#diplomacy rule book | Explore Tumblr Posts and Blogs

chocolatepot · 10 days

Note

Hi! Can you elaborate on "Fuck GRRM's committment to 'historical realism' without knowing anything about medieval social history"? I would love to know about what GRRM gets wrong about medieval gender roles, specifically.

So Cersei learns at an early age that she has no agency, her only value is producing heirs and is barred from traditional routes of power so she has to use underhanded methods such as influencing men with sex or using underhanded magical means. I would love an explanation on why this doesn't reflect medieval queen consorts and noble women irl.

Sure! The basic summary is: GRRM "knows" the things that everyone "knows" about the middle ages, which are broad stereotypes often reflective of a) primary sources that deserve a critical reading rather than being taken at face value and b) the judgements of later periods making themselves look better at the medieval period's expense.

As Shiloh Carroll argues, building on the work of Helen Young, “readers are caught in a ‘feedback loop’ in which Martin’s work helps to create a neomedieval idea of the Middle Ages, which then becomes their idea of what the Middle Ages ‘really’ looked like, which is then used to defend Martin’s work as ‘realistic’ because it matches their idea of the real Middle Ages.”

Since you're mainly interested in Cersei here, I'd strongly recommend a book: Queenship and the Women of Westeros: Female Agency and Advice in Game of Thrones and A Song of Ice and Fire, edited by Zita Eva Rohr and Lisa Benz. It's an excellent read and speaks to exactly what you're asking about. The tone of the book is very positive and non-judgemental when it comes to GRRM and his depictions of women on the whole, but I think some of this is rhetorical positioning to not seem like "mean angry academics jumping on fiction for not being accurate," as the actual content turns the reader to thinking about how much agency and power medieval queens had in different European societies and how little of that worked its way into GRRM's worldbuilding.

It's true that women typically didn't inherit titles and thrones in their own right, and that they were usually given in marriage for political/dynastic reasons. However, they weren't seen as brood mares whose only duty was to pop out sons: both queens and noblewomen had roles to play as household managers, counselors, and lieutenants, actively participating in the ruling of their domains and in local and international diplomacy (women in political alliances were not just pawns sent to a powerful man's bed, but were to act as ambassadors for their families and to pass information back and forth), and they had to be raised with an understanding of this so that they could learn to do it. Motherhood was very important, don't get me wrong, but it's a mistake to assume as pop culture does that a wife's foremost duty being to provide heirs for her family meant that she was ONLY seen as a mother/potential mother.

Catelyn is a great example of what was expected of women in these positions. But in the books, Catelyn is basically the only woman who inhabits this role, and the impression given is that she's exceptional, that she's just in charge of the household because she's so great at it that Ned allows her to be his partner, and that he listens to her advice because she happens to be a wise person in his orbit - and also that Ned is exceptional for giving so much power to a woman, because in the world of ASOIAF, it takes an especially good man to do this. In GRRM's view of the medieval world, realpolitik and the accumulation of power are the most important things, so men in Westeros are extremely unlikely to give up any authority to their wives, even though this is historically inaccurate.

Cersei, on the other hand, is supposed to be a more realistic depiction of what would happen to an ambitious medieval woman. There's a chapter titled "Queen of Sad Mischance: Medievalism, “Realism,” and the Case of Cersei Lannister" in the book I've rec'd, and it deals with why this is problematic extremely well. (This is the source of the quote at the top of this post.) In it, Kavita Mudan Finn argues that Cersei embodies pretty much every medieval trope for the illegitimate wielding of power by a woman. She underhandedly gets people killed for opposing her, she seduces men into doing her bidding, she advances her family's interests and her own at the expense of the realm. She's made sympathetic through fannish interpretation and Lena Headey's performance, but in the text she's an evil woman doing evil things. Even when she gets to be regent for her son - a completely legitimate historical position that allowed women to handle the levers of power almost exactly like a king - she continues to do shitty things and not be taken seriously because she's just not good at ruling.

But even before then, from a medieval perspective she had access to completely legitimate power that she didn't use: she'd have had estates giving her a large personal income, religious establishments to patronize (giving her a good reputation as a pious woman and people she'd put in high positions being personally loyal to her), artists and writers to patronize as well, power over her household, men around her listening to her counsel. That she doesn't have that is a reflection of GRRM either deciding these things don't really exist in Westeros in order to make it a worse world than medieval Europe and justify Cersei feeling she had to use underhanded means of power, or not knowing that they were ordinary and unexceptional because he has a good working knowledge of the politics of the Wars of the Roses but little to no knowledge of social history beyond pop culture osmosis, and, imo, little to no interest in actual power dynamics.

There are a lot of books I'd recommend on this subject. There's a series from Palgrave Macmillan called "Queenship and Power" and nearly all the books in it are THE BEST. Theresa Earenfight's Queenship in Medieval Europe is a very readable introduction to the situations of queens in European societies across the continent. She also has a book, Women and Wealth in Late Medieval Europe, that also addresses non-royal women's power. I'm also a huge fan of English Aristocratic Women, 1450-1550: Marriage and Family, Property and Careers, by Barbara Harris, which really emphasizes the "career" aspect of women's lives as administrators and diplomats.

#medieval #asoiaf #queens #queenship #history #middle ages

233 notes · View notes

bonefall · 3 months

Text

Cat? Gray. Eyes? Blue. Hotel? Trevago.

Design babble stuff below

BLUESTAR

Good god it's been over a year since I last drew her. I can do so much better now

I give her a wolf motif for BB, because in my mind it's about the myth of the lone wolf. Lone wolves aren't normal, they're pack animals. At first, Firestar sees her as this ideal, strong leader who stands independently of everything... but he's wrong!

She's NEVER acted fully alone! She's always been devoted to her family, even as it dwindled. Her ruling style is to protect other Clans, unlike any leader who's come before her. In BB, she even had a mixed-Clan friendgroup called the Forget-Me-Nots.

She helped to depose ShadowClan's tyrant. She sent Firestar to fetch WindClan, even against the wishes of the other two. She even fought Nightstar and Crookedstar when they tried to drive them out again.

She even takes the code SO seriously that she refused to kill Brokentail, extending a mercy that ended up backfiring.

And Firestar learns everything about leadership from her. Grace, diplomacy, fairness... and she was fair to a fault.

Both her and her apprentice would eventually face down Tigerkin, Bluestar during the coup and Firestar even lost a life after defending Hawkfrost for several books.

The only time Bluestar ever became a "lone wolf" was in her cruelty arc, when she was dragging everything she ever stood for down with her.

Her wolf motif shows up in her entire family, to connect them. It's in her nephew Whitestorm, her uncle Goosefeather, her daughter Mistystar, even all the way down into Curlfeather and Frostpaw who are descended from Reedwhisker in BB.

The scar comes from her fighting a badger to rescue Darkstripe and his sister, Cricketclaw, when they wandered off as kittens.

CROWFEATHER

He's a mix of spiky and swirly, as a cross between his dad Deadfoot and his mother Ashfoot.

He's older in BB to change that he was an apprentice on the Great Journey, and also to fix an inconsistency where his dad would be dead when he was conceived.

I think it was a huge missed opportunity that Crowfeather's bond to his mentor, Mudclaw, is barely mentioned in-canon. In BB they were VERY close and Mudclaw was incredibly influential to his personality.

Deadfoot is dead-- Mudclaw was like a father to him.

Crowfeather is torn between the influence of his mother, who was a Forget-Me-Not in her youth, and the hard ideology of his mentor. All the while, the ego boost he got from being selected to go on the Great Journey massively affected him, in a bad way.

He ended up taking Mudclaw's side in the rebellion-- not because he believed that ThunderClan had told a lie (in fact he defends his friend's honor) but because he believed Mudclaw would be a better leader.

But eventually, he found himself surrounded by cats he didn't want anywhere near WindClan. Good intentions or not, Mudclaw was willing to work with cats like Blackclaw and Hawkfrost-- people who want a second TigerClan.

Crowfeather betrayed the rebellion, running to fetch Brambleclaw and ThunderClan reinforcements. In the fight, his nose was scratched in a chevron, the shape of Mudclaw's stripes.

I like the idea that he carries it with him, but always tries to put it off his mind. He mistreats and misuses other people, ignoring the reminder that he is a fallible person that's carved onto his nose.

died of infection. Sad!

All of his kits resemble him in some way. Lionblaze inherited his tail, Hollyleaf has the spikes, Breezepelt has the build, Jayfeather is a miserable git has the ear swirls

He was head of Kitchen Patrol until BB!OotS, but I'm actually planning for him to NOT be deputy in BB. His character growth feels a lot more satisfying in realizing he really doesn't handle power very well, and should stay away from it.

He has old relationships and burned bridges to mend, and staying part of Kitchen Patrol seems like the way he should plan to do that.

I talked about him a lot in Nightcloud's summary and he's going to be coming up in the outline of Nightcloud's Pannage a lot. Much as I love taking potshots at him, he's got a very kind arc laid out.

CINDERPELT

She is the daughter of LIONHEART whY don't you people give her A MANEEEE

let her be THICK

In BB, the Frostfour are actually from two different litters. Cinderpelt and Brackenfur were in the older one.

Frostfur was head of Kitchen Patrol at the time, and very overworked lmao

So Cinder and Bracken both have an "older sibling" energy. Their mom was usually involving them in every little activity to get some help. Brackenfur is over-responsible, and Cinderpelt was always trying to help out other people and prove herself.

Of course, it also lead to her running right into Tigerclaw's trap which was set for Bluestar-- she wanted to be helpful.

The injury didn't heal right and she has chronic pain. She has severe mobility issues in the hip, and usually keeps the leg bound to her body so it doesn't drag or hurt.

She could have still been a warrior if she wanted to, but discovered while healing that she loved working with Yellowfang. I also interpret it this way in canon, to be fair, but TNP decided to remember it completely differently.

After saving Littlecloud's life they became absolute best friends. They worked on a mobility device for Wildfur together.

They style their manes in a similar way, pushing it up into that "spike" on their heads and out of their faces.

ASHFUR

Moonkitti's blonde Ashfur remains iconic, I fear

I draw him like a cheetah so he has the funky cheetah cub hair

I'm a HUGE fan of what the Erins did with the direction of Ashfur's story, with him being an obsessive spurned lover, but that's not really the sort of story I tell in BB!

So I approach his obsession on Squirrelflight as being very... Judge Frollo-esque.

Frollo's ultimate goal isn't to possess Esmerelda. He wants her, but it's a wrench in his plans to commit ethnic cleansing using his religious justifications. Hellfire is about how he finds a way to shift the blame for his own lust onto her, and offers an ultimatum; "She will be mine or she will burn (along with everyone else I plan to slaughter)"

In Frollo's mind, he "forgives" her for what she's "done to him." For what she is. He sees what he's doing as giving her an "escape."

