rating: 10/10
song: the ballad of hollis brown
album: the times they are a-changin' (1964)
artist: bob dylan
just pre-dating dylan's electric era, this track is haunting and certainly a predecessor to songs like "it's alright ma (i'm only bleeding)". with its repetitive acoustic guitar chords and harrowing lyrics, this song is certainly one of my favourite dylan tracks, and i love it so much that i renamed my socials after the song.
the lyrics tell the story of a man named hollis brown who lives in a broken-down cabin & farm outside of a south dakota town. he has a wife and five children and is incredibly poor & jobless, with no one to help his family out. his family is going hungry & so they scream & cry, but still, hollis brown feels hopeless as he cannot do anything. and so, he uses the last of his money to buy shotgun shels and murders his children and wife and then himself. the song ends with the ominous lyric, "somewheres in the distance there's seven new people born".
first, i'd like to talk about the interesting lyric & rhyming pattern dylan utilises here. it's certainly unique, as it has the pattern of:
line 1 [A]
line 2 [B]
line 1 [A]
line 2 [B]
line 3 [C]
line 4 [B]
it is quite repetitive, but also very impactful. another interesting aspect of the lyrics is the point of view. very few writings in general are written in second person point of view, and here, this pov is used to make the song all the more visceral. you are hollis brown; you walk the floor and wonder why with every breath you breathe; your wife screams are stabbin' you like the dirty driving rain; your eyes fix on the shotgun that you're holdin' in your hand. this certainly allows for the listener to, at the very least, make more sense of what brown's thought process it is, no matter how fucked up it is. dylan places the listener in the position of brown, and by doing this forces the listener to wonder what they would do in this situation, if they would have any other option.
this technique is certainly effective and although seemingly small is quite important in what makes this such a good song. another detail is the descriptive lyrics, setting, & similes dylan uses. there's a lot of scene-setting, such as the lines "way out in the wilderness a cold coyote calls" and "seven shots ring out like the ocean's pounding roar". it's extremely important to the listener as it helps visualise the setting of the song and understanding exactly how brown feels / what he is experiencing.
one of my favourite lyrics of the song has to be the line:
you walk the floor and wonder why
with every breath you breathe.
there are SO many interpretations to this line. brown could be wondering why his life is so terrible, why he's stuck in this cycle of poverty. this could also take to mean that he's wondering why he's even alive (explained more in this genius lyric annotation), hinting at his suicidal tendencies early on in the song. or, it could be about his baby, as the line before this mentions his baby tugging at his sleeve. maybe he's curious as to what the baby wants from him, after he's tried everything he can. and again, this line (like most of the song) is written in second person, meaning you're placed in the shoes of brown, left to decide for yourself.
another one of my favourite verses is:
your brain is a-bleedin’
and your legs can’t seem to stand
your eyes fix on the shotgun
that you’re holdin’ in your hand
i love this lyric because it's so explicit. the bleeding - metaphorical at this point, but affecting brown physically; the shotgun in brown's hand, the final moments before he murders his family. dylan slowly hints at this moment the entire song making this climax incredibly effective. i just adore the uneasiness of it all.
finally, the last lines of the song (likely the most important, summing up the moral) is ambiguous and fascinating.
there’s seven people dead
on a south dakota farm
somewhere in the distance
there’s seven new people born
that last line. "there's seven new people born". again, this can be taken to mean multiple things; is he referring to the fleeting nature of human existence, how easy it is to murder seven human beings and them being replaced immediately? is he referring to the cycle of poverty, that these seven new people will also be born into poverty and repeat brown's cycle? that it's easier to replace seven people than it is to keep them from dying?
many questions arise when listening to this song, and rightfully so. this song makes me think a lot, and i love it. it's an incredibly underrated track and i hope you all listen to it and love it as much as i do.
hey if anyone is better at ao3 than i am im looking for a fic and need help. its din djarin/ luke skywalker its a modern au and din is fathering grogu. i cant remember the title but i know that it was pretty long and luke helped a guy named hollis brown because the author took inspiration from “the ballad of hollis brown” if you want more details i probably can try to help
Below the cut is the current list of fandom/ character playlists. Many of these playlists are ever-growing because I keep adding more songs, if you have any requests for a playlist or song recommendations for a playlist, the inbox is open!
Movies:
The Hunger Games: The Ballad of Songbirds & Snakes
𝙹𝙰𝚉𝚉 :. We love empress Nina as she is constantly dj’n imagery through song, this is no exception.
style: the muse of the music, the vibes of the diaspora, the ascension of art; the mood-myriad of styles, the amazingly talented skill in the nation of nina.
