#but i've been thinking about this little parallel for a very long time and i wanted to find a way to share it

[profounddefendorcrusade-blog]

I feel bad for Starlo. (pt. 9)

Star's the Papyrus (both are idealistic & seen as naive) of this game (Martlet is another possible parallel), even though he's got similarities with Undyne too. No matter how broken Ceroba seemed he asked himself WHY she did what she did and I think that's SUPER important.

Ceroba didn't do this. Her first instinct was to be harsh (after being harsh with him even BEFORE he attacked Clover):

called his personality "damaged" before this scene

... you never asked yourself WHY he did the whole sheriff act.

.... you never asked WHY he didn't want to grow up. If it was a coping mechanism, if he wanted to help his community in a way he couldn't as a farmer? It was never on her mind.

Yes he has baggage but he's dealing with it all while uplifting others, Ceroba has baggage but is well taken care of by Star and at least has him, he has no one but himself and his optimism to pull him out of negative feelings, and still gets insulted.

Yeah Ceroba's been through stuff but apparently it's been some time since Chujin passed and Kanako fell down, she should have at least started to support Star emotionally like he's been supporting her (sure, he did so with distractions, but as he said "aren't distractions what's best for all of that?" He did his best). Problem is she DIDN'T realise he was ever struggling with self worth and only assumed he was goofing off. Either that or she did nothing about it aka was too occupied with her own problems (which are valid but still... she should have tried at least a little) Cer's character flaw is being too stubborn and devoted to Chujin. She trusted him blindly and wholeheartedly. Everything else came in 2nd place. This is clear as day.

It hurts knowing Ceroba could never respect Starlo the way she still does her husband. Not saying she shouldn't admire Chujin, but the way she sees Star as a goofy manchild whose lifelong passion can go "too far," the way she sees all this Wild East stuff as him "just having fun," the way she thinks that only someone whose brain isn't developed would ever consider dating him just... ticks me off, tbh. That's why I think the guy needs someone who will be gentle and patient with him, even if that other person is going through tough times.

She DID call Starlo the best sheriff she's ever known (honestly the only sweet moment between them in pacifist, but it is very brief, especially in neutral where he just gets cut off; also I hope she was being genuine here) and said how everyone adored him (but hated his persona, which I've already covered: basically they either hated 'North Star' as a whole, which I hope isn't true, or just how excited he was to meet Clover, which makes no sense to me; already covered it as well)

Bonus: Dina didn't know who Star really was or what he looked like, not before the end credits rolled (when he shows up as himself & she's also seen there; makes sense that he finally came clean to her):

So he's literally been playing this role 24/7, ever since she became the bartender; ever since this town started to exist. It's impressive how he could keep up an act AND use this fake accent for so long

Bonus #2: Star was SUPER worried about Clover's safety; that's what REALLY upset him (he cares about that child sm). THAT's what drove him off the edge (unless he naturally has a temper, i don't think this is it tho). Either way, he was way more patient w Ceroba than I think most would have been in that situation. Sure he snapped a few times, but there was a good reason to. He still TRIED to reason with her. Why did he attack? Worried for Martlet & Clover. I honestly think Star's the type to only get super angry if someone he loves is in danger (minus the stuff that happened which led him to cracking)

#uty #undertale yellow #starlo uty #uty starlo #ceroba uty #uty ceroba #ceroba ketsukane #anti staroba #dina uty #uty dina #not saying ceroba is a horrible person for not understanding star #every character carries some sort of baggage #just that she doesn't understand him #and that he needs somebody who will #he's an idealist she's a pessimist #pairings like this CAN work #but i dont think that' the case here

[sparkles-rule-4eva]

Please excuse the incoming rant.

Okay so like I’ve seen a lot of people talking about how in the Knuckles Series; Sonic still calls Maddie by her name and not “Mom” like he calls Tom “Dad”, but like to me it makes sense. For one; Sonic obviously has a closer relationship with Tom, culminating in him calling him “Dad” by the end of the second movie. Going by the fact the house is still under construction during the series, it’s clear not much time has passed since the end of the second movie, so going off of that, there hasn’t been much development time for Sonic to also grow comfortable calling Maddie “Mom”. After all, if it took him the months that occurred between the 1st and 2nd move to get there with Tom, he’d really be speed running it calling Maddie “Mom” by the series.

But think I it might be even deeper than that. Longclaw was Sonic’s first adoptive mother, who he blames himself for her loss. As far as we know, he never had a father figure before, so there’s no previous baggage with the term “Dad” like “Mom” would have. Sonic may still be calling Maddie by her name as a way to protect himself from future harm, from the possibility of potentially losing another mother figure. After all, you can’t lose something if you never acknowledge you have it in the first place, right?

Yes, to everything! This is something I've thought of a lot!

Time to answer with my own rant. 🤣

Yeah, I can definitely understand why Sonic would have more trouble calling Maddie "mom," because of Longclaw (even though he called Longclaw by her name as well, but the books confirmed that he saw her as his mother). It was easier for him to latch onto Tom, and even though it took what, eight ish months of living with the Wachowskis to actually call him "dad," he did eventually. I still think Sonic will start referring to Maddie as his mother eventually, but it totally makes sense why he hasn't yet.

I think it's a similar case with Knuckles, but it's the other way around. Knuckles's mother was never mentioned, but his father was heavily involved in his childhood. Everyone got the implication that he was going to be a mama's boy after the tidbits from the end of movie 2 and the short, "Sonic Drone Home." And I still think that will one day be the case. Since he's a bit older than Sonic, and is more independent, however, I think it'll take Knuckles a long while to be able to think of anyone as his parents. I still think it'll happen at some point, starting with Maddie, but I wouldn't be surprised if it takes a while. Even longer than it took Sonic.

I like how they did that arc in the second movie. It was mostly unspoken, but I liked the sort of parallel from the boat scene's "Stop trying to be my dad," to "I've got a lot more than that, Dad." 🥰 There are many implications that this is something Tom & Maddie have been wanting for a while. It's clear they love all three kids dearly, and Maddie herself referred to Knuckles as one of her kids. Sure, she got (rightfully) ticked at him for basically destroying the living room and the car, but there was zero implication that she was going to give up.

I'm very curious to see more of Tails's and Knuckles's relationships with Tom & Maddie in the third movie. Maybe there will be an arc similar to Sonic and Tom's in the second movie? Of the two, Tails would become more comfortable with calling them by such titles sooner, and I'm hoping to see some of that soon.

I have a lot of hopes for sure. Jeff Fowler has said a lot that he has a ton of plans for the Sonic Cinematic Universe, so we could easily get more spin offs and more content. 🥰 Our little space kids will get there eventually! I'm just so glad they have parents to care for them in this universe. 💙

#thanks for the ask! #anonymous asks #asks answered #sonic the hedgehog #sth #sonic wachowski #knuckles wachowski #longclaw #wachowski family #tails wachowski #maddie wachowski #tom wachowski #knuckles series #sonic cinematic universe #scu

[transmascutena]

#first attempt at making gifs and the quality kinda sucks #but i've been thinking about this little parallel for a very long time and i wanted to find a way to share it #revolutionary girl utena #parallels #utena #m

[narcissistshandler]

giving miguel head while he explains complicated concepts of the multiverse. 😳 at first he chuckles when reader requests this, but he starts to struggle and lose track of what he was talking about. his voice becomes more desperate as he tries to explain all this stuff he knows to reader with his talons gripping at his love’s skull and his voice shaking and melting into pretty breathy moans until he can’t think of what he was talking about and instead fucks reader’s throat til he’s an overstimulated, sobbing mess

𝗧𝗘𝗔𝗖𝗛 𝗠𝗘

✧ 𝖯𝖠𝖨𝖱𝖨𝖭𝖦 gn!reader x miguel o'hara

✧ 𝖶𝖠𝖱𝖭𝖨𝖭𝖦𝖲 blowjob (reader giving), deep throat, slight overstimulation at the end, reader has no gender or genitalia mentioned, a little of blood

✧ 𝖠/𝖭 This was in my drafts for two weeks and honestly I don't remember what/how I wrote half of it, but still, this request was delicious

"—Are you listening to me?"

You blinked, seeming to come back to reality and looked into Miguel's judgmental brown eyes.

"I've been speaking Spanish for the last ten minutes," he continued before you had time to speak.

"I am," you insisted. Your first instinct was to lie. The truth was no, you weren't paying the slightest attention to any of all that complicated science and physics coming out of Miguel's mouth, even though from the beginning your focus hadn't left his lips framing every complex and long word, occasionally rising to appreciate that expression of concentration on his usually serious face that shouldn't be so erotic to anyone but you.

Miguel's eyes fell to your lap, as if he could see through the pillow you were holding, his brow immediately frowning in that way that indicated his bad mood.

"So what is the simple concept of what constitutes a Multiverse?" he questioned, sounding so much like a hot, strict teacher that you felt your sex throb in response, too distracted to even try to think of an answer. "What are the ways to overcome the barriers that separate our world from other universes?" Silence. "What happens when there is a divergence in events? Where does the variety of these universes originate?"

You knew the answer to some of these questions as someone who had heard more than enough about this subject: the multiverse was nothing more than the aggregate of parallel realities and bla bla bla. But that wasn't what Miguel wanted to hear, he wanted concise, long and scientifically coherent answers and that's why you preferred to keep your mouth shut.

"You weren't listening," he concluded with a sigh.

"Keep talking, I'll pay attention this time."

Miguel looked into your darkened eyes, noting the warm innuendo in your tone and then once again, his attention fell to the pillow that covered your lap. "You're excited," he observed, then continued seeming disgusted and irritated: "Why? Physics does that to you?"

“You do this to me,” you said. Miguel's expression seemed to become even darker. "You always seem so focused and intelligent while talking about these things I can't understand, it's sexy."

"You were the one who asked me to teach you, I didn't know this was a fantasy of yours," he pointed out.

