to publicize if they want to. I know for a fact, that they are great friends. Are they more than friends? That's unfalsifiable, and that's no one's business but their own. So that's my stance.
But I had to choose one extreme fan's reaction, rps is a much less harmful thing than the sheer amount of hate and deliberate drama-stirring I've seen. So there.
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strawberrycarat · 6 days
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CCXP Mexico - Omelete Stage HOTD
So, I've seen a lot of people complaining about the Omelete stage yesterday... and I, honestly, as a Mexican, I agree. There was someone else saying some pro-things to it, and I do agree in some points, but I disagree in others.
First of all, you must know that yes, Mexicans are a more effusive public, so I was kind of surprised they all behave well (trust me, we can be more chaotic). I think the problem was the hosts and the event arrangements.
We're not as punctual as we should, in any event, honestly. Usually we know that if something is set to, I don't know, 10am, it usually starts 10:30 or something. So I wasn't surprised they started late. What did surprised me was the chaos during the interview (yes, it is a more informal stage, but that doesn't mean the host should be less professional - I didn't see the same problem in Brasil, for example, and it was a shock to see two of the hosts were the same that last year). Some of the questions, to my own personal taste, were meaningless (like the same boring questions the actors have already answer a lot - brasil CCXP included - like which team are you, etc.). Some questions were alright (like the one of the makeup/hair, etc.), but it did seem unconfortable for the actors in some points of the interview - like telling Ewan many girls would like him to stay in their houses - there was something similar in Brasil, but I think it was better managed. —Also, I felt like the girls-hosts were competing for attention? I don't know - the men seemed a bit ignored—...
Now, I do disagree in a point someone said before. It doesn't matter if we're in Mexico, there are host that can speak perfect English and that don't have the problem of the language barrier. I think they needed to choose better hosting and I don't know if it was a good choice to have so many hosts (4 was too much - I think 1 or 2 that knew how to handle the interview and the audience should've been a wise choice - specially since they were 4 cast members - and I think for the time they didn't gave the actors a lot of time - which is a shame since they travelled all the way here). One of the host asked the questions of the teams and after Tom, I saw Ewan taking his mic, but one of the hosts started to talk and she didn't let him finish).
I'm not surprised Ewan's ear-thing failed, but I think he did handled so well and he seemed so polite to the technician that went to change it in the middle of the interview.
Another thing that was con: it was on Sunday and the CCXP announced the actors one week before the event. Mexico is a huge country and to make that travel in such a short notice is hard to do (money, arrangements for an hotel, etc). And, even if there were a lot of people from other States going to the CCXP, they probably left for their homes on Sunday because Monday is a work-day. So I think that's why it was more empty than other days.
Oh, and the arrangements. I think they did have a better arrangement in Brasil. Here, the actors had to run from one stage to another (the omelet thing was at 5:15 and the other stage at 6:00 - and since the first one started super late...). I think it would've been better if they had the omelet stage before (or even on Saturday) to have all the fans concentrating in one of them and not choosing one.
Also, the thunder stage seemed more professional - there was one host who seemed to concentrate in more elaborate questions and the mariachi at the end - genius!
I really hope this doesn't discourage the actors from coming again. I think, since it was the first time with the CCXP it was meant to have many errors, but in general I think it was a good event. I just think they could've do better with the HOTD cast - it was a shame. The actors were sweethearts, though, and I am glad they liked Mexico - I can't wait to see all the other interviews they did !
Anyway, it was MY opinion, as a Mexican who wasn't able to go (again - time, money and work didn't allowed me), but who was refreshing all the time to see every detail of the event.
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croziers-compass · 5 months
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Summary Notes of Terror Camp 2023 (9.12.23)
(A small summary of notes and references I took during Terror Camp Day One)
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Erasure of Sailors of Colour in Arctic Exploration!!! Needs to be explored much more. JEAMS Fitz-James Fitzjames - w'ont put his apostrophes in the back of words. Capitalising Letters where you would Not usually capitalise them is like Italics. it is Emphasis in speech when written.
