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#but right now it isn’t a going to be a tragedy as far as i can tell
starbuck · 2 years
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love the single braincell of the Boat Fandom
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fyorina · 16 days
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ᡣ𐭩 FIRST LIGHT
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FEATURING: beast dazai osamu
SUMMARY: dazai severely overestimated his self-control. it takes approximately six days and thirteen hours for him to break, seeking you out again. when he does, he knows that nothing will ever be the same. {wordcount: 14.5k; fem!reader; romance & tragedy}
AUTHOR'S NOTES: PART TWOOOOOOO, we have one of my fav parallels in this one, i know you guys will catch it immediately but u still must tell me when you do. also, there's another hint about badlands!reader & dazai's relationship in this chapter that happened after the events of the last installment so u must let me know if you catch that too. reblogs are always appreciated! thank you guys & i hope you guys love this as much as i enjoyed writing it
GENERAL WARNINGS: again, i'll just leave this warning on every chapter - dazai struggles a lot with disassociation/derealization & losing himself in the pages of the book. + we have a bit more of unhinged thought processes on dazai's end. as always please let me know if i forgot any warnings!
SEE: UNREAL UNEARTH SERIES MASTERLIST READ: BADLANDS SIDE A
He understands now the temptation that Eve must have felt in the Garden of Eden with the forbidden fruit dangling right in front of her face. Traditional interpretation of the Bible places the expulsion of Adam and Eve from the Garden on day six of creation; Dazai’s restraint has thus far rivaled that of the two Biblical figures. He’s on day six now, in fact; it’s been exactly six days, twelve hours and forty six minutes since he met you in the hallway of the club and each passing second has been more agonizing than the last. 
He isn’t sure how much longer he’s going to last. 
His office is dark and suffocating, the atmosphere so cold and unwelcoming that it has him craving the return to your warm and homely apartment so intensely that he thinks it might be making him sick. He turned off the light earlier when he felt a migraine coming on, hoping that the darkness would let his eyes and mind rest enough to catch it before it fully came on, but he’s realized that it probably wasn’t the light causing his headache, rather it was you.
He sighs as he tilts his head back, willing the migraine to go away even though he knows it's to no avail. But he can’t even rest his eyes in peace, because every time they slide shut, the image of you burns the inside of his eyelids—your soft gaze and bright smile, the way you held your hand out to take his and the way your lashes fluttered as you leaned into his touch. 
Six days, twelve hours and forty seven minutes. 
He thinks he would prefer the nightmares of his other lives to this. At least with those, they fuel his drive to press forward with his master plan, the reminder of your fates in the other worlds would scorch away any desire to seek you out in fear of bringing it upon you again in this one.
Now, every night for the past six days he’s been plagued with dreams of you—pleasant dreams. Dreams that when he wakes from them, he finds his cheeks wet and his chest heavy with such an intense longing for you that it makes him physically ill. He dreams of having you in his arms, kissing the top of your head as you do your best to study even with him making every effort to distract you. He dreams of watching sunrises with you, seeing the way the early morning colors wash over your face, your skin glowing and eyes glittering in such a vivid way that Dazai swears he can even picture it now. He dreams of a ring, and he dreams of his palms sweating as he walks with you down to the beach you met on to watch another sunrise, and he dreams of getting down on one knee in front of you just as the sun breaks over the horizon. He never dreams of a wedding, so Dazai theorizes that you never made it long enough for one to take place. 
And the realization of that alone should be enough to make the yearning for you evaporate but it’s not, because dangerous thoughts have been circulating through his head since the night he left you. Thoughts of how maybe this could be different. Dazai is the boss of the Port Mafia in this life, he has enough resources to protect you—more money than god and enough armed forces behind him to rival the nation’s government. He has the power to keep you safe in this life, more than he ever had in any other. 
If there was any life that he could be with you and ensure your safety, it’s this one. 
Six days, twelve hours and forty nine minutes.
Does he really want to give this up?
Dazai rests his arms on his desk, lowering his head down, eyes sliding shut again. He can see you again, the image of you from last week, laughing wildly at something he’d said—he can’t even remember what it was, he was so nervous that he can’t even recall half of the night, but he doesn’t really care at all what he said anyway, too enraptured by the way you react to it. 
He wonders if you’re there now. At the bar. Because what he does remember, of course, is your teasing grin as you tell him that of course, you’re scheming out a second meeting between the two of you because naturally you’ve decided that you already like him. And he remembers the hope thinly veiled behind your eyes, as you look over him, knowing that if the two of you are to meet again, it would be reliant on whether or not he decides to come back to the club, because you’ve already made your intentions clear.
Six days, twelve hours and fifty minutes.
Dazai’s throat feels swollen, his nails dig into his palms. He imagines you waiting there, he imagines the disappointment on your face as you slowly realize he’s not going to show up. And you’re so damn beautiful, radiant even beneath the shitty lighting of the club—he’s sure you saved a seat at the bar for him, and you’ve probably had dozens of interested men who’ve offered to buy you drinks, asking if you’d come to the club alone. And you’ll probably turn them down at first, telling them that you’re waiting on someone, but he wonders how long it’ll take for you to finally take one of them up on their offer after you’ve realized that Dazai isn’t going to show. He wonders if you’ll follow them out to the dance floor, he wonders if you’ll give them the same teasing smile you gave him. He can picture slim fingers caressing your hips, pulling you closer. He can picture your lashes fluttering as they lean their head down to ghost their lips against your neck, swaying to the music. He doesn’t want to picture anything else, but his mind, as always, betrays him. 
He wonders if you’ll take them back to your apartment—would you get right into it or would you sit and talk with them for a while? His head spins as his thoughts take an increasingly more dangerous spiral. It’s a bitter cold night out, maybe you’ll take the opportunity to make them the hot chocolate you’ve made him hundreds of times, thousands of times before—no, he corrects as the lines start to blur in a treacherous way, you’ve never made it for him in this life. Maybe it’s so cold out that you’d forgo small talk altogether, instead seeking out the warmth of someone else’s body—you’d take them by the hand, lead them into your bedroom and lay them back on your bed. 
Would you be gentle with them? Like you were with him? No, he reminds himself again, you’ve never been with him like that, not in this life. The pages of the Book pile around him, memories flooding him with an intensity that he’s never experienced before; he can hardly even remember what his reality is, all of the others blending and shifting together in his mind, making it impossible to decipher the lines between them. 
You’re dragging him to the beach to watch your first sunrise with him and you’re telling him that you want to see as many as possible with him—he wants to tell you that he thinks he might love you but he doesn’t know how to say it  You’re laying him back against a bed, asking him if he trusts you—of course, he does, how is that even a question? You’re leaning your head against his arm, standing before a familiar grave and accepting him for all that he is even after he strips bare down to all of the worst parts of himself for you—you shouldn’t, he wants to say desperately, but instead he’s telling you that he loves you, even though he knows it might kill you. And then-
And then he’s ripped violently from his fall into the pages of the Book as his phone vibrates and it’s not him anymore, it’s someone else, someone unworthy and undeserving, a stranger that you’d turned to because Dazai wasn’t there.
Dazai nearly heaves. He never should have indulged in you that night. He should have known he was never going to go back to normal after it. The difference between the memories and actually having seen you and heard you and touched you and smelt you was so much more severe than he ever could have expected. Now, the memories aren’t enough; he wants a life with you, he wants it to be his reality. He thinks that it’s not fair that he’s the only one who can’t be with you. He wants to make new memories with you so he no longer has to struggle with the blurred lines, so he doesn’t have to yearn for a life that he’ll never be able to experience, having to watch every single other Dazai get to have what he can’t.
Six days, twelve hours and fifty eight minutes.
He can do it, his thoughts are a bit manic as he tries to ground himself after the spiral. He has the knowledge. He has the power. He has the resources. If there’s any life that he’s able to be with you and keep you safe, it’s this one. He doesn’t have to hide from you, he doesn’t have to deny himself of you to protect you—he has the knowledge, he has the power, he has the resources. He can keep you safe. Instead of being the only Dazai who never gets to be with you, he’ll be the only Dazai who can actually spend his life with you—a long one, a happy one. He’ll have what none of them did. He can do it.  
Before he can stop himself, he speaks.
“Gin-chan,” Dazai calls softly, knowing that he doesn’t have to speak any louder for the girl to hear him. As soon as he hears the door to the backroom open, he continues with, “Have Albatross be ready downstairs with one of the cars.” 
“Of course. Where to, sir?” 
To Gin’s credit, she doesn’t sound at all caught off guard by Dazai’s sudden request, as if it’s normal for Dazai to randomly decide to leave the Port Mafia base even though he can count on one hand the number of times he’s left the base since he ascended to the position of boss four years earlier. 
“... The club we own in Naka,” Dazai says after a few moments, fingers thrumming against the mahogany of his desk for a moment before he adds, “... Don’t tell Chuuya.”
“... Yes, sir. I’ll have Albatross get everything ready immediately.”
At exactly six days and thirteen hours, Dazai’s self-control shatters. 
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You sigh. 
The seat next to you remains damningly empty despite the many attempts of handsome strangers trying to join you at the bar. You’re sure you must’ve turned down half a dozen by now in hopes that the stranger from last Friday will end up showing up but those hopes are very quickly disappearing. You want to convince yourself that maybe you’ve just missed him—it’s a rather large club, after all—but it’s not half as packed as it was last week; you think that if he were here, you would’ve spotted him by now. Or he would have spotted you.  
Dazai Osamu, you remember his name, eyes sliding shut briefly as you take a sip of your water, wondering if you should just switch to alcohol and drink your sorrows away, seek out one of the men who’d approached you already so you don’t end up spending the night alone. The thought leaves you unsatisfied, a pout rising to your lips around the rim of your glass as you finish off yet another glass of water. 
You swear that you’re not usually this pathetic—especially not over a man—but there’s just something about this Dazai Osamu that has you acting up. Like honestly, who even are you? Going to the club alone on a Friday night with nothing but some faint hopes that the man you’d met here last week would show up too? It’s so embarrassing, you think you might die—but somehow you’re not embarrassed enough to leave because you’re still hoping that he shows up. 
God, you think again, who are you anymore? You barely even know this man. You know his name and you know he’s handsome. And that’s just about it, but here you are, sitting bummed at a club because he isn’t showing even though he has absolutely no reason to. 
The bartender raises his eyebrows with a small smile and you pass the glass over to him, letting him refill it. He’s the same one from last week and he recognized you as soon as you took a seat at the bar, making sure to get you what you need and keep you company whenever there’s a lull in patrons flagging him down. It’s a stark contrast from the treatment that you got early in the night last week, where it had taken you twenty minutes to get a single drink and even then you could barely hold his attention long enough to tell him what you wanted. You can’t help but notice that he seems hyperaware of the open seat next to you.
As the bartender passes you another glass of water, you flash him a wavering smile, unconsciously sparing another awkward glance to the empty seat next to you. While the club isn’t quite as packed as it was last week, it’s not exactly empty and you’re starting to feel bad hoarding the seat when plenty of others probably want to sit down too. 
“I’m sure he’ll show,” the bartender tells you before he’s waved down by another patron. You wonder if he’s guessed who you’re waiting for or if it’s just meant to be some general comfort. “Probably just running late, he’s a busy man.”
Oh, you think, eyes widening, but before you can question him as to what he means, he’s rushing to go refill the drink of a blonde man on the opposite end of the bar.
A busy man. 
Who are you, Dazai Osamu? 
Even in your drunken state, you knew from the moment you met him that there was something off about him. The way he held himself, the way he looked at you, the way people treated him—it all screamed danger. Once you’d sobered up, you remembered all of the things you didn’t notice while you’d been intoxicated. You remembered the way people would rush to get out of his way or show him complete deference, eyes a bit wide and faces a bit pale. You remembered the way Takeda looked sick and scared when Dazai told him to go, and Takeda is usually a bull-headed and fearless man, it takes a lot to make him back down. You remembered his driver—he had a driver!—and how when he stepped out of the car to open the door for the two of you, you swore you caught a glint of gunmetal holstered at his waist before Dazai gave him a cold look and he quickly covered it up.
And you’re not usually a girl who seeks danger out, for as much as you went on your spiel about living life on the edge the last time you spoke to him, you’re usually a pretty careful person. If you were smart, you would have woken up the next morning and pretended that you were too drunk to remember the night before, forget all about Dazai Osamu and his dangerous smile and intense gaze. 
But you aren’t smart, evidently, because instead of forgetting about him, you spent half of the next day mourning because he didn’t even leave you his number and the other half of it scheming out the best way of running into him again. 
You sigh, resting your cheek on your hand as you prop your elbow up on the bartop, idly tracing the rim of your glass.
What is it about you, Dazai?
One meeting and you’re captivated. He must be some kind of witch, or siren, there’s no other explanation for how you’re so utterly enchanted by him. He spoke your name with the familiarity of a lover, watching you with gentle eyes even though they become cold and empty whenever they avert to someone other than you. And you—you felt as if you’ve known him your entire life. You’ve never had such an instant connection with someone like that before, you’re convinced that it’s fate at work, even if he’s adamant against the thought.
You want to see him again. You wonder if it was maybe just your drunken brain misconstruing things, although somehow you doubt it. You need to talk to him again to know if the connection is real, and if it’s real-
“Is this seat taken?”
At first, the voice doesn’t register as familiar, so you let out a soft puff of air, trying to figure out if you should deny another person. But as you turn to face the newcomer, your eyes widen a bit as you catch sight of the long, burgundy scarf hanging in your peripheral, stark against a long, sleek black suit jacket.
Your lips part in shock, head snapping to the side so you can fully look at the person to your left. Dazai Osamu stands there, hands resting comfortably in the pockets of his jacket, head tilted to the side, a small smile curving at his lips and a soft look in his eye as he looks down at you, comforting and warm compared to the cold emptiness you vaguely noticed from him at certain points last night.
You try to say no, it’s not taken, but no words leave your lips, so instead, you shake your head, eyes following Dazai as he takes a seat next to you at the bar. The bartender rushes over, all but abandoning the couple he’d been helping on the opposite side of the bar, pouring Dazai an expensive glass of whiskey and giving him a nod before going back to who he’d been helping before. Your eyes follow the man curiously before you turn your gaze back to Dazai, not speaking for a moment as you observe the way he stares down at the glass of whiskey for a second, the warmth in his eye slowly dissipating.
You don’t like it, and not because it makes you uncomfortable or anything, but rather because you just don’t like how alone he seems. So, you lean forward, smiling, and say, “Fancy seeing you here.”
Dazai turns his gaze back to you and the warmth returns, pools of honey rather than the endless void. You melt beneath it. 
“I vaguely remember a beautiful woman mentioning scheming out a second meeting,” Dazai drawls, dark eye lidded as he looks down at you, a half-smile decorating his face. “It would be quite remiss of me to be the cause of her failure.”
Your cheeks feel a bit a hot as you grin down at your drink. “While we’re on the topic of things I may or may not have said last week, I have to be honest with you. I totally lied about something,” you say with a laugh, leaning on the bar. He raises his eyebrow curiously. You give him a sheepish smile as you continue with, “I have absolutely no idea how to charm someone, drunk or sober, I was entirely speaking out of my ass, so keep your expectations low.”
The smile that curls to the corner of his lips is soft enough to make your heart skip a beat. “I think you just being yourself is plenty charming,” he murmurs.
You let out a noise caught between a groan and a whimper, face going hot. “Oh my god, you’re the charmer,” you accuse loudly, burying your face in your arms. “I’ll never survive. Handsome and charming, a deadly combination.”
As you peer your eyes open to look at him, you can’t help but notice the way his smile briefly falters at your words. You promptly decide to change the subject with: “Thank you for making sure I got home safely last week.”
“You don’t need to thank me for that,” he says, one pale, lithe finger tracing along the rim of his glass. Your eyes linger for a moment on the digit, mind wandering, before you force your gaze up; you can see the bandages peeking out from beneath the sleeve of his dark coat as your eyes drag his arm back to his face. There’s a knowing expression on his face, the smile on his lips a bit more sensual. Your breath catches as you avert your gaze, feeling quite like you’ve just been caught doing something bad.
“Sure I do,” you try to make the words sound casual and easy but despite your most sincere attempts, your voice is strained. “Not many people would go out of their way like that for someone they just met.”
Something akin to amusement flashes through his eye. You’re not sure what he finds amusing, but you decide you don’t care because you very much prefer it to the distant look that had been painted in them before.
“An unfortunate world we live in, then,” he says softly, but there’s a lilt to his tone that makes you feel like he knows something that you don’t. He doesn’t give you much time to dwell on it though as he asks, “Are you going to have anything to drink?”
You startle slightly at the question, glancing down at the glass of water you’re drinking before you tell him with a laugh, “I don’t know if I want to force you to deal with me drunk twice. Didn’t I promise I’d stay sober this time?”
“If I remember correctly, you only said ‘not quite as drunk,’” he says, lips tilting up a bit and god, the way he’s looking at you has you flustered, gaze lidded and intense, as if you’re the only one in the room and not in a club with hundreds of other people. “Let me order you something, I think you’ll like it.”
“Oh, that’s bold,” you warn, tossing him a teasing smile. “I'm very particular about my drinks, I’ll have you know. I’m almost curious what you have in mind that makes you so confident.”
“I have a good feeling about it,” Dazai says, tilting his head to the side as he waits for your decision.
You give a heavy sigh, pretending like it’s a difficult decision even though you know it’s not. “Fine, but only if you promise to cut me off after two. Whenever I hit three, I hit the floor.”
You extend your pinky toward him, waiting for him to take it, and when he does, you swear a jolt of electricity shoots up your arm. As he wraps his finger around yours, your heart skips a beat, your eyes meet his and you think you might get lost in the dark pools, you don’t think you would mind if you do and that scares you. You’ve never had someone make your heart flutter and mind haze like this, especially not so quickly.
“Promise,” he breathes out, barely audible above the thundering music and crowds. 
You dip your head down to press your lips against your thumb to seal the deal, and you think you fall even more when you don’t have to tell him to do the same, following your lead and kissing his own thumb to seal it. And you briefly wonder if this man might be your soulmate because he didn’t give you a single odd look and didn't hesitate for a second whereas when you’ve made pinky promises with some of your other friends and past partners, their expression always twists a bit in confusion or oddity at the second part.
Rather than letting go of your hand, he swaps to his other hand, intertwining his fingers with yours and resting it on your lap before he flags the bartender down—quite easily, might you add—and leans over the bartop to say something quietly to him. The man nods and rushes off, and you give Dazai a scandalized look as he turns his attention back to you, hyper aware of the warmth of his fingers against yours.
“You won’t even tell me what it is?” you gasp in mock offense. 
Dazai rests his other elbow on the bar top, resting his chin on his hand as he watches you through his lashes. You couldn’t drag your gaze away if you wanted to, tunneled onto him.
“It’s a surprise,” he says with a smile. “You’ll like it, trust me.”
“Quite confident for someone that hardly knows me, aren’t you, Dazai?” you giggle, raising your hand to cover your lips, and god, he looks so amused again, and so handsome. You might die. “That’ll be for me to judge.”
“Very confident,” he agrees, and you think he winks but you can’t tell because one of his eyes is covered by bandages. 
“So,” you begin, waiting for the drink. “You’re from around here then?”
You hope he is, at least, because you’d like to keep seeing him. Something about him is just so intoxicating, like a drug you just can’t get enough of. You think he must be, from the way he seems so familiar with the bartender and other patrons, but you could always be wrong.
You hope you’re not wrong.
“Mhm,” Dazai agrees, humming around the rim of his glass as he takes another sip. You hope the excitement you feel doesn’t flash across your face. “Yokohama born and raised… you?” 
Distantly, a part of you feels like the question is just an afterthought, as though he already knows the answer and you wonder if you’re that obvious, but you pay no mind to that, instead nodding. “Same,” you say, and then, “... I wonder if we have crossed paths before then. You’re so familiar, I can’t imagine that we’ve never met before… Maybe uni? Did you happen to go to UTokyo? I graduated there last year.”
Dazai seems to hesitate at the question, as if considering his answer. You wonder why, but he leaves you little time to figure it out because he finally replies, “No… I was in Tokyo for business for a while a couple years ago though.”
Your eyes light up. “Really?” you ask, leaning forward as you speak. “Where did you work? I know the area pretty well.”
He hesitates again, this time more blatantly, and you can see the confliction that briefly flashes across his face. How curious. 
“It wasn’t a particular storefront, or anything, just my line of work had me in the area for a while.”
You’re about to press into what his line of work is, desperate to know more about the man sitting in front of you, but you’re interrupted by the bartender returning with a martini so stunning that if it tastes half as good as it looks, you might fall in love. 
But you’re not going to make it that easy. 
“Go on,” Dazai says, leaning a bit back in his seat as he watches. He looks at you as if he already knows that you’re going to like it and you’re adamant on destroying his assumptions, you will hate this drink if it’s the last thing you do. “Tell me what you think.”
You lift the martini glass up to your lips carefully, the dark liquid so close to the brim that you’re nervous it will spill over the sides. He watches you expectantly, you pointedly hold his gaze as you take a sip of the drink and-
“Oh my god.”
Dazai looks utterly vindicated, raising his chin as you take a sip of the drink and stare at it in shock. It’s so… tasty. It’s creamy, and sweet, and you can hardly taste the alcohol but you can feel the tingle on your tongue and the light burn in your throat. All thoughts of the conversation you were having before the drink showed up disappear, and you’re focused solely on the glass in your hands and the man before you.
