#cause i think this kind of arc works really well with her character | Explore Tumblr Posts and Blogs

sevensoulmates · 15 days

Text

Buddie 7x07 "Ghost of a Second Chance" Meta

So sorry for the delay! This one took me a minute due to life/work stuff happening, but here it is! A doozy! This episode had a lot of parallels with the other characters storylines happening so bear with me here! This is mostly going to be about Eddie.

This episode deals a lot with past trauma, specifically bringing up stuff that some of the characters haven't dealt with in a while or seemingly had already dealt with in the past. Maddie with Doug's abduction, Bobby and the apartment fire, Eddie and Shannon. All of these are re-introduced in this episode, but it's important to note that they are NOT resolved, mostly Bobby and Eddie, and will likely continue into the rest of the season. Maddie reacts the most noticeably to her trauma being triggered, and of the three, she's the only one who has actually managed to work through that trauma from the past, so while it does affect her, it does not cause her to self-destruct like Eddie and most likely Bobby will.

As many of us predicted, we theorized that it was going to get much worse for Eddie before it would get better. And this episode has put Eddie on that path that will likely take him towards rock bottom if Ryan and Tim's interviews and teasers for his 7b arc are to be believed.

The first big parallel to Eddie's storyline is the woman and her baby being abducted by a man with mental health problems who allowed a past trauma with his ex-wife/child to reach a dangerous point. While Eddie's actions in this episode are not placing a woman's life in danger, it does parallel how in pursuit of soothing his own pain, Eddie and this man, are prioritizing their own feelings, over the feelings of a woman stranger (Kim) and an innocent kid.

I was already anticipating many many Shannon call-backs in this episode, but the writers dive in immediately by having Chimney intubate Catherine. This is the same heavy choice Chimeny had to make when Shannon was hit by a car, and Chimney was interim Captain. He had to make a choice to either intubate Shannon, effectively taking away her last chance to say dying words or to not intubate and allow Eddie and Shannon to exchange final words. With Shannon, Chimney does not intubate, but with Catherine, he does. This could possibly indicate the need for Eddie to make different decisions this time around if he wants to survive this new catastrophic plotline.

This was an interesting way for the writers to give us a kind of "speedrun" of introducing us to Marisol a bit more. I know that the ENTIRE fandom has been bugging over the fact that we "hardly know anything about Marisol other than DIY and Nunnery", and now they're giving us more information, but notably it's all very surface-level information. It makes the scene feel like Eddie's trying to get to know her for the first time instead of this being a woman he's been seeing for about six months at this point.

While 7x05 did indicate to us that Eddie is trying to get to know her all over again, it really does drive home how little effort Eddie has put into trying to build a relationship with her, which is then further proved by the rest of the episode. All of this demonstrated very clearly just how little investment Eddie has had in ANY of his relationships after Shannon's death. It's probably supposed to make us think "Oh, that's because he only ever truly loved Shannon!" but in reality, the Eddie-Shannon onscreen relationship was very tumultuous, and they spent most of their relationship (even during their time pre-military) away from each other. All in all, the topic of how well Eddie knows the women he's with, and how much effort/investment he puts into his relationships (including Shannon) are being pulled into question here. And I think it's being done to show the audience that Eddie has only ever dated and married women as a duty and not something he actually does because he wants to be with the women as people. Once again, this includes Shannon.

Before Marisol can even finish her two truths and a lie, Eddie interrupts, starting to dictate the conversation again, and Chris is the one who has to step in, reminding Eddie that this moment is about Marisol. Eddie has been the one to lead his relationships with both Ana and Marisol, almost to the point of steamrolling over them. A similar thing happened in his relationship with Shannon, where Shannon notes that Eddie is always making decisions for them without consulting her, including going to the military, or moving Chris to a new school, etc. and how that was always a giant issue in their relationship. While this moment is not Eddie purposely steamrolling over Marisol, it does show that again, Eddie has a myopic view of relationships with women, where he's constantly trying to steer them towards something that he wants without really letting the woman have any agency. Shannon had to physically leave him in order to get any agency of her own.

Additionally, the choice to have the get to know you game be "two truths and a lie", inherently implies dishonesty, or at least makes us think of lying. And considering that becomes a theme for Eddie this episode and likely in upcoming episodes, it's also indicative of the general theme of not knowing someone and not being honest with them. It could've been "twenty questions" or something not involving purposely lying, but instead it's two truths and lie, and Eddie is now about to be involved in a whole bunch of lies.

I've seen others point out that this line is clearly meant to compare Marisol and Shannon. Shannon, Chris and Eddie had a tradition involving smores, one that Chris and Eddie were trying to keep alive only last season when they visited Shannon's grave. This line is meant to show us that Marisol is not Shannon, and as Eddie actually gets to know her, this is more and more evident. It's no fault of Marisol's, but it's likely what is sticking in Eddie's head, right before he ends up meeting Kim. Eddie, once again dictating what he wants Marisol to be rather than accepting the truth of who Marisol is, exclaims that obviously Marisol has had smores because Shannon loved smores. But Marisol is not Shannon, and Eddie is always comparing his partners to Shannon in unhealthy ways.

While this line is clearly a joke, nothing is done without purpose in TVland, and this is another one of those times where even though Eddie's joking, it's actually telling of how he actually feels. He's already had one foot out the door with Marisol for the last 3-4 episodes, and now it's the smores that makes him say "we can still leave her" because who Marisol is, does not align with who Shannon was. But the thing is, I have a hard time believing that Shannon was even who Eddie truly wanted, at least not without expectation or pressure. Shannon is an Ideal, and no one, not even Shannon herself, can live up to it. No woman is supposed to or can reach this Ideal, because (in my opinion) a woman is not really what Eddie wants deep down in his most hidden of unconscious desires.

"You two aren't going anywhere". Oh, the dramatic irony is killing me here. Because not even a couple of minutes later, Marisol has lost Eddie for good when he sees Kim. The death bells have already been ringing from the very beginning, but this is the final death knell that has been rung. Even if Eddie stays with Marisol through most of this arc, their relationship will end, as will his relationship with Kim.

Eddie and Kim lock eyes and he's reminded of Shannon instantly. Because of that, this relationship is dead before it even begins. A moment later, Christopher calls out "Dad!" just like he did when Shannon and Eddie were on the beach, interrupting Eddie's thoughts.

Marisol notices Eddie acting weird, asks if he's alright, he says he's fine, and she calls him out, asking "is that the truth or a lie?" He promises he's fine, but we as an audience know that's a big ole lie. This has been the case for years, and it's interesting that it's coming at this point in the season. The early half of the season we saw Eddie the "happiest" he's ever been. And I can't help but wonder how much of that was true happiness, and how much of that was just putting off thinking about it. It's easier to lie and say he's fine, that his relationships are fine, that his relationship with Shannon was fine. It's harder to admit the truth, that he's not okay, that his relationships with Marisol and Ana were unhealthy and his relationship with Shannon was the unhealthiest of all. It's easier to place the blame on his unhappiness on missing Shannon, instead of admitting that it's his own choices that are making him unhappy.

Another theme of this episode is internalized biases and misunderstanding the current situation due to being blinded by the past. Maddie misses crucial details of her call with Catherine because she was looking at it with too much bias about her own situation with Doug. Eddie also misremembers his past with Shannon, but instead of recognizing his mistake like Maddie, and trying to look at it objectively, Eddie lets that bias from the past effect his current decisions, which is already resulting in a mistake by cheating with Kim and will likely result in more mistakes the rest of this season.

Maddie heard what she expected to hear. Eddie is seeing in Kim what he expects to see from Shannon. Both lead to really bad outcomes.

Eddie goes back to find Kim/Shannon, and they meet. She looks similar but not really the same (btw, kudos to the makeup team, wow). She has similar facial expressions (nose scrunches, giggles, etc.) and she asks him if he's looking for something specific. And the answer is yes, he's looking for Shannon in Kim, just as he was looking for Shannon in Marisol and Ana.

This is very obviously a sexual innuendo, which is interesting because their first real interaction is showing more of a "sexual" chemistry, than anything really romantic, or soul-connecting. It's a clear harkening back to how Eddie would use sex as a way to stop fights between himself and Shannon. It's also one of Eddie's biggest distancing tools. He used sex to distance himself from Shannon and from Marisol, as an excuse to not address problems, or just simply to not get to know them. And given that Eddie was having sexual dysfunction issues in his last major episode, this is meant to provide a juxtaposition to that. Sort of a "Hey look Eddie couldn't get it up for Marisol the Nun but he can get it up for the Shannon look-alike". On the surface, this might be to show us that Eddie really only has sexual chemistry with Shannon, but if you look below the surface even a little bit, you'll realize that his sexual relationship with Shannon was also deeply dysfunctional, but in its own way.

The answer is no. Eddie does not trust Kim because she's a stranger, but this line is meant to remind us that Eddie very much DID NOT trust Shannon for most of her arc in season 2 and even up until her death. It's a callback to the line in season 2 Merry Ex-Mas where Eddie says he "forgives Shannon but doesn't trust her" and Shannon says something along the lines of "Eddie trusting her enough to have sex with her, but not enough to let her see her own son". Kim is hitting all the lines that are meant to remind Eddie of rose colored "Good times" but are meant to remind us, the audience, of all the issues he had with Shannon.

This moment of Eddie and Shannon on the beach is meant to represent Eddie's "happiest" moment on-screen with Shannon when she was alive. Eddie remembers it that way, as kissing Shannon and finally having his family back together. But in actuality, it was the start of the end for them. Shannon thought she was pregnant, paralleling the time when they accidentally got pregnant as teens and both of them had to put their lives on hold and commit to a marriage that might not have been the ultimate right choice for them. If any of you remember, this is also the moment where Eddie and "signs" and the "universe" are connected for the first time. Eddie asks for a sign, and Shannon says she's pregnant. In my personal opinion, this was supposed to be a sign for Eddie to not get back together with her, given how traumatic it was the first time around, but he ignores it and tries to push down his feelings. "Life is like a vat of chocolate, it pulls you down but it's comfortable". And when Shannon very clearly stated she wanted a divorce, Eddie did not really seem to accept it...and the universe took Shannon away permanently. (Again, I want to reiterate this is all about fiction I'm talking about here not irl, okay? This does not apply to real life) The universe tried to warn Eddie, to bring him a sign, and when he ignored it, as he always does, the universe decided it needed to take Shannon away permanently.

And now here we are again, 6 years later, with Eddie ignoring ALL the signs over and over and over, and setting about down this path with Marisol that literally everyone knows will not make Eddie happy, and what does the universe do? It throws him the biggest wrench it could by bringing someone who looks/acts like Shannon back into his life. Kim was brought in by the universe (the writers) to show Eddie that his relationship with Shannon was not as wonderful and amazing as he remembers it....and he ignores all of the signs yet a-fucking-gain. I get the feeling that this arc with Kim is going to end VERY. VERY. badly for Eddie. I think we should all be preparing ourselves for that.

