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#but in the end they are only humans who for most of the stories are children
thankskenpenders · 3 days
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The Knuckles show
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The announcement of a live action Knuckles streaming miniseries was surprising, to say the least. I mean, what would such a show even be about in a version of the Sonic universe with no Angel Island and barely any characters from the games around? Is he gonna go treasure hunting with the gang from Montana or something? Would a streaming miniseries have the CGI budget to squeeze in any new game characters, even briefly? Rouge? Amy? At least one member of Team Chaotix? Anyone?
Now the show is finally out, and it turns out what they actually made was a comedy show about bumbling deputy sheriff Wade Whipple, the minor comic relief character played by Adam Pally who you might not even remember all that well from the first two movies, with Knuckles as his sidekick. While, yes, Knuckles does get a decent amount of screentime and opportunities to punch bad guys and do cool moves from the games, large stretches of this show focus on Wade's personal life, to the point that a couple times I almost forgot I was watching a Sonic-related show. If you're judging it purely by the metric of how well it adapts and engages with its source material, this surely must be one of the worst adaptations the Sonic franchise has ever seen.
So then, despite some huge complaints... why do I kinda like it?
(This will contain full spoilers for the Knuckles show.)
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A brief summary of what the show is actually about because I know half of you aren't going to watch it
The show picks up not too long after the end of the second movie. Knuckles is now living in Montana with Sonic, Tails, and the Wachowskis out of a sense of debt to them, though he doesn't really see it as his home. He doesn't feel like he belongs on Earth, and his life currently lacks direction. After communing with the ghost of Pachacamac, though, Knuckles is instructed to keep his culture alive by teaching "the ways of the echidna warrior" to a new apprentice: deputy sheriff Wade Whipple, who's currently more concerned about winning a bowling tournament in Reno than anything else.
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Things are complicated by the interference of two rogue GUN agents - Agent Willoughby, played by Ellie Taylor in a bad wig, and Agent Mason, played by Kid Cudi. (Yes, the artist behind the second movie's credits song is one of the bad guys in this.) They want to steal Knuckles' power and sell it to a former associate of Robotnik's played by Rory McCann (The Hound from Game of Thrones), who now works as a black market arms dealer. Yes, they're still doing the thing where Sonic and friends' quills radiate some kind of super-energy that the bad guys all want. No, I don't particularly love this element of the Paramount Sonic continuity. Anyway, they go after Knuckles and Wade, complicating their straightforward road trip to Reno. Antics ensue.
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The Wade show
So here's the thing. While the first episode focuses largely on Knuckles, the entire rest of the show is very much the story of Wade, and by extension the other original human characters invented for this miniseries.
Episode 2 is about Wade having to rescue Knuckles from captivity after the GUN agents get him. Knuckles spends most of the episode in a cage.
Episode 3 is about introducing Wade's Jewish family, including his slightly overbearing mother and weird sister, so that Knuckles can learn about their family traditions and have Shabbat dinner with them (and then save them from bounty hunters that the GUN agents hired).
Episode 4 only features Knuckles at the very beginning and very end of the episode, probably for less than a minute total. Wade is captured by a bounty hunter he personally knows, and Knuckles decides to let that be a trial for Wade to overcome on his own.
The last two episodes feature the climactic showdowns with the GUN agents and their arms-dealing ally, who comes in with a mech for the obligatory final boss fight. You'd think this would be Knuckles' time to shine, but really, these episodes are mostly about the bowling tournament in Reno where Wade encounters his estranged father, wrapping up his own personal arc. While Knuckles does get some fights, a lot of the finale is spent on lengthy bowling scenes where Knuckles isn't in the room or even mentioned. It frequently feels more like a spiritual successor to '00s sports comedy movies like Dodgeball, Talladega Nights, or Blades of Glory than it does a part of the Sonic franchise, and the presence of ESPN 8: The Ocho commentary in the finale only drives those Dodgeball comparisons home. They get so immersed in the bowling stuff that it's genuinely hilarious when the show suddenly pivots and remembers "oh shit we still need to do the final boss fight"
Throughout all this, Wade is the protagonist. He's the character we spend more time with, he's the character who drives most of the major events, he's the character who gets more of an arc. The emotional core is Wade's journey. Knuckles is still present - sometimes, at least - but he's there as Wade's wingman, and also just as the excuse for there to be some fight scenes.
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How much Sonic stuff is actually in this show?
Honestly? Not much.
Sonic and Tails are only in the first episode. Sonic gets some good scenes, but Tails gets a grand total of five lines. I counted. Unsurprisingly, Jim Carrey is absent as Robotnik, though he does get mentioned a fair bit. (For that matter, basically the entire established human cast beyond Wade is absent, even including Tom, though Maddie is there in episode one.)
GUN is involved in the story, which helps it feel slightly more connected to Sonic, but it kind of feels like it's GUN in name only. They don't use any recognizable GUN tech, and they don't call in the military. It's just two agents in suits. They might as well be the Men in Black.
The Master Emerald is mentioned as something Knuckles has to guard, but it's never seen. Angel Island is pictured as a drawing during the show's intro, appearing exactly how it does in Sonic 3, but it's never referenced at all beyond that.
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I guess the climax taking place in and around a Reno casino is a reference to Sonic's many casino-themed levels. That's something. I'll give them that.
Oh, and if you're wondering if this is the point where we finally start to get actual music from the games: no, it's not. The soundtrack consists of a lot of '80s needle drops, many of which are generic Hollywood picks like "Holding Out for a Hero" for the billionth time, thought it at least has some slightly less obvious picks than the Mario movie. The theme song is '80s rock song "The Warrior" by Scandal. You'll hear it many times. You'll hear the Adventure era Knuckles raps zero times in this. You'll briefly hear classic A Tribe Called Quest song "Can I Kick It?" before Knuckles takes the question too literally and breaks the radio in Wade's car.
Beyond a handful of surface level references for nerds (one of which is admittedly wild - we'll get to that), this is probably the least an officially licensed adaptation of Sonic the Hedgehog has ever tried to actually engage with its source material. I struggle to think of another Sonic adaptation that has less to do with Sonic. For as much shit as I and countless others have given Penders for seemingly ignoring the content of the games in favor of building his own convoluted mythos, his Knuckles comics honestly included way more elements from the games than this show does.
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Somehow, the one new(-ish) Sonic character introduced in this is the ghost of Pachacamac of all characters. Not even Tikal! Pachacamac! A very minor character nobody has particularly strong feelings about! You can't even use the excuse that they already had the character model, because they completely redesigned him compared to his cameo in the first movie to better match his Sonic Adventure design. And he's voiced by Christopher Lloyd! Honestly, so many of his lines are strained that it sounds like he's on death's door here, but then he'll surprise you with a more casual line like "just do it, man" and it catches me so off guard that I can't help but laugh.
Pachacamac here has basically nothing to do with the game character he takes his name and appearance from. Where the game character was a cruel warlord who kicked off a 3000 year cycle of violence, Paramount Pachacamac is now just this chill old man who gives Knuckles (and later Wade) advice in two episodes of the show. Hell, he also feels completely disconnected from his established role in the movies, where he's literally the guy who shot Longclaw. The show will not grapple with this contradiction at all. He's just here to be a thing fans like me will recognize from the games. Again, if that's all they wanted, it's kind of baffling that they didn't just use Tikal.
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I don't love Knuckles in this
But what about Knuckles himself? Well, he doesn't feel all that much like Knuckles to me. Ironically, he sometimes feels like one of the weaker elements in his own show.
Back when the second movie came out, I noted that Knuckles' characterization seemed to be pulling heavily from MCU Thor as a gallant warrior from an archaic alien culture who doesn't really understand modern day Earth stuff. That worked for me in that movie. It was just there for spice. Just a little extra flavor for the character in what was otherwise a very faithful adaptation of Knuckles' storyline in Sonic 3 & Knuckles. Without those familiar elements grounding him and with a much higher reliance on comedy, Idris Elba's Knuckles becomes a pretty one-note character in this.
In damn near every scene with Knuckles, he's going to say something about being a proud, honorable echidna warrior, or brag about his glorious feats of strength, or be confused about some Earth thing and call it sorcery, or act like every other character is also a member of some noble warrior clan. He still has his moments for sure, but this schtick kinda gets old fast, and it just doesn't feel like Knuckles to me. His entire character feels derived from the scene in the diner where Thor smashes the cup on the ground and goes "Another!" Sure, I can picture game Knuckles smashing a radio to turn it off and being a little too gung-ho about busting holes through walls. That's Knuckles behavior. But building a barbarian combat pit in the living room so the Wachowski family dog can fight the mailman? Nope. That's some other guy now. It really does just feel like them taking a broad character archetype from something popular that kinda sorta fits Knuckles and just running with that, rather than trying to actually adapt the character.
Oh, but don't worry, he wears the OVA hat for like two minutes! AND he loves grapes! See, Sonic nerds? We read the wiki! That's his favorite food! Grapes! This is gonna come up like five times!
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Knuckles kind of gets an arc here, but not as much as Wade does. I think the stuff about him starting to feel at home on Earth thanks to Wade's mom and the way he connects with their Jewish family traditions is oddly sweet. This arc is kind of let down, though, by the fact that Knuckles' heritage is treated as a complete joke. He's a cartoonish pastiche of various historical warrior cultures stuck together in a blender and used mostly for comedic effect. When Pachacamac's ghost appears, he's reading a newspaper and bemoaning the fact that the Mets lost again. This is not the place for a serious examination of Knuckles' feelings on being the last of his kind.
This is far from the only time the show undercuts itself with its jokes and attempts at self-parody. In the first episode, for instance, Knuckles clashes with GUN Agent Mason and his tech-enhanced punches, leading to an extremely on-the-nose inversion of the "Do I look like I need your power?" scene showcased in the trailer for the second movie. Except this time, Agent Willoughby butts in and points out how stupid that line is in this new context, since they're literally trying to steal Knuckles' power. The fight can't just be cool, they have to get cute with it. A lot of stuff like that happens in this show.
Given all these complaints, the first two episodes left me thinking I'd be fairly negative on this show overall. This seemed like the version of the show from the fandom's collective nightmares, one that undoes all of the progress the movie series seemed to have been making towards faithfulness to the games. Like, just look at these cast posters. Is this what you want out of Sonic? Do these excite you?
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But then, something strange happened. Over time, I just kind of let the jokes and shenanigans wash over me and basked in how fucking weird this show is.
And I started to actually enjoy it.
Look. The Wade & Knuckles Show was never going to be peak Sonic. But that sure as hell doesn't mean it can't be entertaining.
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This show is so fucking goofy
Here's the thing.
The show is funny.
Unlike a lot of other people, I didn't hate all the wedding stuff in Hawaii in Sonic 2, because I thought a lot of it was funny, both in its actual jokes and in the ways in which they tied everything back to Sonic. Tom looking wistfully at some bodybuilders doing Top Gun shit and spraying each other with beer and being like "I wish Sonic had that" is weirdly funny. The twist that those muscle bros are all agents of the newly formed GUN, who orchestrated the wedding as an elaborate scheme to catch Sonic, is funny. Mr. Olive Garden becoming the fucking GUN Commander is VERY funny. Are any of these elements of my dream Sonic movie? No, of course not. But my dream Sonic movie was never gonna happen in live action.
The Knuckles show follows up on the comedy of the previous films by being probably the funniest live action Sonic release yet. Did every joke land for me? God no. There are some stinkers in there that made me roll my eyes. But enough of them landed that it worked out for me overall. A big part of this is the fact that they've got a good cast of actors and/or comedians here.
Adam Pally is funny as Wade, and I found myself liking him more and more as a character as the show went on. He becomes an oddly endearing loser, with some sweet moments in his personal arc that made me feel for the guy. I like Wade more than Tom now, thanks to this show. I will now be happier to see Wade in Sonic 3 than I would have been previously.
The supporting cast is frequently great, too, many of whom are playing completely cartoonish, over-the-top characters. They took a cue from how exaggerated Carrey's performance was as Robotnik and decided to just abandon all pretense that this is the real world. Stockard Channing as Wade's mom is funny, and carries some of the more sincere parts of the show. Cary Elwes as Wade's very British dad who abandoned him as a child to run off and be the world's most egotistical professional bowler is funny. Edi Patterson as Wade's sister Wanda is... well, she's kinda trying too hard, but she has her moments. The Mighty Boosh co-creator Julian Barratt(!!) as a scenery-chewing bounty hunter, who was also somehow Wade's former best friend and bowling partner, is VERY funny. I love this guy.
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(Honestly, they should let more people who were on Garth Marenghi's Darkplace be in Sonic stuff. Where's Matt Berry)
This is kind of a stacked cast for a bunch of stupid side characters in a live action Knuckles show! And honestly, that just makes it funnier to me. Even when they're not funny, the fact that this exists makes it funny. They somehow convinced Paramount to give them a bunch of money to make a spiritual successor to Dodgeball about a schlubby guy who wants to beat his dad at a bowling tournament... except also Knuckles the fucking Echidna is there as his personal life coach. My life is richer for the fact that I can say that sentence. I think about all the little kids who are probably watching this show this weekend, going in expecting a show about Knuckles the Echidna and having to sit through extensive bowling scenes and lore about Wade's family, and sorry kids, but I just have to laugh. Wade isn't even on the poster! The poster is just a picture of Knuckles!! They punked those kids!!!
In a franchise where every single aspect is so carefully micromanaged these days, it feels truly special to get an adaptation this bonkers. It frequently appeals to the same part of me that enjoys the fact that there's an officially licensed Knuckles comic in which Charmy Bee's best friend (also a bee) dies of an accidental LSD overdose from a drug-laced chili dog. Or like, everything about the original 1993 Super Mario Bros. movie. Or the fact that they made seven direct-to-DVD sequels to Alpha and Omega, one of which is half a retread of the adventure from the first movie (with more annoying supporting characters in tow this time) and half a literal clip show of the first movie. The sheer absurdity of the fact that these things exist is charming to me. Except, with the Knuckles show, it has the added benefit of frequently being funny on purpose! This is why I'm not sure I'd call it "so bad it's good." Like, it's not amazing, but there were a lot of parts that I enjoyed in the exact way I was supposed to enjoy them.
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Look. Here's a list of real lines of dialogue from the Sega-approved Knuckles the Echidna streaming show that they're billing as a pillar of the Paramount+ lineup, to drive this point home. Let these marinate for a minute:
"I only eat grapes, and Cool Ranch Doritos™."
"Annihilate this little girl, Wade. Crush her spirit. Humiliate her so badly her parents won't even look at her again." "Doesn't that seem like we're going a bit far?" "Not far enough."
"So is he Jewish?" "Half, I think."
"I had a friend who when he listened to Alien Ant Farm he could lift a Toyota Corolla over his head."
"I'm in dire financial straits. Due to my lawsuit against an unnamed rainforest-themed restaurant franchise, I don't have two pennies to my name."
"We're here in sunny Reno, Nevada, which is so close to Hell you can smell the sparks."
"You can't threaten me with your Jewish karate chops because I am a federal agent."
"I will say, regardless of how you feel about child abandonment - and I'm against it! - the deals at TJ Maxx can't be beat."
This is a Sonic show in which they got Paul Scheer and Rob Huebel to appear as ESPN 8: The Ocho commentators.