…
^ Note: eunice Kathleen Waymon (known professionally as ‘Nina Simone’), was an american singer, songwriter, pianist, activist, creative, visionary, innovator & icon. her music spanned styles including classical, folk, gospel, blues, jazz, rnb & popular music. We absolutely love hearing Nina Simone. We love learning from Nina Simone. We love her as a performer, classical musician, jazz artist & activist. every time she starts speaking. every time she starts. every. single. time. applause. here, she delivers ‘the ballad of hollis brown’.
I read 32 new books this year, and will probably finish the 33rd this evening! and on top of that, I reread at least 34 books that I can remember (Modern Faerie Tales/Darkest Part of the Forest/FOTA, The Hero and the Crown, Scorpio Races, Scholomance, P&P, most of the Wimsey books, most of L&C, Assassin's Apprentice, Ronan of Rin, THG), for a grand total of 67!
new book list under the cut, books I would recommend marked with an asterisk:
*Royal Assassin, Robin Hobb
Tempests and Slaughter, Tamora Pierce
The Ballad of Songbirds and Snakes, Suzanne Collins
*Classic Scrapes, James Acaster
*The Monsters We Defy, Leslye Penelope
*Lord Peter Views the Body, Dorothy Sayers
Arrows of the Queen, Mercedes Lackey
*A Shilling for Candles, Josephine Tey
*Busman’s Honeymoon, Dorothy Sayers
Queen of Blood, Sarah Beth Durst
Nine Liars, Maureen Johnson
*The Mysterious Affair at Styles, *Murder on the Links, Agatha Christie
Mistborn & The Well of Ascension, Hero of Ages, Brandon Sanderson
Jennifer the Damned, Karen Ullo
*Midnight for Charlie Bone, Jenny Nimmo
*The Stolen Heir, Holly Black
*The Outlaws Scarlett and Browne (Being an Account of Their Daring Exploits and Audacious Crimes), Jonathan Stroud
Vespertine, Margaret Rogerson
*Piranesi, Susanna Clarke
*The Screaming Staircase, *The Whispering Skull, *The Hollow Boy, *The Creeping Shadow, & *The Empty Grave, Jonathan Stroud
*Small Spaces, Katherine Arden
*Anne of Windy Poplars, L.M. Montgomery
*The Bodyguard, Katherine Center
*Woodwalker, *Ashes to Fire, & Creatures of Light, Emily B. Martin
Bob Dylan
The Times They Are a-Changin’
1964 Columbia
—————————————————
Tracks:
01. The Times They Are A-Changin’
02. Ballad of Hollis Brown
03. With God on Our Side
04. One Too Many Mornings
05. North Country Blues
06. Only a Pawn in Their Game
07. Boots of Spanish Leather
08. When the Ship Comes In
09. The Lonesome Death of Hattie Carroll
10. Restless Farewell
—————————————————
Since I've gotten a kindle I've been devouring books in such a high speed, it's' difficult to keep track. It's especially difficult to keep track of my TBR, because I keep adding more books to it. So: these are the books I want to read in 2024! (plus the dates I added them to my To Read shelf on Goodreads)
All the Bright Places by Jennifer Niven. Jun 03, 2016.
My Heart and Other Black Holes by Jasmine Warga. Jun 03, 2016.
The 7 1/2 Deaths of Evelyn Hardcastle by Stuart Turton. Sep 15, 2018.
Six of Crows and Crooked Kingdom by Leigh Bardugo. Sep 22, 2018.
Eleanor Oliphant Is Completely Fine by Gail Honeyman. Dec 19, 2018.
Rayne & Delilah's Midnite Matinee by Jeff Zetner. May 28, 2019.
The Virgin Suicides by Jeffrey Eugenides. May 28, 2019.
The Ballad of Songbirds and Snakes by Suzanne Collins
The Invisible Life of Addie LaRue by V.E. Schwab. Oct 06, 2021.
A Court of Thorns and Roses Series by Sarah J. Maas. Jul 12, 2023.
In the Lives of Puppets by T.J. Klune. May 23, 2023
Modern Faerie Tales Series by Holly Black. Dec 16, 2021.
The Prisoner's Throne (The Stolen Heir Duology, #2) by Holly Black. Mar 14, 2023.
The Unbearable Lightness of Being by Milan Kundera. Jul 12, 2022.
Happy Place by Emily Henry. Oct 19, 2022.
Wildfire (Maple Hills, #2) by Hannah Grace. Jul 27, 2023.
Rebecca by Daphne du Maurier. Nov 08, 2023.
