#and we were going to so many pop rock concerts and meeting the artists and it was such a rush of dopamine every time

[merricatblckwood]

I'm wondering if I should be active on twitter cause I see the ofmd community that it created and I have big FOMO seeing all the people meeting each other and become friends and going to events and lately HAVING A DRINK WITH RHYS DARBY (???) And I'm like I want to belong to this but first I'm scared as shit of twitter there is so much drama and second groups of friends are already formed and third I don't think I'm interesting enough to stand out and belong to this community?? Anyway I'm renting. THOUGHTS? (Said in this Nathan Foad voice, you know the one) thanks

#sorry i'm feeling so many things lately #there's also the fact that when i was a teenager i had a really popular Muse blog (yeah line the band muse) and i made so so many friends #some that i still have today 15 years later and that are some of the most important people in my life #and we were going to so many pop rock concerts and meeting the artists and it was such a rush of dopamine every time #but i was a teenager and had no filter now i'm scared as shit but i miss this so much #ofmd #our flag means death #rhys darby #ofmd s2 #personal

[dazednmatthews]

Headcanons for Chris being with a girl w a completely different music taste than him 🤭 I'm thinking she's taking him to metal concerts, alternative stores w all kinds of shirts and belts and leather, overall how do you think that would go, his reactions at first and all 🙏

okay i tweaked the request just a bit but i hope it still suffices!

chris x music lover!gf

-we all know chris loves music very much

-so when he meets you and you guys start dating he’s absolutely ecstatic to find out you do too

-the difference between chris and you is that while he can enjoy any type of music if it really appeals to him, you genuinely love every type

-exchanging playlists is a must!

-“baby! i made you a playlist.”

-“another one?” he smiles fondly.

-“yes but this one is for that specific outfit you wore when we went to the beach. like it just inspired me.”

-you’re always dragging him to record stores and to hunt for vintage cds for your collections

-he loves going to your apartment because it’s full to the BRIM with posters of your favorite artists, guitar picks, tour setlists— the whole nine

-he typically gets you concert tickets for holidays, anniversaries and your birthday because it’s what you spend most of your money on anyway

-he loves going with you to them because he loves to see you in your element. singing the songs with your whole heart, dancing to the music and smiling so big it makes him the happiest he’s ever been

-one time, at a concert for an artist you’d loved for many, many years, he caught you mumbling along to a song that resonated with you deeply. there were tears streaming down your face as you held your phone with shaky hands. he took the phone out of them, pressing a quick kiss to your temple. when you looked at him confused, eyes red but makeup still in tact, he says, “just be here, right now, ma. i know how much this means to you. i got this.”

-you didn’t think you could love him any fucking more than that moment.

-he constantly proves you wrong though. he’s just good like that.

-sometimes there are certain artists and songs chris really can’t get behind, mostly your metal/pop punk/ punk rock bands but it doesn’t stop him from trying

-“well… i’m glad you like it, baby.”

-he’s always getting you merch

-for your first anniversary he got you matching guitar pick necklaces that were engraved and you loved it so much you made sure to show him just how much

-listening to music together is one of your favorite things to do

-you’re sitting on his bed, music playing from his tv. sometimes you’re smoking a joint, you draped over his lap while you pass it back and forth and exchange lazy kisses.

-sometimes you’re jumping around, dancing together while laughing manically while the tv is blasting, matt and nick trying to bust the door down because of the volume

-“chris! turn that shit the fuck down or i swear to god i’m going to beat the fuck out of you!”

-you never listen

-the next morning is full of scowls but usually it’s you making breakfast so they’re fine

-sometimes, your favorite times, you’ll be reading and chris will be working on something while sitting in bed together, music playing softly in the background. a song will come on and he’ll look over at you, admiring you. when you notice, you raise an eyebrow. “what?” he shakes his head. “nothing. i just love you is all.”

-and because even after all this time, chris still manages to make you feel like he’s looking at you for the first time, you feel your face heat. “stop it.” you say, knocking your shoulder with his. he smiles, that smile made only for you. his eyes are soft, so soft that every look feels like the special kisses he gives you when it’s just you two in a room. “this song reminds me of you every time i hear it. sometimes when you’re away i play it and the distance feels better.”

-you pull his face to you so fast, interlocking your lips and pour every single emotion into the kiss. “i love you.” you repeat it like a mantra, just to make sure he really knows.

-he does. “i think that’s my favorite song.”

#chris sturniolo headcanon #chris sturniolo texts #chris sturniolo fanfic #christopher sturniolo x reader #chris sturniolo x reader #christopher sturniolo #chris sturniolo #matt sturniolo headcanon #matt sturniolo #sturniolo triplets #nicolas sturniolo #nick sturniolo #sturniolo edit #sturniolo fanfic #sturniolo imagine

[wally-darling-hyperfixation]

Take You to a Better Place: Floyd x reader Chapter 1

╚══ ❀•°❀°•❀ ══╝ ╚══ ❀•°❀°•❀ ══╝

The girls and you were a brand new band coming out . Band name was going to be Sugar,Spice and Everything Thrice with you girls as the main girls in the band. Violet, Parsley, and (Y/N) that’s all who is in the band. Anyway , yall are at Brozones concert watching it to see the new competition. You watch your competition start their performance. (I’m going to assume that velvet and veneer in the movie are 16 so you will meet them as young kids like 10 years old)

(I found a video on TikTok of this part so I wanna show)

You and your band had gotten front row seats to Brozone concert. Your manager wanted you to see your new competition and to scope them out. They boys get on stage and start singing their song "Perfect". You noticed that Violet seemed to be into the lead singer JD by how she was eyeing him.  Parsley seemed to be eyeing the guy who is the fun one but you just roll your eyes at them eye looking at some boys. This was the competition. Even if you did like how the pink haired one looked and sounded. This is your career you won't jeopardize it.  Suddenly it looked like the leader JD was going off from their original choreography and they seemed to look all nervous to you. Suddenly they fall from the tower and the huge disaster happens on the stage.

You gasp in shock. Definitely not expecting that to happen. You and your girl band were shocked to say the least. Brozone ran backstage and y'alls manager decided that this was the perfect time to introduce yall together.  You distracted the audience who were upset cause of Brozone leaving.

After the concert, it seems your band has gotten extremely popular. Next day when your album was released, you sold out. You were on magazine covers and everything. Violet was the band leader and the pretty one. Parsley was the exciting and adventurous one. You were the cute and calm one who had the sweetest smile. No matter where y’all went , people recognized and asked for autographs. You were polite and always willing to take pictures.

Brozone was all over the papers the next day. They broke up. Tons of fans crying in sadness that their favorite boy band disbanded. But that just left your girl group to fill the gap. You traveled all over the trolls world, you dabbled in all types of musics to appease every troll. You had rock songs and pop songs and country songs and funky songs. Y’all even added some classical to some songs. Y’all were known far and wide and loved by many because you appealed to all music lovers.

For the next several years , y’all were on top. You won awards and had an awesome fan base . But after 8 years of making songs together, Violet wanted a solo career. She said we were too old to be in a girl group anymore. That we are in our 20s and we need to go out and make a name for ourselves but she meant herself.

Violet: “Look it’s just a “girl thing”. We knew we wouldn’t last forever. We are no “babes in toy land” and we won’t be young forever. So, “girlfriend”, I’m going solo. We used to be “the chicks” but it’s time for me to “xscape” and make a name for myself. Y/N and Parsley, all yall need is some “TLC” and I’m sure you “spice girls” will be fine. It’s time for me to “go-go.” Bye girls.

Then she up and left. You havent seen her or parsley since. Not knowing what to do next you head to Mount Rageous to find work as a music artist. This is where things get bumpy.

Dang. I haven’t wrote a chapter story since before September last year. I am so sorry yall. I hope you liked this. Love you my darlings

Part 2

#trolls band together #trolls #trolls floyd #floyd #floyd x reader #trolls floyd x reader

[firephoenix2305]

So, an idea for a Good Omens Human AU hit me and, in true me fashion, it just refuses to leave my brain.

SO

If I were to write a silly, fluffy, strangers-to-friends-to-lovers human AU where Serpent a.k.a Crowley is a rock/pop singer (I was thinking like a cover artist, because I can't go writing thousands of original songs for this guy, that would require too many of my braincells. Though there would be an explanation as to why Crowley doesn't sing original stuff, eventually) and Aziraphale is a much less-known, very shy and private, but jaw-droppingly talented opera singer, known as the "Angel of Eden" given his tendency to perform in said theater; and in which they meet because Aziraphale is dragged to one of Serpent's concerts by his best friend Anathema....

...would...would anybody object to that?...

And of course Crowley has anxiety and self-esteem and such problems behind his demonic, cool-and-aloof on-stage persona, 'cause that's my signature. (I'm not quite sure why, nervous breakdowns and the like just always end up happening in my stories. Should I be worried...?)

But anyway! I'm trailing off!

Would...um...would I...have the fandom's blessing? Or at least one bored soul who'd read it just to pass the time?

...

Have I actually already written a whole chunk of what would be the first chapter? Possibly.

Will I share a little so you can see my vision? Sure!

[For context, this takes place in the midst of Serpent's concert, which Aziraphale is attending with Anathema]

- Right! - he sighed into the microphone - I like rock as much as the next guy, but if I keep shouting like a fucking maniac I'll finish snapping my bitchy little vocal cords in half! - laughter echoed through the crowd, making Serpent smile - So, let's try not to do that and sing something slower, yeah? -

To Aziraphale's surprise, the man circled around the piano and sat down on the stool, placing his hands elegantly on the keys. He played a couple of loose notes and addressed his audience again.

- What should we go for? Hm?- he said softly into the microphone before letting out a quiet chuckle as the crowd erupted in applause - Oh, shut the fuck up! I know exactly what you want, you bastards! - he playfully snapped at them.

Then, his slim fingers began moving on the keys as if they had always been meant to be there, leaving Aziraphale near breathless. After a few notes, he began to sing, and the audience exploded.

You know the distance never made a difference to me.

I swam a lake of fire, I'd have walked across the floor of any sea.

Ignored the vastness between all that can be seen,

And all that we believe,

So I thought you were like an angel to me.

His voice felt like silk against Aziraphale's ears, his mouth agape. With all the drumming and the electric guitars, he hadn't really had the chance to listen to Serpent's voice. And now that he could, he was completely entranced. His eyes were glued to the red-haired man, whose eyes were, in turn, closed in concentration beneath the yellow lenses of his glasses.

Funny how true colours shine in darkness and in secrecy.

If there were scarlet flags, they washed out in the mind of me.

Where a blindin' light shone on you every night.

And either side of my sleep,

Where you were held frozen like an angel to me.

It ain't the being alone. Sha-la-la

It ain't the empty home, baby. Sha-la-la.

You know I'm good on my own.Sha-la-la

Sha-la-la, baby, you know, it's more the being unknown.

So much of the livin', love,

is the being unknown.

So, eh, yeah...thoughts?

#good omens #writing #writers on tumblr #ao3 #ao3 fanfic #fanfic #crowley x aziraphale #ineffable husbands #good omens human au #fic idea #just throwing it out there #tell me what you think #Today in “Ideas which simply won't leave phoenix's head so she has to write them before going insane” #phoenixwrites #original idea #i hope #I haven't found any fics like this on Ao3 but maybe I'm wrong

[miashyperfixations]

HONEY REVENGE

07.12.2023 @ Camden Assembly, London (220 Capacity)

Written Dec 2023

I started listening to Honey Revenge at the start of 2023, caught in the promo of their single ‘rerun’ & after seeing other artists I follow repost their content, I went back to listen to their discography & was hooked. Their debut album ‘Retrovision’ is one of my favourites of 2023 and all time (see review here). They never fail to miss with banger after banger - not just at first listen but the songwriting & production is amazing too. Naturally, as soon as this show was announced, tickets were bought. The band itself is made up of Devin on vocals and Donny on guitar, but are accompanied by their touring members, Tay Kincaid (bass) & Matt Arsenault (drums). They have played numerous tours this year alongside The Home Team & Broadside, Loveless, Finish Ticket & Arrows In Action. a US headline tour in the fall, and now The Home Team & The Used, here in the UK, with plans to open for Meet Me @ The Altar across the United States in the new year.

The fist opener was a rock band hailing from Leicester called Mouth Culture, taking inspiration from a range of musicians from Bring Me The Horizon to The 1975 to Harry Styles. THeir music is a mashup of all genres with a distinct heavy, edgy vibe. The second openers were a Scottish band called happydaze who are label buddies with Honey Revenge (Thriller Records). Their set was much heavier and had everyone hyped up for Honey Revenge’s set afterwards with heavy rock tunes that have a clear pop influence.

Seeing my favourite songs live was an unreal experience. I’ve been a fan of this amazing band for so long now and with all their concert content online, it’s safe to say that my expectations were high. But that didn’t matter because they were blown out of the park anyway. Due to the fact that this was a headline show, they were able to play every single song in their discography with no breaks, meaning that everyone in the crowd was able to hear their favourite Honey Revenge song. I never realized until I listened to the retrovision album in full, but Devin’s vocals are phenomenal and being able to sing so many belters back to back AFTER having rushed through London from an opening set down the road to this headlining gig is a real show of her talent - I know many of today’s new up-and-coming singers wouldn’t have been able even think about it, let alone actually doing it. Based on where we were in the crowd Ami & I watched both Donny & Devin kill it in real time and it was clear that everyone in the room enjoyed themselves the entire night.

Having come directly from their show with The Used, the band came on after happydaze had packed up their stuff and with Camden Assembly being such a small venue, the entire crowd was able to see them set up their equipment. Not just the drumkit and guitars, but the pedalboards, multicores & mic stands too - everything. Being a sound engineering student, I loved seeing this with a different lens than most people in the crowd, watching the team set up as quickly as possible just like how I’ve been doing in college with my classmates tells me I’m not too far from a professional standard within the industry and I can’t wait to be doing just that someday. Security was pretty tight at the venue (as one would expect in London). I wasn’t able to meet the band after the show due to me being underage and the band wasn’t able to come out of the bar but Ami was able to go in and get them to sign my ‘are you impressed?’ postcard & their CD lyric booklet that I had bought with me, so all was not lost and I was still able to buy a t-shirt from their tour manager, Em.

It's rarely heard of for a band like Honey Revenge to be able to come and do an international tour (even if it's as a support act) within their first year of touring. To be able to do a show as a headliner is unheard of outside of viral success and them being able to both so just proves that they’re here to stay and take over the music industry. Camden Assembly is an iconic venue with multiple star acts of the music scene such as Ed Sheeran, The Strokes & Adele starting out there and to be able to see my favourite band was a perfect close to the year.

#music #music producer #music production #concert #live music #guitar #drums #pop music #pop rock #indie rock #punk rock #alternative rock #new wave #honey revenge #california

[gracethomas04]

WWR Week 4

Hello everyone! Welcome back to week 4 of my internship with Women Who Rock. Let’s dive right into this past week. First up is Thursday, this actually marked one month away from the Benefit Concert which is super exciting! I cannot wait for it to get here, I know it will be a great time and of course for an AMAZING cause. We went over some information for the upcoming show, such as how many volunteers would be there (specifically from Point Park University) and a couple of the big-time sponsors like Gibson Guitars. I also got to learn what a 501c3 is, this is the official stamp for a registered nonprofit. Another thing we did was research information on what supplies we could use for our pink pumpkin patch so we went to town on Amazon and put any links to what we found on a shared document. I got to write a testimonial statement on this internship for a news article on WWR and the Benefit Concert. We got to sit in on a Zoom call with “SponsorUnited” which is a website that is used to track marketing and partnership information for all sorts of different companies. It was so fascinating to watch, there were so many features to go through. I could just scroll through there for hours and not get bored. After our meeting on campus, we went back to the pop-up shop for the Yelp Elite Event. This event was really fun to be at, there were multiple female-owned vendors set up along with live music from a female artist. We got to walk around and mingle but after everyone had been there for a little bit, we grabbed a microphone and walked around to some of the vendors and guests to interview them for a TikTok. Some of the questions we asked were “What do you love about being a part of the Yelp Elite Squad?” and “What do you love about being a female-owned business?”. I took a couple of photos, so keep an eye out for a post dedicated to them!

On Friday we started the day off by sorting inventory by size and then counting them to add to a spreadsheet. With all of our heads together we were finished sorting and counting in under 15 minutes. Next, we started getting lanyards together for the Benefit Concert we put all the clear card holders onto the lanyards. Since there were so many lanyards this took a decent amount of time but we still managed to make it fun! We all talked about the October pop-up at Magee-Womens Hospital and what time we had to be there for set up. Since this is a bright and early call time we decided to have breakfast all together too. Lastly, on Friday we got to look at some t-shirt designs and decide which of the bunch were our favorites. We also tossed around a couple of ideas on what the phrase on the front could be changed to. 

