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#disclaimer: this is all just my personal opinion!!
soon-palestine · 2 days
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as an american citizen, you have the right to assemble. the police and other governmental agencies violate this right through mass arrests, illegal use of force, criminalization of protest and other means that threaten our right to free expression.
DO NOT TALK TO THE POLICE:
they are not your friends. they are not there to protect you, regardless of your race. their presence there is to protect the interests of the state.
what to do if you are detained or stopped by the police:
do not resist, even if you think they are violating your rights.
calmly ask someone to record.
ask if you’re free to leave. if you are, walk away.
how to stay safe during a protest:
write phone/legal aid numbers on your body. bring a sharpie for others to do this.
ALWAYS use the buddy system. don’t be selfish & stick to your own friend group. if you see someone alone, invite them into your circle.
don’t know where to seek legal aid?
before attending/during a protest, visit http://nlg.org/chapters/#massdefense.
NLG chapters are organized into regions. find. your region and write their number on your body.
encourage others around you to write that same number on their body.
4. if you are threatened with or under arrest:
you have the right to know why you’re being arrested. calmly ask. if they refuse to provide a reason, stay quiet and ask for legal representation immediately.
do not give any information or sign anything without a lawyer present.
what to do with your phone during a protest:
put your phone on airplane mode
disable face ID/touch, replace with 6-digit passcode instead
spreading awareness is great but avoid posting photos of people that include identifying features.
police want everyone to leave the area, what should that look like:
shutting down a protect through a dispersal order must be the last resort for police.
a clear danger must be present.
police must give adequate time for protesters to disperse and an exit route.
what are your rights if you’re being stopped or detained by police:
you do not have to consent to you or your belongings being searched. if you consent, anything can be used against you in court.
police can conduct a “pat down” if they suspect you have a weapon.
if you see someone being detained, what should you do:
record the interaction. police can not demand to view or delete any footage without a warrant.
use calming affirmations towards the person being detained. they are likely scared. be there for them.
use whatever privilege you have to protect others.
if you see a disabled person struggling, offer to help. find medics to assist people experiencing anxiety or having a panic attack. if you see a BIPOC being harassed, surround them.
personal note on using your privilege: i have seen white people, countless times, place themselves in front of BIPOC when police draw weapons/approach protests. it often works.
do not be a person that just acknowledges their privilege, use it for good.
10. remember that we protect us. ignite this chant as a reminder to everyone present if you have to. communities are supposed to help one another. don’t be a sell out, offer support, share resources, food and water. be a kind soul.
if you can not participate in a protest for whatever reason, you can still help! drop-off supplies! (water bottles, allergy-friendly foods/snacks with ingredients labels on them, sharpies, cards with legal aid numbers on them, masks, makeup remover wipes, hand sanitizer, etc)
sources/disclaimer: main source:
@ACLU and my own opinions. this is not legal advice. consult legal representation if you are in need of assistance.
stay safe, be on the right side of history. black lives matter, no one is illegal, we protect us, land back, all oppression is connected and free palestine. 🇵🇸
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bo0tleg · 1 day
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Despite being head over heels in love with Ice and Mav's dynamic in the original Top Gun, the same dynamic in Top Gun Maverick with Rooster and Hangman never worked for me. This is my attempt at voicing why:
DISCLAIMER: This was not created with the intention to offend anybody who ships Hangster/Sereshaw. It is simply my understanding of their relationship, and why it doesn't appeal to me. Opinions are like the butthole, everybody has their own. By all means, continue shipping them if you want to, this is only for fun.
Hangman and Rooster's entire relationship is based on resentment.
Unlike Mav and Ice, they have history. There's something from the past that lingers in all of their interactions, poisoning all of their words and actions.
Hangman is frustrated with Rooster, all the time. Of course, he banters with everyone, Phoenix about her gender, Bob about his callsign, but those are more 5th Grader Playground insults than anything. It's different with Rooster, and not in a good way.
When it comes to Rooster, Hangman goes straight to insult his character. He doubts his judgement, insults his way of being and flying, prods about how he needs to change if he wants to fly the mission.
With Ice, he was criticizing Maverick, not insulting him. Hangman is both criticizing AND insulting Rooster because he perceives him in a less that ideal light.
Hangman doesn't understand why Rooster flies the way that he does, and doesn't try to either. He just sees it as wrong and doesn't think twice about it. He goes straight to insulting him because he thinks that it's wrong, and that it's something about Rooster that needs to be fixed.
And Rooster is constantly exasperated because of it. Hangman prods, and jabs, and insults Rooster, but it never works. The more Hangman pokes, the more Rooster closes up, frustrated. He gets angry, pissed and becomes much LESS inclined to listen to anything Hangman is saying.
Rooster doesn't work well under pressure. And that's the only way Hangman operates.
Throughout the movie, Rooster doesn't listen to Hangman once. He might've been right about Rooster being too slow, but it only fell on deaf ears (not to say that he was right to bring up Goose's death, he was defo wrong about that one). All it causes is strife, to the point where Rooster almost punches Hangman because of how infuriating he was to him.
The entire movie, Hangman provoked Rooster to get him to stop being the way he is, because he sees it as a flaw of character. And it doesn't work.
Rooster only drops his need for playing it safe when Maverick tells him to 'Not think, just do'. Because Mav only gave him a push in the right direction, not throw in his face all of his flaws.
(Side note: This is also the reason Rooster doesn't listen to Mav in their argument, because he thinks Maverick was insulting his way of being by saying he wasn't ready. On the mission, by selecting Rooster as his wingman, he recognizes that he is ready, and that he trusts him with his life. Making him more inclined to listen to Mav once in the canyon.)
A relationship where one person is constantly frustrated by the other and the other is constantly exasperated by the former doesn't work.
Because that's how they are, and that's how they function, and it isn't going to change.
Rooster isn't going to stop frustrating Hangman because that's how he works, and Hangman isn't going to stop making Rooster exasperated because he doesn't know how else to voice his feelings.
I can see where the ship comes from, because obviously. Their homoerotic tension could be seen from space. I totally believe that they might have had a fling in the past that ended badly, and that they possibly could have hooked up at some point in the movie in the 'Hate Sex' vein of things. I just don't think it'd be anything beyond that.
They wouldn't work in the long haul, is what I'm trying to say.
They're too similar, and too different at the same time.
They're both hothead stubborn motherfuckers that couldn't come to an agreement if they tried.
And you might show me the scene where Hangman is happy about Dagger 2 hitting the target, and him being absolutely devastated when the same hornet is shot down. I recognize it, it demonstrates care. Hangman cares.
Thing is, that doesn't change anything that I said prior to that.
It's possible to resent, despise, be bitter towards and irritated by someone and still care about them. It's possible to hate them and still care. Hate them, and feel like you don't hate them all the time. Human emotion is a funny thing like that, nothing is ever black and white, always varying shades of gray.
Just because they hate each other (and yes, that is the reading I have on them, doesn't stop them from being horny fuckers about each other tho) doesn't mean they want the other dead.
I believe it's similar to the sentiment of "I hope you get everything you ever wished for, and that I never hear a word about it". Similar, but not the same, in a way I do not know how to describe. Thus, I used that to give the same vibe.
I can't see any future for them, in any shape or form. They hold too many grudges against each other, and both of them have a tendency of holding on to old (bad) feelings far too strongly. Even if they work through whatever problems they have now, new ones would emerge and they would go through the same process again and again and again.
That isn't healthy nor stable. It's not what either of them should strive for in a relationship. With that, I'd probably say that both of them need stable people that hold logic to high regard, and that are easy going (I say that in general terms, with no one specific in mind for either of them).
All that being said, this is my opinion. This is how I view them, and understand their relationship. They don't work for me because I see no logical way they could.
If they work for you, that's great! Enjoy the air gays 2.0 to your hearts contentment, I'm happy for you.
This was just a fun analysis of my vision, with no intention to diminish anyone who might enjoy them.
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blackbird-brewster · 3 days
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Meta: Jemily Queerbaiting
With the huge influx of posts saying 'Jemily is gonna be canon', I really appreciated seeing this post because OP was completely correct. I didn't want to write an entire dissertation as a reply, so I'm making my own post with my personal opinion on this. (All sources are noted in footnotes)
Before I began this rant, for anyone who thinks this is anti-Jemily. It is not. I have shipped Jemily for 18 friggin years and that's never going to change. This post is specifically my thoughts about queer baiting.