These jokes are getting Auld. (If you know you know)
Most things were phonetically written.
WOAHOO!!! - James Thompson
Relic? Or Artefact?
Semiophore - Objects regarded in a given community as carries of meaning.
Walpole is a little fucked in opinion. (imo)
Dundy was awful at spelling. Worse than Goodsir.
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Capitalists should really look into Thomas Holloway
Everyone knows and loves Snarfin' On Them Ribs Saturday Man Proposes, God Disposes
Lady Jane was offended.
Hudson Bay Speedrun - Let Curiosity be your Compass
James Knight does not girlboss but he thinks he does.
A Ship Called The Whalebone Roald was both an asshole but good at what he did.
The Raft of the Medusa - We knew where that was going.
Johnathan Miles is a Horse Girl
Foreshadowing of the Cannibalism and Mutiny
HOOSH
History is a Panopticon They were just people... (Also a Note. I am worried that a lot of the fandom thinks that the concept of a Panopticon originates from TMA and that it was a TMA reference. It was not. I am wondering now if the TMA listeners know who Jeremy Bentham is.)
Cultural Understandings
IceBound Not Down - I did not take a lot of notes on Professor Hester Blum's panel. I was far too invested to write and when it was over I realised I had not made any notes. She was incredible. I loved her narratives very much. I would love to get her book. It is on my list! You would have had to have been there. It was wonderful. Not News: Dan Simmons is a wee fuckboy. We have established this a lot. He also establishes this for us. (?) Umlaqtalik - There is a boat there.
Imperialism is a disease.
How to read Ethically!
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Some of my Notes from the Panel with Paul Ready and Nive Nielsen:
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"You can hear a smile in a recording" - Nive Nielsen
Paul "I am not an expert on Anything" Ready
He is so very attached to Goodsir. Goodsir is very much a part of him. Hearing him talk about how integrated Goodsir is to himself was wonderful.
"I think we need more Goodsirs in the world."
Nive and her impressive education on the importance of indigenous representation and how that impacted her. How her voice as not only an actor but an Indigenous Actor was taken with such respect and was given the space to allow for respectful and creative extrapolation on the Set.
A small Note in my book that says: Oh goodness me he is hideously beautiful. I cannot stand how beautiful he really is. Oh my goodness.
"Nothing is good or bad. Just the potential to be." - Nive Nielsen - Terror Camp 2023
Nive: All Humans are good at picking up sincerity.
Goodsir would have hated Hickey.
"Ah. Would you look at that. Dead with my ass carved up." - Paul Ready
Nive: You cannot kill people or let people die because everything is connected and you do not know how that will effect your future. You have to depend on each other. So when there was conflict you had to solve it with as little violence as possible.
A very Important Book Nive Nielsen had spoken about!
You can get a copy on Thriftbooks of "Give Me My Father's Body" by Kenn Harper Here
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I had an incredible amount of fun during this event. I am so excited for tomorrow. What notes you are seeing here are just references to part of the panels and some side comments I had made between all of my other more detailed notes. There was so much to be had and so much that we saw and heard. The speakers were incredible and each individual was incredibly dedicated to their impressive Art and Passion. It truly showed. As Nive said: You can hear a smile in a recording". I feel as if this applies to every one of the speakers and all of the panels we had the pleasure to enjoy today.
I have more detailed notes in my journal which, of course, you can see I scrawled a lot in. I had amassed about seven whole pages worth in that time. So to type them all would be just simple a task I cannot do. But I am open to discussions regarding how everything was if you did not get to attend it! Also Terror Camp has a wonderful setup available for you to explore the other avenues that they have presented on their website. So please do go check that you if you are interested! I cannot wait to do this tomorrow with my fellow Shipmates. Thank you so much for everyone that put together @terrorcamp. I am quite excited for tomorrow!
With much love and saltwater kisses,
Second Leftenant in heart and spirit,
-Wilbur E. F. C.
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artemistalkstoomuch · 4 months
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All of My Opinions on the Mean Girls Musical Movie
Firstly, loved all the original film references. Of course the obvious ones like having the same lines, the thing about fetch being slang from an old movie, but also!!
