#especially a former organic

[blitzy-blitzwing]

how would these guys react if they met someone whose demon form is fully robotic, despite being a human in life? I can’t imagine that going over well with anyone missing their mech form ahaha

I imagine that it would go poorly for the guy. 😬😬

#they will be PISSED if they find out someone’s a mech #especially a former organic #demon blitzwing #TFA #hazbin hotel #my doodles #demon megatron #demon lugnut #demon shockwave #hazformers

[katyspersonal]

What's your interpretation that the left hand of cleric beast is much bigger that the right?🤔

Well, like I've pointed out before, the only explanation I am seeing is blood ministration being done on the left arm!

However, this might get a little more interesting with the Cleric Beasts, because Emilia is also one, yet her arms are symmetrical!

My closest guess to why it happened is because of something Healing Church has been known to do with female bodies. Namely - do some sort of surgery/manipulation/operation on them in order to change their blood type into 'holy blood' one, which they are able to share with the hunters!

English localization team had to use term "groomed" instead of whatever this actually says, and this is definitely going into top 10 of my biggest headaches with mistranslations! As you can see from the Japanese script retranslation ( x ), the meaning is more literal, implying a procedure. I always felt like it would be a surgery on bone marrow, since this is where blood cells are produced, and doctors in Bloodborne could have learned to alter them into having impossible type of blood!

So, as a female cleric, Amelia might have had her first communion with the holy blood as a Blood Saint, instead of generic blood ministration treatment like apparently everyone else has!

I am still not sure why female staff specifically was the Blood Saints, since apparently blood vials are not menstrual blood, as we can learn thanks to Adeline:

Maybe it could have something to do with menstrual cycle, though, because of the whole cycle of moon vs menstrual cycle thing, and Laurence being affiliated with Moon Presence, and then Micolash also stealing his swag and basing his own institution on:

I'd say this is either some sort of deeply rooted superstition within the setting, or in fact, yes, the holy blood links to the Great Ones who put HELLA importance on blood and birth, so being biologically female is crucial for that link to take intended effects.

Ludwig is an interesting case, though! He was SUPPOSED to have blood ministration too, like Laurence or Cleric Beast of the Bridge! Why would not the first Healing Church hunter and the HEAD of their hunters do something so crucial? Especially since Cleric Beast of the Bridge drops the Sword Badge with which you buy Hunter Chief Emblem, implying that this beast is currently what Ludwig used to be? But his left arm is not bigger. In fact, it is even smaller. So I am trying to think of the variants of what had happened here:

1) Ludwig somehow merged with an actual horse, so his anatomy is simply no longer judged through the same lense

2) Ludwig is a leftie, and this is where he holds his Holy Moonlight Sword, so its effect would be a "remedy" for possible arm deformations

3) Ludwig is not a simple beast, but the one with a lot of Kin features, so his anatomy is simply no longer judged through the same lense (+horses are primarily herbivores, and Kin is associated with the flora in the setting, so maybe that's why he went horsegirl mode instead of getting something weak like antlers lol)

4) Ludwig is trans and actually was the first to get Blood Saint treatment rather than regular blood ministration (+we take Adeline's blood from her right arm, and notice that his right arm is a little bigger)

5) Ludwig is a cis man and was the first biological male who attempted to receive Blood Saint treatment instead of regular blood ministration, but that didn't take the intended effect because the gods Be Like That in the setting + his unusual visions and mutation might be the side effect of that and that's why Healing Church stopped doing that with male organisms. Basically, if a male attempts becoming a living factory for the holy blood, it will go "wrong".

6) Combinations of the above points

.....Okay, that went a little unfocused from the initial topic, but you see my points here! Thank you for the ask!

_________________

Bonus ideas:

- Whereas Ludwig is holding the Holy Moonlight Sword in his left hand, Amelia also is grasping the Gold Pendant in her left hand. So maybe nothing was special about her, but holding a special item in the "effected" hand will remedy the asymmetry effect, and had Amelia not been doing that all the time, she'd be asymmetrical too?

- Amelia using recolored model for Bell-Ringing Woman for her appearance might be not accidental, but a fuel for the headcanon that she has Pthumerian blood too, and Pthumerians might simply evolve differently, or traditionally have different way they' go for the blood communition. Off the top of my head, look at Loran Clerics having same sized arms:

Basically, I can answer why Cleric Beasts and the huntsmen have asymmetrical arms, but not why people like Emilia and Ludwig broke the trend despite being the first in line to have blood ministration normally... Because I just have too many ideas, and my preference usually falls towards the most logical ones, but when there are equally logical ideas I become helpless :')

#bloodborne #cleric beast #vicar amelia #ludwig the accursed #bloodborne theory #bloodborne headcanons #use later #ask replies #i actually like the idea that part of ludwig's suffering is just great ones going 'bitch I said I wanted someone with MENSES for this one' #laurence would also not be above using someone as a lab rat but to his honor he clearly used HIMSELF as a lab rat as well dfsjhfdh #but Ludwig being actually the first Blood Saint is interesting! #he could share blood vials with his own knights right on the battlefield #i am just.. Basically Laurence and Micolash (ESPECIALLY Micolash) deeply resenting not being female works sooo well #I had that whole ass post about how creepy Micolash grew about themes of menstruation and birth and female organism in general #and like it scared myself so much that I legit had bone-chilling fear after reading my own shit that night fdshfhds #meanwhile trans Micolash would 10000% lack genital dysphoria and only want things like his former voice or breasts gone #the deeper you dig into bb lore the more you realize men of this setting tend to be really weird towards womanhood and all attached to it #it is just something I dislike to address because toxic fans tend to use it to bully Gehrman fans and tell cis men that BB is 'not for them #but it IS there too so #WHY I AM TAKING NORMAL ASS ASKS TOO FAR #no but when will it end? lol

[arachine]

yes, i'm ready (to fall in love)

── ˚₊✩‧₊ genre: smut, fluff, mild angst

── ˚₊✩‧₊ synopsis: after reader is persuaded into putting herself back out there by long time friend, shoko, she successfully ends up scoring a date. unbeknownst to her, though, the gods have different plans—and one of them seems especially interested in her relationship with ex-husband, gojo satoru.

or in other words: a failed date results in a night of passion amongst former lovers.

── ˚₊✩‧₊ contents: 13.5k words, ex-husband!gojo + co-parent!gojo, slight dub-con (alcohol use), dumbification, overstimulation, vaginal penetration, unconventional form of contraception (pull-out method - don’t do this), pussy eating + one oc for the sake of plot

── ˚₊✩‧₊ note: i know this is really long and most people don’t have the attention span for it but PLEASE give it a chance! this is literally the longest piece of fiction i’ve ever written and i’m really proud of it :(

songs to listen to for best reading experience: donny hathaway - i love you more than you’ll ever know barbara mason - i’m ready partynextdoor - showing you bryson tiller - been that way

After you divorced your ex-husband, and decided to devote all of your time to being a mother, you never really considered getting back into the dating world. Not that you didn’t eventually want to settle down with someone new, but the dating world now was just so–different.

Different in the sense that meeting people organically was becoming increasingly difficult. It wasn’t like how it used to be in high school or college, and it really didn’t take that much effort then to get a man’s number by the end of your outing. 

When you were in your early twenties, a brush of your hand on a man’s arm would’ve worked. An ‘accidental’ bump into someone at a grocery store or cafe might’ve ended in a quick lay. Using these tactics today, though, might earn you some weird looks–have–earned you some weird looks. 

You’re on call with a friend from college when you begin recounting something embarrassing that happened to you recently. At first, the conversation started out about all of the professors you would’ve slept with (if given the chance), but then, one thing led to another, and she asked you something that made you wince: 

“‘How’s your dating life been since, you know, Satoru?’” 

There’s a heavy silence from your end, and she almost thinks you hung up. 

“I mean, if you want to share,” she splurts, attempting to approach this gently, “I know that after the divorce, I wasn’t there for you like you needed, but I’d like to make up for that–if you’d let me.”

Shoko’s always been like that. Blunt and charismatic, but gentle and zephyr-light in the way she cares for those closest to her. It’s a trait of hers that you admire, because not so many people would care to treat your heart with such fragility.

“No, it’s okay. You can ask, you know, it’s not this secret thing,” you start, sighing before continuing, “it happened, and it was a mutual decision.”

Shoko hums on the other side, “Well, I’m still sorry. I let us go without talking for far too long…”

“Well, I accept your apology, even if it’s unwarranted. Like I said, it was mutual and…there wasn’t really an intense grieving period for me? The only thing that hurt me is that you distanced yourself. I mean, the girls did miss their aunt Shoko…” you say, trying to make her feel bad but not too bad. 

“I know, I know, I’m a bad aunt,” she jests, then the tone shifts to something serious. “I think I was just scared because both of you were my best-friends. I didn’t want to ‘pick sides’, but I see now that it was a mutual decision, so I’m assuming you two are on good-terms?” 

Again, you pause, “I mean, yeah. Satoru will always be my best friend. We may not be together romantically but he’s such an integral part of my life, I couldn’t do this–all of this–alone.” After you say it, you feel a weight being lifted off of your chest that you didn’t know was even there. 

You think nobody would understand if you told them this. You think they’d question how a person could divorce someone who’s supposed to be their best-friend. And with the way you describe it, they’d probably think you were still in love with him. But Shoko’s different, she gets it. Which is why saying it to her came so easily. 

“He is a great father,” she chimes in, “but you two rushed into it so quickly, I don’t think either of you had time to discover yourselves after college.”

Although she can’t see it, you smile. Because she gets it. Even if time did place itself in between the two of you, she was there for most of it, when things were still touch-and-go. When things were fresh, and clumsy. 

“Exactly, that was our biggest gripe,” you admit, “We didn’t afford ourselves that time to grow, and I think that hindered our relationship. We weren’t husband and wife first, we were parents–and we were young, way too young.”

“You made it, though,” Shoko tries to brighten the mood, “you’re both amazing parents, and I know those beautiful girls that you created are lucky to have you.” 

The intimacy of the conversation sends your emotions into overdrive. You quickly realize how much you missed her, how much you yearned to talk to her. To reconnect on this level. 

A single tear cascades down your cheek, and you try not to sound like you’re crying when you say, “Ok, enough about that. You wanted to know about my shitty dating life, right?”

It happened last week, the grocery store incident. You were out picking up a few things for dinner when you spotted a cute guy standing outside of the aisle a few rows from you. He was fit beyond measure, in looks and strength, and was wandering around aimlessly in pursuit of red pepper flakes. 

Coincidentally, you just happened to be in the seasoning aisle, and like the good samaritan you were, decided to personally hand-deliver it to him. 

You wince as you vividly recall the embarrassing ordeal that ensued immediately after. 

“Hey,” you peer from behind the aisle, with a bottle of red pepper flakes in tow. “I heard you mumbling about finding this, and you looked pretty lost, so I thought I’d pick ‘em out for you.” 

The man’s brows furrow briefly before his lips up-turn into a grateful smile, “Oh, cool, thank you so much!” As quickly as the conversation started, it ends even quicker. He gives you a final nod of endearment before he’s turning around on his heels to resume his shopping. 

“God, could he be any more dense? The men today really make you work for it, huh?” you mumble to yourself, pulling the bosom of your blouse down until a good amount of cleavage is on display. “Okay, alright. You got this, you got this. This always used to work, right? Yeah, men love boobs.”

Walking up to the man again, you try a different approach–a bolder approach. “Not to be a bother but I was wondering if I could-”

“Babe? Oh, there you are,” a new voice interjects. The owner of the voice emerges from around the corner and walks up to the man with a cart and a baby in tow. You’re stunned, to say the least. All you can do is stand there and blink in complete and utter dumbfoundment. As you remain in their presence, you take a moment to analyze the woman. She’s gorgeous, and toned. A real model-type broad, with feline-ish features that make so much sense paired with the man who appears to be her partner. 

Oh, you think, and apparently say aloud, too. That’s when the woman turns to you, finally acknowledging your much smaller, and much quieter presence. 

“Hi, can we help you?” she smiles, and it’s actually genuine. Toothy and perfect, and totally not jealous. You blink once, twice, before gathering your wits to answer her question. 

“Yeah, uh, no. I actually, uhm, was helping your h-husband. He was looking for red pepper flakes,” you mutter embarrassedly, and point to the bottle in his hand. Upon further observation, you notice that she isn’t exactly wearing a ring. You find this odd, especially because his not wearing a ring is what encouraged you to pursue him. Carefully, you prod. 

“If I may ask, how come neither of you are wearing rings?” The couple gives each other a look, one that makes you feel like the odd man out. A look that is universally known, and without a doubt, could easily be translated to: ‘did this chick really just ask that?’

Still, you smile as you wait for an answer. The woman takes the initiative. “Yeah, we don’t really believe in rings, isn’t that right, babe?” she says so matter-of-factly. You blink again for what seems like the thousandth time, because of all things, you did not expect that to come out of her mouth. Her husband is quick to validate her statement. 

“Yeah, we think rings are unnecessary, you know? You don’t need a piece of metal to confirm your feelings,” he says walking to his partner’s side and wrapping an arm around her. 

Disgustingly, the two give each other googly eyes before locking lips briefly. You can tell they’re the type to probably share this information with just about any soul who asks. Today, you just happened to be that unfortunate soul. 

“Are you married?” she queries, tilting her head against her husband’s chest.

“I was, now we just…co-parent,” you purse your lips, ready for this entire interaction to be over. The woman frowns at your answer, and this time it’s not as genuine.

“Awe, well, I’m sorry to hear that.”

“It was actually a mutual decision,” you quip.

“Okay,” she smiles, widening her eyes at her husband to signal a departure, “well, it was nice meeting you, and thank you for the red pepper flakes.”

The family turns away and heads to the front where check-out is. You don’t even buy the items you intended to purchase, just leave your cart in the middle of whatever aisle you abandoned it and leave the store.

“Oh, baby, you didn’t?” Shoko asks in horror. You nod your head, still forgetting she can’t see you and the way you’re sliding down against the wall. 

“I did, and I shan't ever again,” a laugh erupts from your throat. 

“I mean, fuck, are we getting old? ‘Don’t believe in rings,’” she mumbles, “Don’t believe in rings, my ass! Is this what the youth are doing these days? Not proposing with rings?”