First off, I need to note that the showrunners (and the cast members who use social media) KNOW what a huge queer following this show has and that's why we got pansexual Tara Lewis in S16 [1]. Which, in itself, was SOOOOOOO important!!! Our first canonically queer main in SIXTEEN seasons was a middle-aged Black woman!!! That's phenomenal. (The fact it was horrible rep, because they instantly ruined her relationships once her queerness served it's plot point is a whole other post entirely)
In my opinion, the 'big Jemily moment' Paget posted about on Twitter [2] (and AJ hinted at during a recent IG live) is simply queerbaiting to get people to watch S17. I know a lot of you are newer to the fandom and I love your enthusiasm, I really do, ship and let ship, but listen, let's be real, Jemily is not going to be made canon. The showrunners aren't going to suddenly say (after 17 seasons) 'Surprise, Jemily is endgame'. This show has never cared about queer rep and now that CBS/Paramount have already ticked their queer rep box with Tara, they won't be in any rush to add any other characters to it.
Please buckle in, I've got a lot of thoughts on this matter --
What is Queerbaiting?
If you aren't aware of what queerbaiting is, here's a good definition:
Historically, queerbaiting has carried two meanings: the first is an act of aggressive heterosexuality to shut down queer subtext on screen while still teasing and catering to the queer audience in advertising, public relations, and fan engagement strategies; the second is an existing homoerotic tension between two characters played up on screen while met with derision by the professionals behind the scenes. [3]
The Medium article quoted here is from 2017, a time when parasocial relationships were really starting to take over social media. In 2024, actors are now only a mention or tag away online, they have direct conversations with fans, and this process has allowed for an even deeper form of queerbaiting.
Oftentimes online, actors are asked directly about certain ships and while some ignore these questions (usually to avoid breaking their contracts or other repercussions), others (looking at you, Paget) choose to instead tease fans about queer ships. She's done this for years upon years and if I've learned anything in the past twenty-years of existing in fandom spaces it's this -- don't hold your breath. In it's original meaning, for something to be deemed as queerbaiting there had to be malicious, or at least, purposeful intent to string queer fans along by teasing them with suggestive content about the ship in question, while knowing this ship will never come to fruition in canon.
The thing to remember is, Paget and AJ aren't the only ones who know about Jemily shippers -- the network and showrunners are well aware of this ship too. When networks/showrunners figure out they have a strong sapphic fanbase, they love to use that to their advantage to get more viewers and higher ratings. Queerbaiting is a goldmine to keep fans watching long running shows, look at Rizzoli and Isles, Supergirl, and OUAT for examples of this.
Jemily and Queerbaiting:
Ever since Emily joined the BAU in S2 (2006), there have always been fans who ship JJ/Emily (shoutout to the old LJ forums!). Way before celebs were just a tweet away from fans, back when all our fics began with disclaimers so we wouldn't get sued by networks, we went to great lengths to keep our fanworks far removed from actors/showrunners attention.
As far as Jemily goes, this reply from Paget in a 2009 interview with TVGuide.com [4] (which has now been deleted from their site unfortunately, but there are quotes on Tumblr still [4.a]) confirmed some fans' worst fear -- the actors had found our fanworks online.
TVGuide.com: Of course, a band of fans want her to hook up with Hotch.
Brewster: I know! I didn't realize that fans make these videos on YouTube? A.J. Cook sent me a hilarious one that made it look like Prentiss and J.J. were having a secret lesbian affair. You know, when Hotch was blown up in the SUV, we shot this scene where he's in the hospital and I'm standing next to him, looking at his bleeding ear. Our director came in and said, "Paget, you're looking at Hotch like you're in love with him. It looks really weird." So now, every day, Thomas [Gibson] and I flutter our eyelids at each other.
This was the first time I recall anyone acknowledging Jemily shippers publicly and at the time (Jan 2009), the show was still in Season Four (just before CBS fired both AJ and Paget [5]). Paget genuinely said it's 'hilarious' that fans shipped JJ/Emily. Even now, I'll see people say 'We know Paget and AJ have seen Jemily fanvids, so they obviously ship it too' -- but those same people rarely acknowledge the full context of the original answer. Paget not only thought JJ/Emily were 'hilarious', but then she doubled down and turned her reply back to how she and Thomas liked to play up the chemistry between Emily/Hotch.
While no one can say for sure which video it was that AJ sent Paget, just knowing they were watching JJ/Emily fanvids sent a bit of a shockwave through the femslash side of the fandom. To some it felt like an invasion of privacy, fanworks are by fans for fans -- knowing the cast were poking around in fandom spaces added an extra layer of worry around what we fans were posting online. Fifteen years ago, it used to be quite taboo for actors to outwardly discuss shipping or other fanon for whatever show they were in, and we fans were usually comfortably removed from the actors altogether.
Of course, now it's the norm for fans and actors/showrunners to co-exist online and interact with one another. This connection has opened new ways for shows to queerbait their fans. Pretty much every show has some form of social media account now and there is no doubt that the people running those accounts keep up with the most popular ships and hashtags. Not to mention that actors are constantly barraged with questions about whether they ship their character with x,y,z, or whether they think a ship should be made canon, etc. These interactions only serve to benefit the shows themselves, because whether the conversation is for or against a certain ship, it's all just free publicity (Why do you think CM now has a TikTok account?)
Every time AJ or Paget say anything about Jemily, the queer side of the fandom loses their minds. But this has been going on for YEARS now and every single time, it turns out to be nothing but social media hype and queerbaiting. Remember this AJ post? [6] Or what about the notorious reply by Paget to a fan, where she talks about how she and AJ held hands under the table 'for the shippers' [7] I've seen this cycle over and over again, so perhaps I am cynical, but I'm not getting my hopes up that Jemily will ever seriously be canon.
It's widely known now, after both Kirsten [8] and Paget [9] have talked about it, that there was an early idea where Prentiss was supposed to be queer, but that was ultimately scraped before it ever made it on screen. For context, please remember, this show has been airing for nearly twenty years. It began in 2005, during the highly conservative Bush administration. Queer people didn't have rights in the US, we couldn't get married, we were rarely protected under discrimination laws, and we could even be fired for simply being queer (in some states). Diverse queer representation on screen was extremely limited to things like 'The L Word' and 'Queer as Folk' (both aired on Showtime, so they were behind a paywall. And as far as tLw goes, that show was extremely male-gaze focused and is horrible in nearly all regards if you try to rewatch it now). As far as prime time shows went, queer rep was even more rare. Which is why Emily wasn't queer from the get-go.
Yes, things have changed since 2006 in terms of queer rep on TV. We have a myriad of queer identities represented in TV and film nowadays, which is why I think it's so easy for newer fans to say 'lf she was supposed to be gay anyway, they should just make Emily queer in canon!' I know this is what fuels most fans' demands for Emily being confirmed queer, and I get it, I DO. I would be all for it! However, I do not, in one hundred years, actually believe that is going to happen after they already canonically queer confirmed Tara in S16. The fact we even got ONE queer character is ground-breaking for this show.
It's also worth noting, that in the time between Paget's departure in 2012 and her return in 2016, she became very active on Twitter. This was when more and more fans began asking her about Jemily and after Kirsten's AfterEllen interview, fans also pushed for Paget to address the possibility of Emily being gay. 'Pushed' is actually an understatement for some of the outright harassment she would receive. (AJ received some of this harassment too, but less so because she doesn't use social media ass often) Back then, neither of them replied to these things directly. Yet, no matter what either woman posted, the replies were full of Jemily stans begging for her acknowledgement. (Did you know 'stan' is literally a term coined for stalker fans?) I remember one time AJ's friend was missing and she posted info on her IG about it, you know what the replies were? People asking her about Jemily. It was genuinely sickening.
Within this context, it was no surprise to fans when Emily came back in S12 , she and JJ's friendship was seemingly erased. The two women were rarely on screen together in the late seasons, plus the writers saw fit to even give Emily not only one (Mark in London, but two, on-screen boyfriends for the first time in the entire series. I personally do not think these changes to Emily's character were coincidence, I saw the hellscape of what people would say to AJ and Paget online and I fully believe that upon Paget's return to the show, the showrunners purposely tried to distance JJ and Emily to dissuade the more abusive side of the fanbase.