“So?” God, he’s evil. He almost purrs the word, as if he knows exactly what your response is going to be. He leans forward a bit, looking down at you through his lashes. “Give me the verdict, Your Honor.”
“It’s good,” you say, raising your chin in spite, hoping that your expression doesn’t betray but from the way his lips spread into a wider smile, you fear that you completely failed. 
“Just good?” Dazai croons. 
You pause for a second, debating on lying and telling him yes, just good, but the words you intend on speaking do not leave your lips. Rather, you say, “Okay. It may or may not be one of the best drinks I’ve had in a while. You have to tell me what it is so I know what to ask for.”
“Hmm.” Dazai lifts a finger to his chin, as if considering your words. “I don’t think I will.”
“What!”
His smile becomes a bit softer, his expression more teasing. “I think I’ll hold that information hostage, so you have to come out with me again if you want to drink it.”
A jittery feeling spreads through your chest, heart fluttering, cheeks hot. “Oh? Look who’s scheming out our third meeting already,” you taunt lightly. “How the tables turn.”
“Of course, I’m scheming out our third meeting, maybe our fourth and fifth too,” he mimics your words from last week shamelessly. “I’ve decided I already like you, bella.”
The pet name rolls off his tongue easily, as if it’s second nature to him, and your face is on fire but Dazai looks like he’s shocked even at himself. You fumble with your words for just a second, it takes you a moment too long to recover but you think that Dazai doesn’t even notice in his stunned state. 
You decide to return fire. 
“I hope all of our dates aren’t just going to be at clubs,” you tell him with a smile that edges on flirtatious, cocking your head to the left.
Your words hardly register until you notice that his cheeks have become bright and rosy, hand instinctively coming up to hide his face. He looks entirely like he’s at a loss for words, lips parting and closing several times. It’s so endearing that you think you might really die now, but then the gravity of your words hit you like a train.  
Oh god. A date? A date?? This is only the second time you’ve met, that was way too soon. You-
“I’ll make sure the next place we meet is somewhere special,” he finally says, voice smooth and gaze gentle and- 
And just like that, you’re a goner.
You’re not sure how long you sit there talking to him. Hours, probably. It feels like no time at all and forever all at once. You lose yourself in his gaze, and his smile, and you think the whole world could be burning around the two of you and you’d have no idea just because you’re so tunnel visioned on him. The music drowns out, and all you can hear is his voice. The people around you blur out of focus, and all you can see is him. 
It’s insane, you think. You’ve never felt like this with anyone before. You’ve had so many flings and so many boyfriends over the years, but the way your stomach twists and turns and the way your head feels fuzzy with Dazai is so incomparable to how you felt with anyone else. 
You feel like you’ve known him forever. 
You feel like you’ve only just met him. 
How is it possible to feel like you know someone you’ve only just met so intimately? When you know you don’t actually know much about him personally but it still feels like you can read into the depths of his soul?
God, you don’t know, but you do know one thing, and it’s that you never want to lose this feeling. 
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And that’s how it began. 
Every Friday for weeks, you find yourself at the club, sipping cheap martinis at the bar until a certain handsome man in a dark suit decides to finally grace you with his presence. Sometimes, the two of you would just sit at the club’s bar until the sun threatens to rise, when you finally go your separate ways and you make your way back to your apartment, falling asleep with a smile on your face and waking up with a giddy feeling still sparkling in your chest. Other times, he only comes by the club to pick you up, fulfilling his promise of making sure to take you somewhere nice when you find yourself fine dining at the fanciest rooftop restaurants in the city. 
He never stays over your place, even when he does drop you off. Sometimes he’ll hang around for an hour (you made him your favorite hot chocolate, he liked it so much that he nearly cried although he vehemently denied that was the reason why his eye got all misty), but he always leaves. You try not to let it bum you out, convincing yourself that it’s just because he doesn’t want to keep his driver waiting (albatross, you remember his name, he’s funny. you like him), but sometimes you can’t help the heavy feeling set over you when he makes his abrupt leave, wishing for just a bit more. He hasn’t even kissed you yet, for god’s sake. 
You also distantly note that you don’t really know much about him, even after all of these weeks his personal life remains a mystery to you. The closest you were able to get to prying anything out of him was when he showed up so late that you were on the verge of leaving because you doubted he would even show, he apologized and said a work meeting ran late. You asked him what about and he hesitated, as if he was about to say it, but then gave you some vague response and steered the conversation to something less personal.
That’s what’s happened every time you try to learn a bit more about him. You don’t really notice it in the moment because he’s smooth and charming about it, but he always manages to turn the conversation to you or some other general topic. You want to respect that he doesn’t want to talk about his personal life because maybe he’s coming to you to have some sort of escape from it, but you also want to know him beyond just the flirting over drinks and the slim things you can gleam from his reactions, words hidden between the lines of what he actually says.
Your friends think you’re crazy. They think he’s bad news. They’ve come with you to the club a few times to wait with you until he shows up and every time they see him you can see the weary looks that they shoot at one another. You don’t care what they think—or well, that’s a lie, you do care what they think, you’re just too enamored with Dazai for their words to have any weight. Which probably should be concerning, but that’s something for you to think about another day. 
Because now, you’re focused on him again. He’s been talking more tonight than he usually does—most nights, he’ll spend the majority of the time just listening to you, a soft smile on his face and a captivated look in his eye, but tonight, he’s been rather vocal, people watching with you and making sly advances that you think is just plain cruel considering he hasn’t even kissed you yet. 
But tonight, you’ve decided, will be the night. 
You’ve been trying to figure out how to go about it, if you should just invite him back to your apartment—something you’ve done before, so there shouldn’t be any nerves but you still find yourself wavering because you don’t know how you’re going to proceed once you get to your apartment. You are not a seducer. You have no experience in seducing. In fact, you are usually the one being seduced. So every time your lips part to ask if he wants to leave the club, you find yourself withering and faltering, waiting for a ‘better’ chance as if one will magically arise.
It does. 
It’s when a fight breaks out on the dancefloor a bit too close to where you’re sitting, certainly the result of some sleazy man trying to put his hands on a woman who already has a date, when you finally force yourself to stop pussying out. You let out a shriek as you stumble forward off your barstool when one of the men careens a bit too closely to you, and it’s only by Dazai’s swift reaction, arm wrapping around your waist as he pulls you to him and steadies you, that you don’t go toppling onto the floor. 
Your eyes widen as you watch the fight escalate, a bit entertained now that you’re safe in his arms from becoming collateral damage, but Dazai looks distinctly unimpressed by the scene taking place a few feet away, lips twisted into a deep frown. You watch as he shoots a sharp look to one of the bouncers lingering by the door, and you note how the man immediately moves forward to break up the fight. Interesting. You’ve noticed that the people at the work tend to be respectful to him, but that’s the first time you’ve seen them seemingly take a silent order from him.
You steel your nerves and you decide to try your hand.
“Would you… maybe want to get out of here?”
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You look nervous, Dazai watches you carefully as he leads you across the club to the exits, so he figures that there’s something else going on in your head right now. You’ve been quiet most of the night, he realizes, and he wonders if something is wrong. If something happened. His mind immediately catapults to the worst case scenario: that someone found out about the two of you, despite how careful he’s been in making sure that the places he’s brought you to were locked down by the Port Mafia before you arrived with him, and you’re being threatened.
His thoughts race. Albatross should still be waiting where Dazai left him, so if something goes wrong, he’ll be ready. Dazai glances at you again, and he slowly realizes that you don’t seem nervous because you’re fearful of something, and his anxieties slowly are edged away. 
But that only gives rise to new anxieties because then what’s making you so nervous then? What did you mean by get out of here? Do you want to go somewhere else? (but where, the longer he’s out in the open, the more of a risk there will be without him taking precautions beforehand like he usually does) Do you want to be dropped off back at your apartment? (that’s what he initially assumed, but he doesn’t want the night to end yet) Do you want to invite him to your apartment? (it wouldn’t be the first time, but it doesn’t leave him any less nervous. he’s terrified of making the wrong move) Do you want him to invite you to his apartment? (god, he hopes not)
The last option cannot happen. You’re already suspicious from the way the bartender and the other club patrons have been treating him the past few weeks, and now you’re doubly suspicious, Dazai can tell from the way your eyes squint as the bouncers at the entrance of the club nod their heads to him. If he brings you back to his place, the tallest of the five towers making up the Port Mafia base, there’s no way you won’t put together that something’s up with him and the last thing he wants is to scare you away. Even if you don’t know what the buildings are exactly, you’ll definitely question him about his occupation, go back to the dangerous line of questioning you’ve been treading on lately, and when he can’t give you a straight answer, it’ll become all the more apparent that it’s something shady and if you’re smart, you’ll make an excuse to leave and then never seek him out again.
Realistically, he probably won’t be able to hide this from you for long, but it just has to be long enough for him to woo you so the news isn’t so jarring that it makes you cut off all contact with him. Although, Dazai isn’t sure if any amount of time will make the knowledge that he’s a mafia boss not jarring enough to flee. His heart feels a bit heavy, wondering if this is all a mistake because how the hell is he supposed to just accept it when you inevitably decide to leave? And isn’t that what he should want, anyway? He wants you to keep yourself safe, no matter what the cost, and if you’re the one to cut him off, then he won’t be tempted to come looking for you again. He can protect you from the distance as he initially planned with the memory of the nights he’s spent with you pushing him forward. So maybe this is for the best.
You accepted all of the other Dazais, the traitorous part of his mind tried to convince himself that isn’t a hopeless cause, even though he knows that there’s a stark difference between who he is in this lifetime, the face of Japan’s underworld, drenched in blood and rotting from the inside out, and who he was in all of the other lifetimes, desperately trying to make himself a better man so that Odasaku would be proud of him. 
Maybe you’ll understand, he thinks weakly as the two of you leave the club. It’s drizzling now, and his eyes cut across the parking lot looking for Albatross, but his thoughts are lost—you understanding would mean he would have to tell you everything. He can’t do that. Not just because you would probably think he’s delusional, or psychotic, but because it would put the very fabric of this reality at risk. He can’t tell more people than necessary and stage five… 
His plan. 
Dazai’s gaze shifts back over to you, the sudden remembrance of what he’s been planning since he came in contact with the Book so many years ago spreading like ice through him. He should take you by the hand and lead you to the car, the rain is going to start coming down harder any second now, but Dazai is frozen because in his manic state, when he’d decided he can protect you in this life, be with you in this life, he hadn’t even given any thought to what would become of his plan, and he’s been so consumed by thoughts of you the past few weeks that it’s hardly crossed his mind.
He has to force himself to move forward, ignoring the way his mind is reeling—if he decides to live, what does that mean for Odasaku? For Atsushi and Akutagawa and Chuuya? For the world? Would he be condemning everything he’s worked to protect? He still thinks he can do it—protect you, that is—but would it be at the cost of everything else? He feels sick, trying to figure out if he’s going to have to plot out a whole new plan, as if this one hadn’t taken him years to come up with and implement. 
But you don’t move to follow him to the car where Albatross is waiting when he steps forward. Instead, you tilt your head up to the sky, lashes fluttering as rain begins to drizzle down from the dark sky. 
And Dazai’s spiraling thoughts halt. 
He thinks you look beautiful—you’re always beautiful, but he thinks there’s something magical about the picture of the small smile on your lips as rain drops slide across the smooth skin of your face. He tries to force himself to look away so he doesn’t seem creepy staring at you, but he can’t bring himself to.
You don’t seem to mind though, because you turn your attention to him, eyes lit up in a way that makes his heart race. “Dance with me,” you say suddenly, holding a hand out to him, the soft smile on your face is a bit mischievous now.
Dazai looks down at you, raising his eyebrows. “Here?” he asks, voice tainted with a hint of incredulity. “Now?”
“Mhm,” you say, unperturbed, holding your hand out more insistently. 
Dazai thinks he isn’t capable of denying you much of anything, but he can’t help but hesitate. Not because he doesn’t want to dance with you—he would sell what’s left of his wretched soul for just a single dance with you—but because the longer he’s out in the open, the more of a chance there might be an assassination attempt on him. Every time he goes out, he’s gambling his life. It would put you in danger, and it’s not like he brought Chuuya along for if something goes wrong. Albatross is capable enough, but his ability is not combat centric. 
Being seen with you in general could put you in danger, doubts begin to sprinkle through his head again, his heart lodged in his throat as remembers that Fyodor Dostoevsky and Agatha Christie aren’t the only threats to your life. He’s been as careful as he could be but even with all of the precautions in the world, there are still risks. He’s made new enemies in this lifetime, hundreds of them over the years, and if any one of them caught wind of you and his apparent attraction to you…
“If you wanted to dance, shouldn’t we have done that inside?” Dazai drawls instead, trying to play it off. Inside, where it’s significantly safer. Inside, where Dazai knows that there’s less of a chance of unsavory eyes falling upon the two of you because the club is owned by the Port Mafia and everyone let in is screened. Inside, where Dazai can still convince himself that he has the power to keep you safe. You’re entirely unbothered by his question, so he continues before you can shoot him down, “Where it’s not raining, and where there’s actually music.” 
“Haven’t you seen all of the romance movies?” you complain, smile widening. “Dancing in the rain is romantic, Dazai. Who needs music anyway? C’mon, dance with me.”
And how is Dazai supposed to say no to you when you look at him like that? Eyes wide and imploring, smile gentle—you look at him in a way that Dazai’s only dreamed of, and he knows that he’s a goner. Well, he’s known since he first met you, but it’s being made abundantly more clear right now with the way his heart, which he usually has such keen control over, beats rapidly in his chest. His lips part because he still wants to try to deny you—for your sake, not his—but no words leave them.
You don’t wait for his response anyway, hand darting out to catch his so you can drag him out into the parking lot. His eyes widen, stumbling forward and trying to catch his balance—you only laugh, intertwining your fingers with his while your other hand finds his waist, spinning the two of you in a reckless circle. 
“Keep up!” you tell him with a smile that causes his breath to catch. 
Dazai thinks he might die. His head feels fuzzy as you lead him in a wide ballroom dance, sweeping across the vacant parking lot with ease. He thinks he must look like a fool being dragged along in your dance like a puppet, hardly able to keep himself from tripping over his own feet. 
He’s not sure how you’re able to keep yourself so graceful, heels splashing in puddles as you lead him through spins and turns and pivots, but Dazai thinks you’re beautiful. Again. Extraordinarily so, even. Rain is pouring down over the two of you, the drizzle quickly becoming torrential, and your hair is wet and matted to your face, mascara a bit smeared underneath your eyes, but you’re laughing, and Dazai thinks you’re divine. Heavenly. Too ethereal to be tainted by the likes of him and yet here he is, the putrid skin of his fingers intertwined with your untarnished ones. You raise your arm and his, beckoning for him to twirl beneath it.
He does, and it’s awkward and clumsy because he’s too tall to comfortably perform the move, but you giggle loudly so it makes up for the embarrassment. And for a moment, Dazai can almost convince himself that this isn’t a life where he’s been forced to let the dark consume him for the betterment of the world; rather, it’s a world where he’s gone unsullied by the dark, his blood still runs red and you’re beautiful and you’re alive, and he’s just a boy who’s fallen so terribly in love with a girl so far out of his league that he thinks he might be dreaming when you return his interest. As he spins, he notices that his cheeks feel a bit strained and sore, and he realizes that there’s a smile on his face that matches your own, the muscles of his cheeks and jaw unused to stretching in such a manner and he hopes, anxiously, that it doesn’t look quite as unbearable as it feels.
If it does look unnatural, you don’t seem to mind. The rain blurs his vision and he’s forced to blink away the raindrops that keep falling into his eye, and for a split second, you’re standing before him in a pretty red dress on a sidewalk, and he’s the one leading you in the theatrical dance, dipping you down as lightning webs across the sky above the two of you, and he’s about to beg you for a kiss, he knows it but then-
He’s drawn out of his thoughts when you pull your hand back from his, but you don’t give him time to mourn the loss of your touch because then you’re slipping your arms around his neck, loose and casual. You’re pressed up close to him, chest brushing his and head tilted back so you can look up at him—a slower dance, swaying to the music of the wind and rain—and Dazai can hardly breathe. You’re so close. So close that he could kiss you if he wanted to. God, he wants to. He’s wanted to for weeks but every time he tries to gather the nerve to do it, he backs out.
“Where’d you go?” you ask softly, and he can barely hear you as thunder rumbles in the distance, brows furrowed in confusion, unsure of what you mean. You tap his temple twice gently, “Left me for a second there.” 
Oh, his throat feels a bit dry, realizing that you must’ve noticed when he started to slip back into the pages of the Book. Terrifying. Beautiful and terrifying, that’s what you are, if you can read him that well after meeting him once a week for a few weeks, he dreads to know how well you’d be able to read him once you start spending more and more time with him. But would it be so bad? To have someone that knows him so profoundly? He’s so alone all the damn time in this world, and you’re giving him a taste of a life where maybe he wouldn’t have to be. It’s terrifying. Tempting. He forces another smile onto his lips, and this time your eyes narrow, as if you know this one isn’t as genuine as the last. 
“How rude of me,” he murmurs, lifting his hand to tuck a stray strand of hair behind your ear. He’s so close, he realizes again, hyper aware of the way his lips are almost brushing yours. He could kiss you if he wanted, he repeats, and he wants so badly but he doesn’t want to scare you away. “To leave behind such fine company.”
You don’t look content with his apparent attempt at avoiding the subject, and Dazai’s throat feels tight because it’s not really a conversation to have with you here. Now. Ever, really. 
For once, mother nature appears to be on his side, because before you can press on the subject, lightning strikes dangerously close to where the two of you are standing, making you jump, eyes wide. He takes the opportunity to wrap an arm around your waist, guiding you over to where he left Albatross earlier in the night. 
The car is already running, Albatross is leaning back in the seat scrolling on the phone and Dazai nearly commits an atrocity when he sees that the man has his gun laying haphazardly on the dashboard. As if Albatross can feel Dazai’s murderous intent, he looks up from his phone and his eyes shoot open when he sees you with Dazai and he scrambles to holster his gun back at his waist. 
Luckily, you don’t notice. Or maybe unluckily, because your attention is still fixated on him and Dazai is not ready to have that discussion with you because how the hell is he supposed to say “Sorry! Lost in some worlds that don’t exist, and just so you know, we almost got married in some of them! And just so you know, I got you killed in all of them!”
Yeah. That would go over well. 
Instead, he opens the door to the car for you, letting you hop in the backseat. He follows after. Albatross slides his glasses to the bridge of his nose, an unscrupulous smile on his face that instantly has Dazai suspicious. He hopes the man knows that no friendship with Chuuya will save him if he decides to purposely embarrass Dazai in front of you. 
“You’re back!” You recognize Albatross immediately, a smile spreading across your face at the sight of him. Dazai is almost jealous until he remembers that you’re still holding his hand. “You weren’t driving last time.”
Right. Because of the raid on one of the Scarlet Gang’s warehouses in Tokyo. A mission that Dazai definitely should have been more available for on the off chance that something went wrong, but he was far too busy indulging in you. In his defense, he had no doubts that the mission would go according to plan—the Scarlet Gang is dangerous, yes, and Kawabata is a force to be reckoned with, but he’s simply not Dazai.  
“D’aw, didn’t think you’d recognize me, doll,” Albatross grins, tossing you a wink. “Good to see you again too. You’re significantly more sober tonight, aren’t you?”
Dazai’s eyes narrow a bit at the pet name, but he’s more focused on the way you throw your face into your hands with a groan, reminded of just how drunk you’d been the last time Albatross was playing chauffeur. You’re a messy drunk, he remembers fondly, he doesn’t remember ever seeing you drink in any of his other lives with you, and he feels a bit giddy at the thought that he gets to experience a side of you that the others never did. Even if he was spending half of the night holding your hair back while you threw your guts up, spluttering apologies through sobs and heaves. He would do it again. Without even the slightest hesitation, he would do it again. 
“I wasn’t that bad, was I?” you ask, peeking one eye between your fingers to look at Dazai for confirmation. 
Dazai doesn’t even have the chance to assure you that no, you weren’t that bad, because Albatross is speaking again. Of course. 
“You were pretty damn bad, doll,” he grins, and you groan even louder, leaning your body over to rest your head on Dazai’s bicep. Dazai’s heart nearly leaps out of his throat. “S’alright though, boss took care of you.” 
“Did he?” you ask with a teasing smile, eyes glittering as you look up at Dazai, who suddenly feels a bit embarrassed, but Albatross rescues him. 
Maybe he does deserve the vacation he’s been bitching about wanting. 
“Where to?” Albatross asks, putting the car in gear, gaze flickering between you and Dazai briefly. 
Dazai is about to tell him your apartment when he catches the sudden apprehension on your face. He hesitates and waits for you to say whatever you want to say, but you don’t, instead you let out a puff of air and let your eyes slide shut. 
“Where do you want to go?” Dazai asks you.
You still look uncertain, but then you finally say, “I was meaning to stop and get some groceries at the convenience store on the way home. There’s one a few blocks away from my apartment. I can just walk over there if you drop me off at my place though, it’s fine.”