That was all for this week folks, I hope you enjoyed it and come back next week to learn about my upcoming adventures! 🤘⚡🎤

[viviplaynet]

Tillerman, the up-and-coming band consisting of brothers Jon (Lead Vox/Guitar) and Tom (Drums/Vox), have been making waves in the music business with their distinctive combination of classic rock and current pop. When Jon and Shaun (Lead Guitar) were both working at the same restaurant chain, they happened to run into each other by accident and struck up a conversation. This was the beginning of the band. This fortuitous meeting resulted in establishing their first iteration, which was given the name "Satellite." For some time, they participated in the music scene in Leeds by performing concerts and releasing albums. However, in 2011 the band members decided to explore other opportunities, which resulted in the band going on indefinite hiatus that year. However, the creative and artistic itch needed to be scratched, and in 2018, the band's original lineup came back together, and they immediately began creating new songs. The band was able to mature musically and become more conscious of its strengths, both of which are now characteristic of their sound, as a result of the time apart, which proved advantageous for the band. [embed]https://soundcloud.com/tillerman-music[/embed] Most of their music is composed of pop-influenced songs written by Tillerman, which lends them the feel of a traditional family band similar to that of the Carpenters or the Everly Brothers. But what really sets them apart from other bands is the inventive and creative guitar work that Shaun Mallia does, along with the rock-solid rhythmic baselines that Iain provides for them. Their most recent single, "Hear Angels Cry," is a somber and dreary piece that both reflects and bemoans the politics, attitudes, and mindsets that are widespread all across the globe. The band takes quite a bit of inspiration from the great blues rock ballads that were popular in the 1970s, which can be heard as an influence on the music. Tillerman is a band that you should absolutely keep an ear out for in the coming months due to the fact that they have a sound that is all their own and lyrics that provoke contemplation. You can anticipate seeing them headlining big festivals and gracing the pages of leading music journals such as Rolling Stone, The Fader, The Source, and Forbes as they continue to make their impact in the music landscape. [caption id="attachment_9369" align="alignnone" width="1414"] Tillerman Premieres Their Latest Single 'Hear Angels Cry'[/caption] What would you say is your greatest strength as an artist? Shaun: I’d say our greatest strength as a group is our understanding of each other and what we are trying to achieve with each piece of music we write. We have spent 20 years collaborating and writing together so we now know instinctively what we need to do as musicians to support each other and the song. Jon: Melody, that is the key to any great piece of music, whether it’s within the lyrics or the guitars, that’s the language that connects to the listener, and myself and Shaun, have always had a great radar for melody and understanding each other musically. What is your creative process when making music? Shaun: Over the years we have tried many processes. Hear Angels Cry was an early collaboration between Jon and me. We also had several incarnations of this song before finding the right structure. The creative process is very collaborative where each of us has the autonomy to express ourselves but with the common goal of complementing and benefiting the song we are writing. Jon: It can differ, on Hear Angels Cry, Shaun originally came up with the music, the minor key chord progression that evokes the type of Theme and song to accompany it. Sometimes, I will come up with a song for Shaun to interpret musically. But in both scenarios, we have another two fantastic musicians in Tom and Iain, who bring their own feel, vibe, and interpretation. How long have you been making music and what attracted you to it?

Shaun: As a group, we’ve been writing and making music together for nearly 20 years. I think there are two types of music fans. The casual listener enjoys music on a superficial level and then there are the people who hear music and it changes them. I think if you are in the latter making music is almost mandatory. Jon: As a band, 20 years, but as a person, since I was around 8 years old, we’ll write songs and melodies, I was 18 when I learned to play guitar, quite late. What is the biggest challenge you have had to overcome as a band/artist so far? Shaun: I think the biggest hurdle we’ve had was understanding who we are as a collective. We’ve had many instances where stylistically we’ve written music in the past that has been influenced by an individual in the band rather than writing music that suits and represents all of us as a collective. Jon: As we’ve got older, we have other commitments now, ‘proper’ jobs and families, so finding that time to get together as a band to write and the record isn’t as easy as it used to be. What streaming sites do you think offer the most value to a band? Shaun: Without a doubt financially it’s Bandcamp. That said we have listeners all over the world that in years gone by would not have known us if it wasn’t for the reach of Spotify or Apple etc. Jon: Personally, Spotify, it’s where it’s all at, great for cataloging your music alongside established bands and artists, whilst also having that network of individual curators and playlists to be part of. [embed]https://www.youtube.com/watch?v=05THvBPETJ4&list=OLAK5uy_kW9nRixid3-UXp3VhUNK09UrPyQHQOEkY[/embed] How do you think social media or the internet has affected the music scene in your country? Shaun: Beyond all measure. There was a scene before Myspace and then there’s a scene after it. Dedicated bands with the right product can now attract an audience without having to play 300 gigs a year. That being said I truly believe you only find out who you are as a musician by playing live. Jon: Well, as Shaun mentioned, you no longer need to play hundreds of gigs to build an audience or fan base, look at the impact social media had for the early careers of the arctic vis Myspace. What are your friend's and parents' thoughts on your career? Shaun: We have always been so lucky to have a wonderful support network. That was true even when we started out and in all honesty, were not all that good. Jon: Well, music for us all, is a side gig, something we once hoped we’d do full time, however, we all now are blessed with great careers that allow us to do more expansive things with our music than we used to, such as fund proper music videos to tap into the YouTube, Insta and TikTok audiences. Something that years ago, we never had the cash for. What does your current song mean to you? Shaun: Hear Angels Cry is one of if not the most important songs to our band. It was the first collaboration between Jon and me as writers where it felt right. This song is really the spine of all Tillerman songs. Jon: Well, I really interpreted Shaun's music for this, it was quite emotive and provoked a sense of reflection. The song is a lamentation of the state of the world currently, the battle between the far left and extreme right, a culture obsessed with money and fame, chasing after such sequential things that in the greater scheme of things do not mean anything. As as a Christian, I feel mankind has exchanged God for lesser, worldly, temporary things that don’t last! What is one message you would give to your fans? Shaun: Just an honest bit of gratitude for all the support and encouragement we’ve been given over the year and we hope that the new music is received well. Jon: Give this track a whirl, it’s very different from previous singles that were more ‘indie pop’. This is far more mature but has a much deeper message to tell. We’re close to releasing our debut album, we’re proud that we are diverse and don’t want to pigeonhole ourselves to one sound or style.

[embed]https://open.spotify.com/album/37MrFGeW6nLrkG2wASa8di?si=oEliIIrOSveQG_RQCbZYgA[/embed]

[katyldamusic]

Måneskin: No one should feel exluded (interview for onet.pl)

Please forgive me any mistakes. It’s 2 am.

"Our image is a form of expression. We stand behind everyone who gets hurt. People shouldn't judge anyone because they can hurt someone a lot," say the members of the Måneskin. The group recently won the Eurovision Song Contest and will now perform at the Polsat Sopot SuperHit Festival. "We want people to understand our message being "no one should feel excluded," they add.

-Måneskin won the 65th Eurovision Song Contest in Rotterdam with the song "Zitti E Buoni"

-The group's sound is defined by musical eclecticism - from rock through rap, hip hop, reggae to funk and pop. All of this is linked by Damiano's phenomenal voice

-"We can be very proud of ourselves, because we owe our success to hard work" - say young musicians who came to Poland, where they will perform during the Sopot SuperHit Festival

Q: Congratulations on your big success at Eurovision. Were you surprised or the rumors that you are the favorites calmed you down a bit?

Victoria: We were nervous until the last second. Until the end, we did not believe that we could win. We are not a typical band that can take first place in this competition.

Damiano: Ethan's face said everything (laughs).

Ethan: Exactly. No one should have doubts that the win surprised us (laughs).

Q:After the competition, it was huge buzz about a glass that you broke. Has this "scandal" stopped shocking your fans?

Damiano: I hope so! We didn't understand at all why everyone was so surprised that we broke a glass (laughs). In fact, we were well aware that rumors like this always set the biggest fire. It's just part of our popularity.

Q: How did your friends react when you told them you wanted to participate in Eurovision? This is quite an unusual idea for a rock and roll band.

Victoria: We never took the Eurovision Song Contest lightly. We did not even think that our style did not fit there. For us, the most important message was that rock and roll never died. For two years we have been constantly trying to prove to everyone that guitar sounds are timeless

Many people threw obstacles at our feet and told us that we had no chance to be successful. We went to Rotterdam and showed them that we are capable of anything!

Q: So plan to conquer Eurovision was well thought out?

Victoria: Of course! That is why we performed at the San Remo festival. It was the beginning of our evil plan (laughs). Later we went to Eurovision and proved that even at such a mainstream concert rock'and'roll will be the top! I guess we did pretty well.

Q: But you probably did not expect such popularity. There are huge crowd in front of the building where we are talking. On TikTok, your music breaks records of popularity. Are you ready to conquer the world?

Damiano: I don't want to seem very cocky(*tricky to translate, "cocky" or not very modest"), but we've always dreamed about it. Of course, we did not care about fame, but we wanted our music to reach the widest audience possible. We really did everything to get to this place. We can be very proud of ourselves because we owe our success to hard work.

Q: Meetings with fans must be very enjoyable experience.

Damiano: It's really crazy. We love our fans and hope that there will be more of them over time.

Q: Many countries in Europe are very conservative. Your image may still shock many. What would you say to your *?(*tricky again. literall translation - opponents, but i think "people who are against you" fits better)

Damiano: First of all, I would like to emphasize that we do not feel like people who would dictate anything to someone. Image is a form of our expression. Of course, we stand behind everyone who gets hurt. People should not judge anyone because they can do great harm to others. We will not change the world overnight. However, as people whose music reaches so many people, we know that we can change reality a litlle bit.

Victoria: We want people to understand our message is, that no one should feel left out.  Our image has no boundaries - which is why it may still shock some more conservative audiences. Let's be honest - how is a man with painted nails different from a woman?

Q: Måneskin performing at the Pride Parade - a dream for many of your fans. Would you agree to play on one?

Damiano: Of course! It would be a great honor for us! We are aware that a large proportion of our fans are members of the LGBT community and we are very proud of it.

Victoria: It's stupid that some bands still ashamed of Parades. After all, i'ts a great honor.

Q: Let's change a subject for a moment. Today we are in Sopot. The seaside capital of music in Poland. Have you had the chance to lie on the beach?

Victoria: Are you kidding me! We got here about two hours ago. We don't have time for anything. We say this almost every day, that it would be fun to do a little sightseeing in the places we visit during our promotional tour. We are going back to Milan soon, so Poland is the last stop of our adventure.

Q: Well, you are going on another tour in a moment. Tell us what we can expect at your concerts. I understand that the performance at the festival in Sopot will be just an innocent announcement (laughs), and we will see your true face at Open'er Park?

Victoria: Our concerts we are definitely crazier.

Damiano: We missed performing on stage. We haven't been able to perform for a long time due to the coronavirus pandemic. That is why we are really grateful that we can play at such festivals as the one in Sopot. This is another part of the plan we mentioned earlier (laughs).

Q: You won Eurovision. If, however, you took second place, who would you give the "crown" to?

Måneskin: Ukraine!

Damiano: I think Go_A did more or less the same as us. They showed all of Europe that rock music is still crashing the system! They didn't try to please anyone. They were themselves and this won the hearts of many fans.

Q: Vicotria, there are only guys in the band! How do you feel as the only woman surrounded by gentlemen?

Victoria: Great! I can't imagine our band looking any different. We are a wonderful family and we support each other every day.

Damiano: We understand when Victoria has her moods (laughs).

Victoria: Stop it! I feel no different from you. I'm just a member of Måneskin. I don't feel any different!

Ethan: Besides, everyone knows that I am the real woman in the band (laughs).

Q: If you weren't making music, what would you be doing?

Ethan: Music. There is no force in this world that prevents us from making music.

Damiano: Exactly! We are musicians who do not see each other in normal work.

If I couldn't make my own music, I would probably be a producer who would come up with melodies for other artists.

Victoria: Or we would teach to play instruments. People need to understand that music is part of our lives and we cannot imagine that there could be a reality in which we do not create.

Q: You are traveling a lot now. You are in a different city almost every day. What was the craziest thing that happened to you on this tour?

Måneskin: SWEDEN!

Victoria: There were some crazy events during our visit to Sweden. Security services had to close the entire street because so many fans showed up outside our hotel.

Damiano: At one point, the police were called and they had to control the crowd.

Q:Now you are going back to Italy. Does that mean fans can expect even more new music soon?

Damiano: We are currently promoting us the mini-album "Teatro D'ira. Volume 1", but you are right, when we come back we lock ourselves up in the studio and work on new music. However, we don't want to reveal anything because that would spoil the surprise for our fans.

Victoria: We need time. We don't want to feel pressured because then the music will lose its value.

Damiano: Be patient.

#måneskin #maneskin #maneskin interview #damiano david #damiano maneskin #victoria de angelis #victoria maneskin #ethan torchio #ethan maneskin #thomas raggi #thomas maneskin #my translation #forgive me any mistakes #i'ts 2 am #i'm going to sleep #goodnight

[tpwkay]

Medicine (h.s.)

You’re finally given permission to cover the song you’ve wanted to perform for years and a special surprise during your performance sweeps you off of your feet.

Word count: 11.5k

Rating/warnings: NSFW - A lot of this is plot but there is smut as well. Contains explicit language and consensual sex acts between a man and woman. This is a story written in the 2nd person (“self insert"). This isn’t written to be exclusionary, it’s just my preferred style! Author’s note can be found at the end!

"Ladies and gentlemen, I cannot thank you enough for coming out tonight to listen to me and the band. We've got a couple more songs coming up for you but I just wanted to take a minute to tell y'all how much we appreciate you." You gesture to yourself and the band behind you as the lights on stage come up a bit. "We wouldn't be where we are without your support. From the bottom of our hearts, thank you!"

The crowd cheers and you can't help but experience an insurmountable feeling of joy. It never gets old. You'd been in the spotlight for a few years now, already at the end of touring your second album, though the size and scope of venues this time around was much, much larger. There was nothing that compared to being able to sing your own songs and have a crowd of thousands scream them right back at you.

Being an up-and-coming singer and songwriter in the genre of country music hadn't been easy. Girls your type had been a dime a dozen, hoards of Taylor Swift-wannabes covering "Teardrops on My Guitar" during open mic night. You held nothing against them; there was a path to success for everyone, but yours had been, well, different. 

It was a karaoke cover of Brooks & Dunn's "Boot Scootin' Boogie", a song that you'd been singing since you were a toddler, that had gotten you noticed by a recording artist one night while out with your girlfriends, which led you to where you stand now, performing in front of thousands. You were liked for the range of your voice, with it's easy easy transitions from the sounds of pop to country and rock, in addition to the way you performed, and your take-no-shit attitude towards the entirety of the industry. People liked that you were forward and left nothing on the table, though you had to admit that it was mostly an act, a means of coping with the pressure of working your way to the top.

///

"It's refreshing!" Jax, your manager, had shouted one day, arms flailing as you had argued that maybe your attitude was going to get you into trouble one of these days.

"Aren't you, as, you know, my manager, supposed to be the one keeps me in line?"

"You aren't out doing coke, killing anyone, public indecency and all that," he had shrugged. "Far as I'm concerned, you are in line. People talk about you because of your attitude. They like it! They like you. Why is that so hard for you to accept sometimes?"

"Maybe I just haven't been caught doing those things," you grinned, effectively dodging his question. Fame hadn't helped break down the walls that you'd long ago built around yourself. If anything, you had done some reinforcing, built a moat even, in an effort to ensure that you protected yourself from getting too close to anyone that would only end up using you in the end. You had seen the way people in life had been used, and what it ultimately led them to, and you had promised yourself long ago that even if it meant being known as the Boot Scootin' Bitch, you would protect yourself and your heart at all costs. 

"Your momma would tan your hide for much less than any of those, you know. Hell, you should be more afraid of her than you are of me or anyone else… 'cept maybe God."

///

You shake your head, working the memories free from your mind as you grab a bottle of water from the platform on which the drum set rests.

There's one more song of yours to sing before you performed a new cover, the one you had been looking forward to for months. Although you'd gotten permission to perform it not long into the start of your tour, the set list had been rehearsed already and every other detail ironed out around it. You'd convinced Jax and the crew to let you slot it into the last concert of the tour, Austin, Texas. These folks knew their music and for some reason, they liked you so you were thrilled to be able to share something new with the crowd that had welcomed you to their city with open arms. 

You grab your guitar off its stand and slide the strap over your shoulders, adjusting it as you step forwards to the mic stand. A shimmering blue shirt catches your eye in the crowd and you do a double take because surely it can't be Harry because he's—

And it's not him, of course, though the fashion of the gentleman in the pit area would surely catch his eye as well as it's right up his alley. It's not him - it can't be him - because you know exactly where he is right now and it's not in the pit of your Austin performance. 

A grin stretches over your face as you think of him. You strum the first chord of the first song you'd ever written about him, although there had been many more since. He probably knew this one was about him, having come just after your first meeting. 

/// 

A friend of yours was good friends with Kacey, who had been the guest artist that night. Her name had been added to the VIP list and in the summer of 2018, just as you were hitting your own stride in your career, you tagged along with her to Harry Styles' live tour performance in your hometown of Nashville. 