Eddie is making active duplicitous choices here. He's lying about being in a relationship with someone else, lying about being a single dad. And it's not the first time he's said something like this (see the "taken for now" line in 7x04), further demonstrating how he's always had one foot out the door with Marisol.

I also want to point out that Eddie lying and deceiving Kim and cheating on Marisol is not meant to be the show saying "this is good! this is who Eddie's supposed to end up with!" The writers know how most people feel about cheating. Most people are 100% aware that cheating is morally wrong, and by Eddie making these decisions, they're not supposed to show that Eddie is inherently a cheater or a bad guy. He's acting OOC on purpose. The writers want us to see Eddie lying and cheating and want us to clock that Something is Very Very Very Wrong and that has to do with Eddie's romantic relationships, Shannon, his perception of Shannon, his perception of his past marriage, and his expectations of himself.

We, as an audience, are not supposed to be enjoying this. We're meant to be uncomfortable.

911 is doing something really interesting lately with their pointed use of Full First Names vs. Nicknames. When I heard this my first thought was actually of Ana and how cringe it was to hear her calling Eddie Edmundo all the time. Shannon actually never once called Eddie by his full name. If anything, Eddie calling himself Edmundo here, introducing himself by it, is once again supposed to trigger the audience's "Something Is Wrong Here" mode. I was also going to mention how this is also something a lot of people have felt with Tommy's constant use of "Evan" instead of Buck. Some people like it, some people don't, but everyone can acknowledge that it's odd and unusual.

Even as he's flirting with Kim, talking more about "stimulation", Eddie is holding an "S" for Shannon. I think when Kim told Eddie her name, a sharp K, very far away from the soft S of Shannon, it was a slight shock to him. If her name was something similar like Sherri or Sheila or something, Eddie could've lived in the fantasy more. Her name being Kim momentarily broke the illusion, hence him looking down at the S for Shannon.

Eddie is remembering the first time he slept with Shannon after she came back into his life while he's sitting at the table with Marisol, completely ignoring her. But not only that, as many people have pointed out, he's misremembering. The walls in the background are recent, with the new teal color and his new bed. Shannon's hair is a cross between dark and light, almost like a mix of Kim and Shannon, and--and this one rocked my world--they had sex right side up.

Many have pointed out how it's odd that Eddie and Marisol's sex scene harkened so similarly back to his one sex scene with Shannon, where they both ended up at the tail end of the bed, upside down. People have often discussed Eddie and his upside-down sex as a metaphor for unhealthy sexual connection, for misconnection, and right side up sex to be healthy sex. To find that he is thinking of him and Shannon in his memory of being right side up has been pointed out by others to be yet another example of Eddie's rose-colored memories of his past with Shannon. In his memory, he views his relationship and sexual relationship with Shannon as this Amazing and One of a Kind thing, hence the right-side-up sex, but in reality, it was upside down, it wasn't healthy.

He's looking at his relationship with Shannon through a veil of the present, chock full of regrets, would've/could've/should've's, and two almost-failed relationships. Not to mention that he literally was just having extreme sexual dysfunction with Marisol not even two episodes ago it's very likely that his remembering this passionate, voracious, unquenchable thirst for Shannon is also brought on by the fact that he's having sexual issues with Marisol. It might also be him wanting to remember that he does and did have desire for sex with women...as long as they're Shannon or reminding him of Shannon. This is not at all supposed to be something that is represented as healthy for Eddie, and I don't believe the show is trying to put across that message.

Eddie remembers his sex with Shannon, and when he decided to "bring Shannon home for Christmas". Even in this scene, the focus is not on the two of them as a couple. He doesn't talk about how much he missed her, or how it feels good to be close to her again. He talks about how he wants to reunite her and Christopher. "Santa" in this present day and age is bringing "Shannon" home for Christmas, by bringing Kim into Eddie's life.

Bringing it back to Maddie's storyline, with the Big Bad Kidnapper of this episode. He was encouraged by his sister to move across the country for a fresh start after his wife and baby left him due to his own abusive actions (assumed, but the sister did say they were "afraid of him"). We don't know too much of the details of this man's story, but it does show a clear parallel to Eddie too, with his wife leaving him to move across the country too (though she left their son with Eddie because obviously, Eddie's not abusive like this man). But the man's sister was hoping that this move would mean he would "stop looking for them". Eddie ends up doing the same thing with Shannon metaphorically. He never stops looking for her in all of his romantic relationships, hurting other women like Ana and Marisol, in the process.

The man is so clearly a parallel to Eddie but in the worst most devolved way. Eddie has been seeking out a Mom for Chris for years, even when Shannon was alive. It was never about Shannon, wanting her, loving her, needing her because he's so deeply in love with her. No, it was, and still is, always about the mother she could be for Chris. It's the same thing he did with Ana, and with Marisol. I'm not sure if this thing he's doing with Kim will eventually lead there too, or if it won't make it that far before it gets blown up in his face. But Kim cannot be a new mother for Chris, even if she wants to be. Christopher would clock that she looks like Shannon, and might feel betrayed, like Eddie is actively trying to replace Shannon, which I doubt Christopher would take well. So what is Eddie's endgame here? In my honest opinion, I don't think he has one. I think he's acting on pure emotional hurt, and desperately seeking out a balm, and not considering the consequences of his actions.

Just like that man was hit dead on with the literal consequences with the police, I think Eddie's gonna be hit HARD as a result of these mistakes. I feel like it might be something really bad, possibly involving Christopher. If "isolation" is going to become the thing he might have to contend with Christopher being really really angry with him in whatever way that takes form, and the rest of the firefam not being happy with him either. I think Eddie's going to be going through another arc similar to where he was emotionally in season 3a with the streetfighting arc.

Just how like the man who abducted her was a parallel to Eddie, Catherine herself is also a parallel to Eddie. She's clearly in pain, but she refuses drugs that will make her feel better. She feels she has to stay awake and endure the pain as a comeuppance, similar to how Eddie felt he had to endure his pain like a man because he deserved it. She feels her husband will hate her, just like how Eddie feared Shannon would hate him for what he did. He fears Shannon would never forgive him, but just like Catherine, even worse is the fact that Eddie has yet to ever forgive himself. No matter how many times people tell her it's not her fault, no matter how many times people tell Eddie he's a good father or a good person, they will never believe it. That guilt still rocks them, and for Eddie, it's been the monkey on his back every day LOONNGGG before Shannon even passed. Likely he's been dealing with it from the second he found out he got her pregnant. Even though Catherine's daughter was returned to her, she will still likely feel guilty, just as Eddie's guilt has lingered and festered and turned to rot the longer it's gone unchecked.

It'll only be once Eddie can let go of that guilt, let go of Shannon, and forgive himself, will he ever be able to actually start healing, and making the right choices for himself.

Many people have pointed out how this parallels the scene in 3x03 with Christopher and Eddie coming to Buck's house after the tsunami. That was a moment where Buck was feeling "lost at sea" and Eddie and Chris came in to be his "life raft that gets you home." And now Eddie's the one lost at sea. He thinks he has to find Shannon when really all he really needs is here with Buck and Chris. Eddie and Chris are "late", but eventually, they will find their way home to Buck.

Have y'all ever heard the phrase "where there's smoke, there's fire"? It means that if there's a rumor or something being said about a topic, there must be some back story/truth in it. It's what I point out every time the show "jokes" about Eddie's sexuality or lack thereof to women, Eddie ready to leave Marisol, etc. They're in the script because there's a kernel of truth to them, even if it's still nebulous (or smoky) at the moment.

Additionally, Buck is making a new lasagna recipe (a metaphor for his new found bisexuality and MM relationship with Tommy) and something about it is not working. In the same way that I've been theorizing that there is misalingment in his relationship with Tommy, we're now seeing that lasagna (like in 6x01 where the couch theory was introduced) is yet another metaphor for Buck's relationships. He had 3 at that point in time (as well as 3 failed attempts at lasagna) and now he's here in a new relationship, and something about it isn't working, he just doesn't know what. I'll reiterate, it's not the bisexuality, but rather the person he's in a relationship with. This being told once again to Eddie, in Buck's kitchen, with Chris present, is driving home the point once again.

Eddie, on the other hand, is aligned with Buck. He knew ahead of time to order a pizza for them. This isn't usual, given that Buck's a good cook, and has cooked for Chris and Eddie many times. Eddie being attuned to Buck right now is meant to show that he can sense these things about Buck, even when it's not conscious.

"To be seen… to be found… isn't that what we're all searching for?"

Buck assumes Eddie's meeting with Marisol, and Eddie does not correct him. I've seen other people mention how this feels like Eddie is cheating on Buck, and not really on Marisol, and in my opinion, that all comes down to who is Eddie more emotionally intimate with. He already feels super disconnected to Marisol, even more so in this episode, but we've spent the first half of this season establishing how Buck and Eddie are closer than ever. So Eddie lying to Buck feels like the real cheating here, because Eddie has only ever given himself fully to Buck, in all his messed up glory. He's never given that to Marisol, or Ana. And he most definitely never gave that to Shannon.

Side note, I loved the cologne line because it implies that Buck knows how Eddie smells, and that smelling him now is something Buck is enjoying. Him saying they won't wait up for Eddie further cements the domesticity of the scene. Buck has a full relationship with Chris outside of Eddie, but they also have a strongly established bond all three of them. In an episode where Eddie assumes Marisol must love smores despite her never having tried one, Eddie inherently knows that Buck's struggling with lasagna and needs to order a pizza.

Eddie and Buck's flirting--because that's what it is-- feels natural. More so than the flirting with Marisol in the beginning of the episode, and more so than with Kim-Not-Shannon that was moored down by the reality that Eddie is severely projecting all of his major issues onto her. Buck and Eddie have an easy rapport filled with mutual support, inside jokes, gentle ribbing, synchronicity and above all, friendship and trust. THAT is why the betrayal of Eddie with Kim only a few moments later feels so stark and like a huge blow to the audience.

Eddie sees Kim, and all he sees is Shannon's face, but I have to give MASSIVE kudos to the hair, costume, and makeup department here because they couldn't make Kim look ANY more starkly different from Shannon. In the scenes at the store, Kim is dressed more professionally, in lighter more inviting colors. And then here, when Kim can take off the customer service mask, and be fully herself, we see that she dresses in darker clothing, pants, and jackets with her hair up in almost an alternative-punk style. It's a MASSIVE contrast to Shannon who was almost always dressed in lighter, warmer colors, in shades of orange, yellow, and warm pinks, with minimal makeup and long flowy dresses or soft sweaters. Shannon's hair was almost always down and flowing around her face with her bangs. Kim's hair is completely up, totally out of her face in a severe bun look, without any bangs. She could not look father from Shannon if she tried. And yet, Eddie is not seeing Kim, he's not seeing the individual woman who's probably really lovely, the woman he's inherently hurting by using her to be reminded of his dead wife. No, all he sees is Shannon, and he's 100% willing to tank his whole life just to get a bit of that feeling back.