As if. The idea of you walking anywhere so late at night makes his skin crawl, especially considering there’s been a rise of violent crimes in the city that the Mafia has yet to get a handle on. He needs to push for that to be taken care of if he has to worry about you leaving your apartment to wander around so late. He makes a note to himself to bring it up to Chuuya later. 
“We can stop there on the way there. It’s no trouble.”
Albatross gives him a look, as if he’s asking if the boss of the Port Mafia is really about to go grocery shopping with a civilian in the middle of the night, forcing the Mafia’s best getaway driver to be their chauffeur. Dazai only gives him a cold, sharp look in return—if you need groceries, then they’ll stop for groceries. Simple as that. In a life where Dazai thought he’d never even be able to look at you, the chance of doing mundane chores like grocery shopping with you is not something he’ll just pass by. 
He can pretend to be normal. If only for a little longer. 
Until he has to go back to the base, and his lungs are clogged with corrupted air, being slowly suffocated by his surroundings.
Until you figure out who he is, and he’s alone again, being consumed by the void in his chest once more. 
He hardly considers the fact that he’s going somewhere with you where his subordinates haven’t made extensive efforts to ensure that no one suspicious is around to see the two of you. 
“Alrighty,” Albatross agrees, backing down as soon as he sees the expression on Dazai’s face. “To the convenience store.”
Your eyes brighten, a smile lights up your face. “Thanks,” you say relieved, and Dazai wants to say that you don’t ever have to thank him for everything and that he’d give you the entire world if given the chance, but he thinks that might be a bit weird so instead he settles on just giving you a small smile. “I’ll make you the best hot chocolate of your life when we get to my apartment. Just wait.” 
Dazai’s chest feels warm. “I don’t doubt it.”
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“Wait here,” you tell both Dazai and Albatross as Albatross pulls into the parking lot of your apartment complex and stops the car outside of your building. Dazai, who’d been about to follow you, pauses from where he’s ducking beneath the doorframe to step out of the car, looking at you and waiting for an explanation. “... My apartment is a mess… I, um, wasn’t expecting company. Let me just… tidy up before you come in. I’ll only be a few minutes.”
Dazai’s visible eye crinkles up in amusement as he sits back down in the backseat of the car and you immediately take off up toward the steps leading up to the second floor of your apartment, giddy and excited, grocery bag swinging and bumping against your hip as you make your way quickly up the steps. You don’t know what’s gotten into you. You feel like a schoolgirl dealing with her first real crush, flustered and giggly, hardly able to hold a conversation without stuttering over your words. 
He’s just so… you don’t know how to describe it. Intense. But intense isn’t even the right word, because he’s not so intense that it makes you uncomfortable or overwhelmed, and that’s usually what you think of when someone is intense. Or maybe overwhelmed is a bit fitting, because you swear every time he sets his soft gaze down on you, your heart might leap out of your chest. Intense. Familiar, you don’t know how it’s possible to feel like you’ve known someone you’ve only met a few times your entire life.
Your fingers fumble as you try to unlock your door. One, two, three, it takes three attempts for you to finally slide the key into the lock, pushing open your door and stepping inside, free from the torrential rain and wild wind outside.
You sigh and rest your back against the door as you shut it behind you, eyes sliding shut. 
Who are you, Dazai Osamu?
Someone important. 
Of course, you noticed how he was treated by the workers of the club—the bartender, the bouncers, even just the regular patrons. The restaurants he’s brought you to the past few weeks, they all treated him the same way. There were plenty of men there that were dressed in expensive clothes and held themselves highly, but none were treated the same way Dazai was.
Someone dangerous. 
You’d also caught a glimpse of the gun on the dash of Albatross’s car. (His driver, another point to note because who has a driver except very important people) Only three types of people have guns in Japan—military, police, and criminals, and you’re pretty sure he’s not part of the military or police force…
Someone you probably shouldn’t be so drawn to.
That should be enough to make you run. It really should be. You have no explanation or excuse for why you’re not besides the fact that you might not be as smart as you herald yourself to be. You shouldn’t feel giddy when he smiles softly at you, you should be nervous. You shouldn’t be longing for his touch, you should be avoiding it. Instead, you’re leaning against your door, smiling like an idiot after making him wait for you to clean up your apartment so you don’t embarrass yourself. 
Oh, you’re such a fool. But how could you not be with how he treats you? Tucking hair behind your ear, setting a gaze so soft on you that you think it might make your heart stop, dancing with you in the rain clumsily with rosy cheeks and wide eyes. How is it possible for you to reconcile the way the man acts with you to the way others treat him? Or maybe that’s just delusion speaking. It could be, honestly. You think if your brother was living with you, he’d be horrified, might lock you away for the rest of your life; you think your friends already want to put you in a psych ward and they’d only become all the more insistent if they knew half of the things you’ve noticed. 
But your brother left you and your friends don’t know, so nothing is stopping you from making what might be a terrible decision. 
You let out a breath as you push yourself off the door, placing down your grocery bags on the table by your door so you can scramble to pick up all of the stray clothes you’d tossed around your apartment as you frantically tried to find an outfit earlier in the night. You reach over to turn on your light, flicking the switch once, then twice, and then three times.
No way.
You sigh deeply, head falling back against the wood door of your apartment, knocking the back of your head against it twice in frustration. Letting out a irate puff of air, you push yourself off of the door and force yourself to get to work. It’s not the end of the world, hopefully it'll come back soon, the providers are usually quick with getting the outages fixed, even in your shitty area. 
You force yourself to move forward, frowning deeply as you scoop up all of the paperwork spread out on your coffee table, making sure to keep it all in order as you move them over to the desk you have by your window seat. You drop the pile down and cast your gaze out to all of the clothes strewn haphazardly around your apartment, cursing yourself for having been so messy earlier when you were trying on just about every outfit you own and then flinging them around frustrated when you decided they weren’t good enough.
You scowl as you bend down to pick them all up, deciding you’ll just stuff them messily in your closet and fold them later when you don’t have company. As you zoom around trying to snag all of the dresses and different pairs of bras and underwear scattered about, your mind races. Your stove should still work because your landlord refuses to install any modern appliances into your apartment, for better or for worse, so you have an old model that shouldn’t be affected by the outage. But you think it’ll be awkward sitting in the dark, you think you have a few candles stored away in your room—you’ll have to find them and set them up. 
Candlelit evening, how romantic! you think to yourself, a bit dreamily. You wonder if Albatross will be coming up to join the two of you in your apartment, you’d offered to make him a drink too but you figure it’ll be Dazai’s decision if he’ll be waiting outside or…
Or maybe, he’ll send him home. 
You get giddy at the thought—candlelights, slightly tipsy after a night out, you take a peek under your dress to try to figure out which underwear you’d decided on earlier and if you should change into a different pair but are delighted when you realize that you’d gone with your pretty red ones. 
You think he’ll like them. 
Hopefully. 
You like them, they’re your favorites.
Oh, you have to clean your bedroom too, you think to yourself in partial agony because you don’t know how the hell you’re going to clean up everything in there without making Dazai wait out there for an hour. You get anxious at the thought, worrying that if you take too long, he might leave, so you pick up the pace. You snatch the last stray bra hanging on the arm of your couch before taking off into your bedroom.
You hardly get a step into the room before you’re freezing in your tracks.
No way.
You stare at your bed, arms falling loose to your side, lips parted in shock. The clothes you’d cleaned up all drop aimlessly to the floor around you. Your bed is drenched with water—your sheets soaked, your mattress soaked, the ceiling heavy with rainwater from a leak you didn’t know you had.
“Oh my god,” you breathe out to yourself, unsure of what exactly you should do, never having had a problem like this before.
You think this is what you get, seeking out the cheapest possible apartment complex to stay in because you’re trying to save all of the money you have for school. Now, your mattress is ruined, your ceiling looks like it’s on the verge of collapse and oh my god, you left your laptop on your bed. 
A noise caught between a whimper and cry of frustration leaves your lips as you dive forward, fishing your laptop out of the massive pool of water flooding your bed. You hold it in front of your face between two fingers, watching as water drips from it down to the ground. 
There goes your laptop too.
You think you might be sick. 
Now, you have to deal with a landlord who is decidedly not helpful when it comes to issues in the complex and you have nowhere to sleep. Maybe you can call one of your friends to stay at their place, but it’s already the middle of the night and you know two of them have their own entrance exams tomorrow for the programs that they’re applying to.
Unless…
Your gaze shifts to the window in your room, looking between the blinds to see Dazai and Albatross still waiting outside in their car. 
Okay. Most urgent problem temporarily fixed. Maybe.
Dazai has a place. He has to. He’s clearly rich. It’s probably a much nicer place than yours too. You can go there, at least for the night. He wouldn’t just leave you with nowhere to go… right? No, of course he wouldn’t. You need to pack then, instead of cleaning. 
Okay, this is fine. 
It’s fine. 
It takes you about five minutes to grab a few spare pairs of clothes into the duffle bag laying at your bedroom door, occasionally tossing dirty looks at the leak ruining your bed. When you finish throwing your clothes in the duffle—unfolded and hastily, of course, they’ll be terribly wrinkled—you rise to your feet and swing the bag over your shoulder, making your way back to your door and grabbing your groceries. 
You don’t know what to say to him when you get back to the car. You’re probably being a bit presumptuous. Okay, a lot presumptuous—Dazai has never invited you back to his place, you’ve invited him to yours—but you don’t really have another choice.
You exhale as you step back into the rain, locking your apartment and making your way back down the steps to the complex’s parking lot. You don’t let yourself hesitate as you dart across the parking lot toward the car, fearing that if you take a second to actually think about what you’re doing—inviting yourself into someone else’s home!—you’ll probably back out.
You open the car door. You slide back inside, taking a seat behind the passenger seat. You drop your duffle bag on the floor between your feet and place your groceries back down between you and Dazai. You can feel both Dazai and Albatross staring at you. You stare ahead.
“... My apartment is flooded,” you finally say after a few moments.
Dazai doesn’t say anything, brows furrowing as he watches you. You can hardly bring yourself to look at him, trying to peek at him from the corner of your eye as best as you can without being too obvious about it. He’s not responding. Albatross isn’t moving the car. You’re getting the urge to bolt, to run upstairs and drown yourself in the puddle of water on your bed. 
Finally, Albatross clears his throat. “Boss?”
Dazai still doesn’t respond. You think you might be doubly sick now, and embarrassed. An awful combination, really. You know that he knows what you came back here hoping for, and you realize that he might just send you back to your flooded apartment instead because he obviously did not sign up for taking in some random girl that he’s met a few Fridays for the night because she has nowhere else to go. 
You finally turn your face to look at Dazai head on and you can feel that your eyes are glassy, chewing on the inside of your cheek. You don’t know how pathetic you must look for Dazai’s expression to shift the way it does, his conflicted expression crumbling as he turns away from you. You don’t want to know how pathetic you must look, you’d only feel even more humiliated.
After what feels like an eternity, Dazai finally says: “Drive.”
Albatross’s eyes shoot open, he physically turns to look at Dazai, “But-”
You don’t catch the look that Dazai gives Albatross, too busy basking in the relief of having somewhere to stay for the night, but whatever it is, it makes Albatross turn back to face the wheel without another word, turning the car back on and shifting it into gear before pulling out of the parking lot. 
As soon as you’re on the move, you turn your attention back down to your phone, trying to figure out if you should message your landlord now or in the morning, dreading the inevitable argument you’re going to have with him. You fiddle with the device, occasionally sparing looks at Dazai, but the man is lost in thought next to you, visible eye distant and conflicted.
You can’t bring yourself to say anything so the whole drive to Dazai’s apartment is long and quiet. Even Albatross, who’s had no difficult sparking conversation the whole drive to your place, stays silent.
You’re bummed, all of the excitement you felt about bringing Dazai back to your place is long gone, feeling the stress of having to replace everything that’s been ruined by the leak and the anxiety of dealing with your landlord; all you want to do is sleep and die. Okay. That’s dramatic. But you’re exhausted and you really do want to sleep. Maybe not die, but definitely sleep. 
You lay your head against the window, eyes starting to droop shut, and you can feel Dazai glancing at you now but you can’t even bring yourself to look over at him. Instead, you keep your eyes trained outside the window, only perking up when Albatross finally starts slowing to a stop.
And then, you’re suddenly not tired at all. Your eyes widen as he pulls to the front of the tallest of the five black buildings that tower over the Naka ward, lips parting as you crane your head to look up out the window and then look pointedly back at Dazai, stunned.
Dazai refuses to meet your gaze, staring ahead. 
… You think that your instincts about this man must be spot on. 
Too bad you’re not listening to them.
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“You’ve gone crazy.”
Dazai’s gaze draws up from the paperwork he’s definitely not doing, far too preoccupied with thoughts of you; it’s cold and cutting as it lands on Chuuya. His executive enters the room without any type of announcement, his voice just as cold as Dazai’s expression—he supposes it’s testimony to how angry he is, because Chuuya is only frigid in his anger when he’s really been pushed to the brink.
Naturally, Dazai only smiles, a slow and taunting one that he knows presses all of Chuuya’s buttons from the way the man’s bicolored eyes flash with fury. Chuuya storms over to Dazai’s desk, making his way until he’s standing right in front of him. 
“How so?” Dazai drawls, folding his hands over his lap as he leans back in his chair, tilting his head to the side questioningly. 
“How so?” Chuuya spits out, slamming his hands down on Dazai’s desk. Dazai raises his eyebrows and then lifts his chin, looking pointedly down to where Chuuya’s hands are splayed against his desk. Chuuya doesn’t flinch—of course he doesn’t, he’s Chuuya—but he does pull his hands back to himself, albeit snarling as he does it. “The hell are you bringing some random woman back to our base? Back to your room? Going out alone the past few weeks when you know you’ve got a bounty on your head higher than most world leaders? I was letting it slide but this is too far, why the hell is she here? You’ve gone crazy, what the fuck is wrong with you?”
“Careful, Chuuya,” Dazai warns, voice quiet, expression growing a bit flinty when he brings you up. Dazai doesn’t care if Chuuya wants to rail on him for being reckless, but he’s not allowed to drag you into it. He decides to not acknowledge the comment about you, focusing on the end of his tirade, “I was with one of the Flags, I wasn’t alone.”
“Albatross isn’t cut out for that type of combat and you know it,” Chuuya snaps, glaring at Dazai. “If one of those bounty hunters came after you, you both would’ve been killed. What’s gotten into you? Never took you for the type to be this reckless. You get a taste of a woman’s c-”
“I said careful, Chuuya. Know your place,” Dazai repeats, voice icy. The warning is gone, only a threat remains—Chuuya doesn’t need to finish his sentence for Dazai to know where he was going with it, the way the man’s eyes darted over to Dazai’s bedroom was more than enough to confirm it. 
“Is this a goddamn joke to you?” Chuuya asks, keeping his voice low, his lips flat and his eyes narrowed. “I don’t get it. You’ve always been so careful, more than anyone else. What the hell does one random woman have that’s making you risk all of this?” 
“I’m not risking anything,” Dazai tells him coolly, “and she’s not just some random woman.”
Chuuya’s expression shifts, brows furrowing deeper; Dazai can see the tiny cogs working behind his eyes as he thinks. He wonders if Chuuya has been drinking tonight, catching the pink hue to his cheeks and the hazy look coating his eyes. 
No wonder he’s so angry then, Dazai muses, he must have been out with Kouyou when he got word that Dazai left the base again without any protection detail and then brought someone up to his room who in Chuuya’s mind, could be an assassin for all he knows. 
Suddenly, the confusion clears and something closer to realization sweeps across Chuuya’s face. His gaze turns back pointedly in the direction of Dazai’s bedroom.
“That’s her,” Chuuya says, disbelief dripping from his tone. “The girl you’ve had Kouyou looking over for years. What the fuck, Dazai? I thought the whole point of having Kouyou look after her was so that you kept away from her.”
Dazai stares at Chuuya, only for a moment, because then his gaze drifts back to the door leading into his bedroom, mind drifting. He supposes that he shouldn’t be surprised that Kouyou told Chuuya about it—Dazai wasn’t explicit enough with his orders, only telling Kouyou to ensure that Dazai himself never knew anything about her. Of course, the woman would bring it up to Chuuya, probably hoping Chuuya had some insight into why Dazai is so insistent on your protection. 
Chuuya didn’t, of course, but he guesses that only made the topic of you and Dazai’s apparent random attachment to you even more of an interesting topic for their wine sessions. Honestly, he’s surprised that Chuuya didn’t realize earlier that the girl he’s been seeing is the one he’s had Kouyou assigned to. Kouyou surely should have known by now.
You’re fast asleep by now. He got lucky because of how exhausted you were over the stress of the whole situation: he didn’t have to deal with the questions that he was certain would arise as soon as you caught sight of the Port Mafia base. You were all but falling asleep on your feet as the two of you stood in the glass elevator leading up to Dazai’s apartment, the penthouse in the centermost of the five buildings consisting of the Port Mafia base. Dazai thought he was about to have a heart attack when you swayed on your feet and ended up resting your head on his bicep, eyes drooping shut. You only managed a few sleepy protests as he led you to his bedroom, asking where he was going to sleep if you take his room (the fact that you worry about him when you’re even on the brink of falling asleep on your feet made his fingers tingle), but you gave in quickly at his insistence. 
He should feel some sort of pity, or sympathy, because he could see the weariness in your eyes and the fatigue plaguing your body. Dazai might not be capable of feeling pity or sympathy for most people, but if he could feel it for anyone, it would be you. But he does not, and it’s for a selfish reason, of course: your misfortune led to you turning to him for help, and the thought of that alone makes his chest feel light and giddy. 
Yes, he’s going to have to figure out some sort of excuse tomorrow for when you wake up and inevitably have questions—he is not ready for you to know about his position in the Port Mafia—but right now you’re sleeping in his bed and you’re relying on him for help. His fingers thrum against his desk, jittery with excitement, he almost forgets Chuuya is there until he hears the man let out a sharp noise of disgust at Dazai's apparent exhilaration. 
Distantly, very distantly, he knows this is bad. You’ve been smart and observant in every universe, you’re going to put together that something is seriously wrong—you were not supposed to come back to his place, but how was he supposed to say no to you when you were looking at him with teary eyes and nowhere else to go? The thought itself feels like sacrilege. 
“You know what we are and what we do,” Chuuya says, voice calmer now as he shakes his head and fishes a cigarette from his pocket, lighting it with his free hand before he turns to leave. “I don’t know what the hell you’re doing, but you’re putting this girl in danger after the lengths you went to keep her safe. I don’t get it.”
He squints a bit as Chuuya’s words ring through his head. That’s what he had thought too, but he’s the last person to admit to Chuuya that he might be right. A cold feeling starts to set over him, spreading through his chest like ice. If he’s going to think about this realistically, you’re probably already in danger just from being around him. The likelihood of someone catching sight of the two of you the past few weeks is higher than he’s comfortable with, even with the precautions that he’s taken, especially with tonight outside the club and at the convenience store. The thought is terrifying, enough to immediately kill off the jittery excitement that had been running through his body. 
Dazai’s index finger traces the outline of his lips, his mind races. What does he do? If you’re in danger, he can’t just let you go back to your apartment and leave you undefended in a sketchier part of the city. His enemies will jump on it. They’ll target you. But he can’t just keep you here. It’ll be too risky, you’ll figure out who he is and what he does, and that’s not even considering the fact that maybe you won’t even want to stay. You might wake up in the morning and head to someone else’s place—you’d made a vague comment about not wanting to intrude and going to a friend’s house tomorrow but the thought makes his stomach twist a bit. 
God, he’s so conflicted. 
But the first thing to handle is making sure that you don’t go back to your apartment alone. The rest he can figure out later on—he has to decide if he’d rather try to keep you around the base and risk you figuring out what he does (god, he wants to keep you around) or if he should just send you off to a “friend’s” (he still stands by the fact that your ‘friends’ are shitty because what sort of friends leave their drunk friend alone at a bar with a stranger—even if he knows that he’d rather let the world burn than see harm come upon you, they don’t know that) with an extra protection detail. One that you wouldn’t know is there, naturally. 
But how does he make sure you don’t go back to your apartment after the leak is fixed? 
He thinks to himself, an idea coming to him swiftly. It’s a bit dark, yes, and he’s sure that if you knew, you’d run for the hills but… to keep you safe, he would do whatever it takes. Even if you’d hate him for it if you knew. 
But what you don’t know won’t hurt you. 
“Chuuya,” Dazai says before the man can leave his apartment. Chuuya stops dead in his tracks, not turning to look at Dazai, but waiting for whatever he has to say. “I’m going to text you the number of her landlord… make sure he doesn’t get her apartment fixed any time soon. And let Gin-chan know I might have a guest for the next few days so she’s not caught off guard tomorrow.”
Chuuya scoffs. “You’re a freak, Dazai.”
Dazai only smiles idly to himself, eyes sliding shut as he leans back in the chair at his desk, Chuuya leaves without another word, Dazai loses himself in thoughts of you. 
A freak? Yeah, maybe. In love? Definitely. 
Should he convince you to stay with him? The thought bounces around his head frantically. He doesn’t know the answer. The more careful part of him screams no, tells him that it’s too dangerous to keep you around. It’s dangerous for you, because the longer you’re around here, the more at risk you’ll be of getting hurt. It’s dangerous for him, because the longer you’re around here, the more at risk he’ll be of getting exposed,
But the less logical part of him, the one that’s consumed by the idea of you, and the chance he has of being with you, is much louder. 