If you were being honest, prior to his concert, you hadn't heard much of his solo work, apart from the various huge hits like his Kiwi or Watermelon Sugar and a few other ballads. You liked his sound, seemingly influenced heavily by rock stars of days past, but you'd had other influences to worry about in your own side of the industry. 

Sure, he had country music connections through the likes of Kacey Musgraves and Cam, and legends like Stevie Nicks, but his pop and soft rock style was pretty far removed from most country playlists that you yourself had graced. Your genres just didn't cross paths and the two of you seemingly operated in different realms of the music industry, topping your own charts and breaking your own peer's records. 

Of course, you hadn't been completely oblivious to The Harry Styles. One Direction had been too big of a deal to ignore and you'd often found yourself bopping along to their old hits, singing along as they played amongst the other nostalgic pop hits to which you listened. 

The concert had been in June, a hot sunny day followed by a perfect breezy evening. Downtown Nashville was always busy, but that night the city seemed to buzz, bright with music and life. After meeting for drinks at Acme on the River, you allowed yourself to luxuriate in getting lost in the crowd that milled about on Broadway. It was a surprising thing to not be recognized in your hometown, but you weren't one to complain about it. It was one reason that you value your time in Nashville over other music-centric cities like Los Angeles - it seemed that people here respected the private lives of musicians. There was an odd fan here and there, but you'd lived a majority of your "famous" life in Nashville in relative peace. 

You were early to the venue, your friend having wanted to have a chance to see Kacey backstage. You were excited to finally meet the star - though you'd been around the block of fame a bit already, there would always be people that you never had an opportunity to meet in passing. You had been greeted at will call and had been led backstage.

The arena was alive with excitement. At that point, you yourself had never toured a venue that large, so the experience of being backstage and seeing the operations first hand were thrilling and a bit overwhelming. In her dressing room, Kacey pulled you straight into a hug, gushing about how excited she was to watch your career take off. She insisted on sharing her personal cell phone number with you, urging you to call her to get together on a collaboration. You were in shock leaving her room, blown away by her kindness and the way the music industry worked in the most bizarre of ways, when you turned a corner and ran smack into a tall, solid, smiling Harry Styles. His arms had come out quickly to steady you on your heels boots. 

"Fuck," you swore, shaking your head at your clumsiness. "I am so sorry. What a great way to introduce myself."

He laughed and the sound flowed through you, warm and sweet like a cup of tea with honey. "Y'alright?" His eyes looked you over, and you couldn't help but notice the way they lingered. 

Your cheeks blushed and a wave of embarrassment washed over you. "I'm the one that should be asking you that. I don't think your adoring fans would be very happy if I took you out with a textbook tackle right before you're due to go on stage." You took a moment to give him the same appreciative glance he had already given you, admiring the way his deep blue custom-beaded suit jacket fell open to reveal a black dress shirt, unbuttoned halfway down his chest. 

"Ah, 'm fine. Lil' thing like you couldn't do too much damage to me, even in those heels. Don't think they'd be very happy though," he said, nodding his head in acknowledgement of the already-rowdy crowd while offering his hand. "I'm Harry."

You laughed as you introduced yourself, shaking his hand. 

"I've heard that name before, but I'm sorry to say that I don't recognize you. You don't seem like one that's easy to forget."

"I sing, write music," you shrugged, not sure how to explain to a superstar that you were on the way up, yet still somewhere much farther down the fame totem pole than him. "Country, mostly. Not sure if that's on your radar."

"The new stuff's not, but I may have to change that." He was tapped by one of the event producers, needed for another pre-show procedure. "Where will you be tonight?" 

"To your right, in the pit."

He smiled and you had almost immediately fallen in love with the crinkles that appeared under the corners of his eyes. "I'll look out for you. It was wonderful meeting you. Oh, shit, wait, just remembered— may I?" he gestured for the phone that was in your hand and you unlocked it before passing it to him. 

You watched as he dialed a number and put the phone to his ear. He paused for a moment before he grinned. "Hi Harry, it's you from before the show. This is a message to remind you to text this number and ask the owner of it out on a date. She's the one with the beautiful smile and great tackling skills. You won"t have forgotten her. 'Kay, bye!"

You laughed at an almost embarrassing volume, blown away by his cheek. 

"Why not ask 'her' out now?" you pondered to him as he handed the phone back.

"What, and risk getting shot down? Wouldn't want to be sad and disappointed through my whole show, now would I?"

"It would make the ballads a bit more emotional," you had reasoned with a grin.

"Ouch! They're already filled with emotion, love. You'll see, I'll sing 'em right to you if I have to. Gotta run, thank you for letting me use your phone, that was a very important message!"

You laughed again as he took off. "Harry!" you had shouted to get his attention in the busy hall. He turned quickly, a small smile on his face. "She definitely won't say no, but you can wait until later to ask if you want to."

His grin stretched wider and he'd pumped a fist in the air before turning and jogging down the hallway. 

You liked to joke with anyone who knew the story that your life had changed that day all because you met Kacey. Which wasn't a complete lie - it had been her dressing room you'd come out of before slamming into Harry in the hallway. 

///

Singing the last lines of one of your songs, your stomach began to flutter in a bit of nervousness and a lot of excitement. Performing the next cover was something you had been looking forward to for months, and the moment that you got to share it with your fans was finally here. 

You retreat from the mic stand to pass your guitar off to a stagehand, taking another sip of water to settle yourself. 

"Doing alright?" Wyatt, your drummer, shouts over the pounding bass drum and you give him a thumbs up before turning back to face the crowd. 

"I've got one more cover to play for y'all tonight," you say, grasping the mic stand to keep your hands from shaking. "I've been working on getting permission to play this one for quite awhile now. I fell in love with it the first time I heard it played and now here I am, performing it for you all. It's an unreleased piece by a very, very good friend of mine, but his performances of it are all over the internet so some of you may know the words. This song is called Medicine."

The song starts out with a steady bass line and the rhythm centers you a bit, steadying any nerves that still linger. The intro gives you a minute to shake out your shoulders and get comfortable at the mic stand once more like Harry does at each performance. You catch yourself having fun mimicking him and feel thankful that you're able to perform one of your favorite songs of his. When the bass drops in pitch and the electric guitar riffs, you slide in close to the mic stand.

"Here to take my medicine, take my medicine," you sang the opening lines, already settling into the sexy rock sound of the song you and the band had rehearsed relentlessly over the last few weeks. No, the genre wasn't one you normally dabbled in, but part of the fun of performing was taking chances, risks. You had to admit, you liked the sound a lot. It tempted you to branch out a bit more on your upcoming album. 

The opening lines of the first verse throw you back into thoughts of meeting Harry that first night. You hadn't imagined what would follow the concert, let alone have the foresight to see it bringing you to this very moment in time. 

///

You had been standing outside the arena after the concert, ears buzzing and heart thumping still from the incredible show Harry had put on. As soon as he disappeared from the backstage hall earlier, you had immediately saved his number to your phone, still in disbelief over the night's events. 

Your heart had soared when your phone began to vibrate, not in a text message but in a voice call. Harry's name appeared on the screen and your friend had nudged you, clearly approving of the night's turn of events. 

"Harry," you answered, ready to praise him halfway to Sunday on his performance. 

"Let me take you out," he interrupted you. "Right now. Please? Anywhere you want to go." 

You laughed and paused. "Yeah, okay. I might know of a place."

There was a lot of shuffling on his end before his voice came back on the line. "Might've had to do another fist pump."

"Told you she wouldn't say no."

"Where are you?" You heard the smile in his voice, already familiar with it. 

"Demonbreun and John Lewis, headed towards the park."

"Give me 10, I'll pick you up." He paused. "Be careful, okay?"

"I'll stick with the hoards of your fans milling about, maybe ask some of them for the hot gossip on you while I wait."

"Don't believe anything they say," he said, and you could tell he was still smiling as he hung up. 

He and his driver arrived shortly after, Harry's hair damp and covered with a baseball cap, dressed down in black pants and a simple loose white shirt, tattoos peeking out everywhere you looked. He exited the car and opened the back door for you, helping you balance as you stepped up into the large Suburban. 

"We'll go to Pecker's," you said to his driver, laughing as Harry snorted next to you. "Shut up, it's just a bar. Take a right up here onto 24 and it'll take us all the way to Fairfield. It'll be on the right."

He looked at you and smiled before reaching out to hold your hand in the middle seat between you. 

Taking Harry to Pecker's had just felt right. It was where you'd been discovered, where all of your adventures had started, and you weren't sure why but you wanted to share that small part of you with him after watching him up on stage that night. 

"Won't people recognize you? I looked you up before the show, you're apparently a pretty big deal around here." He had asked, smirking, sipping on the locally-brewed beer that Clint, the regular bartender, was serving that night. 

"Locals are pretty good about not interrupting our normal lives. Pecker's isn't as well known to tourists either, so it's a good hideout. This is where a lot of producers, executives and all the other professionals come to unwind." You ignored his comment on your fame and had taken a sip of your margarita instead. "Unless, of course, there's a drag show scheduled, then it's a bit of a madhouse."

Harry laughs into his drink and you grin. "So," he started after a pause, twiddling with the rings on his right hand. "What'd you think?"

"It was incredible," you said without hesitation. "Truly one of the best live shows I've seen in a long time, country acts included. You've got such a magnetism about you that people can't help but want to watch." You blushed a bit, alcohol and the quick comfort of him loosening your lips. "The whole water spraying trick was hot," you admit, making him blush. "And don't tell Stevie, but I think I might prefer your version of The Chain."

"Sacrilege! That's some incredibly high praise," he said, a small smile teasing at the corners of his mouth. 

"Earned and deserved," you said, tilting your glass to his. "Honestly, Harry, you're an incredible musician. There aren't many out there that have the whole package like that."

"What about you? You seem like the whole package."

"I don't know if I'd say that. If you looked me up, you've likely seen what they say about me. 'My attitude won't get me far' and all. But I don't think it's my attitude, so much as it is my willingness to take the risks that others won't. I'm not out here to make music that's just there to be sold. Hell, I couldn't care less about the money. All I want is to create music that makes me feel fulfilled, and I think that honesty scares them." You twirled your finger in the condensation of the glass in front of you. You glanced up to his face finding his eyes already on yours, holding your gaze steadily. "It doesn't scare you, does it?"

"It's the most refreshing thing I've heard in a while. Not many people in the industry are fearless in the face of failure like that."

"I'm definitely not fearless; I just refuse to change who I am to make a buck."

"Who are you then?" Harry had asked, and telling him your story was easy. You couldn't understand how it was so natural, opening up to a stranger, but as the conversation wore on, you realized how similar you and Harry were in terms of the way you conducted your professional lives and that was without apology. 

And you also realized, as the evening continued and you and Harry crept your bar stools closer and closer to one another, feet and knees bumping, his fingers tracing the ridges of your knuckles as you shared life stories like long lost friends, that you didn't want it to end. 

///

"He's acting like a gentleman," you continue, changing up the lyrics slightly as you finish the first verse. The line always made you smile and you let yourself briefly flash back into your reminiscing about the night you'd met Harry, and how, even though he had acted gentlemanly upon dropping you off for the evening, you wanted to be anything but a gentlewoman. 

///

After enjoying drinks late into the evening at Pecker's, Harry had insisted on having his driver take you home rather than allowing you to call an Uber. 

"Such a gentleman," you commented as he opened the car door for you once again. 

"Maybe my gentlemanly actions have motives," he said, sliding his hand along your lower back as you step past him and into the car. Your grin matched his smirk as he shut the door and you decided that he'd been right - not calling an Uber was the right thing to do.

The car ride back to your apartment building was too quick and before you knew it, he was at your door again, offering a hand for you to hold for balance as you exited the car. Neither of you let go as you walked through the lobby towards the elevators. 

"You're uh— You're welcome to come up, if you'd like," you said, suddenly shy but not wanting to chicken out on asking for what you wanted, asking for some continuation of this sweet but likely brief meeting between you two. "For a drink, I mean, or to keep chatting, you know."

Harry smiled and glanced around the empty lobby. His hand in yours smoothed up the length of your arm, over your shoulder, and came to rest at your jaw. "I'd love to, believe me. You have no idea how much I want to." He leaned towards you, pressing a quick kiss to your forehead and your skin burned at the contact of his lips. "But I want to do this the right way. Don't want you to get the wrong idea of me."

"What if I want the wrong idea of you?"

He laughed, the sound open and honest and it had given you hope. "You called me a gentleman earlier and I have to admit that I liked it, coming from you. Would like to keep up the facade that I am, even if it's just for a bit." His face searched yours, each of you trying to read the thoughts that were flying through one another's minds. "You have beautiful lips," he whispered suddenly, his accent thicker than it had been all night. 

Your mouth quirked into a smile, unable to do anything but preen at his compliment. "You do too," you replied, just as softly. 

"Can I kiss you?"

"Please, yes." Before the words had settled he was kissing you, slowly and with too much care, like you would break if he wasn't gentle enough. It was over much too quick but you knew you would remember every moment of it for the rest of your life. 

"Christ, I'd wanted to do that all night." His thumb smoothed over your cheekbone, smiling when you leaned into the touch. He glanced up as the elevator doors swung open and gently nudged you towards them. "Thank you, truly, for a wonderful evening. I promise to give you a call soon."

"I'll send Kacey after you if you don't!" you laughed, stepping into the lift.

"Good night darling." He winked and the doors slid shut, leaving you alone with your thoughts and the delicious ghost of his lips on yours. 

///

"Give me that adrenaline, that adrenaline, think I'm gonna stick with you," you finish the first verse as Ryann rips through the chords on her guitar. You loved that the song built slowly, and even though that meant a quieter beginning, it promised an explosive end. 

Though the crowd had been hesitant at first, you can see that the first few rows of them are nodding along, countless phones out recording the performance. You know that somewhere out there at your request is a member of your press team, professionally filming the cover. You may only be doing it once, but you were determined to make sure you would never forget it.

///

You had enough time at home to check some of your social media accounts, shower and get comfortable in bed before your phone rang again. For the second time that day, your heart soared seeing Harry's name light up your screen.

"If you're going to say that you're downstairs because you've reconsidered my offer for that nightcap, I'll need a few moments to prepare as I'm currently in my pajamas," you said as a greeting and you were met with his warm laughter once again.

"No, no, I had to go back to the arena for a bit anyways, pack up and all of that," he said, still chuckling. "I just— I wanted to make sure you weren't offended by me declining your offer. Because I wanted to— I didn't want the night to end there. There's something about you that's… Transfixing. And I don't want to ruin that and make you think you're just a fling."

"That's quite a compliment," you said, a bit awed by his words.

"What was it you said earlier, "earned and deserved", yeah?" He said, quoting your toast to him at the bar, making you grin. "I want you to be more than that. I'd like to get to know you, the gentlemanly way."

"Okay. Will we have a chaperone at our next date then?" He laughed but didn't correct your referral to that evening as a date. You had snuggled a bit deeper into the sheets, still disbelieving that all of this had been the result of being dragged along to a concert. 

"No chaperones," he chuckled, "but yes, I do want to take you out again, if you'd let me."

"Hmm," you jokingly pondered aloud, as if answering with anything other than a resounding "yes" was on your mind. "I suppose I could fit something into my schedule."

"I hope that's a yes."

"Of course it's a yes! I didn't want the night to end either. And don't you dare say that you just did another fist pump," you had laughed, hearing the familiar shuffling of the phone on his end of the line.

"Me? Never!"

"You're adorable," you had said, a smile stuck on your face.

"And you're beautiful. Two can play this game."

There had been a comforting silence between you for a moment before you had spoken up again. "Harry?"

"Yeah, love?"

You had blushed at the pet name but loved the way it sounded being directed your way. "Thank you," you had whispered. 

"Should be me thanking you. Sleep well sweetheart." You'd fallen asleep with your phone in hand, hopeful that you wouldn't wake up the next morning to realize it had all been a dream.

/// 

It hadn't been a dream, and here you were, nearly two years later, performing one of the songs that Harry himself had sung the night that you'd begun falling for him.

The second verse continued quickly and you let the lyrics wash over you as you sang, loving the way the rock energy of the song sounded with a bit of your band's country influence. 

"Here to take my medicine, take my medicine, rest it on your fingertips," you sang, holding your pointer finger in the air much like Harry did every time he performed the song before bringing it to your lips as you sang the next line. "Up to your mouth, feeling it out, feeling it out."

/// 

Beginning to date Harry - properly date him too, not just make FaceTime calls to one another from across the world and sending texts back and forth until the wee hours of the morning thanks to the differences in time zones, sharing everything and more with one another as best you could digitally - had been the most exhilarating experience of your life, and you had performed in front of sold out crowds and accepted awards on live television. His tour was due to stretch on for almost another month throughout North America and the next time you saw him was when you'd been invited as Harry's guest to his show in Chicago just a few weeks after you'd met. 

While he had put on an incredible show for the United Center, there had been moments that felt like he was performing just for you, glancing over to where you stood in the Friends and Family area, meeting your eyes and grinning. By that point, you could sing along to every song of his and you knew he loved it, loved watching you dance along to the music that he had created and was performing. 