This is a show where Wade's mom insists upon pronouncing "Knuckles" with the throaty Hebrew "ch" sound, and declares that Knuckles is basically Jewish. Later, they watch Pretty Woman together while enjoying a nice slice of key lime pie. Knuckles comments: "I don't understand. This young streetwalker with a heart made of gold, why do the others treat her with such disdain? Is it so wrong to walk the streets?"
This is a show where the fourth episode is directed by one of the guys from The Lonely Island and features a hallucinatory low budget rock opera stage musical put on by the ghost of Pachacamac. It recounts Knuckles' life story, with Wade playing Knuckles and the "evil" Longclaw played by the bounty hunter guy who's played by the Mighty Boosh guy.
Look at this.
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And also, Knuckles' singing voice is provided by Michael Bolton, which they proudly announce in the middle of the musical.
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And also...
Also...???
IBLIS IS IN IT????????????
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Yes, Iblis!
From Sonic '06!!
Knuckles is said to have looked for a mythical power called the "Flames of Disaster" to avenge his clan, which ended up being the power that was within him all along that lets him do fire punches yadda yadda yadda. As part of this, he apparently fought Iblis off-screen at some point, as conveyed with the giant singing papier-mâché Iblis in the musical.
...Then Iblis sings about hitting up Facebook Marketplace
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How? How does any of this exist? Why reference '06 of all games? How did Iblis get into the live action Sonic movie universe before Amy and Metal Sonic? Why are they using Iblis and the term "Flames of Disaster" in such a goofy way that completely disregards their original context?
I don't know. I don't know how any of this happened. But I love it. We got a Knuckles miniseries in which Michael Bolton sings the phrase "the Flames of Disaster." The world is a beautiful place sometimes.
Some people will tell you to skip episode four. "Knuckles is barely even in it," they say. "It's dumb and pointless," they say. "They clearly just ran out of special effects budget," they say. These are people whose opinions you should disregard. The episode with the least Knuckles in it is somehow the most entertaining episode of the show. I would, in fact, go as far as to say that if you only decide to watch one episode of the Knuckles show to see what goofy bullshit they get up to, it should be this one.
I cannot be mad at this show. It's so dumb, but it completely owns the fact that it's a dumb and unnecessary spinoff. Inferiority is baked into its very DNA. It's very self-consciously redoing the premise of the first movie, but stupider. It's about The Other Cop from the movies, instead of the competent one. Instead of being into a "cooler" sport, his life revolves around professional bowling. Instead of going to Vegas, he goes to Reno. Even his tragic backstory that shaped his entire life sucks. He was abandoned by his pro bowler dad in a TJ Maxx. Not even a nicer department store. A fucking TJ Maxx. This whole show is a Dril tweet.
They put a ton of effort into making it dumb in an occasionally spectacular way. So much effort was put into that joke rock opera that fans will just write off as stupid filler. They put their whole pussies into it. This is not a poorly made show. This has better production values than half the shit made for Disney+. This was made with love. Maybe not as much love for the Sonic the Hedgehog series of video games as we'd like, but it's love nonetheless.
Maybe this show broke me and these are the ramblings of a madwoman. Maybe I'm just really nostalgic for the '90s and '00s comedy movies all the Wade stuff is modeled after. Maybe the Alan Wake fan in me just really loves it when a story pivots to a silly rock opera for no real reason. I won't discount any of these possibilities. This isn't high art. This isn't something I would recommend to anyone with zero interest in Sonic, and it also isn't going to sway Sonic fans who hate the Paramount universe. I really can't blame them for being bewildered by this show. But for a specific type of person, this is the absurd three-star Sonic-adjacent comedy miniseries of your dreams. It's a mid masterpiece.
Again, I just have to step back, realize the fact that this shouldn't exist, and smile. Sega's too afraid to do stupid bullshit with the franchise like this these days. And I can't blame them, after years of Sonic being a treated as a laughingstock. But part of me misses some of the goofy shit. No matter how much I tore some of the Archie comics apart as I was reading them for this blog, I just look back on stuff like Cal and Al or the Many Hands issues and laugh. And that same part of me looks at this show about Knuckles being the sidekick to this fucking guy, and just goes...
"We're so back."
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In conclusion, I genuinely think this was a more enjoyable TV show than Sonic Prime.
I wouldn't go back and rewatch Sonic Prime anytime soon, aside from maybe, like, a couple of the Shadow-heavy episodes. Huge stretches of that show bored me to tears. The writers squandered all of that show's potential. But I would rewatch the Knuckles show, which takes a terrible premise and has a lot of fun with it, in a heartbeat. Even the bowling parts. The bowling scenes in the Knuckles show are more engaging than 70% of the fights in Sonic Prime. I am not trolling. I mean that sincerely, with all my heart. Don't @ me.
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Stray observations
There is effectively zero meaningful setup for the third movie in this, unless Wade's family or the two GUN agents come back or something. Project Shadow is not mentioned in this. There is no secret post-credits scene with Gerald
The CGI in this is pretty good. Not quite on par with the movies, but pretty good. Sonic's weird forehead wrinkles are distracting in his scenes though. Please fix that
I wouldn't say I liked this as much as the second movie, which obviously gets a ton of points for, you know. The Cool Sonic Shit. But I had more fun with it than the first movie, which I still feel is a painfully generic family movie that was only saved by Tyson's redesign
"Grapes are an interesting choice for someone who doesn't use his individual fingers."
Agent Willoughby was apparently the one at GUN who had to buy the Olive Garden gift cards and set up the fake wedding. Her origin story is that she hated doing shit like that and wanted to go fight aliens
This miniseries contains another Keanu namedrop because Wade's childhood bedroom has a Speed poster on the wall. I swear, if Sonic doesn't say Shadow sounds just like Keanu...
Knuckles is familiar with Paul Blart Mall Cop
Near the end the ESPN 8: The Ocho commentators say that the 1974 Reno bowling championship was also interrupted by an extraterrestrial, and given that was exactly 50 years ago I can't write off the possibility that that was Shadow. Please for the love of god give us a sequel series after the third movie where Wade takes Shadow the Hedgehog bowling. I need this more than I need air
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joelsgreys · 1 day
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a safe haven l ten
Post Outbreak! Joel Miller x Female Reader
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series masterlist l previous chapter l next chapter
summary: After a long night, Joel and Ellie take you home.
warnings/tags: 18+ ONLY, MINORS DNI. (TW) THIS CHAPTER CONTAINS MENTIONS OF DOMESTIC VIOLENCE, MENTIONS OF AN INJURY SUSTAINED FROM AN ACT OF DOMESTIC VIOLENCE, PREGNANCY, CONVERSATIONS SURROUNDING PREGNANCY LOSS . PLEASE HEED THE WARNINGS. Ellie and reader are very close to each other, Joel deals with feelings of guilt, Joel and Maria make nice, Joel gives reader a bath and washes her hair, food consumption (i am just gonna apologize to my lactose intolerant folks right now, trust me i must pretend with you), both reader and Joel have some big feelings, reader mentions her deceased father, angst, soft and domestic Joel, fluff.
word count: 5k
a/n: i have not updated this series since october. :l i feel a a mixed bag of emotions updating after all this time, but most of all, i am grateful to know there are a couple of people out there who are still invested in this story. to anyone who has been waiting: truly, it means the world that you have shown me patience, support, and kindness. believe me, i am going to be seeing this story to the end, and it is all thanks to those who continue to show this lil story of mine a whole lotta love. special shoutout to the loveliest human @mrsmando who made me this beautiful mooodboard every single time i got stuck during this chapter, i looked at it and it gave me the boost of inspiration i needed. thank you mimi <33 this chapter is fairly tame, the next chapter is already in the works, and there are a couple of time jumps coming. overall, we are down to the last handful of chapters. let’s finish this story and give these two the ending they deserve, shall we?
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“What the hell is taking Tommy so fucking long?” Ellie whines. She’s sprawled out on the couch with her head in your lap, and her arm draped over her eyes. Her feet are hanging, dangling over the edge of the couch at an odd angle after you’d warned her not to get muck from her sneakers on the linen fabric. Despite Joel insisting over and over that she head on back to the house, she had stubbornly refused, not wanting to leave your side. “It’s been over two hours! He’s taking fucking forever, man. What’s the fucking hold up?”
Joel bites back a sigh, masking his own impatience. Or at least, he tries. He’s grown just as restless as the kid, if not more. Much like Ellie, he’s desperate. He’s itching to take you home already, almost too anxious to watch you take that first step over his threshold, and into your new life with him and with Ellie. He aches, aches, to get you settled into the place where you would be spending the remainder of your days with one another, where you would be safe, and loved in the way you deserved to be loved—the place where he would cherish and adore you until his final breath.
“Don’t know,” he answers, his voice sounding rougher, more gruff than usual. Reaching up, he scrubs his hand down the side of his face, adding tiredly, “He might be a while longer, kiddo. It could be another hour, could be more. Like I already told you, s’probably best if you just go on and head back to the house without us, alright?”
“No. I’m not walking out that fucking door unless she’s with me.” She pauses and pulls her arm away from her face for a moment, just long enough to throw a teeny glare his way. “Unless you’re both with me. The three of us go home together, or it’s no fucking deal. Got it?”
He shakes his head in utter exasperation.
“Ellie, we’ll be right here down the fuckin’ road—”
Her hand shoots out and she flips him off.
Just when he’s about to chastise her, he stops himself, clamping his mouth shut. It’s pointless.
Kid’s too goddamn hard headed for her own good, and Joel knows he’s just wasting his breath with her.
“I’m sure he’ll be back soon,” you reassure them both, weaving your fingers through her hair to scratch at her scalp in an effort to soothe her. “Right, Joel?”
He meets your exhausted, worn down gaze from where he’s standing across the room, and his heart lurches in his chest. As the guilt begins creeping in, he’s forced to look away. He can’t imagine the living hell you had been through over the last twenty four hours alone. And the worst part about it was the realization that last night, while he was fast asleep in bed just a couple of houses up the road, that fucking bastard had his belt wrapped around your throat.
Joel feels sick to his fucking stomach all over again.
Horrifying, vividly real images of you helplessly trapped underneath Luke scratching and clawing at the leather around your neck with trembling fingers, struggling to breathe oxygen into your burning lungs as he tugged it tighter and tighter through the buckle flash in his mind, a gruesome nightmare turned into reality.
Exactly how far had Luke taken it?
Until you had grown too weak to keep fighting?
Until you almost lost complete consciousness?
Until he noticed the life threatening to leave your eyes?
Is that when he had finally stopped pulling on the belt?
Joel shudders, a bitter taste climbing up his throat as it sinks in. He could have lost you—and his unborn child.
This shouldn’t have happened.
He shouldn’t have let you walk away that night.
This wouldn’t have happened if he hadn’t let you walk away from him that night.
“Joel,” you say his name, quiet and weary.
His head snaps back in your direction and he glances at you, almost missing the subtle shake of your head. It is a silent warning telling him not to go there, though you know by the tight clench of his jaw it’s too late for that.
Joel makes the futile attempt to hide it, but he sees it written all over your face—you know what he’s thinking because you know him like the back of your own hand, and you just know he’s placing all of the blame for what happened to you on his own shoulders.
But can you honestly fault him for that?
How can you expect him not to feel like he is somehow responsible for this? Just how the hell is he supposed to make himself believe he hadn’t failed you?
Joel promised—he had fucking promised you—that he wouldn’t let anything bad happen to you. He had sworn to keep you safe, made a vow to protect you from Luke, but here you are, your soft, delicate flesh marred with the painful evidence of yet another one of his failures.
And it was all because he had let you walk away on that fucking night.
He should have done something.
Even if it meant running the risk of you never speaking to him again—even if you never forgave him, spent the rest of your life angry and hating him for going against your wishes. He should have something.
“Joel—”
“Be right back,” he mutters, lightly shaking his head.
Shoving away from the doorframe he’s leaning against, Joel pivots on the heel of his boot and starts down the hallway. He walks into the kitchen where he finds Maria standing at the counter, tapping her fingers against the smooth, laminated oakwood as she waits for the coffee she’d offered him a few minutes ago to finish brewing. She’d offered to whip up a quick supper, but food was the last thing on everyone’s mind.
“Tommy’s been gone for a couple hours now. Girls are startin’ to get real tired of just sittin’ around waitin’ for him to come back,” he tells her, exhaling the sigh he’d held back in the living room. “What do you think could be keepin’ him so long?”
With her back still to him, Maria reminds him, “Well, he did mention he was going to round up the council and get them together for an emergency meeting.” She lets out a sigh that matches his own—it’s been a long night for her, too. When the last drop of dark roast drips into the glass pot, she carefully takes the pot by the plastic handle and pours the steaming coffee into a speckled, white and blue ceramic mug. “Do you take it with milk and sugar?”
“No thanks, that’s alright,” he declines as politely as he can.
“I also have cinnamon if you’d like?”
“Plain black’s just fine.” He gives her a nod of gratitude when she hands it to him. “Thank you. And I don’t just mean the coffee, but for, uh—for bandagin’ up my hand for me, too.” He clocks the brief look of surprise on her face and almost laughs. He doesn’t blame her for being taken aback, because truth be told, so is he. Since he’d met Maria, he had known she didn’t trust him as far as she could throw him. There was something of a mutual understanding between them, a silent agreement they had made to keep each other at arm’s length, to only interact when it was absolutely necessary.
Never did he think he would be standing in her kitchen, thanking her for patching up his hand, and for making him a cup of coffee out of the kindness of her heart.
His brother wouldn’t believe it.
“Don’t mention it.” Crossing her arms over her chest, she leans back against the counter. “How’s it feel, by the way?”
“S’fine,” he replies, shrugging. “Nothin’ I can’t handle.”
There’s a momentary silence. A taste of tension lingers over their heads, and he knows at one point or another, he’s going to have to address the affair, the very reason everything had unfolded in such a terrible manner.
Guess now’s as good a time as fuckin’ any, he thinks to himself with an inward sigh.
Joel lightly clears his throat. “Listen, since we’ve got a minute alone, just the two of us, I was wonderin’ if, uh—if we could talk ‘bout somethin’? If that’s alright?”
“Of course.” Maria gives him the floor.
“I know that she—” Pausing, he shuffles from the heel of one boot to the other, his ears burning hot. He had known it wouldn’t be an easy conversation to have, but he underestimated just how uncomfortable it would be, regardless of what she already knew. “I know she told you and Tommy all ‘bout us, and ‘bout our relationship. See, the thing is, the first time I saw her—”
Again, Joel stops, the burning sensation now radiating, spreading from his ears to his face and down his neck, flushing his skin a deep, deep shade of pink. Unable to meet his sister in law’s gaze, he glances down into his mug, as if he will somehow find the right words to say somewhere in the depths of his coffee.
“It was never my intention, y’know,” he finally says after a minute. “Goin’ after a married woman. I swear, I never meant to fall for her. I just fuckin’ did. I think I might’ve fallen for her long before I even met her,” he confesses. He feels himself darken to a shade of maroon under her curious stare. “And somehow, for reasons I ain’t all too sure I’ll ever understand, she fell for me too.”
