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#and we cannot *be* if it means the way we are being isn't this carefully curated version people have of transness + queerness
uncanny-tranny · 10 months
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It's always, like, mildly annoying when people see a het trans couple and go "all that work just to be straight?" like... one, you don't know if they're straight and two, trans people don't owe you a queer sexuality to "make up" for the fact we're trans. Transhet people aren't a subtype of trans people, they're members of the trans community, and the queer one if they so desire!
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inkskinned · 5 months
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the problem is that being single is seen as the consolidation prize, and not the natural neutral state of being-a-person. at the end of the movie or the book or the poetry, there is a person waiting for you at the altar, and they love you. if the play is a comedy, everyone gets married. the metaphor is about how you are not-whole. the metaphor is about how everyone is going to be happily-ever-after. the metaphor is that romantic love is the most important resource on the planet, not just all-love. all-love is not a thing, that is a disappointment. the treasure is not the friends we made along the way. the treasure is the girl you landed.
the metaphor is that you cannot be alone, that means you are broken. are you getting over someone? that is acceptable, you can be getting over someone, but not for long. you must be single because you would rather not be single. you must be single and looking to not-be-single. you must want to date, eventually.
friendship and community are never seen as being equal-to or even-better than romantic connection. that person is your one! you need to find them. you need to hunt through the sand particles until you can shift out some kind of gem. this is regardless to your own experience of the beach and the sun. you need to be somewhere with someone.
if you are taking this time alone to heal, that is so sad. everyone gives you this little pitying look. the understanding is that you are not actually happier than you were before you were single. it is seen as a sort of pity - oh, you are choosing yourself, making yourself the priority? - that isn't quite right. you must mean that you are making yourself ready for the right person. you are just laying the bed better this time. open up your heart. you'll find them, we promise!
what do you mean you're really-truly genuinely-very happy? you are probably misremembering what it was like to be in a relationship. and besides, once you meet your person, that time will look grey and bland and wasted. your person is the only way for you to see in color. so what if you have taken this time - for the first time in your entire life - to actually-for-real do the fucking work. you can be proud of yourself, sure. but the way we need to know that you got better is that you get a partner. you're healed enough for the next bad part!
people don't choose to be single, they just say they're choosing to be single - they actually mean "nobody wants to date me." it doesn't matter how many people you have gently rejected or how many times you've talked it over carefully in therapy. what matters is that you are single, and by all accounts - that means you are something worth our pity. your successes and life all seem pale in the sunlight. sure, you have done amazing things and finally found your way in life. what matters is that there wasn't a person in the room with you while you did it.
you want to tell them - that's the whole thing. i didn't know how to be alone in the room. i didn't know how to handle the silence. every moment was so sharp, and i kept choosing the wrong way to close the door. i have spent my entire life in the empty well, living in the ricochet of someone else's cruelty. for once i have built myself a ladder. for once everything i taste is all mine, every bite of sunshine and laughter. i have learned how to sleep out in the open with my memories. recently, they have started to purr.
your father rolls his eyes. listen. this isn't about you. i just want a grandchild in my future.
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crazy-pages · 5 months
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Blue Eyed Samurai and Queer Gender
There's a reason so many trans people keep reading trans identity into Mizu.
Because even if she's cis, her gender is still queer.
Lemme back up for a second. Queer identity is deeply intertwined with experiencing sex and gender in ways which are fundamentally non-normative and non-conformative for the societies we live in. It is about being "other" to what society's default is. There are reasons that queer liberation movements have historically often allied with kink communities, with polyamorous circles, and with feminist movements. There's overlap there, in being outside a tightly constrained norm and demanding equality and recognition. And this also means that what queer is, is defined in part by the society it stands in opposition to.
Because for contrast there have been societies, historically, which have been fully accepting of trans people or even had specific social norms and customs around nonbinary gender. The colonizing Spaniards found and recorded interactions (typically violent, sadly) with trans people in what's now Mexico who lived, married, and were recognized in their societies without regard for their genitals. There are entire fields of study around various historical recognition of nonbinary identities. None of these people existed in opposition to the societies they lived in. Heck if we look at sexuality, the ancient Greeks would certainly not have seen men having sex with men as queer (though they would have judged and demeaned the bottom), but some of them certainly pathologized women who had sex with women. In such a society bisexual men would not be queer, while bisexual women would be.
Queer is contextual. Someone who lives in a fully accepting society as a trans person, who never has contact with a culture where that acceptance isn't the norm? I'm not sure I would call them queer. At the very least, there's a definition of queer as the embrace of one's sexual and/or gender non-normativity which such a person might very well not opt into. That person might not feel queer. We might not share that emotional experience.
And where this comes back to Blue Eyed Samurai is that it's possible to be cis and to be marked unavoidably and unalterably queer by one's society. A cis woman living in the US today who feels absolutely cis but cannot, for whatever reason, stand wearing dresses and must wear pants? Might experience some gender non-conforming experiences, but not necessarily be queer. That same woman in 1890s US? Her gender expression would be outright illegal as a form of crossdressing. She would be seen with the same lens as a trans man and their experiences of gender would both be queer, despite one being cis and one being trans. If such a woman, despite being cis and straight and allosexual and alloromantic and all the rest, told me she felt queer? It would not surprise me in the least.
So if you define queer as any kind of experience or internal feeling, as a state of othered existence rather than a specific set of prescriptive definitional boxes that fit our specific societal norms and practices? Mizu is queer. Mizu might or might not be queer if you transplanted her into the 2020s US where I live. But to define her by how she would fit in our society's boxes is fundamentally missing the point of both the queer experience and the story of Blue Eyed Samurai. (And she might not be cis here, he might be a trans man, or they might be nonbinary. It's hard to say ... and this is why queer history scholars step carefully around modern definitions, by the by.)
What we can say is that who Mizu is, in the context of Edo period Japan, is queer. Whether Mizu is genderfluid, or a trans man, or a cis woman who hates having to be undercover, or a cis woman who thrives being undercover, or a cis woman performing drag, or a trans man who thinks of himself as a woman in drag because he lacks context for being transgender? It's all queer gender. There is no framing in which Mizu wouldn't relate to the experience of queer gender.
Mizu doesn't get to experience gender in a normative way. That's both because of who she is at her core, and something that's defined by society without her consent. She is queer, innately born so and structurally made so at the same time, and that's not a contradiction.
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zz0nie · 5 months
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Genshin Hcs
Neuvillette & Wriothesley
note; this is my first time writing (after like 2 years, so much improvement I'd like to hope :0) just thought I would start it easy with Neuvi and Wrio, much loved Fontaine boys <3 (Suggestions are always welcome!!)
Neuvillette
Neuvillette would never EVER bring it up to you; however, he is a man who loves his hair being played with or brushed to pass time. If you bring it up he will give you a surprised look, maybe bringing out a response from you, "Don't give me that face, Neuvi." As you're holding a hairbrush in one hand. He will silently work his way to you, in fact he is extremely attentive to how you are carefully brushing around his horns to make sure you don't hurt him. So soft in general, he loves you.
Neuvillette's favourite drink is water - as we know with his idle lines, suggesting each water from each nation is different - if you suggest to him to try some tea, he would say he does not enjoy it. However, give it a large ratio between more water less tea? You may catch him having the occasional "tea" (An extremely diluted tea, keep in mind. Maybe enough to consider it flavoured water.)
Figuring he has helped the Melusines find a safe second home inside Fontaine, he has become a parental figure to them, and as he has given them jobs often if you walk into his office while it is a relatively calm time you may happen to see a small melusine tucked up on his sofa with a large blanket suited for a human wrapping their body up. He will take it with care and duty to take care of that melusine. If he is busy he will have them escorted to their home safely though. He is a worried father, leave him be.
He is extremely quick to pick up on items or things you like or dislike. Very minimal change in your body language can tell him everything, as he does in fact notice the way you stare longingly at an accessory of clothing that would go perfectly with your outfit. If you enjoyed flowers he will go out of his way to pick you or buy you your favourite flower(s) and make sure you receive them. (Most of the time he's extremely busy and gets a melusine to go to your door, he's trying his best. :(
Neuvillette has little time to enjoy things, however, while figuring court cases inside his office, you may walk past slowly and hear the hum of his record player playing some classical music. Maybe one day you'll walk in and ask him to take your hand, you'll sway together in his office, just the two of you as you sweep him away from work and to you.
At the start of your journey together, sitting in silence was not something that was sought out from either of you as it felt awkward between you. Neuvillette isn't the best at small talk, so if you aren't either it may take a while to get this going. However, when you grow closer there will be a time where he will come to seek you out, just to sit and do his own thing while you do yours, simply enjoying your presence.
He loves like old people do, the small things mean a lot to this man. Remembering small things and going out on a walk somewhere - heck, when you help him with washing his hair when he has had a long, tiring day - between you in that moment, there is no lust or hatred, just pure love for each other. Neuvillette bathes in your sweet affection during these moments, he loves you so much, even if he cannot find the words to say it.
Wriothesley
Like Neuvillette, loves a specific brand and way of tea being made, if he teaches you how and you pick up and make it for him like that u are probably one of his most favourite people. Definitely prefers his tea on the stronger side, this man needs his energy somehow.
Children love him, even if he is this big scary dude that controls the prisons in Fontaine they see him as an extra father - especially orphaned kids - and he treats all children with such respect, he's so sweet to them. You look at him when a young girl comes up to him, holding something behind her back: Some handpicked flowers. She holds them out to him, all shy around such a pretty older boy. Of course, he accepts them and thanks the young girl as she giggles and runs off, he watches her with a small smile - if you point it out the man will throw you a frown. "Can't a guy enjoy the little things in life now? Why don't you get me flowers?" Uh oh, he's got you there.
I believe when this man decides he is done being the ward of the prison in Fontaine, he finally relaxes in a home with you - and a potential child - he cares less and less on physical appearance, obviously tries to keep up but as age comes so does laziness. So beware he may begin to grow a dadbod, he would rock it though.
