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#essay series
counting-stars-gayly · 4 months
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I’m actually LOVING how Rick Riordan, and the other writers of the show, took his initial concept of a Percabeth rivalry fueled by that of their parents and kind of turned it on its head?
Now, instead of Annabeth being wary of Percy because he’s a son of Poseidon, he’s wary of her because she made a callous impression on him. They get off to a rocky start even before finding out who Percy’s father is, and when they finally do, Annabeth doesn’t care. Instead of them fighting because of who their parents are, they’re fighting over their own opposed worldviews.
Then, instead of them arguing over which of the gods is cooler and who was right in the story of Medusa, they realize that, just like Medusa, Annabeth is a victim of her mother and that, unlike Medusa, she is a far kinder and stronger person, unwilling to repeat the cycle of hurt. They realize that, like his father, Percy often acts without considering potential consequences and that, unlike his father, he is a far kinder and stronger person, willing to step up for someone he wronged and whom he cares about.
Instead of Percy and Annabeth’s rivalry being focused on that of their parents, it’s focused on who they are, themselves. But the path to friendship is still the same: a realization that they have each other’s backs, no matter what, because they’re not their parents after all.
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My DC Cinematic Universe: Legion of Super-Heroes
Listed below are the links to more insane ramblings, this time about what I would do with a Legion of Super-Heroes television series, were I given the reins to the DC Cinematic Universe. Not as long as my Superman series, but still real long, real nerdy, and just generally a lot. And as before, if you read this series, I genuinely appreciate it. Hopefully you enjoy it, and feel free to give me feedback!
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Part I: Introduction (AKA Long Live the Legion)
Part II: The First Three
Part III: The First Recruits
Part IV: Supporting Cast and World-Building
Part V: Villains
Part VI: The Story (Part One)
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kagintonpackage · 1 year
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Unlock the Secrets of Overcoming Insecurities
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mossssor · 2 months
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this totally didnt take me. checks wall clock. like at least 8 hours. ANYWAY!!!!!!!!!!!!! ive been meaning to do this template for ages ! twas very fun working/reworking designs i already had or making whole new ones like for scott. a lot of these hybrid headcanons change whenever i feel like it lol but i went with the cuter ones (like fox etho) for this ^^!
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aroaceleovaldez · 7 months
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reminder that the only reason the "ADHD is actually demigod BATTLE STRATEGIES" and "dyslexia is DEMIGOD BRAINS HARDWIRED FOR ANCIENT GREEK" things exist in the PJO universe is because it's a very direct reference to early 2000s teaching/parenting techniques for neurodiverse and disabled children, which aimed to frame childrens' disabilities and hardships as a "superpower" or strength so that the children would feel more positively about their disabilities or situations. This technique has fallen out of favor since then for the most part since more often than not it just results in kids feeling as though their struggles are not being seen or taken seriously.
Yes, demigods are adhd/dyslexic (and sometimes autistic-coded) in the series. This is extremely important and trying to remove it or not acknowledge it makes the entire series fall apart because it is such a core concept. Yes, canon claims that their adhd/dyslexia is tied to some innate abilities, which is based on an outdated methodology. It's important to acknowledge that and understand where it comes from! But please stop trying to apply it to other pantheons in the series like "oh, the romans have dyscalculia because of roman numerals!" or "the norse demigods have dysgraphia for reasons!" - it's distasteful at best.
A better option is to acknowledge the meta inspiration for why that exists in the series, such as explaining potentially that Chiron was utilizing that same teaching methodology to try and help demigods feel more comfortable with their disabilities and they aren't literal powers. In fact, especially given Frank, there's implication that being adhd/dyslexic isn't a guaranteed demigod trait, which means it's more likely to be normally inherited from their godly parent/divine ancestor as a general trait, not a power, and further supports the whole "ADHD is battle strategy" thing being non-literal. It also implies the entire greco-roman pantheon in their universe is canonically adhd/dyslexic - and that actually fits very well with the themes of the first series. The entire central conflict of the first series fits perfectly as an allegory about neurodiverse/disabled children and their relationships with their undiagnosed neurodiverse/disabled parents and trying to find solutions together with their shared disability/disabilities that the kid inherited instead of becoming distant from each other (and this makes claiming equivalent to getting a diagnosis which is a fascinating allegory! not to mention the symbolism of demigods inheriting legacies and legends and powers from their parents and everything that comes with that being equivalent to inheriting traits, neurodiversity, and disabilities from your parents).
anyways neurodiversity and disability and the contexts in which the series utilizes representation of those experiences particularly during the 2000s symbolically within the narrative is incredibly important to the first series and the understanding of what themes it means to represent. also if i see one more "the romans have dyscalculia instead of dyslexia" post in 2023 i'm gonna walk into the ocean.