Maria raises an eyebrow at him. “Look, I’m not judging you, Joel,” she assures him, shaking her head. “If that’s what you’re thinking. I’m not judging her, either.”
He looks up at her, blurting out, “You’re not?”
She moves her hands to cradle her swollen middle. “Do I wish you two had handled everything differently?” she answers her own query with a nod of her head. “Oh, I’m sure we all do. But I’ve known her for a long time now. I know the kind of woman she is. And I’m starting to see the kind of man you are.”
“And what kinda man is that, Maria?”
He waits without the slightest clue as to what she could possibly say.
“Since you came back to Jackson, I’ve chosen to keep my distance from you—but make no mistake, I’ve been watching you like a hawk since day one. Waiting for any signs of trouble. Waiting for you to fuck up. Waiting for you to give me a good reason to throw your ass out of this community because I didn’t trust you. Not after all the things I was told about you.”
He snorts. “You goin’ somewhere with this?”
“You are not who I thought you were,” Maria admits, smiling wryly. “I’ve gotten to see a different side of you. You pull your weight around here by doing your job and doing it well. You stay out of trouble—for the most part. And more importantly, I have seen the way that you’ve stepped up to be a father figure to Ellie. It takes a good man to do that, Joel.”
“Think that’s the nicest fuckin’ thing you’ve ever said to me,” he muses, setting his mug down on the counter. “I stepped up because I love her. I love them both. Those two, they’re the best parts of me. They’re the reasons I keep goin’ and now I’ve got another reason on the way.”
Maria smiles, but it vanishes as quickly as it appears.
Catching her hesitance, Joel asks, “What? What is it?”
“What comes next is not going to be easy,” she warns him, lowering her voice. Even with the living room a fair distance from the kitchen, she doesn’t want to run the risk of you overhearing her. “For as hard as we’re going to try to contain the fire, it will spread, and everyone in this town will find out about everything—including the affair. People are going to talk, and believe me, they’re going to have a whole lot to say about it, Joel.”
He can’t help but roll his eyes at her.
“Think I can handle some fuckin’ gossip, Maria.”
“I know you can. But I’m not sure if she can,” Maria tells him, quietly. “It worries me. She’s been through a lot in just one night alone. I don’t want her stressing anymore than she already has. She is in a very delicate stage of her pregnancy right now, Joel. If she’s not careful, she could have a miscarriage. She had one about two years ago when her father became sick—” Observing his lack of a reaction, she realizes, “You knew that already.”
“Yeah,” he sighs. He knows where she’s going with this. “I did. She told me ‘bout it.”
“It makes her chances of having another one higher—”
Joel doesn’t even allow himself to think of it happening to you again. “I get it,” he interjects, trying not to sound too curt. “I’ll make sure she takes it real easy, alright?”
Lifting a hand off her belly, she reaches out and takes a hold of his forearm, gripping it tightly.
“Promise me something, Joel. Promise me that you’ll look after her,” Maria pleads him, gently. “Please. After everything she’s been through—I need you to promise me that she’s going to be in good hands with you.”
He nods. Without thinking, he places his hand over hers in an unexpected token of affection and reassurance. “You have my word, Maria. I’ll take good care of her.”
She gives his arm a grateful squeeze, then glances over his shoulder at the clock on the wall. “It’s getting pretty late. We don’t know how much longer Tommy’s going to be with the council. Why don’t we just go ahead and call it a night?” she suggests. “We can all get together first thing in the morning at your place to talk about it.”
“Yeah, good idea,” he agrees. “She really needs to rest.”
Maria gives his arm another squeeze. 
“Go on then, Joel. Take your girls home.”
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“Finally!” Ellie exclaims with a dramatic flail of her arms as she shoves through the front door.
“Alright, kiddo. Get your behind upstairs and into the shower,” Joel instructs her, flipping on the lights in the foyer. “Y’smell like fuckin’ horse shit.”
She lifts the collar of her shirt to her nose, takes a whiff, and makes a face. “Yeah, I won’t argue with you there,” she mutters. She toes off her dirty sneakers and leaves them beside the door before dashing up the staircase, taking two steps at a time.
He shouts after her, “And don’t use up all the hot—”
“Yeah, yeah, I fucking know the rules, dude!”
Moments later, you both hear the shower going.
“Little shit,” he grumbles.
You exhale an amused huff through your nose.
Joel withdraws his arm from around your shoulders and reaches for your hand, lacing your fingers together. “C’mon, darlin’.” He guides you up the stairs and down the hallway into his bedroom where he switches on the light before proceeding to lead you over to his dresser. “I’ve got a bunch of shirts in this top drawer here,” he says. Dropping your hand, he pulls it open for you and gestures to it with a jut of his chin as he takes a step backwards, moving out of the way. “Go ahead and pick one to sleep in tonight. Want you to be comfortable, so help yourself to whichever one you want, sweet girl.”
Nodding, you begin to rummage through the drawer, unaware of the moment he slips away. You reach for a t-shirt, but then a plaid green flannel catches your eye. You pluck it from the drawer, running your fingers over the soft, warm fabric. “Is it alright if I wear—?” You turn around, stopping mid sentence when you realize he’s no longer standing behind you. Puzzled, you follow the sound of running water into the bathroom where you find him kneeling beside the tub. “Joel? What are you doing?”
“Runnin’ you a bath.”
You notice the bloodied bandage beside him on the tile floor. “Joel, are you serious?” you scold him. “Maria just patched your hand up for you.”
“S’okay, peach. I can rewrap it when we’re done.” Joel sticks his injured hand under the faucet to check the temperature, the cold water soothing his cuts. Once it turns warm, then hot, he pulls out his hand, waiting for the tub to fill halfway before shutting the faucet off and rising to his feet. “C’mere, sweetheart.” He rolls the sleeves of his shirt up to his forearms, then beckons for you with both of his hands. “Let’s get you washed up.”
You remain standing by the door. “Joel, you don’t have to do this for me.”
“I know.”
“I’m capable of washing myself—”
“Yeah, I know that too,” he says, chuckling. “S’only fair, darlin’. Don’t you think?”
That’s when it hits you—how this moment is mirroring that night you had cleaned Joel up after you and Ellie had brought him home from the clinic with an injured shoulder. He allowed you to take care of him, and now, he was looking to do the same for you. And all you had to do was let him.
“But your hand—”
“Will be just fine,” Joel persists, stubbornly. “It’s nothin’ but a few cuts and scrapes. C’mon—or else I’m gonna march right over there and get you myself, peach.”
Knowing Joel, you certainly wouldn’t put it past him to throw you over his should and carry you to the bathtub.
“Fine,” you relent with a small sigh of defeat.
Setting his shirt down on the sink, you slowly walk over towards him and whirl around, letting him help you out of your knitted cardigan. You finish undressing yourself, inhaling a deep breath as you muster up the courage to turn back around and face him—when you finally do, it feels like a punch to the gut to see the heartbreak in his dark brown eyes, the subtle tremble of his bottom lip. You don’t have to look at yourself in the mirror to know it looks about a hundred times worse when you’re not wearing clothes.
Keeping your arms down at your sides, you fight every urge to cover yourself up. You’ve never felt so fucking vulnerable.
Clearing his throat, Joel holds out his hand. “C’mere.”
You accept it, and he helps you into the tub.
“How’s the water? S’not too hot, is it?”
You shake your head and he leans forward, kissing your temple so sweetly, your eyes flutter closed.
He washes your hair first, then takes a clean washcloth, lathering it up with a bar of milk and honey soap—the same soap he would smell on your skin all those nights. Admittedly, Joel preferred castile soap, but switched it when he found himself missing you during those weeks you were apart from him, when he needed the comfort of your scent. He is gentle with you, so gentle, as if he’s afraid you’ll shatter into pieces in his hands.
As he lightly drags the washcloth up your back and around your neck, you stiffen, prompting him to freeze too. “Fuck. Baby, did I hurt you?” he asks, and you hear the slight panic in his tone.
“No,” you say quickly, desperately trying to swallow the lump rising in your throat. “No, you didn’t hurt me. It’s just—” Every overwhelming emotion slams into you all at once, and you can’t seem to figure out which one to feel first. Humiliation? Fear? Relief?
The water sloshes around you as you pull your legs up to your chest and wrap your arms around your knees, giving yourself permission to feel them all. Bowing your head, you begin to sob quietly, hoping that Ellie, who is just down the hallway, won’t hear you crying again.
Joel says nothing. Washcloth still clutched in his hand, he leans forward over the edge of the tub and wraps his arms around you, pulling you close, or at least, as close as the barrier between the two of you will allow him.
“Joel,” you choke, trying to push him off. “Stop it. Your clothes, they’re getting all wet.”
“Hush. Don’t fuckin’ care ‘bout my clothes,” he croaks, and for a second, you swear he’s about to cry too. But he doesn’t. He holds himself strong. Tugging you closer against his chest, he buries his nose into your soaking wet hair, whispering his reassurance. “You’re okay, baby. You’re safe, my sweet girl. I’ve got you, alright?”
He pulls back slightly, dipping his hand into the water, placing it on your lower belly.
You look down, your eyes glazing over his bruised and battered knuckles. Proof that Joel Miller really would do anything for you.
“I know you do,” you say, softly. “I know you’ve got me, Joel.”
A while later, you’re dried, dressed, and composed. You follow Joel out of the bathroom and back into his room, where he has you take a seat on the bed. Noticing you had missed a button on his flannel shirt, he does it for you. He plants a kiss on the top of your head and says, “Give me a minute while I change.”
He peels off his wet clothes, being careful so as not to further agitate his sore, injured hand. After changing into a pair of gray sweatpants and an old, faded black t-shirt, he turns around only to find you’re sitting in bed underneath the covers.
“Sorry,” you apologize with a nervous chuckle as you rest your back against the headboard. “It just looked so warm and cozy—and it smells like you. I couldn’t resist making myself comfortable.”
Joel pads over to the side of the bed. He leans over, planting one hand on either side of you as he dips his head and brushes his lips against yours. “Ain’t got no reason to apologize, baby,” he assures you in a gentle murmur. “This is your bed now too, peach. This is your room. This is your home. Alright?”
Home.
You’re home.
He touches the tip of his nose to yours, and then draws himself back up to full height. “There’s somethin’ that I’ve gotta take care of downstairs, peach. I won’t be too long,” he promises.
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It’s almost midnight. Joel goes about the kitchen and he prepares you the quickest meal that he can think of. He plates the sandwich he’d thrown together and pours a glass of cow’s milk—he’s always sure to keep a pint of it in the refrigerator to make the kid her oatmeal in the mornings.
He heads back upstairs, only to find that while he had been gone, Ellie had joined you, making herself a little too comfortable on his side of the bed. He stands there at the door, watching the two of you.
“Hey, so is it true babies can hear stuff while they’re in there?” Ellie questions you, curiously.
“Mhm,” you reply with a nod. “They can hear music, for example. Voices—”
“Voices?” She smushes her face into your stomach and he hears a muffled, “Hey, dude!”
You giggle. “Ellie, I think it’s still a little too early.”
“When do you think it’ll be able to hear me?”
“I’m not too sure. In a few months, maybe?”
Ellie lifts her head, humming. “You know, I bet there’s baby books in the library,” she tells you as she sits up. “I’ll have Dina help me look for one tommor—oh shit.” She stares at you with wide eyes. “Dina! How are you going to tell her and Talia about Luke?”
Joel grimaces. He hadn’t thought of that, either.
“I—I’m not too sure.”
“You have to fucking tell them. Dina has to know about him. She has to know what a piece of shit he is, and so does Talia.”
Sensing your discomfort, Joel steps into the bedroom and intervenes before she can say another word. “Ellie, get to bed. S’late.”
“But—”
“Don’t make me tell you again,” he warns her, sternly.
She huffs, rolling her eyes. “Fine.” She climbs off the bed and on her way out, she eyes the plate in his hand. “That chicken?”
“Turkey. And it ain’t for you, it’s for her. So scram, kid.”
“Couldn’t have made me one while you were at it, old man?”
“Ellie, if you don’t get outta here right now—”
“Alright!” Ellie holds her hands up. “I’m leaving. Jesus.”
She disappears, closing the door behind her.
“Pain in my ass,” Joel mumbles, shaking his head as he walks over and carefully perches himself beside you. He hands you the plate. “Here, darlin’.”
“Joel, I appreciate this, but I’m really not very hungry.”
“Maybe not, but y’gotta eat,” he insists. “Baby needs it.”
Thankfully, you accept it without further protest.
“I’ll have Ellie get your things tomorrow,” Joel states as you’re eating. “Maria can go along with her since she knows the house. They’ll get your clothes and whatever else you might need outta there.”
“My father’s belongings.” You accidentally talk through a mouthful of turkey and bread. Swallowing, you tell him, “I have some boxes of his stuff in the basement. But they’re way too heavy for either of them to carry.”
“I’ll take care of that for you.” He reaches up, wiping a breadcrumb from the corner of your mouth with his thumb. “I can ask Tommy to give me a hand. Don’t you worry, peach. We won’t leave your dad’s things behind, I swear it.”
Relieved, you shoot him a grateful look, then polish off the last few bites of your sandwich.
“Here,” he says, offering you the glass of milk. “Figured it’s good for you, and good for the baby. Y’know, since it’s got calcium and…stuff.” He shrugs sheepishly, no clue as to what he’s talking about. “Vitamins, right?”
Nodding, you grab the glass and take a reluctant sip.
“You hate milk,” Joel realizes, raising an eyebrow.
“I do,” you admit with a laugh. “But you’re right. It’s good for both me and the baby, so cheers.” And with that, you somehow force the entire glass down.
He sets the dishes aside on the nightstand, figuring he can take them downstairs first thing in the morning.
Without bothering to rebandage his hand like he’d told you he would, Joel turns off the lights and climbs into bed with you. “All those nights wishin’ I could bring you home,” he muses as you curl into his side. “Wantin’ nothin’ more than to hold you in my arms in this bed. In our bed.” His arm slips around your shoulders, a laugh rumbling through his chest. “Almost doesn’t feel real, darlin’.”
Tilting your head, you nuzzle your nose into the scruff of his beard, prompting him to laugh again. Then, he remembers his conversation with Maria, and his smile fades from his face, his lips pursing together.
You catch the sudden shift in his demeanor.
“Joel? What’s the matter?”
“M’fine, baby. It’s just—” He hesitates. “From this point forward, I need you to let me handle things.”
“What do you mean?”
“I don’t want you gettin’ all stressed out, alright? I don’t want to run the risk of you—” He’s unsure of how to say it.
“Of me losing the baby,” you finish for him, quietly.
Joel winces, knowing he was wandering into sensitive territory. “Yeah. I—I really don’t want that to happen.” He pauses. “Maria mentioned to me you’re in a delicate stage. When do you reckon you’ll stop—how long until you don’t gotta worry ‘bout it?”
“After twelve weeks, my risk isn’t as high. If I make it to the second trimester in six weeks, then my chances of having another miscarriage are lower.”
Though you speak calmly, he clocks your anxiousness.
You’re worried, and he’d be lying if he said he wasn’t fucking worried out of his mind too.
Being a father at his age wasn’t ideal, but he wanted this child. It was part of him, and more importantly, it was a part of you.