"I know, I know, I'm sorry," you asked soflty as you got up from the sofa where you sat next to Miguel and fell to your knees in front of his feet, your hands running up his bare legs until they slid under the hem of his shorts. "Continue teaching me, please? I promise I'll pay attention this time."

Miguel half growled at you, not seeming too willing to indulge in your fantasies even as his legs opened in pure muscle memory to give you room to fit between them and desire flashed in his eyes.

"How are you supposed to pay attention to what I say with my penis in your mouth? That doesn't seem like a very concise teaching method." Even with you kneeling in front of him on the floor of the apartment's living room, Miguel seemed genuinely concerned about teaching you some real knowledge about multiverse.

You rubbed your hand against the bulge in his shorts to bring him to hardness, laughing a little at how genuine Miguel was sometimes.

"You talk, I listen, then you can test me to see if I really learned something or not."

Miguel opened his mouth, looking ready to retort with some argument, but your fingers fitting into the elastic waistband of his shorts was enough to make him swallow back his words. “Okay,” he agreed finally, lifting his hips off the couch to let you pull his shorts down his legs and discard them on the floor.

"Without underwear?" You inquired teasingly, your fingers closing around Miguel's thick cock that was slowly getting hard for you and pulling him into slow, steady thrusts.

Miguel sighed at the sudden touch, a light blush coloring his cheeks at the teasing.

"Back to the beginning," he started to say, ignoring your words. "When we talk about the Multiverse, this refers to a conception of multiple universes or parallel realities existing simultaneously. Together, these universes are presumed to comprise everything that exists: the entirety of space, time, matter, energy..."

Your tongue trailed in a wet line from the base to the head, interrupting Miguel's speech as he trailed off with a soft sigh.

That usual satisfaction made you smile between the licks you dragged along his length, feeling the pulsation of the bulging veins against your tongue, your fingers keeping his dick firm at the base. Your lips parted, gently sucking the side of the bulbous, red head where drops of precum were beginning to leak.

Miguel let out the most beautiful moan, one of his hands falling into your hair.

“Oh,” he sighed softly, voice already falling into that deep tone that always did things to you. You looked up at the same time you slid your tongue over the slit leaking from his cock; Miguel's eyes met yours, warm and shining. He took a deep breath and continued speaking: "In the concept of multiverse, a scheme is imagined in which... all universes aggregate each other across an infinite vastness..."

He looked so composed even with your mouth on his dick and you wanted to break that composure of his until it became nothing, until his mind stopped working and the only coherent thought he had left was fucking your throat.

Miguel doesn't stop talking when your fingers tighten around his length in a grip that borders on painful and your mouth opens so you can take his length. His cock filled your mouth, the warm, smooth skin sliding over your tongue and inward in a delicious, welcome weight that made your skin tingle. Almost instinctively, you searched for more, leaning forward and taking him deeper, your free hand feeling Miguel's thigh muscles tense under your touch.

Saliva pooled in your mouth and as soon as you pulled your head back, spit slid down his length to his heavy balls and a wet line ran down your chin, a mess you knew Miguel liked. As expected, his breathing stuttered and you saw him losing his train of thought at the sight of your saliva-glossy lips stretching around the thickness of his dick.

"...In addition to the state superpos- superposition property, there are many other phenomena that occur as quantum-scale systems, such as quantum tunneling, quantum e-entanglement..."

The firm fingers tangled in the strands of your hair suddenly became sharper, like thick needles scratching your scalp. The threat of the grab hung in the air, filling your stomach with a tense heat as you realized they were Miguel's deadly talons, which could penetrate through the fragility of your skin in seconds and even an accidental scratch could draw blood. This realization shook you to the core and a moan rose in your throat.

"... So you can connect gravity and the other three forces in an apparently firm way?" he panted, sweat glistening on his forehead. "Dios mío."

It took you a few seconds to understand the jumbled words that came out of his mouth, but when you did you knew that you had achieved your objective, as the argument didn't seem to fit into any part of the multiverse theory.

Tears blocked the corners of your vision, jaw opening wider to take Miguel's cock deeper, the tip slapping against your cheek and tongue before going deeper, and then more and more. The salty taste of precum, sweat, and something else you could only describe as Miguel's taste rising in the back of your throat, clouding all your senses and pushing away the urgency burning between your legs. All that mattered was Miguel.

At that moment, your entire world was just Miguel's body contracting on the couch under the heat of your mouth, the heavy leg he had thrown over your shoulder and his heel digging into your shoulder blade in an attempt to bring you impossibly closer. There was a distinct feeling of discomfort growing in your body, Miguel's grip was strong and painful, his rationality seemed to have dissolved under the pleasure.

"[n-name] [name] [name] [name], por favor." The beautiful moans of your name in his voice echoed through the room in repeated, stammered repetitions.

The gag reflex kicked in, the bulbous head of Miguel's cock pressing past the tightness of your throat. Your eyes closed in an attempt to fight the immediate instinct to choke and suffocate, the desire to give Miguel everything he wanted was stronger. You willingly obeyed the grip of the talons on your head keeping you still, your mouth falling open and easy for the deep thrusts.

Resisting him, the urgency with which his hips undulated, as if he needed the pleasure to breathe, felt equal to having at least one pulled muscle and a deep cut left behind.

Fortunately, fighting him was far from your intention.

You could feel as his dick twitched inside your mouth and the thick, salty liquid filled your throat, which rose and fell as you swallowed. Your eyes opened, tears running down your cheeks, you closed your lips around Miguel's pulsing length, sucking. Miguel's reaction was lascivious, his thrusts becoming erratic, whole body shaking violently, his talons sinking at least a few centimeters into your skin, until it breaks under the pressure.

Hot liquid ran down the back of your neck, the pain was a distant thing in your warm body, your fingers digging into the soft skin of Miguel's thighs as you pressed the nose against the curly hair of his groin. Miguel whimpered as his cock continued to spurt small jets deep down your throat, tears glistening in his eyes and fangs sinking into the lower lip.

You had lied again, you hadn't paid attention to anything he said, but it didn't matter since you doubted that Miguel remembered what even was a subatomic particle now.

#x male reader #x gn reader #across the spiderverse x reader #across the spiderverse x male reader #across the spiderverse x gn reader #miguel o'hara x male reader #miguel o'hara x you #miguel o'hara smut #miguel o'hara x reader #miguel o'hara x gender neutral reader #miguel o'hara x y/n #atsv x male reader #atsv x gn reader #atsv x reader #atsv smut

[chunky-chee]

Okay, so I know a solid 40% of the new Fantasy High was about Tracker "There's still deep attraction here" O'Shaughnessy, but HERE ME OUT

Gertie Bladeshield is the perfect woman for Kristen Applebees.

Cause, like, look, there was a lot of talk in episode 11 about impulsivity and chaos as an aspect of Kristen's character, mainly in how it's mirrored in Princess "Kristen if she had money" Naradriel, but it's also been a general focus this season, especially in how she often uses it to guard her emotions. Think back to "That's what you think", an incredible improv moment, but if you look at the big picture, Kristen's estranged parents make an incredibly inflammatory statement about her religion right after actively bullying her little brother, and instead of honoring any of the actual negative emotions she's being filled with in that moment, she pirouettes away. It's brought up in the adventuring party after this exact episode how Kristen is a cleric, a high-wisdom class that is naturally insightful, but uses these silly deflections to hold other people back from being insightful into her (hence Mac & Donna's lifetime insight disadvantage)

This isn't just limited to small moments, too. To take a broader look at the season so far, Kristen's chaotic, shrimp-jumping, wrangler-wearing, salsa-dipping, middle-school-campaigning, steel-workers-union-supporting bid for class president is often shown explicitly as a distraction from her existentially important job as the only cleric of Cassandra. Even when trying to earnestly apologize to Cassandra and prove to them that she's gonna prioritize her over class presidency, the only way she can articulate it is "You're the meat, mama." Her emotions are always guarded by some amount of chaos and impulsivity.

Now, how does that relate to Gertie "I've had a crush on you for a really long time" Bladeshield?

In both of the two scenes we've gotten of The Best D20 NPC (/j (but I do really like her)), Gertie has shown a pretty similar propensity for making bold, chaotic decisions in the heat of the moment. However, in my observation, these decisions do NOT come from a place of emotional suppression. Quite the opposite, actually.

Think back to her Grand Entrance into the narrative. Gertie, being one of the last people awake at Fabian's party, gifts her longtime-crush a jar of honey, something that connects directly to her passion/special-interest of beekeeping, in a homemade container designed as a pun on Kristen's last name. (in hindsight, the crush was very obvious) Then, in the middle of her infodumping to her about honey, Kristen's rich friend makes an incredibly dismissive remark about her good-natured gift. This obviously pisses her off, but unlike Kristen "That's what you think" Applebees, Gertie "I don't give a shit who's kid you are" Bladeshield lets herself feel those emotions very loudly, immediately starts a duel with possibly one of the most accomplished sword-fighters in the history of Aguefort, and declares him a life-long nemesis. She acts very brashly and impulsively, but in a way that doesn't hide her emotions, instead expressing them.

(I know there's a lot of talk about outbursts of anger being tied to Ankarna, but not only does the scene not really seem like foreshadowing to me, it's more interesting to see it through the lens of being Gertie's actual actions)

This trend continues with the 12th most noteworthy thing to have happened in episode 11 (which incredibly high acclaim), where after being explicitly asked to talk about bees by her crush, and being placed inches away from her face, kisses her on the lips. Now, excusing the albeit upsetting lack of consent, it once again shows Gertie acting very impulsively in a way that exposes her feelings to the people she likes. With these two instances of characterization being literally the only two scenes we get with her, it poses her as a very interesting parallel to Kristen, someone who shares in her willingness to make impulsive decisions, but differs wildly from her in the way she uses them to react to strong emotions.

However, does this really make Gertie the Autism to her ADHD?