. Janis' suit being purple for spring fling!! and omg let's not even talk about how pretty Aul'il Cravalho was throughout the entire film. Her eye make-up was so impressive
. that part in Sexy where they're cycling through potential outfits and one of them is the white shirt with the purple bra holes cut out !!
Slightly upset about the fact they cut out Meet the Plastics and it ended up being more like, Meet Regina, but I get that. On the topic of songs, I understand a lot of them were cut out because they were "too theatrical" but I can still miss em!! Truthfully when I heard the new Stupid With Love I was devastated because it's one of my favourite songs and they fucking tiktokified it, but I actually think it works really well in the film- it gets the "cringy first proper love" aspect across, which is its purpose, so I'm happy.
THEY GOT RID OF "WHO HERE HAS EVER FELT PERSONALLY VICTIMISED BY REGINA GEORGE" which was absolutely criminal
AND THE PRINCIPAL AND MS NORBURY ARE TOGETHER which was actually adorable, and I didn't think about the fact that could be something that happened, but I'm very happy it did.
The bus at the end of Rather Be Me was such a jumpscare but also so funny. THEY MISSED OUT THE DIALOGUE TO DO IT THOUGH SADD. Plus she was so goofy that entire song?? Why was she running in and out of all of those random rooms.
The rumours spreading via phones looked half cool, but it's dated the film imo, which is what Tina Fey originally set out to avoid! Like "fetch" was made up slang so in years to come the film wouldn't seem cringy for having slang teens actually used to use at the time.
Big drum-roll: We did not see enough of Regina's meanness to actually justify her being a mean girl. A lot of it got filtered out through songs, and the majority of stuff was just her, like, responding badly to sexism?? Also tell me how I'm gonna villanise Renee Rapp she fucking SLAYED what a queen.
Also WHERE IS COACH CARR'S SEXUAL ASSAULT. THAT'S THE WHOLE REASON MS NORBURY GETS ARRESTED!!?? That, to me, is one of the biggest indicators in the original film of just how powerful the "Mean Girls" are, they know about this, and the other teachers don't. Not only that, but it highlights just how immature they are, because they don't do anything about it. They're girls who run the school, without having any sympathy or context to do something about bad stuff they know happens. It's just "a funny thing to write". Not having that made me sad tbh.
Changing the line to "you wrote this" in World Burn was clever but I wish we got to see more of the girls turning on each other, rather than direct fighting.
KEVIN G BEST SONG IN THE MUSICAL
Where was the 4 way phone call, DEVASTATING. We literally did not see the plastics actually interact with each other. There was no meanness, no impact, all we got were the "events" when OTHER THINGS HAPPEN. You could say it lost a lot of filler, but the filler was actually context! And part of what makes the film so good!
Devastated she doesn't say "damn you're mine" in Someone Gets Hurt. I do think it's hilarious they just didn't make the actor guy for Aaron sing at all lol
"That filter you use looks just like me" WHY. I appreciate the change from the line about weight but like, this DOES NOT MAKE SENSE. at least say "that filter you use has nothing on me" THE WHOLE POINT IS SHE'S ABOVE IT
I didn't like the extended version of Revenge Party, sorry, too used to the old version
And I did not like the girlbossification of Sexy. I get it's supposed to be powerful like "watch me as I run the world in shoes I cannot walk in" but I feel like the whole point of "I expect to run the world in shoes I cannot walk in" is supposed to point out the irony, like, being slightly critical of "modern feminism". I will say though that the wobble from avantika as she says that is superb.
Overall I thought the film was enjoyable and a nice blend of the original film and the musical, but I think both ended up losing individual meaning because of how much they intersect. You don't have time to appreciate the lyrics and power of the musical because you don't hear them all, and some of them get cut, and you can't follow the plot in a meaningful way because the songs are happening, and they skip a lot of context to fit them in.
Would totally watch it again though, if only to see Renee Rapp say "get in loser" cos she actually nailed that
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