Joel squeezes your shoulders. “I only ask ‘cause I was thinkin’ that, y’know, once we get to that point, maybe I can go ahead and start buildin’ the baby’s crib.”
“You’re going to build the crib?”
He nods. “And the highchair too. I can even make you a diaper changin’ table if y’want one.”
“Joel.” You can’t help but chuckle. “Our worlds were just turned completely upside down. You just found out that I’m pregnant, and you’re already thinking about building furniture? Aren’t we getting a little ahead of ourselves?”
“Hey, those things take a whole ‘lotta time,” he says in defense of himself. “Besides, winter’s right around the corner and I don’t wanna be out in the garage freezin’ my fuckin’ ass off. If I can get a head start now, I can have them all done in the spring by the time the baby comes.”
You fall silent.
“What’s on your mind?”
“I’m really scared of losing it,” you confess. “When I first took that pregnancy test, I wanted nothing more for it to be negative. Now, I’m terrified I won’t make it past my first trimester again. I really don’t want to lose it. I want this baby, Joel.”
He turns his head, meeting your eyes in the silver light shining through the lace curtains over his window. “S’why you’ve gotta let me handle things, darlin’. Okay?”
“Okay.”
“C’mere, my sweet girl.” Joel presses his lips to yours, murmuring against them, “I love you.”
His declaration comes with natural ease.
And so does yours.
“I love you too, Joel.”
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wttcsms · 2 days
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you wouldn't be the first renegade to need somebody, atsumu miya
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pairing atsumu miya x reader word count 1.4k synopsis love for you is holding him; love for him is allowing himself to be held. content contains hurt/comfort, intimacy, atsumu-centric, insecurities, unconditional love, showering together but make it sfw
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The stinging spray of scalding hot water from the showerhead should be enough to get him to leave, but he barely registers the pain, can’t seem to bring himself to feel the heat, can’t seem to bring himself to feel anything.
No — that’s not entirely true. He feels one thing.
Devastated. 
Everyone knows Atsumu Miya likes to talk shit on and off the court. It’s his thing, his trademark, his brand. Lots of athletes like to talk big about how they’re going to win; who the hell is going to support a guy who walks onto the court with a well, it’ll be alright if I lose. 
He’s staring down at the tiles of the shower, can somewhat register the persistent barrage of water spraying onto his back as he has one hand splayed on the wall, shoulders slumped, water dripping from his hair and running into his vision, making everything blurry. 
Don’t blink, he tries to demand of himself, but the issue is, we can’t always control our bodies. He has to shut his eyes, just for a brief second, and in that second, it all comes back to him.
The opposing team at set point. His team depending on him to serve. One point left. Only one chance. He can feel the stadium’s crowd holding their breath, can feel the lack of air in the atmosphere, can hear how loudly the blood is rushing to his head. Dizzy. Dazed. He doesn’t give into pressure, not anymore, not ever. Doesn’t feel performance anxiety, knows better than to try to attempt something flashy just for the glory of a good story to tell. 
Give ‘em a serve they don’t have a chance of receiving, he demands of himself. 
The final seconds of the match all come to him like stills from a movie, each frame another devastating blow to his ego, his self-worth, his very being. The ball is in the air, he’s bending his knees to prepare for the jump, his hand making contact with the ball. Something’s off, he can feel it upon first contact, but it’s too late to save, too late for him to change anything.
The ball lands.
On his side of the net.
He’s frozen in place as he stares ahead. He can tell the other team is cheering, slapping each other on their backs, and he can hear the blow of a whistle, the celebration from the crowd. But all he sees is the ball. All he sees is his failure.
Atsumu has spent a good portion of his volleyball career knowing that he plays the game better than most. It’s why he feels so comfortable talking about the lack of skills other players display. It’s why he always has something to say at practice, on the court, during a post-game interview. 
And he knows he makes mistakes. He knows that he’s only human. But a bad serve in the middle of a game isn’t as crushing as knowing that he is the sole reason as to why the Black Jackals’ season is going to be ending early. 
Where did he go wrong? He did everything perfectly, did everything the way he usually does. Why couldn’t he perform? Why did he let his team down? Why—
“Atsumu?” 
He doesn’t look up, and all you can see is the sad shape of his outline from the foggy glass door of the shower. You know that Atsumu probably wants nothing more than to be alone right now, but you can’t help but worry when fifteen minutes have gone by, and you could still hear the shower running. That’s your first sign that something is wrong.
Atsumu is a notoriously quick showerer, to an almost concerning degree. When you first started living together, you debated planning elaborate tricks to see whether or not he was even using soap. (Which, in hindsight, was just flatout silly; he walks out the shower smelling overwhelming of his Axe Men’s 3-in-1 and Old Spice deodorant.) 
No — the first sign that something is wrong would be his uncharacteristic silence on the trip back home. He hadn’t responded to your it’s okay, baby, you’ll get ‘em next season. Instead, he just looked out the window, the devastated expression on his face silencing you as well. Even when he lost to Kageyama, he had been disappointed, upset, but still talking big about how he was going to crush the Adlers next time around. He had then made a comment about Tobio’s stupid haircut, and that’s when you told him if he doesn’t have anything nice to say, he shouldn’t say anything at all.
Now, you’d give anything to have him say something. Something for you to work with.  
“Atsumu?” You call out for him again, worried when you don’t see his figure moving. 
Pathetic. Atsumu thinks that’s what he is. A loser, a fucking scrub, a failure. Even if his teammates won’t admit it, the media will. And what then? Will you think that about him too? It’d be the truth, wouldn’t it? Isn’t that why you’re in the bathroom now? To pity him? 
He’s too busy tearing himself down to react to the distinct sound of you sliding back the glass door of the shower so you can enter it. There’s a brief burst of the cool air of the bathroom hitting his exposed body, but it evaporates the moment you shut the door. 
“Oh, ‘Tsumu.” You whisper it, and he wants to tell you that he’s not fucking fragile. That he’s not going to shatter into a million pieces if you just raise your voice, if you tell him how you really feel about him. He doesn’t move, doesn’t turn around to face you. He doesn’t want to. He can’t.
His skin is red from the heat of the water, his back staring at you angrily, hurt. The skin’s going to need some time to heal, and you turn the faucet, lowering the temperature of the water. 
“Turn around, honey. Please?” You’ve never seen Atsumu so upset before, so quiet. You wait several minutes for him to actually do as you request, and you think it’s only because he wants a way to get rid of you sooner. 
You don’t say anything to him as you reach for his shampoo, letting it lather in your hands before you give him a pleading look, one that has him leaning down so you can reach his hair. It feels nice, he thinks, the way you’re shampooing his hair. You’re gentle with your movements, and it almost relaxes him. 
You use your body wash on him. Massage the suds into his skin, but you’re mindful of the amount of pressure you apply. You know which areas of his skin is more sensitive from its exposure to the hot water, and you are careful with the spots of his body that he had chosen to be negligent with. 
“Am I so fuckin’ worthless that you have to do somethin’ as simple as bathing me?” He’s not angry at you. He might spit out the words — words that come out sounding all raw and scratchy, like they had to personally claw themselves from his throat — but the anger is not directed at you. It’s at himself. 
“Look at me.” 
His eyes are glossy, wet, shiny, and you know it’s not because of the shower. You’ve never seen Atsumu cry before, and you’re not sure what you’re supposed to do. So, you do what feels right. You whisper his name softly, tenderly, and it’s this tenderness, your unwavering softness, your unconditional love, that breaks him. That makes him feel safe enough to break. That makes him think of the possibility that you’ll take these jagged pieces of him and piece them back together for him, with him. 
He’s so much bigger than you. You tell him all the time that he’s larger than life, and he thinks about that comment as he lets himself sink into your open arms, as he lets himself be held. He has never felt smaller in his life, and in your embrace, he buries his face into your shoulder, letting his warm tears mix in with the water already on your body.
“I don’t know how you can still look at me.” He mutters, and every word is spoken onto your skin, tiny blades striking you. 
Atsumu isn’t sure what he wants to hear, isn’t even certain that there’s anything that could be said to ease his devastation, but melts into you even more so when you tell him,
“Atsumu, I thought you already knew that nothing can change the way I look at you.”
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fairytale-poll · 2 days
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FINALS!!!!!!!!!!!!!
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Propaganda Under the Cut:
Ponyo:
determined 5yo girls are more powerful than god
PONYO!!!!
As a child i did not even realize this was a little merm adaptation, but it really reads. She is sooo strange and other worldly and the movie absolutely captures that dreamlike fairy tale vibe
Ponyo a roughly five-year-old magical goldfish who can transform into a frog-type thing and a human girl. She's the eldest daughter of the literal goddess of the sea and a former human sailor given immortality. She falls in love with the five-year-old boy who cares for her and is thrilled to explore his ordinary yet magical world. She's bouncy, exuberant, and joyful. She loves ham. She doesn't have to give up her voice.
ponyo ponyo ponyo little fishie in the sea!
Little fishy
THEY LOVE HAM
Bug:
Their a bug that falls in love with a human they rescue and becomes human, but even when they don't get to keep their human body, they still get to be with their love. It's a sci-fi fairytale musical.
Little Mermaid meets Starship Troopers musical starring awesome puppets and the most trans coded main character ever. Please. Please vote Bug Starship I love him. Go watch Kick it Up a Notch from Starship. Go watch Status Quo from Starship. You will understand.
He's a bug and he lives in space on a bug planet but he really wants to be a starship ranger which you can only be if you are a human and then one day a spaceship lands on his planet and so he goes to an evil bug called Pincer who then helps him become a human. And Bug falls in love with a human on the spaceship and it's very sweet. The musical and storyline are based on the little mermaid story, the creators themselves called it "the little mermaid but in space". Bug wanting to be a human/a starship ranger and achieving that and falling in love with a human is very much like the little mermaid
Starship is a musical that can only be described as The Little Mermaid meets Starship Troopers. It follows Bug, an alien bug who dreams of being a Starship Ranger, a galactic explorer/soldier, but the rigid confines of bug society keeps him trapped in a job he hates. He reaches a Starship Ranger named February from the hive and immediately falls in love with her. In order to be with her and pursue his dream, he makes a deal with a giant scorpion named Pincer who through sci-fi bs gives him a human body. Near the end of the second act he sacrifices his human body and returns to his bug body, and saves the day and wins February's heart. It's truly the ultimate Little Mermaid. He has multiple songs, and his bug body is portrayed by a puppet!! Vote for Bug!!
“It's a big, big, universe So many dimensions And unanswered questions Not to mention Life What an invention Life There's no choice involved in what you are given One mind, one voice, one body to live in It's a short, small thing we lead With so much potential Pointless or essential Which one can I be? Where do I fit? Where do I stand? Who are they to say what I am? And how can I stay inside this awful world I know? I need a way out I need an escape I'd rather be dead than to live in this place I wish that something or someone could just take it all away Someone take me away” dear god….. can anybody hear me…. (song from starship)
They are the purest little mermaid adaptation done in the most unuque way. An alien insect gets turned into a human, a race he has always loved and admired, to be with the woman he fell in love with. Also just a great musical.
Bug's whole arc is so so in tune with that of the little mermaid. He is an alien who has fallen in love with humanity through a crashed spaceship and trades his place in the hive for a chance to be with both with the human he's falling for and to be a Starship Ranger. He body swaps with human in a cryogenic pod! It's literally sci-fi Little Mermaid!
Don't stick to the status quo and pick the fairy tale!! it's what HE would want!!!
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dnd-smash-pass-vs · 17 hours
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Inevitable been thinking about how that one anon viewed Laios as a monsterfucker, and I think it made me realize the source of that confusion:
I think many monsterfuckers, and also many (dare I say most) monster devourers like Laios, both derive their desire from the same source: a latent wish for apoteratosis, the wish to become a monster.
Linguistic side note: apotheosis, becoming a god, breaks down to apo- (towards the end point), theo (god), -osis (turn noun into verb), so I swapped in the root for monster, hence apo- terato -osis. Side note over.
Monster devourers are a rather rare archetype in (mainstream) fiction, but they do exist. Those who seek to mimic or emulate the monster's power, those who find them endlessly fascinating and study them well past the point of obsession, those who wish to show their dominance over the monster by proving that they can kill and eat it... and I think Laios is the first I've seen who takes the title quite so literally, where his obsession goes straight to monsters-as-food.
Monsterfuckers, meanwhile wish to become close to the monster in a non destructive way (or at least a typically less destructive one, usually the only casualties are furniture and few bandages are needed, but I'll acknowledge that exceptions definitely exist). They wish to bond with it, to connect to it through lust or intimacy, to be able to stand at its side. They wish, on some level, to join it. Side note, I'm not saying this is true of all teratophiles, some are just kinky and driven by the thought of positive physical pleasure, or who find the personality of a given monster appealing, but I do think the apoteratotic desire is an underlying driver for many, I'd guess well more than half, it's just a subtle enough thing that I don't think most are consciously aware of it.
There's also a third point to the secret apoteratosis triangle that might surprise you: the monster slayer. Sure many, even most, slayers are driven by something like disgust or xenophobia or even rationality, but a significant minority land in the "if you can't join 'em, beat 'em" a.k.a. "I can't be you, so I'll destroy you" camp.
And these three reactions are, I notice, the three most common reactions that people have to one thing: the unattainable desire. The sentence begins "I cannot have it..." and these three camps end it different ways.
The teratophages say "so I shall dominate it." They seek what power they can grasp so they can have some modicum of control, so they can try to "have" it anyway. The kaiju corpse scavengers in Pacific Rim including refined and suave mob boss types just smacks of this attitude.
The teratophiles say "so I'll get as close as I can." There's a werewolf romance book where they're considering trying to turn the girlfriend, though they have no idea if she'll survive it (boyfriend was turned by accident then abandoned, so he's clueless, and they haven't found any others to teach them), and she says that she's fine remaining human, because she shares the power through him. "I have it, because you have it." The façade eventually breaks and in a vulnerable moment she confesses that she'd be willing to risk even a likely death to try to be turned. When they get in contact with an elder who can turn her safely she doesn't even wait a week.
The teratophobes write that whole sentence as "if I can't have it, then no one can." I'm sure everyone has seen enough examples of this behavior to understand that it's just a kind of love turned corrupt.
I'm not the first to notice the underlying apoteratotic urge: the aforementioned werewolf story, indeed many werewolf and vampire stories romanticize the transformation of a human into a monster. Back to Dungeon Meshi, author Ryōko Kui is fully aware of it with how Laios's underlying desire is eventually brought out of the subtext and explicitly named as his dysphoria with humanity, and his wishing that he could be a monster. For Laios that desire skipped right past the socially unacceptable monsterfucking, explicitly a form of bestiality in that world, to the socially acceptable devouring, though tempered by his respect and admiration of monsters into a desire for symbiosis with them. He cannot become one in truth (or so he thought when younger) but he could become part of their food web. It's as close as he thought he could get. Of course, that's the Watsonian explanation; the Doylist explanation is that Ryōko Kui wanted to subvert expectations, and also wanted to explore this angle of it.
So, all taken together, I think people read Laios as monsterfucker coded simply because teratophiles, teratophages, and teratophobes all share the same root motivation: apoteratosis. Thus, all three branches are coded very similarly.