Now that you think about it, you wonder how that would even work. “Yeah, right? I mean, how does that even work? ‘Will you marry me? But, actually, you should know I don’t have a ring for you, so people will have to guess that we’re together purely based on vibes and energy,’” you mock, in a not-so-great man voice. 

Shoko’s laughing so hard by the end of your bit that she breaks the sound barrier, and the sound that makes on the phone sends you into your own fit of laughter. You laugh so hard it seems like a stream of pee comes out. Curse your developed incontinence after motherhood.

“God, you’re so stupid, I can’t breathe,” she says exasperatedly, and you know that on the other side she’s probably keeling over in her bed. 

“Oh, please. I bet you haven’t laughed this hard in a long time, bitch.”

“I haven’t,” she cackles. This back-and-forth continues until the two of you settle down enough to continue discussing your (pee-inducing) love life. 

“You tried any dating apps?” 

It’s a simple and valid question, but it only makes you laugh even harder. You only stop when the other side of the line goes quiet. “Wait, seriously?”

“Yeah, seriously. It’s what everyone’s doing these days! You’re not that old, you know.”

“Shut up,” you kid, “ it’s just that I never considered it. I mean, dating apps feel so impersonal. How serious do people even take it?” 

“Sure, there’s people who use it for casual hook-ups and stuff, but a lot of people do come out of it with a relationship. Just don’t knock it ‘till you try it.”

“Oh?” you muse, curious. You wish Shoko could see your face, and the weird little dance your brows were doing. “Shoko, have you used a dating app before?” 

The brunette kisses her teeth. “Can’t get anything past you.”

“Never.”

There’s a sense of hesitance but you encourage her to elaborate because ‘she became estranged from you for almost a decade and needed to pay her dues’. Sighing defeatedly, she eventually acquiesces. 

“Fine, fine, maybe I’ve…been on a few dates,” she starts, “–and had a few one night stands, maybe more than a few, and maybe even dated a guy that turned into my stalker–”

“Ieiri Shoko! You naughty, naughty girl! Wait, stalker?”

“To make a long story short, I got a restraining order on that creep. Anyway,” she segues, attempting to change the subject, “We should make you a profile!”

For the rest of your phone call, Shoko guides you through all of the dating app basics. She offers her expert advice as you scroll through your camera roll for potential photos to use. You go through about a hundred before you finally settle on five that she really likes. 

The one that she tells you to put first is a photo of you in a bikini. It’s a few years old but she says you look ‘radiant’ and that your ‘tits were practically spilling out of the cups’. Plus, for further consolation, she says most people on dating apps are liars. 

“Everyone’s got at least one old photo on their profile, doesn’t make you a catfish,” she quips, “just means you’re a nostalgic person!” 

“Right…” 

The next one is a selfie. You’re smiling big in it, showing your gums, and it’s genuine. Shoko says guys like those types of photos because it shows them that you’re approachable. It also won her over because it’s fairly recent, too. 

Out of all your photos, there’s only a select few that were taken within the year. You had to admit to her that you never really took photos of yourself anymore. Satoru took most of your candids. Still, she had a mission. And she wasn’t going to be satisfied until she stuck around to see your first match. 

“After the selfie you should put the one of you with the girls.”

The picture she’s referring to is one Satoru also took. You remember that day fondly, and even now, the memories feel like a warm embrace. 

about 8 years ago . . .

“Dad, mom, look! Hurry!” Hana, your oldest, shouts. Satoru and you are sitting on a blanket up on the sand dunes with Haruki, who’s trying her best to make a sand castle–to no avail. 

“What is it, hon?” Satoru and you rush over to her, snatching toddler Haruki in the same breath. When you get to the scene, a flood of warmth washes over you upon discovering the ‘threat’. 

“See, it’s baby turtles!” Hana’s squatting in the sand, watching with pure and unfettered fascination as the hatchlings crawl north to the ocean. When she looks up at you, with eyes so bright, and a smile so big that’s missing two of her front teeth, you want to cry. 

“Oh, hon, that’s beautiful,” you gasp, lowering to your haunches so that you can join her. Satoru is about to follow suit before deciding at the last minute to go back to the blanket. When he returns, he snaps a picture unbeknownst to you. Eventually, though, you turn your gaze to him and he captures–what he used to think then–the ‘prettiest’ photo of you.

“You sneaking photos of me?” you squint, pointing at him. He trods closer until he’s standing above you. Then he snaps another. Your head’s tilted up, and you’ve got one eye open, and the other closed because of the sun. He always liked when you squinted like that because it made your nose do this cute little scrunch. 

“Yup, ‘cause you’re my muse.”

You’re pulled out of your daydream when Shoko says your name on the other line.

“You still there?” 

“Yeah, it’s just…”

“Just what?” she queries, waiting for a response. 

“I wanna use it, but my ex-husband took it. It feels weird, you know? And do I want to use a photo of me with the girls?”

“Hon, who cares if Satoru took the photo? It’s still a good photo, and to answer your second question, why wouldn’t you include a picture with your girls?”

“I don’t know, I guess I’m just afraid no one will be interested. Nothing about a picture of a mom with her two daughters exactly screams ‘fuck me’.”

Shoko lets out a small chuckle but you’re being serious. “Oh, sweetie. You’re so cute. Milfs are in these days, I don’t think I’m the one getting old, I think it’s just you!”

“Ha-ha, laugh at the mom,” you feign annoyance, but give her a laugh in return.

“But seriously, please use that photo. Nobody’s going to skip you just because you’re a mom. A lot of men on there have kids of their own, just gotta tweak your settings,” Shoko reassures you.

By the end of your call, the profile is set. You thank your old friend for the previous heart-to-heart conversation, and the time she spent helping you set up your profile.

“Keep me updated, and don’t talk about mom stuff, okay? Now, I’m not saying you can’t talk about them,” she begins, “but show these guys your personality! I know she’s in the closet somewhere hiding next to our old slutty clubbing clothes.”  

Then, the both of you say your goodbyes and she wishes you a good-luck on your newly established dating journey. As you lay in your bed, you give your profile a final onceover. Not too bad, you think to yourself. 

You ended up using all of the photos she had originally picked out for you. Even the beach photo. To compensate for your old photos, though, Shoko made sure that your prompts were witty and full of personality. 

“I’d match me, I think. No, yeah, these are funny. She did a good job.”

The following day, you open your phone to fifty notifications from the dating app. A tingle of excitement shoots through your body from the tip of your toes, to the top of your head. It takes all of your might not to squeal in the office. 

“Holy fuck,” you whisper at your desk. The amount of notifications that you initially saw on your homescreen read ‘50’ but when you opened the app, it showed you an overwhelming ‘100’ with a fat plus sign next to it. “Wait, are these all the people who liked me? Shoko’s gonna flip.” 

Getting up from your chair, you make a beeline to the nearest bathroom. Not that you have to use it, but so you can scroll through all the potential prospects without your boss seeing you on your phone. 

Pulling open the door to the bathroom, you close it shut behind you and lock it. A few minutes pass in the time you’re able to get through about half of the people who liked you. You end up skipping a lot of them. They’re either too young, too self-absorbed, creepy, or just downright not your type. 

Some stick out, though. Even trick you into thinking they’re potential matches, but then the other shoe drops–because there’s always another shoe. You’ll scroll through their profiles, and they’ll seemingly have all the perfect traits: intelligent, witty, handsome, tall–and then, boom. You see their ‘don’t want kids’ preference. Every failed match only discourages you more and more. 

It’s weird, because your profile preferences are set to ‘have kids’ and you even have a photo pictured with your girls. So why are men liking your profile despite that? After a few more scrolls, you’re just about ready to head back to your desk but then–you have a hit. 

Your finger hovers over the ‘x’ at the bottom of the screen, then retracts. The guy’s profile at first impression is miles better than the rest, it’s almost too good to be true. His first photo is what piqued your interest. It’s of him posing for a silly photo with his sons, and he’s got his arms draped around their shoulders. 

As you scroll down his profile, you see that there’s even more of him with his children. You take this as a green flag. He wants people to know he has kids, and that he isn’t embarrassed to show them off. You admire him for it. 

The last few remaining photos are an amalgamation of selfies and full-body photos. To the average, well-adjusted adult, looks wouldn’t be a deal breaker. But he definitely wasn’t too bad on the eyes, and you were not complaining about that–especially, after the odd men you had to scroll through to get here. In other words, he was gorgeous and still fit despite being older than you (him, respectively being in his early forties). 

Checking the time on your phone, you realize that you’re pushing your little ‘bathroom break’. Before heading back to your desk, you decide to respond to his first photo.

You: Cute! Could never get my girls to stand so still for a photo like this now haha :)

Work goes by slower than you’d like, but finishes up just in time when you get a notification from the dating app. You’re a little more excited than you’d care to admit. Tidying up your workspace, you say your goodbyes to your colleagues and head to the elevator. Absent-mindedly, you rush to answer his message but realize it won’t go through because of the elevator’s poor service.

Kazuki: Oh, they’re moody and grown now, don’t be fooled. I can't remember the last time I saw my youngest smile. 

You don’t answer his reply until you get home. Actually, you do just about everything but answer his reply: check on the girls, shower, prepare dinner, pour a glass of wine–you’re nervous, and you don’t know why. But you know you should probably answer soon before he becomes disinterested. So you get comfortable in bed with your glass of wine and pull open his chat.

You: Lol, know that all too well. Kids are little assholes, aren’t they?

The speed in which he reads your text is startling, you don’t even have enough time to close out of the chat. Then, he responds. 

Kazuki: Hell yeah they are! 

Kazuki: Sometimes I want to strangle my youngest. He’s at that age where he’s starting to rebel and question everything. I told him he was supposed to be the ‘easy’ one, but his knucklehead brothers are bad influences on him…Tell me, does it ever get easier?

You: Sounds a lot like my oldest. She used to cling to me like a koala but now she’s the ring leader, and I’m the enemy. My youngest still loves her mama, though (for now lol). 

You: And to answer your question, I’d like to think so? 

You take a second before continuing your response. Shoko told you to keep the mom talk limited, but this seems to be working for you so far, and he’s genuinely interested in what you have to say. So for once, you’re going to ignore her advice. 

You: Kids go through phases. It's our job to reassure them that we’re not going anywhere. No matter how much they push us away or try to, that is :)

Kazuki’s chat bubbles pop up, then disappear. You think he’s deciding on what to say. 

Kazuki: I can tell we’re gonna get along great. It’s nice opening up like this, you know? Talking to another parent. If I'm being honest, dating apps have always intimidated me…

Kazuki: People see kids as ‘baggage’, and it really bothers me. My kids aren’t baggage. They’re the best parts of me. And if someone doesn’t see that, then we have no business getting to know each other. 

Kazuki: Sorry for getting all sappy. Just felt like I needed to say it. 

His apology makes you frown. It feels like a breath of fresh air to hear someone talk about their kids so lovingly, because you feel the exact same way. You’re glad you downloaded the app, and you make a mental note to thank Shoko again later (after you debrief her about this). 

You: Never apologize for speaking about your kids! And if we’re being absolutely transparent, that was my biggest gripe with downloading this app, too. 

You: I’m so glad we matched each other. I’d like to get to know you more. And I’m hoping the feeling’s mutual?

Kazuki: It’s more than mutual. 

Kazuki: Don’t want to get ahead of myself but how do you feel about dinner? There’s a cool high-scale restaurant in the city that I haven’t been to yet. Heard it’s got two Michelin stars despite opening up not too long ago. 

The prospect of going on a sit-down dinner date has your stomach in knots. It’s been a hot minute since the last time you’ve done so, but you’re eager to know the man behind the screen on a more personal level. Plus, being treated to a high-scale restaurant with two Michelin stars doesn’t seem too bad either. You’re never one to turn down free dinner.

You: I’d love to, but how soon we talkin’? Gotta see if it’ll align with my schedule.

Kazuki: How’s this Friday at 8 sound? :)

The days leading up to Friday breeze by in a blur. For the majority of the week, it feels like you’re walking on cloud nine. Eventually, the conversation transitions from the dating app to exchanging phone numbers, and since then, the two of you have been texting back-and-forth everyday.

You talk about mundane things. Work, shows, movies, books you’ve recently read, what your kids are up to–but the other things? The other messages are flirty, and sexy, and filled with so much tension that it could cut a rope in half. 

In between messages, the two of you have also exchanged a few photos. Nothing risqué or anything of that nature, just random photos of you throughout the day. The last one he sent was a few hours ago of him at work, captioned with: ‘Could this meeting be any longer?’. 

You reply to the message with the ‘ha ha’ reaction, in consideration of not wanting to get him in trouble at work (even if he was the one who initiated the conversation). As the days go by, though, you make it a habit to update Shoko every step of the way. 

Her first reaction to hearing about him was enthusiastic. That is, until you showed her screenshots from his profile. You vaguely remember her saying something that was meant as a compliment, but came out more like an insult. 

“‘Oh, he’s a dad!” was her initial response, “oh, he’s a dad…and he really loves his kids. You’re meant for each other.’” 

When you tried to ask her what she meant by that, she changed the subject. Every update since then has earned slightly more positive reactions, though.

Today, you ask her for more advice. Only this time, you’re on video call. 

“Shokoooo,” you drawl, “our date is tomorrow! You have to help me find something to wear.” The panic in your voice is so palpable, she can almost feel your shaky hands through the screen. Flipping the camera, you hurriedly pan your phone around the closet. 

“Breathe, girl, breathe,” she demonstrates first, before telling you to repeat the same motions. “Take me to that section over there–no, not that one–wait, yep, there.” You amble over to the area she’s directing you to through the phone.

“What’s that black little number right there?” She points. You prop the phone up on a shelf and scour through the section, tugging out a dress you haven’t seen in ages (which has you questioning how she even spotted it because it was pretty far back into the closet). Walking back into frame, you hold the fabric up to your body. 

Shoko nods in approval, “That’s the one, babe. Try it on!” 

It’d been about a decade since the last time you wore this dress. It’d also been about a decade since you were ever this small. Looking in the mirror, you run your hands over every surface inch, every crevice of the dress, in a newfound sense of appreciation for the adult weight you’ve gained since becoming a mother. 

The dress was always stunning but it hugged everything perfectly even more so now. When you walk back into frame, your friend gives you a look of pure adoration. She’s so enthralled that she snaps a few screenshots for keepsaking. 

“Thank god it’s Satoru’s turn to get the kids tonight,” she says, “‘cause you’re definitely getting some tonight.” 

