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crepesuzette2023 · 8 months

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What We Need Is A Schedule

After the fun and games of one year ago, John and Paul are no longer fooling around. Lennon & McCartney talk about their job, songwriting. from THE BEATLES BOOK MONTHLY, No. 33, June 1966

JOHN: Now that Paul's back from his holidays, we're getting ready to do quite a bit of recording. We have to get two songs for a new single in the next couple of weeks and we've got to start work on another LP album. That means we want nearly twenty new numbers- allowing for a couple of spare ones in case something doesn't really work out when we get in the studio.

PAUL: I think song-writing is like any other kind of writing. You tend to put it off until somebody tells you it has to be finished by a particular date.

JOHN: When we're on our own and we think of an idea for a song, the main thing is to get it down so that it isn't forgotten. Words you can write on bits of paper but it's not that easy with a tune. We've found the best way of all is to use a tape recorder.

PAUL: With a tape you can put on the voice and add bits of guitar and things later when you get a good idea in your mind for a guitar phrase or an introduction.

JOHN: And it doesn't really matter if you haven't got all the lyrics worked out. You can just hum or go "la-la-la-la" for the bits you haven't written yet.

PAUL: Then John and I get together and play over the tapes we've made.

JOHN: Paul's much more of an expert about recording his songs. Some of his tapes are fantastic--they're dubbed and everything so that you get the full group sound--not like mine which are just my own voice and one guitar.

PAUL: Just like any other kind of writing, it's impossible to walk about doing other things and suddenly say to yourself "Ah, l've got a song coming on. Here it comes now" and rush to your tape recorder.

JOHN: I dunno. Sometimes you can start off a new song like that. It depends.

PAUL: We've been talking about this and we've decided we ought to force ourselves to arrange days for songwriting together in advance.

JOHN: It's too easy to put it off if we just meet without any plan and say "Shall we write something today?". If you do that you feel as though you're losing a free day. What we're going to do is make dates beforehand and sort of say "Right Wednesday and Friday of this week are for songwriting. And Tuesday, Wednesday and Thursday of next week". Then we'll know it's something we've to keep to.

PAUL: We'll try to fix times and keep to them. Get into a room with guitars and a piano and a tape recorder and work things out.

JOHN: I said at the start we would need twenty new numbers. Actually, both of us have some half-started stuff which needs finishing. Some of Paul's tapes are almost complete too. We'll probably get five or six songs out of these and then begin thinking up new ones.

PAUL: One of the only real differences between the way we prepare for recording sessions now and the way we did it years ago is that we know more about recording techniques.

JOHN: Earlier on we'd go into the studio and George Martin would say after he'd heard something "Well, that's going to be O.K. but why don't you try putting a so-and-so in there." And he'd suggest an organ sound or double-tracking on something. Now we know just how much can be done in the studio we can think up new sounds and different instruments to use before a session.

PAUL: Means we should get more done at a session.

JOHN: Ah, I've got a song coming on. Here it comes now!

PAUL: Right! Let's get back to work.

Photos accompanying the taped "interview" (J & P talking to tape recorder)

#John Lennon #Paul McCartney #the beatles #songwriting #John complimenting Paul <3 #it sounds as if they talked about this a fair bit #as in: what works best for us #it was their job

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sylvies-kablooie · 3 months

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i do unironically think the best artists of our generation are posting to get 20 notes and 3 reblogs btw. that fanfic with like 45 kudos is some of the best stuff ever written. those OCs you carry around have some of the richest backstories and worldbuilding someone has ever seen. please do not think that reaching only a few people when you post means your art isn't worth celebrating.