It's not for her benefit. It's for HIS. By giving her this "escape," if she takes it, he gets to think of her as redeeming herself (and thus being worthy of him).

If she does not... then it's no skin off his back. He's Done His Part. Everything was always her fault. He is blameless.

Either way he gets to walk away feeling justified.

All that to say-- that's how I approach BB!Ashfur.

He wants to punish codebreakers. He wants the Clans to suffer for how far they've fallen from where they should be. They've become vulgar, ungrateful, unworthy of StarClan's grace.

He tried to kill The Three because he'd learned of the Fire and Tiger prophecy, and was only trying to protect the Clan. If Squirrelflight had CHOSEN HIM, then none of this would have happened.

He was righting a wrong, you see, and StarClan understood, in his eyes.

When Hollyleaf slaughtered him, violating the Code, it only confirmed he had been right all along.

And again and again and again, he offers Squirrelflight what she needs to redeem herself. He wants her. He wants her to "be better."

When she lets him down... then it's not his fault. She's forced his paw.

SO the blonde hair isn't totally just a fun reference, I also find it fitting because aside from the cheetah motif, he sees himself as angelic.

It's also why I don't portray him as "grubby" like some folks do, BB!Ashfur is much more vain than Canon!Ashfur, caring immensely about his appearance. Thinking about it, he probably won't even let his Bramblefake vessel fall into disrepair, he'd feel more grossed out than usual.

He also gets a very cool boss fight form at the end of BB!TBC which I still need to design lmao.

#better bones au #fennelposting #gray cat blue eyes challenge #warrior cats

218 notes · View notes

shadowqueenjude · 3 months

Text

For fuck's sake. I am sick and tired of Elain's character being minimized into the "flower girl" so I'm going to rant. I don't think Elain Archeron is going to be a High Lady because she "likes plants" and "is not afraid to get her hands dirty." I think she will be a high lady because she possesses the important ability to work with others and move/convince people (diplomacy). Her not being afraid to get her hands dirty just shows that she's ready to LEAD. She grew up in the gentry; she has the makings of an upper class lady. Obviously she won't make a perfect High Lady since she has little to no experience, but that's why Lucien fucking exists? He has been preparing for this his whole fucking life. We have SO MANY HINTS that Lucien is ready to lead. Yeah he has only ever been a courtier but he's more qualified to rule than anyone else????? There's so much canonical evidence of this PLUS he is showing High Lord markers in ACOSF. Besides...weren't Tamlin and Tarquin both thrust into Highlordship??? Tamlin was doing a well enough job before Feyre and Tarquin is doing just fine, isn't he? Tarquin was faaar off the line of succession, no one even expected him to be High Lord. I'd say Lucien and Elain already have a headstart on them. Is it fucking unrealistic for Elain to end up as a High Lady? Yes. Is it fucking unrealistic for the Valkyries to win the Blood Rite? Yes. Is it fucking unrealistic for Feyre to survive under the mountain? Yes. Did we all forget these are fucking fantasy books??? What's with the Elain hate???

#elain archeron #pro elain archeron #lucien vanserra #pro lucien vanserra #elucien #pro elucien

103 notes · View notes

lendmyboyfriendahand · 3 months

Text

AU where the Third Kinslaying takes place a decade later

It doesn't truly change anything, not as far as the history books record things. Some of the Feanorian soldiers turncoat and defend the city, but not enough to save Sirion. The youngest sons of Feanor die in battle. Elwing is cornered in her tower, and jumps with a Silmaril. The remaining sons of Feanor take custody of her sons. Ulmo rescues Elwing and guides her bird-self to Earendil; Earendil and Elwing got to Valinor; Earendil pleads with the Valar. The arc of Fate continues unabated.

In other ways, it changes everything. Elrond and Elros are not children when the attack comes, to hide in a closet or cave in hopes their mother will return. Instead they are youths, not yet as wise or strong as some but nearly grown.

The princes take part in the battle to defend their city.

It's both of their first fight outside the practice yards. Elrond has gone hunting before and shot a deer, but Elros has never spilled the blood of another living being, not orc or elf or man.

He does so today, his sword travelling smoothly in the motion he's drilled a hundred times.

Elrond fights on horseback at first, riding down the street and firing arrows at anyone wearing Feanor's star, trampling down the invaders and moving on before he can see what's left behind and vomit in horror. But when the battle progresses into the palace he abandons his stallion at the gates, rushing to try and save his family.

Elros watches his mother jump from across a room crowded with combatants. Elrond is still four floors down, but he sees the gull emerge from the spray with a loud cry, far larger and brighter than any natural bird.

They do find each other in the battle, and fight side by side. But slowly the twins are driven back, before an army both more experienced and more numerous.

Elrond and Elros manage to retreat to the buttery and block the door, the thick stone walls that keep the beer cool also preventing anyone from reaching them. It's a very defensible room, with only one entrance to guard.

They are trapped. They know it.

Neither says it aloud.

They simply sit and wait, and hope the invaders will leave once they realize the prize they came to the city for is no longer achievable.

(Maedhros is not about to leave two young princes behind whose city was destroyed, will want revenge, would be a wonderful rallying point for the people of Sirion, and are two young to know the wisdom of not starting fights without a tactical benefit. Better to deal with it now, while the city is in chaos, than to wait and have an army come after the Feanorians in a year or a decade.)

(The only question is if the door can be breached, or if the Feanorians will need to starve the twins out. By which time reinforcements will likely have arrived to Sirion, so it becomes a matter of either defending the ransacked city or burning the palace with the boys inside it.)

After an hour or two, someone does think of negotiating, offering to spare the princes lives and leave the city not any further destroyed, and taking the boys captive.

(Tell me, what prince of the Noldor is infamous for going to a parlay under false pretenses? How much history and diplomacy do you think twins raised to rule a kingdom know?)

#my fic #my writing #silmarillion #silm #kidnap dads #elrond #elros #third kinslaying

67 notes · View notes

girlactionfigure · 2 months

Text

THURSDAY HERO: Mildred Harnack

Mildred “Mili” Harnack was a writer and academic from Wisconsin who moved to Berlin with her German husband in 1930. As Hitler rose to power, Mili created the largest resistance group in Nazi Germany and was targeted for execution by the Fuhrer himself.

Mili was born Mildred Fish in Milwaukee in 1902. Her father William was a teacher, and her mother Georgina was an activist for women’s suffrage. Mili had a natural facility with languages, and was fluent in German by the time she reached adulthood. Throughout her life, Mili loved German literature and culture. She attended the University of Wisconsin in Madison, where she majored in English literature. Mili lived in a rooming house popular with writers, and worked as a film and drama critic for a local newspaper.

After receiving her BA, Mili went on to earn an MA in English in 1925. The next year she moved back to Milwaukee and worked as a lecturer at the Milwaukee State Normal School (now the University of Wisconsin – Milwaukee.) She met Arvid Harnack, a German economist and lawyer who was studying at the university on a Rockefeller fellowship. Arvid was from a prominent family of German intellectuals. After a whirlwind love affair, they were married in August 1926 at her brother’s farm. Arvid’s fellowship ended and he returned to Germany, followed by Mili the year later, after she completed a teaching session at Goucher College in Baltimore.

In Germany, Mili worked on her doctoral thesis and lectured at universities in German cities Jena and Giessen. The country was plunging deeper into political turmoil, and the Nazi party was rising to power amid the chaos. More than half of Mili’s students were outspoken Nazis. She moved to Berlin in 1930 to be with her husband, and began working as an assistant lecturer in English and American literature at the University of Berlin. Mili lectured about her favorite English and American writers including Ralph Waldo Emerson, Walt Whitman, Thomas Hardy and George Bernard Shaw. She was so popular with students that in just a year and a half, enrollment in the class tripled.

Mili connected with other American expatriates in Berlin and formed a literary salon where anti-Nazi academics and intellectuals could express themselves freely. By 1934, the Nazi secret police were everywhere and the salon was disbanded. Fellow ex-pat Martha Dodd, a close friend of Mili’s, later described her Berlin salon as “the last of the meager remnants of free thought.” Many of those who had participated in the salons continued to meet in the Harnacks’ living room but instead of discussing literature, they planned anti-Nazi political activism

Meanwhile, Mili achieved renown as a writer. She published essays in prominent German literary journals until the mid-30’s, when magazines started to print only “approved opinions” (in support of Hitler). She was able to continue working as a translator, and her German-language translation of Irving Stone’s biography of Vincent van Gogh, Lust for Life, was published in 1936.

Mili returned to the U.S. on a book tour in 1937, and her old friends were shocked at the drastic change in her personality. Earlier she had been friendly and easy-going, but four years living under Nazi rule made Mili anxious, stiff and guarded. She’d had to wear a metaphorical mask to survive in the totalitarian German state, and couldn’t shed the mask even when she left Europe. Mili’s family urged her to stay in the U.S. but she was determined to return to her husband and her political activism group, now called “The Circle.”

Mili’s unassuming manner combined with an extremely sharp intellect enabled her to penetrate the highest circles of German politics and diplomacy. She used these connections to get exit and travel visas for Jewish friends and colleagues, among them prominent publisher Max Tau. Mili also surreptitiously gleaned information from highly placed contacts, which she transmitted to fellow members of the resistance.

Mildred was fired from her teaching job at the University of Berlin because of her political beliefs, and she began teaching at night school, where her students were mostly working class or unemployed. She recruited many of them to join The Circle. The group published anti-Nazi leaflets, written by Mildred, and secretly left stacks of them in public places throughout the city.

German intelligence called them “the Red Orchestra” and falsely smeared them as communists working for the Soviets. Undeterred, the group increased their activities and cooperated with other resistance units. Around this time Mili wrote, “I saw it clearly before my eyes. From then on our work not only implies the risk of losing our freedom, from now on death was a possibility.” Led by Mili, The Circle became the largest resistance group in Nazi Germany. They incited civil disobedience against the Nazi regime, documented Nazi atrocities, and transmitted military intelligence to the Allies.

In the summer of 1942, the Nazis intercepted radio transmissions that revealed the identity of prominent resistance fighters including the Harnacks. On September 7, Mili and Arvid were arrested by the Gestapo and imprisoned. Arvid was tried by the Reich Military Tribunal and sentenced to death on December 19. He was hanged three days later at Plotzensee Prison.

Mili languished in a squalid prison cell for months, where she was tortured and contracted tuberculosis. She went on trial and was sentenced to six years in prison. However, Hitler heard about the American woman who fought so effectively against his regime, and he ordered a new trial for Mili. The kangaroo court delivered a pre-determined death sentence, and at Hitler’s explicit request Mili was beheaded by guillotine on February 16, 1943. Her last words were, “And I have loved Germany so much!” After her execution, Mili’s body was given to an anatomy professor at Humboldt University to dissect for research. After he finished, he gave the rest of her remains to a friend of hers, who had Mili buried in Zehlendorf Cemetery in Berlin.