You roll your eyes, reminding her she’s on speaker phone. “Oh, please. It’s just dinner!”

“Not in that dress,” she retorts, wagging her finger in the camera. While the two of you continue to chat about the details of tonight, a knock on your bedroom door draws your attention. 

“Mom, can I come in?” the voice sounds. It’s Haruki. 

“Come in, hon!” 

After you give the ok, you turn to Shoko and mouth to her to behave. Haruki turns the knob and enters, closing the door behind her. She sees you standing in front of the mirror before you see her, and silently utters a ‘wow’. You’re just about done putting your earrings in when you join her in the other room. 

“What do you think, bun? Does your mom look hot?” you spin around, smoothing your hands down the length of the dress. You wait in anticipation for her approval, because if anyone could tell it like it is, it was always going to be a kid. Your Haruki was no exception. 

“You look really pretty, Mom. I’m glad you’re going out tonight, I mean, you don’t really have friends so I think this will be good for you,” she elaborates, though you wish she would’ve stopped at the compliment. 

Still, it puts a smile on your face to hear her verbalize that she’s okay with you doing something for yourself. You never quite discussed the prospect of getting back out there with your kids–and not even intentionally. It just never felt like the right time. 

“You could’ve stopped at the compliment, punk!” you grab her, then wrap her in your arms, “but thank you. Love you, bun.”

“Love you more, mama.” Neither of you make the effort to pull away. Instead, you both stand there. Hugging, breathing, embracing each other’s warmth. You don’t always get hugs this good, so when you do, you savor it. Drag it out until your arms and legs get all tingly. 

Or until someone interrupts. Another knock on the door. This time it’s Hana. 

“Ew, what’s going on?” Hana feigns a look of disgust. You know she’s just jealous; she’ll never admit it, though. Which is why sometimes you have to force her to participate. 

“Get over here,” you scrunch your nose, forcefully pulling her into your tight embrace. She tries to protest but eventually accepts defeat. You squeeze them both until they whine that they can’t breathe anymore. Then you squeeze them some more because this one’s for you. 

“My special girls,” you breathe in, taking in all of their love. Soaking it all up so that tonight you have the courage to try again. To allow yourself a love of your own. When you let go, there’s a sniffle from the closet. It totally dawned on you that Shoko was still on the phone. 

“They’re so big now, they don’t even know their auntie,” she fakes a sob, blowing her nose into a tissue. 

“Mom, who’s on the phone?” Haruki queries with a confused expression etched onto her face. It suddenly dawns on you again that although you’ve been communicating with Shoko again, you haven’t exactly told them. 

“Hey, you came in here to tell me something right, Han?” Your attempt to change the subject is poorly done, which doesn’t come as a surprise to you considering deflection has never quite been an ability you excelled at. Nonetheless, the look of suspicion they give you after is fleeting before they explain to you in unison that their father is here. 

“Your father’s been waiting down there this whole time and nobody cared to tell me?” you whisper-yell, left eye twitching to emphasize your ill-preparedness. The girls only shrug their shoulders in response, like this was something you were just supposed to know. 

“Well, you did force us into a hug and make us do all that Kumbaya stuff,” Hana mumbles under her breath.

“Okay, enough about all that. Are you guys all packed? Where are your bags? I don’t want your dad seeing–” 

“You don’t want dad to see your date, right?” Hana raises a brow, all knowing. Sometimes she was a little too smart for her own good. You want to blame that on the private schools Satoru had them enrolled in, but really you just know she’s just a menace in her own right. She learned that from him. 

“I agree with the kid,” a voice chimes in. You rush to the closet and grab your phone from the shelf. There’s a huge, shit-eating grin on Shoko’s face. Somehow she’s responsible for this. You don’t know how yet, nor do you have proof, but you know it. 

“Okay, thank you, love you, bye!” Before you can hang up, Shoko blurts something. 

“Tell him I said hi,” she begins, “–andnottogetahardonwhenheseesyou!”

You hang up the call and roll your eyes, chuckling to yourself because of her idiocy. When you enter the corridor, you hear a faint sound of hushed voices from downstairs. It’s only when you round the bannister at the top, when those voices become discernible and louder. 

You stop at the top, and when your eyes meet his, it feels like all the air in your lungs have expelled. Suddenly, you’re hyper-aware of what you’re wearing, and the fabric, and the way it clings to your body. Neither he, nor you, look away–you should, you want to, but you don’t. 

And in the time the two of you gaze upon the other, time stops for a modicum of a second. In this second, you and him are the last two souls in the world. At least, that’s how it feels anyway before he breaks eye contact. 

You shift your gaze shortly after, and put on a trained smile. Those eyes of his were always so intense. You guess you forgot over the years how easy it was to lose yourself in the crystalline pools of them. Gathering your wits, you resume your movements and saunter down the imperial staircase. 

“Hey, didn’t mean to keep you waiting. Sort of lost track of time, but I think the girls are all packed,” you say, your voice coming to a decrescendo upon noticing the way his eyes trail over your frame. They’re unreadable, though. Indifferent, and honestly, you’re not sure how to feel. So, you begin fidgeting uncomfortably with the rings around your finger. 

Then, he smiles. It’s eerie and fake. “Not a problem, I haven’t been here too long. But, uh,” he begins ambling around the place, touching random objects around the living room, “Didn’t know you had plans. What’s the occasion? Going out for drinks with your colleagues?” 

You furrow your brows, confused with his sudden interests in your plans. It wasn’t really like him to prod. “No, actually,” you rock back-and-forth on the balls of your heels, “i’m…i’m going on a date,” you finish with a pursed smile. He only nods his head in response, still walking around the place touching stuff, messing with the picture frames on the mantle. They’re all crooked now. 

“How come this is the only picture you have up of me,” he asks suddenly. You know, that he knows, the answer to that. And he knows, that you know, you’ll indulge in his games anyway. 

“The girls wanted them in their rooms. Why do you ask? You want me to go grab them and put ‘em all up around the house?” Again, he doesn’t say anything. Just gives you a final once over before heading back to the foyer to ask if the girls are all set to go. 

“Yeah, but I can’t find my tablet, dad. Can I go look for it?” Haruki speaks up. “I thought I packed it.”

Satoru looks at the time on his watch, pinches the crease in between his brows. “Sure, kiddo. Can we make it quick, please?” He throws his hand in the air for emphasis, then points to his watch. Haruki nods, then runs up the stairs. 

“Actually, you go on up too and help your sister. You guys are holding up dad,” you turn to Hana and gesture for her to head up with your head. She rolls her eyes, yelling up the stairs for her younger sister to ‘freaking hurry up’. 

You and Satoru both turn to each other with wide eyes, laughing at the nerve of those children. 

“They get that attitude from you, you know,” you point to him, driving your index finger into his bicep. 

“You sure? Their mom’s got a pretty bad mouth on her, too. Or, have you forgotten?” He teases, bending his knees slightly to level his eyes with yours, intruding into your space. The smirk he dons is cheeky, too friendly–too inviting. You want to smack it off of him. 

“Oh, shut u–” the sound of your phone chiming interrupts your banter. It’s a message from Kazuki, and you open it while Satoru stands over you. Probably close enough to read the message on his own if he wanted. 

Kazuki: Hey, I hate to do this but I don’t think I can go through with tonight. 

When you read the message, your heart drops into your stomach. There goes the other shoe, you think, fully embracing your pessimism. Who were you kidding, really? To think that tonight you’d go out and have a good time. Do something for yourself. It was stupidity. 

Chat bubbles pop up on the screen. He has more to say. 

He has more to say, and you’re fighting the urge to cry–to not shake out of sheer frustration while you’re still standing in front of Satoru. Because nothing would be worse than him seeing you can’t even land a date. 

Kazuki: I recently just went through a divorce, and I know that I should have informed you about this before continuing our conversations…Especially since you’ve been so transparent with me about your own divorce and strife.

Kazuki: But if I’m being completely honest, I was scared. I genuinely wanted to see this through, at first. I wanted to forget about my ex-wife for just one night. But I realized I’ve been asking the impossible of myself…I’m still in love with her, and it’s because I’m in love with her that I won’t allow myself to lead you on any further. 

Kazuki: I think we would’ve had a good time tonight. It's unfortunate we had to meet under such circumstances because you’re a really lovely woman, and I’m sorry an asshole is standing you up right now. 

Kazuki: Take care. I know there’s a guy out there just waiting for his shot. 

Satoru takes notice of the way your face drops as you read over the messages. Part of him wants to overstep his boundaries and take a peek at the screen. But he doesn’t. He gives you your space and takes a seat on the couch, waits for you to say something first. 

In the meantime, he studies your face. Watches intently as your eyes become glossy the more you scan the messages, watches as your bottom lip catches between your teeth to hold back from crying. He thinks he knows what just happened. 

Taking a deep breath, you lock your phone and put on another trained smile, “Well, looks like I’m staying in tonight.” Satoru dislikes when you do that. When you put on a fake smile and overcompensate to make others around you feel better, even when it’s so very obvious you aren’t. He wishes that sometimes you would just be selfish–act out. 

And then you continue the façade. It makes his skin itch. 

“I was too tired anyway, guess I can just catch up o–”

“Will you stop,” he spits, rising from his seat on the couch to stand. It comes out harsher than he intended, but he doesn’t regret it. You look at him like he’s got two heads as he walks over to the mantle and leans against it. His back is turned towards you, and the palms of his hands hold the crest of it. He uses it as leverage to rock on the heels of his feet. You can tell there’s something he wants to say because of the way his jaw ticks. 

Satoru is never one to bite his tongue, so you’re not exactly sure why he’s choosing to be so restrained. If he wasn’t going to spit it out, you were going to poke. “What’s your problem?” 

He chuckles at this, rubs his chin then pushes off the mantle to stand in front of you, gets all in your space again. The movement almost sends you back but you hold your ground, tilt your chin up at him and repeat the question. Slowly, this time with more venom. 

“My problem? What’s your problem?” He breathes through his nose, his eyes flickering back-and-forth between your own. “Why do you always pretend like you’re not lonely? It’s okay if you were looking forward to having fun tonight. It’s okay to be upset and be mad at the asshole who stood you up!”

With every verbal prod at you, the gap between you decreases. His feet inch closer and closer to your own and force you to retreat farther until your back hits the wall. The coldness of it causes your breath to hitch, and you try to stay calm as Satoru encroaches more into your personal space. Being on the receiving end of his passion was always suffocating, you feel exposed under the intensity of his gaze–even more so as he continues to tear into you. 

“Why do you even care?!” you cut him off, eyes wide and veins pumping full of adrenaline. “It’s not your place to be so invested in my life anymore! We’re not together, you don’t have to get so hot and bothered about things going shitty for me. I’m a big girl, and I’m perfectly capable of fighting my own battles.” 

By the time you finish, you’re a heaving, shaking mess. He takes this as a sign to withdraw from your space, and goes to sit back down on the couch. When you finally settle your nerves, you join him, leaving a foot of space in between you. There’s an awkward silence, one that wouldn’t have even happened if he just respected your boundaries in the first place. Now he feels like the asshole instead of the actual asshole who dumped you. Taking a hesitant breath, he decides to speak up. 

“Look, I’m sorry. I didn’t…It wasn’t my intention to come off so strong like that,” he begins, “I just wanted to let you know that you don’t always have to pretend to be fine. It’s not fair, you shouldn’t do that to yourself.” His eyes wander over to you reluctantly, like he’s scared that if he looks too long you’ll disengage from the conversation. 

“It’s okay,” your voice is small, just above a whisper. You want to face him, but you know that if you do, you'll break into a million pieces. So you keep your gaze downward, busy yourself with the stray pieces of thread on the bottom of your dress. “You’re right, you know. I think I just…I think I just tell myself to expect disappointment so that when something bad happens, I’ll know it’s not because I got my hopes up.” 

Satoru turns to you, and you can see him frown through your peripheral. Still, you don’t face him because you’re not done talking. But you thank him silently for listening without interrupting. 

“Even though you’re right, I don’t appreciate the way you came on so strongly. We’re not married anymore, we’re not a couple–we’re co-parents. So if there’s something I want you to know about that’s outside of the scope of our kids, I’ll let you know. Otherwise, leave it alone.”

Satoru’s face softens. For once you’re being selfish, putting your foot down. This is the side of you he likes. “Okay. I respect that,” he says, “But can I ask you something?” The smile on his face is mirthful, like he’s got something else up his sleeves this evening. Skeptical, you finally face him with a raised brow. 

“What?”

“Let me take you to dinner.” 

You laugh in his face, even go as far as smacking his arm because you want him to know you found the joke really funny. He doesn’t budge, and that’s when you realize he’s being serious. 

“Wait, what?” 

“Let’s go to dinner,” he stands up, crossing his arms across his chest. You tilt your head in disbelief. You’re just waiting for someone to tell you you’re on that old reality show punk’d. 

“Funny, I just poured my heart out to you and now you’re making fun of me,” you roll your eyes, feigning annoyance. 

“I’m being serious,” he reassures, “you’re already dressed up. It’d be a shame for it to go to waste.” His eyes are twinkling with hope, and once again, you find yourself falling victim to their persuasiveness. 

Being under Gojo Satoru’s gaze was suffocating. 

Giving in, you ask, “So what are you gonna do? Drive all the way home to get dressed?” 

The question is genuine, but the bastard just grins. “I’m a little hurt,” he throws a hand over his heart, “don’t you know me by now? I’m a businessman. I keep pressed blazers and slacks on me at all times.”

He swings his keys around his index finger, hoping that the promise of a spare change of clothes being in his car is enough to convince you to say yes. 

“I don’t know…” you trail. 

“C’mon, let me take you out. I promise you won’t regret it.”

Somehow he was able to persuade you into going out. After he changed into his spare clothes, you ended up telling your girls that there was gonna be a change of plans, and that they’d go home with their dad tomorrow. 

Of course, before leaving, you made sure to leave some money on the table for pizza, and you also made sure to drill into their heads not to open the door for anyone except the delivery guy. You knew they knew the drill already, but it didn’t feel right to leave without saying it anyway. 

“Be good, listen to your sister, she’s in charge,” you pinch Haruki’s cheek. Hana smirks, nodding her head in agreement with you. 

“I will mom, I know,” she huffs, crossing her arms.

“And you,” your finger wags at Hana, her smirk drops. “Don’t provoke your sister, be nice. Act like you love each other, please.” 