You came to him, he reminds himself. You found him. He tried to be good. He did everything he could to stay away from you, but you still found him. And you chose to seek him out again. You chose to. It’s easier to blame it on you, convince himself that you brought this upon yourself, as if you had any idea what sort of sick and fucked up person Dazai really is, as if you have any idea what’s happened to you in every other universe because of him.
He can never go back to how he was living before meeting you; he can’t. 
You came to him. 
Why should he have to let you go now?
With that thought in mind, Dazai thinks the answer to his question is made abundantly clear. 
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bueckerssturns · 19 days
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softcore
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pairing: Chris sturniolo x fem! reader
warnings: mentions of drugs, wounds, drowning, cursing, and more.
word count:1146
recommended songs: bittersweet tragedy by Melanie Martinez, softcore by the neighbourhood, and reflections by the neighbourhood.
theyre 18/19 in this story.
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“My muse” that is what he called her and she loved it, she would get him through his darkest times. Their relationship was the most beautiful thing in the world, if people saw them walking down the street they knew that they were deeply in love just by how they looked at each other. but what people didn’t know is how their relationship was behind closed doors, not everything was sunshine and rainbows.
Two months and three days. That's the amount of time he had been distant. And it was driving her crazy, she wanted her boyfriend back. She felt the relationship slipping away but she was determined to make it survive. Even if it's the last thing she does. She didn’t know the reason as to why he was being so distant. The things he had gotten himself into that she wasn’t capable of knowing about.
“What do you mean you can't make it tonight? Chris, we’ve had this planned for weeks now. Could you possibly cancel on them?” she asked, “baby, as much as I want to you know I can’t.” he replied with a frustrated sigh “yea, whatever, it doesn’t matter do whatever you want.” she said “babe, don’t-” he was cut off by the sound of the call hanging up.
He sighed at the memory, it had been a week since that argument. He knew he had to go talk to her about the way he was acting but he didn't have time to do so, he had to be on that boat in less than twenty minutes. He decided to just say fuck it and head to the yacht, he could make it up to her later.
What he didn’t know is that y/n was right behind him following his every step. as he stepped on the dock getting into the yacht y/n several steps behind him. once she got on she hid behind a pair of stacked boxes.
“I’m done doing these deliveries for you ash, it’s becoming too much for me” he told the older man as he shifted uncomfortably “now, why would you decide to come to this trip if you were just going to quit?” the man spoke, rubbing his face in frustration “i have personal matters to take care of and this job is pulling me away from” he stopped when his eyes met hers.
-
her eyes widened as she realized that he saw her, she quickly ducked behind the boxes trying not to make too much noise. “who is this guy” “what does chris have to do with him?” she thought trying to stay as quiet as possible. as she slowly backed away she accidentally ran into a box knocking it over making it fall with a huge bang.
The sound of the box falling made the two talking guys look the way the sound came from. Shifting uncomfortably at the two pairs of eyes that were on her “this isn’t the bathroom..” she awkwardly giggled before trying to run away.
Before y/n could get far enough a big hand grab her hair and pull her back to be face to face with him, “do you know who she is?” asked ash as he pointed his gun to y/ns head. Chris hesitated as he bit the inside of his cheek in nervousness, fear crosses his eyes before replying: “no.” but ash knew chris like the back of his hand, he knew chris was lying “well then since you don’t know who she is and she was clearly spying on us, you know what I have to do right?” asked ash making eye contact with chris an evil glint in his eyes.
Chris slowly nodded his head, biting his cheek again before chris could utter another word ash pointed his gun at y/n and shot her. The power from the gunshot pushed her back causing her to stubble into the water. “Y/N!” screamed chris as he launched forward trying to stop her, but before he could reach her ash got in the way.
“I thought you didn’t know her, lying is bad christopher, and you know what i do to liars” spoke ash as he got closer to chris. chris quickly pushed through him diving into the water for his lover.
the deeper he dived the deeper he felt he was going to lose her, he should’ve known since the beginning that this would happen. but he wasn’t thinking straight, he got consumed by the thrill of the drug dealer world and how nothing could ever happen to him again.
he finally reached her arm pulling her up with him, once they reached the surface swimming to the dock. chris started coughing from all the water that he had accidentally swallowed as he reached upwards to get to the surface “please don’t be dead” “please don’t be dead” chris kept repeating as he laid y/n down on the wooden deck.
tears streaming down his face as he did cpr on her, he looked around for at least a person to help him. he didn't know what to do but he did know one thing; he couldn’t lose her. not today, not tomorrow, never.
-
that night he stayed up thinking, he knew it was a dangerous thing what he did and he knew he couldn’t keep her around anymore. he loved her way too much to see her get hurt or worse killed.
he knew he had to do the right thing, that being he had to break up with her, even if it hurt him. he couldn’t see her suffering from his mistakes.
the next day he went to visit her in the hospital, flowers in his hands eyes bloodshot red from crying all night long. but when he saw her, it took everything in him to not break down in front of her.
“babe, hi i wasn’t expecting to see you so early” said y/n a smile on her face as her eyes met her boyfriends, “baby? are you alright?” she said softly the smile slowly fading away.
he just shook his head “i’m sorry” he said his voice breaking he looked up to keep the tears from falling “but you know I can't involve you in this and the fact I obviously can't protect you the way I want to. this isn't safe, y/n.” he said looking at her tears streaming down his face “c-chris what are you talking about?” she said worried.
“i’m just saying i can’t do this anymore y/n it’s not good for us. what i do is clearly dangerous and i don’t want you near any of it. so to keep you safe, im ending it here” he said biting the inside of his cheek before leaving the room. “i love you.” he whispered once the door closed behind him.
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this was written when i was running on a few hours of sleep, then no sleep and then when i was tired so sorry if its bad ☹️ when i have the time and motivation i promise to make this better 😭.
tags: @bernardsbendystraws @patscorner @lexisecretaccx @junnniiieee07 @sturnioloblogs @sturniol0s @raysmayhem-72 @endereies @breeloveschris
comment on this post if you want to be added to the list:)
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physalian · 2 months
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Writing Tone #2: Avoiding Manufactured Sincerity
There’s a scene in season 5 of My Hero Academia where two beloved teachers have been brought to some high security prison to interrogate a captured villain that turns out to be a brainwashed childhood friend of theirs. The scene is really dramatic, these two teachers are screaming at this guy, heartbroken, and when I saw the episode (shortly before quitting the entire show mid-episode over how bored I was) I was not at all as outraged and horrified as they were.
It was so tonally jarring, and so unfounded within the plot, that it was almost uncomfortable to watch. The villain they’re interrogating isn’t unfamiliar, but the plot-twist-surprise childhood friend is a stranger no one but these two care about.
I didn’t care, couldn’t empathize with why they were upset, knew nothing about their relationship with the guy beyond the ham-handed flashbacks given right that moment. I wasn’t prepared to mourn the loss of this random character, wasn’t primed ahead of time with the idea that this was a possibility to dread the scene before it happened. I was just waiting for it to be over and when it finally was, the impact it had on me was a resounding: Well that was weird. Now back to the plot.
Unfounded sincerity is the uncomfortably ugly step-sibling of plots that are starved of sincerity—look at most of Phase 4, but really, starting with Thor: Ragnarok in the MCU. Many Marvel properties are afraid to embrace the emotional moments and resort to bad jokes to laugh at themselves before the audience can laugh at them. Because how dare a late-stage superhero story about mythical gods be at all sincere in its relationships, its quiet moments, its tragedies. Nope, time for jokes.
Unfounded sincerity is when a story goes far harder with the drama, the love-declarations, the angst, the humor, where it’s trying really hard to convince the audience to care and it just isn’t working.
This happens when arguments start out of nowhere, as well, when characters explode at each other in a heated screaming match that hasn’t been left to fester for nearly long enough, undercooked and hard to swallow.
This happens when characters fall suddenly, madly in love with each other with zero dubious intervention to explain away the sudden passion.
It happens particularly when characters care a whole heck of a lot about someone the audience doesn’t, at the expense of characters the audience is invested in.
It happens when characters have emotional breakdowns and start crying over what ends up reading like spilled milk. When stoic and strong characters break over something they normally would never, for ~drama~.
This is usually both a tone and pacing issue, and a serious case of telling. The author hasn’t done any of the work ramping up a situation or relationship for proper delivery of these emotionally charged moments that are written like critical character beats we’re supposed to care deeply about.
So how does this happen?
1. The author *really* wants this scene, but writes it too early into the story
Unless there’s foul play involved, or this is a romantic comedy that isn’t supposed to be a realistic and healthy depiction of how romance works, characters suddenly declaring love for each other at the cost of their own well-being, their own character arc and journey, and their other motivations can be very frustrating to read.
But the author wants to get to the Good Stuff, so they coast on the “male + female leads = relationship” expectation without writing the why (and so ensures the rise of so many gay ships in the process). Or the male + male leads” or what have you.
2. The author cannot fluidly change tone and characters explode, instead of simmer
An argument that comes out of nowhere can really take your audience out of a scene. Your characters suddenly look ridiculous and your audience can’t follow what’s going on or why they’re so upset. This is different than a character exploding seemingly out of nowhere, but who we know has been building resentment for dozens of pages and loses it over something otherwise inconsequential.
These scenes are painfully, obviously there for manufactured drama and don’t feel natural. These characters don’t feel like people, but playthings, action figures manipulated by the hands of the author.
3. The characters involved are underdeveloped
As in the My Hero scene mentioned above, of the three characters in the scene, the “friend” we’re supposed to care about is a non-entity. The two teachers could have lost their minds over this guy’s sudden death, or the reveal that he turned traitor, or that he murdered younglings and puppies and kittens, to the same emotional impact, because we don’t care about this guy (or, I don’t, at least. I didn’t, and shouldn’t have to read the manga).
You can of course have characters who grieve non-entities, like the fridged wife trope. The difference is the audience knows we’re not supposed to know or care about that lady and the character she never was. This happens pre-plot, not mid-season 5. The frigid wife is the catalyst for the character we then come to know, not a character whose death radically changes our heroes from the people we’ve already established.
4. The tonal jump is just too extreme from the established rules of the story
Abrupt changes in tone can be very tricky to pull off, and almost always fail when it surrounds an abrupt shift in character dynamics (as opposed to something more plot-related). As in, your lighthearted comedy suddenly stops the plot so two characters can scream at each other, when this level of emotional charge hasn’t been established as a possibility.
Or the aforementioned emotional breakdown that just leaves audiences uncomfortable like the awkward friend trying to soothe a weeping companion.
Unfortunately, the fixes to these situations are either delete that entire scene, or go back and do a lot of rewriting so there’s enough build-up to justify its existence. Go back and write in that simmering resentment, all the little frustrations, a pre-existing tension within the relationship that is always primed to snap.
Absence makes the heart grow fonder and there’s a reason the “slowburn” is so popular. Setting out from the beginning to write a fast-paced, passionate romance tells your readers to expect exaggerated displays of emotion.
My favorite musical is Moulin Rouge. This movie is insane. Everyone is hyperbolically emotional and nothing is half-assed. The dances, the belting singing, the costumes, set-design, editing, the declarations of love– they’re all dialed up to 11. So characters screaming their love or rage from the rooftops is a *lot* but you’re prepared for it from the opening scene, knowing exactly what kind of movie this is.
Even if you don’t start your story with the level of drama it will eventually reach, there should still be some sort of progression when it comes to character drama.
Last Airbender didn’t open episode 2 with the emotional intensity of Zuko and Azula’s last Agni Kai… but it did show you that this isn’t just a lighthearted comedy in episode 3, with the reveal of Gyatso’s body and Aang’s violently emotional reaction.
Speaking of episode 3, they didn’t throw in Gyatso out of nowhere. We know from the show so far that a) Aang is the last of his kind, and b) he doesn’t know this. Everything leading up to this reveal is lighthearted, sure, but with that undercurrent of dread, waiting for Aang to see for himself, waiting for that other shoe to drop.
So some things to keep in mind are:
Prime the audience with dropping that first shoe, make them aware of the building tension (romantic, aggressive, grief, or otherwise), even if not all the characters are aware.
Build that tension. If your characters will eventually explode, let them be mildly irritated first, then annoyed, then frustrated, then angry, then raging until they can’t contain it anymore.
Make sure every party involved in this dramatic moment is someone the audience actually cares about, not just someone they’re told to care about.
TL;DR: Don’t pull the trigger prematurely. It’s most obvious with suddenly passionate arguments, characters flinging insults and hurts the audience isn’t prepared for and doesn’t know about, in effort to move the plot along before it’s fully cooked.
So unless there’s some drugs or fairy magic involved, or one of these characters has a gun to their head forcing them to do this right now, people don’t just explode in a rage without some buildup first. People can explode in a rage over a seemingly inconsequential and unrelated thing, but they’re likely already upset and this one little thing is the final straw. Audiences love the anticipation of what that final straw will be, and whether the explosive drama is rage or romance, “slowburn” is immensely popular for a reason.
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the-rat-eatery · 3 months
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Angel Dust’s arc in Episode 4 is so incredibly important to him as a character. It can not be overstated how much I love the direction the team is going with him. He's this person, right, this fundamentally good person, just like most people are, who was born into a bad situation and didn’t really have much of a chance in life, and, therefore, in the afterlife. He is a tragic person, made more tragic by the fact that no one fucking knows the depth of the tragedy. You can see that he’s a good person with how he asks Val not to hurt Charlie in the dressing room, despite knowing that Charlie is far more powerful than Valentino and that he was in the real danger here. You see that he’s a good person with how he gets Charlie to leave afterwards, he is rude and terrible to her, but you can look at his body language (something that we can meaningfully analyze due to this being an animated show and knowing that all the decisions made with the body language and expression are made expressly on purpose), you see how gentle he actually is with her. And he’s a good person that had the misfortune of being in the wrong place at the wrong time– and that led him down a road of pain, and hurt, and addiction. He isn’t wrong in the episode– he does know how to take care of himself. He has all these years, hasn't he? And he's still up and functioning, still a person who cares about other people in the end. And so ‘Loser Baby’ is so incredibly important: to survive, Angel built up this persona of someone who survives. He is resilient, he bounces back from humiliation and mistreatment (there is this moment at Husk’s bar where you can see Angel just– steel himself against Husk’s nagging and continues on with his shit as if he is completely fine), he is an actor, he is perfect and unreachable– but in ‘Loser Baby’ he not only finds actual, real companionship with someone who wants him as a person and not as a body, he also acknowledges his own humanity (“I’m a loser baby”)-- he is at rock bottom, you can’t get much lower than where he is. He’s a fucking loser, by any objective measure. He allows himself to be an actual person instead of a person-a for the first time in who knows how long– and that gives him strength, brings him a friend to fall back on. He’s finally got a safety net in the hotel, and now an emotional safety net in Husk and maybe even Charlie, so he can start to maybe get better. 
The strength of this show isn’t going to be in ships or violence or drama. It is going to lie in messed up people getting better, making connections, growing. I think that this is a very delicate balance to be struck, one that should be maintained as the baseline that the show always returns to. I really hope that it doesn’t lose sight of its strength.
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theminecraftbee · 1 year
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do you regret it?
Martyn huffs and turns over. He glances at his wrist. Forty minutes left, and it feels good.
do you regret it?
The first thing he’d done after he realized he still had time was bury his axe. The second thing is pillar all the way up to the top of the sky net. Sitting on the edge of it, well, it’s a little risky, but it’s not like there’s anyone to push him off of it anymore. If he’d gone and lost all his extra time by falling off of a ladder or something, though, he hopes someone would mock him for it. That’d be worth mocking, right there.
do you regret it?
He harvests all the wheat that was left behind. He thumbs his nose at the sky as he does; he vaguely hears ghosts complaining. Suckers. His wheat now. He can have all the bread in the world. Hell, all the cake, even—if he heads back down and gets a cow he can make himself a proper feast. Nothing like the party he’d rigged to blow.
Doesn’t really feel like climbing down, though. If he’s gonna live out his glorious, glorious extra time, he’s going to do it in the luxury of the sky.
do you regret it?
He watches the sun set. The horizon is so far away from here. It glitters across the scars of water and the crooked towers. Gods, if the server isn’t ugly, though. Ugly as sin. At some point, people had stopped even really bothering to make it anything else.
He’d say it’s a pity, but. He remembers when people used to bother making things pretty. He remembers it well. Hah. Imagine doing that.
Imagine making a place pretty enough to be a home when you know it’s just going to be torn away from you entirely in the end.
do you regret it?
“Shut up,” he says.
do you regret it?
“Why would I regret it?” Martyn says incredulously. “You know, if you want a tragedy out of me, you aren’t going to get it. No one ever told me betrayal feels this good.” He spreads his hands. “Whole server to myself, now, until my clock finishes running down. I think I’ll build myself an actual base. Finally have time for that, don’t I?”
do you regret it?
“Morons, the lot of you,” Martyn says, huffing. “You’ll make up the answer you want to that question on your own regardless of what I say.”
do you regret it?
Martyn ignores it. “Actually, screw you. I’m not building a base, I’m building a dick. Yeah, take that in your family-friendly death games. Haha. No one can stop me now.”
And suddenly, it is completely silent. No Watchers, no ghosts, no Listeners, no haunting refrain. It is Martyn, and it is the cobblestone dick he’d started building, and it is the sunset, and it is the ticking clock.
No one can stop him now at all.
He gets partway through before stopping. It doesn’t even really look appropriately crude. He looks over the edge. It would be fast. It would take him to where he can properly gloat about his victory.
But he has to savor it first.
The silence rings in his ears. “Survival base,” he says. “I’m going to build it in a tree.”
No response.
…good. They’ve gone away. It’s for the best.
He starts work on the treehouse and he’s only halfway through when the clock stops ticking and he can’t breathe anymore and he drowns on dry land.
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pedritomosquito · 1 year
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Such a Pretty Thing
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MINORS DNI
Pairing: Joel/Tess/Reader
Word count: 2.9k
Summary: Joel and Tess take very good care of you
Tags: SMUT, multiple orgasms, praise kink, dom/sub vibes, Daddy kink, a hint of humiliation ig?, Oral (f receiving), PIV, enthusiastic consent, squirting, no y/n, aftercare, pretty wholesome as far as threesomes go!
A/N: I have no idea why there are not more threesome fics with Joel and Tess because CHRIST have you seen these two??? I seek to remedy this tragedy. I am what they call a "unicorn" (I'm a single person who sleeps with couples) so I'm very well-versed in threesomes 😋 Have a good read!
“Such a pretty thing, isn’t she, Joel?” Tess says as she tucks a bit of hair behind your ear. She’s seated next to you on the sofa. She is facing you, her elbow propped up on the back of the couch with her cheek resting against her hand.
Joel sits in an armchair across from you both, leaned back with his legs spread and a glass of whiskey gripped in hand. His eyes were glued to you and Tess, the weight of his gaze making your cheeks heat up.
“Sure is,” He replies evenly, taking a sip. “Kiss her.”
Tess leans forward and you easily fall into her gravity, lips finding each other. The heat of her mouth reminds you of a roaring fire and she moves closer, her hand on your jaw as she straddles your lap. Her pinky brushes circles on the delicate skin of your neck.
You secure one hand to her hip and the other traces up her side. Her fingertips trail between your bodies as she begins unbuttoning your shirt. She pushes the cup of your bra aside and her cool hand squeezes your breast, her thumb brushing over your nipple.
Your exhale comes out heavy and Tess takes the breaking of your lips to kiss down your jaw. You tilt your head back to allow her access to your neck.
You look at Joel and find his darkened eyes still staring at you over the rim of his drink as he strokes himself over his jeans. The sight forces the air from your chest in a sigh and a slight smirk appears on his face.
He loves that you love being watched.
Your eyes fall shut when Tess sucks over your pulse point. She grinds down in your lap and the coarse friction between your jeans is only enough to make you chase more. Both of your hands are on her hips now to pull her down onto you, rolling your hips up to meet hers. 
Her mouth moves to the other side of your throat and she continues to grind on you. You can feel yourself dripping and wonder if there is already a wet spot soaked through your jeans. 
You can’t keep your hips still anymore, constantly seeking out the weight of Tess against the stiff seam of your pants. Whimpers start escaping you. 
“Aw, so needy,” Tess teased, “Bet you could cum like this, right in your jeans, huh?”
If she keeps talking like that, you’re sure you could. All you can respond is a pathetic whine. 
You hear a glass being set down and then Joel’s arms wrap around Tess from behind. He pulls her off of you and to her feet, giving her a little shove towards the hallway. He takes your hand and does the same to you, making you follow Tess. 
As you enter the bedroom, his hand snakes around your hip, pulling your back flush against him. You can feel his hard-on pressed to the small of your back. His voice is inches from your ear, quiet but clearer than you’ve ever heard it.
“Take off your clothes and get on the bed.”
The firmness of his body disappears as he makes his way over to Tess. You start stripping your clothes and she gives Joel a fond smile, beginning to undress him. You completely forget what you’re supposed to be doing. You’re too busy watching their perfectly practiced rhythm in how they pull off each other’s clothes, when their lips part, and where their hands wander in between.
You watch Joel’s hand slip between Tess’s legs once her underwear is out of the way.
“Fuck, you’re wet,” Joel breathes.
“Blame her,” Tess replies.
Two pairs of eyes land on you as you stand like a deer in the headlights staring back, pants still around your ankles. 