Eddie is on his way towards rock bottom, and this episode is only getting started. The glass is going to shatter extremely hard, and I worry for what the consequences will be for Eddie for all this, because there's no way he's escaping this without deep cuts. He will likely lose Marisol and Kim in one fell swoop. As for Buck, Chris and the rest of the 118, that's yet to be seen. But we know Eddie's parents show back up later on, so they could be coming in with the steel chair, likely to hit Eddie harder when he's already down. After all, the originator of "Don't drag him down with you, Eddie" is none other than Helena Diaz. This season is giving very strong season 3/4 vibes, and if that's the case, it's possible Helena and Ramon are going to pose a problem by the end of the season like they might've done in season 4 if things had gone as originally planned.

I'm worried, scared and excited to see how this ends up for Eddie. But I'm also hopeful. I see a light at the end of this tunnel. After all, it's always darkest just before dawn.

Thanks for reading my meta!

#911 abc #911 meta #buddie #buddie meta #eddie diaz #eddie diaz meta #season 7 #buck x eddie #meta

218 notes · View notes

nanowrimo · 7 months

Text

4 Alternatives to Popular Writing Advice

Some writing advice get passed off as something every writer has to do. The truth is, these tips might not work for everybody! NaNo participant Nicole Wilbur offers some alternatives to popular writing advice that may be a better fit for your writing needs.

While there are no definitive writing “rules”, there’s certainly writing advice so common it feels like it’s become canon. Most popular writing advice is generally good – but what if it doesn’t light up your brain? What if a particular tip doesn’t resonate with you?

If this popular advice isn’t working - try these alternatives!

Common advice: Make your character want something. Alternative: Ask what your character is most afraid of.

Your character usually wants something – the MC’s goal driving the story is a common plot, after all. That something needs to be concrete, meaning the audience will know definitively when they’ve achieved their goal.

(Is “found independence” concrete? No. Signed the lease on their first apartment? Yes.)

But if you aren’t sure yet, or what they want doesn’t feel motivating enough to support your inciting incident, start with a different question: what is your character afraid of?

Katniss wants to survive, with her family, yes. But she’s terrified of helplessly watching them die.

Common advice: Identify your story’s theme and stick it on a post- it above your computer. Alternative: Use the character’s arc to create a main idea statement, and craft several related questions your story explores.

English class really made ‘theme’ feel heavy-handed. In my grade nine English class, we listed the themes of To Kill a Mockingbird as: coming of age, racism, justice, and good vs. evil.

While these are the topics explored in the book, I’ve never found this advice helpful in writing. Instead, I like to use the controlling idea concept (as in Robert McKee’s Story) and exploratory questions (as in John Truby’s Anatomy of Genres).

A controlling idea is a statement about what the author views as the “proper” way to live, and it’s often cause-and-effect. The exploratory question is – well, a question you want to explore.

In It’s a Wonderful Life, the controlling idea is something to the effect of “Life is meaningful because of our relationships” or “our lives feel meaningful when we value our family and community over money.” The question: How can a single person influence the future of an entire community?

Common advice: List out your character’s traits, perhaps with a character profile. Alternative: Focus on 2-3 broad brushstrokes that define the character.

When I first started writing, I would list out everything I wanted my character to be: smart, daring, sneaky, kind, greedy, etc. I created a long list of traits. Then I started writing the book. When I went back to look at the traits, I realized the character wasn’t really exhibiting any of these.

Instead of a long list of traits to describe your character, try identifying three. Think of these like three brush strokes on a page, giving the scaffolding of your character. Ideally, the combination of traits should be unexpected: maybe the character is rule-following, people-pleasing, and ambitious. Maybe the character is brash, strategic, and dutiful.

Then – and this is the fun part – consider how the traits come into conflict, and what their limits are. What happens when our ambitious rule-follower must break the law to get what she wants? Sure, a character might be kind, but what will make her bite someone’s head off?

Common advice: Create a killer plot twist. Alternative: Create an information plot.

Readers love an unexpected plot twist: whether a main character is killed or an ally turns out to be the bad guy, they’re thrilling. But plotting towards one singular twist can be difficult.

Instead of using the term plot twist, I like thinking in terms of Brandon Sanderson’s “information” plot archetype.

An information plot is basically a question the reader is actively trying to work out. It could be like Sarah Dessen's Just Listen where we wonder "what happened between Annabel and her ex-best friend?", "why is Annabel's sister acting strangely?" and "who is Owen, really?" Those all have to do with backstory, but information plots can be about pretty much any hidden information. Another popular question is "who is the bad guy?" - or in other words, "who is after the characters?" The Charlie's Angel franchise, for example, tends to keep viewers guessing at who the true antagonist is until the last few scenes.

Nicole Wilbur is an aspiring YA author, writing sapphic action-adventure stories that cure wanderlust. As a digital nomad, she has no house and no car, but has racked up a ridiculous number of frequent flier miles. She chronicles her writing and travelling journey on her YouTube channel and Chasing Chapters substack.

Photo by George Milton

#nanowrimo #writing #writing advice #writing tips #plotting #characters #by nano guest #nicole wilbur

418 notes · View notes

ohno-the-sun · 10 months

Text

Spoiler heavy fnaf ruin dlc rant up ahead

I am so fucking proud of steal wool they really took every criticism from the original game and fixed it and even added more

Like Cassie actually acts like a human being?? And like her knowledge of the original characters and cute little comments on every item are so endearing there is so much detail going into this.

The fact that they expanded on one of the fan faves Roxanne and giving her a great arc I’m in love I’m so happy

They honestly gave more depth to all the animatronics too like we finally see Bonnie’s design and get and get a taste as to what happened, also that poster Freddy gifted him I’m crying they are so cute and gay I love them

😭😭😭

Also the whole dark ride section with Monty is so fascinating like is that narrative kind of true or is it just fabricated by fazbear inc to cover up the decommissioning of Bonnie

Why replace Bonnie with Monty?? Why not make a new Bonnie model?? With the prototype label on Freddy it may be confirmed that they make multiple models (well we already kinda knew that with Freddies comments but oh well)

Also Freddy?? Like is that our Freddy or a different one?? They very clearly highlighted the prototype label so they want to emphasize it, but then the head is still missing like in the princess quest ending so what is the truth??

Feel bad for chica fans tho she really was sidelined hard

Aaaaa and my baby boys!!! There’s 3 now aaahaga

I was really not expecting eclipse to be the way they were, very… normal? Is that the right word?? Like obviously a little delusional on when the daycare is gonna open again, but in the right mindset of like this child needs to leave this place is not safe. It is interesting to me that both he and Roxy thought that it was Cassie’s birthday, maybe that was the last day before she left the plex? Or maybe that was the day the plex caught fire? Or maybe most depressingly we are playing on Cassie’s birthday so the animatronics have it in their systems what her birthday is and wish her a happy one (if they are in the right state of mind lol)

Some peeps are upset moon is a little too villainous

I think you can still say it was mainly the virus but I would argue even if it’s not the virus I feel like moon is kinda justified here. Like sun has been shutting him away for a long time before this (if the books are to be believed but also in general) so when he finally gets a chance to roam free of course he’s gonna take it. And idk about u but if my alternate personality was constantly trying to shut me out and I finally got control, I probably too would try and keep my control for as long as possible. Also from what I have seen so far, not even moon is all that aggressive? Like he grabs you at the beginning, but I think that’s just his very ineffective way to get kids to sleep and other than that he just kinda stays away

Poor sunny baby is stuck in the ar world 🥺🥺 I didn’t notice at first but yeah everytime you talk to him it’s only in the ar world. And the end part where you switch them out for eclipse if you do that in the ar world, he says not for me it’s for moon.

I will say though I noticed the voice acting for them changed a little this game, like both have a higher pitch and are more goofy sounding? Like more gremlin energy than evil villainy. I wonder if that was on purpose? Both of them sounded more like the other so maybe that was the reason? Interest interest

Also their mouth moves?? Sort of?? That’s so silly to me they have a whole working mouth system and their face mask doesn’t work with at all 😭

Does give me lore intrigue tho cause like why do their mouths move but not anymore?? Did something happen?? Are they just not maintained enough?? They also move outward instead of up and down (at least from what I saw) so is the mechanism different?

Also the way that sun and moon talk about eachother is so interesting. Like moon says the light hurts “us” and sun says “no the other me” like they seem to almost consider eachother more connected than we first thought, like they’re not just coworkers or strangers they are almost like two sides of the same person. It’s very interesting and I wonder where people will take this.

Overall great job I’m so excited to comb through the game and find every little secret (especially regarding the dca) aaaa

Ok ok update moon does have a jump scare but it’s ridiculously hard to get and I’d still argue he’s not as vicious as he was base game. I mention in another post but eclipse being as kind as he is and being (presumably) a combination of both AIs, gives even more evidence moon is supposed to be kind and caring like his posters suggest but something went wrong. Also Cassie’s comments on their plushes show that there were kids who truly liked the daycare.

#fnaf ruin dlc spoilers #ruin dlc #ruin dlc spoilers #spoilers #fnaf spoilers #ruin spoilers #fnaf dlc spoilers #fnaf ruin #fnaf dlc #sundrop #moondrop #fnaf daycare attendant #fnaf #also please please pleas if someone wants to discuss #or just have me rant to them one sidedly #please I’m bursting at the seems aaaa #thoughts

532 notes · View notes

theerurishipper · 7 months

Text

Part 2 of my Paris special commentary (Part 1 here) because Tumblr is an ass and has a word limit.

Disclaimer: This is long asf.

Marinette here playing 5D chess, queen shit.

The most important thing the special confirmed is that Gabe added the word "dark" to his transformation phrase on purpose cause he's a dramatic bitch.

I am here for Claw Noir mocking Gabe. Go off, king.

"Oh nO, iT WAs aN IlLusIon!" That giggle is adorable. She's so cute.

Ladyfly is an ass name, but she looks so great.

Not Gabe getting annoyed at Claw Noir's teasing. See, now this is why we stan Claw Noir on this blog.

Gabe's plan isn't half bad, actually.

Symbolism? In my children's cartoon? It's more likely than you think.

They're having a pun-off.

RIP Chat Noir's ear.

Gabe got feathered lmao

Monarch dipped like a little bitch.

A mirror, I called it. It'll make for some nice symbolism.

"Let alone a calm and gentle mom" I wonder what Sabine is like in their world to make Emonette feel like she's so alone.