Can I prove that, no. But it is the only reason I can think of as to why Emily S12+ seemingly didn't care about JJ anymore, despite their deep and meaningful friendship. I mean, they both CROSSED THE WORLD to go rescue each other in prior canon -- but when Emily comes back, they acted like they barely knew each other. This was even more prevalent in S16, when JJ's main storylines all revolved around Will, and Emily barely looked at JJ in the entirety of ten episodes. (Remember how Prentiss didn't even hug JJ after bomb, but she did go hug Luke?)
So, do Paget and AJ earnestly ship Jemily, or are they continuing the long tradition of queerbaiting us? Who fucking knows, not me. But based on the history of this fandom, I think I can make a safe bet. (Interestingly, if you search all of Paget's twitter for the word 'Jemily' [10] she only has 3 direct tweets mentioning the ship. I don't think it's a coincidence that two are within the past few months since they started filming S17 (the other one was a RT of Kirsten (who tagged something Jemily)
This is all to say --
Just because Paget and AJ have publicly talked about Jemily,, this doesn't mean it's ever going to happen on screen. And you know what, THAT'S OKAY!! There has been this constant outcry (after Tara became queer confirmed) of 'Do Emily next' or 'Why wasn't it Emily with a girlfriend!?' and 'Jemily needs to be canon in S17!' -- as if people believe their ships aren't worth anything unless they are canon.
That couldn't be further from the truth! Fandom is built on headcanons and fan interpretations and rare pairs and all types of shippers. Your ship does NOT need to be canon for you to enjoy it. I will ship Jemily forever, no matter what. I don't think there will be some magical queer plot in S17, at best, we might actually get to see Emily/JJ on screen together again and after the train wreck that was S16 -- I'll take whatever I can get.
And hey -- if I am completely wrong, if Erica Messer pulls a Korrasami out of her hat, I will be ecstatic. I will be happy to be proved wrong, but at the same time, I'm not going to lose sleep over it and I'm DEFINITELY not going to go hound the actors about it on social media.
Sources:
[1] 2022 Digital Spy article about the importance of Tara's coming out
[2] 04/18/24 Paget Tweet
[3] 2017 Queerbaiting article from medium.com
[4] 2009 Broken TVGuide link
[4.a] Tumblr quote from the above TVGuide Interview
[5] 2010 Kirsten interview screenrant.com
[6] 2019 AJ Instagram Post
[7] 2020 Paget video on Twitter (via @karasluthqr)
[8] 2015 Kirsten interview AfterEllen.com
[9] 2016 Paget Interview CriminalMindsFans.com
[10] @PagetPaget search 'Jemily'
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mylittlevsoldier · 15 hours
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Mike's "Will Voice". - An Essay by me.
If you’re a byler you know about the “Will Voice '' . But if you somehow don’t or you’re new, the “Will Voice" is the voice that Mike uses when he is talking to Will and ONLY Will. Normally Mike is a little abrasive and defensive to most people when he is talking to them. But when talking to Will, his voice is soft and quiet, just above a whisper, gentle. 
Before we get into it, I think you should just know that the “Will voice” isn’t just something Byler’s made up! The directors tell Finn (the actor that plays Mike) to use a “special voice” when talking to Noah (The actor that plays Will) when filming.
DISCLAIMER - i actually didnt think this was going to be this long so sorry in advance but here are my thought i hope you enjoy! i love you!
“It was a seven, the Demogorgon. It got me.” - Season 1
One of the VERY FIRST SCENES in the show is Mike using his “Mike voice” Even if he really doesn't have to say anything at all. After Karen tells everybody to leave and all of the boys are hopping on their bikes to go home, Will is the only one left behind with Mike. Will admits to Mike that in the campaign they're playing, the Demogorgon got to him and killed him. 
Something about this scene is just so…. The look of understanding, the nod. Mike is just more gentle with will than anyone else. 
Right before this he was just arguing will Dustin about weather his sister is cool or not but with Will it’s different. 
Unfortunately, since Will really isn’t in the whole rest of the season, because yknow he’s in a whole other dimension there aren't a lot of other scenes where Mike is using his “Will voice” However, Mike was the person who wanted to find will the most behind maybe Joyce. Saying that he “was the only one who cared about Will”, so that is something. 
“Crazy together.” - Season 2 
In my opinion, season 2 is like beak soft byler. The first season 2 byler moment was..
The Arcade Scene
As soon as Mike snaps Will out of his trance, his vision, whatever you want to call it, he goes right back to Will's comforting voice and tries to make it feel better and distracts him with a dig dug. 
In the next episode, it Halloween. And we ALL know what happened on Halloween night of 1987.
Will’s episode on halloween 
When Will has a bad vision, who is the first name he calls? Mike. Not Lucas, Not Dustin, not even Max. Mike. Not anyone else but Mike. And who was the first one to find Will and the first one to comfort him? Micheal Fucking Wheeler. And he was using the same soft voice he always does when talking to Will, barley over a whisper. Not to mention that Mike wouldn't let anyone touch Will but himself after Will snapped out of his episode. 
Talk in Mike’s Basement Scene
After Will had this awful episode, Mike takes Will and only Will back to his house. Will rambles and rants about how he feels stuck and Mike? He is attentive, sweet, listening, letting him get all of his words out. I’ve noticed with other people Mike can come off like he’s abrasive and harsh but with Will he is nothing close to that. 
In this conversation also consists of Mike helping Will express his feeling by finishes his sentences for him when he just can’t get his words out. In the few times Mike does speak, he does not break out of the gentle voice and literally never breaks his gaze from Will, not once. 
EVEN WHEN MIKE TALKS ABOUT EL HE TALKS IN HIS WILL VOICE. AND THE ONLY REASON MIKE BROUGHT UP EL WAS FOR WILL’S BENEFIT. 
And then the most iconic Byler line in Stranger Things history, “If we’re both going crazy, we’ll go crazy together, right?” “Yeah, crazy together.” So gentle, so sweet, so wholesome.
The hallway scene 
Mike immediately notices something off with Will and has to make sure everything is okay. 
Side note: even when Will isn't with Mike and the party, Mike will literally do anything he can to help Will. That’s his only priority at the moment. 
Will’s bedroom scene
Even when Will is talking about “Him” Mike still reminds him that Will is a good person, calling him a “super spy” Mike is doing absolutely anything he can to comfort Will and make him feel any better. (P.s. this moment is so wholesome I love it.)
And then the “yeah, yeah I really do” The PRIME example of “Will Voice” The gentleness, the voice, the look, the nod, the reassurance, AND THEN THE REACH FOR THE HAND. 
Hospital Scene (Will wakes up)
Will wakes up and Mike is obviously right there (‘cause he slept in the chair next to the bed, WHICH IS LIKE MY FAVORITE BYLER MOMENT OF ALL TIME) and asks if Will is “hurting again”, Mike keeps his eyes steady on Will. His only focus is Will right now. He keeps his voice soft and he asks will things to make sure he understands and that he is hearing what Will is going through right now. 
Mike recalling how they met 
Even though the poor boys voice is shaky because he is literally trying (and failing) to hold back tears, it’s still soft and reassuring. 
“It’s not my fault you don't like girls!” -Season 3 
The movie theater scene
This scene is one of my favs from Season 3. Mike is the first and only person to realize something is off with Will and say something to make sure he’s okay. The "you okay?” and “you sure?” are so gentle and soft. It reminds me a lot of someone jumping at a scary part in a movie and their partner wrapping their arm around them and asking if they’re okay. 
NOT TO MENTION THE NOT SO SUBTLE LIP GLANCES. 
(Also the little gay panic Will has after Mike ask if he’s okay and the blush on Mike’s cheeks before) 
The scene right before the fight scene
Mike immediately notices Will is upset after Mike makes his “joke” and he goes back to his voice that always gets Will and tries to convince him that they (him and Lucas) do really want to finish the campaign. 
The fight scene
Mike IMMEADLEY goes back to his will voice after he drops the bomb shell because he know he fucked up and he did it BIG TIME. The big difference between Mike’s “Will Voice” in Season 2 and Season 3 is that in Season 2 he was really using that voice with Will because he knew that it was comforting to him but now in season 3 he uses it because he knows Will will fall for it. 
(Also you know how Max says to El that Mike will come crawling back to El in no time? The only person he came crawling back to apologizing was Will.) 