#i often wonder about how many things would be considered classic or high art had they only received the marketing #how many short films that were made for class could have been the most powerful thing you'd ever seen? if you'd seen them?#“you know the greatest films of all time were never made” etc etc #but like. these works of art ARE being made. it's just enjoyed by a smaller audience with equal impact though #i think about this one furry i used to follow on insta who had the coolest worldbuilding ever. it's been years.#thought prompted by that sketch of nimona from ten years ago that was just for a character design #posted to the creator's tumblr and now it's nominated for best animated feature film at the oscars #and by the genuine emotional reaction a fan comic made me feel. how much work had gone into it. how beautiful it was to me.#idk what to tag this but i hope whoever needs to hear it does #writing #writer #fandom #fandom culture #artist

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cozylittleartblog · 2 months

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cant tell you how bad it feels to constantly tell other artists to come to tumblr, because its the last good website that isn't fucked up by spoonfeeding algorithms and AI bullshit and isn't based around meaningless likes

just to watch that all fall apart in the last year or so and especially the last two weeks

there's nowhere good to go anymore for artists.

edit - a lot of people are saying the tags are important so actually, you'll look at my tags.

#please dont delete your accounts because of the AI crap. your art deserves more than being lost like that #if you have a good PC please glaze or nightshade it. if you dont or it doesnt work with your style (like mine) please start watermarking #use a plain-ish font. make it your username. if people can't google what your watermark says and find ur account its not a good watermark #it needs to be central in the image - NOT on the canvas edges - and put it in multiple places if you are compelled #please dont stop posting your art because of this shit. we just have to hope regulations will come slamming down on these shitheads#in the next year or two and you want to have accounts to come back to. the world Needs real art #if we all leave that just makes more room for these scam artists to fill in with their soulless recycled garbage #improvise adapt overcome. it sucks but it is what it is for the moment. safeguard yourself as best you can without making #years of art from thousands of artists lost media. the digital world and art is too temporary to hastily click a Delete button out of spite

#not art #but important #please dont delete your accounts because of the AI crap. your art deserves more than being lost like that #if you have a good PC please glaze or nightshade it. if you dont or it doesnt work with your style (like mine) please start watermarking #use a plain-ish font. make it your username. if people can't google what your watermark says and find ur account its not a good watermark #it needs to be central in the image - NOT on the canvas edges - and put it in multiple places if you are compelled #please dont stop posting your art because of this shit. we just have to hope regulations will come slamming down on these shitheads #in the next year or two and you want to have accounts to come back to. the world Needs real art #if we all leave that just makes more room for these scam artists to fill in with their soulless recycled garbage #improvise adapt overcome. it sucks but it is what it is for the moment. safeguard yourself as best you can without making #years of art from thousands of artists lost media. the digital world and art is too temporary to hastily click a Delete button out of spite

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biggest-gaudiest-patronuses · 5 months

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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order #at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers #90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent #like his writing should have become obscure at the same level of his contemporaries #but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate #and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something #cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare #and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity #and variance in the way that we as individuals and members of different cultures/time periods experience any work of media #and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons #and explore the stories of marginalized/underappreciated creators #instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period #anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives #so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world #(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin #oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value #and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the #important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)

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undertheredhood · 6 months

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bruce 'tired single dad' wayne: *lecturing jason once again on something he did during a fight*

jason 'theatre kid extraodinare'' todd who immediately starts fake crying on the spot: do you just not love me anymore?

#dc comics #dc universe #dcu #batman #red hood #batfamily #batfam #bruce wayne #bruce thomas wayne #jason todd #jason peter todd #jason was never the angry robin #yeah bruce is weak to his children crying but especially jason #if jason can puke on command you best believe he can convincingly fake cry too #what's the point of having trauma if you can't use it to stop your dad from lecturing you?#bruce folds on the spot when jason cries which is why jason doesn't cry that often (jason doesn't want his secret weapon to lose effect)#most of the time jason just owns up to the things he did #so there really isn't any point in lecturing him because jason doesn't care about consequences #the first time jason fake cried in front of bruce after his death he was shocked at how it still worked #the reason why it works so well is because bruce thought jason was dead for around four years and grieved him for so long

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ew-selfish-art · 7 months

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Dp x Dc AU: Bruce has a 'if you can't beat them, join them' mentality about the tabloids claiming he adopts too many kids- Developing foster homes that are paid for through the Wayne inheritance, personally vetted by the Bats, they're the leaders in the space for child health outcomes and family placement. Insert Danny.

