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#and the one the girl used to go to
yesterdaysnewts · 6 months
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my school have turned off all the news and staff have been told to not let us look at the Brianna Ghey trial, really fucking shit how they refuse to acknowledge it
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ssalballoon · 7 months
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Atlas
Can rest his weary bones
The weight of the world
All falls away
- after the initial fright of a wizard losing one's magic, i imagine it could feel like respite similar to how flying to a new country and being unknown and a complete blank slate is... among the sussur blossoms he is just gale dekarios
- lyrics from good riddance by Darren Korb (play hades/supergiant games and change your life forever)
- his embroidery has roses in it, apparently it's a term of endearment in waterdeep :') cute
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uncanny-tranny · 3 months
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I recall saying this before, but it bears repeating:
There could be a billion trans people in the world and it still wouldn't be a bad thing because being trans is not a bad thing. Even if the rate of people discovering they are trans is "disproportionate" to trends from decades ago, that is not a bad thing. In fact, it's a natural consequence for there being more trans people being able to stay alive, and, overall, being able to live in a slightly more tolerant world. You'd only see that as a bad thing if you actively didn't want trans people to either live or live a life that facilitates wellness.
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strawberrysoop · 1 month
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young justice has taken over my brain and theyre all i can draw lately <3 also i highly recommend clicking to view the middle 2 bc tumblr cropped then bad in the format </3
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novelconcepts · 2 years
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The defintion of hell is knowing a show is incredibly well-received in its first season, but if people don’t become machines churning out tweets, content, and rewatching 24/7, there’s no likelihood it’ll get a chance to tell its whole story. This shit is madness. Shows in different genres shouldn’t have to pit-battle for dominance. First seasons are MEANT to be baselines establishing worlds and characters, not complete storylines. The idea that this golden age of television has turned into “get it done in one or get out” is revolting.
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doydoune · 17 days
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Hazakura Temple, February
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spacedace · 9 months
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Found this old snippet and don't really remember of the context for it outside of being a joking exploration of how weird the Fenton/Phantom family tree would seem to outsiders (not even getting into how relationships might be classified differently between the human side & the ghost side)
Anyway gonna drop it here as a prompt lol
Mind the quick reference to dismemberment, there's no gore or detailed description and no one is actually hurt, it's more there for comedic effect, but still wanted to give the heads up on it 👍
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Nomad motioned to the towering, vaguely vampire-looking buff dude with literal flaming hair what the fuck, “Dan, this is everyone. Everyone this is Dan. He’s my…” Nomad trailed off and blinked, a look of confused befuddlement on her face as she let the sentence hang for too long.
“Huh…” She said considering, looking up at vampire-dude, Dan apparently, with a confused furrow on her brow. “You know this is the first time I’ve ever had to try and explain our relationship to each other and I’m drawing a blank and what exactly to call you. Uncle? Dad? Brother? Like, I think you could technically be considered all three.”
What the fuck did that mean??? Kon snapped his attention over to meet Tim’s masked gaze, the look of wild confusion Kon was sure was on his own face mirrored there. Around the meeting room confused and worried looks were being shared by the rest of the League. Which like, yeah, what in the Habsburgs was happening here for all of those terms to be applicable?
“Well, you’re Danny’s Mirror, so if you consider him your dad then it stands to reason I’m also your father.” Dan said, hand coming up to his - literally flaming, how did that work? - goatee thoughtfully.
“Yeah but like, I call Danny dad just to piss Vlad off.” Nomad countered, toying with her severed arm with her still attached hand. Kon didn’t think he’d ever get over how casual she was about being literally disarmed and just…not caring. “And I definitely don’t see you as a dad. Uncle?”
The giant of a ghost shook his head with a frown, “Implies that Danny and I are brothers, which could work but gives our relationship kind of a weird vibe. I feel more like his father than anything.”
“Gramps, then?”
“No.”
Nomad laughed, “Fair, wouldn’t want to take the title of Grampa away from CW. Besides we’re both half Vlad, so I think brother works best here.” She frowned, looking thoughtful, “Maybe half brother?”
Dan considered, “Half-brother could work. Though it gives Vlad more credit than he deserves.”
“Oh come on, can you imagine the look on his face if we went in together on suing him for child support?” Nomad asked, fanged grin wicked. Dan’s face lit up at the idea, and Kon felt like they were rapidly heading towards the two ghosts running off to go and go torment whoever this Vlad guy was rather then them help deal with the current demonic problem at hand.
“Can you please explain what any of that means?” Kon asked, more a squeak than anything else. He was starting to get a headache.