“Get away from the door” Scene 
@myname1sca1 brought up a great point! The scene where Max is trying talk to Billy through the door, Will has a feeling that “He’s here” and Mike turns and say to Max to get away from the door a=in a gentle, quiet, soft voice and when she doesn't listen, he turns away from will at screaming at her do get away from the door. He was only using that voice because he was looking at Will and dropped that voice as soon as he looked away. 
The “Not possible” Scene
Toward the end of season 3, Mike realizes that he was being (in his own words) an asshole the whole season and starts caring about Will again. And when Will comes out and puts his box of D&D on the donate box, the thing he has loved since forever, Mike makes sure that he knows he is giving it away. 
Will knows he’ll just use Mike’s when he visits the won’t join another party. That’s not possible.  
(Plus the look on Mikes face after Will says “not possible” is adorable.)
"I didn't say it." "You didn't have to."
Will's bedrooms scene
OMFG THIS SCENE
Immediately Mike is relaxed. His voice low and calm and he lightheaded. The "You didn't have to" AND THE SMILE. This is a COMPLETE contrast to has he is around El in this part of the season. When with her, he is all tease and feel like he can never say the right thing.
Also, the absolute adoration for Will in his voice. When he says "It's Hawkins, it's not the same without you."
You can also really tell that Mike is really confiding in Will and letting his guard down which he never really does with anyone. Including El. Especially with the whole line "I don't know what's going to happen next." And if you know Mike Wheeler he never tells ANYONE that he is wrong or that he doesn't know what's going on. So, the fact that he feels comfortable enough with Will is something.
"But you make her feel better for being different." Season 4, Vol 2
"We have to Kill him." "And we will." Scene
The MOMENT Mike finds out that Will can feel that 001 is there, he jumps back into being his reassuring, gentle self for Will. This scene reminds me a lot of the "Yeah, Yeah i really do scene for season 2.
OMG WE ARE DONE, if you made it through all of that, I love you so much. If you want to see more things like this PLEASE PLEASE PLEASE PLEASE let me know because i love writing essays about Byler analysis!
also let me know if there's anything I missed because if i miss enough things i will gather it and but it in an update!
RESOUCES
Stanger Things I The First 8 Minutes - Series Opener [HD] (Still Watching Netflix on YouTube)
Stranger Thing 02x02 - Mike and Will 'Crazy Together' Scene (Raghaua Daroui on Youtube)
Byler compilation (Season 2-3) (GoraculGerard on Youtube)
every byler scene 1080p I Stranger Things Season 4 Vol 1 (longbttms on Youtube)
byler 1080p scene pack I Stranger Things Vol 2 (longbttms on YouTube)
@myname1sca1 's post!
people who wanted to be tagged!
@lebylershipper
@ash-the-wise
@tender-emotional-music
@wallywise
@willbyerswatch
@hearteyes-wheeler
@paloma-ascends-into-hellfire
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soullessjack · 8 hours
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🔥 jack
oh my godddd I have so many unpopular opinions where do I even start….HOLY DISCLAIMER BATMAN!
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anyways so in no particular order or tier system:
✯ i don’t think jack would wear anything feminine im sorry spn fandom. for lolz he has same-outfit-pattern-everyday autism and for serious it’s like. Really weird how fandoms tend to HC/portray non-binary amabs (and men/transmascs in general) almost exclusively as GNC or fem-presenting…like DGMW that is a real and valid form of self expression but it’s not the Only type of non-binary expression that exists. and honestly…**dare I say that most fandom/queer spaces just need to realize that queer masculinity exists and it doesn’t always have to be a matter of breaking gender norms??
** genuinely do whatever u want idc I can’t stop you i don’t want to stop you yada yada. paint his nails and put him in a skirt all u want but Please recognize patterns yall 😭
✯ more headcanon complaints (see disclaimer above ⇧) but I promise to switch it up soon. anyways every time somebody on this lil website says something along the lines of “Jack can’t handle/doesn’t like [insert violence, scary or adult-oriented thing], he prefers [soft or blatantly childlike things]” I shrivel inward like a dead spider. It’s annoying, it’s completely inaccurate to his canon personality and interests, it’s annoying ˣ2, and whether ppl wanna admit it or not—it stems from infantilization. not necessarily ableism, as infantilization is not exclusive to disabled people, but still just about the same thing.
honestly all I see of majority jack headcanons are ones that set him back to just being a child or otherwise being treated like one. for example, the one about him being able to shapeshift is pretty cool...until it just becomes about him deciding to age regress, yknow, to an age set he canonically chose not to go through, showed no desire to be in, and is more offended than anything to be considered as such. all of his interests have to be some shit like bluey or animal crossing, and he drinks apple juice from a sippy cup instead of beer. BARF.
I’ve lessened on my keyboard warring over babyjack in the past year but I have not lessened in being a hater. and I’ve said this before, but the baby-jack au already breached headcanon containment a long time ago when it’s not only so widespread that ppl take it for canon and it makes having any intelligent conversation about him nearly fucking Impossible, but it also lead to harassment and accusations of being a fucking predator, to anyone who dared find a whole grown man attractive. any potential jack ship, like jackharper? automatic grooming case to them. it’s like the fandom is just so dead set on this idea that jack really truly is a child in every aspect you can think of, and for what? if it’s just a headcanon, something you know is not part of the actual show, then don’t go Travis the Chimp levels of apeshit when you see him being treated like he is canonically 💀
unpopular opinion numero 3 which is slightly connected to 2:
✯ baby-jack and a handful of the domestic au’s are BORING (see disclaimer again ⇧), not just on a surface level to my suiting, but also because I feel like it just ..misses the point of the show?
the ragtag untraditional found family is now as nuclear and traditional as the Atomic Age. Dean and Cas are the most heteronormative “who wears the pants in the relationship” gay couple ever, Sam is demoted to the uncle that gets written out of his own family, Jack is just there to make his gay dads look cute and emphasize that they’re a gay family (while still being very heteronormative), and at least 5 of them could be found in a California gated community. everything that made any of them unique or defined their personalities is just scrubbed off, even for an AU.
so much of the later seasons focus on Sam and Dean realizing that they don’t have to make a hard splitting decision between the lives they want to live; that they can find a balance; be happy and have good things—namely families—without giving up hunting (and vice versa, that they can have hunting without giving up on family or happiness). everybody loves the gay hunters from S10(?12?) and what they represented for Dean, but I almost never see that be put into practice in the fandom.
THEY’RE ALREADY DOMESTIC!!! AND WITH THAT PERFECT BALANCE!!!! Season 13 quite literally gave Team Free Will a surrogate son to raise and established them as a family; highly untraditional, largely dysfunctional, overall not fitting of a family family, and yet they are a family still. Dean wears an apron and cooks and bakes for everyone; he built himself a man cave and established two separate family night events that they all ritually keep up; Sam has a morning jogging routine and visits his girlfriend every so often; Jack was taught how to drive, has normal chores like washing dishes, and gets groceries. And they didn’t just have that while fighting monsters—they had that while fighting a whole fucking archangel. Even if it did go down the gutter by the end, they still had it: domestic familial bliss and violent messy hunting without having to trade one for the other.
✯ I truly genuinely think Jack’s relationship with Dean is the best, most interesting and most misunderstood out of the three, and I also think that the problems with his relationship to Cas and Sam are hugely overlooked by the fandom—granted they are very small, especially if you’re comparing it to Dean, but they’re still there and I think we should bully Cas and Sam about it more. I shan’t elaborate because it’s 5AM and this was an impulsive add-on ❤️
✯ getting normal now…his plaid pattern jacket from the first half of Ouroboros is ugly as SHIT i have never liked it and don’t think I ever will. but I cannot deny it; he got that shit on.
✯ most unpopular opinion of all, I wanna do insane shit to his cervix 🙌
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lazuliquetzal · 2 days
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Whee Fight Scenes! (This Is A Seirei no Moribito Advertisement)
For the past couple of years I have been almost exclusively writing fanfiction for action-fantasy video games which has led to me developing opinions on writing fight scenes. I used to hate writing them because what even happen fight, really, like what the hell??? But now I’ve learned to tolerate them! Sometimes I even enjoy writing them! So now I will share my wisdom with you. 
(Disclaimer: This post was written so I could avoid writing a fight scene.)