In a moment where you were thankful for the differences between the genres in which you two performed, you hadn't been recognized at all by his fans. You'd both talked about wanting to keep things quiet as you got to know one another, and you hadn't wanted a relationship with him, an already incredibly famous artist, to somehow influence the trajectory of yours. While it had been easy when you were apart, being together without seemingly being together was difficult. Especially in that moment, when all you wanted to do was curl up into him and soak in the post-show bliss with him. Instead, you sat on the couch with him, a cushion apart from one another, holding his hand tightly while you chatted about the concert. 

"Someone is gonna notice that you looked to my side of the pit constantly all night," you said and he grinned guiltily. 

"I like knowing you're in the crowd," he shrugged. "Besides," he scooted closer and threw his arm around you before dragging you in close, "you look incredible, how could I not want to stare at you all night?"

"Anyone could walk in," you pointed out, watching as his eyes followed your lips. 

"Just want a little taste," he said, moving in closer, "Haven't I earned a kiss from my girlfriend after all of that work up on stage?"

Your eyebrows raised in surprise as you looked at him and he seemingly realized his slip-up. 

"I mean— What I meant was— Shit," he scrubbed a hand over his face but you could tell he was hiding a grin. "Wasn't exactly how I wanted to ask you, but… Will you officially be my girlfriend?"

"Yes, H. I'm all yours."

"Love it when you call me H." He pulled you in for a kiss that you both lost yourselves in, finally able to experience the feeling of one another after being denied it for so long. When a knock at the dressing room door came, Harry had to all but drag himself away from you, hair disheveled and lips swollen, scowling at the door. 

You threw your head back and laughed as he stalked over and pulled it open with a flourish. 

"What?"

"The hell's your issue?" you heard Mitch ask before Harry widened the door so he could see you laughing on the couch. You raised a hand in greeting and Harry's scowl deepened as Mitch chuckled, taking in both of your disheveled appearances. "Oh, shit, hey, sorry. Uh, car's ready when you are. See you tomorrow bud." 

"Harry!" you chided once he'd closed the door in Mitch's face, giggles still bubbling out of your mouth. "He was just being polite."

"Interrupting arse is what he is," Harry said, sitting down and pulling you into his lap. "Where were we?"

You threw your arms around his neck and pressed your body as close to his as possible, hoping that he'd thought to lock the door before returning to your embrace. "Right about here, I think." With a hand on your hip, sliding under your shirt to reach warm skin and one at the back of your neck, Harry kissed you until you were breathless and not only wanting more but very seriously needing it. 

"Come back to the hotel with me," he murmured against your lips as you ground your body down on him, reveling in the way the action made him throw his head against the back of the couch and exhale sharply. 

"You sure?" Your hands smoothed over the chest of his skin, tracing the dark swallows with your fingertips as you rolled your hips. 

He shuddered at the light touch and gripped your hips tightly, pressing his up as you pressed yours down and the action made you sigh, the pressure a delicious tease of what was hopefully to come. "Absolutely," he said, his grin telling you he was pleased with the noises he was causing you to make. "Want you so bad, like I won't be able to breathe right until I properly have you."

You leaned in to kiss at his neck, his shower-damp curls tickling your cheek. "The feeling is mutual. Adored watching you up on stage tonight. Have I told you yet how much I love seeing you perform?" You nuzzle at his neck, urging him to tilt his head back farther, exposing more of his skin to you. 

"Yeah, you have, but tell me again," he sighed, his hands running up and down your back. 

"It's like when you get on stage no one else before or after you matters," you said honestly, letting your lips against his skin hide how truthful you were really being, spilling all of your thoughts about seeing Harry up on stage. It was scary, feeling so deeply for him already. But you wanted him to know, at least in part, what it meant to be able to watch him perform. "Something about your live voice just makes my breath catch in my throat, I can't get enough of it."

Harry breathed deeply for a moment, working to center himself while you nosed at the curls around his ear and heaped praise upon him. 

"It's like you connect with every person out in the crowd, like you're singing just for them. You can tell that you're having fun and people want to join you in that. They know you love the attention," you whispered and he hummed in appreciation (or agreement), the sound low in his throat. "They'd stay out there all night for if they could, screaming about how much they love you."

"And you feed into it, playing it up for them. You know exactly what you're doing when you get to act a little bit naughty up there, driving them all mad," you said with a smile. 

He chuckled and you could hear and feel the sound rumble through him. "Played it up for you tonight. Did it work?" 

"You mean did it make me want to jump your bones the second you came off stage? Yeah, it worked."

"Fucking hell," he said, holding you close with his hands on your butt as he stood up. "Our first time is not going to be in a dressing room so we need to go now."

He let you slide down his body and held you steady as you balanced on your legs. "Would be pretty fitting though, don't you think, given how we met and what we do?"

"Yeah, but then I'd think about it every time I was in one. You wanna torture me relentlessly?" He pulled you tight against him, kissing you once more before separating to grab his bags. 

"Yeah, relentless torture sounds like something I might be into." 

He glanced up at your words, eyes dark and hungry, a smirk on his lips. "Careful what you wish for, love." 

///

The bass line increased behind the riff of Ryann's guitar and you leaned into the mic stand, eyes closing as you continued singing the first bridge. "I had a few, got drunk on you and now I'm wasted, and when I sleep I'm gonna dream of how you…"

There were a few fans of yours and Harry's who apparently knew the words as they helped you out, screaming the unwritten word that finished the sentence: "tasted."

///

Harry was quick to say goodbye to everyone on the team before pulling you quickly through back hallways and down quiet staircases, sneaking quick kisses when he was sure there was no one around. You were both out of breath when you finally climbed into the car, grinning like kids getting away with sneaking around. 

The hotel ride was quick, mercifully, but Harry had been anything but patient, his hand at your knee creeping up slowly, closer and closer to the hem of your dress, toying with the hem while he chatted with the driver. 

"I'm gonna head in first with Martin and Eric will loop around and drop you off at the side entrance. I would wait in the lobby for you but this hotel hasn't been the best in the past with uh— containing sensitive information, we'll say, so Martin will meet you on your floor to get your stuff, then bring you up. Is that okay?"

"You sound like you've done this before, Styles," you said with a wink, using humor to cover the nerves that had settled in the pit of your stomach. 

He blushed and you loved knowing you got under his skin so easily. "The band used to stay here when we toured… and I was young and dumb once, yes."

"Just giving you a hard time, H."

His grin stretched as he leaned over to peck your lips once more. "See you in a minute, love."

Harry climbed out and the driver took off once again, slowly circling the block. "He's quite taken with you, you know," he said, glancing up in the rear view mirror as he parked the car at the curb. He got out and opened the door for you in the empty street then used his keycard to unlock the heavy side door of the hotel.

"Thank you," you said, both for his actions and his omission about Harry. Sure, you had talked to him as often as possible over the last weeks and had yourself been on the receiving end of his attention, but it felt validating to hear that Harry's feelings for you may have gone a bit farther than just a small crush if people around him had also noticed his behavior. 

Harry's bodyguard was waiting by the elevators and escorted you to your room to gather your luggage, then led you to Harry's door.

"Car'll be around about 9 tomorrow morning, H. Flight's at 10:30." He turned to you. "I understand you have business to continue here in Chicago?"

"Yes, meetings tomorrow and then I fly back to Nashville in the evening."

"There'll be a driver ready for you tomorrow as well. He's been instructed to take you wherever you need to go and he'll stay until you depart. Have a nice evening," he nodded at Harry, who was smiling in the doorway, before departing.

"You didn't have to do that for me, I could've managed by getting an Uber," you said, stepping into the room past Harry to set your bags down and kick your shoes off. 

"I didn't, was Martin's idea; says he doesn't want anything to happen to the one thing that's made me so happy these last few weeks."

"Oh yeah? I'm the one thing, huh?"

"You're everything, honestly," he replied a bit sheepishly, taking your hands in his. "Think I might like you a bit more than I already should. Lettin' my heart get a bit ahead of my head, I suppose."

"Yeah, I know the feeling," you said softly and he beamed. 

He moved his hands up to cup your face, pulling you close for a sweet kiss that quickly turned insistent, heat rising between the two of you. Harry slid his hands under the hem of your shirt to rest where your spin ended and yours wrapped around his neck, dragging him down to you as you stepped behind you towards the bed. His long legs tangled with yours and you tumbled backwards, laughing as you hit the plush bed and Harry collapsed on top of you.

He propped himself up on his elbows and looked down at you with a smile, pushing the hair that had fallen into your face aside. "Hi baby," he said softly.

"Hi."

"Missed you," he said, leaning down for another sweet kiss. 

"We were apart for like, eight minutes," you giggled between his kisses, your laughter giving way to a sigh as he moved to press a kiss to your nose, your cheek, your chin.

"Doesn't matter," he breathed into the crook of your neck, pressing small open mouth kisses to the soft skin there, "Any time apart is too long."

"The two weeks left of the tour will fly by. You should enjoy them while you can."  

"Wish you could come with me, love performing for you." He kissed his way across the base of your neck, collarbone to collarbone as his fingers trailed to the small straps on your shoulders. "Would you like to take this off?"

"Please," you sighed, desperate and aching for the feeling of his skin against yours. 

Your first time sleeping with Harry had been exactly what you'd wanted and expected - hot and fast, admittedly over a bit more quickly than either of you had wanted, but worth the weeks of wait. 

Harry's skill set hadn't ended at singing and playing instruments. If anything, his vast experience using his hands and mouth only helped him excel in other pastimes that also utilized those parts of his body. To both of your delights, he had proven his adeptness in all areas multiple times that night, and once again in the morning before he had to rush into the shower, dragging you along with him simply to get more time together before you were forced apart once again. 

/// 

You had spent the next two months away from one another, Harry having wrapped his tour and immediately beginning work on his next album. You'd spent your own time mixed between writing and recording an upcoming single. You had already written a handful of songs that were inspired by him and you'd wondered, albeit a bit nervously, if the sentiment was shared. When he stopped in Nashville on a long layover, pushing his flight back even longer to stay with you for another night, you'd tried to pry the information out of him. Unfortunately, no amount of sexual teasing or denial had convinced him — he, however, had you singing like a canary almost immediately, teasing you in the best way about how easily you opened up for him, telling him all about the music that he had already inspired.

You had been FaceTiming him late one night weeks later, both tired from long days spent in the studio. He had suddenly gotten shy, biting at the skin around his fingernails. 

"Hey, stop that. What's the matter H?"

"Wanna ask you something," he mumbled, but a smile was peeking through where his fingers were still at his lips. "Jus' don't know how to."

"Baby," you sighed, "you can ask me anything. Y'know that." 

"I know, I know." He paused and took a deep breath before a wide smile stretched across his face. "Would you maybe want to come home with me this Christmas? To London? Wouldn't be for long, maybe just a couple nights, I just wanna introduce you to my mum already, she's been pestering me nonstop lately 'bout meetin' you and Gem's joined in on it now too, so it's two against one when they call and I've told them that—"

"Harry," you said chucking, trying to interrupt his nervous rambling.

"—and she actually called me Harold last time she told me to bring you 'round and that got me a bit worried so I—"

"Harry! Of course I'll come with you. I'd absolutely love to."

You met him at the airport weeks later, desperate to pull him close and kiss him silly in the confines of his darkly tinted car, but you refrained, knowing how seriously Harry took the protection of your relationship from the press. You may not have been able to see anyone straining to capture pictures of you two, but you knew there was always the chance. 

It was an entirely different story, however, when he'd finally pulled the car past the mechanical gate and into his private drive. You both reached for each other immediately, arms tangled and shifter knob pressed uncomfortably against your side, but perfectly content so long as his lips were against yours. 

"Fuck— I missed you— so much," he muttered between kisses. He pulled away, forehead resting against yours, sly smirk pulling at his lips. "Mum won't expect us for a few hours at least."

"What is it that you're insinuating, Mr. Styles?"

"That there's plenty of time to give you a tour around the house, that's all," he said innocently. He gave you a sweet smile before hopping out of the car and coming to the passenger side where he helped you out and picked up your bags.

You were eager to be given a house tour, more than keen to learn all of the things you could about his London life. The house was decorated in a way that made you smile - eclectic but with a definitive air of cohesive taste. It suited Harry to an absolute tee. From the artwork that decorated the walls to the mismatched but homey furniture, you could tell immediately that this was Harry's sanctuary - every inch of the home screamed his name. 

"It's incredible," you said as he led you into the largest room, the master. He walked over to the dresser that sat under the window and pulled open the top two drawers. 

"I know we won't be here long, this time around, but I cleaned out a few drawers for you here, if you want to unpack some things. And there's space in the closet for you too," he nodded towards the door on the other side of the room, dragging a hand through his hair as he talked, "I had too much in there anyways and some of it needed to go and I wanted you to be able to leave some things, if you felt comfortable, of if Mum drags us out shopping and you don't want to take it all home now you can leave it here and-"

"You- you cleared out a drawer for me?"

"Well, yeah," he said, resting his hand on the back of his neck. "Made some space for you in the bathroom too, though I doubt it'll be enough, with all that you bring along to fix yourself up." He paused and thought for a moment. "I know how our lives are. I just wanted you to have some of your own space here; want you to feel as comfortable in my home as I do. Is that too much?" 

"H," you said with a sigh, your lips curling into a smile, "it's perfect, and so thoughtful. I'm sorry I haven't done the same for you in Nashville yet."

"'s alright, love. I've already got a toothbrush there at least. I can take some time when we fly back to come and help if you'd like me to. As long as you don't end up wearing all the clothes that I leave there," he chuckled.

"You know me too well," you said, reaching for his hand. He lifted your entwined fingers to his lips to brush a kiss over your knuckles.

"You do look good in my clothes," he confessed, pulling you close to face him. "Look good in my house. But you always look good anyways."

"Said the pot to the kettle," you said with a smile. "I like being here already," you shrug, hands resting on his shoulders. "It feels like you, like home. Thank you for inviting me," you add, as though the measly voicing of your appreciation is enough to convey what you truly feel. 

"You're welcome anytime, if I'm here or not."

"You trust me that much?"

"Yeah, I do. I'll get you a key and everything." He leaned down to kiss you slowly, relearning the map of your lips and mouth, before pulling away. He laughed when you made a noise of protest.

"The bathroom's over here if you'd like to freshen up." He had pulled at your hand, stepping towards the other open door in the room. "Figured a shower might sound nice after a long day in an airplane. Besides, I've gotta clean up before we go to Mum's anyways."

"Gonna join me?" 

"Yeah, thought I might, if that's okay." His smirk had been wicked as he pushed you the rest of the way into the bathroom. He dropped your hand to reach for the hem of his shirt, pulling it over his head quickly. As he reached for the buckle of his pants, he had met your staring eyes. "See something you like, love?"

You definitely had, though you didn't think your attraction — physically or emotionally — for Harry had stopped at something that was as weak as "like." Getting to know him over the last six months had made you worry that there wasn't ever going to be anyone else like him, anyone that made you feel like he did. You had fallen for him, desperately hard, and the realization of it as you stood in front of his half-naked self almost embarrassed you. 

"Babe? You alright?" he asked as he stripped down to his boxers. 

"Yeah, you just got me all distracted," you had grinned, pulling your sweatshirt and remaining clothes off quickly before joining Harry under the warm spray of the water.

Meeting Harry's mom that evening went better than you could've ever dreamt it would. The two of you got on like old friends, and Harry had stared, almost in wonder, at how easily you seemed to bond with her. And then he had stared in horror as Anne offered to pull out the photo albums filled with pictures from Harry's childhood, particularly when Anne offered up the album filled with photos from Harry's and Gemma's emo phases. 

As the evening wore on, you caught Harry on more than one occasion glancing your way, cheeks bright from the red wine he was sipping on and eyes warmly reflecting the bright Christmas lights. He always looked like he was a split second away from saying something, only to shake his head and look away with a small smile. 

Later, in bed, Harry pulled you close to him. He was laying on his back, you on your side, and you threw a leg over his waist, soaking in all of the cuddles you could get on this short trip together. The room was only illuminated by the ambient light coming in through the blinds. 

"Mum liked you a lot," he murmured, gently stroking the skin at the base of your spine, "said I should hang onto you". 

You returned the gesture, running your fingertips along the lines of ink that make up his many tattoos. "I liked her too. She's wonderful, I see where you get it from now."

"Hey now, 'm wonderful all on my own!" He tickled your side and you couldn"t help but arch towards him, shrieking and laughing at the touch. 

"Stop that! You are an absolute pest, you know that?" you said, grinning up at him.

"Ah, you love me," he whispered, and his joking tone made you smile but the way he pulled you tighter as he said it made you brave. 

You let the weight what you were about to say wash over you, aware that things were going to change forever with just a few words. "I do love you, Harry," you whispered, moving up his body to press a kiss to his lips.

"Thank God," he had said, wrapping his arms back around you and pulling you on top of him. "Cause I love you too."