Ticklish on his stomach, don't know where it came from or how you found out, maybe it was your hand brushing against it while he was stretching and his shirt came untucked. Don't play with the fire though, this man does not like being tickled. Though, he has the most gorgeous laugh, maybe it would be worth it.
Wriothesley takes his sweet time petting animals on the street and taking care of any he may come across - I mean, when does he EVER get to see a pet while stuck at work? It's always something that makes a mans heart swell with joy. However if you were to ask if he is a cat or a dog guy will be admitting he is much of a dog guy. Though, dogs aren't at all interested in him which makes him sigh in defeat, yet cats just seem so in love with him (me too) when they come running up to him. He doesn't mind it though, in all honesty he would prefer having you holding onto his arm as you both walk.
HE WILL PICK YOU UP FROM BEHIND THIS MAN DOES NOT DISCRIMINATE ON WEIGHT EITHER. HE DOES RESPECT BOUNDAIRES THOUGH! IF YOU DON'T LIKE IT HE WONT DO IT!
He absolutely loves it if you show off any clothes, or general items you have recently brought to him. Especially the clothes, he would REALLY love it if you treated his office like a mini walkway, strutting and turning with however much confidence you have. He loves it. The way you talk, walk, smile, everything. He loves whatever you do, he just loves you.
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cherrycola27 · 1 year
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Red, White, and Rooster
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Series Warnings: Language, alcohol consumption. Frenemies to lovers, relationship of convenience. Political situations. Allegations of affairs, military and political inaccuracies. Smut. 18+ Minors DNI. Banner Credit: @thedroneranger
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Chapter 10: Happy Birthday, Mr. President
You were buzzing with excitement. You were currently getting ready for Bradley's birthday dinner at the White House. He'd made sure all of his friends from the Dagger Squad were granted special leaves and permissions to be in D.C. You were excited to see all of them again and celebrate his 37th birthday.
You were even more excited for the surprise you had planned for him later.
You were currently putting the finishing touches on your outfit. You carefully fastened your earrings before slipping your wedding rings on. You held up the front of your beaded lavender sheath dress as you waited for Bradley to come and zip it for you.
You quickly fired off a text to Jake and Jaycee to make sure they were still okay to help with your plan.
Soon, Bradley emerged from the bathroom with his lavender bow tie in hand. You took it from him before handing him your necklaces for him to fasten for you.
"Don't forget to zip me." You tease him.
"I won't, Sweetheart." He says as he drags the zipper up before smoothing his hands over the back and placing a kiss on your neck. You grin at him in the mirror before turning around in his arms with his tie in your hand.
You loop it around his neck, as your skilled fingers make quick work of it.
"You know," Bradley begins. "Before we were together, I bet I zipped a dozen and a half of your dresses. Since we've been married, I've lost count." He states. You look up from his tie and raise your eyebrow at him. A silent way of asking what his point is.
"And every time you have me zip it, I can't help but wonder what the things you have on underneath it look like." He finished as you secure the knot on his tie.
You smile at him sweetly before getting on your tip toes. You pull him down towards you and put your lips close to his ear.
"In case you were wondering about this dress, I'm not wearing anything under it." You whisper before kissing his cheek and walking out the bedroom door. It takes Bradley a minute to rest his brain after that remark.
....................
His birthday dinner is going fantastically well. Everyone is having a great time, and Bradley hasn't stopped smiling. Everyone has just finished dinner, and cake is being served when you leave your seat and head to a microphone.
"Good evening, everyone!" You warmly greet the crowd. "Thank you all so much for being here for this special occasion. I'm so excited to be celebrating my wonderful husband's birthday with all of you!" The room fills with applause.
"Now, I know he would rather do without, but I simply cannot let the day pass without singing 'Happy Birthday' to him, so I was hoping you all would be alright with that. Is everyone okay with that?" You ask. The crowd laughs and agrees.
Someone plays a few bars on a piano before you start singing to him:
"Happy Birthday to you,
Happy Birthday to you,
Happy Birthday, Mr. President,
Happy Birthday to you"
Bradley swears under his breath as he feels the crotch of his pants tighten. You look like a modern-day Marylin Monroe up there, and he's trying to figure out when would be the most polite time to steal you away and sneak out of his own party.
After a round of applause, the band picks back up again, and you make your way around the room, greeting guests, shaking hands, and thanking everyone for coming.
Bradley is tucked away in a corner, downing his third glass of champagne when Jake comes up to him.
"Easy there, Rooster, this isn't the Hard Deck," Jake jokes with him. Bradley rolls his eyes before setting the glass down.
"Hangman, why is champagne such a violent beverage?" Bradley asks him. "What do you mean?" Jake replies. "I mean, the more I drink it the more I think about when would be the best time to sneak out of here so I can go fuck my wife." Bradley clarifies. Jake almost chokes on his drink. He sputters out a cough before shaking his head and checking his phone.
"Well, I might be able to help you with that." He tells Bradley, and now it's his turn to look confused. Jake shakes his head before pulling a card out of his jacket pocket. "Mr. President" is written in your sleak hand writing on the front. "Have fun, Rooster." Jake says before patting him on the back and walking away.
Bradley opens the card to find three works written inside: "Oval Office, now."
He tucks the card in his suit and looks around the room to see that you have vanished. He makes sure that no one is watching before slipping out of the room and down to the West Wing.
His office is quiet and dim when he enters. He makes sure to lock the door behind him.
"Took you long enough," you speak. Bradley turns to find you perched on his desk. Your hair has been taken down from its neat updo, and your shoes are haphazardly tossed to the carpet. Your legs are crossed as you lean back on your palms and watch him walk towards you slowly, like a cat stalking it's prey.
"My, my, my. What do we have here, Mrs. First Lady?" Bradley asks you as he walks up to the desk and plants his hands on either side of you, trapping you in place.
"I just thought I'd give you an extra special present for your birthday, Bradley." You tell him. "And what might that be?" He asks you with a coy smile.
"Well, Mr. President," You begin as you reach up to remove his bow tie. "I thought it would be nice if the leader of the free world bent me over his desk and fucked me like a slut." You finished before unceremoniously tossing his tie to the floor.
You watch Bradley's eyes darken and his jaw clench. "Is that so? Does my perfect, smart, beautiful wife want to be treated like my play thing? Is she going to let me do anything I want to her for my birthday?" He asks cocking his head to the side.
"Yes, sir." You tell him. Any self-control Bradley had left vanishes. He crashes his lips to yours in a kiss that is all teeth and tongue. He pulls you harshly to the edge of the desk before running his fingers through your hair.
He shoves your dress up your hips before pushing your thighs open. He's pleased to see that you were telling the truth when you told him you weren't wearing anything under your dress.
One of his hands leaves your hair to swipe through your slick folds. He easily slips two digits in and begins to expertly curl them into you.
"Mmmm, fuck Bradley. Feels so good." You praise him. But the words had no sooner left you mouth, and he was stopping. "Bradley, no." You whine as you attempt to grind your core against his fingers.
"Only good girls get to call me Bradley. But you're not my good girl right now, are you? You're my needy slut who needs to be taken care of aren't you?" He growls out. His words send another wave of arousal through you. You aren't sure how to respond. Bradley must not have liked that you didn't answer him because he gives a harsh smack to your cunt, causing you to jump.
"Answer me. What are you right now? He asks again. "Your needy slut." You tell him. "Exactly, so if you want me to keep touching you, it's Sir or Mr. President. Understood?" He tells you.
"Yes, Sir, Mr. President." You respond to him. He grunts in approval before starting again.
He speeds up his movements from before alternating between curling his fingers and scissoring your walls. He can feel you pussy clenching around his digits and he knows that you're close.
"Are you gonna cum for me? Are you gonna cum all over my hand like the slut you are?" He asks you as his thumb circles your clit.
"Fuck—yes! I'm so close, Sir, please don't stop." You cry out. Bradley has no intentions of stopping. No, he wants to push you over the edge until you're stupid and crying and shaking.
Your thighs are already there as he draws the first orgasm of the night out of you. He guides you through it before withdrawing his fingers and licking you relase from them. You slump against him, but he grabs your chin and forces you to look at him.
"Aren't you going to say thank you?" He asks sarcastically." "Th—thank you, Mr. President" You stutter out.
"You're welcome." He bites back before pushing you to lay flat on the desk and kneeling between your wide spread thighs. "The cake was great, but this is the dessert I'd rather have." He mumbles before liking a stripe from your weeping hole to your throbbing clit.
He buried his face in your heat, fucking his tongue into you. His nose and the fine hairs of his mustache grazed your clit with each swipe of the firm muscle. One of your hands gripped the dark wood edge of the desk while the other grasped his curls. You wrapped your thighs around his head, securing him in place. The heel of your foot dug into his back. There would probably be a bruise from it. You didn't care, though. It wouldn't be the first time the two of you had left marks on each other from lovemaking.
You were approaching another peak when Bradley pulled off of you with a wet pop.
You let out a displeased cry.
"Look at me. He growled from his position. You leaned up on your elbows just enough to meet his eyes. They were blown with lust. Your wetness coated his face and chin. The top two buttons of his shirt were open, and you could see the flush of his skin.
"You have no idea what you do to me, do you?" He asks you. "You have no idea just how much power you have. I mean, look, you have the most powerful man in the world on his knees for you. No one else on earth can do that to me but you. I might be the leader of the nation, but for you, I'm a humble servant who is grateful for the chance to worship you." Bradley states as he kisses your thighs.
"Now, I want you to watch, while the president of the United States makes you cum all over his face." He tells you before diving back in.
His eyes never leave you as he works you up again. He slips his hands under your ass and pulls you closer to him as you grind against his face. Another wave of pleasure is about to crash over you.