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probablyaseamonster · 5 months
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so insane about the Fairy Queen (or whatever the hell it is).
It takes no "disrespect" or "talking back". It wants you to stay. It will literally die without you. It is explicitly described as an elder. We are sticking to tradition because "this is just the way it is."
The Fairy Island is a place of pure nostalgia. Everyone who goes there stays young. You can live in the bliss and pretend everything's alright but the rules are set in stone and you cannot change or bend them.
Childhood is wonderful in comparison to adulthood, sure. But there's a reason being "treated like a child" feels like a dismissal of dignity. You could play and pretend you could fly and have zero responsibilities but there would always be an older figure holding you back, holding you down. You were never really free.
And leaving is hard, and painful, and you'll be leaving family members who love you behind. But you need to leave. Escape, even as the island tries to stop you. The human world will seem boring at times, but that island is a prison. You were never really free.
Hilda said a lot of things this season, about families and the different ways we love and hurt each other. But I was not expecting that the last reveal of the show would be that Johanna is not just the best mother in fiction, but that she also broke the cycle. By letting her daughter be free, by giving her daughter the same respect she'd give an adult. By treating her like a person. Like a human being, not a fairy. In the fairy realm, in nostalgia, and childhood, you were never really free.
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gummi-ships · 4 months
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braxiatel · 5 months
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Looking at Mumbo’s inherent distrust of yellow names, as proven by him telling Pearl that Joel - their ally - can’t really be trusted because he’s yellow. Thinking back to who it was that permakilled him in last life: his closest ally, Grian, on yellow
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ourg0dsal · 6 months
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Gideon Nav CANNOT Die. Hold on- I know... but give me one second and I'll explain.
So, as I said before Gideon Nav cannot die, or at least her body can't. Cause clearly (spoiler warning) Gideon Nav died at the end of Gideon the Ninth. There is no avoiding that.
But! If you have read all the books GtN, HtN, and NtN including all of the accompanying short stories (tho I will admit I have not read The Mysterious Study of Dr. Sex yet) then there is a better understanding of the timeline of the whole story outside of just what the three main books give you. Specifically and especially with Gideon's body. But also there are many times In Gideons life were she has faced near death events or events that she should not have survived from and still was breathing on the other side.
To go in chronological order of these events, when she was first born she was found in a container held by the air depraved suit of her mother. And while ofc In the book it does state that her mother had redirected her air supply to Gideon, but it is simply being stated to cover all my bases.
Then the 200 sons and daughters massacre when Gideon was 1 (or 2 im not sure) when she inhaled poisonous air without dying. Which led ofc to the Reverend Mother and Father fearing the ground she walked. And this is a big one because, it literally creates waves in the plot. It's a defining point of Harrow and Gideons relationship. That Gideon did not die when she was supposed to.
Later in the story Gideon talks with Pal when she believes Harrow to be a murderer and openly admits to him that "she nearly killed me a half dozen times growing up" which obviously in context was to emphasize on the brutal relationship between her and Harrow. But this could also be other times where miraculously Gideon survived death when she shouldn't have. Because as we know from the first confrontation between Harrow and Gideon. Harrow doesnt hold back for her.
Finally of all the events where Gideon escapes death, this one actually happens within the main story of Gideon the Ninth. When Harrow siphons from Gideon to retrieve one of the challenge keys. And at the end when Gideon passes out, it is narrated ""ha-ha," said Gideon, "first time you didn't call me Griddle," AND DIED." Now, this could obviously just be the snarkiness of Gideon narrating. Or something incredibly clever left behind by Tamsyn Muir for a book series that is so clearly meant to be reread. But ofc to do my rounds the next line after does state "well, passed out. But it felt a hell of a lot like dying." But then immediately after "wake up had an air of ressurection." Which honestly feels like Tamysn Muir teasing the readers at this point. The question then becomes rather, which one was the tease and which one was foreshadowing/ evidence.
Now the point of listing all of these events is that in all of these cases the chances of death are so incredibly high that for most its a miracle she's alive. Ofc most notably for the siphoning trial and the poision gas, but none the less there is proof within the written story and and out that Gideon has looked death in face and moved on with maybe a headache. And it wasn't just in her child hood this is something she can just do. Some recreated in the written story! Because as Pal said. Even with the siphoning challenge done perfectly the chances of leaving Cam with severe brain damage was far to high. And Gideon didn't even suffer that.