It's similar to something I've seen in Batman fandom: some fans project romantic love between various members of the Batfamily, which is both wildly against canon and thoroughly hated by some other branches of fandom. But it is understandable, since familial love and romantic love both come from the same root, love of another. If someone doesn't recognize the simultaneous similarities and distinctions, it's all to easy to conflate them. If you don't actually understand the distinction, then the signs of affection between siblings might look the same as the signs of affection between lovers. Likewise, if you don't understand the distinction, the urge of the monster devourers (or ecologists) might look the same as the urge of the monster fucker.
I've sat on this for near a month, partially because of my repeated absences, partially because I wanted to honor it with an equally in-depth response. But 24 days later I've still got nothing, while I can't speak for that particular person I think in general you hit the nail right on the head for the base roots. I got no notes. Even with Laios...like all I can add is how supplemental materials actually confirm he did want to be a monster researcher but found books too dry, the only one who seemed to really *get* monsters was shunned. and how wild he goes when talking with an actual werewolf, "The existence I thought unobtainable is now right in front of me".
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itsonlydana · 3 days
Text
Find a cure for my heart | hobbit
pairing: Thranduil x human fem!reader 👑
On the eve of the battle, you and Thranduil spent a night that spurred a flurry of letters while Dale grew as a city and you both grew too, first apart, then closer again. However, you couldn't bring yourself to burden him with the truth that your health was deteriorating with each passing day.
warnings/tags: sickness, angst, mentions of death (reader is actively dying but only realizes after Thranduil helps) hurt/comfort, happy end
words: 5,6k
an: finally finished this fic after working on it since January. If you are interested in being tagged when I post new fics– comment that under this post or send it to me in my inbox!
+ masterlist + rules
🌿 reposts and comments are appreciated, they motivate me a lot and keep me writing <3
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Contrary to general belief, the elves did not return to their forests immediately after the battle.
In the stories told, there would be remarks, on how the Elvenking offered his help to the yet-to-be-crowned King Bard once more, bringing aid with however warriors he had left for disposal to search the endless chaos and ruins of Dale for survivors until many sunsets later.
They would speak about the sorrow of losing friends and family and neighbors to a war that had been won at costs no one could comprehend yet, and they would mention how the great Elvenking guided them through the darkest of nights for he had experienced this all before; the grief, the helplessness and the colossal question of What now, who's to say we haven't lost ourselves as well as those we have to bury?
Many had their own experience with the Elvenking, whether it was a hand pulling them off the ground, a loaf of bread delivered to them after days of fighting, or a warm blanket to huddle under to finally lay their body to rest under the watchful eye of Elves that had sworn to protect them.
You had your own story. A different one.
But it wasn't one with the Elvenking, no; the night before the battle, where the air was filled with the sound of blades being sharpened and children crying for their parents, you had met Thranduil, King of the Woodland Elves but most importantly: a set of strong arms that caught you as you stumbled out of Bard's tent.
You needed to run away from the discussions over how to draw the dwarfs out of the mountain.
You'd been a friend to Bard for many long years but standing in that luscious tent, being offered wine as the Wizard, Bard, and the Hobbit pondered over what was about to happen while you weren't sure your mind caught up on what had happened already, there was no room for friendship inside your panic-riddled chest.
Just as you flung open the tent flaps and tried to dash away to get some air, your foot caught on a root, and had it not been for Thranduil's fast reflexes, you surely would've planted your face into the dirt and mud.
Up until now, you had no idea what had transcended between the two of you at the moment where his arms held you up, his softening face looking down at your widened eyes filled with tears and your tongue too tied up and heavy to say anything other than: "Air– please"
Whatever it had been, likely an unspoken wish – by Thranduil or you, or maybe you both; it didn't matter – for someone who would not pass judgment over the urge to disappear from your skin and role and crown for one night, a fallen star flung across the darkened skies at the right time.
It felt as though Thranduil had pulled a sheet over your heads; your world narrowed down to this other soul and how beautiful and divine his body felt on yours as you found a way to survive the night before life as you knew it turned once more and the solid ground beneath your feet shifted and broke.
A few nights, while unforgettable and brooding with feelings neither of you admitted to, did not change that you had to move on somehow.
Although the Elves did not depart for Mirkwood immediately and Thranduil and you were given time in the aftermath to find the other in the cover of the night and under the pretense this was nothing more than mere distraction, a wishing star could only do so much shining before dimming out.
The day you awoke to a sunrise bathing the debris of Dale in a pinkish and warm light, pillars being rebuilt dipped into molten gold, and the cracks glued together, Thranduil's strong arms were wrapped around your middle as if he wanted to hinder you from sneaking away, you knew it was him who would leave you before the day was over.
And so he did.
Sunrise came and went and soon enough all the tents were packed up on horseback and wagons, leaving flattened grass as the only reminder they had been there at all if and there were goodbyes, political between Bard and the Elvenking who parted from the weary man and his children with the promise of support, and between you and Thranduil in the form of a slow nod.
Thranduil sat high on a dark stallion, dressed in silver and long robes that hid fingerprints that spoke of an attempt to cling to transience. His chin lowered, though his eyes were fixed on you.
You knew that nod carried the conversation you had whispered into the morning mist.
And it was all that wasn't said that motivated you to step away first and turn your back on the caravan that took away a King and a Lover.
There was much to do, the looming task of building up Dale needed everyone's full attention, and that included you.
Especially you.
There were houses to plan, accommodations to be made so that no one needed to sleep under the stars.
No one could ever pry the reason why you were keen on getting a roof under everyone out of your hands; a lonely part of you wanted the stars to remember you and Thranduil lying in the grass. And no one else.
The first letter arrived a few weeks after you hadn't had the heart to watch him go and threw yourself into one task after the other, dismissing even the smallest hint of sickness, like the heaviness inside your chest every time you lifted something heavy, or tiredness crashing down onto you in moments to catch your breath, to continue working, that you wouldn't find a moment to admit how much you missed him.
That utterly ridiculous mindset stopped as soon as the messenger Elf rode into the city and hand-delivered you the first of many envelopes with the nearly indecipherable handwriting of Thranduil.
Or the Elvenking.
Because the first letter, despite being addressed to you as well as Bard, who wouldn't have been able to read it in the first place, was a list of things the King would send and a question of what else was needed that he could provide.
"It's fine," you said to Bard through a smile that didn't reach your eyes as you read aloud the letter twice, from the greeting to the last paragraph that was signed 'the Elvenking Thranduil Oropherion, Lord of Mirkwood and friend of Dale'.
In the flickering light of the candle dripping wax onto the table between you, the dark circles under Bard's eyes were all the more prominent than when he was running around the city and there was a bottomless pit in your stomach that wouldn't want to add to the many things he was already worrying about.
"It's totally fine," you said to Bard when he asked if you had skipped over a private note from Thranduil or if there truly wasn't one (there wasn't, you had turned the letter over and over in your hands until the edges became soft and wrinkled) and you both knew that to be a lie.
You answered the letter in the same professional manner because even though you wanted to, you couldn't send a letter to a King helping however he could and expecting nothing in return with a smeared "I wish for your heart and our nights and for your voice to tell me we are alright" written under tears in another sleepless night.
The next few letters follow the same pattern, Elvenking Thranduil Oropherion would inquire if there was anything Dale needed and answer Bard's question on leadership and share his knowledge of what was fundamental for a new King, and you would write for Bard on the other side.
The weeks passed and so did the hope of rekindling that fire you had thought to burn in the both of you.
That Thranduil didn't see the need to reach out was a punch to the gut that left little room for anything else but disappointment of putting your effort into pulling on a rope that wasn't attached to something on the other end.
Why waste the dwindling energy of your exhausted body on someone who would live longer than the memory of you?
Every time a new letter arrived by messenger you would find Bard until one late evening you opened the letter by yourself and saw your name written in that beautiful sharp handwriting, not Bard's added in front or behind; only your given name and not your title.
Your hands shook as you stood in the frame of what was to be your house and the ink glued together the cracks of your heart.
'Forgive me for not writing to you sooner and for how sentimental I must sound. It has been weeks since I last saw you and every time I wander through my familiar halls, I find there is no soul around that could understand me how you did, whom I could tell what plagues my mind. The time we spent together has not left my thoughts. Neither has the promise to not grow apart too much and I apologize for not contributing to that. Now, if you would still have me, I would like nothing more than to hear how you are faring. As for me…'
Nothing had the power to stop you from running off that giddy feeling that spread through your chest as Thranduil, finally Thranduil, wrote about the happenings in Mirkwood; not even the cough that sat deep where suppressed laughter spilled into the grass you fell into– the letter clutched into your hands.
Thranduil and you fell into a routine then, one that was no obstruction for the many tasks at hand but made room for each other to hold on to the promise.
You would send out two letters, one on behalf of Bard whom you taught his signature as well as a few more words every fortnight you sat down together, and one addressed to Thranduil, filled with all the thoughts that ran through your mind that you wanted to tell him.
It was by no means as precious as the talks you had now many weeks ago, not when there were days you had to wait for a response instead of seconds.
You appreciated them all the same, every bit of himself that Thranduil wrote into his messages was countered with a confession of your own.
When he said he wished to know where his son had disappeared to or rather if he followed the direction Thranduil had given to him, you admitted to the nightmares that still plagued your mind, the dreams of fire and a monster that still rested in the lake.
You offered piece after piece, chipped bits of your heart into every letter that you sent away, and after a few weeks had passed, and Dale was taking shape with its houses raking their roofs to the sky and its people planting seeds and flowers, rooting themselves into what now was theirs, there was not much left of your heart that was completely yours and not Thranduil's and the letters of his proved that the same could be said about him.
What you did not mention, not with one drop of ink, was that the nightmares were no longer confined to the few hours of sleep you fell into.
There was a dragon, not just in the cold lake where your old home lay in ashes and was drowned in the ruthless darkness, but by the heavy weight on your chest, it felt like there was one inside you as well.
You were coughing as if there was smoke blocking your lungs, blackening out what little air you heaved for when a coughing fit took over your whole body.
It started small, a cough then, a sleepless night there; both accumulated to an uncountable amount and it got only worse as the season changed and the autumn winds lost their last warm touches and the trees bared their wooden arms.
You waved it off as a common cold, nothing that would hinder you from your tasks to becoming a liability the city didn't need in its time of growth.
Then, the coughing got worse, rougher, sometimes taking your voice for a moment until you found some water although that only helped for a small moment, like trying to extinct a burning building with just the water your bare hands could carry.
The worst part was the blood that stained the cloths, the sweats that not only held you awake at night but weakened you at day as well.
"I'm better!" you promised Bard on a night when he had to sit next to your bed, wringing out the cold cloths that lay on your fevered forehead.
His voice was a low whisper when he dabbed away the sweat, pushing your wet hair back with hands that were far too gentle for what you deserved for rotting in bed and not pulling your weight, "You're not, an' that's clear for everyone but you. Did you tell him?"
"Yes," you lied through your teeth, eyelids dropping close from exhaustion but you knew sleep wouldn't come, "he said it would pass, nothing to worry 'bout."
Three days later you were on your legs again, if not a bit shaky and needing more breaks than ever.
You sat in Bard's kitchen, a warm bowl of soup in front of you that tasted like ash and firewood, and ignored the silent pleading in his eyes to tell him what was going on and why you could barely lift the spoon of a soup that you clearly did not enjoy.
Winter wore your body down like rough sandpaper on soft oak, the cold winds and dark hours an enemy far worse than what you had to encounter on the battlefield. This had no logical explanation, nor was there an enemy you could see.
Your own body betrayed you and you had no idea what you had done to deserve it.
You knew that somewhere was a solution to it all, that was the string of hope leading you through the snow outside and the fire in your blood and bones, singing down what little fight was left on the days when the sun pushed away gray clouds and you felt normal and healthy.
The sole reason why you lied in letters filled with otherwise honesty as pure as heaven's snowflakes was that you did not want to be a bother.
Thranduil wrote how much of his time the dwarfs and their trading demands swallowed; he did not need another burden and you would be damned if he came because you had a small cold you couldn't get rid of.
You had promised Thranduil to visit him in spring when the soil was rich enough for the seed to take and the livestock could roam the meadows. If you weren't better by then you would ask him.
Until then work demanded all of you. Even if that was through a white knuckle grip on the last bits of health in aching bones.
Spring brought forth daffodils pushing through the cobblestone streets. Tilda, the youngest Bardling and a wonderful distraction on the days when getting out of bed was the hardest bounced excitedly beside you and pointed at the flowers.
"Like stubborn trumpets proclaiming winter is finally over!" she said as you followed her outside. "Spring is finally here!"
You disregarded the pain echoing through your body, the weight of guilt forcing you to spend the day with the girl.
She had been knocking on your door every morning, angelic eyes asking if you wanted to come and play with the lambs that she had taken too and this morning, you couldn't disappoint her.
"Aren't they just so pretty?" Tilda crouched down, gently cupping one of the blossoms in her small hands.
Lowering your gaze from the burning brightness of the sun you got a short glimpse at the yellow dots decorating your doorstep.
Then, suddenly, black spots appeared on the edge of your vision, taking you by surprise though they have been your companion for the better part of the last few days.
"Tilda–"
You tried to hold on to your doorframe, bruised hands frantically searching for a grip on the warm wood but they slipped and caught only the edge.
The last thought that crossed your mind was that you should bring Thranduil some of those flowers before you blinked and crumbled to the ground.
You woke up to the confusing taste of grass on your heavy tongue and the dizzying realization that you were not spread out on the street but tugged inside your bed.
Above you, moonlight fell through the opened window in the slanted roof above your head and you immediately closed your eyes again.
This had to be a dream.
Though your dreams had not been like this in a long time.
Peaceful. Comfortably warm. Silent except for the croaking of toads, the buzzing of insects outside, and the laughter and clattering of your neighbors probably enjoying the night more than you.
A groan passed your lips as you tried to sit up; a seemingly impossible task with the heaviness of your bones as well as the mountain of blankets that covered you.
"What do you think you are doing?" a voice you knew all too well sneered.
For a second you thought it to be a hallucination, a projection or your dazed mind still lulled in the fog of unconsciousness.
The bones in your neck cracked as your head snapped to the other side. There was no way you did not imagine the tall figure that should be across the woods in his palace; not in your bedroom.
"What are you doing here?"
"Merely strolling through the neighborhood," Thranduil's voice dripped with sarcasm, yet a subtle tension marked his stance beside the bed. "Now, enlighten me. Did you conveniently forget to mention this sickness in your letters?"
Ah, straight to the point.
"It's trivial," you waved it off, attempting to assert yourself by sitting up.
Naturally, consciousness promptly slipped away once more.
This time you were not that surprised by the sharp taste of grass on your lips when you came to your senses once more, pushed back into the pillows that had never felt this stuffed. You were still unable to move your leg more than from one side to the other under the blankets and Thranduil was still there, glaring at you through dark furrowed brows and hardened eyes.
You wanted to say something to break the heavy silence but all that passed your lips was a giggle that was more desperate and closer to insane than amusement.
One brow lifted. "Oh, how glad I am you are entertained by this," said Thranduil. He was as rigid in a frightening calm way but all of that was overshadowed by the cloud of confusion that muddled your thoughts.