(idk if Gertie really shows autistic traits, I just wanted to say that) Well, part of what Tracker a good companion for Kristen was that, as a fellow cleric, she naturally had very high wisdom, meaning she had enough insight to look past the layers of shrimp and salsa and engage with her on a deep level. However, clerics aren't the only class that cast spells with wisdom, so do rangers, including swarm-keeper rangers, which is a subclass that both has a good few abilities focused on spell-casting and was confirmed to be Gertie's subclass in an adventuring party. While her highest stat still could be dex (which, come to think of it, is a hilarious contrast to Kristen), there's no doubt that Gertie has a higher chance than most at being able to look past Kristen's barriers and see the complex hive of sweet, buzzing emotions underneath.

Hell, maybe that's where Gertie's crush comes from in the first place. Maybe, seeing this popular, proudly sapphic cleric be incredibly playful and chaotic on school grounds, she not only saw a bit of herself, but a little more. Perhaps, the type of mind that dedicates itself to allowing small, harmless critters to prosper even when no-one cares to join her club, is also the type of mind able to recognize when someone isn't allowing their truest emotions to prosper, making her wonder if they might have something to gain from sharing some of that chaos, using it not to hide, but to be free.

Or maybe it's just cause her last name has "bees" in it, idk.

#even if Gertie's crush gets played off as a bit #I love gertie so goddamn much #and she deserves more love #fantasy high #gertie bladeshield #kristen applebees #d20 fhjy #dimension 20 fhjy #fantasy high junior year #bladebees #beesbees #appleshield #gert's bees

[littleeyesofpallas]

So, with the new legends there's a neat way we can take a guess at some of the time frame. Although it's largely aesthetic and hard to gauge the intended historical parallels of, the not-Eiffel Tower at the center of the city could presumably have been completed in the late 1880s like the real thing. Interestingly that places it pretty concurrent to the construction of the Hokkaido Government building in the 1870s that served as the basis of the Galaxy Team HQ in the first Legends game.

But with the keywords being "urban redevelopment" the setting could only possibly be Haussman's renovation of Paris that took place from the 1850s-1920s. So given that the tower is already standing, that places Legends Z-A between 1889 and 1927.

And I doubt it would play into the setting of a Pokemon game but I think it's neat that it would mean taking place firmly in the 3rd French Republic, as that's not typically the most romanticized period of French history. (Kind of shocking given just how much Japanese pop culture loves to fixate on the Ancien Regime and Rococco architecture.) It's right at the height of the French Colonial empire and their rivalry with the British... Even if they don't address the history directly, certainly not the darker bits, I wonder if we'll see an ancestor of Rose* and some mention of Kalos and Galar's relation as a hint at the Pokemon world's equivalent of India. (Elephant, what elephant...)

*put a pin in that... Well come back to Rose later...

Also I know a lot of the stupid "leaks" that were just running with any/every rumor they could find had been talking about Celebi, despite there being no signs of it in the direct, but it's possible that the Z-A title and the fadethru of the sort of sci-fi looking city diagram into a pencil and parchment one is indicating going back in time --backwards, from Z to A, end to start.

and just so long as I'm just picking at edges of things...

The unknown are an anagram of, "POKEMON PRESENTS"(oh and the SOEYUE one at the end is just "SEE YOU") and the ""confidential"" stamp on the documents likely reads "Gokuhi" as in gokuhi[極秘]: "Top Secret," but the rest of the text doesn't seem to match either Japanese, French, or English,

Hito to POKEMON no kyouzon o yumemite[人と ポケモンの共存を夢見て]: "Dreaming of people and Pokemon's coexistence" Toshisaikaibatsu hassou MIARE CITY[都市再開発発想ミアレシティ]: "Urban Redevelopment Concept Miare City"

The obvious exception being that redacted text is clearly the romanized MIARE from the Japanese MIARE[ミアレ] and the English CITY, which is the Japanese name for what was localized as "Lumiose."

Curiously the word "Pokemon" is very clearly missing from the passage, and also in both cases there are too few "Galarian" characters for how long the phrases are in any actual language.

and finally, given some of the existing examples of handwritten Galarian in SwSh, I'm guessing the text on the big logo is as i've transcribed into the more standard Galar font, although I'm really uncertain about that second one, and a bit iffy about the big "X"s, but the little cyclone O, the V with the underbar, and the E seem certain enough.

Also there's a logo I know I remember seeing that looks like this one but I can't remember where it is or what it's associated with.... It's the logo on the Macro Cosmos power plant. Not Rose's personal logo with the stylized rose, and not the Cosmos business logo with the big star system orbital ring Cs, but the power plant in Hammerlock where you go to fight Eternatus specifically.

It would be really neat if whatever this organization is was tied back to an ancestor of Rose and Peony and the origins of Macro Cosmos somehow.

#pokemon #kalos #pokemon legends #pokemon legends Z-A #pokemeta i guess #pokemon za #pokemon legends za

[tumb1rprincess]

Okay, I just binged the rest of the Hazbin Hotel episodes.

Carmilla and Zestial are hot. And Carmilla is so interesting. I loved her and Vaggie's song. I actually didn't expect them to reveal who killed the angel so quickly. But I love how they're showing that even some of the top overlords in Hell care. The only question now is what Alastor is going to do with this information.

I love Vox. He has a great voice and his rivalry with Alastor is hilarious.

Sir Pentious is such a fucking loser and I adore him.

Nifty almost reminds me of Little My from the Moomins with her little gremlin energy. I don't know if we'll get any serious moments with her like we have with the other characters, but I guess we'll see.

I love how Alastor's room is a literal bayou/swamp. And him eating the whole fucking deer was hilarious.

I didn't expect for some of the others to find out about Angel and Val's toxic relationship so quickly, but I did like how it showed an uncommon angle: how trying to save someone from an abusive relationship can make things worse for the victim. I can't think of any other media off the top of my head that shows that kind of thing. But with Charlie and Husker knowing about this (and Cherri Bomb if we're counting Addict as canon), how long before everyone else finds out? And what are their reactions going to be?

I haven't been the biggest Angel/Husker shipper, but holy hell, am I on board now. Husker once being an overlord and pretty much implying that he sold his soul to Alastor much like how Angel did with Val was a development I didn't expect, as well as drawing parallels between his addiction to gambling and Angel's addiction to drugs. Hell, I really didn't except this angle they took with Husker. We only saw his bitter attitude in the pilot, and we still get plenty of that here, but I didn't expect him to also be a good people reader and being able to see how the other characters really are and what they're hiding. He's almost empathetic in a way.

All of the songs are fucking bangers, Poison especially. I listened to it once before the show and I liked it okay, but seeing it in context, it hits you ten times harder. I almost cried.

The show is so good at making the viewer feel so uncomfortable with how Val treats Angel, it's almost too hard to watch. I've seen shows tackle abuse before and they've done it well, but this was very raw and in your face and it makes your insides twist. And I love it.

Looking at the show's cast, Vivzi got so many people with Broadway experience and I love that. I feel like a lot of popular media nowadays just like to cast popular actors regardless of whether they can actually sing or not (I'm looking at you live action Disney remakes). But every actor who's sung so far is fucking good at it and it shows.

So far, I am in love, love, love with this show. I remember first watching the pilot when it was causing some controversy and I fell in love with it immediately. It almost became a comfort thing for me for a while. I was watching it over and over during 2020 when Covid was running rampant and everything was shit. I'm so proud of Vivzie and everyone else for their hard work and dedication and love. This show is so different from everything else out there. I hope now that it's out, even more people can fall in love with it.

#spoilers #carmilla #zestial #vaggie #alastor #vox #sir pentious #nifty #angel dust #valentino #charlie morningstar #husker #cherri bomb #vivziepop #hazbin hotel

[charmedreincarnation]

Hey, guys! I've been receiving a ton of messages in response to my last post. It's reminding me of how I first discovered shifting. I feel like doing a little story time since Ive just passed the three-year mark of my discovery, and I've been reminiscing with friends about it.

I remember being in a very dark place when I stumbled upon shifting. I was depressed, and very suicidal. Yet, there was this unshakeable optimism inside me that I was meant for an extraordinary life. Despite my mental state, I had a lot of knowledge of subliminals and the law of attraction (-_-). These gave me hope, but they weren't enough tbh. I didn't want to attract my dream life through practicing gratitude or becoming a magnet for my desires or whatever. Nor did I want to have to listen to subliminals for years on end to achieve my goals. My list of desires was so long, and I needed everything to change that going step by step and waiting years for each one to manifest just wasn't feasible.

But I refused to give up. One day, after a particularly hard day of being sad per usual, I searched on Quora for something like "fastest most powerful subliminals on YouTube ever" (Y’all 😭😭). Among the recommended sub creators, I found a video called "Desired Life: Reality Shifting". The description promised everything I had ever wanted: waking up with all your desires fulfilled permanently in short. It piqued my curiosity so much. Could I really just wake up with my dream life, family, house, wealth, all based on my scripts and imagination?

Growing up, I was a heavy maladaptive daydreamer. From ages 10-17, I created alternate lives in my head, telling myself I would go there someday. I was always doing SATs (State Akin to Sleep), and I think that's what kept me from ending it all. I was constantly in the wish fulfilled state, even though I didn't know what that was at the time.

Back to my story, I went into the comments of that video and came across a guy who claimed that after a week of using this subliminal, he woke up with a new life as a multi-millionaire living in his dream penthouse. I messaged him, and he gave me his Instagram which showcased his luxurious life. He had what seemed like a perfect relationship, he was very attractive, had so many cars, and travelled 24/7 while having a six figures amount of followers. He was living proof that this wasn't just scripting. Also the law of attraction community is known for their mad expensive coaching.. like hundreds of dollars per hour for questions and he was answering it all for free something I didn’t see the law of attraction community. And I talked to him for hours! He never got mad, he had proof, and he was kind, proof and the behavior of someone who really had mastered the art of life.