"Sir—Mr. President— fuck!" You cry out as the band snaps. You try to keep looking at him, but it's too much. Your head lulls back, and you close your eyes as you ride the wave. Bradley doesn't stop his tongue until you're pulling him back because it's just too much.
He gets up from his spot on the floor and takes off his jacket before cupping your jaw and kissing you. "You okay?" He asks, pressing he forehead to yours. "Very." You assure him. "Think you can do one more for me?" You smirk at him. "I know I can, Mr. President."
Bradley smirks back at you before pulling you off his desk, spinning you around, and pushing you flush against the cool wood. He stops just long enough to undo his belt and push his trousers down to free his aching cock. Precum coats the tip of it.
He hikes you dress up even further, so your perfect ass is on display for him. He gives it a few harsh smacks as he fists himself. He loves the little mewls you let out with each strike.
He pushes into you without warning, your gummy walls gripping him as he begins to pound into you. The blunt tips of his fingernails dig into the flesh of your hips.
His taking you so hard and so fast that your body jolts forward with each thrust. He grabs the base of your neck to hold you firmly in place as he continues to pound into you.
A string of incoherent curses and moans leaves your mouth as he drives into you. Bradley smiles, knowing he's the only one who can make the oh so smart First Lady sounds like a babbling idiot.
"That's it, baby doll. Keep babbling like the dumb little slut you are while the president fucks you. Love how fucking stupid and needy you sound right now." Bradley growls out as he pulls you up flush against his torso.
"You're pretty little pussy is squeezing me so fucking much right now. Do you wanna cum again for me?" He asks against the shell of your ear.
"Yea—" you managed to squeak out.
"If you wanna cum, you're going to have to ask me nicely. Go on, use your words, Sweetheart." He goads you, knowing damn good and well that you can't because of how he's fucking you right now.
You want to ask him. You really do. You want to beg him to let you finish because you're so fucking close, but he's only giving you just enough to keep you teetering on the edge. You want to tell him how good he feels and how much you love him. You also want to tell him that this orgasm that is building doesn't feel like one you've ever had before.
You want to tell him that you feel like you're on fire. You want to tell him that you might cry if you don't get to finish soon. You want to tell him how badly you want it. But the only thing you can manage in your pleasure induced high is:
"Please, Mr. President." He chuckles at how pathetic you sound before pushing you over the edge. You feel the relief wash over you as your release flows out of you and coats your thighs and his. He continues to fuck you through it, drawing every last ounce of pleasure from you.
He close himself, and the feeling of you clenching around him and cumming harder than you ever have, has him on edge.
"Shit, that's it baby doll, fucking cum all over me. God you're pussy feels so fucking good. Fuck I'm so fucking close. I'm going to cum in this pretty little hole of yours and fill you up. Gonna fill you up so fucking good, you'll feel me in there for weeks baby doll." He cries out before painting your walls white with his thick release.
He collapses on top of you. Both of you are sweaty and panting. The air in the Oval Office is thick with the scent of sex.
It takes several minutes before either of you can speak.
"Happy Birthday, Dearest." You tell Bradley.
"What a birthday it was." He states as he pulls out of you. You can feel his cum leaking put of you onto the desk, but your entire body feels like jello and you can't move.
Bradley quickly grabs some tissues to clean the both of you up. He then scoops you up bridal style and makes a mental note to come back later and clean everything up.
He carries you back to your living quarters before depositing you on the bed. You motion for him to cuddle you, and of course, he does.
"Do I want to know how you orchestrated this whole thing?" He asks you. "Probably not." You reply.
He shakes his head and wants to ask you, but he thinks better of it. Somethings are better left unsaid.
Oh wow, babes! It finally happened! The Oval Office has been defiled!
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poordeadsejanus · 5 months
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tigris hating the new snow (colour symbolism + minor meta from this scene)
i'm so deeply obsessed with so many of the colour choices in tbosas movie.... like wow! one day i'll talk more about them, but one i want to pull out and talk about right now is tigris' colour scheme in her last scene. the one where she's wearing this:
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(the picture is not great quality, i'll update this when i have a pic that's more than 2 pixel lol, but it shows what we need to see)
she's got on a light purple/lavender dress with dark blue stripes. blue and purple are usually associated with wealth and royalty (given the historic complications that came with producing them).
purple is especially representative of royalty and wealth, and tigris' outfit is mostly purple, symbolizing the new (wealthy) life that she's found herself in.
blue, along with it's other meanings is associated with melancholy. we know that tigris is unhappy/heartbroken/disappointed with snow's changes, so this link makes sense. it is also a passive colour, showing us that she is passive in coryo's transformation into snow -- there's not much that she can do about it anyway, but i digress. the deepness of the blue implies something tumultous, which gives us an insight into what she's likely feeling: relief at being out of poverty, happiness for coryo's success, but a deep sense of uncertainty and unease at this new snow persona that he's adopted. finally, it can also a colour of peace, which i take to mean that she's sort of made peace with what she cannot change about him, regardless of how she may feel about it.
now we get to the standout of this outfit: the red lip!
usually we see tigris is lip colours that are complimentary to the other colours she has on from what i recall; when she wears pink, her lips are pink, when she's got on dark magentas her lip colour matches/compliments it. the red lip here is clearly an intentional choice as it is a contrasting colour that stands out brightly against the mostly subdued/cool-toned rest of the outfit.
red can be recognized as the colour of passion and anger. the fact that it is on her mouth is certainly trying to show us something. what she says to snow here is "you look just like your father, coriolanus". it is clearly a dig, clearly meant with negative intent, with anger. she is heated! this is the little boy she grew up with, that she protected, that she loved and he's morphing into something sinister before her very eyes. if it wasn't clear by what she said, the subtext behind it, and the way that she said it, the red lip indicates her anger here.
it stands out as a little piece of rebellion against just accepting snow the way he is. she is clothed in colours that show her wealth and complacency with the changes that caused them, but she isn't entirely willing to let it go all the way.
also, she wears warmer colours for a lot of the movie -- pinks and the like -- and now she's in more cool tones, which is an obvious choice being made. she loves coryo (perhaps not snow so much), and she is letting herself be swallowed up by this new life (symbolized by the royal colours and new wealth), but she has that little bit of her that is clinging to the past, that wants her coryo back.
her (minor) dissent against snow is verbal, it is subtle and not exactly obvious to anyone except her and him, in the same way that the red lip is a subtle way of emphasizing her displeasure with this new snow.
she chooses her words very carefully, tailoring them to be a direct referral to her convo with coryo after the arena ("i know you wanna be like your father, but, what i remember the most about him, was that in his eyes it was just hate. you don’t have to pay the same price just to survive. people can be good. you can be good"). snow is like his father, who tigris remembers most as having hate in his eyes. coryo didn't have to pay the same price just to survive, he could be good, but he paid that price anyway.
in the full quote from her last scene, tigris says "i think you look just like your father, coriolanus." This stuck out to me because I don't really remember her ever calling him by his full name often (maybe just at the start when we get the "future president of panem" thing). it seems like perhaps he insisted on; he's not coryo anymore, he's coriolanus snow -- no, he's snow; it could also be something tigris did intentionally. either way, it shows that he is not her precious, still-able-to-be-good coryo anymore.
another interesting thing from this scene is her positioning. she does not rise for him, instead remains sitting at her sewing machine (someone look back and see if its a new machine or if she's using the same one as before!!). she does not rise to greet him happily like the Grandma'am, she remains seated, clearly showing her displeasure at the new snow. plus, usually rising when someone enters a room shows respect; tigris does not rise, ergo she does not respect him!
this also makes me believe that she is not making his clothes anymore (she's at the sewing machine, clearly she can make the clothes, but he grabs the coat out of the closet, showing that it's not a tigris snow original creation). it's a contrast to how we first see adult tigris, rushing up to coryo with a shirt she made/modified. now she keeps her distance and doesn't give him clothes. this shows that huge huge huge pit growing between them. once again, this is not her coryo anymore.
i'd assume that she initially was offering to make/alter his clothes, but somewhere along the way he refused. it's a sign of the hard times when all he had to wear was too-small shoes and potato-starched shirts sneaked in with curtains to be bleached. buying new clothes shows power and wealth and coriolanus' 'impeccable, well-bred, respectable taste' that comes from being a snow.
regardless of the how, she's not doing his clothes anymore, she's displeased over the new snow, he's not her baby coryo anymore, and the distance between them has never been bigger, not even when he was all the way in 12.
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image-thot · 11 months
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For the Cause: Soundwave/Reader/Shockwave
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Summary: When Shockwave returns from Cybertron, all quickly notice his increased irritability and aggression towards the few remaining omegas. Megatron concludes the best course of action is to ask his most loyal follower to lend his to the adjusting mech.
Warnings: a/b/o, heats/ruts, dubcon, non-graphic smut, Dubious sharing of mates
Shockwave was not a mech that many would choose for company, most would rather avoid the scientist in fear they'd become his next "project". He liked it that way, the fewer distractions he had meant more energy he could use to focus his work only ever needing to stop for necessary needs such as refuelling, recharge and the once-in-a-melenia rut.
Shockwave had a gift when it came to pushing down functions and emotions he deemed "illogical" and for the majority of the war primal base coding was deemed just that. Even when he was stranded on their dead home world, he was alone the conditions poor and so it was pushed down once again. That all changed when he was rescued and brought back into the Decepticon ranks once more.
For the first time in a long while he came to crave social interaction.
He would never outwardly show it but he'd often find himself enjoying the company of the Megatron, Soundwave, Y/n, Knockout, Eradicons and even Starscream.
So the only logical conclusion as to why his primal coding was finally burning through his frame with the need to find and mate an omega, was that optimum conditions for producing sparklings have been met. 
The logic was there but it didn't stop him from trying to refute it.
Aside from self-servicing every few hours he hadn't found much relief, the Eradicons were not designed with their primal coding in mind and therefore were of no use to him. Those that could be of use such as Starscream, Y/n and Breakdown were already spoken for, their Alpha's being of high ranks would likely mean a direct confrontation. 