“Fine, whatever. I guess,” she grabs the knob to the door, ready to kick the both of you out already. “So does this mean the two of you are back together, or?” 

Satoru and you turn to each other before answering in unison, “No.” 

“Okay, cool. Well, have fun,” she practically closes the door on the two of you, locking it after. Satoru is just as dumbfounded as you are, but then you break into a fit of laughter. 

“Those kids, man.”

“Your kids!” you correct, pushing him playfully as the both of you walk down the pebbled pathway. He finds his equilibrium in time to unlock the car and open your side of the door. You pause before ducking inside.

“Oh, how gentlemanly of you,” you jest, “And they say chivalry is dead.”

“How could it be when I’m alive?” He says matter-of-factly, closing your side of the door. He taps the top of the car before sliding across the hood to the other side. Nice to see some things never changed. 

When he gets inside and turns on the car, he puts his hand on the back of your seat to back out. The proximity sends a shiver down your spine, and you have to physically refrain from letting your eyes linger on his jaw, and his arms, and the face he makes when he’s trying to concentrate. 

You try to dispel these less-than-friendly thoughts by looking somewhere, anywhere else but him. But you can’t, and it’s irritating. 

This is the second time tonight you’ve been this close, and it’s only this time that you realize something about him is…different. Earlier, he didn’t really smell like anything, but you quickly notice his smell has changed. 

There’s a sort of piney scent coming from him. It’s not strong or obnoxious enough to blind your nostrils, but it’s enough for you to just barely pick up on it. You almost think it was premeditated, that he took the liberty of spritzing some on before walking you to the car. Before you separated, he’d made it a habit to wear variations of woody scents for you. If you can recall correctly, a passing comment you made about the cologne he was wearing that day is what sparked the habit. 

Surely, this couldn’t be coincidental? 

“You smell nice,” you blurt, filling in the silence. 

Satoru glances at you, “Thank you.” You hate that from the corner of your eye, you can see his stupid little smirk growing bigger by the minute. He already had a big ego, it didn’t need to be stroked any more. 

“Don’t let it go to your head, though. You usually smell pretty rank.”

“Ohhh, is that so? Guess I gotta start wearing this more often then, huh?”

“Sure, do what you want,” you say, trying to remain indifferent even though you’re failing terribly to hide your smile. When the car approaches a red light, you finally decide to ask the big question. “So where are you taking me?” 

“You’ll see,” he glances over, “Just know I’m good friends with the owner, so last minute reservations weren't a problem.” 

The rest of the car ride is silent, save for the low hum of the music playing on the radio. When you arrive at the location, Satoru makes sure to walk all the way around to your side of the door again and open it. Immediately after, the two of you are greeted by a young male. He’s wearing a white button down, black slacks, and a black vest with a red tie. Judging by his appearance, you assume he’s a valet driver. 

Satoru drops his keys in the driver’s hands, and escorts you towards the entrance. The boy bows and goes to park the car. Looking around, you start to wonder where exactly this place is supposed to be. The area is dark and secluded, and from where you stand outside, it doesn’t sound like there’s supposed to be a restaurant here. You don’t hear any voices, you don’t even see any security or other passerbyers. 

Still, you follow behind him like a duckling, only coming to a halt when he leads you to a door taller than the both of you. He gestures for you to back up, then raises his knuckles to blow a strong, single knock. You’re taken by surprise when a set of angry eyes appear behind a slot in the door. 

The pair of eyes first scan over you, then Satoru. A gruff voice is second to accompany them, “Where can I get a good drink?” 

“I heard the bar down the street is nice,” Satoru answers. The hatch to the door closes, then swings open the door, and the man behind it moves aside to welcome you in.

“Follow me, please.” Once he closes the door, he begins guiding you down the dimly lit hallway. After making what seems like your hundredth turn, you eventually reach a staircase. The man gestures for you to go on ahead, and you think this is him implying where the three of you will depart.

“Thank you,” you say softly, disappearing down the stairs. Satoru isn’t too far behind, keeping a pace between you. As you near the end of the long, narrow hallway, a stream of white light brightens up your whole path. It leads you down to another door like a beacon of light, and when you reach it, you can hear voices, live music, and dishes clanking on the other side. It’s bustling with life. A huge, joyous smile plasters across your face. It’s almost child-like in appearance, like you haven’t seen something this cool in a long time. 

Satoru stands beside you and winks. “What d’ya think? Any idea yet where we are?” 

“I think this is fucking cool, and hm,” you take a second to mull it over, “are we at a speakeasy?” 

“Smart girl. Now come on.” Stepping back, you allow him to pull open the door, and when he does, there isn’t a word to describe the atmosphere of the place you step into. All you can do is stand there in astonishment. Before long, a man walks up to you. 

“Welcome, what is the name you reserved under?” 

“Gojo.”

Nodding, the host instructs you to follow after him. He leads you to a private seating area, somewhere far in the back that’s secluded from the other patrons. The space is much bigger, and much more extravagant. You know you’re only sitting way back here because Satoru is who he is. And in all the years you’ve known him, his connections were just another party trick in his arsenal. 

The hostess seats you, then Satoru, and tells you that a waiter will be with you shortly. 

“This is nice, really nice, but is it–”

“Legal?” he finishes your sentence, “don’t worry. It’s a modern speakeasy-style restaurant. There’s nothing illegal going on here, promise.” 

While you wait for your designated waiter, your focus shifts from the man in front of you to the man singing on the stage. Up until now, his voice was white noise in the background, but then he started singing a tune scarily reminiscent of your past–and your breath catches in your throat. 

If I ever leave you, baby

You can say I told you so

And if I ever hurt you

You know, I hurt myself…

Turning your gaze back to Satoru, you squint your eyes mirthfully in disbelief. You wonder if this is just a funny coincidence, if this is the universe playing her tricks, but you know deep down, that coincidences and Gojo Satoru don’t belong in the same sentence. 

You open your mouth to speak, but quickly close it when you see the waiter approaching from the corner of your eye. He greets the both of you with a polite smile, then sets down two glasses of water. 

“Good evening, I’ll be your waiter for the night,” he says, placing a menu in front of you, “Can I get you fine folks started off with a bottle of wine?” 

Satoru nods, tells him to bring the best bottle of red they have and then gestures for him to come closer so that he can whisper something in his ear. All the while, you sit back in your seat observing, clicking your nails on the table until the server pulls back and bows. 

When he departs, you immediately lean in over the table, and ask, “Just how much time did you have to plan all of this?” 

Satoru feigns aloofness, taking a sip of his water, “What do you mean?” 

You roll your eyes, gesturing at the stage with your eyes. Then, as if suddenly coming to a realization, he goes, “Oh, that? Yeah, I had nothing to do with that. But isn’t it funny they’re playing our old song?” 

Now he’s smirking, with his elbow leaning back on the chair, and a gaze so piercing, you’re certain you’ll crumble into nothing unless you look away. So you do, avert your gaze back to the stage and sway calmly. 

Is that any way for a man to carry on

Do you think I want my loved one gone

Said I love you

More than you’ll ever know

More than you’ll ever know

“So funny,” you counter. 

Eventually, the server comes back with a bottle. “1982 Chateau Latife Rothschild,” he holds it out to present, “Is this alright?” 

Despite the years spent with Satoru, and the many elitist events you often attended with him, your knowledge on wine had never surpassed anything but surface level. You knew the difference between good wine and cheap wine was the taste, but your taste buds had grown accustomed to store-bought, so if anything, store-bought tasted like heaven to you. Anyway, though, you nod your head and urge him to pour a glass. 

“Thank you,” you smile, before gently swirling the glass and bringing it up to your nose to smell (something you only know to do after being the odd man out at so many company banquets). Satoru waits for you to sip your glass before he sips his. The way you melt into your seat is a silent assurance that you’re pleased. 

“This is great, you’re amazing,” you tell the server, who seems pleased by your compliment. 

“Glad to be of service, miss. Are you ready to order?” 

Dinner goes by smoothly. In fact, it goes by so smoothly, you and Satoru finish the entire bottle of wine. Now you sit at the table, bellies full, faces flushed and sore from laughing, and now you find yourself telling him about the grocery store incident. If you had half a mind (a sober one), you’d shut up right this second to save yourself from the embarrassment. But you don’t. And Satoru’s very persuasive when you’re tipsy. 

“Keep going,” he leans in, hand nestled under his chin. He’s completely invested in the story. Actually, as soon as he heard the words ‘store’ and ‘cute guy’, he just had to know more. And you begging him to change the subject didn’t help, not when the sadist in him loved to see you so embarrassed. 

“Fine,” you hiccup, “It was so - so bad, Toru.” He doesn’t miss the way you slip and call him by the nickname you’d always reserved for him. It makes his heart race, and god, does he miss the way it sounds spilling from your lips. But he ignores the feeling, and refocuses on your story instead. Which, by the way, was proving to be a task in itself because his eyes couldn’t stop drifting back down to your lips. So soft, so–

“And then she said ‘we don’t believe in rings,’” you whisper, fist coming down on the table. The sound it makes nearly sobers you up, and you realize just how loud you’re being despite your table being secluded from others. Giggling like a kid, you continue, “I mean, how fucking insane is that?!” 

“Something as bizarre as that could only ever happen to you,” he replies, laughing along with you, “those people were crazy.” 

“The craziest,” you agree, throwing your head back in another fit of laughter. Gradually, the two of you begin to settle down, and once again, you find your attention being drawn back to the man on the stage. Only this time, he’s making an announcement.

“Good evening ladies and gentleman. Tonight I’ve got a special request,” he says, looking out into the audience. Looking at you. “This one’s for a very special lady who, from what I’ve been told, is a great mother that needs to start doing things for herself.” 

The singer steps out of the spotlight and hands the note to a server. Your server. Then he begins to sing, and your heart drops into the pit of your stomach. It was your wedding song. 

[...] I don’t even know how to love you

Just the way you want me to

But I’m ready (ready) to learn (to learn)

Yes, I’m ready (ready) to learn (to learn)

“Now this one? This one was me,” Satoru leans forward, and you swiftly turn your head to face him. He smiles as he watches your face go through ten different emotions before ultimately softening. It warms your heart to see how incredibly planned this evening was, despite the amount of time he was given to work with. Even so, it kind of scares you–because then that meant this was a grand gesture–that this was his way of saying something. And you weren’t too sure if you wanted to hear it. Your gaze drops to your lap, and Satoru frowns. 

To fall in love 

To fall in love

To fall in love with you…

“Look at me,” he says softly, but you don’t. “Hey, look at me.” He reaches over the table to take your chin in between his fingers. The touch alone feels electric. Sends liquid hot lightning down the column of your spine. Reluctantly, you meet his gaze, and like always, it’s suffocating. They’re so wide with hope, and so, so gentle in the way they hold you. The longer you gaze upon them, the more you convince yourself it’ll be okay if you surrender to them. 

“It’s been years since we’ve divorced,” his voice is shaky, almost strained, like he’s actively thinking how to choose his words carefully, “and when we sat down that night, I thought it was what I wanted, too, you know? And for a while, it was,” he reaches a hand across the table to rest atop your own, “but you gotta know…you gotta know–you’re it for me. There’s no one else on this Earth that I want to start over with. You’ve always been the beginning and end of my story, and I’ll be damned if I let another man start one with you.”

Your heart is beating faster than you can even process what he’s saying. The only thing you’re focused on is not passing out in the middle of this damn restaurant. But then he’s squeezing your hand, and your focus is drawn back to those piercing, pale blues that even put crystals to shame. 

“So what do you say?” he says, so softly, so tender. “Can we try again?”

Waiting for your reply, he squeezes your hand again. It’s like your soul is wandering the line between death and the living, and his touch is the tether that brings you back. In the background, the tune of the song sung at your wedding gives you a push of courage. 

I don’t even know how to kiss your lips (kiss your lips)

At a moment like this

But I’m going to learn how to do 

All the things you want me to

Yes, I’m ready

(Are you ready?) Yes, I’m ready

To fall in love

To fall in love

To fall in love right now

“Yes.”

The walk back to the car is hurried. Aided by both, years and years of built up tension, and the liquid courage currently bubbling in your systems. 

The race back to his apartment is even faster. You thank the gods silently that it’s within close proximity to where you just were. 

Once you get there, make your way past the doorman and concierge (who both give the two of you a knowing look), go up the elevator, and finally get into his loft–it’s over. Years of restraint, years of pretending, wanting–yearning, come crashing down. 

There’s barely any time to close the door before he’s pushing you against it. His lips trail down the column of your neck, then come up to kiss your jaw, until eventually, they find your lips. And when they do, it’s instantaneous–that familiar feeling, the feeling that feels almost like falling. 

Once again, for what felt like centuries, you feel again the rush of helplessness. The push and pull of the tide. It brings you down, down, down to the bottom of the ocean floor, and it’s unmerciful. 

Kissing Satoru is like being shocked with ten thousand volts of energy. Like all this time you’ve spent not kissing him, has been costing you your life, and he’s the only one who can deliver you salvation. It’s all teeth and tongue for a minute. Messy, and sticky, and nasty. A true testament to the desperation brewing in the pits of both your stomachs. 

The sensation of it all has your knees going slack, and that’s when he says–

“Jump.” 

Obeying, you do just that. Jump right into his arms, and wrap your legs around his torso like you’ve done so many times before. The way you feel now is the way you used to feel before then, too. Like you were made to fit like this. To be held in his arms like you were molded from the same clay. 

Carefully, he adjusts his grip on your body. Keeps his palms planted on the bottoms of your ass, and begins the trek to his room. He struggles a bit getting there because you haven’t stopped kissing since entering the apartment, but he figures it out after a stumble or two (which resulted in a bitten lip and you apologizing profusely through giggles). 

“The turbulence up here is crazy, don’t blame me, blame the pilot,” you jest, kissing down his neck to make up for it. 

“I’ll make sure to let him know,” he jokes back. As soon as he gets to the bed, he sets you down at the edge of the bed. You try to bring him down to your height but he stops you, wags his finger in your face playfully before using it to push you back into the bed. His fingers start to play with the fabric of your dress, and then his face takes on an indifferent expression. The same one from earlier that night when he first saw you walking down the stairs. 

“Can’t believe you were gonna wear this for him…” he trails, lifting the fabric up slowly, eyeing you while doing so, “as if this dress doesn’t mean something.” 