My credentials: I occasionally write fight scenes in my action-fantasy video game fanfictions, and I have seen Seirei no Moribito the anime several times. I do not claim to be an expert on fight scenes, but I do claim to love Seirei no Moribito to bits.
Part 1. The Set Up
There’s this excellent anime about a mercenary on a life-long quest for redemption who ends up taking a cursed prince under her protection. It’s about unraveling propaganda and colonialism, and also about kicking ass. The first time I watched this anime, when I got to the episode 3 rice field fight, I thought, “holy shit, I see now that a good fight scene requires not only a kick-ass fight, but also narrative/emotional build up in order to give the scene weight and tension.”
Like, lots of anime have excellent and extremely iconic fights, but this was the show that really made the writing aspect of it stick in my brain. Seirei no Moribito is also an adaptation of a book, which might why this stood out to me: the way its fight scenes are constructed are not as reliant on the actual visuals so much as they are on everything else (the animation for the fight is gorgeous, too, like, just watch this show please it’s so good). That said, I haven’t actually read the book. But I have seen this show several times and the rice field fight gets me so hype.
(And also every other fight scene. I’m never over episode 13. If you have to watch only one (1) episode of Seirei no Moribito, watch episode 13. But also, don’t do that. Watch the entire thing you coward.)
Anyway. What’s going on in Seirei no Moribito episode 3?
Part 1a. The Narrative Stage
Ep3 is early on in the series. The rice field fight is not the first action scene, but it is the first fight scene. This is what we know going in:
Balsa, our main character, is a formidable mercenary with a practical mind and a strong sense of honor. She has sworn to protect Chagum, the prince of the Empire. Her goal is to keep Chagum alive at all costs, because saving his life is crucial to her personal goal of redemption.
The Emperor (Chagum’s father) has dispatched his elite warriors to kill the prince, as they believe that he is possessed by an evil water spirit. Their goal is to kill the prince because the evil water spirit is a bad omen for the empire, and they believe that killing the prince will save the kingdom.
Balsa’s spear is damaged, and she is outnumbered. She has the disadvantage.
We are, of course, rooting for Balsa and Chagum at this point in the story. Balsa’s our main character, she’s super cool, and child assassination is a bad look. We know that Balsa is strong: we’ve seen her do athletic stunts, and it’s been alluded to that she is extremely skilled with the spear. This fight is the first time we get to see her use it, so it’s very exciting to the viewer. We want to see her in action.
Part 1b. The Emotional Stage
Chagum doesn’t have much of a personality at this point: we know he’s a child prince, and we know his dad wants to kill him. So we don’t know him well, but he’s already sympathetic due to circumstance.
When Balsa and Chagum get to the rice fields, they are almost home-free. They’ve spent a lot of effort trying to redirect the emperor’s warriors and the plan almost worked. We are extremely close to safety, so the fact that this is when the emperor’s elite catch up is very tense and frustrating.
All this puts the audience in the mindset of: oh man, they’re so close, I really need Balsa to win! I don’t want the kid die! You can taste the safety, you are almost there—it’s the type of tension that gets you invested in the outcome of the fight.
Part 1c. The Physical Stage
The first half, and the faster-paced portion of the fight takes place in a rice field at night (a classic). Wide open, with water to splash in, and nowhere to hide. It’s right on the edge of the thick forest, which gives Balsa and Chagum an immediate goal: get to the denser terrain so that they might break line of sight of their pursuers.
The second half of the fight is less of a fight and more of a close-up, emotional moment of action. It takes place in a clearing by the edge of the forest.
The physical location of the fight ties in with the short-term goals of the characters: the open field forces Balsa into direct confrontation even though she wants to run, and the clearing by the edge of the forest gives Jin (one of the emperor’s warriors) the illusion of privacy when he tries to kill Chagum, and it gives Balsa cover to hide until she can intervene.
Part 1 – TL;DR
Even before you get to the actual fight, the setup of the fight has inherent tension and intrigue. One can reasonably assume that Balsa and Chagum will survive, because this is episode 3 of a 26 episode anime. But you don’t know if her damaged spear will hold out. You don’t know why the emperor wants Chagum dead. You don’t know if Balsa will kill the emperor’s guards, or if she’ll be able to make a clean getaway with the prince. All these uncertainties create mystery, which creates tension. And tension is what makes the fight fun.
Part 2. The Purpose
I mentioned earlier that this is the first actual fight in the show.
It’s the payoff for a bunch of little questions that have cropped up so far. How strong is Balsa? Is she good enough to win, even when outnumbered? What does her fighting style look like?
A lot of action stories have big fight early on, and that’s because a well-done fight scene squeezes in a massive amount of characterization. In this fight, we learn a lot about Balsa, and we learn a lot about the Emperor and the difference between the Emperor and the people who work for him.
Some questions that get explored: How do they think under pressure? What kind of fighting do they do? Are they strategic? Reactive? Brute force or trickster? How do they solve problems? How far are these people willing to go to achieve their goals?
There’s a moment in this fight when Balsa is wounded, and the emperor’s warriors retrieve Prince Chagum. Balsa ends up retreating into the forest. Jin says something along the lines of: she’s a mercenary, she works for money and she’s already been paid; she won’t risk her life to come back and get the prince.
But she does. Even though she’s been wounded, and even though she had the perfect opportunity to walk away, she comes back and saves Prince Chagum at the expense of her own health. Balsa keeps her promises; Balsa’s personal quest for redemption is more important to her than her life. We know her, now!
Fight scenes are great for characterization because it’s a deviation from status quo. A person’s default state is not “battle,” and stories thrive on extraordinary circumstances. “How does this character change/act/perform under pressure?” is a really great characterization question, and a fight scene is the opportunity to show the answer rather than tell it.
Fight scenes are also great for thematic debate. You get the opportunity to literalize the conflict between different philosophies via characters fighting each other. EZ story moment. You know that one Howard Ashman quote about how, in musicals, the characters sing when they’re too emotional to speak? That’s what fight scenes are to me. The characters fight when they can’t talk to each other.
And then, of course, a fight scene is also moving the plot along. The conflict is happening, information is being exchanged/discovered/buried. Some characters life, some characters get hurt, some characters die. A fight scene is a way to physically bring characters to the state they need to be in for the story to progress (in the right emotional state, the right physical state, the right location, etc). Lots of things going on, which is good—you want all of your scenes to be purposeful.
Part 3. The Details
All of that had to do with the zoomed-out, overall story view of the fight (how the fight fits into the overall story). I am now going to continue to gush about the episode 3 rice field fight up close (how does the fight scene work in isolation). Because Seirei no Moribito rocks.
Part 3a. The Setting
I already mentioned the open rice field/dense forest dichotomy and how that affects the characters’ short-term goals. It’s also a great choice to establish Balsa’s superior technical ability with her spear. The rice field is wide open and relatively flat—no obstructions or distractions, with everyone on equal ground. There are no tricks to pull, no environmental quirks to exploit: this is a clean fight between Balsa and the emperor’s warriors. When she comes out on top, it’s because she’s better than them.
Depending on the character, it might be better to change the terrain. Have the stealthy warrior fight in a forest, where they can appear and reappear and use their sneakiness to their advantage. Put a trickster in a situation where they can improvise traps. There is an aspect of your character that you want to show off, so set the stage so that they can show off. It’ll be totally badass and fun.
Part 3b. The Short-Term Goals
When you read a story, you can reasonably assume that the protagonist will stay alive (especially if you are not near the end of the story). Knowing the outcome can make a story stale if you're not careful. You can lose tension if there’s no risk. Some stories try to create a world/tone/atmosphere so that anyone can die. A lot don’t because that’s a little depressing.
My friend @yellowocaballero has an excellent post on this regarding OP protagonists, but to summarize: if you know the protagonist is always going to win the physical fight, you have to make the win condition not about that. Balsa isn’t OP, but giving characters goals beyond “win the fight” can make a fight so much more interesting.
In the rice field fight, Balsa does not have to defeat the emperor's warriors: she has to get Chagum and herself away alive. Her goal is to make a clean getaway. When the warriors show up, she makes the decision to confront them, and her goal is not just to win, but to win so decisively that they won’t be able to follow her. When Chagum gets caught, she changes her goal to ‘keep him safe at all costs, no matter the harm done to myself’, and she gets seriously wounded. She can succeed in some goals, but fail in others, and the story reacts and keeps changing. It’s the same principle behind why rolling a nat 1 is so entertaining in D&D. The more you fail, the more creative you have to get. 