Even though he never acted on his impulses did not make him any less pleasant to be around, often he'd find himself in a heightened state of aggression 
To say this made everyone a little tense was an understatement.
For the first two weeks, it was simply chalked up to his lack of social interaction over the many years. After the third, many assumed he was angry over his abandonment on Cybertron but by the fourth, even Megatron had grown irritated over his new demeanour.
"Soundwave, I hope you've found the answer to our problem." Megatron speaks watching the faceless mech standing before him.
"Affirmative." One of the many voices Soundwave has collected plays, Megatron motions for him to continue.
|Conclusion: Shockwave experiencing a long overdue rut cycle and has not been able to find a suitable omega to mate resulting in aggression towards alphas and their omegas.|
Megatron hums in acknowledgment of his communication officer's response, his digits tapping along his throne in thought.
"So if Shockwave were to have an omega to help in this rut he'd return to his usual self." Megatron states as Soundwave nods in response as he watches his Lord in thought. A few minutes pass as Megatron thinks, weighing each choice carefully before he speaks.
"I assume that y/n isn't carrying from your last rut?" Megatron queries keenly aware of the tension this draws from Soundwave's frame at the mention of his own mate, he takes a moment to calculate the time since you had last took him.
"Affirmative." The thought that if you had been carrying crossed his mind, would megatron consider another to offer Shockwave.
"I assume you would be willing to share your omega with Shockwave?" Megatron's words have a hint of amusement behind them as watches Soundwave’s biolights pulse.
|Query: An order?| 
Soundwave already knows it is and as insulting as it is, he'd never ever disobey a direct order from him. Even if that meant putting the bond he had built with you in harm's way.
"Yes, we cannot afford to lose Shockwave or his important work. I expect this to be handled quickly and discreetly Soundwave." Megatron almost growled as he motioned for the slender mech to leave.
Pulling his emotions tighter in, he makes his way to your station with his new directive.
This was for the cause, shockwave and his research is important to reach their goals. It was ordered by Megatron himself, a sign that he trusted you and there was no higher honour than that.
You would understand.
When your mate paid you a visit while on duty it was a shock, a rare event indeed.
"Nothing makes me happier than seeing you my love but I know you wouldn't come by unless something was wrong." Your words are so sweet and kind, it makes his spark drop with dread.
|New orders: Presence required in Laboratory -Shockwave in need of your assistance|
His visor flashes displaying the message as he feels himself stiffen, a small glint of confusion lights your optics before it disappears.
"And that assistance would be?" Optic ridge raised as you eye him up and down. "You're never one to skip on the details, especially regarding orders."
Your gaze has him instinctively straightening, chassis puffing out at the thought of you choosing another alpha over him. No, this was a mission you weren't choosing him merely fulfilling your duties as a Decepticon.
|Shockwave experiencing difficulties adjusting to the presence of omegas :Solution: Y/n to assist in adjustment|
Soundwave doesn't miss the way your frame tenses and your EM field draws back. It's obvious you’re disgusted by the request, your dermas twitch as you try to suppress a grimace.
"In what way?" It’s not that you don't know the answer, the defeated tone that tries to break through your words is evidence of that. 
You wanted no, you needed to hear it from him. If he'd order something so intimate in your bond to be given to the cause, you know he would. When he simply stares back you turn, moving back to your console as you begin to close your work. It may hurt your spark but you can understand that all Decepticons should be willing to sacrifice anything to further the cause.
"Any and All." The recorded voice of Megatron plays through his speakers, letting out a deep ex-vent you close the last data stream before turning to him.
"Affirmative. I will make my way there at once." Your voice never faltered as you push down the building emotions that threaten to spill out, as you walked towards the door Soundwaves visor tracks your movements and he doesn't need to analyse you to know that you feel betrayed.
“It’s a necessary sacrifice.” It echos through his helm, watching from the security camera as Shockwave looms over you his large frame corralling you backwards until your back hits the med slab.
“It’s for Cybertron.” The rage bubbles as Shockwaves servo roughly turns you, his cannon pressing hard into your back to bend you over the Energon-stained slab.
“It’s for the future.” Growling at Shockwave's careless clawing at your interface panelling, his pede kicking your legs open wider as your panels retract.
“It’s for the Decepticons.” Optics focussing back on the data in front of him he continues to listen, the sound of metal harshly clashing against metal along with a chorus of growls and whines fill his audio receptors.
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phoenixyfriend · 2 months
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Okay, following up on that news I saw earlier. I first was alerted to it by the BBC Global News Podcast and Al Jazeera News Updates. For easier reference and more detail, however, I will be referring to this article from AP News for details, which itself references this article that cites the Washington Post.
Things of note:
This seems to have been caused by the recent incident where over 115 Palestinians were killed, and over 750 injured, by the IDF during a reported stampede by starving civilians trying to get to aid trucks.
The air drops will begin "in the coming days," and will start with MREs (military rations).
There will be multiple rounds, according to John Kirby.
The process will be done in conjunction with Jordan, which shares the longest of Israel's borders, the Eastern. (That part isn't in the article but I don't know how many people actually know where Jordan is.)
The US admits that it doesn't... know what it's doing? And is basically going to learn on the job. Not super promising but better than nothing. Most of the concern seems to be that the extreme crowding will increase the risk of injury; I assume dropping large pallets of supplies is easier when there's a lot of empty space, and smaller, less dangerous packages mean dropping less at a time since more space is needed in the planes for the parachutes.
Planes airdropping supplies is in itself MUCH LESS efficient than truck deliveries for this reason.
They're also hoping to set up a "maritime corridor" but there's no real word on how that's going to be achieved other than the ceasefire talks.
The U.S. has been pushing Israel to speed the flow of humanitarian assistance into Gaza and to open a third crossing into the territory, but Friday’s violence showed the challenges no matter the circumstances. “The loss of life is heartbreaking,” Biden said Friday as he announced his decision to order airdrops. “People are so desperate.”
Additionally, the second article has more details on the concerns that kept airdrops from being implemented earlier:
“Aid flowing to Gaza is nowhere nearly enough,” Biden said. “Now, it’s nowhere nearly enough. Innocent lives are on the line and children’s lives are on the line. We won’t stand by until we get more aid in there. We should be getting hundreds of trucks in, not just several.” The White House, State Department and Pentagon had been weighing the merits of U.S. military airdrops of assistance for several months, but had held off due to concerns that the method is inefficient, has no way of ensuring the aid gets to civilians in need and cannot make up for overland aid deliveries. [...] “It’s not the kind of thing you want to do in a heartbeat. you want to think it through carefully,” Kirby said. He added, “There’s few military operations that are more complicated than humanitarian assistance airdrops”
The second article also discusses how domestic conflicts, namely Speaker Johnson's refusal to address foreign crises until "taking care of America's needs" (paraphrase), have been delaying much of what could have been done before now.
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kisses-for-you · 3 months
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Blood - Vlad Tepes
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Dracula X Fem!Reader
Summary: You hate being a vampire and you don't believe anyone can change your mind. But can Vlad do the impossible? Or will he fail?
Word Count: 1,134
Vlad slowly opens the door to your shared bedroom in his grand castle and his eyes stop on your small, frail body laying in the bed. Vlad observes your weakened state. He can't help but notice the sickly paleness of your skin and the fatigue in your eyes. His gaze now holds concern as he decides to address what's been bothering him lately.
"Why do you persist in these inefficient methods, my dear?" Vlad questions, his voice a velvet whisper. "You must drink blood to thrive, yet you deny yourself."
You almost physically recoil from the mere suggestion, fear etched across your face. Just the thought of consuming the blood of another human being sends shivers down your spine.
In the dimly lit room, Vlad approaches you, his presence commanding yet strangely gentle. "My love, you need to embrace your true nature," he urges, a hint of desperation in his voice. As he reaches out to caress your cheek, you can feel the familiar warmth of his touch, giving you a sense of comfort.
You meet his intense gaze, torn between your human morality and the undeniable reality of your weakening state. "I cannot, Vlad. I did not choose this fate, and I shall not inflict suffering upon others due to it," you protest, your voice wavering.
As Vlad contemplates your words, a conflicted expression crosses his immortal face. The tension in the room thickens, accentuated by the flickering candlelight. "I understand your moral quandary, my dear, but you are withering away before my very eyes," Vlad murmurs, his crimson eyes reflecting both love and worry.
After a moment of pure silence, you decide to speak up, your voice slowly getting quieter as a result of your lack of energy. "Why can't you see that this is not about morals? Vlad, I truly loathe what I have become. And if I must continue to live like this... then I harbor no desire to continue living."
Vlad's eyes darken with a mixture of frustration and sorrow. "You do not mean that," he mutters, unable to comprehend that his wife, the love of his life, would feel such a thing as this. You love him, despite the fact that he is a vampire, yet you despise yourself for the very same thing.
"I love you, Vlad. However, I do not wish to continue this conversation for any longer. I am far too fatigued and simply desire some rest," you say, hoping that he will finally stop talking about this. Yes, you hate yourself for being a vampire. You didn't choose this life so why should you make others suffer for it? Animals, humans - it isn't their fault that you are the way you are so you will not inflict harm upon them simply to sustain yourself.
With a deep sigh, Vlad reluctantly nods, his expression a mix of resignation and concern. He leans down to place a gentle kiss on your forehead, whispering, "Rest, my love. We shall revisit this discussion another day."
He gets up to leave but you reach out, grabbing his hand. "Can you stay with me?"
"Of course, my dear," he responds softly, settling beside you. You lay your head on his chest, listening to the sound of his heart beating. He wraps a protective arm around your waist, pulling you closer to his side.