Of course, when Shoko chose it, its significance did make you falter–but in your defense, not once did you ever anticipate for him to see you in it. And you especially didn’t expect for him to remember it, the last time you wore it was almost a decade ago. 

“I didn’t…” you start, a smile creeping on your lips, “think you remembered?”

“‘Course I did, how could I not?” He says more sharply than intended, taking offense. He takes offense because he spent the better half of the night showing you he remembered. The little things and everything else in between. Couldn’t you see that?

“It was our 4th anniversary. Bought you this dress and fucked you in it that same night. Funny how the second time I’m seeing you in this dress, the circumstances are the same except only this time we’re divorced,” he says, crawling over your body. “Guess I gotta show you just how much I remember.” 

With that, he slips a hand under your dress, pulls your panties to the side and runs a finger down your slit. Oh-so-willingly, do you spread your legs for him. It’s almost subconscious, the way your body responds to him. And he revels in it. Lets his fingers work you, feel you, bring you to ecstasy. Then he heightens your pleasure tenfold when he kisses his way down your body, and takes a seat before you on his knees. 

Unceremoniously, he pulls your body to the edge of the bed. Takes his time slipping your panties down the length of your legs, then kisses the insides of your thighs, before finally stopping at your mound. 

Slowly, he lowers himself to your cunt, kisses your clit softly. Once, twice, three times. The pace in which he’s moving is killing you, to say the least. But you know he’s savoring the moment, making up for all the years he spent not kneeling like this between your legs. So you let him; let him caress you all over before he comes seeking the honey-sweet salvation dripping from your core. 

The second his tongue makes contact with your heat, you find yourself clamping a heavy hand over your mouth. “Fuck, Toruuuu,” you drawl, back arching off the bed. Pleased with his abilities, he smiles smugly, using this as an opportunity to push himself even deeper. Up and down, he licks at your slit, uses his fingers in tandem with his tongue to prod at that spongy spot he knows you love. 

“Tastes,” a harsh suck, “so good,” another, “better than I remember.” 

You know he’s talking, but his words fall on deaf ears. You’re so caught up in your own high, you don’t even take notice of the obscene sloshing sounds coming from your pussy, or the moans you’re making. All you can do is lay there and take it as he takes, and takes, and takes from you. 

Soon, you find your orgasm cutting through you like a knife, and you come with a strangled cry that has you biting back tears. Satoru talks you through the whole thing. He lays his head down on your thigh and continues working you with his fingers until you start to shake from the overstimulation. 

For a few, you lay and stare at the ceiling. You think you can see the Milky Way–and all the constellations that make it up. It feels like your soul is floating beyond your physical body, and you don’t come back down to Earth until a sharp, stinging sensation brings you back. Did he just?

“Did you just bite me?” you lift your head, peering down to see the evidence. In all its glory, there it was; a red ring smack-dab in the inside of your thigh with teeth imprints. Looking at Satoru, he grins. 

“Had to get you back from earlier,” he says, sitting back on his knees. You attempt to kick him with your foot, but he grabs hold of it. Pretending to be wounded, he gasps, “Is this how you treat the man who just gave you a soul-shattering orgasm?” 

You roll your eyes, but to your dismay, it only encourages him to continue. 

“Fuck, Toru,” he mimics, “oh my god, Toru. You fuck me so goo–”

“Alright, enough!” you manage to kick him this time, laughing as you bring up your hands to cover your face. “Keep carrying on like that and I won’t let you fuck me…” You’re serious in your bite, but he’s smirking. Like he knows you’re full of bullshit. 

“Yeah right. You and I both know I make you feel too good.” 

Feeling bested, you scoff, though, there’s no real weight behind it. While he begins to remove his shirt, you sit up and replace his hands. He relinquishes control and allows you to unbutton it until the item falls haphazardly to the floor. 

He’s so beautiful, you think. Still so chiseled, so perfect after all these years since you’ve last seen him like this. At his most vulnerable. The only difference now is that there are more freckles littered across his skin. Back then, he’d say they were signs of aging, and he’d hate them. 

But he’s older now. More mature. So much so that he even winks at you when you trace your fingertips over them.

“They suit you,” you whisper. 

“Yeah?”

You nod your head, “mhm.” 

Continuing your ministrations, you begin removing his belt. He holds your gaze the entire time it takes for you to unzip his pants and pull them down–and he doesn’t once shy away when you discover the wet spot on the front of his briefs. Slowly, delicately, you remove the soiled item and let it fall down to the floor with the rest of his clothes. 

Still looking at him, you take hold of his length and fist him once, twice, experimentally. A dribble of pre oozes from his slit and you bring it to your mouth. All the air in his lungs expel into the air when you lick it off with your tongue, and god, he thinks he could come from that alone. 

God, he’s missed you. Missed your touch, your lips–the way you hold him with your eyes like he’s something worth being gentle with. Nothing could ever compare to you, not even his own hand. 

As soon as you’re about to take him in your mouth, he stops you. Pushes you back down onto the bed and slots himself between your legs. “No more playing, I’m tired of playing,” he breathes, lowering himself down until half of his weight is on top of you. 

Guiding his cock to your entrance, he pushes past your folds with little resistance. The feeling of your cunt squeezing him in has his arms wobbling like jelly, but he musters enough strength somehow to stay up. You, on the other hand, are close to tears. 

The more he eases himself in, the more you feel like you’re being stretched open (despite him previously prepping you). If you were being truthful, this wasn’t a complete shock to you. You’ve known that he’s always been big, but something about tonight feels different. Or maybe it’s just been too long since you’ve had something more than just your own fingers. 

Even so, you try your best to ignore the burn of the stretch. You throw your arms around his neck and invite him deeper into you, hooking your legs around him so tightly that it renders his limbs useless. For a minute, all you can feel is the weight of him inside of you, and his chest against yours as they rise and fall asynchronously. 

“Toru,” your voice is just barely above a whisper, but enough to make the hairs on the nape of his neck stand. “Make love to me.” 

Heeding your request, he begins moving. Painfully slow, he unsheathes himself from you until only the head of his cock is inside, then pushes himself all the way back in with force. Again, and again, he repeats this motion. Pulls out, pushes in. Pulls out, pushes in, until he decides to increase his pace and set a steady rhythm. 

Every thrust into you is meticulously calculated. Sharp, and forceful, and not once does he disrupt the rhythm. He listens carefully to the sounds you make. Even listens to the way your breath hitches when he hits a spot right. Everything he’s doing is perfect–and it’s to no surprise. Deep down, you know that Satoru knows your body like the back of his hand. He’d know it if you were all old and wrinkly. He’d know it if his soul reincarnated. Hell, he’d know it blind. 

“Missed this,” he grunts, burying his head into the interstice of your neck, “missed you,” a kiss to your neck, “missed us.” 

The veracity of his words render you speechless. He’s already professed his feelings for you tonight, but it feels even more real now that you’re beneath him. To be loved by Gojo Satoru was a feeling many couldn’t say they had the consolation of knowing. Only a few in his circle could hold that position–but only one person in this world could truly ever know his love to its fullest extent. You. 

Satoru continues his mindless rambling, “I love you,” a thrust, “it’s always been you,” another, “was always going to be you.” Leaning back on his heels, he pushes your dress all the way up to reveal your breasts. Now it’s him who sits back and admires this time. As if he were reacquainting himself, he traces the planes and pastures of your chest with an eager hand. He runs it up and over each mound, squeezing and kneading the flesh experimentally. 

Then, he dips down and kisses the space between them. Sucks and licks until the skin bruises, and he has evidence to prove tonight actually happened. Eventually, he withdraws from your chest and returns his focus on easing his cock in and out of your cunt. 

“So beautiful,” he says, but it’s more to himself than anything. You’re so lost in your own pleasure, he doesn’t even think you can hear him. “Want you to cum on my cock, know you can do it, baby. Know you can,” he grunts, taking your hand and intertwining it with his own. Letting his head fall into your neck, he begins to quicken his pace. Fucks into you with everything he’s got and willing to give. 

“Toru,” you finally manage to say, “‘m so close, keep going. Do it - do it inside.” 

Do it inside. Do it inside. Do it inside. The thought is tempting, too tempting. It makes his dick twitch inside of you, and he swears if you say it again, he’ll actually do it. But he knows better than to listen to anything you say out of delirium. 

“Trust me, sweet girl,” he cradles your face, to which you lean into, “I want to - I want to so fucking badly. But we both know you’d regret it later.” 

Whining, your lips form into a pout, and the sight is so cute, he can’t help but to kiss it off of you. Compared to your kiss earlier, this one is much sweeter. Slower. More relaxed. He kisses you with the intent of making you dizzier than you already are, and it’s scary. Even so, you don’t pull away. You allow him to drink you up. Like your lips are the only source of water around, and he’s been quenched for days. 

Finally, with a few more thrusts, you reach your climax. The pressure building in the pit of your belly pops like a balloon, and everything goes white. “Toru!” you shriek, arching off the bed and trembling in his grasp. 

Using your arch as leverage, he keeps his hands underneath your back and continues to ram into you without abandon. You’re a babbling, wet mess at this point, and your cunt squeezing around him only encourages him more. 

“Fuckfuckfuck, ‘m gonna - ‘m gonna,” he curses, balls beginning to tighten. Quickly, he unsheathes himself and fists himself the rest of the way. With an impassioned moan, he climaxes–spurting thick, white, ropes of seed all over your abdomen. Then, falls onto your limp body with a grunt, chest heaving rapidly, and slick with perspiration. 

By this time, you’ve settled down enough to form a proper sentence. “That was…”

Satoru huffs, catching his breath. “Yeah.” 

Still spent, he continues to lay atop you. And you, having nowhere else to go, let him. The two of you lay comfortably in silence like this for a long time. Just you tracing shapes into his back, and him purring into your neck. Both of you know you should be getting up, but neither of you make an effort to do so. In this moment, time is transcendent. There is no rush to move when time stands still for you. 

Soon, that silence is broken. 

“I love you,” you say, and there’s no elaboration. Not even a recant. In fact, you say it so nonchalantly, he’s not even sure it was real. You say it like you’ve never been more certain in your life, like it’s the easiest thing you’ve ever had to do. 

“Really?” he queries, almost pathetically like the mere idea of you loving him is something unattainable. You look at him like he’s got two heads. 

“Yeah, you’re my best friend. I’ve always loved you,” you admit, pausing your ministrations on his back, “I just had to relearn how to love you.” He smiles at this, hums into your neck to keep from crying. 

“I’m glad we found our way back to each other,” he mumbles into your neck, “so where do we go from here?”

“From here we take it slow. We’ll learn together what it means to be individuals, and then from there we’ll see where it goes,” you say matter-of-factly, “no more repeating past mistakes.”

“Agreed,” he nods, “what will we tell the girls?”

That’s when your eyes widen and you sit up, forcefully pushing Satoru off of you. 

“What did I say, what’s wrong?” he queries, sitting up on the bed. He watches you rummage around the room maniacally, head on a swivel as you run out of the room and return with a purse. You pull your phone out to see a slew of missed calls and messages. 

“We forgot to call the girls!” You yell, showing him your phone screen of missed calls. Gojo jumps up to join you, one leg already sliding into his pants. 

“Shit!” 

Noticing the state of your appearance, you pinch the skin between your brows. “Satoru, I can’t wear this! You got cum all over it,” you groan, pointing to all the splotches of white. He tells you to wait a second before disappearing into his closet, then he comes back with a fist of clothes and throws it at you. 

“I can’t wear this either, they’ll wonder why I’m wearing your clothes!” 

Satoru runs to you and pull the dress off of your body, “We’ll wash it!” he screams, disappearing again out of the room, and to where you imagine, the laundry room. When he returns, he’s out of breath and panting. It’s only then do you realize how insane he looks with half his shirt buttoned, and his pants twisted around his hips. A giggle escapes your lips.

“What are you laughing at? Chop chop,” he claps, ushering you into his bathroom. 

Yeah, you’d be lying if you said you didn’t miss this idiot.

comments + reblogs very appreciated !!!

© arachine 2023

#art by: @yamada_souko (twt) #gojo satoru x reader #gojo satoru x reader smut #satoru gojo x reader #satoru gojo x reader smut #gojo satoru smut #satoru gojo smut #gojo satoru x you #satoru gojo x you #gojo satoru x y/n #satoru gojo x y/n #jjk smut

[theminecraftbee]

being in true sexyman nostalgia mode today (on account of. IT'S BEEN ONE YEAR BABY.) i think one of the most fascinating things about it is that we will never manage to do that again. like, not in a "we couldn't organize it better" way; there were better ways to do the spreadsheet, we would just turn off comments on posts and anon asks from day one so that we wouldn't then get people accusing us of censorship while we tried and failed to control the tide of things that ended up in the comments and inbox, we'd definitely have a WAY higher non-hermit contingent, both thanks to qsmp and thanks to the sexyman blog and medusa now having MUCH wider reach to other corners of the fandom and the original spread not all rooting at me, etc.

but the reason we couldn't do it again is that i don't know if we could ever replicate the exact circumstances that lead to it blowing up quite to the extent it blew up.

it was while tumblr polls and doing tumblr poll brackets on tumblr itself was still new-ish, and people were still excited about them. the idea of a mcytblr bracket was basically brand new; i won't claim we did it FIRST (because i have no idea if we did and doubt we did), but certainly we did it big first. so there's that; we can never again invent in real time "shit people are sending us threats about fraud lets legalize fraud because its funny, we can't stop it, and that neutralizes that drama as a thing anyone will take seriously", and then in turn accidentally invent a fandom culture of. um. wide-spread voter fraud.

