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#but that wasn’t cool
muguathepapaya · 2 months
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It’s Master Katara
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After one too many officials dismiss Katara, she gives a friendly reminder :]
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LOVE YOUR SCRAP BABY DESIGN
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IM SO GLAD YALL LIKED HER!!
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yuurionviktor · 7 months
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Gonna finish Gideon one soon, but for now you can have this Harrow
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aalghul · 17 days
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jason doesn’t feel guilty for the murders he committed!!! he can’t feel catholic guilt or want repentance or atonement for something he doesn’t feel guilt about! and there are dozens of religions we could explore jason in that would be so much more fun than catholicism or any type of christianity
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Jason Grace isn’t boring y’all were just to busy comparing him to Percy to notice.
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ophernelia · 11 days
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@imogencrnza: it was hard getting them all to behave for a picture.
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ash-and-starlight · 6 months
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FOR WHOM THE BELL TOLLS
Blue Eye Samurai || 1x06 - All Evil Dreams and Angry Words
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trauersinfonie · 3 months
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character acting
(dungeon meshi episode 3)
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otrtbs · 4 months
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it is not my fault that my silly fucking fanfiction wasn’t what was “advertised” to you on tiktok or twitter by an outside third party.
“people said it would be [x] but i was so disappointed. it was so bad. it wasn’t like that all.”
that’s on you for coming into it with expectations and then using your disappointment to hurt my feelings.
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sableeira · 11 months
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whoever edited that bsd official art to make it look like chuuya is holding onto dazai’s arm will be put on trial for irrevocably changing my brain chemistry and making me so much worse
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the original and the edit in question. this artwork really makes me crave a mid to late 19th century historical au where Chuuya is a swordsman struggling with changes to his job due to the meiji restoration and with Dazai as a detective/private investigator who hires Chuuya as his bodyguard when a seemingly harmless investigation turns dangerous. they kind of hate each other (as per usual) but Chuuya needs the job and Dazai, while he proclaims to dislike chuuya, is also very smitten with chuuya’s fighting style and temper (as per usual).
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somerandomdudelmao · 6 months
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I have the brain of a soggy carbdoard box. I only just realized that Cass Apocalypse Series can be abbreviated C.A.S
It’s okay I realised that my comic can be spelled as C.A.S. two months after naming it ahaha👍
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mjulmjul · 2 years
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happy bi day
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likealittleheartbeat · 2 months
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I try to generally be constructive and engaged with the show I love on here, so on this day, I’ll just say that one of the most thematically important aspects for me from the original ATLA is Aang’s emotional core of real shame for running away when he was hurt by the monk’s decision to send him away. People who feel the kind of deep-seated shame that Aang feels from this decision can understand how that kind of all-encompassing shame is not built around a simple failure or a lie they tell themselves; it’s constructed from real misbehaviors and transgressions of their own sense of ethics—lashing out, telling lies, attempting to hurt others intentionally—that then have consequences (abuses, abandonments, or deaths) which seem to far exceed their expectations or even basic logic.
The combination of the misbehavior with exaggerated existential punishments (along with a lack of support and amend-making in the immediate wake of the events) is what transforms a sense of guilt (I fucked up) into shame (I am a forever fuck-up). Then shame, that sense of being a secret monster ‘no matter what I do or how good everyone thinks I am,’ invites all the avoidance strategies (Aang puts on big smiles, makes lots of jokes, constantly tries to make everyone happy, hops from town to town without building deeper connections). One doesn’t want to acknowledge one’s true feelings or let others in to see those feelings and experiences because it’s too painful to face the grief at the same time that you have to look at yourself for being responsible—even when you recognize it wasn’t totally your fault. It’s just that if you had just been good, less emotional, less human, then maybe the world wouldn’t be so messed up. Of course, in a zen view of things, the world will always be messed up in the same way it will always be beautiful. These are constant facts that always coexist in balance, and this is the truth that Aang learns and that undergirds the whole series.
So I always loved that Aang ran away. It was his sin and his salvation. And it becomes this constant tension for the series—he gets hurt in Bato of the Water Tribe and starts to run away from Katara and Sokka, he runs away to the Guru in the Crossroads of Destiny and his best friend is attacked, he and the gaang retreat after the Day of the Black Sun failure, he runs away to meditation in Sozin’s Comet when everyone wants him preparing for war. Aang’s reluctance to be a hero and the attachments and petulance for which he gets criticized are what metamorphasize to become his most noble attributes. They allow him to empathize with others shame and, ultimately, wield the kind of compassion that can deconstruct the power and perfectionism of imperialism.
So yes, Aang ran away from his temple 100 years ago. It wasn’t the mentally healthy choice. It wasn’t the ethical choice. It wasn’t the wise choice. It was human and emotional and shameful and real. Aang is a better character for it. ATLA is a better show because of it. And we are better people when we understand these kind of tragic emotional experiences that people are trying so hard to grow through.
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aalghul · 1 month
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I miss how pre-flashpoint Jason used to flip around and actually showed off his robin training
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feelingtheaster99 · 13 days
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“Unnamed Bard Student, PLEASE!” 🤣
Literally that whole scene of Fabian’s final downtime was Lou demonstrating ONCE AGAIN that the man fucking COMMITS to the bit
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blue food in celebration of the pjo show!!
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