Sadly, despite all these Gideon gets to the final battle and fights Cytherea and does die. At the hands of a particularly pointy fence. Or was it truly the fence that did her in? Rather than the lyctorship ritual that was started seconds afterwards.
My full theory, isnt just that Gideon Nav can't die. It's that Gideon Nav wouldn't have been able to die... If Harrow hadn't sucked her soul out. There are at the very least 8 seperate events that Gideon should have died, two of which were nearly gauranteed, but she was ended by a piece of metal. Yes, a very well placed piece a metal, but the point still up to that point she had faced worse a came out unscathed.
If Harrow had not completed the lyctor ritual, Gideon would not have died. Wether or not through resurrection or simply walking it off. Gideon's body has some sort of necromantic attributes to it that keep her alive. We see this in the Untitled Entry short story with Judith Deuteros that describes Gideons body, as it does not rot, cannot be injured, cannot be fed to animals forced or otherwise. And that is all before Jod ever gets a look at the body, because otherwise he would have known Gideon was his daughter before the later events of Harrow the Ninth.
And ofc during the first challenge when Harrow uses Gideon as her eyes to be able to see the construct in the other room and Gideon is able to see the thanergetic signatures that Harrow remarks should be impossible. (I assume because the process is Harrow extracting information (Gideons eyesight) from Gideon and so Gideon should not also be receiving information (the ability to see the signatures)) unless Gideon had some form of necromantic abilities, which she was tested for as a kid and apparently did not have. Alongside not having the correct attitude to be a nun of the ninth. And so we can round it out to be her body being naturally necromantic leaving Gideon without the ability to use it. (Which Is a jump from the actual point we are attempting to use, but for now this stops us from assuming Gideon as any sort of necromantic ability which is a theory all on its own. One that I personally have no evidence for or against)
Now, that I have hopefully made both my Ap Lit and Lang teachers proud with my 3 am essay, I must give you the real tragedy of Gideon the Ninth. Had Gideon not died, had Harrow been unable to complete the lyctor ritual for emotional reasons or otherwise, had Harrow not become a lyctor and killed cytherea. Gideon would have had to watch Harrow and Cam be killed, possibly even Corona, Judith and Ianthe. And then to be used for Cythereas own motives. Tamysn Muir beautifully set up the story so that the best possible outcome could have happened. Had Gideon not died. Everyone else would have. And "Camilla the sixth was no idiot" cam knew and accepted this whereas Harrow never would have. And so the unkillable Gideon had to die, and forcing Harrows hand was the only way to do it.
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I think that the one thing that I will always absolutely loathe the movies for (other than single handedly screwing up the whole plot of the story) is for making up that bullshit rule about Zeus declaring that no god can have any kind of contact with their children. That’s completely not true but now a huge chunk of people in the fandom believe that rule as canon( because most like to pick and chose what is canon and what is not, and sell head canons as being canon to the books ).
The only rules that are stated in the books relating to demigods and their parents is that 1). Gods cannot blatantly and outwardly help their demigod children during a basic quest (such as help them fight monsters or help them travel somewhere for the quest). 2). That as of the time right after WW2 the big 3 gods are not to sire any demigod children as part of their oath that they made on the River Styx (which Zeus and Poseidon definitely didn’t break ). Gods are still able to spend time with their demigod children and mortal lovers on times out side of quests. However, it’s seen as taboo mainly because the other gods use them having to much to do, and too many demigod children as an excuse to just not do anything for them. Not send them a birthday card, not a visit, and not even being claimed in most cases.
That’s giving the gods too much slack! People like to say "well, they’re gods. They’re trying their best." No they’re not! And this is what Luke’s character blatantly points out!
Hermes not even bothering to visit every once and a while? Hermes not trying to help in even any little way with Luke and May's situation? It’s a main reason why Luke becomes so angry at the gods and even thinks about saying yes to Kronos’ proposal.
And who is the example of what could’ve happened if Hermes would’ve done literally anything? Anything at all? Percy.
Percy didn’t like the gods and Poseidon very much in the beginning ( he doesn’t really like them much now but, you know) but Poseidon at least helps Percy in little ways that can fly under the radar of Zeus and the others. The Pearls to help Percy escape from the underworld? Tyson? Poseidon even crashes Percy’s birthday party ffs! Sure Poseidon isn’t there every time Percy scrapes his knee or fights a monster, but he still shows Percy that he somewhat cares about him.
All Hermes does is tell others how much he cares for Luke and "really truly loves him", but does nothing to prove to Luke that he truly cares. But it’s not just Hermes who does this, almost all of the gods do this! Why? Because they know that they can just say "oh, well I was busy and I tried my best" and others will just believe them and carry on. Or worse, they’ll take what the gods say to heart and demonize anyone who would try to oppose the gods so that it’s seen as a bad thing to hold the Gods accountable for the way they act.