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ladykeyleth · 3 months
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I don't know what to do. What's the end goal of all of this? Am I really just supposed to keep chasing and consuming power wherever I find it? To what end? And will it actually ever be enough?
Bonus:
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oberonbronze · 6 months
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yes yes the relationship between mordred and merlin is a tragic portrayal of how devotion can be corrupted and the devastation of watching destiny unfold in front of you out of your control but good lord it is funny. if i was merlin id be astral beaming myself straight into that teenagers head every time arthur bothered me like chop chop you stupid little prophecy boy fuck you
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tsuchinokoroyale · 5 months
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Happy new years… let’s stay hydrated together ✨
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#I didn’t end up going to the rave just stayed in with my buddies and had KFC (( Korean fried chicken )) and laughed til we cried so#it was still a wonderful start to the new year 💞🥰💞#but the fwb wanted pics of my potential rave look so I figured eh I brought the stuff anyways#and now I’m imagining locking eyes with a stranger on the warm and writhing dance floor#the beat thumps and shakes and rattles the air in our breath as the spotlights dance in the reflections of our held gaze#he pushes his way through the crowd with a singular stare and a wicked smile on his face#I smile and turn my back on him arching myself so he knows I am giving what he’s looking for#I take careful steps through the revelry toward the edge where the crowd thins out#I prop myself up on an available stool in a lonely corner of the club as he closes the distance between us#“now I wonder why you dragged me all the way here” he utters in a playful growl “trying to get far away from the crowd?”#I smile and I nod. “obviously. can’t really do what I want with you out there”#his eyes perk up and his smile gives away the desire building inside him. “yeah? why don’t you show me then.”#“I thought you’d never ask” I smirk. I reach down into my pants and pull out my phone#“so this one is blue. he’s the oldest but he’s sooooo sweet. and that’s Eva. my only girl she’s sassy but she loves swea-” he leaves#whaddahell I say demurely whimpering even… whaddahell…#gpoy
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front-facing-pokemon · 11 months
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pocketramblr · 14 days
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fun as all the various other quirks-in-ofa manifest first are, i am now musing on a "the first power to manifest is the vestiges" au where Izuku, still functionally quirkless, is in the middle of the entrance exam when he uhhh summons seven and half ghosts who were not prior to this fully aware and/or paying attention.
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ghost-proofbaby · 13 days
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people who fully write fics before posting them scare me. like what do you mean you don’t post a chapter right after you finish it to get that lil serotonin boost when you get the slightest bit of validation via likes/kudos/reblogs/comments.
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aroaceleovaldez · 8 months
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i still think a lot about how technically, it's implied Anubis and Walt started dating each other before they asked out Sadie, and if Sadie had said she wasn't interested they would have gone "Entirely fair have a nice day" and proceed to just go continue to date each other.
Cause like, that was the entire thing. They decided that themselves. That things would work best if they were together (as in both physically sharing a body and also relationship-wise). The "asking Sadie about it" part was secondary. If she had said no, they would have stayed together, because among other things Walt would kind of die if they didn't. Walt and Anubis are technically the first gay couple in the Riordanverse. AND they're in a polyamorous relationship with Sadie. Why does no one talk about them ever.
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heartorbit · 6 months
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a mob of emus for an artstyle game on twt! ^_^
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novelconcepts · 1 year
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There’s a line from American Gods I keep coming back to in relation to Yellowjackets, an observation made early on by Shadow in prison: “The kind of behavior that works in a specialized environment, such as prison, can fail to work and in fact become harmful when used outside such an environment.” I keep rotating it in my head in thinking about the six survivors, the roles they occupy in the wilderness, and the way the show depicts them as adults in society.
Because in the wilderness, as in prison, they’re trapped—they’re suffering, they’re traumatized, they’re terrified—but they’re also able to construct very specific boxes to live in. And, in a way, that might make it easier. Cut away the fat, narrow the story down to its base arc. You are no longer the complex young woman who weighs a moral compass before acting. You no longer have the luxury of asking questions. You are a survivor. You have only to get to the next day.
Shauna: the scribe. Lottie: the prophet. Van: the acolyte. Taissa: the skeptic. Misty: the knight. Natalie: the queen. Neat, orderly, the bricks of a new kind of society. And it works in the woods; we know this because these six survive. (Add Travis: the hunter, while you’re at it, because he does make it to adulthood).