(i don't know if we should apologize for, uh, causing the specific way mcytblr voter frauds. i still think it was better than the alternative at least, especially after seeing how so many other polls crashed and burned after us. there were MANY things we could have done better but i have seen SO MANY ways we could have done things worse since then so i think we came out looking pretty okay.)

but also: february 2023 was a very different time in mcytblr. we were in a hermitcraft dead period, where most of the hermits were either on vacation or playing tcg (which was fun, but didn't end up generating that much fandom activity by that time in february). the former dsmp crew was very much doing Nothing (and in that awkward space when the entire fandom knew dsmp 2 was never happening, but also people were still claiming it would happen, so it was just... busy waiting). qsmp didn't exist yet. there was no ongoing life series and wouldn't be for some time. i think even the dominioners and lifestealers were in a fairly dead zone. there was very little new for people to be excited about, mcyt content-wise.

enter: our poll. our poll which cleo then thinks its funny to call out on twitter. our poll, which was not only new mcyt content for the fandom to interact with (thanks to the fact we KEPT GETTING CC INTERACTIONS???), but participatory.

for about two weeks, we were the mcyt event de jour.

and like. the thing is. now we're in february 2024. mcyt is BOOMING. a new hermitcraft season JUST STARTED. we came off of vault hunters before that. meanwhile, qsmp just restarted and is, if i'm understanding correctly, booming. they just added a new guy! the two current juggernauts of the fandom are in FULL SWING. i honestly think we'd be somewhat overtaken by the fact things are actually happening in fandom. there's stuff to do that ISN'T go insane about a poll.

and it's not new, and we've seen it all before now, and frankly, it's hard to cause a mass hysteria event TWICE. lightning in a bottle, as they say.

i think part of the reason we all just REMEMBER mcytblr sexyman so much is that we could never, ever recreate it, so it remains crystalized in a single moment in time, impossible to replicate, forever memorable.

anyway: HAPPY ONE YEAR TO THE JOE HILLS SWEEP BABY,

#mcytblr sexyman #sorry i'm in nostalgia mode and feel like rambling. o7 happy one year to joe's victory

[rosesnbooks]

Astrology observations #4

🧡if your moon is in the same sign as someone's rising sign, this is visible at first meeting. you just feel a certain pull when you see them, and they stand out from others in the room

🧡i have noticed that capricorn moons and/or mercuries like dark humor, it's not for the sensitive ones. that's why they also appreciate shows like the office and seinfeld. not to mention their interest for darker shows in general. developed capricorns are funny, but underdeveloped ones hurt people with their mockery

🧡aquarius/11th house and gemini/3rd house placements love personality tests. curiosity and the desire to understand themselves is strong. the former also want to feel more connected to others because they often feel vastly different than the people around them...these tests help them connect. honorable mentions to pisces placements as well

🧡i have yet to meet someone with virgo placements who doesn't appreciate cleanliness and/or organization. funnily enough, not all of them actually follow these values themselves. they are also good with arts and crafts

🧡virgo moons and gemini moons both have issues with silencing their minds at times, but virgos are definitely stricter with themselves. both placements need to talk with their closest people to process their feelings. they just need to let it out somehow or else, they will feel overwhelmed

🧡water signs are connected to water obviously, but there is something about cancer placements and their love for the sea. it's adorable, and they find comfort in it

🧡i think it's true that opposites attract but i think that there needs to be one point where both sides can meet. for example, if you lack earth placements, you probably benefit from having an earth placement in your life but it works best if they share an element that you have. this way, they they can understand where you're coming from.

🔸🔸🔸🔸🔸🔸🔸🔸🔸🔸🔸🔸🔸🔸🔸🔸🔸🔸

🧡a person with scorpio mars cannot hide their intensity from everyone. especially when it comes to things/people that they deeply care about or things that fuel their rage. they can have the most sensitive and peaceful chart, but then that scorpio arrives and stirs the waters.

🧡mars in gemini can go through many difficult trials in life and adapt to anything. it's truly admirable

🧡moon in the 12th find comfort in spirtuality and/or religion. however, they need to be careful not to become fanatics and vulnerable to bad intentions from the people in these fields

🧡3rd house stelliums observe people a lot and, over time, learn how to read them very well

🧡i think parents can learn from their children as well and sometimes their chart confirms that. for example, a parent can have their north node in scorpio, and their kid ends up having one or several scorpio placements. it's up to the parent whether they'll learn from them or emphasize the differences between them

🧡jupiter in sagittarius/jupiter in the 9th house find tremendous joy in travelling. once they try it out, the urge to continue travelling is strong. staying put in one place too long is bad for their spirit

🧡i have noticed that those with earth venus (virgo, capricorn, taurus) don't rush into love as others. i think they just want to find the right person first. they're sensitive souls that want someone to trust and rely on

🧡people with north node in leo notice that they feel alive when they pursue different adventures and when they don't dim their light in front of others. they care a lot about the world and humanity, and they need to let others take care of them sometimes too

🧡it's not easy when your jupiter and saturn share the same house. i think it means you need to find balance somehow. for example, someone with jupiter in the 9th house can find happiness and luck in travel, spirituality, and having an optimistic and open-minded mindset. but also, they may fear pursuing these things either because it seems scary or because they experienced some setbacks in the past. moreover someone with jupiter and saturn in the 11th house has had meaningful friendships that brought them lots of luck, as well as some intense friendships that caused them a lot of pain

🧡pisces placements can adore libra placements because they want someone who'll give them a fair chance and some peace in their lives. pisces people are a bit weary of intense placements because they don't feel 100% safe with them, and libras are comforting. honorable mentions to taurus as well, since they can make pisces feel like they're at home with them

#astrology #astro observations #astrology observations #rosesnbooks

[storiesfromgaza]

Hello, everyone.

This may be the finest and most important article I've written since the creation of this blog, so kindly read it carefully and pay attention.

And share it so that everyone can see it.

There are many events happening tonight, and I will try to summarize them for you so that you have a complete understanding of what is happening.

Twelve days ago, a gruesome incident occurred, most of you have probably heard of it: the occupation forces shelled the Al-Ma'madani Hospital in Gaza, resulting in the deaths of over a thousand people, including patients, their families, doctors, and young children.

Has the occupation been content with this? The answer is no.

Since that day, they have been threatening another hospital, Al-Quds Hospital, with the promise of bombing it, leaving civilians and patients inside in a state of terror, awaiting death at any moment.

The first time this happened, it spread across social media platforms, especially Twitter, and many people protested, causing the occupation to halt its actions.

Today, twelve days after the Al-Ma'madani Hospital massacre, they have once again sent severe threats to the Palestinian Red Crescent Society (PRCS) for the immediate evacuation of Al-Quds Hospital, as it is destined to be bombed.

"🔴 Urgent: We have just received severe threats demanding the immediate evacuation of Al-Quds Hospital as it is set to be bombed.

Since the early hours of the morning, the vicinity of Al-Quds Hospital has been witnessing continuous airstrikes, resulting in the destruction of some buildings within a 50-meter radius.

📢 Please share, save Al-Quds Hospital! 📢

#GazaUnderAttack #GazaUnderSiege #Save_Al-Quds_Hospital

"

The second matter, three days ago, specifically on Friday, the twenty-seventh of this month, the occupation completely isolated Gaza from the world by cutting off the internet, telecommunications, and electricity. They were prepared for a brutal massacre that occurred that night and lasted for two days.

I'm talking about indiscriminate bombardment using all kinds of weapons on all areas of Gaza, whether they were churches, mosques, schools, or homes, regardless of their occupants, be they children, young people, women, or the elderly.

During that period, social media platforms and indeed the entire world were abuzz with the issue.

People from various backgrounds, nationalities, and religions unanimously agreed that it was inhumane to isolate them from the world and deny them the right to have a voice.

They were searching for solutions they could implement.

Some took to the streets, demanding the return of the internet, while others began sharing their plight on social media, primarily on Twitter.

They reached out to activists and officials who had the means to help.

One of the most prominent solutions that everyone turned to was contacting Elon Musk, the former owner of Twitter (X) and the current owner of SpaceX, to enable the people of Gaza to use the internet via Starlink's private satellites.

They hoped that he would hear their plea, as it was their only hope.

He tweeted:

"Starlink will support connectivity to internationally recognized aid organizations in Gaza.

[ComStar]

"

On the same day, five hours after the publication of this tweet, the Israeli Minister of Communications commented on it, saying, in essence, that they would use all available means to prevent the supply of Starlink internet to Gaza because Hamas would utilize it. He also threatened that if this were to occur, he would sever all his office's ties with Starlink.

Now, let's discuss the issue of hostages for a moment because it is of utmost importance to understanding the situation.

On the twenty-fourth of this month, Yasmin Porat, one of the hostages, came forward to talk about her experiences during her captivity.

I will now share some of what she mentioned in the interview:

She stated that Israeli forces eliminated everyone, including hostages, amid heavy crossfire and tank shelling.

She highlighted the contrasting behavior of Palestinian fighters who offered hope for safe passage to Gaza. Israeli forces disrupted this hope with a storm of gunfire.

Palestinian fighters treated the hostages humanely, offering them hope of a safe passage to Gaza, despite the chaos.

This compassionate act stands in stark contrast to the chaos that unfolded.

After the interview was broadcast, it was completely deleted and blocked from all social media platforms and even from Kan's website. Moreover, Yasmin's account mysteriously disappeared from the "Haboker Hazeh" program, raising concerns of censorship.

Below, you will find the interview recording.

During that period, the Al-Qassam Brigades continued their communication with the Israeli government in order to release some prisoners for humanitarian reasons, including their age and health, among them two elderly women, one of whom is named Yohav Levisheitz.

But the Israeli government showed no interest in the matter whatsoever.

As a result, they decided to release the two elderly women.

Before leaving, one of them, Yohav Levisheitz, insisted on shaking hands with one of the resistance fighters who she was their captor, as you can see in the following video.

-Tumblr doesn't allow me to post two videos in a single post, so I will provide the video link on the blog-:

https://www.tumblr.com/storiesfromgaza/732027117370572800/al-qassam-brigades-released-two-of-the-hostages?source=share

After this, she insisted on participating in a press conference to share her experience, saying:

"When we arrived in Gaza, they initially told us that they believed in the Quran and that they wouldn't harm us.

They said they would treat us as they do with those around them.

We were under tight security, and medical professionals arrived to ensure we had the medications we always took.

They showed great concern for our health.

Our place of rest was the mattresses.

We had an accompanying doctor who would visit us every two or three days to check on our well-being.

In addition to a paramedic who looked after us and provided us with our medications.

They took on the responsibility and made sure to provide the necessary medications.

They looked after our hygiene meticulously to safeguard our health so that we wouldn't fall ill.

It was they who took care of cleaning the restrooms, not us.

They provided us with everything we needed, and I acknowledge their help in that.

If equivalent medications weren't available, they offered suitable alternatives.

They were remarkably courteous (kind) and ensured we ate well, sharing the same food they ate (bread, cheese, and cucumbers)

We were treated with kindness, and they paid meticulous attention to every detail.

Women among them understood the importance of feminine hygiene and ensured we had everything we needed.

Hamas had meticulously planned everything for a long time, providing us with everything we required, even down to shampoo and conditioner.

The inefficiencies of the army and Shabak (Israel Security Agency - ISA) greatly impacted us; we were pawns in the government's game."

After this, Western media outlets, with CNN at the forefront, distorted Yohav's words and published that she said, "I went through hell."

BBC, on the other hand, released two versions of the statement.

They published the original statement by Yohav on their account dedicated to the Arab audience, while on their accounts for Western and Indian audiences, they published a manipulated version of her statement that included the same content as previously published by CNN.

These are the testimonies of two different women captives, both of whom unanimously agree that they were treated with excellent humane treatment, and no one tortured them or attempted to harass or disturb them.

On the other hand, both of them agree that Israel did not care about their safety in any way and, in fact, they would open fire in the presence of the hostages, leaving behind lifeless bodies hit by their deadly bullets.

Now, let's focus for a moment on the point of Israel and the prisoners.

Two days ago, Abu Ubaida, the official spokesman for the Al-Qassam Brigades, made a lengthy recorded speech in which he spoke about the prisoners.

He said:

"There have been numerous contacts in the prisoner file, and there was an opportunity to reach an agreement, but they delayed and did not show real seriousness in releasing the prisoners.

Instead, its barbaric shelling and continuous crimes have led to the killing of nearly fifty of them so far."

Do you understand now that Israel does not care about the prisoners at all, as it claims, and that their use of the prisoner issue is merely to prevent Elon Musk from providing internet access via Starlink in Gaza for its residents?

Remember to follow our Instagram account.

We regularly post a lot of content with fresh designs to reach a larger audience which you can easily share by posting it in your Instagram story, Facebook story, WhatsApp story or sending it to your friends through Direct Messages, we need all the support we can get.

#gaza #palestine #gaza strip #free gaza #free palestine #storiesfromgaza #غزة #فلسطين #genocide #humanitarian crisis

[petitesmafia]

just thinking about the whole "what if Chuuya joined the detective agency along with Dazai?" and imagine him getting roped into Dazai's game of making everyone guess what their former jobs were (especially Kunikida)

Kunikida, watching skk bicker: btw did you guys know each other before this? Chuuya: unfortunately yes Dazai (at the same time): thankfully no Kunikida: ??? skk: Chuuya: ...sorry i meant no? Dazai (at the same time): just kidding! yes we did skk: Kunikida: ?????

Kunikida: were you guys students? Dazai: no Kunikida: factory workers? Dazai: no Kunikida: you guys weren't like. criminals of some sort right? Dazai: nope Chuuya, whipping his head to look at Dazai: ???????

Kunikida, praising them after a mission: good work today! btw how did you know PM's routes so well? Chuuya: tbh that's bc we used to w— Dazai: —ander around that area :) Chuuya: ??? Dazai: well Chuuya did. bc he was a bad bad boy who liked to hang out after dark in shady places and wouldn't listen to me when i told him the mafia is a very scaryyy place with very scaryyy people~ Chuuya: ?????

Kunikida: so you guys used to work together? what'd you guys do? any notable projects? Chuuya, thinking about him and Dazai destroying an entire enemy organization overnight at age 16: Chuuya, thinking about various other crimes they've committed: Chuuya, nervously sweating: um. well,,

#ena.hc #enarchive: au #ada!chuuya #bungou stray dogs #skk #ranpo was the first to find out obv and kept quiet #yosano and chuuya are drinking buddies so she found out second #and joined in on it #eventually it was just kunikida in the dark #it's just Chuuya kinda confused but trying his best to play along with Dazai

[bfpnola]

IMAGE DESCRIPTION ADDED. REBLOG THIS VERSION AND THANK YOU @lab-labrava FOR WRITING IT!

ID: An infographic from the Instagram account @letstalkpalestine consisting of 10 slides. Image 1: The title page of the infographic. The text says: "Let's talk Anti-Zionist Jewish History." A smaller subtitle underneath the title says: "Jewish solidarity with Palestine until today." End ID.