Part 3c. Monkey Brain
There is just something so cool and so satisfying and so fun about seeing a character kick ass. There is also something very cool and very satisfying about seeing a character get beat up. The rice field fight has it all: Balsa kicking ass, and also getting beat up. It’s fun! Fight scenes that know exactly why they are cool are just so good. Hell yeah, overindulge and use every single weapon despite how impractical they are. Yes please show someone pulling off an unrealistic move for the coolness factor. Absolutely include the explosion-that-would-definitely-kill-but-doesn’t. 
Part 3 — TL;DR 
If you want the fight to be cool, make it cool! Set it in a cool place! Give your characters opportunities to show off! Make it interesting by changing the win conditions! Conflicting goals forces characters to prioritize and it makes scenes fun!
Part 4. Words???
Unfortunately, as mentioned, Seirei no Moribito is an anime and I haven’t read the book so I cannot analyze and gush about its prose in this section. Otherwise, the advertisement would continue. You’re safe for the moment.
Re: prose, there’s probably a post out there that goes over the language of fight scenes better than I ever could. I write with the diction of a middle-grade author because I read PJatO too much as a child and it rewrote my DNA. This is not a bad thing, this is just a fact. So I’m just gonna fire off fight scene writing advice I heard from around:
Filter words — if you want a more immersive reading experience, you want to avoid filtering the action through the narration. So use sentences like: “Her arm hurt” as opposed to “she felt her arm hurt”. But if you’re trying to distance the reader, like recreating the feeling of shock/dissociation, then filter words would help achieve that effect.
Make the rhythm of your prose match the energy of the fight. Short and choppy feels fast in the brain. Long and wordy feels overwhelming. Fragmented sentences and run-ons are chaotic. Customize the vibes.
Establish the important details of the setting beforehand so that you don’t have to stop the action to describe the specific placement of a relevant tree stump. I think I heard this one from Brandon Sanderson on a podcast somewhere, but I think about it a lot when I write because blocking is hard enough and it's even harder when you have to stop and attempt to translate the movie in your head into words. I can’t tell you how to block a fight scene. We need to find someone else who is smarter that can tell us.
Part 5. The Point
Fight Scenes are Fun, actually. They can be really effective if you set them up properly! If you know what you want to do with them, you can arrange it to be as cool as possible! You don’t have to be in a visual medium to make fights fun. You just have to figure out how to translate the cool bits into prose, which I think is mostly done through giving your fight cool shit on both the macro story level scale and the micro scene level scale. 
Also, watch Seirei no Moribito.
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sweetsuke · 1 month
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who has the best fs2 and why is it them
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egophiliac · 1 year
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so we know you love diasomnia endlessly, but who is your favorite character from each of the other dorms
this is SO hard to answer, because so many of the characters are, like, those pet adoption ads that say "MUST STAY TOGETHER, CANNOT BE SEPARATED". it's all about the relationship dynamics! and I think everybody in the main cast is pretty neat, honestly; there isn't anyone who doesn't have something I really like about them. but if I haaaaad to choose...
Hearts - Trey, partly because I do like me a good Mom Friend™ character, and partly because he pretends like he's all sane and normal, right up until he does something to prove he's just as much of a dipshit as everyone else. you're not immune, sir.
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Savana - BUFF 👏 TSUNDERE 👏 WEREWOLF 👏
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Octa - this one took a lot of soul-searching, because I do feel like the Octatrio is at their very best when it's all three of them, especially when they're in full Ed Edd n Eddy mode. but in the end, Jade ekes out a win, because sometimes you get this Jade:
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and then when he gets back from his nice mushroom-foraging hike, you get this Jade:
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Scara - Kalim, my sweet little moron. such a good heart, so few braincells.
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Pome - 90% of the time when Rook shows up, you know it's going to a be fun time watching a silly little man dance around and break into song for no reason and wax poetic about the beauty of, like, a chair. always a delight!
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except every once in a while, he'll bust out something that is absolutely insane even by Twst standards:
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this isn't a complaint, it's just. why is he like this. I want to study him under a microscope, except I'm afraid of what I might find.
Igni - MUST STAY TOGETHER! CANNOT BE SEPARATED! ...but I would probably go with Ortho, just because right now I'm pretty invested in his Learning Emotions story arc and looking forward to seeing it progress. he's a good boy who will post your cringe fanfic publicly if you annoy him
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...and at this point I'm calling technicality because the ask says "other dorms", and I genuinely do not think I could choose between the Dia boys at this point. let's see how episode 7 goes first!
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jessicas-pi · 1 year
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it's actually, genuinely, honestly hilarious that in a fandom where popular ships include characters who are biologically related, characters with a 10+ year age gap who met when one was a teenager or even a child, and characters who have tried to kill each other, people hate on a friends-to-lovers ship with a <2 year age gap where the characters have a deep emotional bond and plenty of romantic subtext, because "they're siblings". my brother in the force they are literally not.
#i'm just saying. out of all the ships in the star war; sabine and ezra have one of the healthiest dynamics#right up there with kanera and bail and breha and obitine and maybe a few others. there are SO few 'problems' with it.#not that those 'problems' make a ship BAD when it's written well or in certain context.#just that out of all the ships to pick on; people choose THIS one?????#the one with character growth and found family and mutual respect??#the one with self-sacrifice and decades-long loyalty and obitine parallels and a jetpack chase scene????#what's there to hate???#and i would add a disclaimer about how if you dont ship them its fine as long as you dont bully but honestly?#i am so so tired of having to qualify my statements.#this is about the targeted hate. this has always been about the targeted hate.#and i don't care if someone loathes something i love as long as they they keep that loathing out of my personal space.#this has been a tag rant. thank you for reading.#btw i'm not being sarcastic about it being hilarious. it genuinely cracks me up to see people get SO hateful over this#for a reason that does not exist#as opposed to several other ships which DO IN FACT HAVE THAT OBJECTION.#like. oh my gosh. are you even listening to yourselves.#if u wanna have the don't-ship-siblings fight then puhLEEZE bring it to someone who ships siblings.#jessica's controversial star wars opinions#sabezra#(don't worry that this post is a vent because i'm getting bullied or anything. im not visible enough for that i guess lol)#it was written in humor not in hurt :)
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thepictureofsdr · 2 years
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“controversial opinion alastair carstairs has potentially had the hardest life out of any of the main characters in the shadowhunters universe so far” now you may be thinking to yourself “WHOA tumblr user thepictureofsdr back it up there, that is an incredibly bold, broad, and obnoxious take” HOWEVER i have a case to make.
(disclaimer this isn’t taking into account the villains or immortal characters while i personally understand cringe teenager psychology i cannot personally understand the psychology of people over 300 nor those with murderous urges, im not finished my degree. one more disclaimer in the notes)
there is one singular thing that i think sets alastair apart from any of his other mc shadowhunter colleagues: the fact that he has been alone his whole life.
you can pluck any mc from any cassie series and create a web of support for them, whether it be family or friends, whether the characters believe they have that support system or deserve it or not, that support is STILL THERE. at all points in TMI, clary, jace, alec, izzy, and simon were all there for each other. alec was pretending to believe jace was evil in coa? izzy was staunchly defending jace. clary had a falling out with the others? she had simon. this pattern continues into the books, with gideon and gabriel being forgiven by institute and allowed a place to heal, with jem and will each going through hell but having each other and then having tessa, with the blackthorn siblings having each other to fall back on (including emma), with kit finding a home in LA and then with the carstairs, with the merry thieves considering each other brothers, with cordelia spilling her heart out to lucie, hell even grace had jesse. obviously i haven’t named every character but you get the trend im going for. every character has had SOMEONE, a friend, a significant other, a parabatai, a sibling, the rare parent.