“You doing alright there, sweetheart?” Tess nearly laughs, a condescending chime to her voice that makes your stomach warm. 
Joel and Tess find your relative inexperience and youth to be very endearing. 
And you find their patronizing comments to be absolutely intoxicating.
“Distracting me,” You muttered, busying yourself with kicking your pants off and climbing onto the bed. You sit on your knees in the center of the mattress and wait expectantly.
Joel approaches you, pressing a palm against your chest and easily pushing you onto your back. He follows you down, finding your lips as he lies alongside you. His kisses were nothing like Tess. Hers were melted and smooth curved, poured into you, while his were all power, firm and precise. She took control by overwhelming you, while he took control by force. 
You feel his rough fingertips trace a path over your stomach and down to your pussy. Your breath catches and your hips seek out more of his touch as he glides over your clit. Tess lays on your other side.
“She’s even more soaked than you are,” He tells her. 
“Can’t wait to taste her,” Tess replies, her hand coming to rest between your thighs, “Want to put that pretty little mouth to work, too.”
Joel brought his wet fingers to your lips. “Suck.”
You take them in your mouth, running your tongue through the division of his fingers to taste yourself.
Joel withdraws, replacing his lips on yours, licking his way into your mouth. You know by his small groan he can taste you. He settles his hand over the base of your throat. Just the weight of it there makes you squirm. You bring your hand to his cheek, his scruff bristling against your palm.
Tess’s hand skims over your clit and you jump slightly, gripping onto her arm.
“Tell me what you want,” Tess says.
Joel releases you long enough to reply.
“Please, your fingers,” You rush.
“Such a good girl, asking so nice,” Tess praises as she begins to knead wide circles against your clit.
The noise you make is quieted by Joel’s lips returning to yours. His hand moves further up your throat as Tess’s circles are drawn tighter and firmer. Your nails dig into her arm. You can’t breathe fast enough to keep up with Joel’s kiss so you break from him, panting against his cheek as your eyes drift shut.
Tess dips a finger into you.
“Yes,” You gasp.
“Yeah? You want my fingers?” She asks.
“Y-Yes!” You repeat.
“Have to stretch this pretty pussy out, get you ready to take Joel’s cock,” She muses.
You open your eyes and find Joel just watching you from inches away. You look at him and he drinks in every detail of your face as Tess slides two fingers into you. 
“Fuck,” you moan.
Tess works her fingers inside you and Joel begins kissing down your neck, moving himself down your body. His mouth sucks bruises across your collarbone and he slides his hand down to your breast. He licks your nipple into his mouth as Tess curls her fingers.
You can’t even make sound, the air in your lungs frozen and tension seizing your body.
“She likes that,” Tess observed with a knowing smile, “Tightened up on me real nice.”
Joel repeats the motion, adding a circle with his tongue. You weave your fingers through his silver hair.
“Oh god,” You choke.
Tess picks up the pace of her strokes and you can feel pressure start to grow in your hips. 
“Look how close you are already,” Tess chuckles, “Such a perfect little slut.”
“Tess!” You cry out, your hand scrabbling for something to grab. You end up gripping the sheets above your head. 
“Wanna taste you while you cum,” Tess says as she repositions herself to be between your legs, her fingers never leaving you.
She continues to stroke inside you when her mouth finds your clit. 
“Mommy!” The whimper escapes you. 
You can hear a small laugh from Tess against you and Joel lets go of your nipple, his smirking face appearing above you. 
“So that’s who we are, huh?” Joel teases. His voice gets impossibly lower, his lips brushing against your ear. “Say my name,” he demands in a whisper.
You can’t get the words out, paralyzed by the swirling storm of Tess’s fingers and humiliation. 
“Say. It.” His fingers lace into your hair and twist hard. 
“Daddy!”
“Good girl,” he coos. “You gonna cum for us? Go ahead. Cum all over Mommy’s fingers.”
The way he mocks you makes the simmering beneath your skin burn into a full blaze. Tess takes your clit into her mouth and sucks.
“Fuck I’m cumming!” 
“There you go, let her taste you,” Joel soothed quietly as you trembled through the high. You grabbed at him helplessly. “That’s it,” He continued softly, “Such a good girl for us. There you go.”
A haze settles over you and you happily lie in it. When your mind finally pulls you away, Tess and Joel kissing above you.
“Fucking delicious,” Joel murmurs.
“Oh my god,” You start to catch your breath. You paw at Tess. “Want you, want to…” You want to thank her, in any way she wants, but the words won’t come out. Instead you reach out and run your hand between her legs. She’s so slick and soft. “Jesus,” you sigh. 
“Making you cum got me all wet,” She looked down at you, grasping your wrist to keep your hand in place. You stroke her slowly. “Now Joel’s gonna fuck you while you clean me up like a good girl, okay?”
You nod, eyes blown wide.
Joel suddenly slides a finger into you and you jolt, letting out a strangled cry.
“Makin’ sure you’re good and stretched for me, darlin’,” He says, inserting a second finger. 
His fingers are thicker than Tess’s and reach deeper. The sensitive spot inside you is easy to find when you’re still in your afterglow. He wastes no time massaging the pads of his fingers over it. 
“Fuck, please,” You beg aimlessly. 
“Needy girl,” He says lowly. His Texas drawl thickens. “Christ, can’t wait to have your tight pussy wrapped around me.” He moves towards the end of the bed and puts your thighs in his lap. He presses his fingers harder against you and it makes another desperate noise fall from your mouth.
You glide a finger into Tess and she hums, reaching out her hand to play with your nipple. 
“Please, want you to sit on my face while he fucks me hard,” You sigh.
“Didn’t know you had it in you to talk like that, sweetheart! Don’t worry,” She promises wickedly, “I will.”
Joel withdraws his hand from you and strokes your sides.
“You ready for me?” He asks.
“Fuck, please, yes,” You nodded fiercely.
He places a palm flat on your stomach as he guides himself into you. You suck in a breath as he groans. The way he fills you feels like the tension of a balloon about to burst, the weighty pressure expanding inside you. Your hands fly up, bracing against his chest and all you can do is emit a small squeak as he sinks further. He pauses there for a moment.
“Doin’ alright, darlin’?” He asks softly.
You just nod, eyes pressed shut.
Tess’s hand brushes down your cheek.
“Breathe,” She reminds you.
You hadn’t even realized you were holding your breath. You exhale and let your body relax.
“There you go,” She says.
You put a hand down on Joel’s hip, silently asking him to move. He obliges, slowly pulling back and rolling forward. He gives a couple more thrusts and starts skimming over a spot that makes you gasp.
“Fuck,” He breathes, “You’re taking me so good.”
All at once, the pleasure rises into focus, clear and torrid.
“H-Holy shit,” You stutter, looking down and watching him disappear in you, “Holy shit, that’s–yes.”
“Feels good, doesn’t it?” Tess says, “Joel filling up your pretty little cunt?” 
“Yes!” You nod, reaching for her, tugging weakly on her thighs. “Please, wanna make you cum on my face.”
“You even beg pretty,” She remarked, swinging her leg over to straddle you, facing Joel.
Her wet pussy was practically dripping above you. You wrap your arms around each of her thighs and pull her down to your face. 
You cover as much of her as you can with your mouth and run your tongue from top to bottom. The sound she makes is downright filthy. 
“Fuck I knew your mouth was gonna be perfect,” She said, giving your nipple a pinch and making you squeak again. 
Joel gives a slow, hard thrust. You can hear their lips connecting above you, kissing each other. You wish someone could take a picture. You flick Tess’s clit with your tongue and their kiss breaks with a gasp.
You start working your mouth, alternating between licking her with the flat of your tongue and fucking it into her. She grinds harder on you.
“Oh fuck, yes,” Tess panted, “Just like that.”
Joel was seemingly captivated by burying himself in you as far as he could, his pace easy but deep. The base of his stomach presses on your clit as his cock strokes places in you that you didn’t even know existed. 
You take Tess’s clit into your mouth and flick your tongue over it as you suck.
“Right there! Don’t stop!” Tess commands.
You keep up despite becoming progressively more distracted. The noises she makes intensifies how sensitive you are to Joel. The muscles in your hips twitch as you try to keep them still. 
You focus in on finishing Tess off, dying to know what she sounds like when she falls apart and gunning for her praise. 
“You gonna cum?” Joel nearly taunts her, “You gonna cum all over her face while I fuck her good?”
You and Tess both moan in response.
She cums with her breath held for a moment before she cries out swears and your name. She keeps riding your mouth until she’s satisfied. She pulls away and without her pussy pressed against your mouth, the noises you’re making begin to escape. Joel was fucking you so slowly you could cry.
“What do you think?” Joel asked Tess, “Does our girl deserve a reward?”
“Definitely,” Tess nods, crawling back to be at your side, mouth connecting with your neck.
“Please,” You respond, rolling your head to give Tess a broader canvas and clutching Joel’s waist.
“You loved Tess sitting on your face, didn’t you?” Joel questioned, picking up his speed, “Had you gripping me so hard.”
“Dreamt about it,” You confessed in between heavy breaths.
“Oh really?” He prodded, “You touch yourself when you wake up?”
“Uhuh,” You nod. 
“What else?” Tess asked.
You couldn’t answer–you were getting too close to speak. Joel suddenly dropped his pace.
“What else?” He repeated the demand.
“D-Dreamed you finger fucked me t-till I soaked the bed!” You stutter, desperate for him to speed back up.
“Christ, you are just a perfect slut,” He panted, setting an even faster rhythm, “Waking up already soaked for us.”
Tess rakes her hands across your chest, thumbs circling around your nipples.
“Fuck!” The glow inside you was heating up, sharp flashes of electricity buzzing down your thighs. You can’t keep your hips still, pushing back to get every bit of him you can. “Please, please!”
“Use your words,” Joel warned.
“Fuck, I–touch me!” You blindly grab at Tess. One of her hands reaches down, rolling over your clit and you realize she’s touching herself with the other.
“Fuck,” You moan, seeing her fingers working between her legs. The noises coming from her and Joel send a hot flush of need over you.
“Close again, huh?” He strained, pounding into you harder, “I know you have one more for us.”
“Yes! Yes!”
“That’s a good girl,” He drawled, “Come on, darlin’, I got you. Want both of you to cum.”
“Joel!” You cry. 
“That’s not what you were calling me earlier, was it?” He said through gritted teeth.
“Daddy!”
You feel the ripple starting, multiplying and spreading, pressure flowing through you. You pull back just enough that Joel slips out of you as you start making a mess of his lap and the sheets.
“Good girl, there it is. Cum on my dick, that’s a good girl,” He grinds out the words, pumping his cock in his fist. “Fuck, that’s it, fuck,” A strangled noise caught in his throat as wet stripes hit your stomach and Tess lurches forward with a moan.
The ripples begin to space themselves out, becoming soft pulses. When your mind starts to clear, you feel a warm cloth gently wiping across your stomach. You hear Tess’s voice next to you and, to your horror, your own soft whines too. 
“Did so good for us,” She says softly, a light touch stroking down your arm, “Such a good girl.”
You take a breath to quiet yourself. You can’t quite keep still, your legs a bit restless. 
The bed sinks next to you and you roll your head, finding Joel.
“There you are, darlin’,” He chuckled, smoothing back some of the hair sticking to your damp forehead.
“Holy fuck,” You murmur.
Both of them laugh.
“Holy fuck,” Tess nods with a smile.
Joel presses a kiss to your temple.
“Such a pretty thing.”
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plague-of-insomnia · 6 months
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What’s In A Title?: Variations on “Master” in Black Butler
旦那様・当主・ご主人様・マイロード・様・坊ちゃん
Throughout the manga, we see various titles used for Vincent, Real Ciel, and Our Ciel, with these being more obvious in the original Japanese than in translation.
This post will focus on Sebastian and Tanaka and the various terms they use at different points within the story.
I personally am not an expert on keigo (the most formalized of speech that Sebastian speaks almost exclusively in in Japanese), so I am not really going to be going into the subtleties there. (Other posts have tackled this already, and probably with more expertise than I could.)
I also want to emphasize I am only now beginning to read the manga from ch 1 in Japanese (I’ve only read bits and pieces until the most recent ~25 chapters or so), so it is possible I am missing some examples or variations mentioned in other parts of the 200+ chapters not brought up here.
However, I think we can still look at these subtle differences even if you are an English speaker who knows zero about formality levels/humble speech in Japanese. And if you’re willing to take this journey with me despite these caveats, keep reading.
旦那様・当主・ご主人様・マイロード・様・坊ちゃん
Before I get into the variations between Sebastian and Tanaka, let’s look at some of the titles used:
The variations are as follows:
Dannasama - 旦那様
Toushu - 当主
Shujin - 主人
Goshujinsama - ご主人様
“my lord” - ご主人様・マイロード
Lord Ciel - シエル様
Bocchan - 坊ちゃん
Tanaka
Tanaka uses #1, #2, #3, #6, and #7. Let’s look at him first.
Dannasama - 旦那様
Means “master of the house,” but is also a term you’d use with a boss or someone of higher status, akin to “sir” in some usages in English.
Tanaka uses this term only for Vincent, so far as I know.
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Toushu - 当主
Means “present head of the family.”
Tanaka uses this when speaking about/to Our Ciel when distinguishing him from his father, the previous head. For example, in the murder arc when he points out that it isn’t appropriate for the master of the house to be upset by a servant’s death.
Shujin - 主人
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Means “head of the household” or “master” (among other uses). This version does not have the added formality/humbleness of the versions that Sebastian uses (the go- prefix and the -sama suffix).
Tanaka uses this when speaking generally about “the master” or “one’s master,” for example, in the end of the murder arc when he tells Sebastian a Phantomhive butler shouldn’t die before his master.
Lord Ciel - シエル様
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Just Ciel + the kanji for “sama,” is how Tanaka refers exclusively to Real Ciel throughout the manga, to the best of my knowledge, when speaking to or of him specifically, individually.
Above, we see how in the example on the right (in the present), Tanaka calls RC “Lord Ciel” directly, and in the example on the left, how he refers to him that way in the past as well when not directly addressing him. (OC is “you” or 貴方 there.)
Bocchan - 坊ちゃん
Means “young master,” and is how Tanaka refers to Our Ciel almost exclusively (except for the examples above), not only before the tragedy but after. He immediately knew that Ciel was OC and not his twin, and we know this because of the address.
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Sebastian seems to have picked up the title from Tanaka, because he does not use it before they see him. Above, he even puts special emphasis on the title when he uses it for the first time. And as far as I know, aside from “my lord,” he refers to Ciel as such exclusively thereafter.
旦那様・当主・ご主人様・マイロード・様・坊ちゃん
Sebastian
Sebastian uses #4, #5, and #7.
Goshujinsama - ご主人様
Means “head of the household” or “master” (among other uses). This version does include the formal/humble prefix “go-” and suffix “-sama.”
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This is the first term that Sebastian uses for Ciel when he shifts from “you” (貴方, anata) to “master,” when they first begin establishing the contract. He also uses a variation on this I’ll explain next, but THIS version, said exactly like this, he stops using after their visit to Tanaka.
You can see in the above examples that he uses this address both before and after he assumes his butler form.
I expect that this is likely how Sebastian has referred to all his masters as I believe it’s the most humble/formal way of addressing one’s master (aside from more specific titles that may be used).
My Lord - ご主人様 ・マイロード
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Even before he adopts “bocchan,” Sebastian sometimes refers to Ciel in English as “my lord,” as Yana informs us via the katakana spelling on the kanji. Yet she still writes it in keigo, as if to reminds us of the manner in which Sebastian speaks, and that even if he has dropped the uber formal “goshujinsama,” he is, in a sense, still using it throughout the story.
Bocchan - 坊ちゃん
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As I explained above, this seems to be a manner of address Sebastian picks up from Tanaka. It seems to imply that he does so partly because he recognizes that the old man is aware of Ciel’s real identity (unlike Madam Red, who assumes he’s RC, which is why Ciel looks so dead-eyed while Sebastian is smirking).
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Maybe he does it to mock him at first, a reminder that Sebastian knows he’s a liar. Maybe he adopts it because he’s never had a young master before and decides it could be a fun change of pace.
Unless Yana says something or reveals more insight into Sebastian’s POV, however, we may never know exactly why he made this shift and stuck with it.
旦那様・当主・ご主人様・マイロード・様・坊ちゃん
And that’s my rundown of how “master” is used in Japanese by Sebastian and Tanaka, depending on who they’re addressing or referring to and at what point we are in the story. As you can see, most of it is lost in translation.
If you enjoyed this post, you may like to check out some of my other kuro translation posts, including my pronoun series, in which I explain why various characters use certain personal pronouns.
Reblogs and tips are also always appreciated!
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larrylimericks · 1 year
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23Mar23
We’re feeling some internal friction At silver screen Louis’ depiction; All the world is a stage But it’s hard to engage When plot lines combine fact and fiction.
I get really rambly below the fold. Proceed with caution if you’re over the discourse already.
I debated seeing All of Those Voices in theaters. I didn’t see either of Harry’s films in theaters — Harries are too much of a wildcard, and I refused to sit through hours of squeals and gasps and reactions, not to the movie but to “omg! Harry’s going down on someone! omg, Harry’s bum!” So I was already tentative about seeing Louis’ film in a shared space, outside the protective silos of tumblr. But I bought a ticket, because I want to support him and because I was genuinely curious what story would be told. Then we got the trailer and I hesitated again, not wanting to watch a propaganda film. But, I’ve lived through all the other Bullshit moments, so I figured I could live through Bullshit on the big screen.
My theater crowd was great — pretty neutral aside from an amusing row of politely excitable Larries I was in secret solidarity with. And I pretty much loved the film. Well, 92% of it. I look forward to watching it again when it streams. I mean, it was an hour and a half of content featuring this fascinating creature we’re all obsessed with. I didn’t want to blink. I hung on his every word (when I could understand them). How cool to get, essentially, a long-form interview, where he’s not promoting an album and we’re not getting the same sound bytes. Louis is wonderfully open and vulnerable, and the story of his life (heh) is inherently compelling. The cinematography is beautiful. The behind-the-scenes are delightful and delicious. I can’t wait for the AOTV gif sets once we have it in high-def.
But it has some plot holes as wide and deep as the ones in Don’t Worry Darling.
First, there’s the confusing (to the uninformed) absence of a love interest. Louis is asexual, as far as the film goes. There’s not even a ghost of Eleanor, with whom he’s cumulatively spent a decade and who is supposed to have inspired so many great love songs and with whom he is supposed to have survived a pandemic. Props to E for living her best life now: going to see Scream on AOTV opening day, enjoying full custody of the pups, publicly supporting her assumed partner — sorry you got Kiki Layned from the film, but I’m guessing you weren’t even written into the script. (It’s not like the film was conveniently re-edited in the months since their break-up. Her stunt tapering was intentional.)
Then there’s the glaring absence of a baby mama (thank god; that family would have been even more insufferable). We’re cruising along for 45 minutes or so and then, wham, Dad!Louis enters the chat with a fully formed 6-year-old child. The kid just magically appears with no backstory — just like in real life ... twice (the first time with the pregnancy announcement and the second time with the revival of Dad!Louis after several years of dormancy, right in time for documentary filming. Just like Harry stunted with his co-star during filming and production, Louis stunted with his.)
The kid is cute, and faultless in this. The scenes are objectively sweet (as they were designed to be). But Louis, who normally keeps things very close to the vest, is all of a sudden an emotional spigot you can’t turn off when it comes to these scenes. It seems quite out of character. Which brings back to mind that this Louis *is* a character. The Freddie scenes just didn’t seem to have a point in the plot other than: Louis is a dad. And that role isn’t integral to the film’s story.
He’s incredibly emotional with Freddie, but the movie doesn’t tell us why. The storytelling gets lazy here. The lad/dad plot seems wedged in. The movie would be perfectly complete without it. I felt like it could have been integrated a few different ways: Louis experienced tragedy after tragedy after tragedy — loses 1D, loses his mum, loses his sister ... and then impending fatherhood either becomes another trial he must reluctantly face (in the surprise pregnancy narrative) or it helps him navigate the grief of losing his sole parent, his closest confidante. OR, Louis, not wanting to be like the absentee father he had, shows up for his own oopsie baby despite the unexpected circumstances. But there’s no exposition or rising action. No footage or photos from the first few years of the kid’s life that we haven’t already seen. Just an immaculate conception.
I think the most compelling narratives of the film are these:
Louis’ overcoming adversity after adversity after adversity. Holy hell. I lived through 1D ending, through the devastating news about Jay (god, I remember the shock and sadness of that day — it was incomprehensible), through the heartbreaking news about Fizzy, and then when you think Louis is gonna get his moment of victory with his first solo world tour, coronavirus pulls the rug out. (That sequence was well done: where we keep seeing the dates get closer and closer to March 2020, and we all know the villain that’s coming, but it’s still such a blow.) I lived through all that in real time, but seeing it in such a concentrated sequence really highlights the shit he’s been dealt, and hearing him open up about so much of it ... that’s the character development relevant to the film’s denouement. And getting to see Louis get what he deserves, finally, and hearing him acknowledge that he deserves it, was a lovely ending.