The only writing that survived from her time in prison were a few translated lines from Goethe: “In all the frequent troubles of our days/A God gave compensation – more his praise/In looking sky-and heavenward as duty/In sunshine and in virtue and in beauty.”

Mildred’s brave actions and tragic death have not been forgotten. In Berlin, a street and a school are named for her, and in her native Wisconsin schools observe Mildred Fish Harnack Day. The University of Wisconsin-Madison hosts an annual Mildred Fish-Harnack Human RIghts and Democracy Lecture, and a sculpture of Mili was unveiled in Madison in 2019.

For fighting Hitler at the cost of her own life, we honor Mildred Harnack as this week’s Thursday Hero.

Image: Gestapo mug shots of Mildred taken after her arrest in 1942.

#Thursday Hero 🎖️

83 notes · View notes

gffa · 1 year

Photo

SO WHAT ARE JEDI HEALERS LIKE IN CANON? The subtitle of this project was literally, “Started making it. Had a breakdown. Bon appetite.” because Star Wars lore is a mess of about five distinctly separate continuities and hardly anything has been devoted to this particular niche of Jedi worldbuilding. I spent a few hours hunting down sources, most of which were just one or two lines, at most a whole entire single paragraph! of information, and not much on how Force healing actually works. This is fair, primarily the Force is about the emotions the user puts into it, that’s the core, central theme of what the Force means to Star Wars worldbuilding, rather than nitpicking details about hard rules of how it works. Further, the Force isn’t full of hard and fast rules on a bigger scale, it depends on the person, it depends on their mood, it depends on whether it’s a Tuesday or a Friday, because it’s about serving core themes, not about serving a system of magical rules. That said, here’s what we know of Jedi Healers specifically in canon, both as a group within the Jedi Order and as an ability of the Force. This post will mix together Legends and Disney/Lucasfilm canon, as well as include RPG books that are not meant to be sources of canon, because the whole point of this is to give worldbuilders some tools to start with, should you want! HAVE SOME FUN WITH IT, PICK OUT WHAT YOU LIKE, AND BUILD UP FROM THERE. \o/ KNOWN JEDI HEALERS: - Rig Nema (Lucas canon, Disney/Lucasfilm canon) - Stass Allie (Disney/Lucasfilm canon, as a healer) - Barriss Offee (Legends canon as a healer, Disney/Lucasfilm canon as working with healers) - Mill Alibeth (Disney/Lucasfilm canon) - Nahdar Vebb (Fantasy Flight Games canon, as a healer) - Vokara Che (Legends continuity) JEDI HEALERS ROLE IN THE JEDI ORDER: Jedi healers seem to be fairly rare and they were regarded as fairly precious:

(Jedi vs Sith: The Essential Guide to the Force / Legends canon) Note: In this instance “Old Republic” = prequels era, and while this snippet is Legends, Rhinnal has been mentioned in Disney/Lucasfilm canon in The Rising Storm. In the FFG books, the Jedi established a chapter house on Rhinnal for many patients that was still in use and had been expanded during the prequels’ Jedi Order’s time. So, the Jedi have Halls-of-healing-esque houses on other places beyond Coruscant. Jedi Healers were regarded as the most sensitive Jedi of all:

(Wild Space / Legends Canon) JEDI HEALERS’ STRUCTURE: Rig Nema was a Consular Jedi, which was a Jedi that devoted themselves to the study of a science or diplomacy, where she was a dedicated doctor. Jedi specializing in healing seem to often withdraw from any combat duties, as well as they fall under this specialized role within Jedi career paths.

(The Visual Encyclopedia / Disney/Lucasfilm canon) In Legends, the Jedi Healers worked with the MedCorps Jedi, as well as the were in leadership roles in the Temple’s infirmary and on worlds like Rhinnal and H’ratth.

(The Jedi Path / Legends canon) Note: The Service Corps are tricky, because Legends established them just after The Phantom Menace came out, before even the second movie of the prequels had arrived, much less TCW or anything. Which means much of the content that came later had a tendency to contradict itself, as well as they do not exist at all in Lucas’ canon, and they are only mentioned in deeply obscure reference guides in Disney/Lucasfilm canon (and no mention of aging out--which further cannot work the same way, as TCW and Dooku: Jedi Lost establish that 14 year olds are young for Padawans and that 17+ isn’t rare for Padawans), but have never appeared in any book or comic yet. All of which means: Feel free to use them! Source material is a buffet that you get to pick and choose from! But be aware that some things are fundamentally incompatible from one continuity to another, and the Service Corps is a big one of those. Within the Jedi Order, there was a sub-order of the Knights who practiced healing arts, called the Circle of Jedi Healers:

(The Complete Star Wars Encyclopedia / Legends canon) “Seated on the Jedi High Council due to her invaluable role as a Jedi Consular, Master Stass Allie is gifted not only in diplomacy and Lightsaber combat, but also Force healing. As a member of the Circle of Jedi Healers and overseer of the Medical Corps, she continues to hone her healing abilities even while deployed as a general for the Galactic Republic in the Clone Wars.” (Complete list of Force Collection cards / Continuity status unknown, probably Legends as it started in 2013) Not all Jedi had to be dedicated healers to work with the medical clinic. In Disney/Lucasfilm canon, Barriss Offee often spent time helping injured Jedi, because she found healing to give her solace.

(Stories of Jedi and Sith / Disney/Lucasfilm canon) Though, in Legends, Barriss was more directly a healer, working under Stass Allie in the Circle of Jedi Healers, where she specialized in disease rather than surgery.

(Star Wars Databank / Legends canon) Similarly, when Mill Alibeth finds her place within the Jedi Order, at Yoda’s suggestion that she use her abilities for specialized medical and spiritual assistance for war-wounded Jedi, she’s not necessarily Master Nema’s Padawan, it’s not so formalized as that, showing that there’s a lot of flexibility within the Jedi Order’s studies and paths.

(Brotherhood / Disney/Lucasfilm canon) JEDI HEALERS’ ABILITIES: While Jedi healers focus on medical training, they also train Jedi in the main components of Jedi philosophy, like greater control and insight. When Mill Alibeth begins training with Rig Nema, she gains greater mastery over herself and the insight she has into Anakin in their meditation together:

(Brotherhood / Disney/Lucasfilm canon) In addition to Jedi healers being rare, it seems like it was taxing for them to directly use Force healing, because it drained them personally. While much of Kylo’s ability to revive Rey seems to come from that they were a dyad (and this would not be possible with other types of Force Healing, so other Jedi could not do that particular thing), Rey does do some Force Healing, where she must calm herself and center herself to do it properly, and it takes energy from her to accelerate healing. It’s not much here, she doesn’t need to recover from it, but anything more significant and likely she would have. So, Jedi healers have to be careful about how much they give of themselves when healing others. This is also why Grogu collapses after healing Greef in The Mandalorian.

(The Rise of Skywalker novelization / Disney/Lucasfilm canon) Another Jedi healing ability is the Healing Trance, which would accelerate their natural healing process. While in this trance, because their heartbeat and breathing slow, they can appear to be dead to others, and they’re unaware of the world around them. Depending on the climate, they can last anywhere from a week to a month within this trance, without outside hydration being given to them.

(Jedi vs Sith: The Essential Guide to the Force / Legends canon) JEDI HEALERS WITH THE FORCE VS TECHNOLOGY: The Jedi Order of the prequels seems to balance between technology and the Force, that both have their place in healing. In the episode “Voices”, Rig Nema relies on medical scans to show Yoda’s physiology, as well as a tank of dark liquid (either a bacta tank or a sensory deprivation tank, both would be useful for Jedi who need calm and no distractions to connect to the Force) to help him, but it’s balanced with his connection to the Force being plumbed, it’s not focused only on technological means.

JEDI HEALERS HAVE TO WATCH OUT FOR: In addition to being extra sensitive, Jedi Healers would be spending time in places that were soaked in pain and suffering, just by the nature of injured people’s anguish. Not only would they face the difficulty of dealing with a patient’s pain directly, Force-sensitive means being psychic, as in that pain literally soaks into the walls around them.

(”The Jedi Who Knew Too Much” / Lucas canon / Disney/Lucasfilm canon) It’s intense enough in places that have a bad accident and those feelings linger, it’s a hundred times worse in places where people are always in pain or dying. Jedi Healers aren’t just subjected to the person’s suffering that’s right in front of them, but the thousand patients before them that have left their emotional imprint on the walls, the floor, the ceiling, the pillows, the bed, the very air around them. HALLS OF HEALING/MEDICAL WINGS:

The Medical Center and Infirmary seem to be located about halfway up the left-hand side of the main ziggurat: "Medical center and infirmary, staffed by Jedi Medical Corps.” (Complete Locations | Disney/Lucasfilm canon)

“The Jedi Temple's Halls of Healing were beautiful. They had lofty ceilings and enormous windows that spilled golden light over the blue and green and rose-pink walls and floor. Imbued with the Force's most gentle aspects, with love and nurturing and peace, they were full of perfumed flowers and green growing things, with the music of running water and the vibrancy of life renewed. They were the perfect retreat for those who were broken in body and mind, a place where the ugliness of suffering was washed away.” (Wild Space | Legends canon)

It’s difficult to get a sense of the size of it in The Clone Wars, but it seems to be fairly big, given the diversity of what we see of it, there may be more hard scientific areas and more gentle healing areas, both: - Obi-Wan’s transformation into Rako Hardeen is in an area with multiple cordoned off areas with doors that can be fogged over. (The Clone Wars | Lucas canon , Disney/Lucasfilm canon )

Likely the same area in the episode “Voices”, it seems like it’s in an area of the Temple that’s a hallway away from windows facing the outside. (The Clone Wars | Lucas canon, Disney/Lucasfilm canon)

Anakin and Mace share a recovery room, which has a different style from the other infirmary rooms, done in different colors and with softer lighting, indicating that they have gentler recovery rooms versus the active medical problem areas It has a window looking out over Coruscant, indicating that it’s near the edge of the ziggurat, likely an area for less critical patients and meant to promote healing. (The Clone Wars | Lucas canon, Disney/Lucasfilm canon)

Yoda is put in the infirmary in an area that looks to be the same area, but also has a separate area for a bacta tank, which seems to be at least possibly similar to the same area Depa was in when she was submerged in bacta. When Anakin walks into the room (and later he and Yoda walk out), we see what looks like sky through a window in the background of the outside hallway, possibly indicating this was near the edge of the ziggurat as well. (The Clone Wars | Lucas canon, Disney/Lucasfilm canon)(Kanan: The Last Padawan | Disney/Lucasfilm canon)

#jedi order #jedi healer #jedi infirmary #jedi temple #halls of healing #meta #reference #long post #really long post

969 notes · View notes

fantasybooktournament · 11 months

Text

Book Reveals for Round 1 of Mystery Book Tournament

titles and descriptions under the cut

The One with The Obnoxious Legal System is A Conspiracy of Truths by Alexandra Rowland

The world's most obnoxious old man has been arrested for charges of witchcraft by the world's most obnoxious legal system. The story follows him utilizing every tool at his disposal to escape death including his fruity apprentice, his ever-tired lawyer, and most of all stories. Half of this book is the old man telling a story to someone he is either trying to sway, trick, or simply entertain.