---

Bruce has too much wealth, too many rumors and not enough reach into the abhorrent foster homes around Gotham to improve them. Tim ends up being the one to suggest it- He's the one who buys up their real estate for their safe houses after all- and Bruce is more than ready to pull the metaphorical trigger to get new clean welcoming spaces, Bat-background checked fosters and a new era of adoption in Gotham underway.

He's lobbied the state and the federal government for reforms of course, but this is a project he can micromanage. He spends time with every kid that comes through, talks with all the families that want to adopt and makes sure that these miniature homes are provided only the very best. Alfred personally hires all the staff, and with Barbara more than happy to help relocate the unhoused children she spots while they patrol, the project is a glowing success.

Occasionally, spots in their houses fill up, and those are the weeks were Cass takes on the Cowl of Batman- Bruce Wayne will personally invite a child in need to his home. He always has one of his kids present (they rotate on a pre-determined schedule) and he does his best to try and get them to understand that they deserve the world, have all the potential that anyone else has and can achieve a bright future. That he will personally aid them in their ambitions.

PR goes crazy for it of course, but Bruce and all of his children know its genuine. Almost too genuine, because a betting pool 'WILL THEY BE ADOPTED' regularly circulates between the siblings and the entire JL when someone spends time at the manor. And not just the black-haired, Blue-eyed kids get picked as favored outcomes- but obviously the running joke gets passed around.

It's a Thursday night when Bruce gets the call that the houses have once again filled up, and that there is a child in need of a home. The social worker (he knows her as Marsha and he has flowers planned to be sent on her birthday next week, like he does for all of his employees) (Say micromanaged one more time) explains that the kid is a bit cagey but has opened up with some humor. She explains that he has a few strange... mannerisms. She's not sure what to make of him, a non-gothamite for sure but something is, well, distinctly 'not from around here' about his energy.

Danny arrives at the house, meets Duke and Alfred, and by the time Bruce meets him at the dinner table it seems as though Marsha had it all wrong. This kid was laughing, he was teasing, he was totally playing along like he'd gone through nothing. Bruce is glad he's in high spirits but its just so... so different from all the other children he's taken in.

Bruce re-focuses on the conversation when Duke mentions something flashing, and its the first time that Danny goes quiet. Entirely still.

"...you noticed that?" Danny quietly asks, a bit of disbelief in his tone.

"You don't have a flashlight on or something do you? It was super bright whatever it is that you had in your hand a second ago?" Duke tries to sound chill but he's looking very much not chill. Bruce saw nothing, and that puts him further on edge.

"Look... I uh, I've been though... I've been through a lot lately. And the last lab I was in kind of, messed with me. I'm normally much better at dealing with it all, I promise." Danny sounds nervous, and the room seems to chill.

"Ah shoot, sorry." Danny notices something and frantically apologizes.

"Sorry for what Danny? You've done nothing wrong but I am worried about you- You said you were in a lab?" Bruce is desperately trying to calm him down while not slipping into Batman interrogation mode.

"Uh, yeah, like a lot of labs. It should get warmer in a second, its just cause I startled, I promise."

"You're a meta." Duke speaks softly and with hope in his voice- Danny is looking between them with wide eyes filled with fear.

"I mean I don't technically have the gene-"

"Danny, have you told any of your case workers where you were? Do any authorities know what you've been through?" Bruce needs to know, desperately, that who ever gave this young boy super powers is brought to justice. Danny goes quiet.

"I'm really sorry." He says softly, but he doesn't leave them.

Duke and Bruce try to ask a few more questions but the silence that meets them declares the conversation over, even with Duke admitting he himself is a meta. Danny didn't even look up from his plate. They watch a movie after dinner, and Danny seems to get back to the smile-y happy guy he had been before dinner.