As you drift into a troubled sleep, Vlad remains by your side, watching over you with a worried gaze. After some time goes by, Vlad carefully gets up, making sure not to wake you. He leaves the room and returns minutes later with a vial of blood in hand. Vlad carefully approaches your sleeping form and with a tinge of guilt, he administers you a small dose of blood, hoping it's enough to keep you alive until he can find some way for you to drink blood without harming others.
Silently, he curses you and your stupid morals; if it wasn't for them, you wouldn't be suffering like this. But he knows he can't change the way you are so all he can do is try to find a method to sustain you without resorting to the traditional vampiric ways.
He heads to a different part of a castle where he immerses himself in ancient scrolls and tomes, seeking a solution. Vlad can't bear to see you so weak for much longer. He knows that if he doesn't find a solution, the fate that awaits you is something he doesn't even want to consider a possibility. He can't fathom losing you.
The next morning, you wake up to find the room filled with an eerie silence. Vlad's absence is palpable, and a sense of foreboding settles over you. As you explore the castle in search of him, you suddenly feel very dizzy. You lean against the wall for support but it's not much help. After a couple of seconds, your vision goes black and you faint, your body falling to the floor.
Vlad hears the sound of your collapsing body and within seconds, he's by your side. He finds you unconscious on the floor, and panic grips his undead heart. His eyes are wide with worry, concern etched on his face. He gently lifts you, cradling you in his arms. The guilt gnaws at him; he wasn't able to help you in time, and now you're paying the price.
"I should have been faster," Vlad whispers to himself, regret coloring his words. He carries you back to the bedroom, placing you on the bed with utmost care. As Vlad lays you on the bed, a mixture of guilt and determination fills his crimson eyes. He gazes at your unconscious form, vowing silently to find a solution before it's too really too late.
With a heavy heart, Vlad continues his relentless search, the castle's ancient texts and hidden knowledge becoming his refuge. Days turn into nights, and Vlad's desperation intensifies.
But in the end, it just wasn't enough.
In your final moments, Vlad kneels by your lifeless body, grief-stricken. His crimson eyes, once vibrant with determination, now reflect the emptiness that consumes him. For the first time in years, he is truly alone. He clutches your lifeless hand, feeling the chill that has now replaced the warmth he once cherished.
As Vlad gazes at your lifeless form, a single tear slips from his eyes. "I'll love you forever, Y/N Tepes," he whispers, wishing you were actually here to hear his words. But you're not. And Vlad feels that it's all his fault. It's all his fault that the love of his life died. All his fault that you're no longer here. He wishes he could bring you back, but this isn't some romantic fantasy where you can just magically come back to life; this is reality.
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kaelio · 1 year
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I’ve been loving your IWTV stuff but I haven’t watched the show or read the books. What is it about Anne Rice’s writing that makes it so insane?
Okay, I'm going to do a relatively long post probably.
First off, I want to make it clear that my love of her writing is completely unironic. I genuinely think that she is great. So I do want to lay that down because it's foundational to everything else I'll say.
Her writing is insane for a few reasons. The most basic of these reasons is that, I really think that she was intrinsically out of step with contemporary standards of mental wellness. On the other hand, I am not convinced she was as chemically or... neurologically?... insane as she's generally described. She had a lot of Experiences and those experiences fed into a perception of the world that is notable and characteristic, if borderline indecipherable, and it comes through in what she produced.
These books are steeped in very real trauma, and very real trauma that the world directly rewarded her for experiencing. I'm not sure if the rawness of that trauma was why she was so brazen about exposing it in IWTV, but whatever the reason, "story about how my child died and my marriage can't survive and I can't see any reason for living" made Anne Rice a bona fide recognizable author and commercial success. If "vampires are made from trauma", well consider that metaphor to have carried into the real world. Vampires did in fact give Anne Rice power and wealth (and furthermore, I'd argue, for her, they became essentially household gods).
There's that post that goes around about how Van Gogh made his best work (and really most of his work, period) when he was most stable. I'd posit that the world told Rice the opposite in explicitly material terms, and maybe there was a feedback loop there. Hard to say.
She did write shamelessly and almost aggressively. Her writing doesn't feel carefully tailored or polished for "an audience". It rejects many of the patterns you see in modern fiction (despite being wildly influential for several genres!). It highlights patterns you take for granted in other fiction because of how fundamentally it violates them. I'll splice together bits of a conversation I was having in another window:
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me: And I do think that there's an interesting point to be made that the self-infatuation and the people-pleasing actually go hand-in-hand
Because there's a congratulatory aspect to having written something that you know will please other people
Like congratulating yourself ahead of time for the good person that other people are going to tell you that you are
3rd: and that also means you're afraid of writing anything that challenges or stretches the audience
which means you're writing pap
a friend and I were discussing R.F. Kuang whose book Babel was pitched as a 'response' to Jonathan Strange and Mr Norrell and ... is not only not in the same league as that book but isn't even playing the same sport
This wasn't us discussing Anne Rice at all, she just feels relevant to it. We're getting increasingly streamlined stories which hit the "right" beats, but they're unsatisfying because they have no authentic skeleton. Why do people still respond to Toy Story but Inside Out is nearly forgotten? I despised Inside Out on its release because it perfunctorily landed all of its beats, but it's only pretending to have something to say. What it does pretend to say is... palatable. But it isn't interesting. It won't change you and it won't inspire a change in you, or give you the material to change yourself.
I go back to this comment over and over by @fofoqueirah because it's genuinely perfect. Peerless distillation:
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But people often genuinely cannot write this way! It's overly revealing. We reflexively balk. How or why she didn't is hard to say, but it's gallingly, often horrifyingly, unapologetic. It's unapologetic for things it should probably be apologetic for.
Anyway, her writing is also maddeningly inconsistent, book-by-book, page-by-page, paragraph-by-paragraph, but it's thrilling in part due to its inconsistency. But when it's on, it's so fucking on. However, it's not didactic in any comprehensible way. There are quotes about how she trusted her meaning to come through in the end, which is hilarious because...?? I think you can derive more thematic meaning from a random pattern than you can from these books!! These books are less thematically straightforward than nonsense!
And she herself would regularly dump comments and lore and various things which made it all even weirder. God, I don't even feel like I'm scratching the surface here.
This woman had some kind of relationship with power, capitalism, BSDM, gender, family, religion, brain-eating, and dolls and God help us because she tried to tried to explain it to us and held back nothing and some times you're still. just. a wee babe in the woods.
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ughgoaway · 5 months
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Dying to know what you would write for y/n’s first Mother’s Day with Matty and Annie
this is so so interesting to think about!!!!
so I think for the first mothers Day when you're with matty, nothing out of the ordinary happens. or nothing out of the ordinary happens to you anyway.
you ask matty a few days before how Annie feels about it, and he casually says, "Oh, she doesn't really mind. she knows it's coming, and to her, it's just another day!" So you treat it like that too.
you don't go out of your way to comment on it or make a big deal. You just get on with your day! the same cannot be said for matty...
he doesn't think Annie feels any way about it, seemingly like her normal bubbly self. But just as he's taking her to bed- she says something.
he feels strange the whole day. this is the first time he's had a girlfriend that annie knows about, and it's an actual serious relationship.
he knows it's way too soon, and you're not Annie's mum, but it kind of feels like you are?? and he's not sure how to feel.
"Did you have a good Mother's Day, Daddy?"
matty pauses and looks at Annie confused before slowly saying, "... yes, I did, sweetheart. why do you ask?"
"You were being weird around y/n allllllll day," Annie answers, organising her toys carefully as she speaks.
matty decided not to share this internal monologue with Annie and simply said, "Oh. I didn't mean to be. I'm just worried about you i think munchkin"
oh.
had he been? matty thought he'd been pretty normal, casual, and cool. but if Annie had noticed- he definitely had not been.
fuck he hope you didn't notice (you didn't, too distracted by trying a new banana bread recipe lol)
"Why?" Annie said with a scrunched up face, matty had to stifle a laugh at her confused face.
"I know it must be hard on days like this because your mummy isn't in our lives. I just want to make sure my best girl is okay. " matty strokes Annie's head as she lies down to sleep.
"I'm fine, Daddy." she says nonchalantly, "Plus, y/n is like my mummy now anyway, so maybe next year we can all have fun"
with that, she drifts off, leaving matty in stunned silence. he truly is just 👁👄👁 for 10 minutes.
he doesn't mention it to you, but he does think about it INTENSELY.
////
now cut to a few years later, you and matty are going strong (perhaps even engaged...) and it's rolling up to mothers Day again.
and this year- you both feel odd.
you really had become Annie's mum. you sent out family cards from the 3 of you, you go to her parent's evenings (when you can slip away from doing them yourself lol) and you have lived with them for a while.
you do everything for Annie and love her endlessly. She feels like your own child.
matty stirs awake and sees you lying there, voice heavy with sleep he asks, "Are you alright, baby? why are you awake?"
so you bring it up to matty.
One night, you're lying in bed awake, and it's far too late, but you're just staring at the ceiling.
in your sleep deprived state, you don't hesitate to get straight to the point, "Am I Annie's mum?"
Well... that was NOT what matty was expecting to hear. this wasn't a topic he thought he'd be tackling at 3am on a Wednesday but, fuck it! here he goes.
"...what brought this up, babe?" matty asks tentatively, pulling you into his chest. you rest your head on him and sigh heavily before speaking.
"Um... I think that really depends on how you and annie feel. from my perspective? yes?" matty sounds unsure as he speaks, feeling like he's walking on egg shells
"I don't wanna scare you or anything, but you are practically her mum." matty pauses for a reply, but you stay silent, the only audible noise being your joint breathing.
"I don't know, with mothers Day coming up, it's just been on my mind. I feel like a mother, I act like a mother, and I do everything a mother does. but am I a mum? I didn't give birth to her, and I wasn't here from the start, so it feels selfish to call myself one and-"
matty shushes you and cuts off your rant before it goes too far, "its not selfish, sweetheart - it's realistic." matty pauses and takes a breath before continuing.