The One with the Rightful Heir is Magyk by Angie Sage

A child soldier nearly freezes to death and so must join the escape of the rightful heir, a powerful wizard, and the rightful heir's bumbling dad, brother and dog.

The One with No Indoor Plumbing is In Other Lands by Sarah Rees Brennan

Have you ever thought ‘hey going to a magical fantasy land might suck a little’? Our intrepid hero has been invited to a school for future heroes in a land of elves and trolls, harpies and mermaids…and there’s no indoor plumbing. Also they’re training children as warriors and have little to no respect for diplomacy.

The One with Vampires and Farms is The Queen of Darkness by Miguel Connor

In the far-flung future, the earth is irradiated and vampires rule the world. Humans are kept in farms, and our protagonist is sent to one to learn about an illness that is appearing in the humans which can infect and kill vampires. There he learns about the human cult, and gets told by them that vampires were once human.

The One with Possessed Nuns is Vespertine by Margaret Rogerson

A young nun in fantasy-France lets a powerful revenant take possession of her body in order to protect her monastery from possessed soldiers. No one believes she can possibly control the evil creature, but as she uncovers a sinister plot at the very heart of her country, she finds herself growing closer to the revenant by the day.

The One that Becomes Queernormative is A Strange and Stubborn Endurance by Foz Meadows

Protagonist starts off in a queer phobic society and is bound to marry a girl from the neighboring kingdom against his wishes, being gay. When his sexuality is dramatically revealed after he's being assaulted, the political bets seem off, but the other kingdom is queernormative and instead offers to marry him to his bride's brother instead.

The One with Sisters and Unsuitable Men is An Earthly Knight by Janet McNaughto

The main character's older sister has run away with an unsuitable man so it's up to her to marry a suitable one. But as she worries for her sister and hopes to find her, she encounters a strange man, rumored to have been kidnapped by the fae.

The One with the Magic Italian Notebook is City of Masks by Mary Hoffman

The main character, a young boy, is seriously ill but his life is transformed when an old Italian notebook gives him the power to become a stravagante, a time traveler with access to 16th century Italy. He wakes up in another time and place during carnival time and meets a girl his own age who is disguised as a boy in the hope of being selected as one of the Duchessa's mandoliers. Political intrigue ensues.

The One with the War Against Colonizers is Fire Logic by Laurie J Marks

The last living member of a border tribe, a deadly philosopher-soldier, a truth-seer, a gentle man, and a man who can see the future form a beautifully queer family around a drug-addicted blacksmith who holds the power of the land itself so that she can end the war against colonizers that has continued for 30 years

The One with the Healer's Quest is Dreamer's Pool by Juliet Marillier

The first in a mystery fantasy trilogy about a wrongfully imprisoned healer and her quiet but strong prison friend who get busted out of prison by an otherworld being. In exchange, for seven years she must endeavor to help anyone who asks for it. A gentle local prince has fallen for his fiance through their sweet and poetic correspondence but is shocked by her cruelty when she arrives, can the healer discovers what has happened and help solve his problem?

The One with Imaginary Friends is Hexwood by Diana Wynne Jones

A pre-teen girl who relies heavily on the advice of her four imaginary friends goes into the local patch of woodlands one day and discovers it's much bigger on the inside. There, she meets a depressed sorcerer/assassin who makes a child out of her blood and his to fight against his enemies on another planet. Meanwhile, someone on Earth has started up a machine that's said to be able to make dreams come true, and this is a big problem for the evil interstellar megacorp that's been dumping prisoners on Earth and stealing their flint.

The One with a Time-Traveling Dragon/Furnace is If That Breathes Fire, We're Toast! by Jennifer J. Stewart

A boy moves with his mom to a new place where he meets a girl and a time-traveling dragon/furnace who teaches him about himself.

The One with the Multiverse is Nine Princes in Amber by Roger Zelazny

An amnesiac man finds himself embroiled in deadly political scheming, thrust into a strange multiverse in the hope of trying to claim from out under his various rival siblings feet the throne to the city at the center of reality.

The One with Mage Trials is Spellslinger by Sebastian de Castell

In a magical society one must complete their mages trials by 16, or else become a slave to that society for the rest of their life. The main character is a 15-year-old boy who has one last chance to complete his trials. Only, his magic is gone. With his fate looming, he meets a mysterious traveling stranger who shows him a different path than the one that has been laid out for him by his people.

The One with the Loser Noble Scholar is Swordspoint by Ellen Kushner

Loser noble scholar shacks up with the best swordsman of the city and makes him fight a bunch of duels mostly out of boredom but also a bit because of politics. Feels slice of life ish though there are stakes

The One with the Nonbinary Cleric is The Empress of Salt and Fortune by Nghi Vo

In this novella set in an imperial Chinese inspired fantasy world, a nonbinary cleric investigates the story of an empress and her ...controversial rise to the throne, as told by an elderly handmaiden who knew her.

The One with Geese is Thorn by Intisar Khanani

Between her cruel family and the contempt she faces at court, the Princess has always longed to escape the confines of her royal life. But when she’s betrothed to the powerful prince, the princess embarks on a journey to his land with little hope for a better future. When a mysterious and terrifying sorceress robs the princess of both her identity and her role as princess, the girl seizes the opportunity to start a new life for herself as a goose girl.

The One with the Teenage Witch Coven is The Scapegracers by H. A. Clarke

Lesbian teenage witch accidentally becomes adopted by popular girls. They form a coven and vow to get revenge on those who have been wronged. Chaos ensues.

The One with the Angel and the Demon is When the Angels Left the Old Country by Sacha Lamb

A demon and an angel decide to go to de goldene medina to search for a girl they know who's disappeared on the way over.

The One with an Unsettling Future is Zel by Donna Jo Napoli

High in the mountains, a young girl lives with her mother, who insists they have all they need -- for they have each other. The girl's life is peaceful and protected -- until a chance encounter changes everything. When she meets a beautiful young prince at the market one day, she is profoundly moved by new emotions. But the girl's mother sees the future unfolding -- and she will do the unspeakable to prevent her daughter from leaving her...

The One with the Bioweapon is Hell Followed With Us by Andrew Joseph White

It's post an apocalypse, that was started by a cult, that twists people into horrible body horror monsters. A trans boy raised in the cult is infected with a bioweapon by them and shortly after escapes. He joins a group of queer teens where he finds friends a community, and he bands together with them to take down the cult.

The One with Arabian Nights AND Hades & Persephone is Keturah and Lord Death by Martine Leavitt

Arabian Nights + Hades and Persephone! A mysterious danger plagues an unexpected kingly visit, and a young woman embarks on a quest to find her one true love before all is lost...

The One with the Lion is Sarah's Lion by Margaret Greaves

A princess longs to travel so is locked in her room. A lion comes to her. Eventually, she has to choose whether she will stay or go.

The One with the War Veteran is The Curse of Chalion by Lois McMaster Bujold

War veteran with chronic pain contracted by a goddess to save her chosen queen

#mystery fantasy book tournament #book reveals #fantasy books

375 notes · View notes

emry-stars-art · 11 months

Note

Aaaaaaaa I honestly need to know absolutely everything about the royal au!!! I don’t even have a specific question I just would love to hear any of your thoughts on everything. Also I love your art so much!! I might make fanart :p (that’s a big maybe I’ve got massive art block right now but if my brain functions correctly I absolutely will.) 🧡🧡🧡

Hello hi I DO have more :D I have a little pocket notebook that’s been my brainstorming and planning book that I’ve put all the ideas for this au in so far and I’m sure I’ve missed a few points so

There is art in this post, it’s Abram post-Evermore with a knife and very little control of his actions so I’ll stick it under the cut, at the end with some more angst 🙏 ANYWAY let’s see what we got

I haven’t colored it so you can’t tell but the twins frequently wear all white with silver embellishments as official/fancy outfits. They look ethereal. That’s all, next point

Most of them are still bi/multilingual but once again only some of their languages overlap. (I’m going to be keeping all the languages real/ones used in canon for clarities sake but who knows what they actually are in this universe.) Day and Abram can speak some Japanese, Abram doesn’t know a ton, but they only use it if they really really need privacy. Neither of them like using it. They also know some French (again, Abram not as much as Day) and Wymack knows some too (bc diplomacy or smth) and the twins and Nicky (Nicholas?) still know German. I also want Abram to start out knowing a fair amount of Russian (maybe from another ‘coworker’) just because I think it’d be fun, I dunno if that’ll change. These combinations can be used in any amount of fun ways I think

So there’s the obvious rule of ‘don’t get too close to the royal family’ right. Just the basic safety thing. But there’s that rule and then there’s the rule for Prince Andrew, where EVERYONE knows you do not touch the prince. With the king or queen or Duke Nicholas someone could always come forward, pay their respects, or even ask for a dance or something, I’ve decided they’re pretty lax about that kind of thing. But with the prince you can only offer your hand or something and he might just decide Not to shake your hand or whatever. And RIP to whoever tries to touch him without permission. So basically canon. When early story Abram first becomes familiar with this - while he’s still under Day’s supervision - he kind of looks at his arms-length perception of the prince and assumes it’s a ‘holier-than-thou’ bit, that the prince doesn’t want to touch the unwashed masses. One time Abram - Nathaniel at the time - approaches him too quickly too close (for some reason idk) and all Andrew can remember is Day’s heavy warning that no one get too close to Nathaniel without being accompanied and yeah, thinking back to their meeting that sounds about right, so Andrew immediately takes out one of his own hidden blades and stabs it into the table between them. Nathaniel stops short. Andrew says, “I am so clear, and yet people like you must think I’m lying. I don’t like being touched, Wesninski, and I’ll appreciate you to keep your distance.” And EVEN THEN Abram doesn’t realize exactly what that means but he’s a lot more careful after that.

Speaking of: what does make it clear is much later, maybe after Abram becomes officially Abram, they’re out in a parade or at a bazaar or something similar and the prince is in immediate danger, like something-is-falling-and-Andrew’s-gonna-get-crushed type thing, so Abram pulls him to safety. But they’ve been out in public where it’s loud and there’s too many people for long enough that Andrew can’t really help his harsh reaction, and it’s raw enough that Abram realizes “oh he’s serious serious.” So after that he adds ‘don’t let people get too close to or surprise the prince’ to his list of duties.