"Noo," you drew out the word and continued giggling. This had to be insanity. "You jus' look very out of place here – wait. Turn around? I need to make sure you're really here."
He didn't fit into the cramped space of your house, his fine clothing stood out against the poor backdrop of crooked furniture, used towels hanging over stools, and the small layer of dust that covered the areas you hadn't been able to clean in a while; which was most of the bedroom and you didn't dare think about the state of the kitchen.
Where he deserved a throne out of gold you could only offer the chair next to your bed, the one that was crooked and leaned heavily to one side.
That being said, nothing took away the sheer amount of power he radiated.
It easily filled every nook and cranny or tight corner of your humble house, his voice as well as the image of Thranduil, King of the Elves, towering over your bed in long robes and bathed in the light of the night sky, glittering silver like the moon knew the importance of the Elf in front of you.
Thranduil remained stoically still. "I will definitely not do that," he said. "I am here. Where I should have been a while ago."
The accusation would have hit harder if you weren't drugged up on whatever medicine he had apparently fed you while you were out cold.
You shrugged your shoulders as well as you could with your arms bundled under the blankets. "I saw no reason, it was just a cold. Nothing I couldn't manage."
Well, you hadn't managed to handle it, that was the worst realization of the whole lie.
"Clearly," Thranduil said sarcastically and ground his teeth against each other. His arms were behind his stiff back and the way he tilted his head down to you made you feel like a child being admonished for bad behavior. "Do you know how much despair I felt when Bard's letter arrived this morning?" His voice was even but there was a resonance in it – a deep rumble akin to the ominous approach of distant thunderstorms over the sea. "Nearly indecipherable scrambles where he begged me to come; telling me that you have been asleep for two whole days?"
A crack in the form of a small tremor broke through the mask of the all-mighty Elvenking.
"This morning?" you asked, caught up by the first part and ignorant of everything that followed after, and you huffed while running the calculations through your head. "Thranduil, this can not be, the journey is not manageable in one day."
"Is this truly the point you consider most important?" He closed his eyes as a pained expression passed over his face. "You deem it impossible, yet I assure you, nothing could have hindered my arrival here; the boundaries of possibility, for once, were not a barrier but an aid. It reveals your scant regard for your circumstance if your worry fixates on my journey through the land. Not on the sickness that nearly stole you from this world. Two days –" Thranduil took a deep breath, "two whole days where those around you had no idea if you would ever awake again."
"But –"
"No, you can speak when I am finished," he commanded sharply. "You were reckless. Ignorant of your health as if your life was not precious." Thranduil spat the words out cold yet they burned. He was blind to the way you flinched and lowered your burning eyes to the blankets.
You shrunk deeper into the pillows, a hollow ache inside your chest that had felt empty from the pain ever since you awoke the first time.
"But –" you repeated helplessly. This time, he allowed you to continue and you did so in a whisper: "I didn't want to be an inconvenience."
"An inconvenience?" he sneered back at you, the flickering lights of a few burned-down candles casting shadows over the creases of anger edged into alabaster skin.
He took a step toward the bed and you saw a twitch in his lips that had you blanching.
The fury brooding inside him was not new, you had seen it on the battlefield before. In ice-cold cuts of his sword as he flawlessly executed the most brutal movements while his face resembled a mask of the most dangerous kind of rage – stillness.
Now, there remained little of that stillness.
"You were a greater inconvenience by nearly throwing away your precious mortal life, all because of your unfathomable stubbornness!"
"There was lots to do!" you snapped back. Shortly but surely, you were fed up with his anger and the insults he was throwing at you. "This town was suffering far more than me and don't you dare tell me I'm wrong," you had to bury your teeth into your lower lip to stop it from shaking. "Dale needed me!"
The pale skin was flushed red around his heaving chest and delicate ears. "And I do not?" Thranduil road and his voice boomed through your little bedroom loud enough for the cicadas outside to fall silent.
Immediately, your eyes watered. You felt trapped under his gaze, engulfed in pure heat hotter than any dragon fire.
You searched for a response inside you but found none.
All there was was chaos – the loud beating of your heart against your chest like iron being beaten and shaped though all that was formed was pain sharp like a sword edge; cutting through the layers of protection you had wrapped around your heart.
Thranduil slightly lifted his nose, staring down at you through thick eyebrows and a clenched jawline. "You were dying," he said and his nostrils quivered. "I can not fathom how you through that would not have been a greater inconvenience.
His expressions made up in sound for the lowered voice he'd used to speak about what you previously refused to acknowledge.
Never before had you seen him this out of control of his emotions, not even on the nights he had bedded you where he still had a hold on himself.
The way he stood before you, dressed in fine robes not fit for riding, the hem of them stained by dirt, his boots muddy, and his face full of anguish, it was as if he could have been kneeling at your feet.
You ignored the tears slipping silently down your cheeks. "It wasn't that bad, was it?"
"It was indeed, and far beyond that."
The tears made it impossible for you to continue looking at him and your head dropped down as a sob broke through you. "I didn't know," you panicked, "It didn't happen fast so… so I thought it'd pass but – and then it got worse and worse and I was so afraid to speak to anyone about it." The words tumbled into your lap, where, under the blankets, your hands were balled to fists now that the strength to do so had returned to your body, "I – I couldn't," the night air stung as your breaths turned into gasps, "They – Bard was exhausted and –"
Thranduil's face softened ever so slightly, pushing away the furious frown. "You are too pure for this world," he said quietly and – dealing a fatal blow to your ever-fragile heart – slowly went down on one knee next to the bed until you were eye to eye and his cold long fingers could gently caress your wet cheek.
He stopped, most of his fingers covered in the glistening tears he'd freed you from and his thumb rested on the plushness of your lower lip. "The world would have lost its sunshine had you perished," his robes rustled as he drew closer, silver hair falling onto the blankets like stars flying across the skies, "You must promise me to be more careful or darkness shall be my companion from that day on."
How could you do anything else but break into tears once more?
They flooded your face too fast for Thranduil to catch them with his hand and he did what seemed more reasonable yet utterly out of character: he rose to push away some of the blankets and sat down on the mattress.
While his face showed some revelation of his thoughts at the meek bed of hay that surprised him, he said nothing except for a lowered: "Hush now, shh." while his arms found your shaking body and pulled you into his side.
He cradled you until there were no more tears to cry, until your cheeks hurt and your lashes clung together awfully damp, and then some more, his hands on your back, cooling down the firing heat that spread through you and the other in your hair. With tenderness, he massaged his fingertips into the areas where your head throbbed uncomfortably.
You cried for all the nights where you had suffered, drawing closer to a death you hadn't seen coming.
You cried out of relief that this was finally over, that you could breathe and inhale only the rich scents of Thranduil instead of smoke.
You sobbed uncontrollably long into the night, not caring one bit that by the time the wailing grew quiet and exhaustion rendered you weak enough to fall into his chest even more, Thranduils robes needed to be padded dry.
"Thranduil?" you asked and burrowed your nose into a spot of fabric that wasn't salty. "Can you tell me what was happening to me?"
He didn't start directly. Thranduil waited, his heart stuttering for a second that made you marvel that the muscle was affected by you at all despite the many proofs he had laid to your feet.
Were it not for the pounding headache you fostered and tried to push away by shutting away all the lights and leaving your eyes closed, you would have looked at his face to check for those minuscule expressions he only showed to you.
"At first I could not figure it out," Thranduil admitted at last and his previously stilled hand continuing the circular movements against your scalp, gathering hair between his fingers, "and that frightened me more than anything else. There was not a scratch or a wound, nothing that explained why you were hardly–" he flinched and his other hand held your waist tighter, "hardly breathing. Bard was the one who explained how much you fought against this illness all winter, ever since autumn to be precise. He spoke of the meals you denied, the coughing and shaking, the blood-soaked cloths, and how.. how you rarely slept and if you did, he told me he heard your whimpers and sobs whenever he passed your door."
"He noticed it all?"
"He loves you," Thranduil said, "He loves you just as much as his offspring."
You shut your eyes even closer, turning your head more into his chest as another layer of protection against the feeling of pain that flinched over your face like a stone skipping on water, leaving ripples of agony at the memory of the many times Bard had pleaded you to talk to him. "I never wanted him to hurt at my expense."
"He is aware you thought it to be better this way," Thranduil lovingly stroked your hair – and it was love, soft and beautiful like the elf who abandoned his kingdom to race to save you – "To go against his word to you declares him a strong man and leader, Dale will flourish under his guide and your gentle hand will provide your people all they will ever need."
"So what was it?" you asked the question eating away at you, "This sickness?"
Thranduil's fingers twirled a lock of hair as he hummed lowly, "The beast in the lake is at fault," he said, "and its body infesting the in any case dirty water that you used to still your thirst."
You lifted your head at that, staring up at Thranduil whose gaze was already on you. "The dragon?" you repeated perplexed, "I got sick because of that damned dragon?"
Thranduil nodded, "I sent out the order to have its carcass removed this instant, so no one else has to suffer this fate."
You drew your eyebrows together, the hard crease between them immediately found by Thranduil for him to smooth the frown away with his thumb and a soft click of his tongue.
"So I was the only one?" The conclusion was confirmed by another nod that sent you down another spiral of confusing thoughts and loose threats of a riddle that made no sense to you.
"A mystery," Thranduil said as if he could read your thoughts, "There is no explanation as to why you solely were affected and quite intense at that. I was glad to have brought Asëa aranion with me – although you required more than a handful until your heart finally calmed."
In a moment of contemplating silence, you barely managed to stifle a yawn.
Now that your body seemed to be fine again, all your muscles yearned for the sleep that had evaded you for the longest time.
Thranduil's pleasantly warm body around you lulled you into a state of calmness, his body heat and the memories of his touch you replaced with the feeling of his strong chest in your back, and his hands threading hair through his fingers.
He was curled up in your bed, in your home, not some tent under the stars though you could see them if you looked up and through the window.
As you did so, your eyes didn't travel further than Thranduil and the watchful look on his face.
"You're as beautiful as the day you left," you remarked in a whisper like a slip of your tongue but you meant every word.
While your body ached and wore new scars his hands and mouth hadn't explored yet, he could've been away for a day or less.
You lifted a hand to stroke over his left cheek, over the faint scarred muscles that you knew by whispers hid what he deemed hideous.
Thranduil caught your hand before it reached his cheekbones and his lips pressed a light kiss against the calluses, the signs of hours of work.
"Rest, meleth nîn, you need it."
There was no denying that the elvish words had meant something important, that was clear by the way his tongue had wrapped around the words and breathed them out like a kiss but his lowered lashes and downturned lips hindered you from asking what he had said.
This was not the time to question what was probably just for him.
Later, when you were not falling into the depths of sleep cuddled against Thranduil's chest, when you would step outside your house with his looming presence in your back ready to help you with every foot you set on the grounds, there would be stories awaiting you.
Stories of the Elvenking storming into the city on horseback and all alone, the wind seemingly carrying him faster than possible and the fury and worry on his face lowered all citizens to the grounds as he yelled for their King.
They would speak about the way he nearly broke down Bard's door and how he carried your unconscious body in his arms to your house, demanding for the crowd to make themselves rare before he had them all seized and locked into his halls for obstructing his path; and even though he had no authority, Bard was close on his heels and no one dared to object.
You would hear about the day he sat by your side, caring for you and barking out orders for more water, not the one from the lake but from the springs, and how Bard and his children were the only ones allowed to visit – explaining the yellow flowers that took up every single glass your house had to offer.
Thranduil would tell you the meaning of the words he had said that first night he had spent in your bed, fully awake and watching your sleeping form in his lap until the birds woke you up in the morning; and he would say these words on all the nights that followed.
With him in Dale, or you in Mirkwood – never apart from then on.
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babyrdie · 21 hours
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ALERT OF HADES II SPOILER
Okaaaayyy....seeing a considerable number of people act shocked at how Odysseus is in Hades II and think it's something against Odysseus, and now I'm wondering if they actually paid attention in the first game…I know everyone talks a lot about Hades' art, but I didn't think that was because it was the only thing you guys were really paying attention to.
It makes sense to be disappointed that the characters weren't treated the way a fan would have liked (for example, I'm not a fan of Hades, but I don't really like the idea of him in the game although I understand why he's the way he is), but I think it's weird to be that surprised by it or treat it like it's personal. Hades never fully followed the myths. They didn't do this because they haven't read Homer or because they don't like Penelope or hate Odysseus…it's simply because they don't follow the myths authentically. They don't specifically have anything against Odysseus or Penelope, it's just the way they do things. If this were the first game, I would understand this being unexpected… but it's the second game, we already know that they won't faithfully follow the myths because they didn't do that in Hades I.
I'll admit that I also didn't expect what was done with Penelope and Odysseus, but it's not really such a "wow! I could never imagine!" when it comes to Supergiant (I'm playing the technical test, for context). And I hoped they would already be together without relationship conflicts, because I really wasn't looking forward to a repeat of Nyx and Chaos, Patroclus and Achilles, Orpheus and Eurydice. I know most people wanted this, but I think it would be lazy to repeat this and I'm still hoping to not have this quest, whether with Odypen or other characters. And yet, even if I didn't expect it, I don't think it's as unexpected for Supergiant as some are making it seem.
Examples:
Melinoe and Zagreus are children of Persephone and Hades, and in mythology they aren't children of Hades.
Zagreus and Dionysus aren't the same person. The game makes humans believe that they're because the two played a prank on Orpheus, which made him invent a song with that story. Clearly a joke on the Orphic hymns.
Theseus is proud to be a demigod, but Poseidon denies that he's his father. Clearly a joke with the different versions of Theseus' birth, in which some he is Poseidon's demigod and others he's mortal.
Persephone is the daughter of Demeter and a mortal, not Zeus. For that reason, she and her children bleed red rather than gold.
Persephone isn't actually kidnapped by Hades. The kidnapping was an act that went wrong. Yeah, Odysseus wasn't the first character to have his non-con and dub-con aspect erased.
Achilles has a different personality than in myths. The game explains this as him maturing in the afterlife.
Patroclus is distant instead of communicative as in the myths, also explained by post-death events.
Asterius (Minotaur) is much more humanized than in the myths and he and Theseus are best friends.
There is a character heavily implied to be Medusa (Dusa) and she definitely doesn't behave like a monster.
Sisyphus is a kind and helpful guy, which is explained in the game with him having regretted his actions after his years of punishment.
Artemis and Callisto are on good terms even though they ended tragically in mythology.
Hades has a much more difficult personality to deal with than in mythology.
Thanatos, Megaera (one of the furies) and Zagreus are in a romantic relationship, which definitely doesn't exist in the myths.
The last aspects of the weapons to be unlocked do not even make reference to Greece, but to other figures. For example, the Twin Fists have the "aspect of Gilgamesh", a figure who is definitely not Greek.
Aphrodite says "You do know that I'm married, don't you love? I forgive you if you didn't. For my husband, he's always... busy with his work. I'm grateful that you are there for me to talk to" about Hephaesthus...her husband, she says. Hephaestus and Aphrodite are often divorced in mythology, including in Homer. And it's not because it wasn't yet at the time they got divorced, after all the Trojan War had already happened and they were already divorced at that time.