I like how they handled the villains tbh. I wasn't a fan of making it seem like Marinette was one step away from becoming a supervillain at all times, but it seems less like that's the case and more like The Supreme took advantage of her suffering and vulnerability at her lowest moments.

It's also nice that they established that Shady and Claw weren't the actual big bads and are just hurt kids who got recruited into a fight they weren't ready for. Their motivation isn't some rehash of Gabriel's, they are literally trying to survive under the rule of someone who will kill them if they don't do his bidding, and because of whom they're dying. Their life is literally full of suffering and they're trying to find something that'll give them a way out. Shady wants Marinette's life, and Claw Noir wants his mother back.

Like, it doesn't excuse their actions, but it does add a more humane element to them that lends itself better to the kind of redemption Miraculous likes to do, which is to fix things with a speech. That's why this redemption works, and Gabe's doesn't.

Anyway.

The back and forth between Chat Noir and Claw Noir was pretty funny ngl.

And we discover that Claw Noir wants his mother back. Of course.

MY POOR BABY

When Marinette was talking about how she was also angry and hurt, but chose to love herself and the world around her and chose to try and fix it... that hit hard. Honestly, it did. It's everything I love about Marinette in one speech. I love it.

And then onto my personal favorite scene in the entire special, possibly in the entire show.

That whole conversation was powerful. "I'm as well as I can be anyway," that's so profound. Like, of course you aren't going to be 100% okay after losing someone you love, but Adrien wants to move on and be happy like his mother would have wanted him to. This scene really showcases Adrien's empathy and his strength, when he acknowledges that having no friends can make it harder for Claw Noir to move on, and then he tells him that only he can make the choice to stop being alone. And that's really true. This scene really showcases everything amazing about Adrien, his hope and optimism, his empathy and his strength. How he finds the strength to keep going by choosing to not be alone. It's beautiful.

Like, it could have been so easy for both Marinette and Adrien to give into their darkest impulses, and Shadybug and Claw Noir really are just representations of how letting your hurt overpower you can lead you down a dark path, and it really highlights their strength, that they choose to make the right choices everyday, despite everything. It really highlights their characters and their arcs. And they're able to take everything they've learned, and look at what they could have been in the eyes and help them change too. It's so poetic.

It would have been a little more impactful if the show had spent more than 10 minutes out of 5 seasons focusing on Adrien's grief and how it has impacted him, but whatever.

Anyway, it also had some Adrien and Nino friendship crumbs, and I'll be darned if I didn't gobble it up like a starved animal. Also, we have confirmation that "Space Mutants vs. Ghost Shark" is Nino's favorite movie, so Nino stans please say "thank you Paris special."

And they are REDEEMED.

Shadybug fixes everything with her Lucky Charm after spending the whole special making destructive ones. My heart.

Shadybug and Claw Noir stop being evil and immediately go from hating each other's guts to flirting shamelessly. They just speedran enemies to lovers in a matter of seconds. They literally just defaulted to flirting. Truly, the natural state of Ladynoir in any universe. We stan.

Gotta be honest, I'm not a fan of the new designs. Wish they had kept the old ones. I'm one of those people whose toxic trait is liking Claw Noir's design, so I'm a little unhappy with it, but hey, it's a sweet scene.

Also, Claw Noir's hair went from the color of rotten bananas to ripe bananas. If that was intentional, I applaud the writers for being both profound and funny as hell.

Aaaaaaand Gabe is back, because we can't have nice things.

The montage going through different realities was great, it was small but I enjoyed it.

They're literally so cute omg. Couple behaviors fr. I'm so obsessed with them.

HUGS

POUND IT

They're holding hands... already... like they're in love... I'm so emotional... I WILL NEVER GET OVER THIS

And they're gone. But their adventures will continue forever in my mind and in my fanfics. And in other people's art that I will ravenously consume.

Cute Alya and Marinette scene. This is really sweet, I love the exploration of the impact Alya has had on Marinette's life.

And now, I'm not an Alyanette shipper, but I think they should kis- oh, wait, never mind, they did it.

And thus, the endless night comes to an end (it happened a while ago but that's just semantics).

Final thoughts

I really loved this so much. Sure, there were some exposition dumps that probably should have happened in the actual series, but that's not the fault of this special. This is probably my bias talking but this is the best special and it's literally perfect, no I will not take any constructive criticism on that. This, this special and everything in it, this is what Miraculous is all about. This is exactly what I wanted, this is what I signed up for. It's literally the best thing ever to come out of this entire show.

357 notes · View notes

morurui · 5 days

Text

CHAOS THEORY SPOILER REVIEW

Cause I just finished it and I have thoughts!

Sooooo I honestly have mixed feelings about Chaos Theory if I’m going to be honest I feel like there are some things that worked in my opinion and some things that didn’t really work for me so I’ll be separating this review into three parts: Things I liked, Things I wasn’t a fan of, and General thoughts.

Things I liked:

-The animation was absolutely gorgeous, it was such a step up from Camp Cretaceous that it’s weird to think that they’re apart of the same series. The team behind it did an absolutely amazing job!

-The last two episodes. Oh my god were those last two episodes so good, they had me at the edge of my seat as well as episode 10 finally giving us interactions between the entirety of the nublar 5

-YASAMMY. I think yasammy was done so well this season. Their fight was so real, nobody was totally in the wrong, but they both weren’t communicating their feelings to each other well and they resolved it in the end. It was just perfect

-Yasmina Fadoula. She was written so well I loved how they didn’t just completely forget she has PTSD and anxiety and included that in her character arc for this season. I also loved how they used her to address how bad it is to infantilize those with mental disorders. (Yaz and I are anxiety twins 🧘‍♀️)

-Mateo. The GOAT. I am the number one Mateo fan, dont ever forget it. I love that man and I will stand by him, I was stressing for his life during episode 10.

-Microbang villain girl was such a menacing villain at the end and I honestly love her. It’s clear that while she is using the atrociraptors for evil deeds she does clearly care for them. I desperately need to know more about her…

-Kenji and Brooklynn’s new voice actors do such a good job with the characters and while I’ll miss Jenna and Ryan, their new voices were casted very well!

Things I wasn’t a big fan of:

-Now to address the elephant in the room…Darius being in love with Brooklynn. (I’m going to try to look at this through an objective pov, but since I don’t ship dinostar obviously there’ll be a slight bias)(nothing wrong if you do ship Dinostar I’m happy for you, but these are just my feelings) Im not a big fan of this. To me I’ve never really read Darius and Brooklynn as being romantic together and their friendship is something I truly cherished about JWCC. I do see why they probably decided to make the decision to have Darius be in love with Brooklynn, but to me it’s kind of upsetting in a way to have Darius’s extreme grief response not be just because they were best friends. It feels like the writers were saying “Well, he’s not experiencing this grief so hard because she was his best friend, but it’s actually because he loves her!”. We’ve seen loss be something Darius takes extremely hard (His dad’s death and Ben’s death) and so I don’t really see why they made it so he was in love with her to justify his response when it’s in character without it. Idk man…

-Brooklynn being alive….HEAR ME OUT HEAR ME OUT. THIS IS NOT BECAUSE I HATE BROOKLYNN SHES ACTUALLY ONE OF MY FAVORITE CHARACTERS. But idk these fake out deaths are starting getting to wear me down. Even Bumpy had a fake out death 😭. I get why they kept her alive being as she is a beloved character, but I just think it would’ve been better for her to be a character that somewhat haunts the narrative. It adds more onto the mystery, not only that but it allows the nublar five to explore “Hey our friend was hiding things from us and we’ll never truly get answers, but we’re going to find out what lead to her death and put a stop to it”. Which was what the nublar five are on a path to, until Brooklynn inevitably shows back up and explains everything. Also why did they give her the 2017 Katy Perry haircut…

-Kenji and Darius’s dynamic. I loved how they used their dynamic at the beginning of the show with Kenji blaming Darius for Brooklynn’s death, but beyond that moment their dynamic felt off to me. It was not helped by the whole Darius being in love with Brooklynn thing, but it just felt like they toned down their brotherly bond in this show (ironic since this is the first time we see them call themselves brothers)

General thoughts

-Jesus Christ was Kenji this shows punching bag 😭. He literally does not get a break, it just keeps on coming, breaking up with his girlfriend because she’s not invested in their relationship anymore, living in a trailer with a failing rock climbing business, his girlfriend kept secrets from him all while working with his estranged dad behind his back, his dad trying to use him again and then dying saving him, AND his brother was in love with his ex girlfriend. All in the span of ten episodes. If I was him I would have a mental breakdown every single day.

-Do yall think Ben actually has a girlfriend? I’m like at a 70/40 split, because he only talks about her two times and the first time he brings her up she totally sounds fake. “She’s from…Europe” Why did you have to think so much Benjamin? Also he fully just said she’s from the continent of Europe rather than a specific country in Europe. Also also it’s implied he hasn’t had a phone on him for a while so how does a long distance relationship work if he doesn’t have any means to contact her??? And he doesn’t even have a picture of her in his van. That man is hiding something I need to know…

-Ben and Darius had like 30-40 minutes of screen time shared between them, which is weird because like most of the show was marketed with them being the main protags and they barely interact beyond episode 4. (Their dynamic was too strong for people to handle “do you talk to your mother with that mouth” broke the world)

-Bumpy having a baby is something I predicted and I’m happy I was right!

Anyway that’s really it, sorry this was pretty long and excuse any typos or grammatical errors, but these were just some of my thoughts!

#jwct spoilers #chaos theory spoilers #jwcc #jwct #camp cretaceous #chaos theory #jurassic world camp cretaceous #jurassic world chaos theory #ben pincus #darius bowman #yasmina fadoula #sammy gutierrez #kenji kon #brooklyn jwcc #mor posts

78 notes · View notes

definitelynotafurinasimp · 9 months

Note

Hey there! Could I please request Furina, Clorinde, and Navia with an S/O who fancies themselves as something of a vigilante (secretly or not is up to you, I have no particular preference) and generally likes to play pretty fast and loose with the laws? Thanks, hope you have a great day!

Them with a vigilante reader

characters: Furina / Clorinde / Navia x gn!reader (separate)

warnings: slight(?) angst in Clorinde’s part, light spoilers for the 2nd Arc of the Archon quest in Navia’s part

a/n: I have no idea if you wanted this to be angsty or fluffy, since the reader turning out to be a vigilante has more than enough potential for soul crushing angst, especially in the Nation of Justice, so I played it safe and go with the fluffier option whenever possible, that being said the Clorinde one is a bit more angsty, I think.

Also, I'm still trying to get a feel for the characters, so if I got some of their character traits wrong, then I'm really sorry

So I hope this matches what you envisioned, if not, tell me and I’ll try to write it again.

Anyway, hope you enjoy!