Okay okay not only does Abram wear a corset but the prince also frequently wears lace up/corset vests to parties and stuff (it’s probably what gives him the idea for Abram’s outfit). But yeah eventually instead of like Aaron or someone else trusted doing it up Andrew asks if Abram will help and pretends to be annoyed when Abram asks twice that it’s really okay, but as we all know he appreciates it and even secretly lets Abram decide for him; (“how much tighter, Your Highness?” “How does it look?” “”Hm. …I do rather think you look ball-worthy more often than not. Still - a little more?”) And then later when Abram gets his gifted outfit he expresses its convenient, but rather a shame it laces from the front, and then can only smile when Andrew tells him it is in fact wearable either way.

And yes. Confident no-need-to-hide-his-personality Abram accidentally flirts like A Lot (because why would he hide his opinion, he does think the prince looks good (just not for the purely aesthetic reasons he thinks it is past a point ya know 👀)) and Andrew is so frustrated because it’s an accident until one day it isn’t. Rip Your Highness

WAIT BACK TO NICKY. idk what to call him here, the twins can still call him Nicky but he’s probably formally/publicly known as Nicholas or Nick. Since the world is a little less heteronormative, Luther does not have an issue with Nicky’s sexuality but he is livid that Nicky is trying to get with a commoner. Specifically a cute baker from the next town over that sometimes comes to do the medieval equivalent of catering at the castle for events or something idk. BUT as soon as Luther’s out of the picture for whatever reason Aaron and Andrew have no issue letting their cousin be “abroad” or “off on business” in about as vague of terms for like. A long while at a time. How official and professional of Duke Nicholas. Mhm. No, they will not be taking any more questions

In this au Abram and Aaron are neither friends nor enemies, Aaron would just really love to associate with Abram as little as possible and Abram’s totally fine with that. Absolute masters of staying in their lanes. But when Katelyn gets a little too drunk at a party and wanders away from Aaron and Wilds, for way too long, and Aaron starts getting worried - where is my wife I hope she’s okay - Abram’s found her and has been watching her. Wilds can see Aaron’s relief when he realizes that, because yeah they’re not friends but Aaron knows for a fact that Abram will take as good care of Katelyn as he ever does of Andrew, maybe even more so. That Does Not Mean he likes him any more than he does currently tho. (This becomes a frequent occurrence. Party Queen, Her Majesty Katelyn Minyard)

The prince asks, “When do you relax, Abram.” “Occasionally when I am off duty.” “Are you not off duty now?” Abram smiles. “I am off duty when the only person’s safety in my hands is my own, Your Highness.” (Where does this go? Completely up to you, have a blast)

Okay moving onto the angst.

Abram cannot outrun his past forever, especially since he’s not running at all. And not just from the Moriyamas. I don’t know how, but maybe someone in the general castle ranks figures out where Abram comes from and is (rightfully, unfortunately) immediately on edge. It ends in a mob of castle workers/knights/etc finding Abram and bringing him to the king, queen, and prince, announcing that this man comes from Evermore, he must be a spy, he must be just waiting for an opportunity to cause the royal family harm. He’s stolen into the prince’s good graces with the worst of intentions. And the issue is: I don’t think Day ever told the family he knew this. He kept it hushed for a while as to not cause a panic (part of the reason he was ever lenient and gave Abram a chance was obviously because he himself was in almost the exact same position). And then when Abram proved himself trustworthy he didn’t want to ruin Abram’s chances at having a fresh start. So as far as Aaron and Andrew are aware, the mob is right. That doesn’t make it easier for them - they all trust Abram as much as Day does, they suspect now that Day might have known given his initial reaction to Abram, but what does that matter when Abram’s proven his loyalty so many times - and in the confusion, Andrew has no damn idea what to do. He can hear Aaron whisper beside him, “Andrew,” but even if the mob is right Andrew can’t bring himself to be the one to execute any sort of judgement. He returns, “this is your jurisdiction. Tell me your decision once you’ve made it.” And he can’t stay there any longer. Abram watches him leave silently from the center of the mob.

But Aaron doesn’t want Abram hurt either. He’s sure there must be some misunderstanding, he needs to talk this over with his advisors. So he does nothing more rash than send them all to leave Abram in a holding cell until they can figure it out. When Andrew hears about this, he gives himself the full day to make sure he’s got his head in order before going down to the basement. Abram hardly moves from his place in the corner of the cell. Andrew asks for an explanation and for once, Abram has nothing to say. Nothing more than Andrew’s heard already, he says. Once again, Abram waits to be served a death warrant. And again it is refused him. After it’s more or less cleared up, the biggest issue is getting the general public to even begin to trust their prince’s closest servant again.

(Read a snippet of their conversation in the cell here since this is already so long lol)

Lastly. It’s a good thing, I think, that Day put himself in charge of Abram immediately once he’s back from Evermore. Not for Andrew’s sake this time, though that’s still certainly the case, but I kind of think Abram would have come out worse on the other side even despite Andrew’s best intentions and efforts. And the issue would be that Andrew is too patient and careful with his words. Because while he’s recovering (specifically his sight) Abram is a danger to both himself and the people around him. Like this.

Neither Day nor Andrew are afraid to get a few cuts or bruises; the difference is Andrew would have tried to hold him too gently, just take the blade by force and it probably would have ended with more superficial wounds on them both than Day’s approach. Meanwhile Day isn’t afraid to do what he needs to do to get results. Once he realizes the extent of the trauma around ‘if you are like a dog you will be as obedient and loyal as one’, he can use that. Instead of trying to take the knife by force here, all Day has to do is say “Nathaniel, drop it,” sharply enough, and Abram’s muscles react before his head can. I don’t know how long it would take for Andrew to resort to the same thing. If that makes sense, anyway, I might be wrong on this one. (It’s one of the things I’d have to put a lot of thought and maybe even writing into to be sure of.) Anyway if Andrew heard this happen he’d be incredibly angry, but Day never uses it without very, very good reason. It keeps Abram from hurting himself too much.

So that’s like all the extra random points I had in my book :D once again, no idea where they fit in a timeline but they’re here in my head floating freely around on colorful inner tubes, occasionally bumping into each other. I really appreciate you enjoying this so much, I hope it is everything you wished and more 🥰 also omg… if you make art I’d DIE to see it, I’d be so honored 🥹

#doing the tiniest little dance in my chair at being able to talk about them more #I even have another ask I’m really excited to get to but I want to draw something for it first 👀#hope everyone’s having a good week!#fan art #my art #aftg #all for the game #my writing #neil josten #andrew minyard #kevin day #aaron minyard #Katelyn #nicky hemmick #asks #royal au

159 notes · View notes

cantsayidont · 6 months

Text

May (?) 1992. Few fictional universes (even Tolkien's) can rival the depth of lore found in the tabletop wargame BATTLETECH and its RPG spinoff MECHWARRIOR, which encompasses over a thousand years of absurdly detailed future history, and the rise, fall, and disintegration of an interstellar Star League into an array of warring feudal states. Until recently, a central feature of that universe was ComStar, the former Star League communications ministry, which reinvented itself as a quasi-religious mystic order, jealously guarding its virtual monopoly on the faster-than-light communications vital to interstellar trade and diplomacy. ComStar was headquartered on Earth, which it controlled as a Vatican-like independent micro-state. Ostensibly a neutral party that could be called upon to arbitrate disputes (as well as issuing the only universally accepted currency), they were secretly engaged in all manner of nefarious scheming schemery for about 200 years before falling into civil war.

The religious overtones of ComStar were never entirely convincing, being closely tied to the original idea that much of the advanced technology essential to the premise — faster-than-light travel, fusion power, and robotic "BattleMechs" armed with energy weapons — was no longer really understood, with surviving examples kept running over the centuries through jury-rigging and rote habit. The intent was to lend a medieval chivalric vibe to the game's mecha combat scenarios, which might have worked in books (BATTLETECH spawned dozens of prose novels and short stories), but wasn't really compatible with the conceits or commercial needs of the game, since new weapons, 'Mechs, and rules were what sold supplement books. So, the "LosTech" concept faded out fairly quickly (although BATTLETECH remains unusual in its preoccupation with technological infrastructure — not many sci-fi settings have detailed lists of which factories make a given type of fusion engine!), leaving ComStar's religious trappings feeling a bit out of place, as if your cellphone company started trying to describe your monthly charges as a tithe. (On second thought, let's not give them any ideas …)

#roleplaying games #battletech #mechwarrior #fasa #blaine pardoe #tony szczudlo #was this all needlessly elaborate for a wargame #focused mostly on small-unit mecha battles?#sure! but its fans will tell you that's it's charm #comstar

66 notes · View notes

fantasyfantasygames · 2 months

Text

Unwise Entanglements

Unwise Entanglements, Longspear Games, 2003

There's a period of gaming history where people were starting to get sick of games that spent absurd amount of space on physical combat while totally neglecting social interactions. Unfortunately, we had no damn idea what to do instead.

Unwise Entanglements (UE) is focused around a king's court, with the king recently dead and no clear heir. Naturally, everyone is angling for the throne, or at least for the power behind it. A few minor characters are detailed, with the major roles left for the PCs, an excellent choice in my mind.

There are six stats: Charisma, Manipulation, Stubbornness, Wits, Perception, and Body. They're a nice inversion of the usual D&D set. There are also a bunch of skills, with some names clearly taken from White Wolf (Subterfuge, Presence, etc.) and some from D&D3e (Diplomacy, Gather Information, etc.).

Here is where things... I don't know if it's going off the rails, running into a wall, or falling off a cliff, but it's definitely a mistake. Your character has Resolve, which are social HP. They have an Integrity score, which is their social AC. They have social "techniques" which are weapons. They have saving throws and area-effect social magic and letters as ranged weapons and who thought it was good to bring in a grappling equivalent I ask you. No no no no no no NO. No. Bad game designer. No Ennie.

The result is a game where you're battering down someone's HP until they're taken out, just with words and stuff, and with all the entertainment value of "Can I just roll to hit?" It is all the worst of "social combat" systems packed into one game. It even had the inversion where instead of being able to circumvent a fight with one massive Diplomacy check, you could circumvent a long argument with one massive Assault check.

Ironically, if the game had come out while D&D4e was in vogue, it might have leaned more into the tactical maneuvers that game had and ended up with some more interesting moves. Instead, it was just a combat system with social-sounding names.

Coincidentally, Unwise Entanglements came out the same year as Dynasties & Demagogues, the social-rules supplement for D&D3e which in fact did win an Ennie. That book you can still find in PDF format; this game is long gone.