After our conversation, I spent the next couple of months doing research. I found numerous stories about glitches in the matrix, accidental shifting, people entering parallel realities, and eventually, shifting communities on platforms like Amino and Reddit. It was stuff I already believed in and did in my imagination; I just didn’t know there was a term for it.

Then I got reminded of a memory that I had seriously repressed bc it was so fucking weird. When I was 6 and my brother was 3, we were absolutely obsessed with dodo birds. One day, we were outside playing, and on god time seemed to stop. Out of nowhere, a dodo bird appeared. I know you’re probably like “maya be so fr rn you were a kid” but no, This wasn't just our young imaginations running wild - there was a bird that was huge, dinosaur-like, exactly how dodos are described in books and pictures we had.

Then things got weirder. Suddenly it started raining eggs. Big, large eggs everywhere it was so gross and my brother and I were a mess. We were young, sure, but not stupid. We knew this wasn't normal. My brother and I rushed inside to tell our dad. When I managed to drag him outside, he was furious, accusing me of throwing eggs everywhere. To this day, he tells the story of the time I "trashed the backyard with eggs." And every time, I'm like, "Dad, where would I get that many eggs?" We didn’t have eggs but so he assumed I stole them and we went inside for hours and it was magically cleaned. So he also tells the story of how responsible I am and how I took accountability for my actions even as a child. I didn’t clean that shit bro and I tell him that too and he just laughs it makes me so mad.

My brother, who knows I'm into reality shifting (though he doesn’t really believe in it), can't explain that day either. He often shrugs it off as a "glitch in the matrix," which honestly, well no duh it is a shift dummie. He does believe in manifesting but only bc he has seen me use it and he experiences the good things I manifest as well. They’re the same thing anyways but that isn’t the point

The reason I'm bringing up this bizarre childhood memory is because during my months of research into shifting, I found countless stories of accidental shifts, people entering the void, entering parallel universes, time glitches, examples of the Mandela effect first hand, glitches in the matrix and etc. It was like uncovering a myriad of experiences that confirmed what I already believed: we can change and choose our reality. I just didn’t know the phenomena had a name. Obviously in the future I came across other things like the law of assumption, the void state, etc etc but this was where it started.

I wish I had saved all those fascinating stories, posts, and blogs. I might go back and compile everything I found because they were so real and enlightening. It will probably take forever tho if I do choose to do that, but I think it's worth sharing.

In the meantime, check out this accounts of accidental shifts that my friend shared with me this account https://instagram.com/tessicavision?igshid=OGQ5ZDc2ODk2ZA== based off the Glitch in the Matrix subreddit which is also a goldmine of people experiencing similar phenomena. It helped me make sense of my own experiences and might do the same for you.

I don’t want this to be too long and I already got to the point I think! but regardless stay curious and realize you’re really not that special. I mean ofc you are, i mean this is not some tumblr thing teens girls discovered or created and isn’t even limited to “spiritually/manifesting inclined people” I think at the beginning of my journey people talking about accidental shifts and such, inspired me more than purposeful success stories because they really have no reason to lie and they were looking for answers just like I was.

#law of assumption #manifesation #manifesting #reality shifting #shiftblr

[ennas-aesthetic]

What the fuck is Jesus up to in Good Omens season 3?

This is a question I've been thinking long and hard these past couple of days and I have some THOUGHTS SO. Buckle up.

Aziraphale and Crowley watching the Crucifixion (Good Omens, 2019)

First off. The answer to the question posited is relatively simple. What is Jesus up to in GO3? With s2's ending in mind and with the hints we've gotten for 668: Neighbor of the Beast over the years, we know he's descending to Earth to initiate the Second Coming. And that Aziraphale would probably make that happen - or do everything that he can as Supreme Archangel to sabotage it.

But I wanted to examine on how Jesus might fit into Good Omens' overall narratives and established themes - about morality and humanism and free will, and. I'm just saying, there are A LOT of fascinating routes they could do for his character.

(Disclaimer as usual: this is a theory that I obsessed over when I was stuck at the cemetery during All Souls' Day and must be treated as such. In no way am I insisting this should be how canon events must happen. I am just doing this for the funsies.)

The THING about Jesus if you situate him in the world of Good Omens (with the assumption that most of the pop culture Christology mythos associated with him remain intact) is that in this context he very quickly becomes: 1. Adam Young's narrative foil; and 2. an Aziraphale parallel.

Now, the first one is obvious. Of COURSE he is Adam Young's foil, duh. Adam isn't called the ANTICHRIST for nothing. Brought into the world just for the sole purpose of ending it. However, when the time comes for him to fulfill the Will of his Satanic Father, Adam flat out REFUSES.

Both the book and the show attribute this to Adam's human upbringing. He was raised as a human, and because of that he has the trait that the book uses to DEFINE human beings: free will. At the end, Adam had the AGENCY to reject the destiny planned out for him.

'Adam stood smiling at the two of them, a small figure perfectly poised exactly between Heaven and Hell.

Crowley grabbed Aziraphale's arm. "You know what happened?" he hissed excitedly. "He was left alone! He grew up human! He's not Evil Incarnate or Good Incarnate, he's just… a human incarnate—"'

- (Good Omens, 1990)

That is NOT what happened to Jesus.

Adam Bond as Jesus in Good Omens (2019)

Like Adam, he was raised as a human -- being a human incarnate was his WHOLE DEAL in Christology. In the beginning was the Word, and the Word was made flesh and dwelt among us... yada yada yada.

UNLIKE, Adam, though, Jesus wasn't able to REJECT his Destiny of Dying Really Horribly and Painfully on the Cross. Narratives in the Bible also made it clear that the Crucifixion was NOT his Will, but that of God's. Like... him begging to be spared from torment but ultimately following God's Will is such an important event entire devotional practices are made out of it.

"39 And he went a little farther, and fell on his face, and prayed, saying, O my Father, if it be possible, let this cup pass from me: nevertheless not as I will, but as thou wilt."

- (Matthew 26: 39, KJV)

We get a glimpse of that in s1ep3 of Good Omens, too:

"JESUS

(muttering through the pain)

Father, please . . . you have to forgive them . . . they don’t know what they are doing . . .

Crowley, in black, comes up next to Aziraphale.

CROWLEY

You’ve come to smirk at the poor bugger, have you?

AZIRAPHALE

Smirk? Me?

CROWLEY

Well, your lot put him on there.

AZIRAPHALE

I am not consulted on policy decisions, Crawley."

- (The Quite Nice and Fairly Accurate Good Omens Script Book, 2018)

SO. Here we have the character of the Christ whose free will and agency had been STRIPPED from him in the guise of a "noble sacrifice." He comes back again on this Earth to fulfill another "inescapable destiny."

Aziraphale and Crowley need to stop him. The solution the Good Omens narrative offers to "inescapable destinies and systems" (both in s1 and s2) is for the character to realize they have the freedom to choose their own fates. It happened with Adam, and it happened with Gabriel, and perhaps it will happen to Jesus.

(At this point my sister frowned and said: "Are you telling me you think Aziraphale and Crowley are going to help Jesus realize he has agency and that him Dying on the Cross for the 'Great Plan' was kinda fucked up actually?" which sounds crazy when you put it like that BUT NEVER SAY NEVER BABIE.)

Because that brings me to my second point: if this all happens, Jesus becomes an AZIRAPHALE parallel.

In the same way Anathema is an Aziraphale parallel and Sergeant Shadwell is an Aziraphale parallel. Here is a character stuck in a suffocating status quo. To save the world, he needs to know he can escape that status quo and decide for himself. In the same way Anathema has to learn how to stop being a descendant or Shadwell to stop being a Witchfinder, or Gabriel to stop being an Archangel, and Adam to stop being an Antichrist, perhaps Jesus has to learn he can stop being... Well, the Christ, as well.

And this, of course, supplements Aziraphale's journey of letting go of the idea of being an idealized vessel of God, so he could finally enjoy the freedom of personhood and choice on Earth, with Crowley.

Or they could turn Jesus into a cackling villain who Aziraphale and Crowley need to kill in season 3, and I'd probably eat that up, too.

#good omens #good omens meta #good omens 2 #good omens season 2 #good omens spoilers #ineffable husbands #aziracrow #this was such an insane meta post to make but i had to do it #putting my religious trauma to good use iktr #enna rambles

[meanbossart]

do you have any thoughts on cazador as a character? personally i really loved the parallels between him and astarion & the way that the master/spawn relationship is used as an allegory for cyclical abuse. the scene with cazador’s master’s skull where you find out that he was once victimized in the exact same way that he later victimized astarion was really a lightbulb moment for me re: what vampirism represents in this game.

BOY DO I, i don't think much of it hasn't already been said, though. He's a tragic character in his own right of course, not that that takes away from the awful man he is.

Me and my boyfriend make fun of him a lot, we call him "the best BG3 character" as a little inside joke between us and come up with ridiculous scenarios of things that might have occurred throughout those 200 miserable years the spawn had under his command lol. Maybe he had a month where he was really specific about the shoes everyone wore, maybe once every other decade he had a weird week where he tried to be "nice" only to become frustrated when his efforts weren't immediately met in kind by the rightfully-terrified spawn, maybe between all the torture and horrific-ness he just did some plain weird shit like making someone crouch by in his fainting couch and wait by open-handed for grapes that he dramatically chewed on and then spat right out since he can't actually eat them lmao

And that's hysterical but I think we also started doing that because when you meet Cazador, when you first hear his voice and see his demeanor in person your immediate reaction is probably somewhere along the lines of "THIS is the clown you were so scared of, Astarion?"

And the answer is, of course, yes. This embarrassing little man stuck in a cage of his making instills fear beyond comprehension in Astarion and all his siblings. This man who undoubtedly showed all these spawn, inadvertently, the strangest, most arguably "human" aspects of himself at some point or another during these two centuries they had together is also an absolute monster. And i really like that! I think its far more effective and fitting for his story than if he was, lets say, a Ketheric type.