Image 2: The infographic continues to the next panel. The text says, "As long as Zionism has existed, so has Jewish resistance to it. While today the majority of Jewish people and communities worldwide still have a Zionist connection, more and more Jewish people, especially from the younger generation, are unlearning Zionism & speaking out. Swipe to learn more about just part of anti-Zionist Jewish history - since there's more than we can fit in 10 slides." A semi-transparent image is overlayed in the background, of someone holding up a sign that reads: Jews for Palestine! #Free Sheik Jarrah. End ID.

Image 3: Icon of a location tag next to the words Eastern Europe. In large, blue text is the word "The Bund" and the subtitle describing what it is, "A Jewish Socialist movement, established in 1987." The following paragraph says, "Opposing Zionism from the start, its 50-year tenure saw hundred of thousands of members across Eastern Europe advocate for workers' rights and cultivate a Yiddish culture." Location tag and the title, "North America." The paragraph says, "After mass immigration to the US in the early 20th century, [American Jewish Labor groups] (highlighted in chalky blue and bold white text) criticized Zionism for its colonial, nationalist, and bourgeois nature." Next to this text, is a circle with women protestors holding up signs. End ID.

Image 4: The title, "Middle East and North Africa." The paragraph states, "In 1945 a group of Iraqi Jews founded the Anti-Zionist League. They recognized Zionism as a form of colonialism linked to Western Interests. They hosted events and published pamphlets throughout the Middle East about the difference between Zionism & Judaism. They warned that Zionism is dangerous to Arab Jews, forcing them to split their Arab and Jewish identities, and urged the UN to create a unified Palestinian state.

Image 5: The panel is titled, "Anti-Zionist Jewish figures." A faded image of Hannah Arendt's visage is in the background. Overlayed on top, the following paragraphs discuss her. "Before 1948, several prominent Jewish leaders and scholars came out in opposition to political Zionism. Writers like Hannah Arendt turned against the Zionist movement and opposed a Jewish state. They correctly predicted a dark future if Zionism continued on the same path in Palestine. End ID.

Image 6: The day after the Deir Yassin Massacre in 1948, when Zionist militants wiped out the Deir Yassin village & its inhabitants, Albert Einstein wrote: "When a real and final catastrophe should befall us in Palestine the first responsible for it would be the British and the second responsible for it the Terrorist organizations built up from our own ranks. I am not willing to see anybody associated with those misled and criminal people." The former paragraphs are imposed against a tan, parchment fragment, in typewriter font, and the letter ends with Sincerely yourn, Albert Einstein, both his signature and typed name. End ID.

Image 7: Titled "Anti Zionism Today." Blue sketchy image of someone's hand gripping jail bars breaks up the following paragraphs which say: Jewish solidarity with Palestinians is growing around the world, including even some Israelis who take the basic step of refusing Israeli military service. As punishment, Israel imprisons these conscientious objectors — but unlike Palestininas, they have a fair trial & often severe relatively short sentences of a few months . This is a first step towards solidarity and has the real consequence of depriving the occupation state of its soldiers. End ID.

Image 8: Titled "Israel's Crackdown on Jewish Anti-Zionism" Behind this text are a picture of handcuffs. In the corner is a picture of Jonathan Pollak. The following text says: Jonathan Pollak is a Jewish Israeli and long-time anti-Zionist activist. Israel has detained him several times, most recetly in January as he protested with Palestinians in Beita, (a Palestinian village) for allegedly throwing stones. Jonathan has been violently attacked for his activism. In 2018, Jonathan was slashed across the face by settlers who ambushed him outside his workplace. Earlier, in 2005, Israeli soldiers shot a tear gas canister. directly at him, causing internal bleeding in his brain." End ID.

Image 9: Semi-transparent image of an umbrella behind the title text is "Jewish Anti-Zionism isn’t one ideology. It’s an umbrella movement that encapsulates multiple communities and beliefs towards decolonizing Palestine. Some motivations or Jewish anti-Zionism include: 1. Pursuing millenia of Jewish tradition as a diasporic community 2, Detachibng religious and cultural tradition from political nationalism. 3. Socialist visions of a Jewish Society. 4. Believing in the right to self-determination for Palestinians Standing up to Zionism is: 1. Standing up to apartheid and colonization. 2. Standing up for a liberated, equal, and just Palestine from the river to the sea.

Image 10: An ending quote, and call to action, by the Anti-Zionist League. It says: "Jewish Men! Jewish Women! Zionism wants to throw us into a dangerous & hopeless adventure. Zionism contributes to making Palestine uninhabitable. Zionism wants to isolate us from the Egyptian people. Zionism is the enemy of the Jewish people. Down with Zionism! Long live the brotherhood of Jews and Arabs!" --The Anti-Zionist League. End ID.

#israel #jewish #jews #jumblr #palestine #resources #history #resistance #genocide #instagram #ethnic cleansing #activism #zionism #anti zionism #socialism #colonialism #colonization #judaism #free palestine

[djsadbean]

If I were to give any advice to a former twitter user (aka new tumblr user) it’d be:

Stay anonymous. Use a nickname or something ESPECIALLY if you’re a youngin’

Turn off public likes/following in settings.

Say nice things in the tags when u reblog art/writing/edits/gifs/etc. because every op (original poster) reads those and it makes their day

Block any corporate account you come across (this excludes small business, please support them if you like their work!)

Also block celebrities! You wanna follow what they’re doing? Go to their Instagram. This platform is one of the last places where we can be ourselves and not monetize our interests. We like it that way.

You can organize your blog! Use [#tags like this,] without the brackets to keep track of aesthetics you like or funny posts! It’s also nice if you wanna have a well kept blog for people to enjoy and look through your organized blog.

There are tumblr holidays and you’ll learn to love them <3 they’re silly and tbh it’s this community made culture that really makes this place special

There are a lot of millennials on here that are so sweet and amazing and they post about their interests and skills in their fields like history, cooking, art, science, etc. They’re a lot more friendly than the tiktok millennials that tried to start beef with teenagers. Be nice to them.

Follow @neil-gaiman he’s the coolest one here!!

Tumblr isn’t really what it used to be, like what it’s unflatteringly famous for… it’s pretty calm and fun here on most days. A lot of us are grown and know better than to start fights. (It’s not perfect obvi but it’s alright)

If you see an amazing resource that it’s best to not share, DON’T TALK ABOUT IT ON TIKTOK. That’s how we lost the library website. Appreciate these treasures. Don’t use them for an hour of internet clout on the worlds worst app.

Reblog stuff!! That’s how posts stay alive a decade after the op posted it. It’s still good and we love a chuckle and the nostalgia if you’re old enough to remember it

#djsadbean rambles #twitter #you don’t have to add tags but it helps! #also follow Linda carter LOL she joined after this was posted

[transbookoftheday]

Trans Horror Podcasts

My post about trans horror books last year was much more popular than I expected, and since I've recently fallen in love with fiction podcasts and audio dramas, I thought I'd make a post about trans horror podcasts as well.

If you like trans horror, please give these a try - especially if you enjoy listening to audiobooks!

Hello From The Hallowoods:

Come walk between the black pines! In this award-winning queer fiction podcast, an eldritch narrator follows the increasingly connected residents of the forest at the end of the world. It's a bittersweet story that explores queer identity, horror genre tropes, and finding hope in humanity's last moments.

Hello From The Hallowoods is my absolute favorite podcast! If you only listen to one podcast from this list, please make it this one - it's so beautifully written and super queer! Also: season 4 starts today!

Trans main characters include:

our nonbinary eye-affiliated podcast host

a nonbinary "Frankenstein's creature"

a transmasc ghost

a genderfluid storm witch

a trans woman who can visit other people's dreams

multiple characters using neopronouns

Camp Here & There:

Good morning, campers! Camp Here & There is a weekly horror comedy podcast tuned in to the loudspeakers of a small midwestern sleepaway camp plagued by supernatural terrors and natural disasters. Sydney Sargent, resident camp nurse, cheerfully reports on all the terror we must face with a big smile. Let’s hope there’s nothing weird about that!

Sydney is a trans man.

Dos: After You:

Things have changed. Deck has fallen in love with someone who isn't human, and leaves a hungry house behind to see him again. Will he be waiting for you? The world has changed… but what about him? Dos: After You is a queer urban fantasy/horror audiodrama available in both English & Spanish

Deck is a trans man.

Jar of Rebuke:

Follow Dr. Jared Hel's journey as he works to re-discover his forgotten past and finds his place within the small Indiana farm town of Wichton and the cryptozoological organization he works for called 'The Enclosure'. These audio journals, and other recordings, dive deep into Midwestern US cryptids and folklore while also telling a mystery about identity, queerness, neurodivergence, and community.

Jared is nonbinary.

Spirit Box Radio:

Spirit Box Radio is an award winning, horror audio drama podcast about a radio show for enthusiasts of all things arcane. Follow Sam Enfield a former postboy with no experience in the arcane arts, who finds themselves forced to take over running the show, following the disappearance of the previous host. Sam soon discovers there are more than ghosts haunting the show, and finds himself amidst a mystery which threatens everything he knows about the world beyond his tiny basement broadcast studio, and maybe even himself.

Sam is a trans man.

The Silt Verses:

Carpenter and Faulkner, two worshippers of an outlawed god, travel up the length of their deity’s great black river, searching for holy revelations amongst the reeds and the wetlands. As their pilgrimage lengthens and the river’s mysteries deepen, the two acolytes find themselves under threat from a police manhunt, but also come into conflict with the weirder gods that have flourished in these forgotten rural territories. This is a world where divine intervention takes place through prayer-markings scratched into stumping-posts, and offerings are left squirming to die in the flats of the delta. This is a world of ritual, and hidden language, and sacrifice. This is folk horror, and fantasy, and a dark road trip into the depths of unusual faith.

Faulkner is a trans man.

The Magnus Protocol:

The Magnus Archives 2: The Magnus Protocol is the prequel/sequel/”sidequel” to the internationally renowned Magnus Archives podcast. The Magnus Institute was an organisation dedicated to academic research into the esoteric and the paranormal, based out of Manchester, England. It burned to the ground in 1999. There were no survivors. Now, almost 25 years later, Alice and Sam, a pair of low-level civil service workers at the underfunded Office of Incident Assessment and Response, have stumbled across its legacy. A legacy that will put them in grave danger. If this intrigues you then it is our pleasure to welcome you to the Office of Incident, Assessment and Response. Make sure you pick up your badge at desk and report to your line manager before sitting down. Oh and stay away from I.T., seriously.

I'm not sure if Alice is canonically trans, but her voice actress is a trans woman.

#hello from the hallowoods #hfth #camp here & there #camp here and there #chnt #dos: after you #jar of rebuke #the magnus protocol #tmagp #spirit box radio #the silt verses #tsv #nonbinary #genderfluid #transmasc #transfem #trans book of the day #trans books #queer books #bookblr #booklr #horror podcast #horror podcasts #queer horror podcast #queer horror podcasts #trans horror podcast #trans horror podcasts #trans horror #long post

[feminist-space]

"Yes, you read that right: Chicago is spending $33 million to build fake housing and commercial buildings in an overpoliced community that could really use their actual, real-life equivalents. No Cop Academy organizer Destiny Ball laid it out plainly to Block Club Chicago: “To find out that they’re building a scenario village when there are thousands of people, homeless, with nowhere to go … it’s sickening.”

Architecture sometimes lays bare the contradictions in urban life, but rarely does it do so this explicitly, if not mockingly. A first phase of the training campus is nearly done, and the “tactical village” will begin construction this summer. The campus, which rises on the site of a former rail yard, will replace seven facilities currently in use. The second phase will be built by a joint venture of Berglund and Brown & Momen. The City’s website lists the design architect as DLR Group. The company recently published a blog post in which Andrew Cupples defended its work on juvenile justice systems, claiming that DLR remains “undeterred in the belief that design excellence contributes to better outcomes for youth who enter the justice system.”

“Justice system,” to this critic, reads as a remarkable euphemism for a place to detain children. Incredibly, the City lists the project as part of Mayor Lori Lightfoot’s INVEST South/West platform which seeks to direct about $1.4 billion in funding to previously underdeveloped neighborhoods.

The City neglects its citizens—especially its Black and Brown ones—before policing them with militarized tactics. This is, after all, the police force that was found to be using “black site” tactics—essentially kidnapping and torturing civilians at Homan Square, a property it owned on the West Side—until an exposé in The Guardian in 2015 spelled its demise. This is the police force whose officers shot 13-year-old Adam Toledo to death in 2021 and paralyzed another unidentified 13-year-old boy just a few weeks ago. These are the law enforcement officers who have made arrests in only 6 percent of rape cases. Per Alex Vitale’s book The End of Policing, this is the police department that arrested 8,000 Black schoolchildren, more than half of whom were under 15, in 2013–14 alone.

Chicago suppresses funding for housing, schools, environmental remediation, public health, and transit, but it generously funds cops. This is not only ineffective, given the statistics and reality of police brutality, but immoral.

Any architect who participates in realizing the carceral program of police surveillance and terror is complicit. Architects often characterize their work as impartial, but the reality is that the form of the built environment is regularly weaponized by those in power. Architects are moral actors who have the agency—individually, but especially collectively—to see a project like this and decline to participate.

At times, activism comes in the form of saying yes to certain advances, but in this case it more powerfully comes in saying no. This denial of service can come in the form of whistleblowing to journalists, organizing political resistance among your peers, or finding a new job. After George Floyd’s murder in 2020, when Michael Ford (the hip-hop architect) learned that his then employer SmithGroup was to work on civic buildings with holding facilities, he left. In the fall of 2020, AIA New York attempted to discourage members from working on spaces of incarceration. The work of Colloqate explicitly demands the end of architects working on behalf of police and provides alternative solutions for reallocating police funds toward endeavors rooted in community building and racial justice.

Architecture exists at the all-important nexus where political ambition is given form. Resistance to terrible carceral projects from architectural firms matters—if no one draws the plans, the efforts stall. Sure, someone else can do it, but the broad systemic woes of capitalism don’t excuse us—mere individuals—from living ethical lives. It is unethical to work on a project that will be used to oppress and terrify Chicagoans, just as it is a project of criticism to be explicit about architecture’s role in surveillance, police expansion, and, by extension, urban policies that govern by force, not by support. So, to the leaders of architecture offices who are currently overseeing construction documents for a fake strip club in western Chicago, I see you. The architecture world sees you. You can and should do better than this."