#ttrpg #imaginary #indie ttrpg #rpg #review #social combat #SOCIAL COMBAAAAT #choose your diplomat

25 notes · View notes

bespectacledbun · 10 months

Text

˚ʚ♡ɞ˚ a little lovemail for Emma ˚ʚ♡ɞ˚

because I went on a little rant on discord recently about how capable she is and how much she’s overlooked by the fandom. too often I see comments saying she’s weak, or incompetent, or a glorified therapist for the princes when she’s not; Emma is honestly incredibly intelligent, but I feel people always forget to consider that she’s a) a commoner b) a woman c) in a medieval fantasy setting, and hold her to modern standards, which is... a little unfair

so I wanted to give her a little love too 💌

she knows three languages, two of which are entirely self taught—court french (Chevalier’s route) and japanese (Rio’s route)

she doesn’t stop there, though; she proceeds to learn even more languages after getting her happily ever after. in Luke’s post-route stories she knows at least 4 languages, and in Chevalier’s post-route stories she knows more than 5 languages and is actively learning more

while I’m on the topic, LITERACY. I think people often forget that “education for all” was not a thing until the 18th century, and before then only merchants and nobility got proper educations. Emma holding a clerical job as a commoner IS an admirable quality for her social status and the time period ikepri is set in

she’s a great entrepreneur. she opens a book-lending business (Chevalier’s route), as well as her own bookstore and a school (both in Clavis’s route)

not only does she pick up on court etiquette and skills (music, dance, diplomacy, politics) in less than a month, she’s also able to learn ministerial duties and absolutely kicks ass at it (Sariel’s route)

she knows how to play not only to her own strengths and weaknesses, but also to that of others around her. she’s able to broker bargains with many of the suitors (Chevalier, Nokto, Silvio, Sariel) across routes to get the information and/or help that she needs

another thing I see often is because she doesn’t say “no” to the princes and that somehow makes her weak, or easier to push around—there’s a world of power difference between her and the suitors. emma being able to hold her ground against the princes as she does, while navigating an entirely new battlefield of court politics and high society, is an excellent testament to her mental fortitude and character

she’s a skilled horseback rider (all routes) and swimmer (Jin’s events) way before she comes to the castle, and she eventually learns martial arts for self defense from Licht (Licht’s events)

she taught herself first aid and nursing, and is proficient enough to become a battle medic in many of the routes (Chevalier, Licht, Yves). emma also goes on to properly learn medicine to become a licensed doctor (Keith’s route)

“Belle” isn’t just a role that Emma plays for a month; it’s a political position with a LOT of power. there is a reason why she observes the princes so closely, there’s a reason why she hides it and why she doesn’t let her feelings for the princes determine whether they are fit to rule or not. she can change Rhodolite’s governmental administration entirely, whether it’s directly, by naming a particular king, and thus a particular set of policies that will affect the entire kingdom— or indirectly, by influencing their views on how to rule. her first priority will always, ALWAYS be protecting her home and her people, regardless of who she’s in a relationship with; Emma is a kingmaker, not arm candy.

there’s probably more that I can’t remember off the top of my head but my point is—– Emma isn’t just a pretty face and a kind voice to the princes. the reason the suitors fall in love with her isn’t because she’s the therapist who “fixes” them, it’s because she’s intelligent, brave, and a really hard worker. she stands by her convictions and morals no matter who she’s against and is determined to achieve her goals regardless of what stands in her way

is emma a little idealistic about her job and wanting a fairy tale romance? yes. does she try to solve her problems through nonviolence instead of action? also yes. but it doesn’t make her any less of a person or diminish her skills and worth because she’s not ambitious or assertive enough. she’s content with her life and her relationships, but she still strives to improve herself and help the people around her, and I think that makes her both a great character and a great woman

#random ramblings #ikepri emma #emma de villenueve #sorry I always get a little mad when I see ppl complain that she doesn't stand up for herself and act the way a 21st century woman would #because it diminishes a LOT of her strength and intellect and makes it feel like you have to be loud and aggressive to be strong #particularly as a woman in a medieval fantasy setting. it's like measuring a fish by its ability to climb a tree #I will defend her until my dying breath idc emma is incredibly accomplished for a woman of her status in the setting she's currently in #you play a game that’s explicitly a medieval fantasy setting and then act shocked and surprised she acts like a medieval woman??#the tags a much angrier than theyre supposed to be all of this is is semiserious lmao #but also stop slandering my daughter she's way more capable that ppl give her credit or acknowledgement for

108 notes · View notes

theheirofthesharingan · 10 months

Note

All the Uchiha clan ever wanted was to live freely without any restrictions just like the other clans. The higherups weren't ready for that. Danzo and Hiruzen cut off their salary (up to 30%) , though there weren't any reason to do so. They were relocated to the outskirts of the village. Children like Itachi and Izumi were bullied due to this suspicions and accusitions. That's why they had come up with the coup, to regain their own rights. Also, they wouldn't have been dead or would have lost, definitely not if Itachi joined with them. There weren't strong members in the village(Minato was dead,Jiraya wasn't the village, Kakashi was too young). Literary no one would have been able to stop the clan. The clan had Itachi, Fugaku and police force. So, they would have won. There wouldn't have been any war, the last time in Nine tails attack even when village was in that pathetic situation no village tried to take advantage of it. So, why only this time they would attack and start a war?

The clan wasn't simply up to kill all the people village, they wanted to change the unethical and brutal leadership. Indeed they were brutal to shove the responsibilities to the Uchihas and innocent Naruto, just so people wouldn't suspect them and they could rule efficiently. The Uchihas demands were only about freedom. Despite all this Itachi still chose the village. The Uchihas wouldn't have caused a war and only the leaders would have been thrown off. Itachi still had a choice to not to confront the village leaders and say that the clan was planning to take them down. Things would have played out differently if so. But he just directly killed his clan. I mean, ofcourse he was to young to handle such problems, but how come he couldn't understand his clan's sufferings and chose the 'village' or more specifically 'village elders'(since the people wouldn't have been hurt even if he chose the clan anyway)? All of the burdens he had to carry were unnecessary if he could simply understand his clan and could come up with a objective solution. He could have forced his father for diplomacy or negotiations. But he didn't do any thing as such. His sufferings were unnecessary if he didn't foolishly come up with the solution of unethical cleansing of whole clan. Why did he chose this decision when he had all the better alternatives?

(I don't hold any grudge against Itachi nor I am an anti-Itachi, but I simply don't understand why many favour Itachi and the village despite whatever they did are clearly wrong)

I don't honestly understand why anti-Konoha, pro-Uchiha, pro-Sasuke fans think we Itachi fans are even remotely pro-Konoha. I'm as anti-Konoha as much one can be, but I don't believe in the 'Konoha needs to be nuked' bullshit as much 'Konoha needs to change on the whole so that no other Uchiha massacre ever happens'.

[Pro Itachi content ahead. Haters, no need to go any further.]

If you've been on my blog, you'd have known I never blamed the clan for their demands. Just because there's a conflict doesn't mean one side essentially has to be wrong. I'm pro-Itachi and also pro-Uchiha. I sympathize with the clan for the reasons you mentioned and I empathize with Itachi because he was the worst victim of this conflict between the clan and the village.

Since you're quoting the bits from the novels, I'll take them into account to answer this question.

Itachi didn't hate the clan, but he didn't agree with the clan mentality. If he were a Hyuga, he'd have felt the same about them. Since he's an Uchiha he feels so about the clan he's a part of. He wanted to be a Hokage, but not necessarily only for the clan's sake as much for the village and to end the wars on the whole, which would have solved the clan vs village issue too. Though if I remember correctly, he wanted to be the first Uchiha Hokage, so that he could be the bridge between the clan and the village. I'll have to check the book for this.

When the nine tail attack happened, other countries didn't attack because it was only after a year since the third world war had ended. Attacking a village/nation while they were themselves recovering would be a suicide for any country and village. If you think Danzo was going to let go in case Itachi sided with his clan, you don't understand this man. He was a manipulator, terribly persuasive, and would have had multiple backup plans to counter this situation as well. Itachi, with his pacifist and a bit naive ideology, was an easy target to him. Just because Itachi with the help of Obito carried out the mission in secret doesn't mean it would have been a secret any other way. Clans care about their honour too much in the Naruto world. Uchiha are no different and neither is Itachi. He knew the news of the coup would trigger extreme reactions in the village, not only because the village didn't care about the Uchiha, but also because they feared them. Danzo and his men wouldn't have been able to keep the coup a secret had they been on their own. The rest of the Shinobi of the village would have joined, resulting in the civil war.

A civil war would be different from the nine tail attack or Orochimaru's attack because it would create the rift among the villagers themselves. In-fighting would weaken the village defenses worse than the previous attacks did because there would be no unity among the people. Obito had told Sasuke that he was also anticipating war. With his involvement in provoking the clan for the coup (manipulation of Yashiro Uchiha), you think he'd sit quietly and not have done anything? Itachi was very well aware of his intent. In case you're wondering why didn't he just kill Obito or tell anyone about him, here I've written about it too. The clan clearly wasn't planning on starting the war, that was never their intent, but the coup also never had anything positive to offer, ESPECIALLY to the clan itself. The moment it happened, a lot of bloodshed would have followed as well. Not just that, the clan from then on forever would be remembered and known as the clan that went against its own village, whether they lost or won. No one would care they were oppressed or their demands were justified. If they lost, all of them would be dead. If they won - where was the possibility of that? The odds were against them from the start.

The Uchiha had every right to be angry. They had every right to demand justice. They had every right to want to be treated with respect and as equal citizens. But coup was not the answer.

Furthermore, they themselves could have reached out to the government, more so after Shisui's death. Neither the clan nor the village made any effort to solve this issue diplomatically. Itachi tried one last time to convince them against the coup and warn them of the disastrous outcomes it could have, but the clan ignored him. He was already seen as a traitor and an outsider by that time. Danzo knew Itachi wouldn't have agreed for the massacre, this is why he dragged Sasuke into it. Either Itachi kills the Uchiha or Danzo's men will do it, with Sasuke being their first victim.

He could have forced his father? Like his father didn't know already what was going on in his son's mind? Fugaku knew Itachi wasn't happy with the idea of the coup. He knew it when he apologized to Itachi before dying. He knew his son had condemned himself to a lifetime of hell with his final mission. He apologized for not being a good father to him.