(this got very long so, more under the cut)

Look at Ascended Astarion in the epilogue now, for example. Everyone agrees that he's an absolute fucking dork - and I think we all also agree that he will go on to destroy the lives of many people beyond repair, especially his own, until the day he is killed.

In the topic of vampirism as an allegory for abuse, I both agree and also don't, at least not exactly - i just think it's deeper than that. I've spoken about this in another post but i find it incredibly refreshing how, to me, it seems like Baldur's Gate 3 has no interest in painting vampirism as sexy or fun past a surface level. It's a curse that nobody asks for unless put in a situation where they feel as if they have no other way out, and it shapes and haunts you for the rest of your undead existence.

Even if you enjoy its benefits at first, that has a time limit. You will see your family and loved ones die, you will see culture evolve while you stay perpetually the same. You will experience so much hurt and pain because the only thing that makes life truly sweet is knowing that it is finite, and eventually it will wear down all of your humanity. And since you can't die unless you are scorched by the sun, staked, or dismembered, you must live with the knowledge that you will never have a peaceful death - and since you won't have a peaceful death, you better not die - and if you don't want to die, you better not be weak - and if you don't want to be weak, you must seek out power at all cost and slash things like love and friendship out of your life.

And what is funny, is that in his attempt to be more like a mortal - to eat, drink, walk the sun, such incredibly simple desires - Cazador (and Astarion, if he ascends) is accidentally only drawing further away from the person he supposedly once was, because that fear of weakness has already utterly corrupted his soul.

That's quite a grim way to look at it, of course. But I genuinely think that it is the natural conclusion of something like immortality.

That's why I quite like that, even after Astarion has found happiness, even after he finds his peace, he still doesn't exactly embrace being a vampire - because It's not something he should be expected to embrace. I think it's a very unique take on the trope.

I also want to leave here this message written by his character writer, which really got me thinking about him on a deeper level since i saw it months ago. It is specifically about the sexual aspect, but I think it branches beyond it too, when you think about it.

#bg3 #baldurs gate 3 #astarion #text #ask #cazador szarr

[indigo-casson]

something that i've been thinking about lately is the parallels between star wars: andor/rogue one and tamora pierce's trickster's queen duology. primarily because the star wars brainrot is real and the tamora pierce obsession is forever, but also because they are kind of both tonal and thematic departures from their main 'verses in some similar ways?

in both the star wars verse and the tortall verse, the majority of the media has focused on one individual (or a small group of individuals) who make a profound difference in the world. Whether that's alanna singlehandedly finding the dominion jewel/becoming king's champion/making way for female knights, or luke skywalker blowing up the death star, or daine and numair going to the divine realms during the immortals war, or anakin skywalker becoming a sith and dooming the republic, most of the original material has seen battle and political change as something that is affected by either an actual chosen one or simply a single very plucky and well-placed individual.

trickster's queen and andor, however, really look at rebellion as something that has to be done by a diverse group of flawed people who work together despite their differences. mon mothma knows that her role is raising money. ulasim, chenaol, and the other members of the raka conspiracy each take their individual roles in the rebellion, and recognize that even though they might not want to work with aly or the luarin nobility, they need their skills and influence to make it happen.

both stories also show rebellion as extremely costly and something that requires making tough calls. nobody has their hands clean by the end of a civil war. notably, trickster's queen explicitly narrowly avoids having the protagonists kill a group of 5 year olds. luthen is ready to kill cassian when he becomes a liability, and cassian does kill lots of people, including some allies whose only "crime" is being susceptible to giving up rebellion secrets.

in rogue one, we don't like davits draven because he orders jyn's father killed, and that just feels wrong. jyn is our heroine and it upsets her, so emotionally it's distressing. but of course, draven and cassian and jyn are all working towards the same goal. draven did what he had to--galen erso is a liability as long as he's alive. dove and sarai's little brother elsren has to die because he's a direct heir to the throne, ahead of his sisters. it doesn't matter that he's five and totally innocent. as long as he lives, a luarin has a greater claim to the throne than a raka, and as long as that's true, the rebellion can't succeed.

in the star wars original trilogy, people for sure die! i'm not trying to say that they don't, but it's definitely not something that's shown affecting our protagonists on a deep, emotional level. they're all side characters, or else they come back as force ghosts. the prequels are uh. fucking tragic, but at the end of it, almost all of our heroes make it out. even the casualties of the war are droids vs clones, which is to say, totally interchangeable cannon fodder on both sides!

the number of character deaths in the tortall 'verse is fewer, probably because it's primarily created for middle grades, but even when people do die, they're either demonstrably bad people or minor enough characters that the emotional resonance isn't the same.

by contrast, at the end of trickster's queen, almost the majority of the main conspirators die in battle, not to mention those who don't even make it to the final conflict. at the end of rogue one, all of our heroes are dead, and people aren't exactly making it out of andor s1 in good shape either. more than half of the aldhani team dies on that mission.

I could go on further, but I think my main takeaway is that once you've invested a lot of time and attention and fandom into a 'verse, you have a lot more leeway to tell different kinds of stories. tamora pierce could not have written trickster's choice until after the values and world of tortall were so clearly established, and if she had, it wouldn't have had the impact that it did. similarly, part of what makes rogue one/andor so striking is the fact that it is such a departure from the preexisting values and story format of star wars.

for every chosen one we see in media, there are hundreds of people working behind the scenes to make their big, death star destroying moment possible. the only way to improve society is through collective action, and part of that is that everyone's hands are going to get dirty. i think lots of people want to imagine that they could be like luke skywalker and swoop in 2 weeks before the battle of yavin and become a hero, but the fact of the matter is that that's not how the world works! war requires us to do things that would ordinarily go against our values, but in the context of a drawn out, bloody, thankless battle, maybe we decide the ends justify the means.

#analysis #i don't particularly imagine that anyone will read this because it is so niche lmao #but the brainworms wouldn't leave me alone #star wars #long post #tamora pierce #tortall #tricksters queen #andor #rogue one

[pencileraser1]

things i noticed/thoughts about most recent rewatches of dps (plus laserdisk deleted scenes):

whenever theres a group scene i've started watching the characters that the story isn't focusing on to see what they do and i've been having a fun time with that. pitts and cameron specifically seem to almost always be doing something interesting in the background.

hopkins!!!! my favorite minor character who somehow got character development despite having like 2 lines!!!! the last guy to stand on the desk but he did it!!!

sometimes i do like to think about what the rest of the students thought about the dead poets society, esp in alternate timeline neil lives dps keeps meeting universe. like yeah theres this guy in their class whose one of the most credited students in the school and we think he maybe started a cult. idk though. but that group runs out into the woods every few days to do god knows what and one of them keeps talking about "dead poets honor" whatever that means and holy shit welton star student neil perry started a cult.

i watched the movie with headphones. and maybe it's because ive seen this movie Far too many times and mabe i'm listening too hard but it was Really obvious sometimes when audio was added in post production. llke in the sweaty toothed madman scene when you can hear laughing and to be fair the camera is behind their heads. but it does Not look like anyone's laughing. my favorite is at the end of the phone call to chris scene where knox is like i'm gonna seize the day!! and runs up the stairs and the poets are cheering him on and neil is sort of yelling "carpe!!!!" and i could be wrong but i'm like 75% certain that the person singing is Also rsl so now neil is just speaking two times at once somehow. anyways it didn't ruin the experience for me or anything it was maybe just a little bit funny to notice but very sorry if this did ruin anyone's viewing.

people talk a lot about how rsl and ethan hawke really made their characters what they are but i have to add dylan kussman to that list. I get the impression that older versions of the movie didn't really give as much depth to cameron and watching dylan kussmans performance is like. he Knew who his character was so fucking well and it shows!! like the deleted scene of them getting clubs assigned. like i could tell So Much about cameron from that scene

for how little she actually appeared, there is an emphasis put on the fact that neil's mom smokes pretty frequently. and i think that's interesting considering neil is one of two poets shown actively smoking. neil's mom doesn't appear for very long in the movie but during that time it definitely seems like the movie is intentionally making parallels between the two, particularly in the last argument with neil's father. neil and his mother are both sitting for almost the whole time, which contrasts with his father who is standing. they are both almost powerless in this scene. they stand up at almost the same time. anyways there's a couple different possibilities for what this could mean? that i've though of? 1. to show that neil's mother is in a similar situation to the one neil is in in regards to neil's father and 2. maybe a stretch here but the theory that neil inherited his mental illness at least partially from his mother. i'm pretty sure 1 was fully intentional on the directors part, not entirely sure about 2 though

unmanned flying desket scene: it's probably cause he and ethan wrote the scene themselves but the way rsl talks in this scene feels more like the way he talks in general than the rest of the script. like briefly neil perry is talking in rsl's voice. one of my absolute favorite scenes though the sarcastic dialogue is so good.

the light of knowledge at the first shot of the film vs. todd standing on his desk at the last shot of the film paralel

#there was a whole additional part of this post that was about knox and charlies relationship with their parents #but it ended up being half of what i wrote here and i still had more to add so i'm making that a separate post #that should be posted in a few days i'm not a fast writer #neil perry #richard cameron #gerard pitts #todd anderson #dead poets society #dps

[brigdh]

Okay. My thoughts on the Our Flag Means Death finale. Obviously I'm not very happy with the ending, though I'm also not as upset as some people are. I would say I'm discontent. Unsatisfied. Too aware of how it could have been improved, and a bit bitter that we didn't get a better version, but I also don't hate what we did get.

I know a lot of meta has attributed the problems to a shorter season, and absolutely I would have loved to get 10 episodes instead. I would have loved 22 episodes! Why don't we do that anymore? But I don't think the 8 episode length was the ultimate problem. A) The showrunner and writers knew they had only 8 episodes, so they needed to choose a story that fit into that length, but even more importantly, B) my problem is not that they had too much story for too little time, but actually that they had plenty of time and chose to fill it with too little story.