Navia

While the main producer of Sinthe had been convicted and she finally got rid of her father’s undeserved epithet, Spina di Rosula’s work was not yet done. The biggest supplier may have been dealt with, but as long as there were still people making Mora from selling that substance, neither you nor Navia would rest, not after witnessing what it did to people’s lives.

Navia and you making for good partners shouldn’t have come as a big surprise for anyone. Both of you held an enmity for anyone related to the Sinthe-trade, neither of you held an unwavering trust towards the justice system and the both of you had known each other since long before she took up her fathers mantle. And while your operation wasn’t technically legal, considering how the Hydro Archons last encounters with Navia went, the state decided to turn a blind eye for as long as Spina di Rosula didn’t betray its new found reputation.

You couldn’t remember when the last time was that just the two of you got to eat together like this. For weeks your nights were short and full of investigating, and even when you got to close your eyes, your dreams were filled with the case. But now that most of the Sinthe dealers were locked up behind bars, Navia felt it was only right for the two of you to take some time off.

“Where are Silver and Melus?”, you couldn’t help but ask when you didn’t spot the two men. They were always by her side, no matter when and where she set off, something even more impressive considering Melus’ age.

“I sent them to take some time off, they deserved it. Well, that and I wanted to have some alone time with you”, she explained with a smile, grabbing the plate with her baking and handing it to you, causing you to grab a macron or two before returning the smile, your heavy eyes feeling just a little bit lighter.

“You seem tired, didn’t you say you’d try to fall asleep earlier?”, Navia noted upon seeing the circles under your eyes, causing you to wave it off.

“I did, but then I thought of something and before I knew it I was looking into something”, you tried to play it off, only for the Boss to frown.

“The biggest threat is dealt with, give it a break and get some good night sleep. Not sleeping much isn’t good for your health.”

“Okay mom”, you sarcastically responded, a playful smile growing on your lips. One Navia quickly matched.

“If you don’t stop playing with the reports so late at night, I’ll have to confiscate your toys”, she responded in kind, causing both of you to let out a few snickers before turning your attention to the food.

“Can you pass me the black tee?”, you eventually asked before pointing at the kettle, only for Navia to stop in the middle of her bite and glare at you.

“No. I wasn’t joking, you’re going to sleep early tonight. Even if I have to force you.”

Furina

You were nothing more than a proactive private Investigator. A proactive private Investigator that followed the law, obviously. Vigilantes were criminals, criminals with good intentions, but criminals nonetheless and for the God of Justice’s closest companion, being a criminal was obviously out of the question. Because she would never protect and keep a criminal by her side. That would be ridiculous.

That was the deal, and what Furina made sure you'd remember.

Had this sort of secret been kept by anybody else, Furina might have considered it a twist worth listening to. It would have made for a trial she wouldn’t have been able to wait to attend. But why did it have to be you? Had the Archon found out about your secret earlier, you would be sitting behind bars since a long time ago. Nobody but the state, nobody but her, was allowed to determine whether someone was a criminal or not.

But by the time you eventually confessed it to her, it was too late. Were it her feelings that made her choose to keep shut or the knowledge that having news that the all knowing God of Justice didn’t notice her closest companion’s secret identity would deliver a considerable hit in her both trustworthiness and popularity as an Archon was irrelevant. The only thing counting being that you remembered those three important rules.

“Hand them over to the Gardes at the earliest possible opportunity, deliver evidence that there’s a crime that justifies me arresting them without the legal clearance to do so and don’t be seen.” While it would have been a lie to say that your lackluster recitation didn’t annoy Furina in the slightest, the fact that you remembered them word-by-word was reassurance enough that you would do your best to follow them.

For anyone unfamiliar with the person behind their god’s confident facade, it would have been a surprise to see their Archon nervously pacing around the room, but for you it was hardly a rare occurrence. Whenever you gathered enough information about a suspect to be certain they were a serious criminal and the only step left was to make them face justice, she’d sit you down in her room before hammering those rules into your brain..

“Exactly, and you better remember each and every one of those. I may have kept our- your secret so far, but don’t even think for a second I’ll hesitate to throw you into the dungeons myself if I hear you as much as consider breaking one of them”, she tried her hardest to keep her composure, and although the thought of making a small jest crossed your mind, doubting the validity of her threat, it wouldn’t surprise you if anything but a 100% serious answer would be enough to make her pass out, and so you cleverly decided to shut up and nod.

“Good, I could see from the moment I first laid eyes on you that you weren’t a criminal, so rise and do what you have to do”, she continued to cling to the image of the well spoken, righteous Archon her citizens surely knew her as before just as quickly collapsing onto the same chair the moment the door closed behind you.

“Why do I keep doing this to myself???”

Clorinde

While your family wasn’t wealthy enough to pay for you to get any kind of training, you were always a fascinated with sword fighting, so much so that the moment you finally saved enough to buy a good sword you asked Clorinde to teach you how to properly use it, something she saw no reason to refuse.

You had gotten a lot better since the first time the two of you trained, not nearly good enough to best her, but more than certainly enough to hold your ground against most enemies and threats in the wild. A part of her wanted to feel proud about her accomplishments as a teacher, but she couldn’t, not when she knew what you were using those acquired skills for.

Clorinde wasn’t blind. She knew something was going on the moment you started returning home in bruises and wounds from your “late-night walks”. At first she assumed some petty criminals must have started extorting you, but when you didn’t seem to be missing anything and she heard about a mysterious person apprehending criminals, it didn’t take her long to realize just what you were doing.

“What do you think of that ‘vigilante’ everyone is talking about?”, you asked while trying your best to block whatever attack she threw at you, your eyes landing on her for just a split second before fixating on her blade again.

Well, you couldn’t be more direct.

“I’m not sure. I know desiring justice is a noble trait, but if it’s justice they’re after, why not report the cases to the Gardes?”, she responded calmly, trying her best to keep her suspicions as hidden as possible.

“Maybe they don’t trust Fontaine’s law enforcement to do their job?”, you countered just as calmly, not averting your eyes from her weapon for even a split second.

“And what’s your opinion on the way the court does its sentencing? Just between the two of us”, her gaze left her own blade long ago, slowly but surely making their way down towards you.

“It’s certainly an entertaining spectacle”, you explained, only for her blade to suddenly change course and hit you in the chest. The only thing stopping it from sinking into you being the fact that it was a dull training sword. Before you knew it, Clorinde was silently staring you down, staring straight into your eyes and sending a shiver down your spine. Before finally speaking up once again.

“Then I hope they don’t get caught. The last thing I want to do is have to fight them in a real duel.”

If it took her, a duelist, nothing but a closer look to figure your secret out, it wouldn’t take a prosecutor long either. For your sake-, both of your sakes however, she hoped you’d manage to keep any suspicion away from you… at least long enough until she didn’t have to worry about you losing against her fellow champions.

#furina #furina x reader #furina x y/n #furina x you #clorinde x you #clorinde #clorinde x reader #clorinde x y/n #navia #navia x reader #navia x you #navia x y/n #focalors x reader #focalors

390 notes · View notes

ultfreakme · 3 months

Text

Thoughts on Jessie Gender's video on NATLA

I really admire Jessie Gender's videos usually, she's the one whom I usually go to to see videos on gender and queerness in media. I like her stuff a lot and respect their work.

But the NATLA video left me going "no, wait, that's not what happened" a lot. I can't summarize the video, I suggest people go watch it if they want to know but I disagree with practically everything for the most part.

I'm not anybody on the internet. But what I do have is a lifetime of growing up on ATLA, a degree in Sociology and English Literature, coming from a culture that ATLA is based on, studying about colonial rule, researching the cultures ATLA is based on in my spare time and a love for the original. Does that establish some legitimacy? If for some reason you feel like you need to go hate on Jessie for this, DON'T. DO NOT. This is me just critiquing because I think the video content was biased and I want to honestly engage with the points made because everyone has a tendency to demonize the adaption without looking at it on its own merit. With that said:

Point 1: Sokka's sexism is taken out to make the show more palatable and his arc in the Kyoshi Island episode undermines Suki to prop up Sokka.

She says that Sokka's sexism and him addressing it is a show-long arc, and him deconstructing that is him fighting against the colonial sexism of the Fire Nation.

Sokka's sexism is explicitly dealt with in one episode. He's shown to be overtly sexist in the first 4 and never again except for little comments here and there that every other character makes as well and goes unaddressed. His sexism is not because of the Fire Nation- FN is very inclusive of women as warriors. Sokka's sexism is an anomaly because no one but him cares that Katara isn't just sitting home mending clothes(Bato, Hakoda, none of the men on the ship they are on in S3 say a word and she takes off to join Aang in the Fire Nation islands).

If Sokka's sexism is not systematic to the Southern Water Tribe or caused by the Fire Nation, what kind of commentary on sexism is this?

She also says Suki is played down and demured to give Sokka confidence when she's teaching him, taking away her arc as she pines for the new boy who she likes because he's shirtless. Sokka's throughout the episode shows insecurity and a more subtle form of sexism where he's trying ton prove he's as good as her. He's trying to show off his strength to her, and failing miserably and when he realizes she bested him, he walks away. He goes into it assuming he's better than her but walks away realizing shit she is GOOD. Then he goes to her dojo to observe the practice and follows along, Suki invites him in seeing him fucking up the forms outside and teaches him.

Suki falls for a tackle Sokka does in the og and live action. In the OG, it's shown as Sokka ACTUALLY being better. In the live action? He isn't. One lesson doesn't make him better, she transitions from actually teaching him to kinda flirting until she completely stops. She's not weakening herself for him, both of them are expressing romantic interest. How did Sokka, a boy who that morning was defeated by them, get better than SUKI in a spar she put genuine effort in? I think that's frankly more sexist than the live action take.

Additionally, Suki was meant to be a one-off character meant to teach Sokka that sexism is bad. She existed entirely to serve Sokka's character arc and had no independent motivation in season 1. In the live action, we see her talk about wanting to go into the world, and see her growing motivation through Aang's presence of wanting to not just protect Kyoshi Island, but the world. She became what she is only in season 2 and 3. Sokka's sexism arc didn't even pan out well because he never addressed the issue with Katara after that episode, the first and most affected victim of his sexism.

Sokka wearing the armor in the original, is a joke. Aang calls their uniform a dress while laughing (it's not, like it's not even constructed like one, the bottoms are loose pants called Hakama). He isn't put into the uniform to show solidarity, it's a joke, and we are meant to be laughing at Sokka for the most part. Queer fans have reclaimed and redefined that scene to be like drag, but that wasn't the original intention of the show because we get jokes on Aang's masculinity which never actively get refuted from Toph in season 2. Katara of all people points out Sokka wearing a poinytail in a demeaning manner multiple times, a supposedly girly hairstyle. If the original wanted to honor Sokka embracing gender fluidity, they wouldn't consistently mock him for being choosy about buying a bag and wearing a ponytail(which in-universe has cultural importance to him).