then we have alastair. he had a roughly normal childhood for a few years despite the moving around, having a healthy relationship with his baby sister. but then he turned 10, something changed and he lost everything. on top of having moved around a lot and not having a single stable friend, in a way, he lost his sister and parents. it’s impossible to have a carefree sibling relationship when you’re actively giving up your life and time to protect them. it is by no means cordelias fault that their relationship was lost, but its a sad truth. he loses that reliable open sibling relationship, he loses that relationship with his father, and his mother ceases to be a mother and becomes more a coworker in this panic to keep the family afloat. by taking on this adult role so early on in life he loses the innocence and unconditional reliability of those relationships, and he seemingly never turns to them for comfort ever again, with cordelia only finding out about part of his emotional ordeals in cog, and even then he doesn’t burden her with everything. with this breakdown of the parental units and relationship as well as being isolated, alastair also loses his only example of what a healthy romantic relationship should look like, he has no real idea how a partner should act, which we know will come into play later. let’s also not forget how the one family member that could’ve helped, jem, was actively pushed away by elias who raised his children to not trust silent brothers for his own personal selfish needs.
then he goes to school, desperate for friends and what does he get? a year of verbal and physical bullying, with rumours being spread about his family and bruises slowly covering him. he then has to spend years pretending he’s awful just to survive and by some miracle he gets out and makes 1 (one) singular friend who then publicly friend breaks up with him by threatening to throw him in a river at an engagement party attended by what i assume is the entire enclave (thank you matthew). THEN (yes this tragedy is still going) we get to one of the most unsettling relationships in the series, mostly because the bizarreness of it is just… never addressed? we get alastair and charles who were together in 1902 when they wouldve been about 18 and 23, meaning we got a man who would’ve graduated college by then going after someone who would have just graduated high school… on top of that it was an incredibly toxic relationship with charles making him feel as though he were worthless and a dirty secret and centered the entire relationship around him, his own schedule, his needs, his wants, never making time for anything on alastair’s terms. on top of the love sick teenager syndrome, alastair had never personally witnessed a healthy relationship so on top of that AND being desperate for the closeness and intimacy and support he’d gotten from no one before, he had no way of knowing he was being treated badly, he didn’t know any better until much later, after witnessing charles propose to not one but TWO GIRLS while still keeping alastair sidelined.
so to summarize, alastair has never had a lasting, appropriate, healthy, unconditional, relationship with 1. a parent 2. a sibling 3. a friend 4. a significant other 5. family. he has never been loved for the sake of being loved, hes never had someone care for him because he simply exists, everyone wants something from him and he’s never felt what its like to be truly cared for. for every trauma he has endured, for every night he went out as a child to find his drunken father passed out in a bar to drag him home, for every beating he suffered as a school boy, for every friendship that crumbled to nothing, for every time his only relationship used him and sent him to sleep unsure of his worth, he didn’t have a single person. there was no jem to assure him that no matter his faults he deserved love, no cecily to hand out forgiveness and remind him to not dwell on the past, to just move forward, no julian to turn to when he couldn’t hold up anymore, no izzy to tell him he deserves better or to point out the flaws in how he’s treated, no alec to let him rest and defend him, he has never experienced those healthy dynamics.
not only has he been dealt an awful set of cards, hes never had a single person to help him through life to the point where hes not only alone but the few relationships he does experience actively cause him more problems and pain. mind you this post doesn’t even really address the main traumas he endures this is just the breakdown of his relationships so just mentally add on his MAIN story to all of this… everything elias made him endure, all the bullshit the thieves throw in his face, every time hes given up his life for the sake of someone else… this is just the background to all of that.
in short i think alastair has had one of the hardest lives maybe even the hardest, not because i think hes suffered the worst traumas of all or i think he wins the sadness games, but because he has never had a single person to help him through what he’s experienced, to love him because he exists, never had a single person to care for him through it all and not only is he aware of this tragedy, he thinks he deserves it. he pushes people away, keeps his walls up, thinks he doesn’t deserve love from others, thinks he is too damaged and twisted to burden someone with his existence, and despite his genuinely kind soul, he still thinks he’s cruel and awful and deserving of nothing, but are we surprised? its not like he has anyone to tell him otherwise.
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steelycunt · 1 year
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ridi im sorry i need to rant and i think youll get it 😭 like not to be a bitch but this fandom kinda going off the rails and annoying the shit out of me https://www.tiktok.com/t/ZTRbYASpf/ everybody in the comments unironically loving it,,, i mean wtvr ship who you want but its kinda getting delusional like ppl are just operating on thin air and pretty fancasts atp and i do Not understand or emotionally connect with any of it. at least w wolfstar theres so much material and foundation to explore but what is all the rest of this?? just hot celebrity fancasts and crack. to be fair part of me respects taking a terfs canon material and making everybody gay but the way it seems to be so oversaturating fics and the fandom that characters dont even feel like their original selves .. atp its all just surface level OCs
hello! yes! i'll be honest talking about things like this always make me a little nervous, and i feel obligated to preface anything i say with a disclaimer that none of it really matters, nothing i say matters, and you should do what you like, because--who cares. i am not an authority on--anything, frankly. my opinion holds no more weight than the next guy's, and all i'm doing here is giving it, so. essentially what im saying is--people are perfectly entitled to disagree with me, but people are not entitled to be mean to me about it xx
having said that. it is my personal opinion that s x barty is one of the worst fucking things i have ever heard lol. who even is barty who is that guy. why would s be interested in him at all. i do not understand it it does not make sense to me. from where are we sourcing the character traits and personality that we are giving barty that would ever endear sirius to him, because it objectively cannot be canon.
overall i do not get the new interest in barty + evan + pandora (+ regulus, but we won't go there)...at all, other than guessing that people were bored with the marauders and wanted a new version of them (and new celebrities to fancast) while simultaneously changing next to nothing about them other than superimposing them onto the first slytherin side characters they could rustle up. i expect ive become a bit of a broken record in regards to my dislike of the popular meow-meow-ification + complete absolution of regulus as a character in order to make him a loveable oc (just as i think erasing all the negative traits that r/s have in order to make them more likeable is just as boring), and all of that applies to those other guys as well (with the slight difference that they are, somehow, even less interesting and significant than regulus in canon), so i won't get into that too much. but i think what you say about having no emotional connection to any of it is exactly right lol--it is a sort of shift? i guess? in the fandom that is simply of no interest to me. they are characters that i just have no emotional investment in and admittedly struggle a little to understand why other people do. i am emotionally invested in, like, five characters overall (and even out of those--there's only two i'm really here for innit xx) and i personally cannot extend that investment to a creepy little side character who is mentioned maybe twice in the entire series.
and that is okay! i do not need to understand it. i don't want to say it annoys me because honestly--i don't go there, its nothing to do with me. if i dont like it i just wont interact with it, and the fact that it doesn't interest me has no bearing on what other people are into or want to do, and i couldn't give less of a shit what people do with the canon material, which is largely garbage anyway. take the bits you want from it, play around with those and ignore the rest. in that respect we are all doing exactly the same thing. but yeah i think s x barty is genuinely awful lol. hate it. very terrible. he's already got a loser werewolf boyfriend and he loves him so so much. leave him alone.
#i know most people are reasonable and thus it is perhaps overly cautious of me to insist on shrouding my unpopular#opinions in like. layer upon layer of placatory disclaimers but. well im a rather anxious guy i can't help it xx but im going to use these#tags to have a bit more of a consequence-less hater hour so. if you like regulus or barty or any of that lot i suggest you look away now#because i am about to express opinions about them that you probably wouldnt agree with + wouldnt enjoy reading!!#like full warning what im about to do is NOT any sort of analysis or defence of my opinion i will just be hating on them. is that clear.#okay. having said that. hater hour. barty and evan and honestly regulus were all cunts? like they were terrible people why do we care#about them now. regulus interests me solely as a piece of context for sirius' character. i could not give less of a shit about him as a#person in his own right. which leads me to my next hater moment: why oh why oh WHY on earth would canon james potter be interested#in canon regulus black. it makes sense in like a muggle au where they are virtually completely different characters but canon?#why would he be attracted to him. there is nothing. there is no chemistry i am ASLEEP and so is james. he would not give that#guy a second look. like it just baffles me it truly does. i feel like you have to bend over backwards to create a situation in which#james potter would ever show an interest in regulus. and i know jegulus is a fucking force to be reckoned with nowadays but god i just#do not like that ship. also i think the fact that barty and pandora and evan are essentially just oc characters who have been coloured#in by general fanon consensus shows in that what they have become is just. not interesting or complex or well fleshed out lol. like#idk i feel like they are just. very shallow. deliberately. so they are easy to like and easy to ship because that is what theyre there for.#god it feels so good to say all this. i will never be a hater again (<- lying) but i needed to be able to just. say this just once xx#also if you needed any more indication what barty and evan and regulus are here to do you just have to look at their#super-hot super-conventionally attractive celebrity model fancasts. like it all adds up its like but what if these death eaters were#not actually evil :-( what if they were really sweet and also? so so hot. like they were all so hot and actually really good#and none of them meant to be evil they didnt want to be :-( they were just hot good guys all in love with each other and the evil stuff#they did wasnt their fault :-( like that has to be. the most boring thing you couldve possibly done with these blank slates. surely.#anyway. im done now but i enjoyed hater hour immensely this was so fucking good for my soul xx thanks and goodnight xx#anon#telegram#scream hang on sorry. just looked at the comments of that tiktok where people are saying they were prison besties. girl. girl.#girl they were in prison for very different reasons baby. baby you know that right. baby look at me. look at me
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cutter-kirby · 1 year
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on one hand I think caleb is a character that should stay just out of our reach. a ghost both literally and figuratively. he is nothing but what philip remembers him as, which is a shaky, looming figure that twists with each new ramshackle approximation of his dead brother’s memory. someone who is so integral to the narrative, always present, without ever actually appearing. caleb is gone, he has been for a long time, and it should stay that way because now his existence no longer has to be perpetuated by his killer’s faulty depictions of him. he’s free. he can rest.