Also, they clearly don't use Homer as their only guide, so I don't know why you guys are saying "but Homer!" Patrochilles is there and not really canon in the Homeric tradition, but in Classical Greece they were considered a couple in certain sources (Aeschylus mainly). They use the name Asterius for the Minotaur (something Pausanias mentions, for example) although it wasn't the most common, they play with the various versions of Theseus' lineage, they reference Orphic hymns, etc. Like…it's really VERY obvious they took inspiration of more than one source.
On the Supergiant website, part of the Hades presentation is "Greek myth comes from stories of ancient gods and heroes filtered through new points of view; we’re excited to share ours." This already makes it more than evident that certain aspects were purposefully changed. It wasn't a surprise even before Hades I was released, for anyone who bothered to read it.
On Twitter, Kasavin (Creative Director) has already said that "it is a concerted effort over time, although Hesiod and Homer were very significant among the many authors we explored", which makes it clear that they don't focus on a specific source, although he recognizes that Homer and Hesiod are very influential.
In an interview available at Rock Paper Shotgun, he even said that he read more than one translation of the Odyssey and cites other sources like Diodorus Siculus.
Also, Odysseus cheating Penelope isn't even a modern invention, there were already versions of this in the Bibliotheca of Pseudo-Apollodorus (I'm talking about Callidice). And giving an unpopular opinion here: while I agree that Calypso in The Odyssey is undeniably an SA situation, Circe is more debatable than you guys like to make it out to be, it isn't undeniably. Both the interpretation that there was SA and the interpretation that there was no SA are valid, because the text itself doesn't make it explicit as it does with Calypso. In Circe's case, not necessarily not making it a relationship with SA makes it something that deviant from the myths.
Again because I don't want to be misinterpreted: what I'm taking issue with here isn't the disappointment in how Odysseus was portrayed. This is valid! I'm questioning the idea that this was done because they don't know about the myths or that it was something specific to Odysseus and Penelope. They know the myths, they just purposefully choose not to be completely authentic. They have nothing specific to Odysseus and Penelope, which is precisely why they aren't exempt from the changes they also made to other characters. They are no more special than Persephone, Hades, Zagreus, Melinoe (to name a few who had changes), that's why they receive the same treatment (that is, being changed).
I would never recommend Hades to someone who wanted complete authenticity to the myths. I wouldn't do that because I KNOW that's not the game's purpose. I thought everyone else knew too. You don't go to a vegetarian restaurant that you knew was vegetarian because you had eaten there before and be surprised because they don't have real meat dishes, be serious.
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Hey! I found a post of yours (specifically a phos analysis) from a looong while ago. Just curious to hear what your thoughts on the last chapters and the conclusion of the story are!
I recently finished the manga after putting it off for 4 years, and it was an incredible but such a bittersweet read. Maybe it's just me being a sucker for happy endings, but man, it really did not get happier </3
And you probably already know this, but did you know that Ichikawa released the last chapter the same day a comet flew by that looked exactly like the comet from the last chapter? Really cool stuff but I am emotionally destroyed haha
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I suppose it was the only kind of happy ending HnK could have, and I don't think I mind it as much as other things that have happened in the last few chapters. It reads more HnK than anything that has happened in the past 1-2 years of serialization.
I appreciate the bittersweet notes (always have) and Ichikawa's words that this is how she wanted the story to end, it doesn't happen to every mangaka. Also, the comet bit is such a nice touch.
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As for Phos (I suppose this is the post you meant?), I do believe that they got a happy ending.
If you think about it, instead of becoming a lunarian and being prayed away like the others, Phos' journey gave them the power and knowledge to rise above them. Thanks to their flaws (being brittle, having special inclusions, maybe being the most human of all the gems) they became human, the most flawed of creatures, and basically reverted to the purity of a child, a god, sin-less (even if this is a Buddhist story, so idk if I can actually speak of sin) and therefore free of everything that made humanity always dissatisfied, dangerous and unhappy. The others renounced existence, Phos found a way to reach paradise.
Humanity doesn't come out of this looking like a nice bunch of people to hang out with, and neither do the lunarians (gems included at this point). And yet, there's so much compassion in everything Phos does: a kind child, up until the very end.
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I always speculated (and was not alone in this) that Phos' job would become to pray the lunarians/everyone away, find Cinnabar the job to kill them, become a Bodhisattva... in this, I believe, the story remained true to itself. What I believe no one saw coming was how shallow(?) it all seemed in the end.
Everyone came back, making Phos' sacrifices and suffering basically meaningless, everyone started getting along and solving centuries-old problems in seconds. Then, Ichikawa introduced so many new changes abruptly... It felt rushed, lazy and overly simple, when most of us loved HnK for its complexity and depth.
Maybe it was because Ichikawa wanted (or needed to) end the series with ch 108. Usually, when mangaka put a limit to the chapters they want to write, it really damages the story and I wasn't a fan of this even in this situation.
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Aside from these issues, I appreciate how Ichikawa seemed to care about the character of Phos.
Maybe this all happened so that Phos could be happy, maybe this was the only possible way for Phos to be happy? It would be a little bit like in Devilman, where the world basically ends only so that Satan can understand love. Idk, little old Phos didn't seem that desperate a case, they just wanted truth, yes, this did cause some... issues, but other than that they're a sweetheart.
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This is the leitmotif of the series, after all: Phos is a kind, selfless gem who cultivates a deep sense of self-hatred.
They internalize a pressure and a need to feel useful (coming from gem society) and turn them into a necessity for change (unlike in gem society). Initially, they want to find a job. Then, they want to help Cinnabar find a job, then they want to help Ventricosus, then then want to become a fighter, then they want to help sensei, then the gems, then the lunarians...
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Contrary to most of the other gems, Phos loves and loves openly and unconditionally. They start off as a self-less creature who believes that their life isn't worth anything. Therefore, they put it on the line time and time again and, eventually, lose it time and time again as they change form.
It's their journey towards truth and happiness: they change and lose pieces of themselves, forget things, renounce gem-ness in favor of humanity and then humanity for god-hood.
Phos changes until they find the form that makes them happy. Their purest, happiest form. They change so much that they come back to square one almost: they become pure Phosphophyllite, with no inclusions at all. Still fragile, still small, but selfless and cheerful. Carefree.
In a sense, HnK ends with Phos becoming Phos.
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katkit-42 · 2 days
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Ok I'm trying again. I've gotten over the dungeon master pun so I'm gonna say what I actually meant to.
Anime onlys don't look.
So the thing about the dungeon masters is, I know we saw dungeon masters of different races in the epilogue, but I think Rui-sensei was trying to make a point in having three of the four dungeon masters we know best being elves, and the one to actually defeat the demon being a human.
Elves are the longest lived species and they have a habit of treating everyone else as children or pets. They also have the greatest grasp on magic. And it's explicitly said that the elves are the ones who hide the true nature of dungeons and demons from the other races, because they think the other races can't handle it. But it is Marcille, Thistle, and Mithrun who fall to the demon's tricks. Even though the elves think of themselves as above the other races, these three fall to the demon. You could argue that they didn't realize that the demon was dangerous, and it's true, they didn't know. But I'm talking from a meta-perspective--why was it that it's the *elves* who fall for the demon? Because the elves have always been prideful. They think they know better than any other race.
And then we have Laois. And he too falls to the demon. First, I love that because throughout the story, we've had this dichotomy of "Laois loves monsters" and "Laois wants to protect the people he loves". And they have always been treated as mutually exclusive--Laois can't indulge in his monster love without hurting his friends. But then, we see that once his friends give his monster obsession a chance, they can find things they like about it too. Marcille is still creeped out when she thinks too hard about where the food comes from, but she's willing to eat the finished product (which, lbr, is most modern peoples reactions to food). Chilchuck started thinking Senshi and Laois were crazy, but by the end of it, he was ok with it. Even Izutsumi comes around.
And then, Laois gets his wish. To become his super cool original monster oc donut steal. And everyone is prepared for the worst. Everyone thinks this is Laois' betrayal--he couldn't hold back against his monster obsession and thus he will kill all the humans.
Only, he doesn't. It is by becoming this monster that he gains his power to defeat the winged lion. It is his love of monsters and his want to be one that creates his ability to protect the ones he loves. Even though they still don't fully understand him, even though the lion offered him what he always wanted--he used his love of monsters for his friends and family. And really.... That's what he's always been doing. No one else saw it at first, but he has always been using his obsession to help the people he loves. And even at the very end, he did the same.
And anyway, I think that's an important reason why the elves kept falling to the demon. The elves are magical and long lived and wise, but from what we see, they're.... Lonely. They have their strict hierarchy and their stuffy rules with each other, and with other races, they take on the role of sole caretaker to these little things who can't possibly understand the "real world." Even Marcille falls to this. But Laois, who has always been on the outside, never stopped trying to empathize with others. He calls Chilchuck "Chil" (something extremely personal to halflings); he doesn't hold a grudge when Namari leaves the group after Falin dies; hell, even though it didn't end well, his insistence on being friendly with Toshiro was probably him trying to avoid doing to Toshiro what others have always done to him. He adores Senshi and Izutsumi. His succubus is Marcille smiling. He isn't lonely anymore.
And the elves who become dungeon masters, don't seem to have that. Mithrun felt alone due to his lover and brother. Marcille and Thistle both felt like they had to protect their shorter lived family. But Laois didn't feel that isolation. Well, he did in his village. But when meeting with his friends and forming their little party, he realized he wasn't alone anymore. And that became more important than even being a monster.
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olasketches · 1 day
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your thoughts on megumi being the one in million to not die after eating sukuna's finger?
I think it’s such a great twist. I love how megumi brought it up right at the beginning of the.. second chapter (was it?) I’ve recently reread the first 10 chapters and they actually reveal so many things about the plot and our characters. this makes me think that the ending of jjk is going to somehow tie back to the beginning.
also, the reveal of megumi being the one in million to not die after eating sukuna's finger plays perfectly into the “roles reversal” theme that’s been going on in the story. gege has been playing around with putting his character in situations where they have to reverse or keep reversing their roles/places w one another.
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↑ megumi, yuuji and sukuna right at the beginning where megumi fights sukuna and tries to get him to heal yuuji.
-> todo and yuuji, where todos technique literally makes them switch places with each other.
-> nobara and yuuji, when they fought blood painting bros and shared THE MOST PERFECT sequence where they switched places.
-> mahito and yuuji, where one becomes the other one’s pray and then the roles reversing AGAIN.
-> and obviously, megumi and yuuji where it’s megumi who’s the vessel now.
-> another one I don’t see anyone mentioning but… yuuji and choso. yuuji’s body and mind becoming more curse like every day and choso becoming more and more like human and then reaching a day where he becomes one - “rebirth” of some sort.
and probably other examples but that’s the only ones I could think of the top of my head.
and megumi being the one in a million who can be sukuna’s vessel obviously parallels how yuuji was supposed to be the one in a million special case, which in a way it feels like megumi was supposed to be the protagonist… now bear with me, in yuujis head him being the only one who can consume sukuna’s finger without dying made him feel like the main guy, the protagonist of this story. however, that doesn’t mean yuuji is not the main character of this story cause HE IS always has been. it’s just that in his head THATS what made him special, that’s what made him the protagonist. and when megumi got possessed everything changed. now he’s the one who has to save megumi from what looks like a death sentence, something megumi’s been trying to do this whole time. the roles switched and in more ways than we initially thought.
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half-man-half-lime · 2 days
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I always get annoyed when Worm readers criticize Taylor & Cauldron without actually engaging with the premise, but there is evidence against them there. (Gonna focus on Cauldron in this post.)
There are some legitimate points to be made against them that I've probably heard most of already. There's the fact that so much of their choices stem for Contessa's desire for efficiency, and she turns away from paths that might be harder- although to be fair, there's more points of failure in, for example, telling the world's governments about the dangers of Scion.
There's the fact that when they choose who to bring into the fold, they take in people like The Number Man, a former serial killer, and that colors all the decisions their leadership makes.
There's a notion, tangential to Sveta's criticism of Doctor Mother- again, they took the easy path by dehumanizing their victims with test numbers and blocking off any sense of empathy, because they feel a need to live with themselves; even the lack of empathy clouds their judgement and their so-called objectiveness, leading them to hurt their victims more than they actually had to.
The thing that interests me though is that you can't really pick and choose which consequences count. They wanted to be consequentialist? Well, the Irregulars' raid on Cauldron HQ that hampered the fight against Scion is by definition a consequence. Acting like the Irregulars ruined a perfectly good plan is ridiculous, because if it was such a good plan then they wouldn't have been invaded.
They think the ends justify the means? Surprise! The ends include the Endbringers. There are so few Parahumans left alive by the time Scion turns on humanity that nothing Eidolon contributed could have been a net benefit. Especially considering what the Simurgh was planning near the end of Ward.
We also see some of that in Ward- all of the PR campaigns, all the cover-ups, it all comes crashing down the second the PRT is gone, and any attempt at communication is hampered by the fear of what an informed public might do. The anti-Parahuman who shot Fume Hood and set off the second apocalypse did so because he only had part of the story, and never actually had the chance to see the PRT & Cauldron's full perspectives.
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helvegen-s · 2 hours
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Rage, rage | seven
index
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Pairing: Azriel x Hybern!Princess!OC
Summary: Nimue was a gift for the King of Hybern. His shining jewel, the perfect heir. However, she is clear about who the villain of the story is. When she saves her father's enemies from a tragic end, she realizes that now it's the Cauldron who has a gift for her: a mate.
Warnings: I think none, just some bantering and fluff towards the end
A/N: here is where the good shit starts...
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Nimue had started spending more time outdoors. She sat on the balconies of the house, in the garden, in the outdoor patio, and she enjoyed the fresh air. She loved feeling the wind on her skin, in her hair, the chill as the sun set.
However, there was a shadow looming over her.
She was enjoying her new life, her new freedom, but she knew that at some point all of that would have to change, that she would have to return to reality.
She was sitting in the garden, in a chair, with her eyes closed and letting herself be carried away by the sensation of the sun on her skin when suddenly she felt it.
She felt something in her mind open up, and her vision was blinded from inside her skull. When she opened her eyes, she didn't see the trees and rose bushes in the garden, she only saw white.
She didn't panic, as that light was the same one that surrounded her when she was inside the Cauldron. It was him, trying to tell her something, to teach her something.
So she clung to the chair's armrests to stay anchored to the earthly plane and let herself be carried wherever the Cauldron was dragging her.
She saw herself in the middle of a path. In front of her, green meadows and lush forests. There was something there that made the greens of the leaves seem livelier, that made the blue sky shine brighter.
When she turned around, trying to take in all her surroundings, she found a beautiful mansion behind her, where the path she was on ended. The house was neglected, but still, its charm made Nimue feel drawn towards its interior.
She supposed it must be the Spring Court, as it matched the brief descriptions Feyre had given her when telling her story.
And then she saw it.
Under the huge entrance gate, she saw them, all of them.
She saw Jurian, she saw Dagdan and Brannagh, her hateful cousins. There in the midst of all that splendor and springtime radiance, the human and the two twins exuded a poisonous and black aura that tainted the air around them.
She wondered if that's how Azriel and the others saw her, and she felt a pang of disgust towards herself in her chest.
Azriel, standing in the middle of the kitchen with a cup in his hand, felt the same pang in his own chest.