Leaving Harry after that had been even more difficult. All you wanted to do was be with him, but you had too much coming up with the future release of your album and Harry was still in the midst of doing his own writing and recording. 

It was your professions, along with the desire to keep your relationship private, that kept you apart. You weren't sure how you did it, but your relationship had withstood the distance and odd-hours. The only step now would be deciding if, when, and how to confirm the suspicions to tabloids and fans alike that you were an item.

The wait was killing you. All you wanted was to show off to the world that Harry was yours.

///

The bridge of the song was followed quickly by the chorus and the heavy guitar and pounding drums had you rocking on your feet, body swaying into the mic stand as you let yourself get lost in the lyrics. "If you go out tonight, I'm going out 'cause I know you're persuasive."

The crowd was even more into the song now, many picking up on the words quickly and screaming them along with your singing. The rock and roll vibe of the song was coursing through you and the crowd, the arena electric with energy already. 

"You got that something, I got me an appetite, now I can taste it."

You remove the mic from the stand and dance towards one end of the stage, singing as you move to the beat. "We're getting dizzy, oh, we're getting dizzy, oh! La da da da da! You get me dizzy, oh, you get me dizzy, oh!"

///

You had been on the phone with Harry one day in July, nearly five months after the release of your album, having him help you decide what the setlist of your tour would be when it began in November. 

"I wish I could cover one of your songs."

He had laughed and slurped his tea, the sounds comforting to you, even over the phone. "That'd be a bit obvious, wouldn't it love?"

"I don't mean cover Golden or Kiwi," you said, tapping your pen against the pad of paper in front of you. "What about one you wrote for 1D? What about Perfect? Or Stockholm Syndrome! That was always one of my favorites."

"Getting permission on those might be a bit more difficult, s'not just me that's gotta sign off on it. Besides, do you really wanna be the artist that covers a One Direction song on her own headlining tour?"

"Guess I'll stick with singing along to them in the shower then."

You were both quiet for a moment, lost in your own thoughts. 

"What if I covered Medicine?" you asked suddenly, realizing it was the perfect compromise, not to mention your favorite song that Harry himself performed oh his own tour. The rock sound wasn't a far cry from the roots that country music had and you knew it would sound great. "Even if it was just for one stop!"

"Hmm," Harry mused. "It would sound great with the band, I'll give you that. But videos will go around, people will know it's my song you're singing and they'll connect the dots about us."

"H, I'm ready for that if you are. I love you, and I'm ready to be able to share that love that I have for you with the world. Sneaking around has been fun but I want people to know how proud of you I am and how much you're loved and appreciated. Half of our fans know already, it's just a matter of us confirming it. I think that we could really-"

Harry was laughing at your rambling on the other end of the line. "Alright, alright, you drive a hard bargain, love. I think you're right, maybe it is time we stopped sneaking around. I'll try, but Jax and everyone else still have to agree to it too. It might be easier to convince everyone if it's just a one time thing. Pick another cover, something you'd normally do, in case it takes some time to work things out."

"I'll ask him right now! Thank you Harry!"

"I just have one condition," he said, and you could hear the grin that was surely pulling at the corners of his lips. 

"What's that?"

"I get to perform it with you," he had said, and the smile already on your face widened exponentially. "If we're finally gonna make "us" public, may as well do it with a bang."

///

In the moment after the chorus, an 8 count beat is carried by the drummer and guitarist. For this performance, and the only performance you'd put on of this song, you had rehearsed the 8 count repeating once between the chorus and the next verse, as you needed a bit of extra time to announce your guest performer. 

"Ladies and gentlemen," you shout into the mic, grin wide and face beaming already at what was about to take place. "To help me finish this performance, please help me welcome my very good friend, Harry Styles!"

Harry emerges from behind the stage holding his own wireless mic as much of the crowd screams - he may not be a country artist, but he was absolutely known worldwide. You step back with a wave of your arm, smiling as he begins the next chorus. His performance is for the crowd but he's singing the words directly to you. 

"Tingle running through my bones, fingers to my toes, tingle running through my bones," he sings, voice smooth like whiskey, and the crowd adores him, eating out of the palm of his hand. "The boys and the girls are in, I mess around with them, and I'm OK with it." 

You can't help but dance as he sings, his voice and the energy of the crowd propelling you to move. He watches you, eyes no longer on the crowd, as he sings the next lines. Immediately, heat pools low in your belly at his glance and the words. 

"I'm coming down, I figured out I kinda like it. And when I sleep I'm gonna dream of how you…"

You gyrate your hips at the unsung line of "ride it", listening with a sly grin as some in the crowd scream the two words that go unsung. 

///

After giving him a key, Harry had moved some of his clothes to your apartment in Nashville some time while you were away on the first leg of your tour. He had found the city to be incredibly welcoming and inspirational for his upcoming album and had decided to stay there for a spell while you continued to tour around the country. 

You had scheduled a short break between your concerts over New Years, wanting to be able to grab at least one or two nights at home with him to celebrate the holiday before you were back on the road again. 

"So fucking glad you're home," Harry panted, pulling your shirt over your head before attaching his lips to yours once again. "Missed you like crazy."

"Missed you too," you moaned as his lips moved downwards, across your neck and over your collarbones, down the valley between your breasts. Before he could reach around to unhook your bra, you reached for his shirt, as desperate as he was to see and touch what you'd been missing. 

As he pulled the half-unbuttoned blouse over his head, you pulled your leggings off and reached for him, pushing him back onto the bed behind him. He unbuttoned his pants as he scooted up towards the middle of the bed, shoving them and his boxers off in one swoop. 

You climbed on top of him, hurriedly reaching to kiss him as you rubbed your clothed center along the length of his hard cock. 

"Fuck," he hissed, throwing his head back to allow you room to kiss his neck. "Desperate aren't you, darling?"

"Want you so bad it hurts," you whispered, sucking a bright hickey right where it would absolutely be seen by anyone.

You moved to continue kissing down his chest but he stopped you with a hand under your arm. "Not gonna last long, love. Wanna be inside you."

His cheeks and chest were flushed bright red, lips puffy and pupils blown wide. This was when you loved him most, being able to have him like no one else did. The same feeling always hit you at certain moments, particularly ones of domesticity, like when you watched him back the car out of the driveway or when he stood in the kitchen in the morning in nothing but socks, boxers, and his ratty old robe, singing along to old big band jazz as he waited for the coffee to brew. There was Harry Styles the musician, Harry Styles the actor, and Harry Styles the performer, but then there was your Harry. 

"Yeah, okay," you sighed, moving off of him quickly to remove your bra and panties. You climbed back onto the bed and threw your leg over his hips, straddling him. He immediately reached for you and pulled you flush against his chest, his lips capturing yours in a bruising kiss. 

You rocked your hips against him as he held you, your slick arousal gliding along his length, drawing a moan from both of you. 

"Baby, please," he panted, and you could only mod in agreement, lost already to the sweeping feeling of your close release. 

His hands rested on your hips as you positioned him at the entrance between your legs. You groaned in harmony as you worked down him slowly, the only sound in the room was your shared heavy breathing and gasps. 

"Fuck me," he sighed as you set a slow pace, rocking on top of him to reach each spot that you know will get you there. 

"Workin' on it," you grin. A quick swivel of your hips hit at just the right angle and you tossed your head back, repeating the movement over and over again until you shuddered with a final snap of tension, your orgasm rolling over you as Harry helped you move, hands tight on your hips, to wring all you could from the release. 

"You look so beautiful right now, like a fuckin' angel," Harry said, voice low and gravely, accent thick with need. 

"How's that line go?" you said as you slowed down, smirking when a harsh rock of your hips caused Harry to moan. "'Turns out she's a devil in between the sheets'?"

"Fuck," he groaned again, eyes closed tightly. "Can't just go reciting my own lyrics to me while I"m buried in ya like this, love."

"And there's nothing you can do about it," you continued, singing the line of his song this time, and his hips buck up into yours harshly.

"You're gonna pay for that," he had said, quoting another of his songs, before he had flipped you over onto your back and set his own brutal pace.

///

Like he can read your thoughts, Harry beams and wags a finger in your direction and the crowd screams at your chemistry together. You grab your mic from its stand and take a step towards Harry to sing the chorus together.

"If you go out tonight, I'm going out 'cause I know you're persuasive." Harry dances off to the side of the stage, performing once again for the crowd. 

You dance at center stage with your wireless mic, too excited about performing with Harry that you can't stand in one spot. The music and Harry's energy make you want to move. "You got that something, I got me an appetite, now I can taste it." 

"We're getting dizzy, oh, we're getting dizzy, oh! La da da da da!" Harry throws his head back, singing along in his own world and you can't look away from him. He really was a rockstar and getting to share the stage with him like this was an experience you'd never forget. 

"You get me dizzy, oh, you get me dizzy, oh!"

There's a great pause in the lyrics where the guitar, keyboard, and drums play together, increasing the tension of the song. You and Harry take off towards opposite ends of the stage, both reveling in the performance for the crowd as you dance and stomp to the beat. Eventually, with a slide down the keys of the keyboard, the instrumental quiets into just the steady beat of the bass line joined by the hi-hats. 

You and Harry urge the crowd to clap along as you both return to the middle of the stage to sing together once again. He always said that this portion of the song was one of his favorites to perform, the repeated line from the bridge ending abruptly with the lights going out before flashing back on, the added theatrics of the performance elevating the climax of the song completely. Having rehearsed that Harry would sing the following chorus alone, you let yourself get lost in his gaze as it settles on you.

You stand facing one another behind the mic stand, once again singing more to one another rather than to the crowd. You step closer towards him as the lyrics progress, nearly chest to chest now with your voices sharing one another's mics. "I had a few, got drunk on you and now I'm—"

Before you can sing the last word of the line and the lights can blink out as rehearsed, Harry leans forwards and captures your mouth in a hungry kiss. The crowd erupts with screams as the lights above the stage go dark.

You can feel rather than hear him say the words "I love you" against your lips and you have just enough time to repeat them back to him before the drums and guitar pick the beat up once again, the lights flashing back on brightly. He moves away and continues to sing the chorus that follows as if nothing had happened. You're a bit stunned, not having prepared for his relationship-revealing public display of affection to happen during your performance of his song but it was perfect and he knows it. Your smile is wide and you can't help but stand rooted where you are and laugh at what has just finally happened.

"If you go out tonight, I'm going out 'cause I know you're persuasive," he sings, smirking at you while you blush across from him. 

You join him in singing the last lines, your right hand joining his left hand where everyone can see your fingers entwine. 

"You got that something, I got me an appetite, now I can taste it. We're getting dizzy, oh, we're getting dizzy, oh!"

You urge the crowd with a waving hand to join in and they do, singing along with you and Harry. "La da da da da! You get me dizzy, oh, you get me dizzy, oh!"

The drums and guitar end the song on five quick beats and the crowd erupts once again in screams. You immediately jump towards Harry, throwing your arms around his neck in a close embrace. His hands wrap around your waist to hold you close, and you can feel him smile where his face is pressed close to your jaw.

"How was that?" he asks, chuckling against you.

"It was perfect, you're perfect. Thank you, H. For everything."

"Can take you on a proper date now, yeah? Wanna show my girl off to the world."

"Yes, please!" You can't wipe the smile from your face as he sets you down and Harry continues to beam at you as the crowd continues screaming, reeling from your shared performance. 

Harry nudges you gently before turning back to them, lifting his and your arms high in the air and leading you in bending for a bow. He steps away from you and turns, opening his arms wide to you for the crowd to praise and you laugh, tearing up at his gesture and the overwhelming emotions of the performance while you take another bow just for yourself. 

He pulls you into another hug and you can't help but angle your face up towards him, wordlessly asking for another very quick, very public kiss.

He glances down at you, smiling. "You're gonna love this now, aren't you?"

"Course I am. love showing them you're mine."

He leans down to peck your forehead, your nose, and finally, your lips, as the crowd goes wild. "Love showing them you're mine. You've got a show to finish, love. Go kill it."

///

Ahh! So much fun! This has been such a joy to write and I appreciate you taking the time to give it a chance! It’s my first (of hopefully many) Harry fics - reading all of the stories here has been immensely inspiring, and I’m so looking forward to writing more!

Tagging my love @morganlatte​ who is a wonderful hype woman and beta reader. Thanks buddy!

Anyways! Thank you for reading! My love language is words of affirmation (aka I have a praise kink) so leave me a comment here if you feel so inclined!

#harry styles #harry styles fic #harry styles fanfiction #harry styles story #harry styles smut #harry styles one shot #harry styles fluff #one direction fanfiction #harry styles x you #reader insert fic #my writing #wow! #that was so much fun #i'm so in love with it

[straykidsupdate]

Stray Kids Are Breaking Records, Breaking Eardrums and Breaking Limits (INTERVIEW)

A Stray Kids track a day keeps the stress away. Though one can argue the K-pop group's energetic brand of "noise music" could possibly heighten tension, their bass-bumping, get-the-crowd-jumping songs are encouraging, vital points to Stray Kids' calling: to be the voices of their generation.

As showcased on their fiery 2019 hip-pop hit "MIROH," or 2020's heavy-hitting "God's Menu," Stray Kids — often abbreviated as SKZ — are unrelenting in their journey of self-expression and their determination to push themselves, and their fans, to their full potential. A prime example? Their second studio album, NOEASY, released Aug. 23.

Source: Pop Crush

The 14-track project, the majority of which was produced by sub-unit 3RACHA (Bang Chan, Changbin and Han), exhibits Stray Kids' ability to bring the noise no matter the tempo. NOEASY starts off strong with five in-your-face tracks that blend EDM and hip-hop elements (lead single "Thunderous," "Cheese," supporting single "Domino," "The View" and "SSICK"), while the later part of the album experiments with different genres and styles, from jazz-pop to rock.

Just three years into their career — they formed in 2018 — members Bang Chan, Lee Know, Changbin, Hyunjin, HAN, Felix, Seungmin and I.N. already carry dozens of award nominations and wins under their belt, and boast chart-topping hits in both physical and digital sales. Even before the release of their second album, the group already set a new record by becoming the first artist under JYP Entertainment to reach 1 million pre-orders.

We recently caught up with the members to talk about NOEASY, the adorable SKZOO version of "Thunderous" and why touring is their first and foremost priority.

Congratulations on your second album! A studio album takes lots of work, so how does it feel to have this out there in the world now?

Changbin: We really put our everything into preparing this album and we're really confident in it, so I’m really happy that STAY can finally listen to it!

Lee Know: We couldn’t wait to put this out because there are so many really, really good songs on it, so it feels great to finally release this album.

Hyunjin: Somehow a year has already passed, and we’re so thankful to our STAY who have waited for us. The entire album is good, so we hope STAY really enjoy it.

NOEASY has already achieved the title of being the best-selling album in JYP Entertainment in history. Any thoughts on that? What other records would you guys like to break?

Bang Chan: That title was achievable all thanks to STAY! If it weren't for STAY, we wouldn’t have been able to have even gotten this far. Stray Kids are known as “the kids that enjoy breaking things." We break objects, break eardrums and break limits, so breaking another record wouldn’t be so bad. Of course, we’ll need the help from STAY!

I.N: I hope we grow even more with the next album, so much so that people will describe us as artists who are constantly improving.

What were your first impressions of the title track?

HAN: When we listened to the final product, it made me really happy that the track sounded really fresh, the lyrics were very witty and full of spirit and it clearly embodied Stray Kids’ distinct color. I wanted to hurry and work on the performance and share the song with someone!

Felix: The song is really unique and I believe that we were the only team to make it impactful.

Seungmin: One day, upon arriving at home, 3RACHA immediately played the song for me. The moment I heard it, it felt electrifying, and I really wanted it to be a title track. That’s why I voiced a lot of my opinion, too.

3RACHA (Bang Chan, Changbin and Han), you guys have made a name for yourself and were heavily involved in this second album just like past releases. What was it like with this project?

Bang Chan: Just like any other project that we’ve worked on, we just had fun. We experimented with a lot of different styles and tried our best to widen our musical spectrum.

Changbin: We knew there would be a lot of expectations as this would be a full album, so we really put a lot of effort into the process.

HAN: The process was a lot of fun. We’d ask ourselves, “What should we attempt? What should we try next?” And we looked forward to what we’d come up with while working on this album.

How was it different this time?

Bang Chan: The “let’s just have fun” part hasn’t changed at all, but the biggest difference would be the genres of music and the ways we recorded the songs.

Changbin: Perhaps because our second full album is the first album we’re releasing after [television competition] Kingdom, there was a bit of pressure to meet people’s expectations. When pondering what everyone would be expecting of us, we thought they’d definitely be looking forward to something new in true Stray Kids’ fashion. I think that’s the part that we contemplated a lot.

HAN: I think, compared to before, we had a little more fun while working on this album. There was no time crunch, and we worked with the thought of making music that best fits who we are today, so I think the end result came out really well.

What would you say were the key highlights for the album?

Bang Chan: One thing that I hope people will notice is the improvement of all the members’ recording skills. We put a lot of effort into all the songs.