It's strange that you quote stuff from the novels to put your stance but also keep repeating 'he chose the village' because anyone who's read the novels will know he resented both Danzo and Hiruzen and knew the village was a shit place. He was going to kill Danzo but was threatened/manipulated out of it. He was saddened that Hiruzen didn't even try to reach out to the clan even though he was a Hokage and that Shisui's death was for nothing. You also ignore how both the clan and the village treated him like shit. The clan was desperate, so it's understandable why they went to the extent they did, but it doesn't change the fact that it left him completely alone and with no one to put his trust into, and that played a major role in the massacre as well. Shisui's death broke him emotionally and mentally and destroyed his entire support system. Shisui had been the one handling the situation because he was not only older but also had his MS by that time. Shisui was going to stop the coup using Kotoamatsukami. Itachi was the one helping/supporting him, not planning things. It's his death that came to him like a brutal blow and left him paralyzed. Diplomacy should have been grown ups' business to tackle, who, on both the sides, treated him like a tool with no feelings and with no emotions. Instead of reaching out to talk and diplomacy, both the sides left their fate in the hands of an 11-year-old kid. Around the time of the massacre, Itachi wasn't even 13. Clearly, he was much younger when Shisui died, when the clan and the village started to put the heavy responsibilities on him.

In the massacre, the village was the only culprit. The clan had every right to be mad, but Itachi was still the worst victim of it. I've written more about it here, although it's focused on his treatment towards Sauske, but still understanding his psychology is important because all of it is interconnected. Apparently, in this fandom, whenever someone is analyzing Itachi's actions, his experiences, feelings, trauma, pain, guilt, regret, and sufferings are never taken into account, like you too dismissed it with a simple 'he was too young but he could have done xyz thing'. People will take every other character's feelings and emotions into consideration to analyze Itachi, but not his own. His trauma of witnessing the war played the most important role in how he came to view the world afterwards.

When you pin the whole blame on Itachi only, you're exempting Danzo, Hiruzen, the wars, Shinobi world from their responsibility that refuse to see kids as humans.

#itachi #ask #anon #pro itachi

52 notes · View notes

literary-illuminati · 1 year

Text

Book Review 17 – A Half-Built Garden by Ruthanna Emrys

Okay, I have officially finally read a solarpunk thing I unreservedly enjoyed! Which means my opinion about all the other examples of the genre is no longer entirely just me being a hater.

...I joke (mostly), but I was sold this as basically ‘Psalm for the Wild Built but with actual conflict and an attempt to seriously think through its ideas”, and it absolutely lived up to that! Plus it’s a fun read with a few actually meaty characters, too. I mean, I do have complaints. Which I will go on about below. At length. But in the loving way, not the ‘actively resent having read this’ way. As proof of this, I offer the fact that this thing is well over two three four thousand words long, and for readability I’m breaking it into subheadings.

Summary

Anyway, the basics are that it’s the late 21st century, and the world’s been through a bit of a ringer in terms of climate change-induced disaster. At some point in the previous generation, a lot of political-economic power was seized by the Dandelion Networks, cyber-eco-anarchist collectives organized around the watersheds of major river networks, and dedicated to trying to unfuck the planet some. The actual plot revolves around First Contact, as an alien ship lands in the Chesapeake, offering evacuation and relocation to what they fully expect to be the desperate and grateful inhabitants of a dying planet. This leads to some awkwardness, given the Networks civilizational commitment to the mission of restoring the earth and lack of interest in eventually pulling it apart to make a dyson sphere, and the paternalistic (well, maternalistic) condescension of a decent chunk of the aliens about whether humans are competent to make that choice. Made even more tense because representatives of the vestigial United States and the much-reduced-but-still-important former globe-spanning megacorporations are much more enthusiastic about what the aliens have to offer.

So yeah, book full of cultural confusion, high stakes diplomacy, intrigue and ideology. I adored it.

General Discussion

The aliens were fun, in that they were absolutely and entirely nonhumanoid – two species, and neither of them mammalian or bipedal, and one of them not even having anything we’d really recognize as a face. It made the descriptions of conversations and physical interactions pretty funny to visualize at points, honestly; though it did also take me something like a hundred pages to get a real proper image of what both of the species in question actually looked like.

It was kind of interesting how so much effort was spent on making the alien’s appearance so, well, alien, but everything else worked on maximally convenient space opera rules? They can breathe the same air as humans with only minimal discomfort (and vice versa), and even enjoy each other’s food. Plus the story starts with the aliens having already created translation software that does its job perfectly with zero meaningful confusion or plot-relavent loss of meaning. Which all makes sense in terms of making the plot works, but still – no matter how important sharing food is as a thematic expression of shared intimacy and cultural exchange, still wounds my suspension of disbelief in this First Contact story when the 2 meter furry tree-spider can even digest human cuisine, let alone enjoy it.

The alien’s culture was both fascinating and kind of frustrating – I did love how the whole common sense of ‘of course a species will advance enough to leave their homeworld behind, or else die on it’ was so bone deep that most of them kind of floundered trying to actually try and convince someone who didn’t already agree with them. And likewise our protagonist and her compatriots were basically totally unable to make a convincing argument that didn’t take the value of Earth and a natural ecosystem as a given. That felt very true to life.

But frustrating because, like – the aliens have a sort of matriarchal social organization where nursing mothers (especially/specifically of one of the two species?) are taken as the natural authority figures in the extended cross-species households that seem to be the atomic units of economic production and political participation. But there’s a massive amount of gestured at nuances and references to wider institutions that are just never followed up on, which I’d normally consider just generally good worldbuilding except for that the fact that writing the Xenology 101 handbook should literally be the main character’s job here. Third act of the book, and she’s still never gotten around to asking for the precise mechanics of how authority is divided among the crew of the interstellar spaceship/first contact team/extended family she’s been dealing with!

The Dandelion Networks have to be by far the most thought out ‘solarpunk’ society I’ve ever really seen in a story, though that’s admittedly an incredibly low bar. I’ve still got some qualms and quibbles and bits that annoyed me about the portrayal, but insofar as it’s kind of unfair to expect every sci fi book to come free with an extra utopian manifesto, they did pass the sniff test as seeming, well, real? If not exactly as a socio-political/economic structure, then at least as a culture and civilization with its own traditions and minor hangups and celebrations and day-to-day routines. I also very much do appreciate the fact that even if they’re clearly portrayed as much, much better than the alternatives, they’re not an outright utopia.

The fact that, legally speaking, the United States government never gave up any territory or jurisdiction, it just chose of its own accord to merge and massively expand several national parks and subcontract their administration to these revolutionary anarchist networks with absolutely zero coercion involved nosiree, was also great. Or made me laugh, anyway.

The vestigial USA – here also our only representative of the entire class of still-extant nation states – gets comparatively little attention compared to the other players involved. On the one hand that’s kind of a shame because it’s legitimately unclear the degree to its the government and not the watershed networks putting on delusions on grandeur (which, to be clear, I kind of loved). And I did adore the fact that NASA...well, it didn’t actually do a coup, but just selectively read the legislation defining its responsibilities to just jump in and start handling everything about First Contact negotiations without really bothering to wait for permission first. But on the other hand they do very much seem the most normal – which is to say archaic, from the rest of the setting’s perspective, with Congress and the federal bureaucracy being characterized as ineffectual deadlocked quagmires where ideas go to die. Also the only people for whom monogamous long-term relationships or ‘most people being cis’ seems to be at all the norm, which I think makes them the closest thing the book has to on-screen social conservatives.

The Corps – the remnants of the formerly globe-spanning and world-burning megacorporations, now in the main restricted to the artificial island city-states they fled to when the world really started going to shit and the revolutions started – are the actual main ideological foils to the Dandelion Networks presented through by the book. And – look, I’ll be honest, the culture and politics feels like a natural (if incredibly optimistic) outgrowth of certain trends in modern American culture. The Corpos feel like an alien civilization invented whole cloth for a space opera because it seemed interesting and fun. Which, to be clear, they absolutely are – but, like, this book theoretically takes place sixty years in the future. ‘Specifically the corporate oligarchs and their most loyal guards, technicians and toadies have in one post-revolutionary-exile generation developed a stable entirely presentation based normatively genderfluid 7-gender system” seems like, how to put this, a bit of a stretch?

Still, they’re definitely fun, and I do really appreciate that Emrys gave them a real ideology and mythology instead of just making them self-consciously evil (a carefully nurtured bitterness that the Watershed Networks and their carbon budgets and sustainability mandates essentially stole the future from them, combined with a real belief in meritocracy and just deserts). Though, like, even moreso than the USA, I’m legitimately not sure the degree to which Judy and the other Watersheders common sense about them being slowly decaying relics losing people with every year is supposed to be taken as correct? Because, like, city-states in the middle of the ocean capable of sustaining themselves in the style we’ve seen implies either vast hinterlands or sufficient productivity to import all the raw materials they need from abroad in exchange for finished goods or access to truly immense amounts of energy or some combination of all three, and none of those really scream ‘archaic relic’. All to say that I might have come out viewing the Watershed Networks as more full of triumphalism and groupthink than was intended – though honestly if so, I like them better that way. It’s an entirely natural flaw for their system to create, honestly. Look at reddit.

Speaking of flaws the protagonist’s society had – I found it immensely charming how Judy was just, so utterly and completely terrible at being a spy? On a cinemasins level you do have to wonder how the corps weren’t already ruling the world again if the Network’s best and brightest are all this easy to entrap and blackmail, but on a thematic level it does work as emphasizing how the networks, well, work through the wisdom of crowds and constructive debate, and trying to fly off on your own in little self-appointed conspiracies rarely ends well for anyone involved.

The Eponymous Garden

The question of what humanity is for – whether we have a destiny to reach for the stars, or if there’s something vital about the planet earth (about a living ecology, about one’s ancestral home writ large, about having a place in a natural order) – is, if not the book’s overriding theme, certainly the one it spends the most time consciously thinking about. (I mean, it’s literally the title). And the book really does try to make the conflict genuinely difficult and nuanced; our heroine is a voracious and vitriolic partisan of the Earth-is-special side of things, but the text pretty clearly doesn’t agree with her about that as much as it does some of her other positions.

The entire debate was honestly fairly reminiscent of some debates you see floating around Tumblr every so often. The Ringers have created a curated toy ecology to keep their habitats pleasant and livable, and that done see their abandoned homeworlds as containing nothing really worth mourning in fact they’ve literally pulled them apart as raw materials for their orbital habitats and megaengineering projects. Judy views the idea of humanity doing the same – even to Mercury or Mars, let alone Earth - as both horrifying and, well, not quite profane (her Judaism is definitely an important part of her character, but she never directly uses theology as explanation for her politics) but certainly ontologically, fundamentally wrong.

The Ringer’s teleology is pretty simple – technological advancement gives a species the ability to care for itself and free itself from the various tyrannies of nature, at the cost of expending scarce resources on a dozen different fronts and eventually leaving their planet uninhabitable. The only question is whether they’ll escape the world or die with it. Humanity is the first species they’ve encountered that hadn’t already gone with option B. More fundamentally – and here’s where the human corporates jump enthusiastically on board – leaving the planet behind means refusing the limits of ecology, and to an extent of scarcity. Populations in the trillions, a dyson swarm, mega-engineering projects with millennia-long schedules. Not to mention the whole romance of endless new horizons, novelty and exploration and a consciously arranged world.