"If it helps, Annie said you were already her mum that very first mothers Day you spent with us. so I wouldn't think too deeply about it. " he shrugs as he speaks and turns the bedside lamp off.
matty had assumed this would calm you - it did not.
"Don't worry about it, babe. I'll do it," matty says, bringing you back down and wrapping the duvet around the two of you.
"WHAT." You pull up and look at matty wide-eyed, leaning over him and flicking the light back on
he looks back confused, and you really have to take a moment to realise hes not being intentionally dumb.
"Why did you only just decide to tell me this??? it's been years, Matthew!!! oh god, this changes everything. I have to talk to her about it. fucking hell-"
"really?"
so he did! it was the day before mothers Day, and you were out shopping with charli. she needed a new dress for a fancy date george was talking her on, and you were more than happy to help!
"of course"
///
Annie was peacefully sat on the sofa watching high school musical 2 with mayhem. He was peacefully snoring in her lap as she sang along to fabulous (the best hsm movie and the best song, btw)
"So... Annie, how are you..."
fuck. Why would he ask that?? what a shit way to start.
Annie pauses and looks at matty weirdly before responding, "okay i think?"
"Good, good... can we talk?"
"Do you want to do anything for mothers Day this year? for y/n, i mean. not me or anything. that would be weird." matty stops himself going off on a tangent and coughs awkwardly and waits for a response.
Annie pauses the movie and nods tentatively, matty sits next to her and can't help but jump straight in.
his nerves were ruining any chance at a coherent thought.
5 seconds feels like 5 hours, but he couldn't be more relieved when she excitedly says, "Yes!!! oh, please, can we!?! I want to get her flowers and chocolates!!"
matty sighs a breath of relief and nods. He grabs his keys and says, "Definitely. let's go to tesco then, cmon!"
///
the next morning, matty is up early... suspiciously early.
you wake up to whispered voices and hear a tray clanging slightly,
annie and matty saying "surprise!!" wakes you up fully, and you are shocked to see them with a tray of pancakes, coffee, and a bouquet of flowers.
immediately you tear up, but you have to ask to make sure you're not misinterpreting this.
"Oh wow! what's all this???" You say sitting up as matty puts the tray next to you on the bed.
"Happy mothers Day!!!" squeals Annie excitedly, "Dad said I was finally allowed to give you presents today!" she smiles big as she finishes, almost looks anxious awaiting your response.
tears start rolling down your cheeks, and you pull Annie in, squeezing her so tight she loses all the air in her lungs.
"Oh, Annie. thank you so so much. I love you, sweetheart." You pull back and wipe your tears, and Annie can't look happier, gummy smile and bright eyes staring back at you.
shyly, she says, "You're welcome. i love you too"
"You want to share my pancakes, sweet girl?" You ask, already cutting it up for the two of you.
"yes!!!" Annie says bouncing on the bed.
matty might as well not be there, but that is honestly exactly how he wanted to feel.
you don't need him. you're Annie's parent now too.
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thetragicallynerdy · 6 months
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Okay so, I made a thread about this over on twitter, and thought I'd drop it here too. OFMD Season 2 spoilers ahead. An idea that I've seen a few times and felt I needed to yell about is the idea that OFMD is now ableist, and that it is wrong to like and enjoy it as a show. As a queer disabled person, it's something that pisses me off so, so much. I'm not going to defend everything that happens in OFMD. But I am going to say that it is one of the best shows I know for showing both a broad range of disabilities, and presenting those disabilities in a largely neutral light. We have multiple amputees, multiple people with chronic pain , multiple characters with mental health issues, and more. We have Pete's speech impediment, Wee John's back, Lucius' finger, Jackie's hand, Ed's mental health, Stede's mental health - and yeah, Izzy's leg. The way that these disabilites are presented is important to me - because they're just another part of the person, not good or bad. There are obviously impacts and things to work through - Ed's mental health being one, Izzy's leg being another - but they ARE worked through. Ed's suicidality - which spans over two entire seasons - is addressed. So is the moments of Izzy's. Izzy gets support and a prosthetic, Lucius gets support and a prosthetic, we see Wee John sitting down in most scenes which would support his back. Disability isn't just ignored, or played off for laughs, but neither is it made the entire plot point. Izzy is just as much of a badass as before. Lucius' finger doesn't stop his work. Jackie's hand doesn't make her less fearsome. Ed's mental health (and Izzy's, and Stede's) don't make them less deserving of love. None of the character's disabilities do. In fact, we see two disabled characters - Lucius and Pete - getting married at the end of the season. And that's important. It's so important!!
If you're sad and upset that Izzy died, that's incredibly valid. But to say that it "shows that disabled characters have nothing to live for" - when his death wasn't related to his disability at all - is so incredibly offensive. I am permanently disabled, to the point that I cannot work full time. I have seen posts about my disability saying that it would be better to die than to have it. But nothing - NOTHING - in OFMD suggests that it would've been better for Izzy to die than to have an amputation. Instead he is supported, encouraged, and loved. He is given a carefully crafted prosthetic, and given space to learn how to use it. He gets support, and his mental health improves. He is given a beautiful life. And then he dies. But his death is not about his disability. I'm going to repeat that - his death is NOT about his disability. Nor is it about being queer. It's shitty, random luck. I'm sure there are people who are going to say that the writers, simply by having a disabled queer character die, are ableist and queerphobic. But nothing we see in the show supports that. They show queer joy and delight and love and happy endings over and over again. They show care and support of disabilities, over and over again. And they specifically show queer disabled people living beautiful lives, over and over again. One character's death doesn't undo that. I'm sorry that your favourite character died. I really, truly am. It's a devastating feeling. I'm sorry that it hurts. But if you're taking it as a sign that the show is saying queer disabled people have no right to live? Then you're ignoring the rest of the show.
You're ignoring all the beautiful queer disabled characters we see, and the messages that the show tells us about them. You're ignoring the beautiful life and redemption that Izzy got. And yeah, you're being offensive as hell to queer disabled people. Sorry, you are.
And if you're queer and disabled and can't see a queer disabled character die - that's incredibly valid. I understand. However, that doesn't mean the show or writers hate you, or hates us, or wants you to die. They've shown us over and over again that actually, they love us.
Also - would you be this pissed if it was any other disabled character who died? Probably not.
I think it's also really important to have stories where disabled people are treated like people. And yeah, that means that sometimes we die. Because that happens in life, too. Same with queer people.
I don't really have a satisfying conclusion to this. I'm just queer and disabled, and really tired of seeing it said that it's now morally wrong to like this show. It's not. I'm queer, disabled, and I see more disability pride and support in this show than most others.
So yeah, thank you to OFMD for beautiful representations of disability, and queerness. It's a show that makes me feel seen - and that's really important.
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tw: alcohol
This is technically au but there is nothing here that means it has to be. It is just a very drunk Pac making out with people at the bar.
They have been at the bar for an hour, and Pac is already very drunk. Cellbit's own attempts to join him had been thoroughly thwarted when he had climbed into his lap, curling up there like he belonged there. And, sure, that was a little awkward, but Cellbit has met drunk Pac before, and a little bit of affection goes a long way to stop him from bursting into tears.
This might go a bit beyond a little affection, though; Felps came to sit with them five minutes ago, and Cellbit is now able to - a little awkwardly - finish his glass. He keeps one arm looped around Pac's waist - if Pac falls then Mike is going to shank him - and uses the other to drink.
And as an excuse to look away as Pac and Felps make out, only interrupted by the very human need for air. He does his best to feed Pac water and pretzels in between makeout sessions, but honestly Pac is going to be Mike's problem in the morning, so the squirming is more Cellbit's concern.
The two are having fun, at least. Even if Pac keeps looking at Cellbit's lips.
Cellbit... he isn't sure if he wants one or not, but beind asked would be nice.
Mike is looking at him.
Cellbit looks back.
"He won't let you kiss him," Mike says, voice dripping in something sharp. "He likes you, but we know where your mouth has been."
Right, yeah, that would... honestly, Cellbit is surprised by having Pac in his lap, drunk and vulnerable as he is.
Wait, no, Pac would absolutely do it. He's surprised that Mike is letting him.
Cellbit is saved, or perhaps damned, from replying by the opening of the door. The group ignore it at first, until Fit's booming laughter pierces the room. Pac, all in a hurry, slams up from the current kiss, slams his head into Cellbit's chin, and looks around.
"Fitch!" He calls. "Fitchi! Come here!"
Cellbit sees Mike down the rest of his bottle of wine, and makes he descision to quickly finish his own drink, too.
It takes Fit a few seconds to find them in the crowd, but once he does he wanders over.
Pac, grinning, finally gets up and off cellbit's lap. He stumbles a bit before all but throwing himself into Fit's arms, calling his name again.
"Hey Pac," Fit smiles, carefully manouvering Pac's hands away from his ass. "Easy, easy, calma."
"Hm!" Cellbit thinks that Pac's pleased noise might be the end of it, only to see him slip out of the grasp and back to his feet and tug him over. "Come sit by Cellbinho! Sim! Here! Good boy Fitch!"
"Oh, um, okay Pac. Hey Mike, Cellbit, Felps."
Even in the low lighting, Cellbit can see that blush on Fit's ears.
Cellbit initially expects Pac to crawl into Fit's lap, and spare his the pain. But, no, no of course that cannot happen; once he is satisfied with Fit's position Pac comes and crawls back onto Cellbit's lap. He squirms a bit, getting himself comfortable and nuzzling Cellbit's neck a little, before immediately leaning over in Fit's direction.
It starts with a nose kiss, then a forehead kiss, and at that point Cellbit turns to look at Felps instead, his best friend sipping on an obnoxiously bright cocktail.
Felps gives a little wave, slouching further in his chair to match the rest of their heights.
Cellbit raises his fingers back, opens his mouth, thinks of a tongue inside ir and promotly shuts it again.
Felps somehow manages to keep his glass in hand even as he bursts out laughing.