Changbin: The album includes unit songs in which all of our members took part during the creative process.

HAN: I hope people look forward to Stray Kids’ distinct musical color, our wit and how much we’ve matured.

When you guys came up with NOEASY as the title, how did you define it in your own terms?

Bang Chan: This might sound cheesy, but life itself is pretty “no easy." Everyone goes through obstacles, everyone has their own downs and lows, but I feel like it depends on how “noisy” you’re going to be to overcome those hardships.

HAN: NOEASY is trying to convey that things may be hard, but we’re going to break through that difficulty with our sound! I think the best way to explain it is that even if things are tough, as long as we have the sound of Stray Kids and the sound of STAY, we can overcome anything.

You spoiled your fans with so much pre-release content, which would you say were your favorites and why?

Lee Know: The SKZOO teaser was the most memorable. I would say the cuteness amidst the power was the key point.

Hyunjin: The trailer video was a little embarrassing to film, but after seeing it all come together, it looked so cool that I hope we get to do it again next time!

Seungmin: We worked on unit songs that were included on this album, and the Song Camp teaser videos that showed the creative process behind those unit songs were really good! I think our STAY really enjoyed them, so I hope we can do that type of content again.

About the SKZOO version of the “Thunderous” video: Whose idea was it?

Felix: As we prepared for our comeback, we wanted to impress and entertain our fans with something fun and unique, so we all came to one conclusion which was wearing our costumes for “Thunderous."

Your music has become incredibly encouraging and has touched many STAY around the world. What would you say is your ultimate message as Stray Kids?

Bang Chan: At one point in their lives, people will have a moment where they feel astray from the road that they’ve chosen, and I would like those people to know that they’re not the only ones that feel that way. So, whenever you need someone to keep you company, just know that Stray Kids are here to get you back on track.

You guys pretty much owned 2020 with hit after hit, including “God’s Menu” and “Back Door." How has it been working and releasing music in the midst of the pandemic?

Changbin: There was a lot more time being spent at home, but I didn’t want to waste that time, and instead used it to consistently work on new music. I hope people listen to our songs and gain strength during this challenging time.

Seungmin: To be honest, I was really bummed we couldn’t get to meet our STAY in person, but I think we promoted our album hoping that STAY could feel our love through videos, our music and their hearts even from afar. I’m grateful because I think our sincerity was relayed despite not being able to see each other in person. We spent our time working really hard even in the unseen!

When the pandemic is over and everything’s okay, what’s the first thing you want to do?

Bang Chan: World tour, first priority!

Lee Know: The very first thing I want to do is have a fan meeting with STAY.

Changbin: Definitely an in-person concert.

Hyunjin: I want to go on a world tour to hurry and meet our STAY all over the world and experience new cultures in different countries! I also want to perform for our STAY in-person at Korean music shows.

HAN: A concert! I want to hurry and have a concert so we can vibe with STAY and sing together in the same place. I miss this so much and can’t wait until we can do this again.

Felix: World tour!

Seungmin: I would say the first that comes to mind is a concert with STAY where we can finally greet them and have fun together!

I.N: I want to do a world tour.

Congratulations on your third anniversary! Do you guys have any wishes, individually or as a group?

Bang Chan: Individually, I just wish for everyone to be safe and happy. As a team, I wish that we can reach places that haven’t been reached before with the help from STAY.

Lee Know: I really want to be able to let STAY experience our performances visually and physically in real life as soon as possible.

Changbin: I want to make music and perform as Stray Kids for a long time.

Hyunjin: I’m sad that we can’t right now, but I would really like for this time of coronavirus to pass so we’re able to make many more memories with STAY. I really miss the fan meetings, concerts and world tours.

HAN: I want to mature more and continue growing in my music and just as a person. I would like to make even better music so that I can continue to touch STAY’s hearts and give them joy.

Felix: Individually, I hope to make a lot of memories and give a lot of hope and happiness to the STAY all around the world to the best of my ability. As a team, we really want to go on a world tour to meet our STAY as soon as possible.

Seungmin: I want to show our fans an even more improved version of ourselves. My wish is to show STAY that we’ll never go backwards!

I.N: I would like to continue improving and be described as an artist of consistent growth. I want to become an artist that’s a good influence on people.

What’s something you would like people to know about SKZ if they haven’t given them a chance yet?

Lee Know: We’ve got backbone. Once you fall for us, it’s hard to get out.

Hyunjin: I hope that after listening to our diverse music and watching our extravagant performances, people will notice us a little more.

Anything else you’d like to say? Speak now or forever hold your peace!

HAN: STAY, thank you for always giving us positive energy. We feel bad because it seems like we’re always just on the receiving end, but we’ll work hard to reciprocate what you’ve given to us! We’re always so thankful for you, and we miss you so much. We love you, and please continue to watch over us.

#stray kids #210924 #era: NOEASY #t: article #pop crush

[kyotakumrau]

2021.02.16 1st talk session of Meguro Rock-May-KanGIG at Zepp Yokohama

Zepp Yokohama is a such a nice venue, I really hope we will get to see dir play there live properly!

The concert recorded at Meguro RockMayKan was great! The setlist surprised me quite a lot (especially encore!!!)! And I think that was the smallest stage I ever saw dir on!😆 the footage definitely deserves a separate entry and I don't want to spoil anyone if they go to next events.

After the concert film screening staff quickly prepared the stage, bringing two long tables and four chairs, they also placed a water bottle at each seat.

Punctually (thank you for not repeating Nagoya's situation😆), at 3:30 Fujieda came on stage and started with greeting everyone, and asking us to greet the band members with applause.

After a moment of uncertainty (even as my heart was almost set it will be Kyo) Die came on stage with Kyo after him.٩( ˆoˆ  )۶

They both looked super classy. Die had a dark grey suit with a long jacket, his usual award winning hair and wore sunglasses.

Kyo had a black jacket (with a round Chanel pin) and shirt, green hair, he wore glasses (not sunglasses).

When they sat (Kyo stood in front of the chair first until Fujieda gestured them to sit) F asked them to introduce themselves.

D: ども、Dieです

K: 京です

...and then F announced 'today is Kyo's birthday!' and a birthday song melody began to play😆

Kyo turned on his murder face glaring at Fujieda who happily observed 'oh what's this song?'😂

The soft Happy Birthday melody got then a guitar joining in and Takabayashi came on the stage carrying a small strawberry shortcake (with a chocolate message おめでとう京さん) which of course he placed in front of Kyo.

We couldn't sing but we clapped.

Kyo snatched a strawberry and popped it in his mouth. He gestured 'throat slashing' looking at Fujieda😂

And then ate another strawberry🍓😂

F: the song was made by Die.

K: (only interested in the cake) Could I get a fork?

(staff went to get him one)

F: how do you feel? (about your own birthday)

K: I don't care.

The fork arrived and Kyo literally dug in right in the middle, scooping a huge piece he put whole in his mouth.

Fujieda wisely left Kyo to his cake then and started talking about RMK footage. Die said they had hard time deciding on a tour or events like this in COVID situation. They also mentioned the secret show in 2009 was held in RMK.

Next Die talked about how nice it was to rehearse and play together with the band, first time since March, he was happy about the show, creating sound together as 5 people.

F: did you finish eating K?

K: yup

(there was last 🍓 left (out of 4 big ones), he ate about 25~35%?)

F: then tell us about recording the RockMayKan show!

K: the place was very narrow.

F: anything else?

K: Not really.

But then he added more, that as it has been a while it felt like the first day of the tour.

F: was there anything that was difficult? Was a struggle?

K: when recording I can do it at my own pace, I can do one song when I want, but that day it was back to performing over 10 songs all at once, it was tough, hard on my throat, energy/stamina wise.

But at the same time it was exciting, meet with other members, play music together, that was nice.

F: 2019 was filled with shows, it was busy, then things changed. So after a break to see an audience again got me nervous, in a good way.

Next F said had would like to talk about the release of Oboro.

D: what do you want to know?

F: so the song is not out yet, any hints?

D: it's gonna stay a secret for a bit more.

F: the 2nd track is TDFF？

D: (interesting letters ???didn't catch exactly) it's a powerful song.

F: how is Oboro for you Kyo?

K: quite fresh/refreshing

F: really?!

D: especially the video

...but then Kyo just burst with a whole speech how Fujieda always ask something and when he gets an aswer he didn't expect he doesn't react well, just says what he wants, is not listening to what Kyo says and... it went for a while😆

Next F moved to the topic of the merchandise and asked the band members which items they like.

K: the big badge, before the big pick was huge, shouldn't the badge be like this size (showing about 20cm with his hands). It bothered me from when I saw it. Isn't it just normal?

in the end they agreed it's just 'a bit big' 😂

F: how about for you, D?

D: the rubber key chains?

F: they got sold out very quickly, sorry to fans about that.

D: they are cute. And I like the wristbands too. The color combinations are nice.

T: the badge has the old band's logo, it brings me back

D talked about old times when artists made stickers like that, with logos, to put on their equipment, they worked a bit like business cards, he said he still have some at home.

T picked the rechargeable heat pack.

K: so it's to be used instead of heat packs? (ホッカイロ)

F: uh, it's already warm.

D: huh? Show me? (F passed it to him) it's like a phone that gets hot when charging.

Next they moved on to fans questions. ("~~" is a question from fans they read)

K (unusually picks the first question super fast): "what's your favourite cake?"

K: Well, the strawberry shortcake is good, but this one doesn't have strawberries inside, just some jam, it should have strawberries inside too.

(F so dead😂😂😂)

F: "what's your best or bad memory connected to birthdays?"

K: at a concert somewhere, it was quite long time ago, I got a present all wrapped and in a bag from a silver accessories brand I liked, so nicely wrapped, I opened it and it was empty, isn't that really strange? I looked at the attached letter and it said the person is keeping the item for themselves. It annoyed me so much, the worst bd memory ever.

☹️

F: how about you D?

D: it's not exactly bad memory, but many band members have birthdays in February, in the past when we were still giving each other presents Toshiya and I had to think what to get for 3 people, it was always tough. We stopped that at some point.

T: "any memory/story about China Town?"

D: I like China Town

T: do you go often?

D: sometimes. But only to my favorite restaurants. (?? Talked more about the stadium?)

T: do you usually order the same thing?

D: Mabodofu, the spicy version

(then I think he said something like there's no point in overdoing spicyness, it's not healthy??)

K: I don't know which restaurants are good so I get annoyed. I don't know what decides it's a good one or not.

F: I don't go, but I'd like to.

then they talked about the types of Chinese food and food they tried when in other Asian countries.

K: when we were touring in the US I ordered Chinese abd it was terrible, it was all bad. The egg soup was all clumpy, so bad.

D: "any stories about RockMayKan?"

D: honestly I don't have good memories with this venue, when with a previous band we played together with more senior bands and they took over the dressing room, we couldn't use it, and we also had to greet all senpai musicians.

K: remember when Shinya sat on the lockers? Like on top of the 170cm lockers?

D: was it in Nagoya?

K: he's done his make up there, like a cat or something

D: Shinya climbed a locker and made a space for himself there

K: He's not exactly human. Normally you would not even consider climbing a locker...

D: we usually did our make up on the stairs, didn't use changing room. When we played at RMK as dir for the first time I saw 'this is the changing room!'

He also talked about how the hair spray used by all the bandomen would stink up the whole place 😂

F: "what do you usually wear to sleep?"

K: just underwear. Doesn't matter if it's summer or winter I want to feel the towel like fabric, I use towel cloth for my bedding, I want my whole body to feel it so there's no point in wearing pajamas.

D: at home...wait you mean my home or my family house? At my parents' I always wear the pajama my mum got me, currently the Mickey Mouse one. I only have that one there.

K( with sudden interest): can you draw it?

D: it's about this big, quite big print. The one I wear at home, it wasn't sent by my mum.

K: not Mickey one??

D:  that's Nightmare Before Christmas.

K: Disney theme?

D: this one has a face in the front.

K: do you change characters (for pajamas) every year?

D: this year it's Nightmare.

Next was something they wanted to say to F. K chose to comment on his haircut, because it's asymmetric K is bothered that it will end as an uzumaki in the back. They talked more about F's style.

F: "I'd like you to tell us about your costumes you wore for RMK show".

D: I wanted something motovating so red colour.

K: I had no special reasoning, just what I wanted to wear then.

D: "have you gotten any food delivery?"

He said he only got it once or not much, I think he said he's not fond of shops that don't do it properly, but when recording it's good???

F: Shinya said he orders Uber almost everyday.

K: I only got Uber once.

F: what did you get?

K: Burger King. I quit McDonalds. After eating Burger King I can't go back to McDonalds.

They talked about sizes of burger here?? Whooper versus Junior Whooper?

F: So McD is not good?

K: the meat taste is different. McDonald now tastes like trash.

F: what about the Mc fries, when they get a bit soft.

K: not only a bit. Gross.

D: in the US we usually also have some American staff, when we had some time and we went to eat out, it was funny, American staff went for sushi, Shinya went for McDonalds.

F: was it last time?

D: no, quite some time ago.

F: when did you eat McDonalds the last time?

D: I also don't eat it, it's been some time already.

They talked more about the food, some restaurants D liked in the US (didn't catch the name🙃 but in Sacramento?), then F talked more about event schedule and the time was over.

Last comments from the band members:

Die: From today the new series of film screening starts, thank you for coming to the first day. So well... the band is working on the new album while coming to the events at the same time, we're working on creating a great album. Please come amd enjoy the events.

Kyo: I don't have a special thing to say. Many of you will be coming to few or many events and will end up with many t-shirts, you can do whatever with them, even use them as a doormat, there are many ways to use them, no problem for the whole year.

#dir en grey #kyo #京 #die #目黒鹿鳴館gig #爆音会 #attempt at live report

[annepikachu]

How EXO saved 2020 - the EXOL Edition

(Because EXO is home to EXOLS)

Year 2020 had been an apocalyptic one that has handed over the baton to year 2021 as well. People are living with the trauma of suffering from the pandemic and of witnessing others suffer. Many of them try to hold on to music made by their favorite artists.

EXO is home to us EXOLs, helping us keep strong. EXOLs around the world had the privilege to engage themselves in the various solo and unit activities of EXO in the year 2020. There were no such group activities since 2019 Obsession era because of the mandatory military service the members have to perform. But even while being enlisted Xiumin and DO served us with their amazing acting skills. We were happy to see them appearing the same military musical "Return: The Promise of the Day".

Suho had performed in the musical stage "The Man Who Laughs" until March. He had also released his solo EP "Self-Portrait" as a gift to us before his enlistment. The EP shows a new side of Suho through six rock oriented songs where he also participated in the songwriting process. In his "Heart 4 U" episodes he shared the details and some behind the scenes of album making. (Heart 4 U is EXO's personal relay reality programme). We also watched Chanyeol and Sehun appear in some episodes of his Heart 4 U episodes. During the album promotion he also engaged us to draw his portraits which he would personally check on social media and gift some copies of his album to those fans whose artworks were chosen as his personal favorites. He also re-recorded the OST "Sedansogu" for the web drama "How Are U Bread" where he is the main lead.

Baekhyun blessed us with his vocals throughout 2020. He released his second solo EP "Delight" which sold over 1 million copies, making him the first solo singer in South Korea to earn the title "million seller" in 19 years after the k-pop icon Seo Taeji in 2000. EXOLs participated in the viral "Candy Challenge" where one had to replicate the dance steps of Baekhyun (and his choreographer Kasper). Before that he also collaborated with BOL4 in the song "Leo" from BOL4's comeback album. Baekhyun rendered four k-drama OSTs namely "My Love" (Dr Romantic 2), "On The Road" (Hyena), "Every Second" (Record Of Youth) and "Happy" (Do You Like Brahms?). He released a winter single "Amusement Park" and teased us about his upcoming Japanese release and online concert which made us eager to look forward to 2021. Apart from his official activities we also got several KyoongTube contents on his YouTube channel.

Lay provided us with a lot of contents. He released the single "Love You More" with artists Steve Aoki, Will.I.am, and featuring Jessica Carrie Lee. He won the competition of IQIYI's "I'm a Singer-Songwriter 2". (He later released all the songs he had written and performed in his album "Producer" in 2021). He also appeared as a mentor in the Chinese dance survival show "Street Dance of China 3". He has also been filming for his drama, "Challenges at Midlife". He released his fourth solo album "LIT" in two parts, first part featuring songs having traditional Chinese musical influences and the second part featuring songs with a modern outlook. EXOLs participated in the "Boom Challenge" where one had to replicate the dance steps of Lay dancing to his single "Boom" from his album.

Chen released his own rendition of Park Hyo Shin’s famous ballad, “Breath" on his YouTube channel. He shared with us the good news of his marriage with his partner and that they were expecting a baby. Chen released "You", a collaboration with Dynamic Duo. He also released "Your Moonlight", an OST from the k-drama "Do You Like Brahms?" He gifted us a soulful single "Hello" right before his enlistment.