All signs of 'femininity' in Sokka are played for laughs in the rest of the show(down to the scene where he draws a rainbow, and his master Piandao simply rolls his eyes).

Sokka is also never once shown as a better warrior in the live action- his story is the opposite. Sokka yearns here to be an engineer, a scientist tinkering away with new inventions. His father Hakoda and the SWT discourages this because there is no value in that for them. Value is shown for them to come from physical strength, which Sokka NEVER has in live action season 1(him having biceps and being shirtless is not a glorification of strength). He's good, but he's nothing special. His true highlight is in his intellect and the show implies pretty well that Sokka doesn't need to be physically strong or a warrior to fight back against oppression.

That's his defining line in the show teasers "you do not need to be a warrior, to be a hero."

Point 2: The sexism arc isn't replaced by anything more nuanced.

It is! It's replaced by the biases against bending. Sokka discourages Katara from bending because the Fire Nation attacked the SWT to eliminate waterbenders. Both Katara and Sokka hold fear for waterbending, a part of their own culture, specifically because of the Fire Nation's hegemony and hierarchical beliefs. Waterbending = preservation of culture and Katara says these exact words in episode 1. Sokka stopping her is him being under the colonial hegemony of the FN because waterbending is what brought Fire Nation soldiers to their shores to kill their mom. That's the new arc and it has follow through to the end. Instead of Sokka telling Katara to kick ass because he isn't sexist anymore, the live action Sokka says it because he's embraced waterbending and his own culture now through seeing Katara grow and letting her choose for herself what's best for her (instead of smothering in his faux warrior persona, which they literally discuss when stuck in the cave). This arc is exclusive to the show, there's no comment on the cultural significance and erasure of waterbending in the original.

It's made more explicit in Katara's arc, where she needs to get past the fear the Fire Nation has put in her of the dangers of her own bending, and embrace that her people wanted to protect it (Kya sacrificing herself, Gran-Gran hiding the waterbending scroll).

Point 3: Showing the genocide of the Air Nomads is disrespectful

In the original, the Air Nomads are nothing but a memory. At all times. We never see the influence of the Air Nomad culture on Aang, or see them alive and thriving at any point. We see them fight back on the live action, and the actual genocide is a few short minutes, interspersed with Aang sinking. It's not a lingering process and it shows the abilities of Air Nomads. Jessie says this is purely aesthetic and to be cool, but there are significant moments that happen here.

Establishing the powers of Air Benders- this is the first and last time we'll get to see Air Bending on this scale and this shows what they can do

There's a scene where two air nomads nod to one another, and the air nomad switches from defensive to an extremely offensive move. It shows that this isn't typical for the Air Nomads, and that they are being pushed to their limits

This is a festival, they were defending themselves and it's important to show that the Air Nomads didn't just go silently without a fight and were ambushed on an important day.

To show the Fire Nation's cruelty and the extent of their power during the comet specifically.

To give weight to WHY everyone Aang runs into is so critical and hateful of the fact that he was gone, and to also show why Aang never refutes them and the weight of what he's lost (and also that even if he were there, he couldn't have done anything)

It's not just to be cool, it's honestly not cool to watch and taking Gordon Cormier, a child's quote to say that's what everyone's impression is, is disingenuous despite the disclaimer given. The kids' quotes always get taken out of context. Reviewers and Avatar fans who went to the premiere were disturbed overall by the violence. They did not think of the Fire Nation as "cool", they saw the Air Nomads like that. Like don't we want people to think of the Air Nomads in a positive light for fighting back?

Their culture gets little to no expansion in the original, and whatever Aang has left of them is actually slowly stripped away in the original.

Aang is made to okay the destruction and modification of the Northern Air Temple when destruction is shown as wrong during his rage and grief in the Southern Air Temple. The new settlers have used the gliders of Air Nomads to device weapons that fly, which were then sold to the Fire Nation. The Mechanist and his people continue this and create more weapons to fight the war in the temples(albeit this time agaisnt the fire nation but the cycle of violence continues using devices and cultures of a peaceful people). A once-peaceful place, is now a center for war innovation and Aang is told to accept this because he must let go of the past to look to the future.

The above, in comparison to Aang simply saying "I should let go of the past and look to the future" is FAR more disrespectful of Aang's culture and past. The live action keeps Gyatso's memory a constant companion to Aang, he is terrified of letting go of the past and it hinders him from simply living.

Point 4: Violence is shown as good and the cycle of violence is perpetuated.

She says Kyoshi demanding Aang to fight back and hit hard is showing that Aang needs to embrace strength and power. That everyone telling him to fight and be alone means strength is given importance, and that the same is shown when Zuko says "sometimes the weak can become strong, sometime you just have to give them a chance."

Kyoshi is wrong. She is willfully portrayed as powerful, but harsh. Roku(though his screentime was small) disagrees with her and tells Aang to find his own way of fighting and that is ultimately what Aang follows.

Kyoshi doesn't come off as correct, she's demanding and harsh, unforgiving. Aang initially lets her take over because he is scared of the power he holds and she promises she can control it to help others. Aang doesn't want power(he literally says 'I don't want these powers'). In the finale, he gives in to the ocean spirit and does what Kyoshi asks; save everyone, even if it costs his own life. But it is shown as a tragedy. Katara calls back for him and tells him he shouldn't have to sacrifice himself, that he has a place in this world as he is no matter what others tell him and he listens to THAT. He says he will save the world not alone, but with his friends, in the memory of the Air Nomads to ensure it never happens again.

Physical strength is only a priority to Katara's character. Sokka doesn't fight in the end, he's begging Yue to not sacrifice herself and is protecting her. He's not some macho man. Aang is also not embracing power.

Zuko says that line not to show that he can grow stronger, but that people should get second chances. He's a hurt kid wishing his father had the compassion to let him grow. But he doesn't and Zuko walks away from it thinking physical strength and bending prowess is important, crushing his compassion. That line on a meta level isn't even about physical strength. It's about mental fortitude and character, and the strength to be compassionate.

Jet was mentioned as being portrayed as more wrong, but in the original he was ready to sink a village of innocents. in the live action he genuinely helped Katara with her waterbending and was justified in wanting to kill the mechanist(who collaborated with the fire nation) and King Bumi (who is neutral, incompetent and has let the Fire Nation run rampant in the city). He's more sympathetic here because he's doing it with a concrete reason, and he didn't even manipulate Katara the way he did in the original. She was genuinely charmed by him.

A big problem I had with Jessie's video was putting in clips from some right-wing channel between critique of NATLA....which....why? Huh? And these were used to say NATLA is leaning into fascist tendencies and smoothing out any critique of colonialism when it really isn't. I think NATLA is very explicitly saying the same message as the original. Not in the same way, but it is. The show actively engages audiences and the characters in discussions of cultural erasure and the problems of valuing power(the latter especially through Zuko and Azula).

There are million issues with the live action (Sokka's casting, ableism in Zuko's burn scar, the writing issues, pacing issues, the lack of screen time for Aang and focus on the Fire family). The ones Jessie Gender discussed though, are not it.

#natla #natla positivity #atla la #atla live action #avatar netflix #jessie gender

60 notes · View notes

raineydaywhispers · 1 year

Text

I want to write an essay about Raine's (short, but sweet) arc in The Owl House now that the show is officially over, but for now I just want to put my thoughts somewhere about their arc in the final episode, as to not lose them. Thoughts under the cut!:

I am glad that Raine had an active role in defeating Philip, and had their own symbolic break away from the covens when they broke their violin.

I also loved the return to the bard magic they invented- the whistle-during both the struggle to cast Belos out of their body, but in the last fight as well. It was a part of their return to self agency, a nod to a time before the coven system where they were allowed to be free and explore magic on their own terms.

It's interesting to me that Philip calls them "annoyingly powerful," and it makes me believe honestly that their ascension to being a coven head was, while based on skill, also based on the fact that he knew they were. Belos always wanted to take advantage of that power, and control it. We see this with Lilith, and Eda as well. I believe it stands as a further explanation for the brain washing and the only time we see a sigil used against somebody.

Raine is one of the most powerful witches on the Boiling Isles, even with the constraints of their coven sigil. They not only broke out of the collector's puppet spell as a show of that true power, but would break from being possessed by Philip as well multiple times- and they almost stopped him on their own.

But Raine failing to stop Philip on their own is also significant. Raine needed help to do that- and Eda being the person to put their glasses on them, pull them from Philip's corruption of the isles, and show them that they're safe was the final crossing of the threshold for Raine. It's another return to a time before they lost their agency, but in a way that shows both themself and Eda have changed.

If they're going to defeat Belos and share the new future free from constraints with somebody, why not Eda their childhood friend, and her adopted children Luz the human and King the Titan. Why not end it all by quite literally stomping out the coloniser monster that caused them so much pain and heartbreak?

I'm also okay with them not returning to being a bard in the epilogue. I wish we would've been able to explore why exactly, and I'd like to think that their arc that was scrapped due to cancellation would've. But I think their separation from that part of themself makes sense no matter the reason. It's part of an old, long lasting traumatic experience. Maybe they did return to it and we just sadly don't get to see it. Or, maybe they'll return to bard magic on their own terms. Maybe they won't. I guess I'm going to have to fill those gaps in on my own time through writing and fan content.

But in summary, I guess, I'm glad that they finally had a way to regain agency over themself. I'm glad they got an ending where their skills as a leader are respected and put to use. I'm glad the show continued this notion of trust with Raine working with the old Hexsquad and new Hexsquad members to rebuild. And I'm glad they get to share a community with Eda that they can both flourish in, with each other. Even if we didn't get a Raeda kiss.

I'm going to be mourning the loss of a character that as an nb transmasc person, is the first time I've really felt represented on screen. I'm so thankful to Avi Roque, Dana Terrace, and the entire crew of the show for bringing to life such a good, kind character. Eda's Requiem aired during a time where I was questioning what my gender meant to me, and was struggling to find the light in my life as a trans person. I will always be grateful.

Though I'm not optimistic that we'll get extra content in the future, I hope we do. I want to explore the Boiling Isles again, this time as it heals, and I want to do it with Raine, Eda, Luz, King, Lilith, and all the other characters that made this show so special to me.

But for now, I'm content I got to experience The Owl House. It was such a weird, proudly neurodivergent and queer show. Though I would've preferred a full third season I'm glad the ending was a sound, well written send off. Until we see more (if we ever do) I'm going to be watching and dreaming for the future, thanks to them.