But then they’re rescued. And it’s not just lost purpose and PTSD they’re dealing with now, but a loss of that intrinsic identity each built in the woods. How do you go home again? How do you rejoin a so-called civilized world, where all the violence is restricted to a soccer field, to an argument, to your own nightmares?
How does the scribe, the one who wrote it all out in black and white to make sense of the horrors, cope with a world that would actively reject her story? She locks that story away. But she can’t stop turning it over in her head. She can’t forget the details. They’re waiting around every corner. In the husband beside her in bed. In the child she can’t connect with across the table. In the best friend whose parents draw her in, make her the object of their grief, the friend who lives on in every corner of their hometown. She can’t forget, so she tries so hard to write a different kind of story instead, to fool everyone into seeing the soft maternal mask and not the butcher beneath, and she winds up with blood on her hands just the same.
How does the prophet come back from the religion a desperate group made of her, a group that took her tortured visions, her slipping mental health, and built a hungry need around the very things whittling her down? She builds over the bones. She creates a place out of all that well-intended damage, and she tells herself she’s helping, she’s saving them, she has to save them, because the world is greedy and needs a leader, needs a martyr, needs someone to stand up tall and reassure everyone at the end of the day that they know what’s best. The world, any world, needs someone who will take those blows so the innocent don’t have to. She’s haunted by everyone she didn’t save, by the godhood assigned to her out of misplaced damage, and when the darkness comes knocking again, there is nothing else to do but repeat old rhymes until there is blood on her hands just the same.
How does the acolyte return to a world that cares nothing for the faith of the desperate, the faith that did nothing to save most of her friends, that indeed pushed her to destroy? She runs from it. She dives into things that are safe to believe in, things that rescue lonely girls from rough home lives, things that show a young queer kid there’s still sunshine out there somewhere. She delves into fiction, makes a home inside old stories to which she already knows the endings, coaxes herself away from the belief that damned her and into a cinemascope safety net where the real stuff never has to get in. She teaches herself surface-level interests, she avoids anything she might believe in too deeply, and still she’s dragged back to the place where blood winds up on her hands just the same.
How does the skeptic make peace with the things she knows happened, the things that she did even without meaning to, without realizing? She buries them. She leans hard into a refusal to believe those skeletons could ever crawl back out of the graves she stuffed them into, because belief is in some ways the opposite of control. She doesn’t talk to her wife. She doesn’t talk to anyone. It’s not about what’s underneath the surface, because that’s just a mess, so instead she actively discounts the girl she became in the woods. She makes something new, something rational and orderly, someone who can’t fail. She polishes the picture to a shine, and she stands up straight, the model achievement. She goes about her original plan like it was always going to be that way, and she winds up with blood on her hands just the same.
How does the knight exist in a world with no one to serve, no one to protect, no reason propelling the devastating choices she had grown comfortable making? She rechannels it. She convinces herself she’s the smartest person in the room, the most capable, the most observant. She convinces herself other people’s mysteries are hers to solve, that she is helping in every single action she takes. She makes a career out of assisting the most fragile, the most helpless souls she can find, and she makes a hobby out of patrolling for crimes to solve, and when a chance comes to strap her armor back on and ride into battle, she rejoices in the return to normalcy. She craves that station as someone needed, someone to rely upon in the darkest of hours, and she winds up with blood on her hands because, in a way, she never left the wilderness at all.
How does the queen keep going without a queendom, without a pack, without people to lead past the horrors of tomorrow? She doesn’t. She simply does not know how. She scrounges for something, anything, that will make her feel connected to the world the way that team did. She moves in and out of a world that rejects trauma, punishes the traumatized, heckles the grieving as a spectacle. She finds comfort in the cohesive ritual of rehabilitation, this place where she gets so close to finding herself again, only to stumble when she opens her eyes and sees she’s alone. All those months feeding and guiding and gripping fast to the fight of making it to another day, and she no longer knows how to rest. How to let go without falling. She no longer wears a crown, and she never wanted it in the first place, so how on earth does she survive a world that doesn’t understand the guilt and shame of being made the centerpiece of a specialized environment you can never explain to anyone else? How, how, how do you survive without winding up with blood on your hands just the same?
All six of these girls found, for better or worse, a place in the woods. All six of them found, for better or worse, a reason to get up the next day. For each other. And then they go home, and even if they all stayed close, stayed friends, it’d still be like stepping out of chains for the first time in years. Where do you go? How do you make small choices when every decision for months was life or death? How do you keep the part of yourself stitched so innately into your survival in a world that would scream to see it? How do you do away with the survivor and still keep going?
They brought it back with them. Of course they did. It was the only way.
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