Chanyeol and Sehun (EXO-SC sub-unit) released their self-written and self-produced full length album "1 Billion Views" featuring hip-hop and R&B songs. EXOLs went crazy with the "1Billion Views Challenge" where they were supposed to hold a mobile phone and perform the dance steps but they ended up performing the steps while holding television, chair, gas cylinder, pets, mattress and what not. (We all know 'Chanyeol started it' because he did the challenge holding a tab instead of a mobile phone.)

Sehun has been confirmed a role in the upcoming “The Pirates” sequel. He was also shooting for "Busted 3" TV show.

Chanyeol collaborated with several artists in various songs namely "Yours" (with Raiden, Lee Hi, Changmo), "Regards" (with the legendary Lee Sun Hee), "Ocean View" (with Rothy) and "Faded" (Devine Channel featuring Loopy). He also rendered OSTs "Go Away Go Away" (with Punch) from the k-drama "Dr Romantic 2" and "Minimal Warm" from the webtoon "She's My Type". His "Heart 4 U" episodes were full of adventures. Chanyeol was back on the new season of the adventure show "Law of The Jungle". He was also confirmed a lead role in the jukebox road movie "The Box" where he will also be performing and singing many soundtracks in the movie. Fast forward to 2021, the movie ranked number 1 in the Korea Daily Box Office Chart in less than 24 hours of its release. He released several vlogs and songs on his YouTube channel. Sehun too was present in some of the videos.

Kai released his debut EP "Kai (开)" featuring R&B songs. His "Mmmh Challenge" saw the rerun of "1 Billion Views Challenge". "Mmmh Challenge" required the participants to balance a small bottle of water on their heads and dance to the song "Mmmh". But as usual the EXOLs (Extra-Ls) balanced anything but bottles on their heads and joined the challenge. Yes they balanced big water jars, pets, a stack of matkas, chairs and so on.

We were beyond happy when Xiumin was discharged from his mandatory military service. He was the first in EXO to enlist and was back with us already.

These are not all. The Instagram lives and posts, vlives, online fan-signs and fan-meets, OP updates from military, and interactions among the members acted as cherry on top. The members continue to provide us with a lot of contents in 2021 as well. DO is also discharged from military. Now they have announced one of the biggest gifts to us - their 9th Anniversary Special Album "Don't Fight The Feeling" and we couldn't be more excited.

#exo #xiumin #exo sehun #chen exo #yixing #baekhyun #exo suho #chanyeol #kai exo #kpop boys #kyungsoo #Instagram

[styleiswild]

Interview with Beastie Boys for Machina magazine, 07/1998

By: Rafał Bryndal

Translation: Anna Bak ( @styleiswild )

 -------------

Introduction: The party called Beastie Boys in Lisbon went on for two days. On the first day we (the journalists) were invited to the magical “Kremlin” club to listen to the new album [Hello Nasty]. I don’t think I have to explain how I felt knowing that I was possibly one of the first Polish people to listen to that phenomenal record. On the second day each of us got to meet the band in Hotel Ritz during the so-called “round-table.” It’s like a private conversation with the artists. It looks a bit like a coffee party at your aunt’s. (…) The whole meeting was just as absurd, in a positive way. The answers they gave us were often ironic, as one could expect.

R.B.: Don’t you think that being Beastie Boys is way cooler than being any other band in the world?

MCA: Unfortunately, we haven’t tried being a different band yet. So I can’t really answer your question.

Mike D: To be honest, there’s something to it. Maybe because we have so much fun working together. It’s not always fun, of course. We do work from time to time, but only sometimes.

R.B.: It seems like you work on your albums for fun and pleasure exclusively?

Mike D: I think it’s because we don’t release them that often.

Ad-Rock: Yes… Yes, you must be right, man.

Ad-Rock: Yes… Yes, you must be right, man.

MCA: Hey, we’d released Ill Communication after a two year break.

R.B.: Yeah, but this one took you four years.

MCA: Yeah, we had to level it out. It takes us three years most of the time.

R.B.: You grew up together. Are you always on such good terms with one another?

MCA: Sometimes there’ll be tripartite fights. Not sure you’ve ever seen what it looks like when three people fight each other. Each of them against the other two. That happens sometimes. Rarely, though. To be honest, we don’t really argue much.

R.B.: Your new album seems a bit like a departure from The In Sound from Way Out!

Mike D: Hello Nasty is a collection of a dozen or so songs, each of them stylistically different. That’s why you can’t really compare it to our previous releases. I guess, though, that at least two of the songs would’ve worked well as instrumentals on the previous album.

R.B.: How do you deal with the new technologies in music?

Mike D: Technology is present in all genres today and you can’t run from that. Music evolves largely thanks to the new technology. Especially hip hop music. We do it like the true rappers do, which means we start with a drum machine, then we put it on a loop, and then we use digital delay system. That’s one of the newest inventions. Technology is unpredictable, because people – who are its creators – have no clue about what the artists can do with it.

R.B.: Is it true what they say on the internet? That this album is the first one of the three that you’ve recorded lately?

MCA: You’ve really heard about that?

Mike D: Gosh, you can’t keep anything secret today.

Ad-Rock: Three? To be honest, we’ve got many more albums recorded.

Mike D: The last one of the three is a country album. The genre is so popular that you can’t really keep such a record a secret anymore. Especially when you’re in Manhattan and you walk around in a cowboy fit, it’s suspicious as hell. Because there aren’t many cowboys in Manhattan. People see a guy in a cowboy fit and assume that he has to be working on a country album.

R.B.: Is it really so important for your clothes to fit the style of your music?

MCA: You identify with your music more when you dress up. People often cheat, they wear clothes that don’t fit the music they play.

R.B.: So what kind of clothes did you guys wear when working on Hello Nasty?

MCA: I wore a bat girl costume.

Ad-Rock: I dressed up as a scared woman.

Mike D: I’d wear a bathing suit, because I wanted to go swimming all the time.

Ad-Rock: We couldn’t really find what we were looking for at first. We tried on a range of fits and finally found those that went well with our music.

R.B.: You’ve been popular with skateboarders. It’s a group of people who wear unique clothes and listen to a lot of your music, as it seems. Do you identify with this subculture?

MCA: I don’t think it’s just that one subculture. There are a few more we’d like to identify with.

Mike D: For me it’s long gone. Skateboarding isn’t much of an extreme or exclusive kind of sports discipline anymore. It’s become very popular.

R.B.: You’ve worked with Lee “Scratch” Perry on the new album. Can you tell me what kind of benefits did that bring you?

Mike D: It’s hard to say, but we’ve always been pretty impressed with his work on dub music. He’s also inspired Mario Caldato, our studio engineer. For me, Lee is an artist of science, a living fucking legend.

R.B.: Do you think that you can inspire young musicians?

MCA: Sure, but that’s a normal thing, right? If music is evolving as a part of culture, then everything and everyone inspires that process. We’re happy that we can be a part of that culture to some degree.

R.B.: A lot of white kids have gotten into rap music thanks to “Rhymin’ & Stealin’.” At least that’s what happened to me…

MCA: As a white kid… Right, it’s hard to be a black kid in Finland.

Mike D: We discovered hip hop when we were thirteen or fourteen. We’d go and see Public Enemy and bands like that. We were totally enchanted. It’s not that weird that kids who listen to us want to do the same thing.

R.B.: Some people say that you don’t like it when other artists sample your music. Some say that you’re more liberal, though.

MCA: It all depends on how the sample is used. If it’s creative, then we’re here for it. But if they go and copy our own ideas, and the whole track revolves around that idea, then we’re obviously pissed off.

R.B.: Are you as satisfied with making music as you’re with your magazine and your record label?

MCA: It’s all really about creating something new, publishing the mag, recording albums or playing gigs… We’re really into humanitarian work, too. Sure, the music is the most important thing of all. Nobody knows where it comes from, it’s hard to define the process of making music. It comes from subconsciousness.

R.B.: I’ve heard that you were to make a movie based on your “Sabotage” video?

Mike D: Unfortunately, that’s not true.

MCA: It doesn’t change the fact that we’re planning to make a movie…

R.B.: About what?

MCA: You can actually watch it in the cinema already, because Spice Girls had stolen our screenplay and made it their own.

R.B.: In the 80s there were a lot of humanitarian aids, like benefit concerts during which quite a lot of money got lost for a very simple reason. Those actions were organized on such a grand scale that it was nearly impossible to control the funds. Aren’t you scared that the same thing can happen to your organization?

MCA: Free Tibet is there to help people find out about the issue and educate them on it. The money that we get helps us organize the Tibetan Freedom Concerts. It’s not like those other actions from the past that were strictly about collecting funds.

R.B.: Do you believe that the bands you invite to play consider the gigs something more than simply another type of self-promotion?

MCA: I feel that most of those artists are really moved by the issue we’re trying to bring to people’s attention.

R.B.: You’re fighting for free Tibet, while recently it’s been 50 years since the State of Israel was formed. And Palestinians are fighting for their rights to be respected. Why have you taken on Tibet and not Palestine?

MCA: Tibetans’ fight is based on the idea of non-violence. It’s a peaceful fight. The contrast between the brutality of the Chinese government and that quiet fight of Tibetans does make an impression, and that’s why we’re popularizing the ideas behind the Tibetan struggle. We believe that the non-violent, peaceful act is the only logical way of dealing with the issue.

R.B.: Even if the peaceful fight ends up leading to the extinction of Tibetan culture?

MCA: The same thing will happen if Tibetans decide to use violence as a means to gain their freedom.

R.B.: Is it true that your music is banned in Hong Kong?

MCA: That’s right. We can’t play there. Our albums can’t be sold on their market. All of the bands playing for Milarepa are banned from performing in China.

R.B.: You’ve met Dalai Lama on several occasions. Does he like your music?

MCA: Dalai Lama doesn’t listen to pop music at all. Lots of bands give him their CDs. He takes them because he doesn’t want them to feel bad, but he won’t give them a listen.

Ad-Rock: That’s why he stores so many demos at home.

R.B. What is Dalai Lama like?

MCA: He’s fantastic. He’s a great role model, representing all of the values people associate with Tibetan culture, with Buddhism. He’s got great charisma. He oozes calmness that comes from the respect he has for everyone.

R.B. What’s his opinion on Tibetan Freedom Concert?

MCA: He thinks it’s an excellent way of spreading his word. For him, the concert is a kind of holiday.

R.B.: As far as I know, you have a slightly different view on the future of Tibet. He wants to negotiate with the Chinese government about Tibet’s legal right to autonomy in China, while you fight for total freedom for Tibet as a sovereign country. Is that true?

MCA: It’s related to his view on the type of fight. He’s so scared of any form of violence that he’s ready to negotiate with the Chinese government. He’s choosing the lesser of two evils, that’s what he’s doing. We’re in a completely different situation, though. As American citizens, we want to speak with our government about freedom for Tibet. We believe that Tibetans should be free and we want to encourage the government to take action to help Tibetans gain autonomy.

R.B.: The “Sabotage” music video was unique and quite shocking. Are your new clips going to be equally as original?

Ad-Rock: It’s gonna be some good shit.

MCA: We had lots of fun working on it. The “Sabotage” video had a lot to do with the song, though. Our new clips won’t have anything to do with the songs. They can be treated as independent short features. We plan to make a couple more totally different clips.

R.B.: You’ve been a band for so long that you must be best friends and not only, let’s say, collaborators. Can you please describe one another?

Mike D: Adam Horovitz is, to use basketball terminology, the play maker. He shows us how we’re supposed to play because he’s the one in charge of the balls. Sometimes he can’t score from a distance, though. Adam Yauch, on the other hand, is a very unusual power forward. His style is completely devoid of aggression, unlike Karl Malone’s. Or Charles Barkley’s. He can dull his opponent’s vigilance with his slow moves and get all the points.

Ad-Rock: Mike is an idiot and a thief. Yauch is a liar. I’m as cool as James Bond.

Mike D: Some people might say that we’re CSC. Crazy Sexy Cool. And that’s what we wanna be.

R.B.: Can you explain your record cover? You’re in a tin and you look like sardines.

Mike D: Doesn’t it sound pretty? “Sardine tin”? It’s almost like a big surprise. You open the tin and it turns out that people’s lives are similar to the life of sardines.

MCA: Maybe this album was recorded by sardines and you’re now talking to them? Who does know?  

#beastie boys #mca #adam yauch #ad rock #adam horovitz #mike d #michael diamond #1998 #90s #hello nasty #hello nasty era #scans #interview #music interview #beastie boys interview #this is not an ‘official’ translation ofc #done it in my free time #my posts

[strawberrielarrie]

Music Industry Stunts and why they happen

Stunts are a big part of the music industry, you may not know it, but they are.  The purpose of stunts is to push a certain narrative to the general public. Now this could mean many different things, PR relationship; coverups; or to peak the publics interest. Why? You may ask, why would the artist do this, why wouldn’t they just be truthful? Well, many don’t have a choice, the music industry is a place that I wish no one would have to be in, it is a cruel and awful place to be if you don’t know how to get around it, or if you don’t have the correct connections. In the past (and still now), many big brand music industries, such as Sony Music and Warner Music have controlled artists immensely.

George Michael

As a legend in the music industry, George Michael is a well-known name in the average household. From his time in the hit duo “Wham!”, Michael’s music was distributed through CBS, but in 1987 Sony took over and that’s when things went downhill. Michael reveled in the popularity of his hit album “Faith” in 1987, and so did Sony, because he was earning them money.

But that ended quickly with the news of his next album “Listen Without Prejudice” in 1990, Sony refused to promote the album and appear in the music videos for it. Michael in turn, disputed his contract with Sony, but he could not do close to anything, because Sony possessed the power of approval over everything that he put out. Meaning, George Michael could not release music without it going through the board of Sony, and if he did, he could get sued and fired.

(Sony is a whole other world of fucked up, they fucked MJ up so badly, Sony Kills)

During this whole time, George came clean, saying that the board of Sony, used many different homophobic slurs against him, and wouldn’t let him release any music that seemed to allude to the fact that he was gay.

George Michael brought Sony to court in 1993, claiming that between 1987-1992, he had made worldwide profits of £7.35 million ($9.8 million) compared to Sony making £52.45 million ($70 million). Ultimately, the case lasted till June 1994, and Michael had lost, the judge claiming that it was fair. Michael retaliated saying how Sony is “Professional Slavery”.

Suzanne Kessler, Entertainment attorney at Bone McAllester Norton and former in-house attorney at A&M Records and Universal Music Group stated, “There are two sides to this tale,” she said. “The music business is a relationship business, and he was uneasy with what was happening. A label often wants an artist to continue to trade on their established brand with the public. But after “Faith” Michael was trying for a new direction, to be taken more seriously as an artist instead of just as a pop star sex symbol.”

This brings me to my next point,

 Closeting in the Industry

(Now I could go on for day about closeting in the music industry, but I will only give you the basis and then I will link another post that goes further in depth.)

Closeting is not a rare thing in the music industry, it in fact happens more than you might think. Many different artists have come forward, saying how their management said they should remain closeted to the general public, in order to maintain the brand that has been established. A popular example of this would be Sam Smith, they were offered multiple times by their management to have a beard. More closeting in the industry comes from Colton Haynes, who has been open about how his management closeted him because he “could not be gay and work in the industry”.

Colton link

Beard: A woman or man who fake dates a person of the LQBTQ+ Community, to hide their real sexual orientation or identity

 The Types of Stunts and Stunt Songs

“Pap Pics”

Stunts are common, we all should know that. From the amount of staged paparazzi pictures and videos that get posted to twitter on the daily it is not surprising that stunts happen. One of the main reasons stunts happen is for publicity, I can tell you now, living in LA for as long as I did, the paparazzi aren’t at every corner just waiting for a celebrity to walk past. They are called to meet at a place where the celebrity is going to be, in order to get pictures. This call is made by the artists management normally, and many times it is done against the artists will.

“Relation-shit”

These types of stunts are the relationship stunts, normally it is two popular celebrities dating to gain publicity for a movie or song that they are doing. A popular reference to this would be Joe Jonas and Demi Lovato, Joe was approached by a head of Disney, who asked him to date, at the time, co-star Demi Lovato. This stunt was to push the new Disney movie that both were starring in, Camp Rock 2: The Final Jam. Now at the time Demi was unaware that Joe was approached to do this, so when Joe and hid dad approached her about it… wow that must have hurt.

Another example of a relation-shit would be Shawmilla. Now before you attack me for this, let’s look at all the facts. Everything that relationship has done has been staged, let’s look at the timeline.

 August 2015

-       the first time they publicly hung out (at the 2015 VMA’s), sparking rumors of them dating

September 2015

-       pictured together at the iHeart Radio Festival, sparking rumors of Camila branching off of Fifth Harmony

November 2015

-       “I Know What You Did Last Summer” was released and performed many different times, Camila was still in Fifth Harmony at the time

June 2016

-       Shawn and Camila win an award for IKWYDLS and accepted together

-       Camilla ultimately starts her solo career

December 2017

-       Shawn is pictured with Hailey Baldwin (Bieber)

February 2018

-       Camila is in a serious relationship with Matthew Hussey, confirmed by a trip to Mexico together

April 2018

-       Shawn and Hailey go to the Met Gala together (Iconic)

December 2018

-       Camila hints at music between her and Shawn on twitter (6 months before Senorita)

https://twitter.com/Camila_Cabello/status/1070381510740598785?s=20

May 2019

-       Matthew and Camila last spotted together, returning from a vacation in Italy

-       Met her family on May 14th

June 20th, 2019

-       Senorita is released, now this had been in the works for over 6 MONTHS, so this was all very planned out

-       On release day, the Senorita music video was also released, which is literally soft porn, I do not know how it is still on the internet, gross

-       But, Camila? Aren’t you still dating Matthew? Why would you release this very VERY touchy music video with Shawn, if you are still dating Matthew?