Cellbit curls a finger up from his own glass; flipping Felps off only has him laughing harder.
And then there's a shift as Pac pulls back from Fit.
"You good Pac?" Fit asks.
Because some of them are occassionally considerate.
"Yes just..." Pac's eyebrows furrow and Cellbit, not being considerate in the slightest, shoves a pretzel in his mouth and a glass of water in his hand.
Automatically Pac eats the snack, then drinks the water.
"I can't kiss both of you at once, and i like Cellbinho's lap best."
Oh, God help them, Pac looks about on the verge of tears.
"Take it in turns, idiot," Mike drawls over. "Youre sat in the middle and lean both ways."
Pac looks at Mike like an utter genius for a moment, before throwing himself to the side. Fit gets one last kiss on his nose, and a giggle which could either be cute or signal the usage of a world ending superweapon - with Pac, especially drunk, it's a little hard to tell.
Then he shifts his weight wholly, throwinf himself to the other side.
With Felps he skips the little kisses that Fit had been receiving, Pac instead diving straight into making out.
Cellbit, meanwhile, is a little busy making sure pac doesn't fall to notice the kiss pressed to his own cheek.
At least, not until he catches Mike's eyes, face torn half way between complete despair and a chesire cat grin.
"Hey Pac!" Roier calls from somewhere just behidn Cellbit. "Who's your favourite?"
Pac pulls away for a second, calling back a thrilled "Mike!" before switching sides again and kissing Fit.
"No I meant for the kissing! Kissey kisses!"
Unhappy to be interrupted again, Pac sits straight but still answers. "Felps has the best tongue and Fit has the best reactions and Mike says I'm not allowed to say Cellbit has the best teeth, so I'll say he has the best legs instead. Its why I sit here. That and he only wants to kiss-kiss you, not me. I get kisses but not kiss-kisses."
That has Roier - among others - cackling, and Mike swearing a bit before calling for a second bottle of wine.
If Cellbit didn't have a night shift later, he would be very, very tempted to join him.
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lanaisdoe · 2 years
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about WHY Daemon COULD NOT interfere during the big hall Rhaenyra-Alicent confrontation, all's logical...
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So it all starts with disheveled-looking Daemon and Rhaenyra being the last ones to enter the hall in the middle of the night when shit had already hit the fan, with everyone else already being there... it's awkward enough as it is, the two of them walking in together, especially the circumstances given: Rhaenyra constantly being accused of having an affair outside of marriage/ having illegitimate children, and here she comes all disheveled in the middle of the night with none other than Daemon, her once rumoured lover, who had just buried his wife...
Daemon knows, Daemon heard even Vaemond not-so-subtly accuse Rhaenyra of all that in his funeral speech for Laena, as insane as that was. So Daemon is well aware of the dire situation in which Rhaenyra already is, and obviously isn't gonna add fuel to the fire. Caring for Rhaenyra as much as he does, he slows down significantly, and tries to make it seem like he only arrived AFTER her, not with her. He walks slowly, carefully, assessing the situation, and then he stops by the door, basically hiding away from all prying eyes, low-key keeping an eye out for any sign of trouble, trying to understand what's up...
BUT, naturally, this DOES NOT escape Otto's judging eye... (and Daemon notices Otto noticing soon after...)
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So Otto immediately notices Daemon arriving with Rhaenyra and i think Otto had been suspecting there had been sth serious going on with these two for well over a decade.
I mean, we even got a close up shot (in 1x4) of Otto watching intently as Rhaenyra watched and gravitated towards Daemon, giving him heart eyes during the garden conversation post Stepstones victory,
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he noticed Rhaenyra's heart eyes but ALSO Daemon's head tilt and him being all giddy and excited/flustered as Rhaenyra approached, so yeah, Otto knew.. look at how he looked at both of them:
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I think Otto had always known and was pretty wary of their potential union...
Back to the big hall 1x7 scene... So it all started -> accusations, ofc Rhaenyra's children being illegitimate was brought up again, and that's when it was suggested they brought Laenor, kids' 'father' to speak on that matter... but ofc, as always, Laenor was nowhere to be found. And Rhaenyra was left to fend for herself yet again, and she had to come up with an excuse for him. But what was worse, she herself did not have a very good excuse, as she'd just returned from that beach shack where they'd just made love with Daemon, so she awkwardly tries to come up with a believable enough excuse about being unable to sleep and taking a walk, while Daemon is watching intently. And it seems to me his expression suggests he is concerned but at the same time he also finds Rhaenyra's excuse kinda funny(?), still feeling her under him just moments ago... it's like only the two of them know what had gone down and it isn't easy to hide it since it's all so fresh... Anyway, he knows it's all a "shit just got real" situation, but still, for obvious reasons he CANNOT do anything about it, there's no way he can help Rhaenyra or defend her without raising questions, and so he continues assessing the situation:
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^we see him staring at her while she's coming up with her excuse and right after we see him low-key checking reactions of everyone there to Rhaenyra's excuse, checking whether they'd bought it, and if all was alright...
Thankfully, the conversation takes an expected turn, people bringing up Laenor's preferences... Then we have Viserys questioning his sons about the rumour about Rhaenyra... And when Aegon voices it in front of everyone that it's not just a rumour, and that everyone KNOWS it, we see Rhaenyra completely defenseless and defeated with tears in her eyes. And again we get a shot of Daemon staring at her, now with concern:
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and again Daemon is just standing there helplessly, he knows he cannot interfere without making the situation EVEN worse for Rhaenyra...
His concern gets even more evident when Alicent eventually asks ser Crispin to bring her Lucerys's eye, Daemon looks pretty tensed now:
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And then the mess starts: Alicent attacks Rhaenyra, and here's where it gets INTERESTING -> ser Crispin darts towards Alicent, and quite possibly at the same time Daemon darts towards Rhaenyra (although from the way the scene was edited in the episode, it looked like Daemon only jumped up when he saw Crispin):
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but let's also take a look at a DIFFERENT camera angle which made me think about this situation again, look: Daemon in the picture above, when he jumps up, he is looking LEFT (Rhaenyra was to his LEFT the whole time, if you look at the hall from the top, you see Crispin was on the right), so it seems to me that Daemon jumps up because of Alicent attacking Rhaenyra and only THEN when he also notices crazed Crispin running, Daemon turns to stop him instead... i mean, who knows:
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^ this is the shot we get, Alicent attacking, and Daemon moving towards the mess, he's in the middle, between Rhaenyra/Alicent and crazed Crispin to his RIGHT, so it's like, he asseses the situation, sees that Rhaenyra's got it, and so he immediately turns to shield Rhaenyra by stopping Crispin, look at Daemon's body position, it's like he was not going to stop Crispin, as his body had been turned more towards the circle with Rhaenyra, and so when he meets Crispin to stop him, he has to take a sharp turn right to meet Crispin. He had been aiming for the circle with Rhaenyra it seems:
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if he wanted to just stop Crispin, he could have moved more to the right, go straight for Crispin, no? ...But no, it's like he was aiming for the circle first... o_O
My conclusion? Based on all their positions and movements, Daemon jumped up to run to defend Rhaenyra, then when he was in the middle, he noticed Crispin, then he saw Rhaenyra was ok, and so last minute he turned RIGHT to stop Crispin instead. (alternatively, it's simply that the scene was shot several times from many different angles and the final cut rearranged the scenes so that it caused confusion as to what happened when and how :D ...so I give up, i blame the editing!)
Anyway, after this situation, we get Rhaenyra/Daemon parallels again -> Rhaenyra fiercely stopping crazed Alicent, Daemon fiercely stopping crazed Crispin, side by side, Daemon's there, all this time, as Rhaenyra's shadow :
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So to sum up the verbal part of the big hall confrontation scene : Daemon did not want to get openly involved NOT cuz he was afraid, or that he was protecting himself there, QUITE THE OPPOSITE. It was to protect Rhaenyra. Daemon knew that ANY kind of his involvement, defending Rhaenyra so suddenly and so openly in front of the whole court despite them not having been in any contact for 10 years, and now arriving late together, with Daemon who has made it a point to stay away from all court affairs for good, now suddenly out of nowhere siding with the King's Landing's outcast Rhaenyra against the whole court just like that? A freshly widowed man now being the only one to stand up for the black sheep Rhaenyra in front of everyone, fiercely protecting her honor against all odds, even getting into a fight for this woman, ready to shed blood for her, on the night of his wife's funeral ??? - well that would've raised tons of questions and not only among the rivals of Rhaenyra, but now also among Velaryons who were like, the last ones that still at least respected/accepted Daemon and Rhaenyra as family...
So with the question of Rhaenyra's decency out there, Daemon being all "back away from my girl" would've been the last nail in Rhaenyra's decency's coffin. And Daemon would never jeopardize Rhaenyra's reputation like that or put her at risk.
Remember how he backed down in front of Otto (despite the fact he was ready to roast Otto right there and then) on Dragonstone just cuz Rhaenyra was there and he wanted to help her cause? Not taking her away on her wedding day despite her pleas, was also for her sake. He chose Rhaenyra's well-being instead of his own desire to marry her himself - thus making sure they wouldn't take away her right to the throne or exile her for his own selfish desire and Rhaenyra's naivety. Ultimately, what was important for her, ended up being more important to him than his own well-being...
Back to commenting on the post 1x7 big hall confrontation: when the big hall fight was finally over, and everyone had seen hysterical crazy Alicent, in the silence we hear Aemond say he's contented despite it all cuz he'd got a dragon: and it seems to me that at this very moment Rhaenyra turns right, to stare at Daemon in shock (remember? they heard/saw Vhagar in the sky after their beach lovemaking, and they looked confused, it's like now it all fell into place, and so Rhaenyra is immediately searching for Daemon in shock)
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(again, i may be wrong about the angles, but i'm basing this on where all of them were standing). And right after the shot of Rhaenyra, we get this shot of Daemon staring left, as a reaction to a reaction? that is also why i think they were looking at each other... but who knows?