Louis’ journey to find his footing and his confidence as a solo artist after unfathomable success as part of a group. But, in a sort of plot twist, he’s not really solo, is he? The film gives a lovely introduction to his band now — and in their own words, reveals that they’re not just a backing band, they’re a *band* band. Louis has let them in. He’s forged a new brotherhood. *That*, for me, was the heartwarming story. I loved those scenes, loved seeing Louis in his element, which is in a collective, where he is both king and jester at the same time. (Or perhaps Oli’s the jester. Thank fuck for him, man. Oli is the standout. The breakthrough performance. The comic relief. I want a spinoff series.) It’s easy to miss 1D and glorify those short years and think nothing will ever top it, but Charlie’s storytelling of the LT Band is remarkable. We’re left looking forward, not back.
I know Louis’ dedication to his fans and his fans’ dedication to him is a huge focus, but I don’t really enjoy watching commentaries on fandoms I’m a part of. I’m living it. I don’t need outsider context. And in a fandom as fractured as Louis’ (and 1D’s) there’s not a universal experience. The film depicts dedication as sleeping on streets for rail, hopping from country to country and draining bank accounts — because that’s the kind of “superfandom” that gets easily turned into a marketable freak show. Show me the documentary on the fans who organize the light projects, who run the fashion accounts, who curate livestream sources on show nights, who have turned giffing into an art and science, who help promote Louis in the absence of a competent marketing team, etc., etc. I also thought the interview with the American(?) girls talking about LATAM shows was shortsighted. And showing the rainbow factions but not addressing them? What a missed opportunity to talk about songs like Only the Brave becoming a queer anthem. Straight artists can have gay fans, you know.
But the film doesn’t make the kid relevant to any of those storylines. He could have been worked into the first, but wasn’t. It was like a standalone narrative, with footage from a narrow set of days. I was at both those L.A. shows. The energy was so different from night 1 to 2. And in retrospect it’s clear Louis was performing the first night so Charlie could get the right shots. More like a choreographed play than a rock concert. It makes sense now why the Clarks weren’t in the VIP box with Freddie — couldn’t have them cluttering the frame or distracting the actors. Just, everything about the Freddie scenes is heavy-handed. Make a sign for your dad! Draw his logo in the sand! Fly a kite at sunset! He’s the spitting image of Louis! (Len does all the heavy lifting.) And all the maneuvering it had to take to get all those shots from the L.A. show?! In the VIP box from behind (and from the front, and when he just happens to be mouthing along to Two Of Us), side stage watching Louis end the show, on-stage watching Louis approach Freddie after the show, on-stage catching the moment Louis gives the lad a shout-out ... Charlie had a shot list. But sure, nothing was set up, it was totally organic.
I’m still unsettled by how heavily Charlie laid it on at the first premiere press conference — *he* was the one to bring up the kid, and was weirdly emphatic that nothing was staged, nothing was forced. It had the same energy of the “It’s. Not. Real” thrown baby doll moment, only it’s Charlie insisting that It. Is. Real. Thou dost protest too much, me thinks.
And of course, the lack of interaction between Louis and Harry remains, as ever, the biggest tell. We get poignant post-1D Nouis and Lilo moments in the film, but no Larry. We’re spoon-fed these Very Emotional Moments between father and son (“love you,” “Darling,” mouth kisses), when the real story, the real emotion, the real connection is in just a few seconds of furtive glances between Harry and Louis in the backstage footage of the last 1D performance. Christ, the way Harry’s eyes bore into Louis — chin tilted down, eyes glancing up from beneath a furrowed brow, lips tight, disguising his attentiveness with a hair flip ... they mastered so many forms of silent communication. The quiet call and response, the depths of love and care and concern and protection contained in micro-expressions. Fuck, give me 90 minutes of that. Just a silent film of Louis and Harry looking at each other.
Anyway. Sorry this sounds so grumpy. I did really love most of the movie. But I haven’t made sense of why this film was made. I don’t know its purpose. Maybe the introspection forced by the pandemic lockdown is to credit for this glut of music docs (“docs”) lately. Maybe nine minutes frees him up for nine more months or nine more years. I dunno. He obviously wanted this story told in this way.
Seeing a movie requires the willing suspension of disbelief. You have to ignore critical thinking in order to enjoy the story you’re being told. You tune out your knowledge that everything is fake for the sake of being entertained. We know that Superman can’t actually fly, but we still buy tickets to the cinema. But, a documentary shouldn’t require us to employ this semi-conscious perceiving mode. Yet here we are. I’m just not sure how much more or how much longer we can suspend our disbelief to enjoy fandom.
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quietwingsinthesky · 3 months
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of ten’s companions, if the doctor couldn’t handle losing them and crossed his own timeline to trick them into traveling with future!him instead of past!him so that he’d have a little more time with them:
rose would do it. first because bless her but she has the situational awareness of a rock, and legitimately would not realize this isn’t her doctor until his facade starts to break down and he starts bleeding grief-laced love for her at every turn. but once she does realize it, she’s both deeply sympathetic and a little scared that she could make him into this. it’s a lot to be confronted with having that much power over someone, to break them so thoroughly. rose would try to get back to her doctor, but while she’s with the future version, she tries to do what she can to ease his pain. (she also tries to figure out a way to subvert her fate. she fails.)
i think martha would be harder to trick. she can smell desperation on the doctor like a bloodhound. she is so tapped into the fact that this man wants to off himself so bad and that she’s 90% of his self-restraint, so present her with a doctor who is lacking that and she’s onto him immediately. however, assuming he gets her to come with him, explains why he’s doing this, there’s like. a minute where she’s kind of. not flattered exactly, but surprised, giddy with the realization that he’d come back for a little more time with her, especially if this is early season 3 martha. which would all come crashing down around the time that he reveals that he wasn’t pushed to this by losing her to some tragedy or her death or anything- but that she chose to leave. that is the point at which martha goes ‘oh i need to get the fuck off of this tardis right now’ and ghosts the past!doctor that she was also traveling with because holy shit, man.
donna, like rose, is easily bamboozled into following the wrong doctor home, provided that he shuffles her along into his tardis too fast for her to argue. but she catches on far quicker than rose does. like, three minutes tops of watching the doctor move through the tardis in a way that’s definitely not enthusiastic piloting and looks more like guilty panic. and then she yells at him for lying to her. and she yells at him for kidnapping her. and then she stops yelling because he’s gone sort of still and quiet and his eyes are just broken. and he doesn’t explain himself, he confesses. donna is going to try to stay with him after this btw. because how do you go back to looking your best friend in the eyes when you know he’d take everything you’ve become away from you, even to save your life? and this is still the doctor, he still did that to her, but he regrets it. regrets it so much that he can’t live with it, he’s breaking time and space just to hear her say his name again. and donna doesn’t want to lose him anymore than he wanted to lose her.
#i am so enthralled by this concept you have no idea#also like. i mentioned in rose’s section how this is a genuinely scary situation for her.#but to be clear. it is for all three of them the moment they realize that this Is Not Their Doctor#because theyre suddenly on a ship going through time ans space with. almost a stranger. and one who has proven that he’s break laws#fundamental to his worldview rather than let them go#doctor who#rose tyler#martha jones#martha girl get the fuck out of there oh my god#the doctor comes out looking the worst in her section rip to him for not handling her leaving him in a normal and healthy way very well#i think it would be very funny if the doctor said goodbye to her and then immediately went. ‘oh! right! martha is the only thing keeping me#from jumping off a cliff! brb i need to get martha back at whatever cost!’ sir go to therapy#donna noble#also also to be clear im not trying to insult rose in her section thats just how she is#remember that time her boyfriend turned into plastic in front of her and she. didnt notice. or that time the doctor was being strangled in#the other room and she. didnt notice.#rose tyler girl that you are. you never know what the fuck is going on around you and i love you for that. how are you still alive.#REMEMBER THAT TIME SHE GOT BACK FROM AN ALTERNATE DIMENSION AND DIDNT EVEN NOTICE THE DALEK ABOUT TO SHOOT THE DOCTOR IN THE FACE#ROSE TYLER. GIRL. LOOK LEFT AND RIGHT BEFORE CROSSING A STREET AT LEAST#donna’s here is the most fucked up i think because even if this situation is ‘resolved’ and she goes back to her doctor like. how does she#keep going with that fact in the back of her mind at all times. that he can and will do this to her. that he’ll take himself and everything#else away from her while she begs him not to.#angst <3
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hornedqueenofhell · 9 months
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Hidden Depths Pt. 2
Part 1
Keith had only stopped in to get his jacket he'd forgotten, he wasn't expecting to see Harrington asleep on the couch in the back room. Even more surprising was Eddie Munson sitting there with Steve's head in his lap.
"You wake him and I will never sell you another dime bag again." Munson threatens in a harsh whisper. Steve wasn’t even scheduled today. What was he doing here?
Keith held his hands up in surrender and carefully inched over to grab his jacket. He knew Eddie was all bark and no bite, kids wouldn’t flock to him the way they did if he was actually cruel. But the memory of the witch hunt stuck with him as it clearly had the metalhead, Eddie had been far more waspish around town unless the dork patrol or Robin or Steve was with him.
“Don’t think we don’t know what you’re doing Keith.” And with those deeply threatening words from Munson he shuts the door to the backroom behind him and breathes out a sigh of relief.
“You didn’t wake him did you?” Robin asks immediately as she waves off her last customer. Ugh so Steve had gotten to her.
“Why do you care about him Robin? He’s a jock, he's everything you and me and even Munson should be against! Why do all of you defend him?!” He finally blurts out.
Robin just gives him this pitying look that causes him to bristle, he was sick of those looks from everyone. He managed multiple of his fathers properties. He was going to learn business at a nice college. He was successful damnit! More so than Steve fucking Harrington who never worked for anything in his life and still everyone flocked to him!
“He saved our lives Keith. No joke, no exaggeration. He was the one protecting Eddie while he was being hunted, carried him out when he almost died in the earthquake.”
“None of that explains why he’s sleeping in the backroom with Munson, who last I checked doesn't work here!”
Robin looks out to the parking lot and he notices a few small piles of litter around, no big deal. Eddie’s van is there but he doesn’t see that gaudy Beemer Steve drives. Still no reason for her to be looking so upset, or for Eddie and Steve to be taking up the breakroom.
“You remember Starcourt burning down right?”
“What of it?” Probably a bit too callus of a response to a tragedy that killed thirty people and exposed their Mayor as a communist sympathizer but he just doesn’t get the point Robin is trying to make.
“Steve and I worked at the mall, we were there when the fire started. He made sure we got out, me and the kids. He had several pieces of debris fall on him getting us out, I thought for sure he was going to die… he almost did. Something like that changes people, changes your opinion of them, it also makes the start of July very uncomfortable for us. So when little shits start lighting off fireworks in the parking lot and aim for Eddie’s van… you can imagine how someone with ptsd might react to that.”
This… was not what Keith expected. He was still waiting for Robin to break, to laugh and say that she was kidding. To smack him in the arm and say that Harrington was just being lazy or hiding out from a crazy ex, but that was a good one right? And then he thought of March, Robin and Steve bruised and beaten after the earthquake. Steve with a scar spanning the entire length of his throat, bandages poking out from the collar or hem of his shirt. Black eyes and broken noses back at school, Hargrove boasting about busting Steve’s face in and Steve weirdly absent from the cafeteria for most of his senior year.
“So he… fainted?” Keith guesses, unable to come up with a less insulting word on the fly.
Robin’s sigh contains mountains of disappointment, Keith feels small under that sound but this time there isn’t the desire to snap back. He’s not sure how to react to her now.
“A panic attack Keith, both of us told you about that.” More Robin threatened to sue for discrimination if he tried to fire Steve again. This was after Keith had gotten on Steve about wearing his sunglasses and Robin ripped into him about Steve having migraines.
“Okay, and?” He didn’t know what panic attacks entailed.
“Your body burns through its reserves of adrenaline in an extreme fight or flight response and once it’s gone you want to sleep for a week because everything aches and you feel like you can’t breathe. You are left completely drained and it can also trigger migraines, sometimes all you can do is sleep it off. Best sleep you can get when you have screaming night terrors, your body just shuts down and nothing but blissful darkness.”
Well, that sounded terrifying. He sighs and fidgets with his jacket.
“Just don’t let me catch Munson in the breakroom again unless he plans on submitting an application.” And with that Keith walks out of the store feeling very wrong footed.
Part 3
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netherfeildren · 10 months
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Someone's Wife in the Boat of Someone's Husband .7
Series Masterlist : Moodboard
(Joel Miller x F!Reader)
Content Warnings: Angst, Discussions of child abandonment, Discussions of child neglect; Family dynamics; Mention of abortion; Jealousy; Possessive behavior
Rating: Explicit 18+
A/N: There are much happier times ahead after this, I promise. I hope you enjoy <3
Word Count: 6.8K
Read on AO3
.7
Grief is different. Grief has no distance. Grief comes in waves, paroxysms, sudden apprehensions that weaken the knees and blind the eyes and obliterate the dailiness of life. 
Joan Didion, The Year of Magical Thinking
As the turn of the season marches its way into the city, the leaves bloom the crisp, bright colors of autumn. Austin comes alive with the burning colors of fall: reds and oranges and yellows, so beautiful. It makes you feel nothing. You usually love the change of the weather into the colder months, but this year it all feels – meaningless. Empty – like you. 
And yet, life continues, work continues, and at the end of October you and your fellow art teacher plan a field trip to one of the city's parks for the children to paint the colors of the changing leaves. It should be something to look forward to, despite the stress of having to organize a group of twenty first graders and wrangle them in a large, open space, you usually look forward to things like this. You love your job, it’s always made you happy, but somewhere along with the part of you that he’d stolen away, you’d slowly gone by losing other smaller parts of yourself, discarding them in the wake of your grief. Your ability to smile, to enjoy the things that had always previously made you happy, all gone away with him. All you can focus on now is how much you miss him. How much you hate all the decisions you’ve ever made, and how much you resent your history, your parents, for leaving you this broken, wanting thing that could not seem to find happiness – that would not let yourself be happy. No matter how hard you try.
But above the wailing cacophony of your grief, your longing for him ringing in your ears, there is the overwhelming resounding cry of your past screaming at you: you can’t let this go, you can’t let this go, you can’t let us go. Your parents, their history, the tragedy of their demise, the painful solitude of your childhood, the sight of your father wasting away for years and years and you, a child, unable to do anything, unable to help him, to save him, to bring her back so that he could be okay. 
But you also can’t let him go. It was, you now knew, an impossibility. As futile as forgetting your own name, how to breathe, how to be alive. Holding on to him now is an intrinsic part of you that you’re sure you’ll live with for the rest of your life. 
And so, the real question now is, what are you more willing to hold on to? But no, that isn’t right either, the better question is: what do you have to hold on to? What do you need to survive? What can you not live without? What would leave you only half a person if you were to let it go – the past or him?
You’re sure you know the answer, but are only too afraid to admit that all you’d put the two of you through throughout all this, had been pointless. So pointless and so needlessly painful. 
All you want now is to talk to him. No, you don’t even have to talk. If you could just get the chance to see him, even if from a distance, it would make everything better. You just want to see that he’s okay, that he’s not as miserable as you are. That he hasn’t been left as desolate as you seem to have ended up. 
The day is gorgeous, despite your mood, and the class has been good so far, calm and cooperative. The kids all sitting across picnic blankets you’d spread out on the grass amongst the fallen leaves. They’re all chattering and painting, engrossed in their task, when you hear your name being shouted from across the park in a high pitched little voice, and like a fucking revelation from above or your worst nightmare, your deepest desire come alive from the bottom of your heart – there they are. Sarah, running at full speed towards you from the far side of the park. Joel stalking a few paces behind her – his face like stone. You start to move towards them in a daze. 
You take in the sight of him from afar – massive, so tall, and so beautiful. His hair is longer, his dark curls brushing the back of his collar and curling along his temples. Weeks since you’d last seen him, since he’d last touched you, since that horrible moment in that restaurant bathroom. Your cunt clenches, empty and desperate, around nothing, just at the sight of him. He has on a dark green flannel that brings out the warmth in his eyes, you can see it, even from all the way over here. He looks so big, so strong, and you have a sudden, savage vision of him forcing you to the ground right here, in the middle of the park, and taking you for himself, forcing your legs open and ravishing you. Your head goes slightly woozy, dizzy, at the intensity of it, and you stumble, holding your hand out towards Sarah. You can see his eyes tracking your movements, your unsteadiness. His cheeks are bright red, flushed with the crisp autumn air, or perhaps, with anger. 
She squeals your name as she runs towards you, throwing herself into your legs, wrapping her arms around you when she slams into you. Your breath whooshes out of you at the impact, and you’re forced to take a step back as her body rocks into yours. Careful, Sarah. Be gentle, he calls.
 “Sarah,” you gasp, “Hi, baby. How are you?”
“I missed you,” she says, and her face is so sincere, so full of genuine happiness at seeing you, despite the fact that she’d only met you a couple times, that it brings tears to your eyes now, but you aren’t sure what kind of tears they are. Perhaps, from the pain of seeing your past self reflected in her fervor. The devastation of being confronted with him again. The most sublime elation because look at this little girl and how special and wonderful she is, and she’s happy to see you. She’s so in need of the attention and comfort of a maternal figure, and she reminds you very, very much of yourself at her age. It breaks your heart to feel her innocent desperation. You cannot even consider looking up at her father, you know that if you do, you’ll break down entirely, sobbing at his feet, begging him to forgive you, to love you back as much as you love him. “We– we should go play in the water again. I liked it so much when we did that. I had so much fun.” There’s such earnest pleading in her voice, but it gets just the tiniest bit smaller and quieter when she says the last part, as if she’s unsure if you’ll feel the same, if you’ll reciprocate her feelings. You close your eyes and take a deep breath in through your nose and let it out through your mouth as you hug her closer to you.
When you open your eyes again and look down at her upturned face your voice is slightly steadier, “We can go whenever you want, sweet pea. I had so much fun, too,” but you lose the battle at the end, voice cracking slightly. You can feel his hovering presence at your periphery like a blazing inferno, demanding attention, and you finally look up at him.  He has a slightly unhinged look in his eyes, taking you in from head to toe, gaze manically roving your form, like a man starved, parched – desperate and ravenous. 
“I had to go to the doctor,” Sarah says. “Look,” she shows you a bandaid on her little bicep, “I got a Sailor Moon sticky, but it hurt really bad.”  She pouts and you rub her hair, cooing at the small hurt. 
You look back up at him then, “Joel,” you croak. He doesn’t say anything, and you can see a slight tremble in the lines of his arms. He turns his face away from you, looking across the park, and you watch the ripple of muscles in his throat as he swallows several times, the flare of his nostrils as he takes his own set of deep, calming breaths. “Please, say something,” you beg. 
You hate the look in his eyes, you hate it, you hate that you’re the reason he looks like this right now. He doesn’t deserve this. He deserves your love. He deserves to be loved. He’d told you once that you weren’t some secret to be kept, hidden, that you deserved to be cherished out in the open, you realize, in this instant, that he deserves the same, and that what you’re doing to him is wrong. But how to stop it? How to change the most integral part of your mind, of your belief system, and that which it all hinges on, your past, your history? An impossible feat. 
“What are you doing here?” he finally says. His voice is rough and deep, and the mere sound of it makes everything deep in your tummy clench painfully. 
You’re still hugging Sarah to yourself, and she tightens her arms around you, looking up between the two of you as if she can tell that something isn’t right. “Field trip.” You hook your thumb back towards where your kids are still being watched over by the other chaperones. 
He finally turns back to look at you, and the fire in his eyes is terrible for all the desperation and pain you recognize in it. “It’s been weeks,” he whispers.
“I know.” You rub Sarah’s shoulders gently, feel her nuzzle into your thighs. 
“I went to look for you at the school.”
“I know.” Your voice sounds almost like a cry. Despite everything, despite telling you that this was hurting him, he’d still come to look for you again. He hadn’t given up on you, no matter how many times you’d pushed him away.
“I knew you’d seen me,” and he looks so hurt as he says it, that it sends a spear of fire through your chest. You can tell he’s holding on to his control by tenterhooks, trying his best not to let his anger out and scare you or Sarah. An irrational part of you wishes he’d lose control, throw you over his shoulder and force you to go with him. 
“Daddy?” Sarah’s little voice.
“Are we just never going to speak again? Is this the way you want it to stay?”
“No,” you croak, “I don’t– I don’t know,” a violent shake of your head, “I mean– yes, of course we are. I just can’t do this right now.” Your kids are waiting for you. You’re supposed to be working right now, not watching the rest of your future crumble brick by brick before your eyes, the only thing you’ve ever truly wanted for yourself angry beyond words at you. He scoffs, runs a shaking palm over his mouth and beard. 
You hear the other teacher call your name from behind, and as he comes up next to you, he puts a hand on your shoulder, perhaps sensing the tension or a fight brewing. “Everything alright over here?” he asks you gently, not sparing a glance at Joel. 
The entire right side of Joel’s face spasms furiously. “We’re in the middle of a fucking conversation here,” he spits, taking an aggressive step forward, eyes zeroed in on the hand touching you. You shrug it off immediately.
“Joel–” you warn, at the same time that Sarah’s high, anxious voice cries, “Daddy, why are you mad?” Her voice seems to snap him out of it, he looks down to her, his eyes going slightly wider for a second before he squeezes them shut and shakes his head once, quick. 
“I’m not, baby. I’m sorry–”
“I’m fine, thanks,” you murmur to your coworker. “Can you give us a minute? I’ll be right there.”