As I've sat with it over the last few days and thought more about the season's arc, it feels to me like we got eight episodes of filler. Filler episodes can be great! Filler episodes can have some of the funniest lines, the greatest scenes, the most intriguing ideas. But filler episodes do not progress character arcs or major themes, and that's exactly the problem this season had.

The only characters who got arcs this season are Izzy, and to a lesser and more rushed extent, Lucius. Which sure is a choice.

Ed and Stede and their relationship did not meaningfully change from S1. (Okay, yes, they had sex, they said I Love You – but these are external changes, not internal. They don't represent character growth. Stede realized he loved Ed and was telling everyone back in 1x10. Ed clearly would have slept with him in S1 if they'd had a little more time.) Ed and Stede in 2x08 are not different from who they are in 2x01. If Ed had asked Stede to be innkeepers in 2x01, does anyone think Stede wouldn't have immediately agreed? One of the big moments in 2x08 is Ed reading a letter that Stede wrote in 2x01! Stede's exact words from the very beginning of the season! What better way to underline that none of the subsequent seven episodes had important growth or changes?

Another one of 2x08's big shippy moments is Ed and Stede running to each other across a beach – deliberately paralleling the dream Stede had in 2x01. What are we supposed to take from this parallel? My original thought was that we're supposed to see how different the real version is from the dream, but there's honestly not many differences. Neither one has a beard, now? The dream mocked how Stede knew they needed to have a conversation about their relationship that he wanted to avoid, but they don't have a conversation in the "real" version either. They exchange about two sentences (which includes Ed's I Love You, yes, which is a big deal but still isn't a conversation) and then they charge right back into the fight, without discussing anything like Ed abruptly dumping Stede to go be a fisherman, Stede killing Ned Low when Ed asked him not to, their differences of opinion on being pirates, if having sex was a mistake or if that's only a thing Ed said because he was panicking, etc etc. They have just as many issues to address as they did in the dream, but just like the dream they act like everything is magically okay without talking about it!

So I think we're meant to take the beach-run parallels as "here's what Stede's been wanting, and after waiting for so long he finally gets it". Which is fine, a very sweet take-away for a finale. But it underlines what I'm saying is the problem of the season: Stede has just been waiting for eight episodes for his dream to come true. Not changing. Not growing. Not doing anything to bring the dream about, other than trying to get himself and Ed into the same physical location. Just... waiting.

This is an extra surprising development, because the show was really good at giving Ed and Stede character arcs in S1! Ed and Stede in 1x10 are significantly different than they were in their first introductions. Also, just to preempt some criticism, by 'progressing' I do not mean 'wrap up literally every loose end and make a firm final ending' – S1's finale is an excellent example of both moving the characters forward and leaving a ton of room for future stories. I wasn't expecting for 2x08 to show us a Stede and Ed who were perfectly on the same page and would never again have a problem. I was expecting them to be somewhat different than they were in 2x01, and I just don't see that.

Instead of arcs, we got little pieces of single-episode growth here and there that never added up to an overall whole. The season brought up a ton of potential arcs for Ed – violence, piracy, guilt, suicide, daddy issues, self-loathing, apologies, redemption, his tendency to idealize escaping into a different life – but didn't do anything with any of these options. Stede had nothing resembling a season arc at all.

Stede works to improve as a captain! Stede kills someone and has regrets! Stede confronts Ed's dark side! <- All potential arcs, but none of which lasted for more than an episode or had consequences. We don't even know what the ending means for Stede: does he want to be an innkeeper because he failed as a pirate in 2x07? Because piracy was always just a displaced search for love, and now that he has love, he doesn't need piracy? What does the crew of the Revenge leaving mean to him? Stede's understanding of their new arrangement literally happens off-screen and we're left to fumble at guesses for its significance to him as an individual.

Ed and Stede's last big conversation in the season is their break-up fight in 2x07, which is a shocking way to send off your main couple in a rom-com. Yes, there's the I Love You on the beach (again: two sentences) and the brief 'let's try to be innkeepers' conversation at the very end, but that's it for them in 2x08, except for their inclusion in some brief large group conversations about their fighting skills and the plan for escaping the British. How can you end your rom-com with the main couple exchanging only a paragraph's worth of dialogue in the finale? None of the stuff was brought up in the fishing fight in 2x07 is ever addressed at all!

Again, I don't think this is solely a matter of time crunch. Instead of using the eight episodes to progress the two main characters, we got a bunch of filler episodes that used the time in amusing side tangents instead of forward progress. I don't think that's the inevitable result of having to work with eight episodes.

Look, I can come up with a better Ed/Stede relationship arc without needing more episodes, and despite only thinking about this for a couple days and not having an entire writing room to work with:

(Note: this only addresses the Ed/Stede relationship. It doesn't fix Stede completely lacking an independent character arc and Ed having about ten thousand of them, none of which went anywhere.)

In 2x05 to 2x07, I would make Ed's motivations in their relationship very clearly that he's pushing Stede away so he doesn't get hurt again. Basically play up Ed's comment about "I was all in" in 2x04, and make him determined not to get 'all in' this time around. This aligns the "let's take it slow" conversation in 2x05, the "sex was a mistake" in 2x06, and Ed running away to be a fisherman in 2x07 into a single arc. He wants Stede, but he's afraid of what that wanting will do to him. He's trying to find a way to have a relationship without making himself vulnerable. He keeps pushing off commitment and openness.

Then, in 2x08, I'd make it more explicit that Ed thinks/fears Stede is dead when he sees the pirate ships burning. I think it's subtext in the episode as-is, but give him a line or two to make it really clear. Ed and Stede still see each other on the beach, have their dramatic run to each other, and Ed says, "I love you". Now this moment is Ed acknowledging his love, exactly what he's been avoiding for the last three episodes.

Near the end of the episode, Ed and Stede have a conversation where Ed says something like, "I didn't want to get hurt again, I was afraid of the risk of falling in love and you leaving again, but thinking you were dead made me realize that never loving you would be worse" (but better written, ha, this is a tumblr post that's already too long). (Also possibly you could tie in Izzy's death here to underline both Ed and Stede not wanting to lose another person they care about, if we must have that plot point for some reason.) We actually get to see Ed asking Stede to come be innkeepers with him, paralleling asking him to run away to China (and paralleling NOT asking Stede to a fisherman), Stede voices some of his worries (paralleling him keeping them inside in 1x09, but also giving him a chance to explain what piracy and love mean to him and why he'd give up one for the other), but ultimately they agree that they at least want to try.

This both puts them into a much clearer place for a happy ending, has clear growth from S1 and the beginning of this season, but also leaves open a ton of room for S3, because welp, it turns out trying to have a relationship entails all sorts of problems! Especially with these two. It also would make me feel like they'd at least addressed some of the issues between them.

Right now I feel like S3 will have to spend at least the first few episodes running through exactly the same "don't talk – break up – get back together dramatically" arc that Stede and Ed have already done twice but have never discussed and never learned from. I liked it, but I don't need to see it yet again. That will – ironically – feel like yet more wasted time, more episodes that are just churning through beats without moving the characters forward. I wanted them to have new, different fights in S3, but now I don't even feel like they've made enough progress to have a fresh set of problems.

#ofmd meta #our flag means death #ofmd 2x08 #ofmd season 2 #ofmd critical #(I guess)

[leconcombrerit]

A warm hug to Non, or when are we going to stop demanding perfection from victims

It's been forever since I thought about making this post but I've finally decided to write the goddamn thing.

Three disclaimers : one, I haven't yet managed to get past the first third of episode 9, so this whole thing is based on episodes 1-8 at best. Two, I'll block on sight again if I see victim blaming on this post. Finally, I'm by no means an expert on the subject. It's complex, I might get things wrong and I'll have to oversimplify at times for clarity and brevity's sake, please don't kill me for it. It's probably gonna be long enough as it is. I've tried my best to organize my thoughts in a way that would make sense, but. Well. I hope it does.

Trigger warning for mention of suicide, bullying, grooming, sexual assault, rape

Non started as the poor little baby everyone wanted to protect -both the audience and Jin ; for all the shit he got after filming Non and Keng, there are a lot of parallels to draw between him and the audience. Then the dreaded episode 7 happened and all hell broke loose. I won't include screenshots of the disgusting things I read from some viewers about Non, but Jin's reaction is pretty telling already.

The easy explanation would be that he's mad Non isn't returning his feelings, but I think it has more to do with Non not fitting his 'good victim' role anymore. There's sadness on his face, but the dominants are anger and betrayal. Non tries to regain agency and gets crucified for it.

So what's a good victim ?

Non, basically

If you want an examplary blueprint of what society defines as a good victim and survivor, someone worth justice, defending and loving, just take a look at Non. I broke it down in four marks that need to be checked :

-Innocence : none of the person's action prompted the abuse -Moral high ground : the person has values and displays kindness -Helplessness : the person cannot do anything about the situation they're stuck in -Accepting to be saved : self-explanatory. The person has to accept the help that's offered to them, traditionally by a love interest

Non is abused for being poor, something he's not responsible for. He's hardworking, honest, passionate about the things he loves and commits to his engagements. He's kind when talking with Jin. He's resilient in the face of the gang's bullying. None of what he could do or say would make it stop, neither can he help owing Por for a camera he hasn't broken nor get out of Tee's pyramid scheme. His mental illness only increases this impression of vulnerability. Jin doesn't have all these elements, but he's got more than enough to paint a very similar picture of Non as the audience.

As for accepting help, Jin repeatedly offers some -and Non finally lets him in during their conversation on the rooftop. What Jin offers may be little but it's still help ; Non smiles and even gives Jin a shove -what I think is the only time he initiates contact with Jin at all.