Each of the bat-fam have their own interactions with Danny- And even if they're getting along amazingly, Danny won't open up. He doesn't open up to his provided therapist. Doesn't talk to Alfred. No one knows what's up.

So when Marsha calls Bruce back explaining they now have a spot for Danny and he can move out of the Manor... Bruce replies that he'd like to get started on Adoption paperwork, so long as Danny is fine with it.

---

Turns out, Danny is fine with it. he's both the newest Wayne and their newest case. (And godamnit, his new family is going to avenge him. If only he'd let them try.)

Danny figures out that Duke= Signal early on because of that dinner, and if he's going to keep his parents out of jail, he needs to be as close to the investigation as possible. He knows that he shouldn't protect the Fentons, but he feels the upset in his core at the thought of letting them befall any harm. He has to protect them. Has to protect Jazz and her hiding spot as a mole within their lab. Has to.

Even if it meant lying to his new family who loves him, and who he loves in equal return. Even if it means lying to The Bats.

---

Tabloids go crazy about the black-haired blue-eyed thing of course, but no poll was ever taken by the batfam or the JL who know the whole story.

#Danny has his powers destabilized by the various lab experiments but he's slowly getting control back #Duke notices Danny phasing his hands through the table/silverware by accident- it just looks like slight of hand tho #Danny figures out the bats and the best he can do is get adopted #friends close and enemies (lol not really) closer #dp x dc #dcxdp #dpxdc #dc x dp #danny phantom #dc crossover #dp crossover #long post #dc x dp fic #please i beg of you- write the other siblings interactions #someone tell me why I left Jazz to sabotage their parents and what to do with her next #jazz looking at danny who now has every possible resource to save them and not using it like- my guy #danny's core working against him like stockholm syndrome basically #like his protected them for this long so now he feels compulsion #danny gets adopted au #bruce adopts danny au

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fiepige · 7 months

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Compilation of EVERY single time they changed Hobie's filter in the digital version:

Left: Theatrical release Right: Digital release

You might have to click on some of them to get a better look at Hobie, sadly I don't have a video editor that allows me to make better edits than these :')

#This took so long to make lol #cause I had to edit every scene with Hobie from both versions so I could watch them right after one another to compare them #I did this with ALL the scenes he's in also the ones where he's on screen as spider-punk #but they only changed his filters in these scenes so it was a waste of time :')#sidenote: no it wasn't it's never a waste of time to look at hobie I just couldn't use it for my GIFset lol #I also made a bouns one but I'm not allowed to post more than 30 GIFs in one post apparently so I guess I just won't add it then...#but Hobie was basically filterless during all these scenes in the theatrical version #I like that they gave him more different filters in the digital version #the only change I don't like is in the first GIFs #cause like that one post pointed out it looks like they removed his lipstick for some reason #also really wish I had a better video editor so we could get a closer look at Hobie but I did my best with what I had #also slowed some of them down to get a better look at them #been having this idea for a while and now I finally finished it!#which means I can go back to working on my fics now #hopefully lol #also lemme know if there are some other scens you guys want me to make comparisons of #cause I have both versions #the theatrical release isn't the highest quality though so if you know where I can get my hands on a better version lemme know ;)#hobie brown #spider punk #miles morales #spider man #peter b parker #jess drew #miguel o'hara #spider man across the spider verse #across the spider verse #across the spiderverse #atsv #theatrical version

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greenglowinspooks · 1 month

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(DCXDP) The obligations of a rogue versus those of a parent (Pt. 5)

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Tw: torture scene (GiW agent receiving), general angst, canon-typical violence (DC), nobody is having a good time

Will be crossposted to AO3 eventually

(Masterlist/subscription post)

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It was pretty easy for Danny to forget that Dr. Crane was a rogue at times.

Most of the time he wasn’t comically evil, like what he’d expect of a Gotham rogue. He was helping Danny, even if only because he didn’t want to be taken in by the GiW as well. He was even downright nice most of the time, or at least neutral.