As he retreats, you say again, “I can’t do this now, Joel. But maybe–”
He shakes his head, ignoring you, crouching down to Sarah’s level. “Let’s go home, baby.” He places a gentle palm on her slight back. You can see the tremble of his hand, and it makes a sharp pain start up behind your left eyeball. 
“No, I don’t want to go with you!” she says muffled into your thighs.
“Sarah, baby, please. We need to go home,” he begs her. 
“Joel–” He continues to ignore you. 
“I don’t want to go yet,” she looks up at you, her little face pleading, “I want to stay with you, please.” Her eyes are starting to fill with tears. “Don’t you want me to stay with you? You said you had fun with me.” The tears start to fall, your own pool in your eyes.
“Sarah, it’s okay, baby. We’ll play another time,” there’s a begging lilt in your voice too. What are you doing? This is all your fault, you’re hurting the both of them. 
Joel stands to his full height now, finally meeting your eyes again, and his voice is hard and angry, patience come to an end as he says, “Sarah, it’s time to go. Say goodbye. I’m not gonna ask you again.”
“No! I don’t want to go with you! You’re being mean!” She turns her tear streaked face to him now, pulling on your clothes as if trying to scramble up your body. “Please, Daddy, please, I want to stay here.”
He closes his eyes, takes a deep breath, “Sarah, please.”
“Why do I never get to play with girls? Where’s mommy? Why hasn’t she come back? I’m tired of just being with you, Daddy!”
He flinches at that. If you hadn’t been watching him so closely, you’d have missed it. If you hadn’t memorized his face so well, you wouldn’t have seen the muscle under his left eye twitch. He freezes as she starts to sob loudly, and you’re at a loss, writhing in agony for the both of them. 
He crouches down again at the sound of her very real and anguished sobs, and his voice is gentle and coaxing again, when he says, “Let’s go home, baby girl. It’s alright, come on. I’ll get you an ice cream. How does that sound? With the rainbow sprinkles we like, okay?” He pries her off you gently, not turning to look at your face again, taking extra care to not touch you even a little bit, but you feel the heat of his hand against your thigh as he grabs her, and it has a jagged shock moving through you. You desperately wish he’d take you with him too.
He wraps her in his arms and picks her up, “I’m sorry, Daddy,” you hear her sniffle as she hides her face in his neck, a safe place. You wish you could hide from the world there too. 
“I know, baby.” He rubs soothing strokes along her back as she wraps her little arms around him to clutch at his hair. 
“When’s mommy coming back?” she mumbles as they walk away. He does not turn back to you. 
-
The encounter in the park makes everything worse. Much, much worse. Like your heart had been ripped clean out of your chest that day and had gone off with Sarah and Joel, leaving you behind to float in the rotten pool of your misery. 
“I heard a strange rumor recently.” Your mother’s voice, soft but discerning, comes through the phone – first call in six months. It makes dread coil in your belly. Nothing good ever follows that tone. 
“Oh? What’s that?” She doesn’t call often, but when she does, it’s usually to ask for something, you’d already promised to send her a few hundred dollars, or to share news of a new boyfriend or trip or something equally self involved.
“You remember my friend Betty? From when you were growing up – she lived down the street from us. Well, she’s in Austin now too, has been for some time–” Fuck, “And you wouldn’t believe, but her daughter’s a doctor now, there in Austin too, very impressive.” She’d always hated that you’d become an art teacher – not glamorous enough for her. “Maybe you remember her, too? Little blonde thing, very cute… and well, she said she was at a birthday party recently,” No, no, no, no, please, no. “And she said she’s almost sure she saw you looking pretty cozy with some man, who she has on good authority, is married.” There is a sharp and cruel vein of satisfied glee in her voice, “And you know, I really couldn’t believe it when she said so, and I told Betty, ‘My daughter? She’d never get herself involved with a married man.’ I mean, you’ve always cast me as the worst sort of woman for leaving my own unhappy marriage for another man. So, how could it be that my saintly little girl has now fallen into my own footsteps? I guess the apple doesn’t fall far from the tree, does it?” You’re shocked speechless. Of course, of course, she’s found some way to hear about this. She’s always had a way of finding out everything about you, as long as you’d go without speaking or seeing each other, she always finds a way of sniffing out the things in your life you want to keep hidden from her, as much as she claims she doesn’t care what you do or what becomes of you. “Nothing to say?” she croons.
“It–” your throat is tight, filled with tears already, confessing this to her will break you in a way you don’t think you’ll be able to recover from. “It’s not like that – it’s not like… you,” I’m not like you, I’m not, I’m not. “It wasn’t something– something done purposely,” you whisper. “It just happened.”
She laughs at that, long and loud, “Yes, well… it usually does happen like that. Unintentional. One doesn’t often set out to ruin a life, do they? Sometimes it just happens, I suppose, no? What do you think?”
“I haven’t – I haven’t ruined a life,” you blink furiously, shaking your head even though she can’t see you.
“Oh, no? You’ve always taken yourself to be so high and mighty – always so holier than thou, and now? What? You’ve ended up just like me. Brought low, down to my level, after you’ve always judged me so harshly. How does it feel? To have ended up just like me? Scum like mommy.”
“I didn’t ask to be this…” you cry, “This– this hideous thing I’ve turned myself into–” like a creature of cracked skin and painful faultlines, “But this is what you made me, this is all you left me with, an inability to escape you, an inability to have a normal relationship.” You know she can hear the tears in your voice, and that she’ll be all the worse for it, crueler for subjecting her to your weakness, but you can’t help it. She hates it when you cry, your tears have always reminded her of her own weaknesses.
“Baby girl, that’s just what you tell yourself to make yourself feel better. And sure, if it helps… if it works, go on. You tell yourself that. But you’ve made your own choices. I can’t be held at fault for what you do with your life.”
“I’ve never seen anything else but the wrong kind of love. A– a  painful kind of love–” you think of your past words to Joel – his worry that he and Eva had only ever given Sarah the wrong example of what it is to love, and your reassurance that the love he gave her was all that mattered. You’d never had that, you’d never had that sort of steady, reassuring presence that he was able to provide his daughter, and so how could you have turned out any way other than gnarled and wrong? And yet something in you rebelled at that thought, for you felt, deep inside, that despite the circumstance, the way you felt about Joel was anything but wrong. If anything, it was the only thing in your life that made sense, the only thing that was truly right. “How could I have turned out any other way…?”
She’s quiet for a moment after that, and when she speaks again, the venom in her voice is gone, and the mother you hold so sacredly in your memory, the one she only lets you see on occasion, makes a rare appearance. Her voice gentled now, she says: “I know… I know it wasn’t always right, that I wasn’t always right,” she huffs a breath of laughter and it sounds… almost sad, “But I did love you.” Did love – the past tense spears you through the heart and silent tears drip down your chin, “I’m sorry that I’ve made you believe otherwise, but I did.” And you know, part of you recognizes the truth in her words, despite the pain they bring, you know that she had loved you, she’d just never known how to show you – it was always the wrong way, the wrong kind of love, but it was love. The love of a mother who’d never really wanted to be a mother. 
“I know,” you tell her quietly. 
You were always fighting with her in your sleep. Unable to let the wound close. But you were so tired, you needed to let it go, you now thought. You needed to move on, couldn’t let it rule your life and your relationships anymore. 
You can’t help but think that a broken home is such a funny and strange thing that spits out equally funny and strange people. At once, fractured, disjointed, painful, but at the same time, still a family, still desperate for all those things that make a family, a family. Despite not really knowing what that truly means. Still held together by that obligation of blood, love, need, childhood. Something inescapable, and even yet, in many ways, unbreakable. For you can never truly break a thing like that. It would always live with you, in some manner. You would never be able to forget it, and even if you cast it away, left it behind, forgave, memory was not a thing so easily let go of. It would stay with you regardless of what you did or who you became. Keep its claws in you. But you didn’t think you had to let it rule you anymore, subjugate you. You could forgive your parents for their faults and their let downs, for being human, for being bad parents. If you could not forget, then you could forgive, let go, move on, stop letting their memory dictate you.
She was never a good mother, but she was still your mother, and you’d always known that despite everything, you’d always loved her anyways. You always would. 
You wonder what it was about some women who were able to find such comfort, purpose, stability in motherhood, as opposed to others who saw it only as a prison, a grave. Was it paradox, nature, nurture, personality, fate? Nothing meaningful at all, no reason, it just was? You wished there was a set equation that could tell you what you would be, who you would be, what kind of mother you would turn into, were you to become one. 
And then, in opposition – the plane of fatherhood and all it entailed. What was it that made a man a good and caring father, as opposed to one who drank themselves to death, and left their already very alone child, even more alone? What was it to have a good mother and a bad father or vice versa? To have both of the same? What were the implications, and what sort of creature would it turn you into once their influence had been wrought upon you?
What were the implications of having had bad parents, and then, when the time came for you to become one yourself, wanting desperately to be a good one? How did you do that when you’d had only poor examples? 
How did you escape faithlessness?
You had to wonder, would your father have always become what he had, even if she had never done what she did, if your mother had never left, never been unfaithful? You didn’t think that you could cast all the blame on her anymore. After all, a marriage was a strange and intimate thing, only looked upon in its true form by the two people within it. No one could turn a thing into something it was never meant to be. No one could turn you into someone you didn’t already have within you. This was true for yourself, as well. You supposed, the same could even be said for Joel and Eva. People were what they were. Nature versus nurture, again and again and again. 
You had been so staunchly stuck upon the fact that you couldn’t be the thing to break their marriage apart, when he’d told you, time and time again, that there was already nothing to be broken, that there had never been anything to break in the first place. The marriage, too, had always been what it was. Had you, in your fear and fractured history, tried to make it into something that it had never been for fear of it turning you into that very history you were so frightened of? There were different realities to category, different things held different significance and not everything was the same in perpetuity. 
Categories, labels, titles – husband, wife, lover, mother, father, daughter – was it all useless fodder people ascribed to a thing to be able to bend a person or a feeling to their will? You didn’t think you could tell anymore. The ideas that had always been so securely held in your mind seemed to have all been shifted askew by a man who, in his own right, was beyond category. A title did not make a thing real. But love – that was its own category, of this you were sure. That was a pillar all on its own, its own realm which opened up possibilities and necessities that you were now coming to realize were uncontainable. 
And so, what of you and Joel? Did that count for nothing merely because of a lack of category for what you two had? No. Impossible. Because in many ways, what existed between the two of you was a marrying of your very souls, a melding of them – as if he’d stolen it straight out of your chest. Its own category ascribed to its position in your reality, and thus directing all your actions for the simple fact that you were in love with him, and it could not be swallowed any longer. 
What is it to feel before category? 
Were the labels useless until there was feeling behind them?
All your life labels, titles, promises, promises, promises had never meant a single thing to anyone around you. Not your parents' promises to each other: husband, wife; not their promises to you: mother, father, daughter, family. None of it had ever meant anything, so how could you ever be expected to have faith in the promise of category? 
How did you escape faithlessness? How?
You and Joel loved each other – real. That was its own category, its own faith, in a way. The feeling behind category.
What was it to feel before category? Possibility.
What was it to feel after category? Promise.
There was a real sort of promise in love – no guarantee, surely, for love could be wrong, but intention, for it could also be right. Joel and Sarah and everything he’s done solely for her sake – committing himself to a marriage he’d not wanted, had known would never work. There was a promise in that. A father telling his daughter that he would do anything to give her what a child could need: a family, a home, togetherness, security. He’d sacrifice anything for that. 
You’d always known you recognized something in him, but what was that thing? You’d thought that you couldn’t say, or didn’t want to say, didn’t want to admit it, for too long. Part terror, definitely, part desire, unfortunately –  most horrifying of all, and that which had been your first realization where he was concerned: yourself, kindredness. You saw yourself in him – a great and unbearable knowing. The two of you were the same. And so, it was only then, love. And oh, there it was. Perhaps you could admit it after all. 
For at the end of everything, the simple reality you were now forced to accept was that to know was to love, and you’d known Joel from the first first moment you’d met him, as he’d known you. A thing was what it was, and no matter what category you tried to force it into, it would remain as it had been born as. Recognition was, you thought, what ascribed value, what made the decision in the end. 
-
“You’re cold, Joel. You push people away, hold them at arm's length.” Hours of this interminable back and forth between the two of them. His temples were throbbing. All he wanted to do was fall face first into bed and not resurface until tomorrow morning. But she was getting at something – restless and coiled all day – she was getting ready to make her decision. Eva was leaving.“What woman would ever want to stay for that? You aren’t unlovable… you just won’t let yourself be loved.” He shakes his head at that, not looking at her. Not true, he wants to say. Despite everything, he still thinks there’s a part of you that loves him, you love him, you love him, he knows it. Even if you can’t let yourself be with him, or don’t want to be with him. “And anyways,” she continues, “It was never supposed to be me. I was never supposed to be the one to love you, we both know that. It was never us. We never had a chance. We never loved each other.”
“Did we ever even like each other?” sardonic – and she laughs, high and rueful, at that. 
“You know what your real problem is?” Her voice takes on that especially vicious tone she likes to use sometimes, the one that makes his bones itch inside the confines of his skin. “You’re selfish, Joel. You– you just want me here–”
Now that makes him laugh.“I’ve told you many times… you’ve got no obligation to me, Eva.” He sits heavily on the sofa, elbows braced on his spread knees, staring unseeingly ahead. He thinks that his voice sounds so tired, so unlike the sort of man he wishes he was, a creature he hardly even recognizes anymore. “If you wanna go, then go. I won’t stop you. I won’t hold you back. I won’t resent you for it. I won’t turn our daughter against you afterwards. I’ll respect your decision.”
“That’s not true! You forced my obligation to the two of you when you let me come back. You should’ve never taken me back, you knew it wasn’t what I really wanted. I–”
He shakes his head, “You’re talkin’ nonsense. You can’t cast the blame of your guilt on me because I– I– what? Because I let you come back into our daughter’s life after you abandoned her? That makes no fuckin’ sense, and you know it.” He points a finger down the dark hall towards the room where Sarah sleeps, peaceful and unaware. “You will always have an obligation to that little girl – no matter how far you go or what you do or what you think of me. You will always have an obligation to her. Even if you don’t see it through… even if you leave – it’ll always be there, by virtue of the simple fact that you’re her mother, and no matter how badly you’d like to escape that, you never can.”
“You think I wanted to give up my freedom again? Once I’d gotten it back? But I– I, I felt so – like I was supposed to be here – like it’s what the world expected of me. So here I fucking am – miserable and stuck with you.”
“Evie, darlin’, I’ve never wanted you miserable,” he says softly, reverting back to that nickname he sometimes called her, when they were trying especially hard to get along, when things weren’t, in the rare occasion, so terribly fraught between them. “I told you from the very start of all this, that what happened would be up to you. The decisions were yours to make, and I’d support you in whatever you wanted. I never wanted to force you to do anything you didn’t want to.”
“Well, I didn’t want to have a baby with you!”
He clenches his jaw tight. “Then you shouldn’t have.” He is trying very, very hard to keep a controlled grip on his anger.
“So, what, I should’ve gotten an abortion? Is that what you would have preferred? Gotten rid of her?” He feels very close to rage, hearing her talk of Sarah like this, but he forces deep breaths in and out of his lungs. Tries to remain calm and rational. 
“If that’s what you wanted – I told you that if that was what you wanted I’d have supported you.”
She laughs, cruel and broken. “Please, you would’ve fucking hated me.”
“And?” That wipes the jagged smirk off her face. “I wouldn’t have – I would’ve understood, of course I would have – we were fucking strangers, but even if I did hate you – what the fuck does it matter? I didn’t even know you. What would it have mattered?”
She’s silent at that, almost stunned, for it’s the truth. They’d been complete strangers then. In many ways, they still were now, even after the birth of a child together, after three years of marriage. They didn’t really know each other, not in the intimate or tender ways that made up a real marriage. 
“That wasn’t an option for me.”
“I know. And I accepted that.”
“You should’ve never asked me to marry you.”
His eyes flutter shut, frustration surging again. “I felt it was the right thing to do at the time.”
“But now?”
“What do you want? You want to hear that I regret it? That this was the worst mistake of my life? You want me to tell you that I’ll stay with you forever? What do you want to hear? I don’t– I don’t know how to make this better for us anymore.” He is terrified that his most terrible and painful truth is that he would force himself to remain trapped in this purgatory with her, despite everything else, for Sarah. He is the man that he is, after all. One who is acutely aware that when you try to force yourself into a shape you were never meant to be, it turns you into an angry thing – embittered, cruel, despondent. It’s what they had done to each other. 
She goes quiet, almost deflates, “No. I’m miserable. You’re miserable. You’re in love with another woman.”
He can’t say anything at that – the mention of you in this terrible space they’re creating with their words and their anger feels wrong. You don’t belong here. Although, he has the sudden flash of a thought that part of him wishes very much that you were here right now anyways, sitting in that chair in the corner, if only so that he could turn to look at you, find comfort and strength in your warm gaze. All he can do is nod. 
Suddenly, all the fight and venom seems to leak out of her, and she says very quietly, very sadly: “I don’t want to be with you for the rest of my life, trapped here in this place I never should have ended up in, in the first place. I don’t want to be here at all.” 
He nods, “It’s your decision. I won’t condemn or judge you for it.”
“Wouldn’t you like to make any decisions for yourself? 
“I made my decisions. I’m living with them now.”
“You sound like you’re being punished.”
“Maybe in some ways I am.” You don’t want to be with him anyways, what difference does it make?
“Wouldn’t you like to decide to be with her? Because honey, with three of us it’s a sideshow. You think I don’t know how you feel about her? That I haven’t seen the way you look at her? I’ve known since the start, and I’m glad for you.” And he knows that despite all the rest, she is sincere in this. 
“Just three?” he laughs, ignores the rest. “Surely there’s more of us than that.”
“Oh, suddenly you’re funny?”
“You really think there’s anything about this I find funny?” he spits, anger surging up inside of him again, hot and bright. “I suppose it’s laughable. We sure have turned ourselves into one big fuckin’ joke. But I don’t think we’re the ones that should be laughing.”
“No… you’re right… we’ve turned each other into such sad and terrible creatures,” she says then. 
“Maybe. If so, I’m sorry for that. It’s not what I wanted.”
“No– me either. None of this was.” And he knows she means Sarah. She’d never wanted Sarah, but he can’t focus on that now or perhaps, ever. Sometimes it was just easier to not look at a thing, to swallow it and pretend it’d never existed. He closes his eyes and brings a shaking hand up to drag down his face. 
“This is a broken marriage,” she says. 
And he knows it is true. “Yes.”
“No true marriage at all.”
“No.”
“It is no great loss.”
“But it still hurts.” Also the truth. It hurts him for his daughter, for the breaking of a family – even theirs, as elusive or damaged as it was. 
“Only because you hate to fail at anything.” There is so much resentment in her eyes, and he can’t tell whether it’s for him or for herself or for the entire fractured thing. He so wishes that he could have done things differently, that things had happened differently. But then, if things had happened differently, he, perhaps, would not have Sarah now, and she was worth all of this, she had always been worth all of this.
He shakes his head. “Because we have a daughter together.” He feels so interminably sad for the both of them. For all they cannot and have not had. For all Sarah will not have.
“Was it really ever together? She’s yours. She’s always been more yours than she ever was mine. I don’t feel bad or wrong saying that. Some women aren’t meant to be mothers. Some women have children when they aren’t meant to be mothers. This is not a sin. I am not made evil by my lack of maternal instinct. I love her. I do. Despite whatever you may think, I do, I always have. But I was never supposed to have children. I was never supposed to be a mother. It was never in my nature. And anyways, it’s why she has you. She’s never needed me because she’s always had you.”
He looks down the dark hall towards his little girls room. They’d put up those glowing sticky stars on her bedroom ceiling this afternoon and construction paper butterflies they’d cut out together, hanging from fishing line between the stars. When she woke up tomorrow he didn’t think she’d have her mother here anymore, would not have her by her side, probably, for a very long time, if ever. How was he supposed to tell her that? How was he supposed to help her through that? He didn’t know if he had the strength, the intelligence, to navigate such a difficult thing. But he didn’t have a choice either. He’d have to find everything she needed from him somehow, somewhere – he would. 
“Every little girl needs her mom… but she also needs structure in her life, stability – she deserves to have that. You need to make a decision, a real one, for her sake. I won’t have her waiting by the phone, watching out the window for you for years and years.”
“I won’t be coming back this time,” and although he was expecting it, already knew, he still flinches, like a bullet punching through the space in his heart where he holds Sarah. He nods anyway. “I do– please, I do want you to know that I’m sorry. That I wish it was different. Please, tell her that, tell her to forgive me.”
He wonders why it is, that in the equation of crime and absolution, forgiveness is always the faction that is most readily expected – demanded even? Despite the hurt being something so, so terrible. But he promises that he will, anyway. 
Eva’s gone the next morning. 
Two weeks later, he gets divorce papers in the mail, and he tells Sarah that her mother will not be returning this time – cradles her little body in his arms with equal measures of as much gentleness and strength as he can muster while she cries.