"Thank you so much, Jin, for helping me all along." "It's alright, I'm glad to. I just want to see you smile again, Non."

The audience gets even more of Non being happy and grateful to be saved : he calls his "♥" contact for help multiple times, smiles at the reminder to take his meds and, later on, clings to Phee for dear life after trying to kill himself. He doesn't fight him, he doesn't reach for the scattered pills. Hell, even accepting Tee's offer to make money could count as Non agreeing to be saved by everyone around him.

Non checks all the marks. Everyone in the audience is rooting for him, the other boys can all go get impaled on a branch, and Jin looks at him like he hung and lit all the stars in the sky.

Speaking of the other boys...

Tee and Por victims as well but don't get the same amount of sympathy, if any. Tee isn't responsible for being stuck in a criminal environment and can't get out of it ; no one has offered help, so he gets a pass. But he's been shown to be selfish, opportunist, often cowardly and sometimes gratuitously cruel.

As for Por, it's even worse : every actions he takes seems to confirm his dad's opinion of him. The only mark he ticks is accepting to be saved by his mother, which looks very bad taken on its own. I made a post about Por not too long ago if you want more.

The only way for them to redeem themselves and go from 'horrible people who should die' to 'maybe they don't suck they're my poor little meow meows' is penitence. Take Por ; he's the archetype of the rich son who gets abused by his dad and suffers from having so much money. Just like Kang in Dangerous Romance, or Tanthai in Laws of Attraction. Tee ? I don't have names from the top of my head, but he's that hardened jaded guy stuck in a mafiosi network who has to learn to love and be loved again (enters White). Yet the audience learnt to root for these characters.

Basically, nothing is set in stone. Your status as a good or bad victim can shift depending on your actions and the way they're framed. The usual narrative is to get those characters to grow into the acceptable victim pattern. DFF however is going for reverse development (Non, Jin) or stagnation (Por, Tee, Fluke). It makes for gritty yet very realistic storylines ; and while I'm the first to yell that the masked figures should get their ass stat, I also recognize that there's much more complexity to them than this. Except Top. I have yet to come up with a good explanation for what they're doing with Top, but I will at some point.

How did Non fall from grace if he's such a good example ?

Three points : Phee, the paradox of the demand for Non to seek agency but not too much, and his inacceptable betrayal.

Phee as a magnifying factor

I love this kid to bits but Phee's appearance in the flashbacks concurs with Non's flawless image being torn to shreds for a reason. He's a good, strong and caring person who loves and tries to protect Non -something the audience has wanted to do for weeks ; so we all gathered behind Phee and made him our emissary, carrying out the impossible task outsiders to the series' world couldn't : saving Non.

Since Phee voices the questions and concerns of the audience, we are Phee to an extent. Betraying Phee means betraying the hope and love and care the audience has for Non. Phee is the series' moral compass by that point. I'm sure you see where I'm going with this. If not, consider it's a surprise tool that will help us later. When Phee gets hurt by Non or decides he'd be better off lost and dead.

For the record, in this poll Phee gets even fewer votes than White

Seek agency, but not too much

Discontent starts to rise with the helplessness point first as viewers start to question why Non doesn't ditch the group. Why he's putting himself through such trouble. Non changes from being subjected to others' action to being the subject in a grammatical sense. Yet Non has hiw own reasons to stay (how much does the movie mean to him ? How many hours and sleepless nights on the script ? How long would it take for him to find another chance to get enough funding ? How big of a dream is it for him ?). It's the first occurence of the audience claiming to know best what's good for Non.

Complaints quiet down when Non does try to leave for good only to be stopped by Jin. We saw him try, we saw him fail, he really couldn't leave so he's off the hook.

Jin also makes sure Non remains a perfect victim by bringing him back into the group. I'm not accusing Jin of trying to make Non suffer on purpose ; he's a good guy at heart, come fight me to death on this hill. But the only way for him to exist in Non's life is to remain a savior of sorts. If Non leaves, there's nothing to save him from. Which brings us to my next point.

Non must try to solve things by himself, sure. But not too much. Because when you thrash to regain control of your life, you might break a few things in the process. Especially if you have to wrest it away from well-intentioned but firm hands.

He rejected Jin's offers to help numerous times. He looked anything but thrilled when Phee put himself in danger to clear his name. He refused to change schools at first, only to begrudgingly agree when Phee insisted. This insistence is the heart of the matter : Phee is sure he knows best, so he bulldozes through Non's objections and hesitation : he doesn't consult him before asking his dad for help, he speaks in his place when Non doesn't answer his proposal, he puts the bracelet on his wrist. He asks him if he's taken his meds, just in case.

Phee has the audience's benediction in doing so. Part of it stems from our knowledge of future events : we know it's going to end bad for Non. We know he has to get the fuck out. We know whatever decision he makes will be a bad one. Kids and teenagers as a whole are often deemed unable, or not mature enough to make informed decisions anyway. Just look at Non's mother telling him to prioritize his studies so he can go abroad like his brother. Multiply it tenfold for people with mental illnesses ; they get babied on a daily basis. So Non cannot, I can't emphasize it enough, cannot do anything.

All of the above end with Phee getting his way. Non can't win against him, so he chooses to lie instead.

Aside from willing to be in charge of his own life, Non's refusal to let Phee help is also rooted in love and fear. While Phee would offer him an easy way out as he did for the bank accounts, it would most likely only be easy for Non and put Phee in danger. Both their survivals are held in that curt 'no'.

He's already straight up refused help, and now he loses the moral highground by lying (to his perfect holy savior Phee of all people). From here on out, any action he takes will be his -which is what Non wanted ; it's his life, and he won't be a bystander in it. But it also means that he jumped off the pedestal he'd been put on to land on thin ice.

And guess what, Non is a multi-dimentional character in a difficult situation who weighs more than a poor little damsel in distress. Of course said ice cracks. And the Non hate train gets started.

The betrayal

Lying and refusing help to go get it from the worst place he could have had was bad enough. But sleeping with his teacher while he had a boyfriend (Phee, for heaven's sake) ? Unforgivable. Cheating is the BL equivalent of every cardinal sin, the worst of the worst, and no matter the circumstances you'll get roasted for it.

And yet there are circumstances. One, especially, and it's called motherfucking grooming. I won't elaborate on this point cause I've done it over and over already, but Non was groomed by an adult. Does he see things that way ? Probably not. In his mind he's in control of the situation. He can lie to Phee about it because there's no reason for it to backfire. He does what he has to if he wants to save himself, using he one weapon he has : his body. It's cheating, but cheating in a game rigged for you to lose.

Society has two opinions about sex. It's either holy or gross. Take Jin, for instance.

See the look on his face. He's heartbroken, he's sad, he'll live through it. Witnessing Non having sex with his teacher when he has a boyfriend ? Now that's another story. That's a betrayal.

A betrayal of what, exactly ?

Of this goddamn image Jin had painted of Non. The same the audience was given to see prior to these events : Non was perfect and loveable and worth defending, an innocent, pure, helpless baby in need of saving. So when the illusion shatters in what society and especially BL culture hold as the worst action possible, people feel fooled. Stupid, if you will. And they turn their hatred to Non. Non lied to us ! He pretended to be good, dear god, to think I loved such filth ! My heart is so dirty now, ew.

But Non didn't lie. He lied to Phee, but that's it. Everything else was expectations and assumptions. Fail to meet them and suddenly everything is your fault. It's Non's fault for refusing to be dragged along in his own life anymore, Non's fault for lying in order to get some control, Non's fault for lying again not to lose Phee when caught by surprise, Non's fault for listening to Jin, Non's fault for resorting to use his only weapon to get out of a situation he was cornered in, Non's fault for being tricked into thinking any of the decisions he made regarding Keng were his own, Non's fault for everything.

He wanted to claim his life back and made a mistake, yes. He doubled-down on it when he realized it was too much for him to handle. He clung to it and did his best to keep it together. He dared not to be the perfect victim he was supposed to be ; to try when everyone knew he was bound to fail. And you know what, sometimes there's stuff that's someone's fault, consequences they didn't foresee, things they said, slips and falls, and they're still victims, just as much as they were before.

I believe that dealing with his debt himself is as important to Non as finishing the movie is. He's ready to be used and abused (by Keng in the former, the group for the latter) and to break his own heart, values, pride and sanity. He's the most resilient and dedicated character in the show to me.

But the world doesn't necessarily see it that way. So when Non realizes the mess he's made of everything, he fights Keng (who represents his desperate and violent search for complete independence) to reach for the bracelet he got from Phee. He wants help. He needs it. But he's not a victim anymore and any help is denied.

Both Phee and Jin later manage to reconcile their broken image of Non with the man he actually is. Too late to save him, but they still did. I have a hunch that things would have been different if Phee had beat up Keng and taken a crying Non in his arms, holding him tight while whispering none of it was his fault. But our moral compass fucked up, like the hurt kid he is.

What some people did by blaming and hating on Non is closer to the hateful comments he got on the video than Phee or Jin's reactions. They're far worse.

That's the big takeout. What if we stopped stigmatizing or idealizing sex ? What if we stopped demanding perfection and so-called purity for someone's trauma and status as a human being not to be negated ?

Anyway, here's a hug to Non and every victim who live in the paralyzing fear of a single slip. You can make mistakes just like the rest of us. You don't owe anyone perfection.

I'll end this rant on a bright, happy smile. I don't see a good ending for Non, but god knows he'd deserve it.

#I tried to structure it a bit #key word is try #I was angrily typing it and working with a word salad #I hope I didn't lose sight of my point halfway through #but whether I rambled on or not I needed to write it #cause I'm tired of people sorting victims out and choosing who gets respect and justice #and who doesn't #dead friend forever #dff the series #I spent too long on this gotta go shower now

[dropthedemiurge]

Love for Love's Sake | Things You Didn't Notice #9

(okay it's not an episode number this time i just still have many details to point out oops pls let me go)

I swear. I thought I'd stop mentioning small details because I already wrote like 10 posts on Tumblr translating and explaining all the cultural stuff regarding this show and the obsession is already becoming embarrassing, but I rewatched the last episodes again and I've got tiny. Little. Details. That I can't help but point people to once again. Because damn, the amount of thought put into this show!