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Anyway, after this we get Viserys who finally puts an END to it all.
And right after Viserys, we get this shot of Daemon, staring intently at Rhaenyra, ready to dart her way, and a (still) crazed Crispin glaring at Daemon (who now has other thoughts on his mind already and couldn't care less about Crispin):
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and right after this shot we see Daemon getting through the crowd to where he's been looking -> he's walking fast and straight to Rhaenyra, (despite Viserys still being there, kind of ,although leaving... so Daemon is still fairly subtle about his protectiveness...but at the same time, he sees that people are already dispersing, so he feels more free to act now that the show is over, and Viserys made it clear no one was allowed to continue that "Rhaenyra inquisition", so either A/ Daemon knew that him being by her side now at least wouldn't endanger her anymore. B/ He's understood that everything bad that could've been said against her has already been said and so him being with her couldn't make things worse, C/ or the moment when he saw Rhaenyra get threatened with a knife, made something snap inside of him and he decided to stand by her now, no matter what, like, to hell with it ...) And what do YOU guys think?
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First thing Daemon does when he reaches Rhaenyra, he immediately checks her hand, her well-being being his number one priority again:
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And then he shields / half-embraces her,
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and later half-embraces Rhaenyra's boys as well, when they get to them, creating this "new family protection circle" :)
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I also love Crispin's expression when he sees Rhaenyra's got Daemon now,
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Daemon, who is the feared Rogue prince, fierce King of the Stepstones and the Narrow sea, the former commander of the Night watch, rider of Caraxes and the one who's first called him ser Crispin)
- do you think Crispin understood here that Daemon and Rhaenyra were now a thing?
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I think Crispin got it right there and then. Hell, if I were Crispin, I'd shit my pants if I saw Daemon giving me THIS glare ... :D
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creedslove · 9 days
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🌹Anon here! Sadly things with my step sister hasn't gotten any better, she has blocked my step Dad and everyone on his side, so we cannot contact her whatsover. It has been really difficult to navigate, she is only 11, and we can only pray she comes back to us eventually. Sob story aside, could I get some sweet Dave fluff? Him just being a great dad to his newborn baby. A mercernary with a newborn just making pancakes shirtless while carring the baby in one of those fabric wrap slings. Please and thank you ♥️
Dave York x f!reader
A/N: hi my darling 🌹 anon, it's good seeing you here, although the news aren't the best! I'm so sad to know your step dad's and his daughter's situation isn't great that way! It really sucks, she's so young she doesn't even have a clue about how devastating her behavior towards him is, but hopefully things will work out! I hope they can settle things down and work on their father-daughter relationship properly! I'll be rooting for them, and keep us updated whenever you can, alright?! Love you!
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• when you woke up, the first thing was to look for Dave on his side of the bed, but it was empty and cold, meaning he had been up for a while; you checked on the clock and of course he's been up for ages, he still follows his military old habits, so you decided to get up
• but before doing anything else, you went over to your baby's room, wanting to check on little Davie, the little miracle that come over to give Dave's life a new meaning, along with you, and of course he couldn't pass up the opportunity to name his baby boy after himself when you offered it, and from that day on, you had your Dave, soon-to-be husband, and your sweet little Davie
• but Davie wasn't really in his crib, so you paid attention to your surroundings and of course you could hear soft giggles and a delicious smell of pancakes coming from downstairs, so you took the opportunity to freshen up in the bathroom and take some time to wake up before going to your family
• and once you got to the kitchen, of course you found Dave still shirtless, messy bed hair, working on his pancakes as Davie watched everything curiously from his comfortable carrier sling that made him look like the cutest kangaroo baby you'd ever seen
• Davie cooed and giggled, amazed at what his daddy was doing, he didn't actually understand, but he liked the sound of it and once you got closer and greeted your boys, you were welcomed by the sweetest smile you'd ever seen
"here honey, let me handle him, so you can make your pancakes"
• you offered carefully, knowing Dave was handy but still worried to have his son so close to the stove, you quickly helped him untangle your baby from the sling and held him into his arms
"are you hungry for daddy's pancakes, baby? Pancakes are his thing, he makes the best ones in the world!"
• and it was true; Dave's pancakes were delicious and he was great at it, there was a time he would make his daughters from his first marriage some every single Saturday morning, and they'd cheer up and talk about how daddy was the best! Unfortunately, that stopped after his and Carol's traumatic divorce and things took a downhill turn and Dave lost that connection once they got too old for that or just didn't seem so interested in spending time with him
• but things changed again when he began dating you: first of all, you liked his pancakes, and you loved watching him make them. He was always so attentive and focused and god, he looked too handsome doing the most domestic things
• and once you got pregnant, Dave noticed you enjoyed his domestic presence even more: unlike Carol who always complained about how his cologne or aftershave made her nauseous, you just craved his presence, you wanted to be all over him the entire time, and Dave loved that, you two bonded during a time he honestly thought couples drifted apart from his experience, it was magical, and luckily to him, that bond didn't break once little David was born, quite the opposite, the three of you became a stronger little family together
• and he couldn't express how much he loved that, how important it was, he still went out, did his dangerous job and went back home with his pocket full of money, but if there was something he would always do for his family, was definitely making pancakes for his beautiful family 💗
____
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isa-ghost · 24 days
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Phil and bagi hcs?
YOU HAVE JUST ENABLED A MONSTER.
I AM SO ABNORMAL ABOUT THESE TWO.
Also these will apply to AMFMN!! Because SURPRISE, if no one has checked the fic tags, her name is listed as a main character. ;) She'll be arriving in Chapter 6!! :D
I cannot fucking WAIT to expand upon their dynamic, which is funny because by the time Bagi shows up, Phil is possessed so it won't be exploration through direct interactions until the recovery period waaay later in the fic. Nonetheless it'll be hype! :D
qPhil headcanons masterlist
Phil is a member of the "Bagi can do whatever she wants forever" club. He supports her rights and wrongs and fully believes she could kick his ass no matter how unbalanced of a fight it'd be in his favor (disclaimer I don't actually know Bagi's exact pvp skill level 🤔)
Bagi is a member of the "God I want Phil to take me on a flight some day, I am so sad his wings are fucked up" club. (She would probably be terrified /pos)
I don't know what it is about their friendship but I feel like Bagi is so much more attuned to the way Phil thinks than the average islander. I guess I'd say it's because of how perceptive she is in general, especially with how she's a detective? Whatever it is, Bagi just has this talent for reading Phil like a damn book. And she won't hesitate to call him on his bullshit either. She's much like Fit in that regard. Crow man can't hide SHIT
Like fr if Phil ever gave Bagi reason to be concerned the first thing she'd do is start cornering those closest to him and either ask what's up or be like "hey Phil's on some shit rn, we gotta go force him to confess whatever stupid shit he's shouldering on his own and bottling up"
Phil has definitely been whacked with the frying pan for not venting and acting like he has to brave the horrors alone btw. Bagi's the type of friend that'll kick your fucking ass if you're not self-caring or being mean to yourself. (I am projecting LMAO)
Bagi isn't as Holy Shit We Could Die Any Second about things as Phil, but they're both very protective people, which can manifest in very volatile ways when they're hurt or angered by something (ie: Feds). I would not want to experience their individual wraths simultaneously.
Bagi is one of the top people Phil shows his gift giving love language to. Be it resources she needs, pictures he's taken of her/Em/Tina or of weird island shit, the means to complete cookie tasks, etc. She's one of the first in mind.
GOD Phil wants her to teach him how to wield a frying pan so badly. He's an excellent swordsman and bowman, but PAN?? The enjoyment he'd get out of it would be infinite, he'd love to be kicking ass while getting a laugh out of it bc pan go BONG when it hits a motherfucker.
If one needs something the other says yes no hesitation. They might ask each other a couple questions, but as soon as they have 100% clarity, they trust each other with the rest and know that if something goes wrong, whoever is present at the time will unleash hell on the person or monster that caused it.
I've somewhat already hinted at it but GOD the mutual admiration they have for each other!! Their wits and way with words, their natural sense of leadership, their determination to defend what they believe in, what they think is right, and the people they love, their specific expertise, the list goes on. They just think the other is so fucking cool and brilliant.
Tbh I think in the right circumstances they'd teach each other some lowkey fucked up tricks they have up their sleeves. Like Bagi giving Phil insight on manipulating people into giving the answers you're looking for by asking the right carefully worded questions, or Phil teaching Bagi the best spots to hit/hurt a person/mob to really do some damage just purely as a "hey if you ever find yourself in a Situation, here's a tip" thing
I don't know how better to show this without explicitly saying it: These two are not the other's fucking caretaker. Phil is not Bagi's father figure and Bagi is not Phil's mother figure. Yes, they can scold each other when the other is doing something dumb (cough, 7 hcs ago, cough). Friends do that. They support each other and call each other on their bs. That is not parenting, that's being a good friend. And they are to each other.
On that note, it hasn't come up too much yet but when shit sucks (like when the eggs were lost or lost lives), they're good at distracting each other. But like without halting the process of dealing with their emotions. If they're sad, they'll be sad together, but they're good at picking the right conversation topics to lighten the mood. If they're mad, they'll be mad together, and they'll plan what to do about it with each other.
I think I've sorta demonstrated it well enough in a couple of these hcs already but AUGH, they're just. So on the same page with each other almost all the time. And when they aren't, they're so good at giving each other perspectives they didn't think of before. Which, I don't mean to compare Bagi to her brother here, but is also how Phil and Cellbit can be with each other too; though they've somewhat fallen out of that sync post-Purgatory. The way the Mystery Siblings are so on the same wavelength as Phil makes me so *slams fist on desk*
Phil is normally a very Just Vibin' kinda guy but Bagi can get him into some really deep intellectual conversations sometimes and it's so 🍿🍿🍿 to watch
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