-Kate Wagner is an architecture critic and a journalist.

[yourtongzhihazel]

thoughts on anarchism?

The anarchists I've met IRL, especially while organizing, have been some of the most wonderful comrades and I wouldn't hesitate to work with them again. I'm sure there's many online too who're just like them. I do admire how quickly they are willing to use direct action, even if it's not the best tactic to be used or the only means to an end. Some anarchist ideas, while not necessarily achievable on a large scale, are certainly is very helpful for short term, small scale survival, like mutual aid for example.

Anarchism as an ideology though, I do have strong disagreements with. When I was first dipping my toes into studying political-economy, I had a very brief time where I was following both anarchist and marxist accounts and forums. And often, when I asked the marxists a question about how things would or potentially could work, they could point to real examples as much as they could theoretical ones, and they could point out the pros and cons of their own systems. But when I asked anarchists similar questions, there was generally a kind of hesitancy or wishy-washiness or vagueness which I really didn't get from the marxists. As a poc, I remember a black man had asked anarchists what the solution to a group of racist factory workers voting him out of their work force was and no one had any answers beyond, "well at that stage you really wouldn't expect racism on that level". But the marxists would say racism is a social ill that takes time to combat, even after the revolution thus the proletarian state exists to ensure cases like that are investigated and corrected. A more poignant example would be like the Chinese trans woman who sued her former place of work for firing her for being trans and the state sided with and supported her rights. In some ways, I think I was always inevitably going to go down the marxist route given my family background, but that's not to say I didn't give anarchism a fair shot in the beginning.

More theoretically, the roots of anarchism has always been deeply entwined with petite bourgeois ideology. Similar to liberalism, it supposes that the liberation of the collective comes from the liberation of the self. That's not to say anarchists are liberals (well, actual anarchists anyway), but rather, has been influenced by a deeply individualistic ideology like liberalism. The reason we marxists tend to call anarchists idealists can mainly stem from our biggest disagreement, which is the utilization of the state. It's unreasonable to destroy the greatest tool a class has in the class war once that class gets its hands on it, especially since the bourgeoisie have no qualms about using it as a bludgeon against the proletariat. The state has always been used as a mediator for class warfare and whichever class controls it controls the arbitration on class conflict. Like it or not, revolution, just like the construction of socialism, will come at different times with different arising conditions for every country. It's simply not enough to rely on hopes of either a total revolution or to defend your own revolution without the tools provided by a state. After the October Revolution, the nascent USSR was invaded by over 20 foreign countries and they threw them all out. During the second world war, more than 4 million fascists were killed on the eastern front and the Red Army marched into Berlin in the end. Both feats would be impossible without strong state apparatuses. There's more to it than just this, of course. If you want, you can read a (admittedly, pretty scathing) critique by J.V. Stalin, Anarchism or Socialism?, for some more detailed information.

My last point is that in many online spaces, there's no doubt a big overlap between radlibs and anarchism or at the very least, anarchist aesthetics. I can't tell you how many times I've been called some slur or 'tankie' or some variation of the two by someone presenting themselves to be anarchist who then turn around and say the most unbelievably liberal talking points. I've now come to realize that the reason for this overlap is two-fold. The first is that in liberal democracies, where individualism is extremely strong and thus anarchism, as a more individualistic ideology, appeals more to radlibs. The second is that anarchism is very easily marketable, even more so than marxism. These two kind of go hand-in-hand as well.

In the west and usamerica in particular, we don't have much of a choice in regards to who we side with and I would actually take an anarchist comrade over the "queering the MIC" libs in the DSA or whatever. I'll still jest about about anarchism tho.

#hazel's press releases

[rthko]

please define camp. I see it said so much to describe anything.

@sougeeee Camp is an an aesthetic sensibility most famously described by Susan Sontag in her 1964 essay, Notes on Camp, where she disclaimed that "to write about camp is to betray it." The term has long been popular in queer circles, but exploded in popularity online with the 2019 Met Gala, themed and named after this essay.

Here are some characteristics of camp:

Camp is failed seriousness. I think a lot of uses of camp lately emphasize the silliness and lightheartedness but play down the melodrama and passion. Sontag writes here that camp "finds the success in certain passionate failures." Failure is a common theme in queer aesthetics and worldviews; as Quentin Crisp said, "If at first you don't succeed, failure may be your style." Writing about performance artist Dynasty Handbag, José Muñoz described the "failure" of her work as "not an aesthetic failure but, instead, a political refusal."

Camp is innocent. The camp that is most satisfying to Sontag is not trying to be bad on purpose but dead serious in its grandiose intentions: "naive" camp. To do it on purpose is what she calls "camping," and this is what the Met Gala in 2019 ended up being. As it's been said on here, Karlie Kloss's claim that she was "looking camp right in the eye" was accidentally closer to camp concept of fabulous failure than the look itself. Admiring camp is not to point and laugh but to sincerely appreciate it. Sontag writes: "Camp taste is, above all, a mode of enjoyment, of appreciation - not judgment."

Camp is artifice. It involves a love of the unnatural and exaggerated, and this explains why most drag is not simply female/male impersonation. There's an undue association between femininity and artifice, especially when it comes to trans women, lesbians, working class and racialized women (Julia Serano most famously writes about this as part of the basis for transmisogyny). While it's important to challenge this, some have taken the approach of playing with this in a tongue-in-cheek way. In her essay "Rogue Femininity," Elizabeth Marston writes: "let's say that femme is dispossessed femininity. It's the feminity of those who aren't allowed to be real women and who have to roll their own feminine gender."

Camp is apolitical? One of the first points in Sontag's essay is that "To emphasize style is co slight content, or to introduce an attitude which is neutral with respect to content. It goes without saying that the Camp sensibility is disengaged, depoliticized - or at least apolitical." In a way I agree. This sort of detachment is why George Santos the right wing politician was obviously abhorrent, but George Santos the former drag queen and fallen diva was, unfortunately, very entertaining. Since Sontag wrote this essay before Stonewall, it must have been hard at the time to see any overlap between camp and politics. But as the examples I've chosen so far might show, I do see a political angle, and a political discussion to be had over which expressions of art and being are considered unnatural or unserious. For instance, Black queer art like the bejeweled collages of Mickalene Thomas and the exuberant sculptures made of trinkets by Nick Cave address the racial angle in the demarcation of high brow and low brow.

There's a legacy in queer politics that calls for a sort of hedonistic, bejeweled extravagance for all. Jules Gill-Peterson writes about the transfeminine travestis in Latin America, and a term they use,mujerisima. The English translation is less glamorous--"extremely woman" or "the most woman"-- but to Gill-Peterson this represents a vision of racialized, working class anti-austerity and anti-assimilationist sensuality and glamour. In A Short History of Transmisogyny, she asks: "What's wrong with being extra? Abundance might be a powerful concept in a world organized by a false sense of scarcity."

So for an in-depth description of camp, I still recommend Sontag's essay for its insight and cultural impact. She's right to address the association between camp and homosexuality, but the association between failed seriousness and excess with marginalized subjects doesn't stop there. So I hope people realize camp is not an irony-poisened, "doing it ironically" hipster thing, but a perspective and way of life to find real joy and freedom in.

[kalamity-jayne]

Another thing I find interesting about this latest tumblr drama is the CEO outlining his "beliefs and principles". To me it's a striking example of how cis people do not understand us and make no real effort to understand us, which of course kneecaps their ability to see things from out perspective or even have real genuine compassion for us.

For one thing, I think trans women are not going to be won over by outlining your anti-transphobia principles, we don't give a shit that you've read the yogyakarta princples or how many LGBT people you have on staff (especially since it is still unclear whether or not there are actually transfems on the moderation team which is what would actually matter here), or what sort of benefits you offer your trans employees. All good stuff to be sure but that doesn't absolve you of wrong doing and we are so used to people doing this sort of thing to be like, "see, I'm one of the good ones! Don't be mad at me!"

Like, to use an unrelated example, the former head of the Southern Poverty Law Center, an organization that has done enormously important civil rights work and taken down many powerful hate groups, had to resign a few years ago for racism and sexual harassment, both of which are antithetical to the work he was doing. You can be doing things that help was with one hand while the other hand actively harms us.

Furthermore, trans people are always reading between the lines, we have to as a matter of survival. There are a number of things photomatt has said in his beliefs in principles that will read very very differently to a trans woman than it would to anyone other person reading it. For instance:

I bet any cis person reading that is nodding their head in affirmation to this but to a trans person the headline here isn't "I support the right to medically transition," it's actually, "I don't support transition care for trans youth." And whenever a cis person specifies they support transition for adults that tells us more about what that person's actually believes than they realize.

So all of Photomatt's attempt at establishing his pro-trans bona fides are absolutely hollow when you don't even need to read between the lines here, not when he's followed her to a different social media platform to continue throwing a tantrum at her. Matt's "principles and beliefs" are nothing more than a meaningless genuflection because it's motivated not by the selfless desire to make us feel safer here, it's motivated by his need for us to think he's actually a "good boy" and this all just a misunderstanding.

We aren't stupid Matt, we encounter schmucks like you every👏single👏day.

#tumblr has a transmisogyny problem #photomatt #hammer car #predgesterone #transphobia

[starrylayle]

no it's not "forced diversity", you just hate seeing minority leads.

I really didn't want to comment on this, but as someone who has recently rediscovered monster high and loves the new show, I've seen so much criticism that isn't exactly...constructive?

I've seen a lot of people say that making Frankie non-binary is 'forced', 'lazy' and 'uninspired', when that is just simply not true?? Let's unpack their character for a moment. They are made of a ton of different dead body parts, some male and some female. If you were to use the 'biology excuse' it wouldn't even make sense in this context -- they literally have male and female organs!! Also alot of nonbinary people feel as though they have lots of parts to themselves,, what better way to portray that than through a monster character struggling with the same thing? It's literally such a cool allegory!! Creators have been using magic/fantasy to describe/symbolise real world issues and feelings for ages,, why is it such a big deal creators do this for more marginalised people. [also,, the orginal Frankenstein creature was heavily queer coded in the first place so its a sweet easter egg).

I also see people say,, 'oh why couldn't they just have made a new character be non-binary instead of changing the pronouns of a former one'. I hate this argument so much because it sounds like it's in good faith, but really what they're trying to say is "stay away from my white cishet characters and go make one of the irrelevant side characters queer or or just make a whole new show starring them that I have no interest in watching'. Just admit you don't want to see queer characters as leads.

I also think that sometimes cishet ppl (or non-marginalised ppl in general but i've mostly been seeing an attack on the queer characters hence the example) forget that we also grew up watching monster high?? and related to the characters?? And we would be so excited if we saw our favourite characters with similar traits to us?? Like sheesh,, cishet ppl have so much representation like let us have this pls 😭 😭

Actually speaking of representation in Monster High, g1 was already pretty diverse and inclusive, and its nice to see g3 follow in its legacy and become even more inclusive as times change! Like, they really said 'fuck you' to all the conservatives and included a drag queen character, a non-binary main character, autistic side character and so many more!! It makes me so happy to see and its probably why its one of my comfort show rn amidst the rise of the anti-lgbt rhetoric, especially concerning children's media.

So respectfully, to all those people claiming that the new monster high is "forced diversity" --- fuck you xxx

#the girlies are not gonna like this one #monster high #mh #monster high g3 #monster high g1 #frankie stein #jackson jekyll #holt hyde #mh g3 #cleo de nile #ghoulia yelps #lagoona blue #draculaura #clawdeen wolf #also the fact that some ppl are so against clankie #like deuce x cleo was good #but ur not even giving clankie a chance #clankie #also draculaura being a witch is totally a metaphor for her being gay #and she's in love with lagoona #((or perhaps Clawdeen for my poor g1 heart))

[reasonsforhope]

Donald Trump charged in Georgia for efforts to overturn the 2020 election

Link here, because WaPo's security measures stop Tumblr previews. Non-paywall link here.

"Former president Donald Trump and 18 others were criminally charged in Georgia on Monday in connection with efforts to overturn Joe Biden’s 2020 victory in the state, according to an indictment made public late Monday night [on August 14, 2023].

Trump was charged with 13 counts, including violating the state’s racketeering act, soliciting a public officer to violate their oath, conspiring to impersonate a public officer, conspiring to commit forgery in the first degree and conspiring to file false documents.

The Recap

The historic indictment, the fourth to implicate the former president, follows a 2½-year investigation by Fulton County District Attorney Fani T. Willis (D). The probe was launched after audio leaked from a January 2021 phone call during which Trump urged Georgia Secretary of State Brad Raffensperger (R) to question the validity of thousands of ballots, especially in the heavily Democratic Atlanta area, and said he wanted to “find” the votes to erase his 2020 loss in the state.

Willis’s investigation quickly expanded to other alleged efforts by Trumpor his supporters, including trying to thwart the electoral college process, harassing election workers, spreading false information about the voting process in Georgia and compromising election equipment in a rural county. Trump has long decried the Georgia investigation as a “political witch hunt,” defending his calls to Raffensperger and others as “perfect.”

The Details

“Trump and the other Defendants charged in this Indictment refused to accept that Trump lost, and they knowingly and willfully joined a conspiracy to unlawfully change the outcome of the election in favor of Trump,” the indictment states.

A total of 41 charges are brought against 19 defendants in the 98-page indictment. Not all face the same counts, but all have been charged with violating the Georgia Racketeer Influenced and Corrupt Organizations Act. Willis said she has given those charged until Aug. 25 to surrender.

Among those charged are Rudy Giuliani, the former New York mayor who served as Trump’s personal attorney after the election; Trump’s former White House chief of staff Mark Meadows; and several Trump advisers, including attorneys John Eastman, Sidney Powell and Kenneth Chesebro...

Prosecutors brought charges around five subject areas: false statements by Trump allies, including Giuliani, to the Georgia legislature; the breach of voting data in Coffee County; calls Trump made to state officials, including Raffensperger, seeking to overturn Biden’s victory; the harassment of election workers; and the creation of a slate of alternate electors to undermine the legitimate vote. Those charged in the case were implicated in certain parts of what prosecutors presented as a larger enterprise to undermine the election."

-via The Washington Post, August 14, 2023

#trump #donald trump #trump indictment #fani willis #district attorney #united states #us politics #good news #2020 election #january 6 #georgia #fulton county #criminal justice #racketeering #rudy giuliani #sidney powell #john eastman #fuck trump