(trigger warning: first part talks about suicide and depression, next ones are linguistic and cultural)

The Black Suit & The Sea

I would've asked Koreans I know about the significance of such symbolism but they are celebrating Seollal (New Year) today and I don't wanna ruin the festive mood asking about "how would people dress for suicide" x)

But after watching this scene, I recognized some strong parallels in Korean media depicting depression, suicide and one's decision to end their life. One of it is bridges and jumping (if you don't know what Bridge of Life is, ask me and I'll share, so this post wouldn't become too long) but another one is sea.

My interpretation - Koreans wear black suits to funerals, so if someone is headed to the sea in a black suit, it might mean this is the character's attempt to "have" their own funeral before finally ending their life. Why do I think this combination is somehow significant?

Because I remembered a music video one of K-pop artists I like (Kim Hanbin) made, after he experienced the downfall of career, extreme hate and rejection from the public, and severe depression. His whole album Waterfall tells Hanbin's personal story, dark thoughts and his battle to survive during the time when he was gone for 2 years, but in the music video for this album (illa illa) he is seen emerging from the sea in a black suit – metaphorically regaining his music and, most importantly, desire to live. Watch with lyrics!

If we think, this is how you depict suicidal thoughts/attempt in Korean media (of course, Love for Love's Sake was even more blunt in telling us the meaning), then Myungha wearing black suit wasn't just for the pretty or dramatic picture. More than that, we see him wearing the black suit for the whole last evening – especially when he goes to finally meet his mother.

Which tells us Myungha has already decided to disappear from this world, and was determined to do it on that day, and his mother rejecting him and pretending she doesn't know her son might not have been just the last straw... but it definitely could've been Myungha's last attempt to find anything in his life worth staying for, worth not going through with his plan.

Anyway, what a scary but beautiful symbolism.

Let's talk about something happier! More heartwarming!

Do you remember when we talked about the carefully placed movie posters in previous episodes? I payed more attention to the background this time when in Episode 8 Yeowoon ran to the cinema searching for Myungha in his world. And what an amazing discovery! When Myungha starts existing again and calls Yeowoon, the movie poster behind Yeowoon says "Guardian" (보호자).

And I already said in another post that Myungha in previous episodes admitted himself being Yeowoon's "guardian, protector" in the exact same word. But now this word is shown next to Yeowoon! As Yeowoon is the one who changed the main mission and has now declared himself Myungha's guardian and protector and will do his best to make him (his favourite pereson/bias/blorbo) happy. They have now both become guardians for each other. This. Goddamn. Show.

And I also want to shout out the VFX & Production team for this show – all the visual effects are very down to earth, gentle and not over the top but enhancing the series to the max. Like, maybe you wondered where on the screen does it say "Monday, August 14" and "Saturday, August 12"? Well, as expected, you see it on four monitor screens above the box office – the date, the ongoing movies (yep, still our favourite two fake movies) and available dates etc.

But when Yeowoon and Myungha agree to meet each other in the exact system time, they are facing each other without a barrier, and the screens are now counting down the time until the Game End. Instead of normally showing movies, like in the previous shot, it says "Time remaining: 3 hours, 23 minutes, 15 seconds". It was either done with VFX or practically, but still, the thought of incorporating system messages into the actual background is insane and I'm always happy to discover such details.

I don't know how many of you have motivational stairs at your schools, we definitely didn't have this but it's quite a popular thing in Korea. They put popular and uplifting sayings for students on each stair, sometimes they even quote motivational phrases from idols, like this:

And it's interesting that when system gets broken and Myungha is about to disappear, we see the deep cracks coming through the stairs, we see ruined school BUT at the same time the quotes in the show are so obviously in our focus. And they are already written (see screenshots above) in Korean and English, but I'll still write down: one is saying "Stay hungry, stay foolish" and "If you dream it, you can do it, you will succeed". So, perhaps... motivational quotes from sunbae?

And the last moment isn't heavy on translation but I still want to talk about it because cool Korean culture!xD You see the gang grilling meat on the roof (it's called samgyeopsal and it's very popular to have for gatherings), and then Myungha makes a "ssam" and feeds it to Yeowoon – but Sangwon steals it.

Ssam is a wrap, you grill meat then put it on the salad leaf, add other ingredients (like mushrooms, sauces, garlic, green onions etc, there are many side dishes) and then you wrap it in this sort of salad sack and eat it. It's very tasty and unusual combination. But the thing is! There is no way to make it for someone else and leave it on their plate so if you make a ssam wrap for someone and want to give it to a person, you literally have to feed them (like Myungha does with a very fond smile). This is why it's often seen as a romantic gesture (aka feeding someone from your fork etc) and why it's hilarious that Sangwon steals this ssam from Yeowoon (because he wants and he gets Myungha's affection and he's not above being a brat about it!)

I'm sure you can already sense it anyway without me telling you about romantic/close-friend implications, but I thought you guys might wonder why are the guys fighting over the salad leaf.

Another funny thing – Sangwon mentions "There's a saying, 'Don't scold dogs while they eat'". This is a Korean proverb "밥 먹을 때는 개도 안 때린다" ("You don't hit even a dog when it eats") which means that, no matter how annoying you find someone, no matter how angry you are, you can't scold this person while they are eating. Eating is a very important cultural thing in Asia, of course, so do not have arguments at the dinner :D But it's funny how Sangwon uses old proverbs to be mischievous and steal Myungha's love without consequences xD I adore him

I swear, this gotta be my last post about all the details in Love for Love's Sake. There is one more scene with the mirror and a caption, and I'm very curious if it means something because it was seen twice, during system breaking down scene as well, but it's either in Chinese or Japanese and I can't read it.

Anyway! Hope you enjoyed your everyday magazine, I love reading all your tags and thoughts and comments, and if you want to read all my previous translations and pointed out cultural details in Love for Love's Sake, go read this tag!=)

#love for love's sake comments #love for love's sake meta #love for love's sake #bl meta #korean drama #korean bl #bl series #love supremacy zone #myungha x yeowoon #tae myungha #dropthemeta #i love hyperfocusing on the show and have amazing community to go insane over it #i love reading all your comments guys #tw suicide #tw depression

[rocksanddeadflowers]

something I've been thinking about is how interesting it would be to see the goblincore/gremlincore/corvidcore type aesthetic to evolve into an actual subculture. obviously for starters we should change the name bc anything ending in -core just doesn't sit right with me? unless of course it becomes that "placeholder name turns true name" sorta deal but ANYWAY.

main three key elements I've noticed that tend to make up a subculture is: style/outfit presentation (the optional part), belief system, and music genre(s).

style and presentation: (like what you wear), that part is already obvious if you ever followed the aesthetic at any point. (it was trendy for a time I think, is it still trendy? bc idk if it is but that's not stopping me from loving it.) basically wearing majority earth colors like browns and greens, stuff like hobbit-esque cloths or sweaters and stuff. definitely LOTS of nature based themes or just wearing weird trinkets. gotta go for that "creature directly out of the chronicles of spider wick" type look you know?

with the clothes (and often interior design I've noticed, which my entire bedroom would probably fit the aesthetic actually) one thing I've noticed for most who are into the aesthetic is there is a LOT of DIY. also going out and collecting things you find (anything from mystery trinkets to dead bugs and sticks and rocks, which I grew up doing and would call myself a tinker bc I made stuff out of what I found very often).

belief system: I feel like, above all else, beliefs commonly held among people in this aesthetic is to respect and be in nature, as well as do not waste, reduce and reuse. a lot of environmentalist like stuff, as well as seeing and respecting the beauty of nature, from butterflies and flowers to dirt and corpses. I don't have a solid concrete answer for belief system, but hopefully that sums up my view on it.

music genre: folk/folk punk, fantasy DND type genres, and nature based lyrics and vibes. from my experience and digging around, there's less artists who catch the vibe of this aesthetic all around (bc that's not what they're trying to do), and moreso having a couple or handful of songs that fit so very well. unless of course it's a genre of music that is enheritly matching to this aesthetic.

anyway, I'm not great at explaining the music aspect of it, but I feel like if it's magical and yet sorta punk-like that can work. no limits here yet, I have a playlist on my youtube that definitely pushes the boarders but who cares? the thing has celtic woman and httyd score on it. I just think if this evolved into having music for the genre (idk if we could call it a music based genre since it didn't start that way but I mean overall having a genre of music dedicated to this aesthetic-turned-subculture) it would be really interesting to hear what comes of it.

circling back for a minute, I feel like punk comes hand-and-hand with a couple of things here, but specifically mainly eco-punk. like diy, reduce and reuse, etc. as well as the music, while not deeply punk still feels like it would have a punk undercurrent.

I also think this could parallel well with goth, with the dark romantic sorta stuff. the music and belief system having love and adoration for the strangest and darkest aspects of nature, similar to goths seeing beauty in the darkness and creepiness of the world.

if anyone actually read this I would LOVE to hear your thoughts on my little rant (suggestions for bands/musicians and similar subcultures/subculture parallels are very encouraged) bc I grew up doing pretty much everything within this aesthetic long before I knew it was a thing or maybe even before it was a thing. that isn't meant to be gate keepy. I mean that when I found out just how many other people liked and did the same things as me, it was just so cool. so I just really wanna talk to people about this and I think something like this aesthetic could easily become a subculture one day.

#i am ALWAYS open wanna talk about this style in general #nature based stuff is very important to me pls feel free to reply or reblog with literally any positive points #goblincore #gremlincore #corvidcore #crowcore #nature #alternative subcultures #alt subculture #goblin aesthetic #goblin vibes