He immediately became alert and pulled and pulled on that invisible thread. He felt Nimue's presence on the other side, but there was something strange. As if she also wasn't there.
He set the cup aside, not caring if it fell to the floor or not, and hurried out of the kitchen. He first looked in the library, where he knew she spent most of her time.
He knew, clearly, because it was his duty to watch over her and make sure she didn't have any hidden intentions.
Just because of that, nothing more.
When he decided to peek into the garden, there she was.
The princess, taking one last look to identify Tamlin and Lucien, let herself be dragged back to Velaris, to her new home.
She came to her senses, and in front of her was Azriel.
"Hello."
Azriel didn't say anything. He just looked at her, in silence, watching as the girl got up from the chair and walked towards him under the sunlight.
There, in the light, she seemed to shine with her own light.
He took a couple of deep breaths and tensed his body completely. Involuntarily, his wings spread behind him, and he could see his own shadow projected on the ground.
Alright, perfect. We have to impress her.
He wanted to smack himself.
After what had happened the other day at the training ground, after letting himself go so unconsciously, Azriel's shadows had completely betrayed him. They spent the hours of the day chasing Nimue around the house, whispering in his ear everything the princess did or didn't do, telling him that she wore a very pretty dress, or that she had perfumed herself with a small bottle of cologne that Feyre had given her.
He had been avoiding her for days, now more than ever, after the ridiculousness he had made in front of Cassian.
Oh, Cassian. He had made sure everyone in the house knew, and he had also made sure to embarrass Azriel on the subject.
And now, after days, their encounter couldn't happen any other way, with his body disobeying him again, his wings spreading like a bird's, his body tensing every muscle to pretend.
He looked like a foolish teenager trying to impress the girl he liked.
Nimue gave him a warm smile, so warm that Azriel could swear his heart was melting in the middle of his chest.
"I haven't seen you in many days."
Nimue knew he had been avoiding her. Nimue knew Azriel's shadows followed her around the house. She also knew that something had changed within the male, because she felt it through the bond. She felt a small burning spark, amidst all that anger and rage boiling inside him.
"I've been busy. I have a job, even if it doesn't seem like it."
Azriel reconsidered the option of smacking himself.
Why was he like this with her? Why couldn't he manage to give her a kind word, a good look, a nice smile? Just like everyone else in his family did.
However, Nimue's own smile didn't falter.
"I know," she simply said. She continued to look at him a little longer, with all that curiosity in her face that only made Azriel soften even more.
And so they stood, in silence, facing each other for a while longer without really knowing what to say. Simply internalizing each other's presence. Until Nimue remembered the pressing matter.
"Oh, I have to talk to Rhysand. Things are moving fast in Spring.”
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"Wonderful. So now it's not just Tamlin, as if that wasn't enough, the damn Jurian is with him in Spring too. And you're telling me you have two sadistic and psychopathic cousins there as well?"
Rhysand immediately wanted to tear his hair out. Everything was slipping out of their hands. They had found a quick and discreet solution to all of this, to prevent a greater evil, and things had gone awry. He was grateful for the help Nimue had unconditionally provided, but welcoming the princess into their home had only put a target on their backs for the King of Hybern.
"I can help, Rhysand. Let me go there, and I'll take care of slowing down all their plans."
The High Lord hesitated. He could feel Feyre's gaze on him, the expectation she placed on his decision.
"Nimue..." Rhysand didn't know how to say it tactfully.
He glanced around the room, where everyone had gathered to hear what the princess had to say. He observed Azriel carefully, who stood with his arms crossed over his chest, looking as though he might bore a hole in the floor with his restlessness.
Azriel didn't want to let her go to Spring. It was suspicious, too risky. The perfect opportunity for her to betray their trust, to join forces with her cousins and the traitor Tamlin and end everything in Prythian, just as her father wanted her to do.
He wanted to trust her, but her eagerness to convince them to let her go, to let her go with the enemy...
"No," said Azriel. He stepped forward, imposing himself in the atmosphere of that meeting, and everyone looked at him. "We can't let her go, it's risky and dangerous. We still don't know what her intentions are or what will happen if her family convinces her to return.
"Don't talk about me as if I'm not here in front of you." With her sharp teeth fully visible, ears laid back and pinned to her skull, Nimue looked like a stray cat about to attack. The embodiment of rage. "I've been in this house for almost a month, living with you all and earning your trust. If I wanted to kill you, I would have done it in Hybern to save myself all this time, I wouldn't need to convince you of anything if my goal was to win the war for my father. I would simply kill you, and there would be no war to win."
Everyone remained silent and surprised at the princess's sudden outburst of fury. The sweet and innocent girl they had come to know over the past month had disappeared, and in her place, a furious beast stared at each of them one by one.
"I made it clear from the beginning. You need me. Let me fit into your plans and help you, or I'll burn everything down regardless of what stands in the way: High Lords or kings of Hybern."
Rhysand immediately became alert, ready for anything, as did the entire Inner Circle.
"Calm down."
"I'll calm down when you understand that I'm not a helpless child, nor a mere spy. I'll calm down when you understand that I'm a weapon made for war and that I have no reason to wish you harm," Nimue breathed. She did her best to dissipate her anger, to let it flow and evaporate through every pore. "Unlike the father who imprisoned me for twenty years and intends to ravage the entire world, I wish no harm upon you."
Azriel, with his hand on the hilt of his dagger, felt the heavy atmosphere of the room dissipate slowly, as Nimue glanced at each of them one by one, pleading for a vote of confidence. He felt the sorrow of the female in his own chest, raw through the bond.
Sorrow, because even though Nimue believed she was finding her place, she felt so hard to love, so hard to accept. They saw her as a monster and a threat wherever she went, and there were times when, despite her efforts to fight against that stigma, she only reinforced it. Like at that moment, when faced with the rejection of these people, she had reverted to her old self, the one who bared her teeth and threatened others.
In a final desperate attempt, she turned to Azriel, "Please, I beg you. Give me this chance and take action against my father and his madness."
Azriel looked at her, holding his breath and fighting against the instinct to fall to his knees and give the pleading female whatever she wanted. It was so difficult for him to fight against his instincts that he had to close his eyes and then look at the ceiling, avoiding Nimue's eyes, who knew what she was doing with all the rationality Azriel could have.
Rhysand broke the silence with a long sigh.
"Okay," sighed the High Lord. There was a moment of silence in which Azriel supposed he would be speaking mind to mind with Feyre. "The only condition is that Azriel goes with you and ensures that everything goes well."
"Okay. When do we leave?"
Azriel gazed enraptured at his lifelong brother, his High Lord.
"Pardon?”
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She was sitting in one of the armchairs in her room, her gaze fixed on the stars shining in the sky. She counted them, searching for the constellations that Amren had taught her in those books, memorizing their names. She felt nerves on edge, anticipation for the next day, for her parting to the Spring Court boiling deep within her.
Finally, she felt useful. Finally, her twenty years of waiting were leading her somewhere. Although she found herself on the opposite side of the fight than she had imagined, she felt that was where she belonged.
In her reverie, she felt a tug in the middle of her chest. The door to her room opened on its own, as if a gust of wind had pushed it, as if the house itself were urging her to go. Nimue shivered and decided to follow that pull, that sensation she received with open arms even if she didn't want to, even if she tried to resist it.
Azriel.
She followed the bond through the corridors, blindly, opening doors and ascending to the attic of the house. There, she climbed out of one of the windows and onto the roof of the house.
In the darkness of the night, illuminated by the half moon, Azriel was sitting on the black tiles, his face tilted towards the sky and his eyes closed.
Nimue didn't utter a word, didn't move a muscle, by the Mother, she didn't even breathe. She stayed still, observing every angle of that male's face, how the pale light of the moon illuminated his dark skin, how his raven hair shone like the purest of onyx. She remained silent, afraid he would notice her presence and chase her away barking, as the only communication between them was usually to insult or annoy each other.
Nimue looked at him and looked at him. She looked at him so much that she thought she was going to cry, until Azriel let out a sigh.
"Are you going to come closer or are you going to stay there all night?"
Nimue flinched, but quickly crawled over to where he was, sitting beside him at a prudent distance and pulling her knees to her chest. She felt her nose and cheeks reddened by the cold, her fingertips growing numb. But she didn't mind, as that made her feel alive.
"Are you nervous?"
She mulled over the response for a couple of seconds, still gazing at the stars.
"Yes," she turned to look at Azriel only to find the male's gaze already fixed on her, a relaxed expression on his face. "And you?"
"Only a fool wouldn't be."
They fell silent for a while longer, Nimue's gaze on the city below, Azriel's on the beautiful female beside him.
He couldn't stop looking at her. When he tried, his gaze involuntarily returned to her figure. He focused on every little thing, every tiny detail he could see: the waves of her white hair, the messy half up she wore, how the smile seemed so natural on her face that even though she tried to hide it, it always came back.
His shadows seemed awfully and suspiciously quiet that night, leaving room for his not so quiet thoughts.
Suddenly, she raised her hand, pointing at something in the middle of the sky.
"I never knew what that constellation was called, but it's the one I observed from the few windows I saw in the Palace. Every night I looked at it, counted the stars, drew it on every piece of paper I laid my hands on."
Azriel followed her finger, unable to contain his smile when he saw what she meant. He leaned back, lying on the tiles and letting his weight fall on his elbows. Nimue turned to him, that curiosity and fascination typical of a child discovering the world shining in her eyes, and Azriel felt a stab of anger.
His mate, who had spent the twenty years of her life locked in a Palace, was nothing more than the puppet of a bad man. And only now she was lucky enough to see the world, to be fascinated by all those things that he considered so mundane and ordinary that he overlooked them day after day.
"Here we call it the Promise constellation, but in other courts they call it the Lovers' constellation. Under it, many couples in Prythian swear eternal love. They celebrate their weddings and engagements at night and swear their vows under the light of those stars." Azriel looked at her cautiously, waiting for any reaction from her.
But Nimue only turned her gaze back to the stars, a lump in her throat. It was beautiful. Swearing eternal love to someone...
In all her existence, she had never imagined that there would be room for love. But she allowed herself to dream for a second, just one second, about how it would feel to love and be loved.
Azriel felt his emotions mix with Nimue's, felt so many things at once that, careful not to let the female see him, he brought his hand to his face to wipe away the tear that was sliding down his cheek. It was brutal, feeling all those things as if it were the first time, because it certainly was the first time Nimue felt them.
"How beautiful..." the princess whispered.
"Yes, it is. It's beautiful."
Nimue looked at him again, the purest of smiles on her face, and with a quick movement, she took Azriel's hand between hers and brought it to her lap, causing Azriel to be surprised by the gesture.
"You must learn to trust me, no matter what it costs. From my heart and under this constellation, I swear loyalty to you, I swear I will do everything I can to win this war and make sure nothing goes wrong. I swear with all my soul that you can trust me, that I am worthy of your trust."
Azriel was stunned, speechless, a look of complete surprise uncommon on his face. With his gaze lost in their joined hands, he couldn't help but notice the scars contrasting against Nimue's pale skin, and how well their hands looked together. So contrasting were their skin tones, yet so accomplice in the marks of their past. He sat up, and with his other gloved hand, he embraced Nimue's.
"And I swear I will learn to trust you, blindly."
Intertwining between their fingers, a tattoo in the shape of thorn branches began to stain their skin, bearing witness to the promise they had just made.
And with only the stars as witnesses, Azriel and Nimue held each other's hands, looking into each others eyes, staring into each other's souls.
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@lilah-asteria @agentsofsheilds @leptitlu @just-here-reading @glitterypirateduck @saltedcoffeescotch @krowiathemythologynerd @donttellthecats @annblvd @annamariereads16 @crazylokonugget @smoooothoperator @bookwormysblog
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aclickbaittitle · 2 days
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Underated Audio-Dramas
Asking for it
A queer contemporary take of the Goldilocks tale: about love, music and breaking the cycle of abuse. Goldie escapes a chaotic childhood only to go from a partner who starves her of love to a partner who nearly drowns her in it, before learning to be just right on her own.
My two-cents: This audio-drama I believe is a most listen for any queer person, but especially for us sapphics that want and/or have been in a relationship. I think not much is said about how women are able to harm you, I remember that AN in "Nothing Burns as Bright as You" as how as a bisexual woman the author was taught to be wary of men, but never of woman and in her experience woman often hurt her the most. I remember being in a school conference talking about domestic abuse but never did it once touch on same-gender couples.
All of this is to say that as a society we often neglect to take a real look at how abuse in queer relationships look like, how they look especially in sapphic and lesbian relationships. So I am entirely greatfull "Asking For It Does".
I am lucky enough to have never been in any situation that Goldie finds herself in and still I feel that I know her story not in short thanks to the amazing writer.
Also the MUSIC, the music in this podcast is amazing, and it is from a real band, that also exists within the podcast. How awesome is that!
Fanwars: The Empire Claps Back
Two passionate Star Wars fans on opposite sides of the Last Jedi debate argue via Skype after their favorite forum closes down. If you love Star Wars (or call yourself a proud member of any fandom), you’ll love this romantic comedy told via conversations.
My two cents: The trials and tribulations of being a POC in fandom, more importantly in starwars fandom and realizing that, "oh damm right, poc can spill the same dung as yt fans". And amazing if straight rom-com. I'll recommend it to anyone who wants to spend an afternoon laughing. It also futures the ever growing in popularity pair of a black woman with an asian man, whom is just slightly of an asshole.
Average Folks
Join your friendly neighborhood Prophetess Terra, and the dysfunctional Chieftain's family as they navigate life, love and creatures of an unusual sort.
My two-cents: I've binge-listened to the 1st season of this podcast. It has surprisingly great worldbuilding even though the story develops in a relatively small town. Terra is a great protagonist to follow around bu the characters that really stand out for me are the kids of the Chief and their own aspirations/conflicts about the place their family has on society. It is a bit politician/rich/monarch apologist though.
Deep Blue Stars
Dr. Indigo Hale treads upon a mysterious island, inhabited by nothing more than crabs and cranes, where they must find a way to make it past impostor syndrome, the strange and wonderful loneliness, and the secret nature of their life's work: the Star Shell.
My two-cents: This podcast came at the precise moment of my life so I always hold it dear to my heart. I was discovering my gender in my own terms, and as always struggling with my never ending loneliness, so Dr. Indigo Hale's rambles were a soothing salve. I'll never forget that excerpt about how they felt no-human growing up, 'cause yeah, maybe is the queernes, or the neuro-divergency but it hit spot on. If you like stories of people getting stranded on a desert-island and then creating a relationship with a non-human thing/animal to survive, you'll really love this.
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ryllen · 6 months
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overblot grim with Yuu who accidentally get carried on his back
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sunderwight · 5 months
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has anyone written a Loki series fic where Don the Jet Ski Salesman comes home one day to find his boys hiding something in the garage, and is tiredly like "is it snake? I better not go in there and find out you guys robbed a zoo--" only to open the garage door and see an injured, bewildered frost giant Loki prodding cautiously at a bag of doritos (the boys attempted to provide sustenance) (could be angst or good just be the version from the What If? episode trying to recover from a bender with Thor)
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stardustneeko · 4 months
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"I hope that we meet in another life..."
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