on the other hand haha zeno robinson doing a bri’ish accent innit mate
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inkykeiji · 23 days
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not sure if this helps but i just read this a few days ago..
https://www.tumblr.com/moodyvoid/746788409535791104/tomura-promising-to-protect-his-leagues-ideals
i totally agree with you tho!! this is so fucking annoying i hate the way they are moving forward with his character!!!! :c
bnha manga spoilers + clari going on a huge rant that is very much tainted by extremely intense and deeply personal emotions
it does not help, but i appreciate you sharing it with me anyway anon <33 thank you for trying to help me feel a little better, genuinely, i really do appreciate it so much!
ugh. ‘his league’s ideals’ aren’t even his own ideals. his entire life has been a lie—was he really a victim of hero society, ever? would he have been a victim of hero society, and especially in the way dabi and toga and twice and spinner were, had he not been given decay? had he been able to completely live out his life normally, without any interference from afo (completely ignoring the fact that, apparently, he wouldn’t even exist without afo and his meddling)?
he’s a fraud. he shouldn’t be the leader of the league. he IS a victim, yes. a victim of a villain, a victim of his abusive father who hated heroes, who is probably more of a victim of hero society than tenko ever would’ve been—so at least there’s that indirect link. but to me, and this is purely my own personal opinion, having decay not be his natural quirk takes so much away from him as a character. i interpreted quirks as a metaphor for undesirable qualities that normal society shuns. as such, having decay be his original, natural quirk, to me, made him a much more fascinating and complex and MESSY character. now he feels one dimensional and boring. all of his ‘decisions’ were tainted by what he thought was true—but none of it actually came from within him, at all, ever. not even a sliver of it. can we even say ‘that was all him’ when we know that the basis for all of those decisions is entirely built on lies and deceit? when literally everything tomura knows, and stands for, and believes, has been built on a lie? when it was all done BECAUSE of the ideals and opinions implanted within him, that don’t have a single hint of truth to them and don’t actually pertain to him or who he would’ve been and what he would’ve suffered at all? i think he genuinely cares for the league, yes. i think he genuinely likes video games, yes. but the reasons and motivating factors behind those decisions are ???????????
i just feel like it would’ve been so much more impactful and sinister for afo to intentionally seek out a child who he KNEW had a quirk that would be shunned and would alienate him from society regardless and then use that trait as a tool to manipulate the child and mold tomura into exactly what he wanted, than to just completely engineer the entire thing from the very start. this single change in detail suddenly alleviates tomura of all responsibility, which makes him feel really flat from a character standpoint. sure, tenko has a great heart or whatever, but i personally am not interested in that. i liked the moral greyness of the league. i liked what they stood for. tomura/tenko having this pure heart within him, or this capacity for a pure heart (ie making these choices to care for and save his little jigsaw of a found family), while also struggling against the shackles society would’ve imposed on him for being born with such a quirk, and the real anger and hatred he would’ve felt because of that, is soooo much more interesting (and relatable!) than tenko just being, what, a decent person? idk.
in other words, none of tomura’s ‘decisions’ hold any weight. obviously, tomura has been groomed and manipulated by afo since he was very young—most of his ideals and opinions were shaped by and influenced by afo. but at least if decay had been his own quirk, there would’ve been a kernel of truth there. that’s all i wanted. just that one kernel of truth.
anyway, sorry i just used your ask to vent and cry about it HAHAHA. i hope i’m explaining myself sufficiently and that my ideas are being expressed adequately and clearly. honestly, i’m having trouble fully articulating myself and why i am so insanely upset over all of this, but in a nutshell these are my thoughts. i feel like i could write an entire essay on why this decision sucks so bad LMAO. sure, his story is tragic. but it also feels really meaningless.
who knows, maybe the manga will make me eat my words, and something great will happen, and i truly hope it does!!! i hope it renders everything i’ve said here completely untrue! but we will see what happens,,,
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toytulini · 2 months
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dont get mad at me this is a subjective opinion but like. like i enjoy stardew a lot and this is by no means a criticism, more of like. just a Wish.
I want a game very similar to stardew valley in terms of play and "difficulty" but animated/artstyle like, botw.
#toy txt post#if anyone gets on my ass about this i will turn reblogs off so fast im just wishing and this isnt even hating on the artstyle of stardew#more. wishing i could further customize the house and grow crops in botw or totk#you can do more house customization in totk but its still not enough also my house in totk is like. maxmimum number of buildings#which i cant remember? but its that many of just fish ponds stacked on top of each other in a spiral and then every blood moon i get that#many free easy sanke carp#anyway the point is i really loke both games and i dont hate the artstyle of stardew. but its not like my favorite?#also sorry for making this post more disclaimers than opinion at this point i just really want to get it across that i Like Stardew Valley#and i likw the artstyle and this is not like a call to action on the dev or a demand or anything it is me daydreaming about a game that#doesnt exist. also if i had the controls i have in botw maybe i wouldnt be getting mugged in the mines so much#also im a fake gamer so i dont know all the right terms but i know there are like Other Games that have like the exploration vibe and#probably the ability to customize a house and give gifts to ppl and shit however all the ones im thinking of.........#to be clear here when i say art like botw i dont just mean like oh expensive 3d rendering and all that shit. like a little but like#CRUCIALLY. NOT AIMING FOR REALISM. it (DAYDREAM GAME MADE UP) needs to be stylized bc#listen i was being nice w the sv i dont hate the stardew valley style. im not going to be nice here: i fucking despise games trying to look#like real life and real life ppl every single one ive ever seen is uncanny valley to me EVEN DESPITE the many advancements they have made.#i recognize theyve made a lot of advancements. and i recognize this is also a subjective opinion i hold. but i just think all the ones ive#ever seen are so fucking ugly stop trying to capture the realism just lean into some stylization please im begging youuu#the worst part is there are games whos premise i would probably find interesting? but theyre so fucking ugly im not spending over $40 on#that shit ESPECIALLY if it has the audacity to be first person pov#i can maybe be tricked into it in this regard if its heavily ocean centric. i can be bribed with ocean
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sonknuxadow · 1 year
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i dont even like chris all that much but a lot of people who hate him are so weird and annoying about it that i feel like i must defend him
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I’ve passed 52% (yay!) and I have so many thoughts written down (yes, I take notes while reading (mostly keyboard smashes, though)). But I’m just gonna appreciate all of the relationships being portrayed here between the characters. And the level of complexity their personalities and worldviews and arcs are allowed. And also the fact that they’re allowed to show deep, deep emotion as much as they hide/deny it...and that their changes are so brutally shown to us readers and the people around them.
Just how? I don’t know how this book managed to show such character development, such a progression and changing of relationships, such nuance between characters (not just Dokja @ everyone, but also between the sides themselves), such belief in each other and the person they’ve become (312′s “I believe in the story they had built” - I’m dead), such lightheartedness but also such depth between everyone...
*suddenly throws the book into the wall* And how does it keep one devastating me with all these random exchanges!?!? It’s happening so close to each other and yet it seems so well built-up and paced?! I cannot....
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