#the owl house #toh #raine whispers #toh raine whispers #toh watching and dreaming #toh spoilers #raeda #toh series finale #watching and dreaming #sorry if this is rambly #i have a lot of feelings

204 notes · View notes

anxiouslynumbme · 12 days

Text

Will I ever be able to watch the final season of Criminal Minds and continue with the show after that season 14 finale? Well, it's been years, and I honestly don't think I can, which sucks, 'cause I've been watching that show for so, so long and I wanted to see its conclusion. I mean, I assume they address the atrocious JJ "big confession." But they don't go anywhere with it, right? Please tell me they don't. I've managed to avoid spoilers for this long and honestly, I just don't want to know.

Do they even realize what they've done to the characters they've disrespected and ruined?

I just genuinely don't understand. If they had ever wanted to take Spencer and JJ that route, they'd had so many opportunities over the years to make it work believably.

For example, before she'd met Will, or even after, but maybe it didn't work out between them. They could've shown Reid jealous, or given any kind of indication that he still felt something romantic for her. Any indication that she'd felt something romantic for him, which JJ had never once shown, even when he had a crush on her.

But she fell in love with a wonderful man and got married and had kids. And you want to tell me she'd done all of that as a means of settling for second best because she was too "scared" to tell Spencer her feelings before? Why was she scared? Seriously, there's no reason for her to hide her feelings if she'd actually felt them. They didn't even give a proper reason for that supposed fear that made her start an entire life with someone else instead of just letting Spencer know how she felt. What was so fucking scary, writers? Why did she start an entire relationship/marriage if she was secretly in love with her best friend? Am I supposed to believe that JJ is that selfish, cruel, and dumb? They really fucking ruined her character in a way that's really hard to come back from.

This is a TV show, things have to be shown to the audience to understand a character's motives and actions. You can't just make a character say something after years of nothing, and tell us that was how they'd felt all along. The audacity to even imply that it was some kind of a slow-burn love story.

Have you ever watched or read a slow-burn story before? JJ and Reid did not have a slow-burn arc, in any way. Shape or form. We'd had nothing to show or indicate that for 14 seasons.

And I know that some people think their scenes were a bit more insinuating and hinting at something in later seasons. And you know what, yes, I can honestly pinpoint the moment the writers were like, we need to add a few more hugs to their scenes in case we decide to make them suddenly fall in love. And that was when Reid was in prison. They had given them a lot more scenes together where they hugged and touched a lot. But we, the viewers, had no reason to read into it because at that point we completely believed their best friends/siblings' relationship that had been going on all that time. It had been 12 seasons at that point. She's in a loving marriage with kids! Oh, and then after that, they decided to wait two more seasons to, you know, ruin their characters.

And giving them more hugging scenes does not warrant the potential of something romantic. Friends hug each other. Especially, JJ and Reid, actually. So I think the writers were just lazy, or just wanted to do something shocking for ratings or whatever. If they'd wanted to go for it from the start, they would've shown way, way more from the characters to convey hidden/secret romantic feelings and mutual pining over the years.

What a waste of a beautiful and pure friendship. They honestly went and threw 14 seasons' worth of character development, moments, and awesome dynamic down the drain.

I know that some people ship it, and that's fine, of course. But personally, I don't think I'll ever forgive it. This kind of reminds me of how I met your mother a little bit, only this is way worse. Because at the very least, Ted and Robin were together at some point, and you know, actually had romantic moments throughout the show. But Criminal Minds had no grounds to stand on, in my opinion.

#should I try and continue watching? That is the question #criminal minds #spencer reid #jennifer jareau #dr spencer reid #dr reid #jennifer jj jareau #jj jareau #cm #matthew gray gubler #mgg #aj cook #I just kind of really miss the show and the characters; but I wouldn't be able to take it if they continue with that storyline

21 notes · View notes

aalghul · 2 months

Text

Nice post about Roy I like how kind your response was. But yeah as a Roy fan I find the idea that he would hate anyone but the man who killed his daughter to be silly. Cause like thing is Roy has a line till he doesn’t. Like you said Roy draws a line for himself with Cheshire but he never ever 100 percent commits. Even after the bombing and her holding a gun to Lian and threatening to shoot her while trying to escape prison, in his time with the League he still is hinted to love her and still lets Lian visit her. Flash forward to now they are still on again off again lovers/enemies. The old Titans ‘Roy breaks up with Cheshire’ story was written like it was the full end of their relationship but DC loves that concept and in comics they will always come back.

With Mia or people hurting his family Roy would not care at the end of the day unless that family member died sorry. Roy forgave a woman who babysat Lian and helped terrorists kidnap her and then broke his leg in an attempt to kill Cheshire. No he didn’t just forgive her he offered to let her keep babysitting Lian saying he didn’t think he had the right to judge anyone.

People other than Roy say he belongs in the light but Roy kind of hates that about himself and actively denies and resists it because he thinks the dirty work is the real important work. He worked in fantasy superhero CIA for years and even killed for them, left and made the Outsiders, initially didn’t want to leave and basically stayed till the last second till his mental health gave in, joined the League and didn’t actually have a great time with the group or ever really believe he belonged, had a horrible ending with that group and became a straight up villain after the ROA fiasco and worked on a team of villains all of whom except Slade he expressed some sort of sympathy for.

Roy just doesn’t give up on people and kind of really wants to do antihero work and tries to again and again. The age/maturity thing kind of gets it but that only matters where you connect Roy and Jason, they are peers and work together in some fashion off screen for a year in Outsiders, put a ROA recovering villain Roy with really any post UTRH Jason save Morrison Jason and you could write an intergenerational friendship arc easy.

People forget but before 52 first started a lot of people wanted a Jason Roy book. It was floated around as an idea for ages and rumor was even Winick made a pitch but can’t confirm. When 52 was first announced a lot of people thought not only that RHATO made sense and only Kory didn’t belong but thought the comic had real potential. And really it might have since Roy and Cheshire at one point would not have made sense for either character and notably everything about their relationship happened off screen. We give things a pass because of how well the stories are written. I think most issues with comics are people moralizing about the characters and saying they would never do this or that when 9 times out of 10 the writer just shat over the execution of a concept and the writing as is was shit.

-- i’m just going to include my thoughts down here --

I agree with everything you said about Roy just not being the person who holds a lot of hatred for people. He comes off as strict and even angry sometimes, but at heart, he’s one of the most understanding characters.

I always took Roy’s failed attempts at being an anti-hero as proof that it’s not what he’s meant to do. He keeps trying because he sees his sympathy and desire to do more as a sign that he needs to get his hands dirtier, but each time leaves him with the realization that he can’t be doing that type of work. He was reluctant to leave the Outsiders because he didn’t want to abandon them, that’s why he does leave as soon as Ollie provides funding for them (which he also does specifically because he knows Roy wouldn’t leave, no matter how much he wanted to, otherwise). The Outsiders did end in Roy himself realizing he couldn’t stay there.

I think Roy has always worked best in the various Titans teams he’s been part of. Unfortunately, Teen Titans (2003) set a new status quo with enough of the original Titans leaving and the team working under the leadership of younger members even when more experienced Titans were present. So we could never really go back to the titans as they were in any of the iterations prior to that.

I don’t think Jason and Roy worked together for a whole year; it was just Jason reaching out to Dick, and then subsequently teaming up with him and Roy to give them information of Black Lightning. Which definitely worked to let Roy know the type of person that Jason is (i.e. not a villain), but it was also very much through Dick, so it would again be a reminder of the time that Jason, as a child, teamed up with Roy and the others. Roy’s affinity to taking a guiding role when he works with team members significantly younger than him is just such an important part of who he is that I can’t get past it. I don’t mean to say that Roy’s going to treat Jason like a child, but that there’s going to be a significant gap between their friendship as compared to the friendship that post-flashpoint gave them. Roy is just at a completely different stage from Jason, who is essentially just beginning to catch up on life as a teenager. That difference can’t be ignored easily.

I didn’t read comics back then (and was also a very little kid lol) so I didn’t know about that being something people wanted back then! It must be disappointing to see how it’s turned out.

At the end of the day, I personally think that Roy and Jason could work together very well short-term, and then it would have to end in them walking their separate ways because Roy can never stay in the dark too long, whether he admits it or not. I get what you’re saying about good execution making all the difference, though! I just want to stay as consistent to Roy’s character as possible, so Jason and Roy as best friends/a long-term anti-hero duo never quite works out.

#submited by #anonroyfan #and there is also the fact that a lot of roy's writing post lian's death was just. bad. lazy at many parts #i hope this is coherent bc there are a lot of words and i proof read none of them

24 notes · View notes

dailycass-cain · 2 months

Text

Birds of Prey #7-8 is a neat little two-issue arc that had a lot of cute Cass stuff sprinkled throughout. So here are my thoughts (at last for #7) on the two issues.

I gotta say one surprising improvement is well, everyone gets more moments sprinkled throughout the two issues.

Then say one per issue. That and we get the members who came back with this issue bonding/training Sin/Megaera. That's where Cass comes in...

I love that the introduction for Cass is side by side with Barda (since their growing bond has been a major fun selling point of the series).

This is the (outside of Batman: Wayne Family Adventures and Batgirls) that Cass does normal things like going laser questing.

It's obvious everyone is having fun here, but also trying to gauge Sin's skills both as a combatant and in her new powerset.

I do like that writer Kelly Thompson brings back Cass being a fighting teacher.

It's something Batgirls gave us (though not the first with Cass teaching Steph), but then the little Nightwing backup again gave us it with Cass training with Dick.

I always love this aspect of Cass helping her comrades get better and her being a teacher. Just makes that moment in Scott Snyder/James Tynion IV JL run all the sweeter. That folks SHOULD come to Cass for help in their fighting prowess.

If there's any nitpick, I kind of want for Thompson to bring up Sin being raised to be the next Shiva. Like, technically it's an aspect somewhat overlooked in the run so far surprisingly (save in Cass joining the cause).

But I get "the why" Thompson hasn't dug into it yet. This is a two-issue arc, and it's gotta introduce our newest members, Vixen and Babs. And it's just that a "nit-pick".

I just hope Thompson is given the chance to eventually dig into that aspect.

Though in a way, she already is as all three ladies were born to be weapons but chose a different path. The fact they're just having fun but also being mentors to Sin is neat.

But yeah the other section for Cass this issue leads us to the moment me and others have been using and gushing over the last month. Mari gives Cass choices on wearing lingerie (if you're very very quiet you can hear Stephanie Brown still crying not appearing here and instead in another book.).

This moment really feels like Thompson course-correcting an aged badly moment from Batgirl Vol. 1 #39 with Babs accidentally making Cass wear a one-piece and she feels bad.

I think the fault isn't on Horrocks more per se the "product of the time" and WHO was slowly coming into power at DC around then.

Plus the actual end message in Batgirl #41 works quite well. With Cass figuring things out thanks to Kon (and aliens).

The moment over in BoP is just a page but artist Javier Pina captures SOOO much in the exchanges between Mari and Cass.