And this is a clear example of the overarching theme that the gods are actually just an oppressive establishment that won’t ever really change unless it’s destroyed or overthrown.
In this essay I will…
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galedekarios · 15 days
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Without your words, your touch... I fear I would have sought purpose and solace in that void.
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counting-stars-gayly · 3 months
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Book: "I don't know what my mom will do. I just know I'll fight next to you." "Why?" "Because you're my friend, Seaweed Brain."
Show: "You've done more for me in the past few days than my dad's done for me in my entire life. If I have to stick with someone, I—" "Careful. I think you were about to call me your friend."
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parvuls · 8 months
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no, because - famous person starts dating less famous person and is then gradually overshadowed is a trope. a trope often used to bring external conflict into stories. but jack and bitty are carefully constructed as the opposite of that, and I'm fucking feral over it.
we joke about how jack will eventually be bitty's trophy husband and be thrilled about it, but it definitely has a giant grain of truth in it. it's how they're characterized. bitty is an extrovert; jack is an introvert. bitty reached out and built himself an online audience to deal with his trauma; jack shut himself out and started avoiding the public to deal with his.
bitty finds comfort in being able to talk to others and (as seen in spotlight on eric bittle) considers being a public figure a sort of healing experience: coming out and being a public person (in every manner of speaking, not just sexuality wise) and putting himself in the limelight is such an important part of his journey because he sees it as a way of helping others who were in his situation.
jack grew up in the spotlight as the only son of two prominent figures. he grew up as a child with anxiety with the media's eyes on him as he was compared to his father. he grew up as an overweight teen featuring in trashy gossip columns as he was compared to his mother. he got into rehab in part because of this attention and it only attracted more attention to him. a lot of jack's anxiety stems from the notion of people looking at him and thinking about him and talking about him and judging him, and it's unfortunate because jack's dream is to play hockey, and that comes with even more attention.
but that's the thing: jack and bitty's story is (once again) a demonstration of two people making each other's lives better.
jack's fame thrusts bitty into the spotlight post-cup, and it's a giant push forward in helping him reach a bigger audience and thus grow his independent fame. bitty's growing fame slowly overshadows jack, to the point where ngozi says they'll one day be Eric Bittle and his Athlete Husband. and that means jack gets to play hockey, and win cups, and achieve fame in his own field, but the media's attention slides off him to his husband, and the fans on the street gradually approach bitty more than him, and jack is free to have his success with less of the personal scrutiny.
it's not that jack becomes less important than bitty. it's that bitty gets to stand in front of the direct sun and flourish as a result, while jack gets to stand in the shade bitty creates and flourish as a result. it's symbiosis. it's beautiful.
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percabetn · 3 months
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okay listen to me LISTEN TO ME. the simple fact that percy thought of annabeth to keep him anchored to the mortal world. how he yelled “no one touches her” when she took the stab for him to protect her. the way he felt “like somebody was poking his heart with a cold metal rod” when he saw annabeth injured. her telling him that she took the knife because he would’ve done the same for her and because she had had the feeling that he was in danger. the fact that he trusts annabeth with his achilles spot because “if he couldn’t trust her, he couldn’t trust anyone”, so he gently guides her hand to the small of his back so that “a thousand volts of electricity seemed to arc through his body”, and even when she removed her hand he was still holding it because she is his lifeline, the person who kept him linked to the world. and how then, while watching the sun rise over the city, annabeth opened up to him about luke and hermes, meaning that they opened up to each other both physically and emotionally because they’re both the person the other trusts the most.
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balletfilmss · 3 months
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“we need more complex characters!”
yall still can’t handle luke castellan.
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somerandomdudelmao · 11 months
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Oooooh I have some nice details for you~
So!
Let me tell you an "Uncle Tello - Casey Junior" level thing.
The thing about their gestures.
Look at this:
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Turtles often put their hand on Casey's shoulder or head (most often Leo does this). They do it subconsciously without thinking. It's their quiet way of saying "I've got your back." They also do it to each other and April:)
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Although it's not a strict rule and gestures can vary, but you know...you get the concept.
It's their family thing. Their love language. For those they care about.
Now look at this:
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Leo is literally leaning on this dude, even though it looks pretty similar to the previous pictures. But here Leo is not protecting anyone. Here he's just trying to be friendly with a stranger.
And you know where else you can see the turtles trying to be friendly to a stranger?
That's right:
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