Sure, he had a strange obsession with fear and psychology, but that wasn’t really out of the ordinary for Danny. It didn’t feel like living with a rogue, just like…staying with a distant relative, or something.

He seemed like just an ordinary person.

Today, though, Danny was brought back to reality.

The GiW agent they’d tracked down together writhed on the ground, screaming in pain and terror. Scarecrow was sat a few feet away, setting up a syringe of the antidote he’d made.

After a few more moments, he injected the man with the antidote, watching him like a hawk the entire time.

Suddenly, the man surged forward, lunging at Scarecrow with a feral scream.

Unluckily for him, though, he was still weak from the fear toxin in his system, and from the beatings he’d received prior. Scarecrow easily wrestled him to the ground, settling himself on the broad part of the agent’s back with a vice grip on one of his arms.

“Let’s try again,” he said sharply, all of the warmth Danny had grown used to gone from his voice. “Where is the GiW base of operations?”

The agent took several shuddering breaths before spitting at Scarecrow, defiance and hatred written all over his face.

For just a moment, the room was utterly silent.

“Fine, have it your way.”

Scarecrow began to twist the man’s arm further. It wasn’t long before the agent began to squirm, then writhe, beneath him. Danny’s stomach churned.

“You know,” Scarecrow began, almost conversationally, “there are plenty of jobs that one can get without the use of their legs, especially with the level of education you have. Anything that doesn’t involve hard labor, really.”

The man’s face was beginning to turn red in his struggle not to scream. He took in gasping breaths, the way that his mouth moved almost reminding Danny of a goldfish.

(He felt awful for the comparison, but it was true.)

“However,” Scarecrow continued, “I find you’d be rather hard-pressed to find a job without the use of your arms. Especially in a place like Gotham, where you can always be replaced by someone eager to do your job for even less money. Of course, you could most likely coast off of savings and severance pay for a while, but…”

He leaned closer to the man’s head, his voice lowering.

“Would you be able to live like that? To live with yourself, if you no longer have a purpose?”

He allowed the agent a few seconds of rest before increasing the pressure on his arm. The agent gasped, letting out a strangled hiss. His arm bones were making fascinating noises in response to the strain. Danny felt sick.

“You seem like a rather driven young man. I’m sure your family would hate to see you unmotivated, directionless. Would they resent you, do you think?”

“Fuck you, you—”

The man was cut off by his own scream as Scarecrow finally allowed his arm to break, audibly splintering into thousands of useless shards of bone.

He had the exact pressure memorized. Clearly, he had done this before.

This was wrong. This was wrong.

Shouldn’t Danny step in, do something?

“That won’t heal cleanly. Even with the best medical care in the world, you’ll end up with permanent damage.”

The man below him wheezed and sobbed, choking on air as Scarecrow let go of his arm carelessly, letting it flop back onto the ground.

“Just the sort of thing something like you deserves,” Scarecrow hissed, his voice cold.

“You tortured a child, and you enjoyed it. You laughed with your friends about it. In your notes, one of your friends complained about the screaming,” Scarecrow brought his leg around, grinding his boot into the man’s broken arm. He howled in agony, writhing uncontrollably.

“Was it inconvenient to him, do you think? Too loud? If you were joking about it, clearly you thought so, too. I could fix that as well.”

He drew out another needle, this one once again filled with fear toxin.

“Scarecrow, wait,” Danny choked out.

Scarecrow turned to look at him.

Even his posture was different than usual. He looked… stiff, more like an animal than a man. When he tilted his head at Danny in a silent question, it looked like something in his neck had snapped, his head lolling to the side.

Danny wondered if he was consciously moving like that, or if it was habit at this point.

“You—we don’t have to do this. We can get information some other way, right? You don’t have to…”

Danny looked down at the GiW agent below Scarecrow. He didn’t even have it in him to glare up at Danny like he had before. Instead he laid limply on the ground, tremors rolling through his body uncontrollably.