June 21st, 2019

-       Shawn and Camila in V Magazine, still very touchy

June 26th, 2019

-       Breakup articles about Matthew and Camilla, Weird since he met her family only a month before.

July 3rd, 2019

-       Staged photos of Shawn and Camila out and about

4th  

-       more staged pics

5th

-       Camila at Shawn’s Concert

6th

-       Shawn denies that him and Camila are dating

 https://twitter.com/PopCrave/status/1147700409919778816?s=20

7th  

-       Shawmila in San Francisco all day

12th

-       That god awful making out pics that shook the entire internet

-       More pics in SF

 Ok you get the point, they are pictured together only when one of them has music to promote, In this case its Senorita. Now for more recent proofs of this entire relationship being a sham. Shawn just released an album called “Wonder” and guess what we wonder Shawn? Why do you not post any pictures of Camila until you have an album to promote? And now you have a puppy? Pulling an Elounor are we?

Senorita is a total stunt song to “prove” to the public that they are together.

“Style”

Now this type of stunt gets its name from the queen of stunt songs herself, Ms. Taylor Swift. The notorious song Style, supposedly about “Ex” Harry Styles, is probably one of the most stunty stunt songs I have ever heard. Like come on! “James Dean Daydream look in your eyes” if you didn’t know, here is a short recap on the icon himself James Dean.

Taylor has time and time again written amazing songs, I would be lying if I did not call her one of the greatest lyricists on the 21st century, the woman can write extremely well. So why would she put a nod to James Dean, a famous actor, who was a closeted, RAGING bisexual in a song so clearly about Harry Styles? She knows what she is doing.

Talking more about the “Haylor” stunt, can we please end that? It was a 3-month PR stunt that happened 5 years ago, please just get over it, they never really dated. And to the hardcore Haylor fans, there is no chemistry between them.

Haylor; The Stunt

“I hate you because I’m getting paid to!”

Now I do not go into this one much, but basically it is when you see two artists publicly fighting and releasing diss tracks. A popular example of this would be, Machine Gun Kelley and Eminem, with their songs called “Rap Devil” and “Killshot”. Their “beef” was totally staged to boost views on both sides, its even more prominent because they have the same record label, INTERSCOPE.

Eminem v. MGK

 I will be adding to this the more things happens, but it you have and questions feel free to ask them!

#I cantbelievesispent3daysonthis imsotired imgladadderallexists #Stunts Taylor Swift George Micheal Haylor Larrystylinson James Dean shawnmendes shawn mendes camilacabello harrystyles #harry styles #ihateithere #idontknowhowtagswork

[bopinion]

Album of the month / 2021 / 08 August

I love listening to music - gladly, all the time, everywhere. That's why I would like to share which music (or which album, after all I'm still from the vinyl generation ;-) I enjoy, accompanies me, slides up my playlists again and again...

The Beatles & George Martin

LOVE

Rock-Remix / 2006 / Parlophone, Apple, EMI (Universal Music Group)

When you hear the term "remix," it's usually a DJ putting a danceable techno beat under a pop or rock song. And often enough, this leaves the original performer or composer turning in his grave to the same frantic beat. But there are also exceptions. And one of them this time is my album of the month.

34 years ago in Québec I visited a kind of circus performance that was new to me. There were no animals, but excellent artistry. The whole thing was embedded in an almost psychedelic production of sounds and music and light effects and projections. Although individual acts, the whole was dramaturgically staged like an opera or a musical in one piece. The name of the circus was "Cirque du Soleil". A concept that in the following years and decades went from French Canada around the world and celebrated legendary successes everywhere - including artists in residence in Las Vegas. The visionary founder Guy Laliberté also became known worldwide as an impresario and, incidentally, a billionaire.

There are bands I really regret never having seen live. For example, The Queen with Freddie Mercury, although at least I met the latter once in a club in Munich - well, we were in the same room for a few hours. But there is also the opposite, for example The Beatles. As much as I appreciate these musical titans, a concert seems rather witless to me: film footage shows four musicians on stage, initially even dressed alike, operating their instruments without notable movements or show effects and trying to permanently drown out screaming young ladies. But maybe I only comfort myself with this assessment, because I was and am simply too young to be able to experience John, Paul, George and Ringo in their active time on stage. Anyway.

Guy Laliberté and George Harrison were friends. And at some point - I imagine the two of them over a cup of yogi tea after meditative yoga, one handing the other the joint "You, I have an idea..." - the idea was born to bring together the two cultural phenomena Cirque du Soleil and The Beatles. As a composition for all senses, new and timeless, ecstatic and colorful. After all, it was Harrison who was always eager to experiment. He converted to Hinduism in the 60s, gained experience with psychedelics and transcendental meditation and introduced oriental instruments, first and foremost the sitar, into Western music and is thus considered one of the most important pioneers of world music. A development that goes hand in hand with my personal taste: the longer their hair got, the more I liked their music.

It was only after Harrison's death that Laliberté was able to close the deal with the rights holders of the music (Paul McCartney, Ringo Starr, Yoko Ono and Olivia Harrison), which can thus probably be considered a kind of Harrison's legacy. For the show was not to simply put together a soundtrack of the old familiar hits, nor were the compositions to be reinterpreted by other musicians. No, the original multi-track recordings were to be used to create new adaptations of the original songs. And who would be better qualified for this than George Martin, who had already produced groundbreaking albums with the Beatles themselves. In the process, he advanced from mere producer to arranger and idea generator, who also revolutionized recording technology by using overdubbing, for example. It's hardly surprising that he is often referred to as the "fifth Beatle".

In general, Sir George Henry Martin, Commander of the Order of the British Empire, is a man of musical superlatives. He is recorded as the producer of 4,836 titles, but one assumes considerably more. And that includes not only The Beatles, but also a wide variety of works for Emerson, Lake and Palmer, Gerry & the Pacemakers, Manfred Mann, Little River Band, Ultravox and many more. His 30th number one hit was "Candle in the Wind" by Elton John. Martin founded the Liverpool Institute for Performing Arts with McCartney, was one of a handful of producers inducted into the Rock and Roll Hall of Fame, and received the BRIT Award for "Best British Producer of the Past 25 Years" in 1977, among countless other honors.

So George Martin went into the studio with his son Giles Martin, who had produced INXS and Kate Bush, among others, following in his father's footsteps. And not just any studio - of course it had to be Abbey Road Studios (again). With the original recordings, the team not only created new variations of the original pieces, as they could have been created alternatively with the Beatles themselves. For example, they enriched the acoustic version of "While my Guitar gently weeps" with an orchestral accompaniment and combined the rhythm of "Tomorrow never knows" with the vocals of "Within You without You". Thus, a soundtrack project for a circus stage show ultimately became a new album by the Beatles. No wonder that Sir Paul himself described "Love" like this: "This album puts The Beatles back together again. It's kind of magical." And Ringo added "George and Giles did such a great job combining these tracks. It's really powerful for me and I even heard things I'd forgotten we'd recorded."

The documentary "All together now - A Documentary Film" by Adrian Wills (director) and Heidi Haines (screenplay), which won a Grammy in the category "Best long form Music Video", also fits the project's ambition. It tells the entire story of LOVE's creation, from the first meetings of the creative team around Martin and Laliberté to interviews with, among others, McCartney, Starr, Yoko Ono, John Lennon's widow, and Neil Aspinall, the Beatles' longtime road manager and event technician, to the first rehearsals of the stage show in Montréal.

LOVE is more than a medley of hits by the mushroom heads, but rather a kind of rock opera that is a first-class listening experience even without the accompanying show. Says George Martin: "The Beatles always looked for other ways of expressing themselves and this is another step forward for them." And father and son succeeded with remarkable creativity. The new version of "Because" is still directly harmless, since it uses the birdsong of "Across the Universe" as well as the final chord of "A Day in the Life" played backwards. "Glass Onion," on the other hand, became a grandiose collage with elements of the songs "Things We Said Today," "Hello, Goodbye" (background vocals), "I Am the Walrus" (background vocals), "Penny Lane" (flute), "A Day in the Life" (orchestra), "Magical Mystery Tour" (effects) and "Only a Northern Song" (effects). State-of-the-art technology in digitization, mixing and mastering also ensure the finest sound quality.

Speaking of sound quality: a show that relies so heavily on music must of course also rely on a perfect acoustic performance. Created by French designer Jean Rabasse, the LOVE theater at The Mirage / Las Vegas houses 2,013 seats set around a central stage. Each seat is fitted with three speakers, which sums up to a spectacular sound system with 6,351 speakers designed by Jonathan Deans. The stage includes 11 lifts, 4 traps, and 13 automated tracks and trolleys. The theater features 32 digital projectors creating very large high definition digital 100' wide panoramic images, even on four translucent screens that can be unfurled to divide the auditorium. That's what I call "being in the middle of the action".

Reportedly, the theater cost more than $100 million - which doesn't even include the development of the show. And unfortunately, it also means LOVE can never go on tour. So I won't be able to avoid traveling to Las Vegas one day for that reason alone. Which I trust will be on the event calendar for a few more years to recoup its costs. And so the circle closes: Decades later, I would once again enjoy Cirque du Soleil in North America - and thus also experience The Beatles live in a somewhat different way.

Here's a trailer for the Las Vegas Show LOVE from the Cirque du Soleil:

https://youtu.be/hIJZAfyRlD4

#music #album #album review #my music #the beatles #love #george harrison #paul mccartney #ringo starr #george martin #giles martin #abbey road studios #cirque du soleil #Guy Laliberté #las vegas #quebec #remix #the mirage #show #stage design #documentary #Youtube

[thekillerssluts]

My Relationship to Performance Has Changed

A great rock-and-roll show means openness, confrontation, and a kind of danger, and those ideas right now feel too heavy to lift.

Last October, before the second pandemic wave took off in New York City, I had one last band practice in my backyard in South Brooklyn. Five of us were working on songs from my new solo record. Normally we’d play in the basement, but it’s pretty low-ceilinged, and we’d read Zeynep Tufekci’s recent Atlantic article on viral spread, so we were all hyper-focused on air circulation. My bandmate Sara had contracted COVID-19—and recovered—in March, but the rest of us had no immunity. Besides, we suspected that we were in for a long winter and might as well hang out outdoors.

It was warm in the sun. After hauling the drums, keyboards, keyboard stands, guitars, and amps outside and plugging everything in, I hadn’t wanted to bother setting up microphones, so we had to play softly to hear ourselves harmonize. When we paused for lunch, someone leaned out of a fourth-story window in the apartment building next door and yelled: “Are you done or are you just taking a break? I have things to do, but I really miss live music!” “Me too, man!” I called back. “Should be just a break.”

Six months and a difficult winter later, the break is ending. I’m seeing more and more Instagram posts for shows that aren’t just wishful thinking. Low-capacity indoor shows are popping up in New York. Outdoor—maybe even full-capacity indoor—concerts are coming this summer. Am I ready to play? Ask me every other day and the answer changes. I’m torn. I’m desperate for sound engineers to get back behind the board and bartenders to start earning tips. I want venues to thrive again, both as places for art in neighborhoods and for the sake of the network that keeps music culture alive in America. I want my booking agent to feel excited again; he loves music so much. And I want musicians to make a living. So many people have been so screwed by the past year. I guess I just want everyone to get paid.

But the actual performance; the rebuilding of the sonic cathedral, as Dave Grohl wrote last spring; communally reaching for rock-and-roll transcendance? I’m not there yet. I’m not concerned that I’ll get sick. I received my second vaccine shot at the end of March and am ready to high-five strangers on the subway. My hesitance has an element of crowd-shyness, which we’ll all get over. But in my own performance, I don’t know how to meet this moment. A great rock-and-roll show means openness, confrontation, and a kind of danger, and those ideas right now feel too heavy to lift.

I used to think of performance in purely aesthetic terms. In the movie La Strada, a clown wearing angel wings does a high-wire act across a crowded piazza. For his finale, he brings out a table on the wire and, while balancing, tries to sit and eat a full plate of spaghetti. The heroine of the movie watches him with an almost religious ecstasy. When I first started performing, I strove for transcendence and stupidity, high concept and low art. My focus was on keeping myself in the air.

When my band Arcade Fire was playing mostly to people who hadn’t heard us before, we felt that the best way to get them to open up was to blow the windows and doors out. At an early show in Lawrence, Kansas, my brother, Win, bashed Styrofoam tiles out of the venue’s ceiling with his mic stand. We pushed as hard for an audience of six people (two of them my parents) upstairs at AS220 in Providence, Rhode Island, as we did in front of tens of thousands in the desert at our first Coachella show (during which I accidentally cut Win’s guitar cable in half by repeatedly smashing a cymbal into the ground).

At a certain point, as people got to know our music, my relationship to performance changed. The energy from the crowd was greater than anything coming from the giant speaker stacks. The audience wasn’t a challenge to overcome, or an opponent to conquer. We became a team. Not in an abstract, lovey way but how a sports team operates—pushing one another to do better, sometimes failing, sometimes frustrating one another, sometimes just joking around.The high-wire act of live performance—Will the music come together?—was still there. I’ve even sometimes tried to make the metaphor real, climbing arena scaffolding with a drumstick in my teeth and a drum strapped over my shoulder to play 30 feet in the air. Some of our crew members hate it—“Will! You have children now!”—but climbing up there doesn’t actually feel that dangerous, and a little nervousness is good. I’m reaching for primate simplicity and catharsis: The crowd needs tension to experience release.But now I have no desire to make tension. I want people to feel safe and comfortable, and I wonder whether creating a feeling of danger and openness is antithetical to that. I know that cultivating a perception of safety and actually making people safe are different. On tour, in a big venue, every night our management and local security have a briefing. It’s partly to set a vibe—People are here for music. Everybody be chill. If some teenager sneaks into a closer section, please let them. But the briefing is also serious—where the medics are located, what the escape routes are. Most of the time, these safety measures are invisible. I worry that post-pandemic precautions, as welcome and necessary as they are, will be depressingly visible. Some elements, such as temperature checks, will be inane. Some, such as requiring vaccination, will be important. Regardless, they will also set a tone—not You are entering a place for music, but You are entering a secure location. Dancing is hard when you’re looking at your feet; singing is hard when you’re thinking about everybody else’s breath. I bet the crowd could get over this. I’m not confident I could. With limited capacities and tight procedures, I worry that the stage will feel like the VIP section of the VIP room at a members-only club. Sterile, lonely, all of us chillingly aware that we are part of a ticketed event.

I have another concern that’s hard to shake. After this pandemic year, I’m more aware of the responsibility I have not only to the people who buy tickets, but to the driver making deliveries to the show and to the family of the woman working arena concessions, people who really don’t care about what I’m doing onstage. Vaccination numbers will grow, and the pandemic will end, God willing. I’m not worried about the spread of the coronavirus in particular. But these links of responsibility remain. The analytical part of my brain turns off when touring starts. Before scrambling back to normalcy, I want to make sure that this sense of connection becomes embedded in how I think. I would really love to just be a musician—but I’m also an employer and a player in an industry that has chewed up and spit out plenty of people, especially in this past year.

My hesitations are all about shows, though, not music. Over the past year, I’ve rarely played music with others—a few practices and filmed performances; work on the new Arcade Fire record in November; a handful of Zooms with bandmates to help a school’s PTA fundraiser or support a candidate in the city-comptroller race. But in all of those instances, I’ve experienced an ease, a rightness to the communication—not through the screen with whoever was listening, necessarily, but the people I was playing with. That connection felt restorative, like having a night of deep sleep that repairs parts of yourself you don’t know how to access.

I know people are ready for live music, ready to forget themselves in a wash of sound, ready to loudly talk with their friends over the song they don’t like that much. And so, for heaven’s sake, go to Neumos in Seattle when shows come back. Go to the Hideout in Chicago. See your favorite band, or somebody new. Plenty of artists don’t share my nervousness. I don’t want to add worry to the world; I’m just figuring out my new relationship to performance.

The magnolias are out in New York, and some of the apple trees are blossoming. Temperatures are creeping past 60. The vaccines keep rolling out. The future seems more possible. If I miss an emotion from live shows, it’s not any moment of transcendence. I miss the time just after, when, dazed and excited, you still feel the reach of some universal gesture, but the only thing concrete is the people around you.

https://www.theatlantic.com/ideas/archive/2021/04/world-changed-what-makes-live-show-successful-didnt-arcade-fire/618625/

#Arcade Fire #will butler