Which is all, of course, exactly the dream the Watershed Networks spent their revolution fighting against. The Chesapeake Network is from every indication a very nice place to live, but it’s also very much defined by the necessary scarcity that comes with trying to live sustainably, and in harmony with the horrible damaged biome you’re also in the middle of a massive, civilizational infrastructure project to restore. International travel and imported goods strictly limited by carbon budget, international communication strictly limited by the need to limit potential infection vectors for malware, apparent societally normative coparenting and/or polyamory as a labour-saving thing – abstracted away from the specifics of space travel, it’s basically the perennial degrowth argument on here.

Though as far as space colonization qua space colonization goes, it’s kind of fascinating to compare Garden’s take on it to how it’s presented in Terra Ignota? Which is to say, Ada Palmer presents spreading through space as a heroic endeavour – something worth doing for its own sake, because it is in some sense humanity’s purpose, but a great and arduous project that will strain every available resource and lead to a lot of impoverishment and scarcity for the doing. Which comes amusingly close to mirroring exactly how Emrys characterizes staying on Earth.

A few trillion aliens willing to handle the capital expenditure for relocation and infrastructure do change the math a bit, I suppose.

...and It’s Gardeners

Which is to say, the Watershed Networks. As I said above, they’re clearly intended to be something of a flawed or incomplete utopia, generally heroic and praiseworthy but with major blindspots and issues. I’ve got qualms about what those issues are and their severity, but I’ll save that for the petty bitching section below. Besides, given that they’re decently thought out and detailed, it’s honestly more interesting to examine them as an incomplete utopia and the principles underlying them.

So, the networks are a high tech cybernetically-organized federation of green anarchists, organized around the watershed of a major river and with the civilizational mission to protect and restore that watershed’s ecology; coordination between watershed’s seems to be limited to small scale trade or else matters which affect multiple watersheds.

‘High tech’ isn’t a joke, either – augmented reality interfaces seem totally normative and almost necessary given their government, not to mention the ten thousand different monitoring systems used to keep track of the status of each part of the whole ‘unfuck the ecosystem’ project. Robotic drones and prosthetic limbs with full haptic feedback were both totally unremarkable – anprims they really aren’t.

They govern themselves by – okay, I said ‘by reddit’ above and that’s mostly a joke. But like, only mostly. By infinetly flowering nested chats and discussion fora dedicated to any topic of public interest, to which any citizen can contribute to the debate or propose action items through that AR interface, with ones weight on any given issue being determined by the algorithm’s approximation of the community’s trust in your wisdom and expertise on topics like what’s being discussed (‘Utopia’ means taking as read that this works).

Beyond just weighting and being an automod, the Dandelion algorithm also encode the Network’s values, amplifying the voices that live up to them and de-emphasizing those that don’t. And most of all, they act as phantom votes representing the Watershed’s nonhuman constituents, boosting suggestions and action items based on the interests of the wider ecology, wildlife, etc.(again, accepting that this works is basically the price of admission).

So far so Eclipse Phase-but-green. But there’s a couple specifically interesting things about the whole setup that I do want to focus on.

First, the whole theory of politics and decision making underlying the Networks (and the book) is something like a wholehearted belief in the wisdom of crowds – that everyone involved cooperating and trying to come up with a crowdsourced solution through moderated debate will lead to better ideas and better solutions than a small group of experts or conspirators or operatives. And the book does actually commit to this – basically every time anyone from the Watershed goes off on their own and assumes they need to make an important decision on their own/in a small group it blows up right in their face.

You know the one line from Men In Black? ‘A person is smart. People are dumb, panicky dangerous animals”? The book basically commits to the exact opposite of that.

More minor but it did just strike me as interesting – Judy (and, I think, other networers) never refer to each other by their job title, and in fact object to it. Judy is not an environment engineer, she just does some environmental engineering work, as well as jam making, gardening, child-raising, and a dozen other things. On the one hand, almost everything about the life of someone in the networks pretty much has to be pretty legible – basically everything seems to be public, the community is tight knit and expected to host each other as needed, everyone wears pronoun pins, the entire labour-allocation and weighting system must require immense amounts of information on each individual participant – but on the other, none of them are ever reducable down to their jobs or roles. Reminds me of that one Heinlein quote, honestly. ‘Specialization is for insects’ and all that.

Cultural Exchange

I don’t really have much to say here, but it’s a prominent enough theme I’d feel remiss if I didn’t mention it, so. Aside from the high politics and idealogue-ing, Garden is really concerned with what the worm’s-eye-view of cultural exchange following First Contact might look like, and just demonstrating different ways that culture can be shared.

Which is why I really can’t be too annoyed at the implications of both species of Ringers and humans being able to both consume and appreciate each others cuisine – Emrys has clearly some of those ultra-viral tumblr posts about how sacred sharing food is, and the sharing of meals and ways of eating is a pretty key way the book both characterizes cultures (e.g. corporate culture ‘feast food’ being a way of showing off artifice and competing to make novel designs its impossible to guess the taste of is just one more way they’re shown to be obsessed with appearances and artificiality and general decadence) and demonstrates trust or sharing between them.

Beyond meals (or as part of them), there’s also religion and ritual used for much the same purpose. And sex, of course – it takes like a week and a half for Judy to go from being introduced to intelligent alien life to asking one of them if he wants to try a threesome – and, probably more importantly, family and children. There’s a whole gimmick about how Ringer matriarchs always bring their children with them to negotiations as (among other things, roughly) a show of good faith, and expect humans to do the same. The book seems slightly unsure of itself about how much it thinks this is a good idea (also about Ringer family structure/matriarchal authority more broadly, to a less degree), but the different species of children bonding and playing together while their parents is pretty clearly shown as an unambiguous good.

And finally-

Complaining

Because if I’m going to think about literally any piece of media for this long, I end up with annoyances I need to vent about. So! In no particular order, narrative issues, worldbuilding issues, and random nitpicking.

The whole final arc of the plot – basically everything after they leave Earth – felt incredibly rushed for how much it was trying to introduce. Now, getting a little glimpse of how the Ringers lived and worked and bickered was absolutely necessary, but there just was not enough wordcount devoted to it to really be anything more than a glimpse. The politiking just felt broad and clumsy, and the way Ringer politics worked a bit half-baked. Beyond which, there’s all these hints of interesting power dynamics and inequalities among the Ringers but then the book never really expands on or does anything with them (beyond, like, spending half a page introducing the concept of pronouns pins and...okay ‘being trans’ is wrong because one of the species’ seems to be entirely genderfluid as a rule, but determining ones own gender? To them. And then never following up on that either!).

But beyond all that, there’s just the more significant issue is just that the entire climactic confrontation is resolved by...a tertiary character whose spoken on a single-digit number of pages being overcome by conscience and admitting the whole corporate conspiracy and sabotage which is responsible for every wrong thing the Networks have done so far. Not even under prodding or courting from the protagonists, either – if that one fashion designer hadn’t been a slightly more important secondary character’s sibling and just been left with the luggage, the Networks would have been fucked. Instead, the one bit of testimony sways the assembled aliens and saves the day. Just felt too neat and easy and unearned.

More annoying still is the specifics of how the Networks failings are portrayed. Now, as I said above, they aren’t portrayed as perfect, but the book does a thing I really, truly despise in fictional worldbuilding (in large part because of how common it is in nonfiction too) where essentially every thing the networkers get wrong and every stupid mistake they make is the result of nefarious Outside Agitators corrupting and sabotaging the system – like the evil corporate spies and hackers are literally responsible for everything wrong with Networker politics, and if they hadn’t sabotaged the Dandelion Network there’s no way people would ever get anything wrong. Puts a bad taste in my mouth, like the people who never shut up about any stupid mistake done by ‘their’ side being a false flag.

Beyond that, like – okay, so if I’m going to take the book on its own terms I just have to accept that this anarchist network is capable of coordinating labour on a vast and detailed enough scale to handle ecological restoration efforts that are halfway to terraforming at this point, and capable of mustering and deploying coercive force with enough strength to actually cow and keep in line numerous polities with more centralized social organizations that historically really do win at that sort of thing. Sure, okay, not exactly fair to ask Emrys to Solve Anarchism, even if I’d have really loved some acknowledgement of where exactly all the metal and rare earths for all these robots and prosthetic and IT infrastructure is coming from (sure, carbon budgets, but like – where’s the Chesepeak’s sacrifice zone that got designated to hold all the mining and heavy industry?).

More importantly, though, I can still wish the book had dug into the guts of the system and, like, pproblematized it a bit? The fact that public debate and the weighting of people’s votes is controlled by these opaque algorithms seems like it requires investing your programmers (not even just programmers, specifically the ones working to maintain this incredibly intricate system) incredible amounts of trust and power they could abuse without people really noticing! Or take the fact that political debate is structured and influenced by the consciously determined ethical and political principles built into the system; okay, so the system’s a full generation old now, yes? Is there no controversy, no generational divide, no resentment among the younger cohort about their speech and opinions being weighed according to their parents ideals? The whole setup seems like it’s built to exemplify that one Marx quote, traditions of the dead weighing like a nightmare on the brains of the living &c. There are multi generational households, and the family is clearly an important socio-economic unit, with some being much more prestigious and influential than others, so how does inheritance work in this anarchist utopia? There’s some interesting drama to dig into, here!

Beyond that, everyone in the Networks is just too...nice? Like, the final epilogue involves the corporae programmer who literally created the malware that almost destroyed everything – and did get people killed – defecting. And absolutely no one holds any sort of grudge? She’s just given a house and told to start helping when she can? Which I found pretty hard to swallow on like three or four different levels (‘do they just keep spare houses lying around to give away whenever someone needs’, not least. If you’re deeply concerned with living sustainably and in harmony with nature, immigration and land/resource use are actually major issues that are going to run into a lot of resource constraints, especially if you’re trying to rewild or diversify what had been industrial farmland).

And significantly less important but – the fact that everyone who appeared on screen (anarchists, corporate executives, federal bureaucrats, random Network programmers and partygoers and corpro interns and-) is basically a queer feminist with only a vague historical understanding of being oppressed on the basis of gender or sexuality (and the only exception is one of Judy’s coparents being raised in an oppressive ‘Purist’ cult he eventually escaped from) is probably necessary to keep all sides at least potentially sympathetic to the expected audience, but it did hurt the verisimilitude of the worldbuilding some, for me. Though hey, maybe that’s just me being unduly pessimistic, fuck knows there’s been plenty of progress on those fronts between 1960 and now, so hey!

Anyway yes, good read!

#book review #a half built garden #ruthanna emrys #sff #solarpunk #sorry this is so long #and that I didn't bother really editing

69 notes · View notes