Chapter .8
Netherfeildren's Masterlist
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limehaspassed · 10 months
Note
So i had an idea a slasher with an S/O who has PTSD from guns and they get mugged. So basically here is the plot. The slasher and the S/O go to a cafe! They have breakfast do some cutesy flirting and talk about their day than they leave. On their way home, The S/O finds an alley short cut home. They go in and than some men in their late to early thirties put a gun to the S/O's head. The men tell the slasher (who is in disguise as a normal person and the S/O knows) to hand them all the money they've got in them. And next is up to you!! Idm what slasher you put in but i at least want Bubba Sawyer, Jason Voorhees, Thomas Hewitt, Michael Myers, and Freddy Kruger. You don't have to add freddy if you don't want to, i don't like him but i do want to know how he would react in this situation!!! Bye!!!
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Slashers Reacting to a S/O
with PTSD
In which the slashers react to a s/o who has PTSD of guns. Slashers included are Bubba Sawyer, Jason Voorhees, Thomas Hewitt, and Michael Myers.
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Prologue
The first time you had ever seen a gun, it was when you had gone out to a local cafe with your partner that you encountered such a powerful weapon. The downside of ever seeing one is that you looked down the barrel of it, your body being held captive by fear and the threat of the gun firing while pointed at you, a tragedy within itself.
However, before you were forced under such horrific circumstances, you fancied a delicious breakfast, a perfect start to the morning.
“Good morning, take a seat wherever you like.” The waitress had greeted you, a warm smile on her face.
You smiled back and led the two of you over to a table. “This will do.” You said calmly, taking a seat at one end of the table while your partner took the other. You glanced up at them, flashing them a soft smile.
The waitress came back around and handed out menus before taking her leave again.
The two of you looked over the menu, you having to explain what some of the more intricate words were to your partner every now and then. Eventually, the waitress came back around and the two of you place your order. It isn’t long till the food came out, pipping hot and perfect for eating.
“Here you two are. Enjoy.” The waitress spoke.
The two of you were quick to dig in. “This is so good, almost as sweet as your kisses, love.” You teased, after taking a bite of your food.
Your partner nearly chocked on their food, not used to such compliments. You chuckled and continued eating, making small comments about your partner every now and then, enjoying the way they looked away in embarrassment.
You two quickly finished eating and you paid the bill. You soon found yourself walking home. It was starting to get dark overhead, rain settling in, so you decided to take a shortcut through an alleyway you frequented. However, this time, you were unoccupied
“Stop right there.” A man said, placing a gun against your head. “Give us all your money!” He yelled, his voice harsh, far worse than the thunder that stormed overhead.
You looked at the man before glancing over at your partner, noticing that they were about to attack. They met your eyes and you held up your hand, telling them to stop.
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Bubba Sawyer
Bubba listened to your word, staring holes in the men that held their gun at you. He watched as you handed over the money, slowly and cautiously. He remained still, following your orders, staying the good boy you had always deemed him to be.
“Is that all you got, bitch?” The man with the gun asked you, his voice cruel and full of malice.
You nodded and he gave a dismissive grunt. They left soon after, leaving you alone with Bubba, who was quick to walk up to you, looking over you with worry.
“I’m fine, dear. Let’s just get home.”
About a week later, you were met with a gun again, a victim having stolen a gun from the house, pointing it at you just before Bubba was about to attack. They held it against your head and you could feel your body start to panic, tears quickly entering your eyes.
Memories of the robbery came flooding back and you were stricken with fear, frozen in place. You don’t even know how Bubba took the person down, you just remember his arms wrapping around you, holding you close. You remember the way he held you so gently, as if you could break if he held you too tightly. You remember crying into his chest, shaking and trembling as you let the panic leave your system.
Bubba made sure to keep guns out of your sight after that, not wanting to see you in such a state ever again.
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Jason Voorhees
Jason listened to your words, not moving an inch. He quietly watched as you handed over the money, noticing the way your hands shake and tremble, fear evident in your every move. His hands clenched at his sides and he glared holes into the man’s head. He hated them, he hated this situation. He wanted nothing more than to punish the man for even looking in your general direction.
“Is that all you got, bitch?” The man said with a snarl.
You had went to say something but Jason had already moved, grabbing the man’s gun and throwing it aside, ripping it from the young man’s grip with ease. You watched with fear as Jason grabbed the man by his throat, a snarl practically ripping from his throat. The man strained and cursed, trying to escape Jason’s grasp but nothing was stopping him.
“Jason, stop!” You yelled, placing a hand on his shoulder.
He ignored you, blinded by rage. The man soon went limp, no oxygen left in his brain. Jason dropped him and looked at the other one. He went to lunge but you grabbed his hand, pulling as hard as you could. You nearly fell forward with how quick Jason had moved.
“Please, Jason, quit it out.” You begged, tears brimming in your eyes, you refused to let them fall.
Jason glared at the man. The man took this as his queue to leave, sprinting out of the alleyway. Jason didn’t turn to look at you until the man was out of sight.
“Sorry. He called you a mean word.” He signed, looking at you with regretful eyes.
“It’s alright, just help me clean this up.” You motioned to the body.
Jason nodded and got quick to work.
The second time you were faced with a gun was when one of the counselors at Camp Crystal Lake decided to fight back, holding you hostage to keep Jason from attacking them.
You were immediately sent into a panic, your mind running a million miles an hour. You were horrified, more horrified than you should have been in such a situation. You knew Jason would fix this but you couldn’t help but overthink, you couldn’t help but doubt his abilities, especially since you could feel the cool texture of the barrel.
Jason was quick to unarm the person, quickly getting to you. He scooped you into his arms and held you close, rubbing small circles into your back as the counselor laid dead at your feet.
Your breath quickened as you saw the dead counselor, you began hyperventilating. Jason held onto you tighter, forcing you to use him as a grounding tool.
You held onto him tightly as you tried to correct your breathing. It took you a bit but you soon calmed down, relaxing into his grip. He didn’t let you go for the rest of the night.
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Thomas Hewitt
Thomas was reluctant to listen but he did either way. He would listen to your every word, no matter what it was, even if he felt his opinion was the better option. He wanted the two men dead but you had said otherwise. This left Thomas in a state of near panic, he wanted to kill the two men but you had ordered him not too, he found it difficult to uphold your word.
“Is that all you got, bitch?” The man with the gun asked.
“That’s all I have.” You looked at the man momentarily before looking back over to Thomas, making sure he was following your words, you could tell he was having a difficult time listening.
“Tell anyone, you’re dead.” The man snarled, taking a step backward, his gun still pointed at you. He slowly walked away with the other man, their attention both still on you, the gun still aimed at your head.
They turned the corner and you let out a sigh. Turning to Thomas, you looked up at him with nervous eyes, afraid that he would criticize your weakness, your submissiveness to the attacks of others. However, it wasn’t a critique you were met with, it was a protective embrace.
Thomas was quick to wrap his arms around you, holding you close as if you would fall apart if he let you go. You could practically hear him growling, he was seething with anger. His grip around you tightened even more.
He didn’t let you out of his sight for the next week, constantly by your side, protective and possessive over your every move.
The next time you saw a gun was when Hoyt had pulled it out to deal with a victim. You didn’t technically see it but you heard it one evening while you were doing the dishes. You immediately dropped the plate you were drying, being sent into a state of panic as memories of the robbery came flooding back.
Thomas had witnessed this panic strike you and was by your side in seconds, pulling you close to him and holding you. You latched onto him, your eyes filling with tears, overflowing and soon falling to the ground.
Thomas hummed softly, a technique you had used to calm him at times. It was effective and you soon found yourself calming down. It wasn’t long until Thomas felt you relax against him.
His worry was replaced with anger, anger at the men, anger at Hoyt. He hated seeing you in such a state, he hated not seeing his sunshine happy. He vowed to limit the usage of guns around you as much as he could, not wanting to see you look at him with those panic stricken eyes again.
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Michael Myers
Does not listen at all, he immediately goes to move, attacking your attackers before they could even say their next word. He’s quick with killing them, not wasting time to watch them die, he wanted them dead quick and fast, wanting to immediately get the threat away from you.
The only person that could threaten your life was him.
“Michael, I said hold off.” You spoke, your voice still trembling with fear. The gun being pointed at you had gotten you quite worked up.
Michael shrugged his shoulders, looking at you with the same unbothered expression. He didn’t say nor did he sign anything. He simply watched you, awaiting his thanks.
You knew what he wanted but you refused to give it to him, mad that he disobeyed you. You didn’t want those men to die, even if they threatened your life, you just weren’t that type of person.
“Just…just clean up the mess.” You turned away, not wanting to look at the dead bodies.
Michael reluctantly got to work.
Later on, about a week later, you were faced with another gun, this time it was pointed at Michael. Your heart rate increased and your breath came out in shallow gasps. You were freaking out, you didn’t know what to do. You wanted to help but you were frozen, the memories of the robbery entering your head again.
Michael noticed this and he was thrown into a fit of rage. He ran at the person, who shot the gun, hitting Michael in the shoulder, but it didn’t stop him. Michael grabbed the person and threw them harshly against a wall, the gun sliding across the floor, stopping by your feet. Michael attacked the person, continuously hitting them until well after they were dead.
He then turned to you, noticing the gun by your feet and how your eyes were glued to it, tears falling harshly against the floor. He kicked the gun away and grabbed your hand.
He wasn’t an emotional guy, he wasn’t a touchy man either, but he was okay with hand holding, so he took your hand, squeezing it as you cried.
You moved and wrapped your arms around him, crying against his chest. He let you stay there until you calmed down, not pushing you away like he usually did.
He squeezed your hand once you calmed down, causing you to look up at him.
“Thank you.” You whispered, to which you received a small grunt. You gave a weak smile and hugged him one last time while he was still allowing you to be so close.
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Thank you for reading loves 🖤
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tragicbeauty1991 · 23 days
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So I know I’m extremely late to the party, but I FINALLY got around to watching Wish now that it’s up on Disney+ and…I genuinely don’t understand why it got so much hate?? Sure, maybe it wasn’t on par with things like The Lion King or Frozen in terms of the lasting effect it’ll have on pop culture but it was still a good, fun film with original characters and plot and catchy songs. While I can see where some of the complaints are coming from, I feel like ultimately most of them blow the issues out of proportion. As for my personal thoughts on the film…
- The songs were good overall. Maybe not as memorable as some of my favorite ‘90s Disney jams, but topping Phil Collins and Elton John is admittedly hard to do. Ariana DeBose and Chris Pine were great, though. I honestly had no idea Chris Pine could sing so well. “At All Costs” was by far my favorite song of the entire film. I would have loved to see it as a love duet rather than singing to the wishes but regardless, it’s beautiful. “This is the Thanks I Get” got a lot of flak, but honestly, I thought it was catchy and fun—rather reminiscent of Gaston’s pub song about himself.
- Speaking of Magnifico… More backstory, please! I would love for a sequel to do what they did with Frozen and explain all the things that were not fully developed in the first film. I want to know details on what happened to Magnifico’s family… But man, oh man… Was I EVER happy to get a “real villain” again with more of a classic Disney feel—dramatic, over the top, a little unhinged…and just FUN. I think the reason so many people seem to be having a problem with him is that they don’t quite know how to categorize him, though, before his ultimate downward spiral after being possessed by the book. (I think after that point, no one would argue about him being a villain.) But before…while he’s definitely narcissistic and has a temper…he’s not straight-up evil. There’s a big difference in being a bit of a jerk and being someone who makes you legitimately fear for your life. In fact, we have several heroic characters in the Disney canon who at least start out their story in a similar vein. Prince Naveen, Peter Pan, and Emperor Kuzco, for example, are all full of themselves and entitled…but they ultimately choose to do the right thing when it comes down to people they care about. That is to say, Magnifico’s less than ideal character traits we see early on in the film shouldn’t automatically qualify him as a villain. He could frankly go either way. And then when he does “go dark” it’s ONE stupid decision on his part (going for the book) that ruins any chance he had of being like the aforementioned characters. Personally, I like the complexity…and the tragedy of what it means for Queen Amaya. Which reminds me…
- Yes, a villain power couple would have been fun. But honestly, I think I like this better. Partly because of the angst potential here. For all his faults, Amaya DOES genuinely love him, and watching him slowly lose his mind and himself to the power-hungry monster he becomes has to be absolutely heartbreaking for her. Also…maybe it’s just because I identify with Amaya here. I have been in a bad relationship where I did truly love the other person and thought they loved me…but ultimately, they seemed to love themselves more. And I made excuse after excuse for his behavior for a long time because I couldn’t see what he was doing to me…didn’t want to see it…because I loved him. People say Amaya had to have known sooner that something rotten was going on but I don’t know that she ever allowed herself to think anything other than the best of him. Amaya has a good heart…and sometimes those people see the best in others even when it isn’t there. What I really would have loved is to have Amaya and Magnifico sing a short reprise of “At All Costs” in which Amaya is asking, “Really? You’ll hoard all these wishes for your own selfish reasons even at the cost of losing your people’s love? Of losing me?” And Magnifico is just…stoically resolute. That would have hurt but it would have been so good!
- Similarly, I don’t get the complaint about Star. I wouldn’t mind seeing Star Boy like he was in the concept art and having a romance with Asha. But also…Star is ADORABLE, okay?? He may not speak but he has so much personality. Makes me think of like…Pascal in Tangled or even Tinkerbell.
- I know a lot of people complained about there being too many references to other Disney films but this just seems like a silly argument to me. Disney has always liked to leave little Easter eggs in their films and have some fun with crossovers. I am thinking of the Genie imitating Pinocchio and pulling Sebastian out of nowhere in Aladdin. Hidden characters in the background of other films like Flynn and Rapunzel showing up in Arendelle. Hidden Mickeys. And of course shows that were all about a Disney multi-verse that sort of pokes fun at itself like Once Upon a Time, House of Mouse, and even Ralph Breaks the Internet. With this being a special anniversary film, of course we ought to expect more nods to other films and Disney animation history. I thought it was cute. Especially Magnifico’s jab at Asha’s little moving drawing. (“Is that a talent?”) Made me literally laugh out loud.
- I think the one complaint I do agree with at least in part is the, “But Magnifico was right, though??” Some dreams shouldn’t come true. Especially if it’s a wish you’re making when you’re 18. There are definitely things I wished for at 18 that I am glad I did not get in hindsight. Sometimes what we wish for isn’t what’s best for us or others. And while Asha’s wishes are selfless and for others…she seems to assume that everyone else will also have equally harmless, selfless wishes. It’s sweet but perhaps a bit naive. Also…Asha has good intentions but it is rather funny and frustrating as the adult to watch this teenager come in and try to upset the whole system thinking she knows better than the person who has been running the kingdom for years. That said… Asha isn’t totally wrong either. The wishes do ultimately belong to the people who made them and it’s better even if it’s painful to have a dream in your heart than to be lacking purpose. It may be easier to forget the wishes entirely but certainly not healthier. Ironically, if only these two could have worked together, they actually would have made a great team.
Overall, I liked the film. And I think if I was still a child myself, I would have enjoyed it even more.
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bullet-prooflove · 6 months
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Taken!Series Part Two: Bleeding Out: Angel Reyes x Reader
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Taken!Series:
Part One: Mother - Tragedy strikes when Angel leaves you and Valeria alone for the evening.
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Angel’s world falls apart.
The police are already onsite when he returns to the house. He got the call from Felipe twenty minutes ago and had broken the speed limit to get here. He knows EZ isn’t far behind. When he steps off his bike it’s chaos, red and blue lights flash across the night sky, the occasional chirp of a siren ringing in his ears. There’s crime scene tape up already, segregating the house from the rest of the neighbourhood. It’s a nightmare, the worst he had ever had.
The stench of blood and cordite is in the air, Angel can take it on his tongue as he surveys the madness. He hears his father’s gruff voice before he sees him, he tilts his head to see Felipe keeping pace alongside a stretcher that’s being wheeled towards the ambulance.
Sometimes dies in his chest, the air rushing out of his lungs as he forces himself forward. Felipe is barking at the paramedics, trying to get more information when Angel appears by his side. He catches a glimpse of you before they close the ambulance doors. You’re pale, frighteningly so. For a moment he thinks you’re dead but then the paramedic slips an oxygen mask over your face and he feels that relief rush through him. His eyes fixate on the blood, the sheer volume of it, it stains your hands and clothes, dripping from the gurney and onto the floor of the ambulance.
That’s all he gets to see before they shut the doors, and you vanish from his sight.
“Pop?” His voice comes out like rasp.
He can’t understand what happened, one minute you were waving goodbye and the next…
It feels like his life is slipping right between his fingers.
Felipe turns to face him, and Angel can see the devastation. It’s rare that his father shows emotion but right now he feels his own mirrored in the older man’s eyes.
“I came by to check in and I found the door unlocked…” Felipe gestures towards the house before shaking his head. It’s at that moment that Angel sees the blood on his shirt, it’s streaked up his arms and over his hands. He knows his father would have done everything he could to save you. “I tried my best son, but I…”
He trails off, his gaze straying back to the house.
This is on him, Angel knows it, he can feel it in his bones. His lifestyle before you was messy and violent. The club has changed since then, focusing more on the community but he knows the past has a way of catching up with you. He can see the weight of his decisions rushing into his future as he stares at the blood drops on the concrete.
He swallows hard against the anguish in his chest. He needs to go to the hospital, he needs to be with you right now, but then he remembers Valeria, his daughter and he can’t believe the thought hasn’t crossed his mind until now.
“You’ve got Valeria right?” Angel asks his father, his hand gripping Felipe’s arm so hard that the older man knows it’s going to leave bruises. “I mean she’s with a neighbour or someone, she’s not still in the house?”
The look on Felipe’s face makes his entire body run cold, his grasp on his father tightens as his heart rate increases.
“Angel…” Felipe rasps, meeting his son’s eyes. “I thought she was with you.”
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goodqueenaly · 25 days
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How do you think Melisandre will react when she discovers that Stannis isn't actually Azor Ahai reborn? What about the Queen's Men?
Perhaps the better question to ask - although it might amount to about the same thing - is what Melisandre and the Queen’s men (not to mention Selyse herself, and Shireen) will do as TWOW opens - namely, in light of both the bombshell news (or purported news) from the pink letter that Stannis is (again, supposedly) dead, as well as the assassination of Jon. If, as Ramsay’s letter to Jon so bluntly asserted, Ramsay had slain Stannis after seven days of battle, then the hopes of both Melisandre and the Queen’s men might seem, perhaps to use an apt turn of phrase, snuffed out: Stannis obviously could not be the hero chosen by R’hllor to save the world if he was already dead, and at the hands of so mundane and temporal an enemy as Roose Bolton’s bastard son. That Stannis isn’t in fact dead, as I very much believe is the case, does not really matter; so far as anyone at the Wall knows, the would-be apocalyptic champion of the Lord of Light is currently lying dead in the snows around Winterfell.
Melisandre, in her sole chapter, had already faced the trouble of vague portentous guidance on Stannis as Azor Ahai. More to the point, Melisandre had also already received at least some indication via her fiery visions that the identity of Azor Ahai was indisputably linked to Jon Snow. Consequently, I think she may realize or believe she now understands, as TWOW opens, that she had been focusing on the wrong person as Azor Ahai. Stannis was clearly not “the Lord’s chosen, the warrior of fire”, as she put it to Davos, since the apocalypse was still nigh; clearly, what R’hllor was trying to tell her was that the person to look for was Jon. Now, the fact that Jon had also recently been killed may not seem as big a stumbling block to Melisandre as it might objectively, in terms of the identity of a universal savior; Melisandre may not have ever brought anyone back from the dead (so far as we know), but as Thoros and Moqorro demonstrate, the ability of R’hllor’s priests (and presumably priestesses) to defy even death in the name of their god is a substantial power indeed. I have a feeling Melisandre is going to move quickly to return Jon to the land of the living via her fire magic (with the unconscious bonus, perhaps, of having Jon’s “soul” still be preserved in his wolf in the interim).
As far as the queen’s men go, the death of Stannis may seem more like a political tragedy than a cosmic one. The true devotion of the queen’s men to R’hllor is a mixed bag: some truly converts to the new religion (like young Devan Seaworth), some devoted only for the cruelty the exercise of that religion allows (like Clayton Suggs), and some converts only in name (like the late Alester Florent). However, whether or not any given pro-Stannis aristocrat at the Wall feels a sense of cosmological devastation at the news of Stannis’ (supposed) death, all of them would know that their political prospects were now far from certain. In the patriarchal, misogynistic world of Westerosi politics generally, a preteen girl might have a very hard time asserting herself as queen in her own right; as a result, the queen’s men at the Wall might be pretty uncertain about what to do without the strong male warrior-king figure of Stannis behind whom they could rally.
And of course, that’s without the immediate problems at the Wall overtaking them all as well. Jon’s assassination was the acme of a chaotic day at the Wall: not only had Jon dropped his bombshell news regarding the letter from Ramsay, his planned march on Winterfell, and the planned mission to Hardhome, but Ser Patrek had taken the opportunity to challenge Wun Wun the giant to seize Val - which ended about as much as anyone might have expected. With Jon murdered out in the open, the Wall is going to be, to put it bluntly, a mess: anti-Jon conspirators with his blood quite literally still on their hands, pro-Jon brothers potentially retaliating against those conspirators, queen’s men rushing about to rescue and/or avenge Ser Patrek from Wun Wun, free folk realizing that their pseudo-leader at the Wall is now dead. Any questions of Stannis’ death, and the apparent failure of him to be Azor Ahai, may be subsumed in something like a miniature civil war breaking out at the Wall, and them being caught in it.
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