Carrie Soto is Back by Taylor Jenkins Reid. Jul 24, 2022
Storia Di Musica #255 - AA.VV., Dylan In Jazz. A Jazz Tribute To Bob Dylan, 2018
Wagram è un sobborgo austriaco, appena fuori Vienna, e fu teatro di una delle più grandiose battaglie napoleoniche: il Generale Bonaparte conseguì una delle sue più grandiose vittorie, in una sanguinosa battaglia contro l’esercito degli austriaci comandati dall'Arciduca Carlo. È anche il nome di una stazione della metropolitana parigina, ed è lì che nacque ai suoi fondatori l’idea di fare una etichetta discografica indipendente, nel 1999. Fautrice di numerosi progetti interessanti, nel 2018 quelli della Wagram hanno pescato nel mare magnum delle cover di canzoni di Bob Dylan (sebbene il calcolo è per forza di cosa approssimativo, si contano accreditate cover su 300 canzoni con autore o co-autore Dylan da parte di oltre 1500 artisti) delle riedizioni particolari dei classici del menestrello di Duluth. Ne è uscita fuori una compilation dal grande gusto e dalle scelte niente affatto scontate, che è il piccolo regalo di Natale di questa rubrica. Il titolo, Dylan In Jazz, spiega solo in parte le scelte e gli artisti, in una selezione che nasconde delle storie niente affatto male. Tutte le registrazioni erano presenti in dischi precedenti, ma insieme mostrano una amalgama sfiziosa e logica. Si parte con la riedizioni blues di Master Of Wars di Eric Bibb, grandissimo nome della chitarra acustica blues, che con la sua voce cavernosa e i tocchi “tristi” alla sei corde racconta dei signori della guerra, classico di Dylan sfortunatamente sempre di attualità. Il secondo brano è la prima perla: Jack DeJohnette, formidabile batterista jazz, con il bassista Larry Grenadier, John Medeski alle tastiere (il quale collaborerà spesso con lo stesso Dylan nella sua carriera) e la chitarra di John Scofield, pioniere del jazz rock con Miles Davis, nel 2017 scrivono un disco a nome Hudson, in omaggio al fiume che attraversa New York, bellissimo e in cui fanno una cover strumentale, e riuscitissima, di Lay Lady Lay, classico da Nashville Skyline (1969). Ben Sidran, tastierista, produttore, ingegnere del suono, dedicò un intero disco a cover di Dylan, Dylan Different del 2009, da cui sono tratte le sue interpretazioni smooth jazz di Knockin’ On Heaven’s Door e Gotta Serve Somebody, una delle gemme meno conosciute di Bob Dylan, dal suo album “gospel” Slow Train Coming del 1979, canzone tra l’altro che vinse il Grammy come migliore canzone rock maschile nel 1980. Abbey Lincoln, cantante e compositrice jazz, attivista dei diritti civili e femminili, moglie di Max Roach, rilegge con passione Mr. Tambourine Man, dall’ arrangiamento con spiccato groove della batteria. Joshua Redman, sensazionale sassofonista della ultima generazione, insieme all’altrettanto grandioso piano di Brad Meldhau, suona una deliziosa The Times They Are A-Changin’, uno dei pezzi più belli della carrellata. C’è una bella parentesi di black music: la versione R&B/soul/funk dei Neville Brothers di The Ballad Of Hollis Brown, due artisti dimenticati come Stanley Turrentine con una versione, piuttosto modificata, di Blowin’ In the Wind, Girl From The North Country del compianto Howard Tate, fenomenale cantante soul la cui carriere non decollò mai del tutto per i suoi problemi di alcool e eroina. Il jazz ritorna nella scelta della storica cover che Keith Jarrett fece di My Back Pages, dal suo album Somewhere Before del1968, il mandolino elettrico di Bill Frisell in una versione strumentale struggente di Just Like A Woman, la ripresa di Ballad Of Thin Man di Jef Lee Johnson con Charlie Patierno e Yohannes Tona. Molto belle le cover cantate di Like A Rolling Stone, dalla cantante jazz danese Cæcilie Norby con un arrangiamento dolcemente caraibico, e una cover sentita di Everything Is Broken, singolo di Oh Mercy! del 1989, un disco che rilanciò nel mondo musicale Dylan, della cantante francese Louisa Bey. Personalmente è bellissima la cover di Don’t Think Twice, It’s Alright (che è una delle canzoni con più cover in assoluto) del duo franco-italiano composto dalla band el pianista Olivier Hutman e dalla voce, meravigliosa, di Alice Ricciardi. L’ultimo verso di uno dei testi più belli e dolorosi del Dylan giovanile (il brano è da The Freewheelin’ Bob Dylan del 1963) dice:
Arrivederci, dolcezza
Dove sono diretto non posso dirlo
Ma ciao è una parola troppo bella, babe
Così dirò solamente addio
Non sto dicendo che mi hai trattato male
Avresti potuto fare di meglio ma non mi interessa
Hai solamente sprecato il mio tempo prezioso
Ma non pensarci, va tutto bene.