Just between the glances, you can tell Mari fully understands more and is more open to figuring out the common ground link that'll work for Cass.

I mean just look at these reactions. They say so many things and are just perfect moments for Cass (which is why I will be using these like crazy).

And of course, the piece Mari picks for Cass is just absolutely stunning and yeah perfectly works for the character.

I would love a creator's commentary on this how they chose each look for each Bird.

So yeah #7 was a great continuation of the plot with #8 wrapping the arc up, but setting it up for the next big thing for our Birds.

#8 began with bringing back someone I thought we'd never see with Batgirls ending last June, Detective Brooks.

I mean he isn't fully name-dropped but those who read Batgirls are in "the know" and it's nice continuity by Thompson in Brooks continuing his partnership with Oracle.

Even though I didn't notice him really doing much after the intro.

So let's get to the crux of this issue with it pertains to Cass.

Cass somehow flying around throwing batarangs (I'm not even gonna wanna answer where she was storing those) and fighting in high heels (just again doing a better job of it than in Batgirl #45).

I know everyone's eyes were on Barda in the fight, but you know where mine were. So yeah it was an interesting detail of Cass doing that, along with being the only Bird keeping her mask on.

Again this is a nice little touch because it shows Cass maturing and actually keeping a dual identity. Something that was quite a problem for her in Batgirl Vol. 1 at times (and some can say Tynion's Tec Knights run too).

If there's any negative (but I digress again minor nitpick) is how quickly Babs is ensnared by the mysterious force trying to end her (but #7 did showcase how easily Mari was swayed).

Anyhoot this was a fun little two-part arc and I'm really curious where the comic goes from here. Each Bird got a good moment and really the only downside was my minor nitpicks.

Birds of Prey continues to be a REAL fun series and I really do enjoy Thompson's Cass. I'm really curious given what we'll get with the character in the upcoming issues given the premise seems to be in the mind of each Bird.

#cassandra cain #dc comics #my thoughts

36 notes · View notes

ekwolfwriter-blog · 3 months

Text

I just want to get this out but I am getting tired of people complaining about Live action Katara's lack of rage in the show. Especially because now, because it is missing from the LA show, there is a general trend of people that were annoyed with her behavior before now are defending it being part of her character. And before people think I am hating on them, no. I am not against people defending her rage, as I liked it a lot growing up and watching the show causally just as the next person. Katara was one of my favorite character of being a kind person while also taking names and kicking butt, she was that awesome. So more defense for her the better. Hell, I would say from just the interviews I have seen of Kiawentiio, she has - to me - the Katara sass and I am living for it.

What I am hating on is that the Live action Katara is getting ragged on for a lot of reasons - some valid, but other are (in my opinion) surface level stupid and not knowing of what actually might have been going on during the filming of season and probably the mindset that caused her character to be deflated. Because there is a lot to consider as to why it had to be condensed either for conveniences sake or - in my personal opinion - was done on purpose by two individuals that have a track records of curving that behavior in Katara to their desire.

Also: DON'T use this as an excuse to attack the actress! She is doing her best and giving her all! She is doing her job and any slander on her will be instantly blocked! I will not take any slander on her or any of the actors!

Also, mid spoilers so read at your own risk near the bottom

First thing we should consider: the amount of episodes. Yes, I am aware of the telling and not showing arguments that are being flown around. I get it. Normally, I am one of the biggest supporters that this show needed time to breath and let be to show than telling. If it had more time to breath, Katara's rage might have been more visible and we could have had more time for her arc to improve. And this is not to say that they could not have been able to do it, but I will say that this show NEEDED more than 8 episodes to be able to get as much in (To be clear, there are some shows that this works for - Amazon's Reacher and Legend of Zorro have short seasons and formatted for hour long content. But it makes sense for those shows because they are working within parameters of their medium and are newer (both are adaptions of older stuff but still) shows that can play around with the format better). For as ambitious as this project is, it has a lot to condense. At least that it is a show and not a movie, but still. Let's not forget that it could have been so much worst if it was a movie.

Now some people will say, "Well if they were good enough writers then they could have done more to show than tell," which fair. I will admit that there are infinite number of ways that they could handled some of the topics: such as Sokka's sexism and Katara's rage that everyone is missing. But with the landscape of media as is where you would be damned if you do damned if you don't if you so much as talk about some sensitive topic and you could be canceled for it instantly! Which leads me to the next point!

Second thing to consider: Multiple season renewal was never confirmed prior. Yes, we can all complain that the shows pacing was out of place. Yes, they cut some filler. And yes, it feels like we are getting too much of the world building through talking and now showing. But can you really blame them? To most people, if you saw the reaction of the cast before the news came out, you can see they were saddened by the fact they thought would not get a season 2. They changed their tune when season 2 and 3 was confirmed, and honestly happy for them. But again, that confirms to me that the writing had failed mostly because if they were never going to get their chance, might as well go all out. And with how easy shows can get picked up and canceled, I can see they needed to try and cram it in.

Which also plays into Katara's rage - they did not know if there was going to be a chance for her to grow and get bending abilities or go through her arc as steady as the animated. Again, I am not saying losing it was good, but that we need consider that if they were not going to get another season, they had to progress faster than usual. (Side note, while I like this show, Amazon's Hazbin Hotel has the same problem. We are steam rolling through what could be slow progression and change but can't slow because of episode constriction and no time to sit and allow the show to progress because it is so easy to drop the show for the studios, might as well end it on a note that at least can feel like it was it's own story.)

Speaking of studios, that would be my next point as well: studio and producer control. While I know directors can have a say in it, we should not forget about the studio that is allowing them to make this show in the first place and what they are asking for. As I keep saying, we don't know about what their restrictions are or if they can have more than a certain amount of episodes, and maybe that is a mandate of Netflix or something else, we as the audience don't know. We don't know what happens on set or behind the filming outside of glimpses and interviews, so for all we know, there was some changes to the script or teleplay to make it seem like they needed to cut Katara's rage to make her more meek. Which if this was the whole show, fine, that is a choice but not one I will have to like. But when watching the 3rd and 4th episodes, seeing Katara being a teenage girl and angry for once and even more open about her emotions was possible. Hell, it was the only times she was allowed to snap. And guess what people: it was because of the writing this time. That feminine rage you all wanted - while faint - was there. So clearly Netflix is not solely at fault - they have many mistakes but writing is not one of them.

But it is when you look who wrote what and where and what they were going for that - to me - puts EVERYTHING into place!

Final point: the original creators being brought on.

This might seem weird because one would think having the creators on the original show should be not as bad. The creators of the show is watching to make sure that the show is just right and that the characters feel the same or at least some of the story beats feel similar enough to enjoy. Why would them being on the set cause issues with the pacing and writing?

To a casual fan, yeah that makes sense. But to those that have been in the fandom, have see what they do post cannon to ALL of the characters - especially how they treat Katara in Legend of Korra - then anyone watching might have realized that that should have been a warning sign. Especially with how they would have wanted to depict the characters. And this is also the reason I think Katara's rage is gone: I think they wanted to make her like the comics version of her being a meek and demure girl that while caring was not getting as angry or as passionate about things because that would go against what Bryke wanted Katara to be in the show.

As I mentioned before, Katara's rage or at least genuine anger was only in for about two episodes out of the 8. And if you take out the 5th and 6th where she has been basically damseled with Sokka in the spirit world, that leaves on 4 more episodes to allow her to have her anger. Typically, one can thing, "Okay we can sprinkle it here or there in the other two and it should world". But all it takes is to see who was writing the episodes that truly not only hinder the world building of the show and breaks the rules of show don't tell or crammed it in so blatantly it feels like cringe and got rid of Katara being the one to free Aang because of her anger - was Bryke! They were the ones that were the head writers of the first episode and the 8th episode. The ones that had the most cramming down your throats dialogue, the clunky explaining of Aang's character out of now where and even curving Katara's rage or ability to be angry or snarky like she was in the show. Because Bryke wrote them, and also teleplayed a few - this being like adding notes and what the camera needs to do and how to frame scenes along side the dialogue. Meaning that they had some hand in making Live Action Katara this way.

If you notice in the episodes they didn't write: Omashu and the Cave of Two lovers - they were the only ones where Katara could be a bit more snappy and a bit more annoyed and vocal toward at least Sokka and Jet - not a lot but it was there. And oh would you look at that, the episode that they did not write had HEAVY hints for a certain firebender and waterbender being hinted at and color coded the lovers more vividly. And also, Katara getting to be empathetic while also not over explaining - which many always ragged on her for - where she could be human for once. Those episodes were the ones that they did not write and the story was somewhat better (Not better but I will take it over what we got prior)

And again, casual viewers might not know why this is a bad thing or probably wondering why I am against Bryke. But all it takes is looking at what they did to animated Katara that you all try to say "Was perfect as she was before" without considering what they did to her after the curtain fell. For any fan that has been following the show, you will find that most fans of Katara - the animated one -did not like what they did to her in the comics that continued their story and Legend of Korra, where she was a husk of a shell of her former self. And how she was all about "What Aang would have done, and what Aang did and oh how I missed Aang, he would know what to do". And yet, if she even showed any anger or negative emotions, she was painted as the bad person - easily look up Katara in the comics with a google search and you can see her being pushed around and flattened almost all the time when she is showing negative emotions that are genuine and not the funny mad in the show. Especially in the show as seen through this post, it did not always paint her anger in a natural thing for her or reinforced her angry as more comedic than actually something to consider as important until someone else stepped in to help her see it *cough* Zuko *cough*.

So to all the people that are trying to come after the live action Katara as being "Not the same energy girl power character who was expressive about her anger" you all "loved from the start'', please consider who and what was behind the scenes to make her this way. Especially since the animated show had other writers besides Bryke that understood Katara better if not more. Bryke wanted her to be more demure even in the pilot, and damsel. And yet the other writers gave her an actual story. Byrke have shown time and time again they do not want and angry passionate water bender that wants to be more active in changing the wrongs in the world, they want her to be more meek and docile and not fight back to let others save her in the comics and after. The OG had other writers that gave her her arc and Mae Whitmen give her the sass that we all love.

Live action Katara is no different. She has been trying to come into her own - with limited time to tell a story, limited time to get her arcs in fearful of cancellation, and with different writers, she can work, but not with Bryke. Same goes for the other characters too, not just Katara, but it seems that everyone pokes at Katara more and it is getting frustrating because some of these people just can never be happy with Katara.

Hopefully with season 2 and 3, we can have more time to flesh out the characters and maybe even have more show don't tell moments and being able to explore their feelings more. But only time will tell.

Rant over, sorry for the rambling mess.

#katara #live action avatar the last air bender #katara defense squad #live action atla #not the best but not the worst #anti bryke #actors are trying #the comics sucked #Katara deserves better

26 notes · View notes