“We’ve exhausted every other option and you know it,” Scarecrow said, his voice low, “this is the only way we can move forward.”

“Still, I—I don’t,” Danny swallowed, his throat tight, “this isn’t—this isn’t right. Isn’t there some other way to do this? Like—a truth serum, or something?”

“Truth serums are notoriously unreliable. They’re almost as bad as lie detectors. We’re much more likely to get a reliable result from this.”

Danny just stared at the GiW agent and his splintered, ruined arm. He began to weakly wriggle in Scarecrow’s grasp, which was graciously ignored.

He vaguely remembered himself doing the same thing when he was on the operating table; even if he knew there was no chance of escape, he still thrashed and screamed, desperate to get away. The jagged I-shaped incision on his torso felt uncomfortably warm.

What was there left to say?

“The Bat does the same thing at times, you know,” Scarecrow said, “him and the rest of his brood. By using my toxin, I’m actually lessening the amount of permanent damage that I’m doing. Physically.”

“Still, that doesn’t make it right,” Danny said desperately. “Even if—even if everyone in the world did this, it wouldn’t make it right.”

Scarecrow hummed.

They were both silent for a moment.

His next words were gentle, absurdly so when compared to the scene in front of him.

“I would love an alternative. But…”

He shrugged, hand coming to rest on the break in the GiW agent’s arm. Even without applying any pressure, the man stopped squirming immediately.

“There aren’t any other options,” Danny repeated, his voice flat and his body numb.

“Yes,” Scarecrow said. “I’m sorry.”

There was a pause. No one moved a muscle. Eventually Scarecrow spoke again, his voice strangely empty.

“You can stand outside and keep watch, if you’d like. At such a short distance their radars won’t pick us up.”

Danny said nothing, leaving the room silently.

He sat outside for quite a while.

He was grateful that Scarecrow had, with his help, dragged the agent to one of his previous hideouts. It was soundproofed, after all.

He was glad that he didn’t have to hear the rest of what Scarecrow did to the man.

After what felt like an eternity, Dr. Crane left the building, joining him outside. He guided Danny back to his beat up old truck and they drove home in silence.

“Did you at least…do you know where they are, now?” Danny asked as they entered the apartment, his voice small.

“They didn’t share the details of all of their locations with any one person. I know where one of their locations are, but not their main base of operations.”

Danny felt disgusted. With himself, with Dr. Crane, with the GiW.

He was disgusted by the agent, too. Did he just hate the restless dead so much that he would prefer to be tortured than to give them the upper hand? Did he really think he was in the right?

Was there a chance that he was?

Danny felt very, very small, and very stupid. Stupid and weak and cowardly.

“Danny,” Dr. Crane spoke, his voice soft.

“I’m truly sorry that this is happening to you. I really, truly wish that you didn’t have to endure my company. I…”

He fell quiet. Danny wondered if he was just saying this to pacify him, or if he truly meant it. He wondered if it really mattered in the end.

After a few moments of silence, Dr. Crane sighed, looking truly pained.

“I don’t know. I’m sorry.”

Danny was quiet.

“I’m going to bed early,” he finally said, turning away and leaving without a second glance.

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#dcxdp #dc x dp #dp x dc #dpxdc #dp x dc crossover #dc x dp fic #liminal scarecrow #this kinda shit is how the fic got its name btw.#like yeah obviously it’s also in reference to the contrast between crane and danny’s actual parents #but it’s also about doing what you need to survive vs what is best for the people dependent on you #tshirt that says I love moral quandaries I love when no matter what you do you lose I love torturing characters #Scarecrow: why isn’t torturing everyone who wronged you healing this child. it worked for ME #meanwhile Danny is undergoing the torment nexus #and red hood is doing some doomguy shit #getting swarmed by GiW agents bc he’s one of the only ones showing up on the radar #Tucker voice Wow Mr red hood this is kinda fucked up. can I use the bat computer to hack the pentagon btw

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