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#gooey skeleton
maxfrormers · 1 year
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I know it’s Late for this but:
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mblue-art · 2 months
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drew @owl-bones's lv20 dust!cross boy, strike 💗 (pre-redesign) (new design here!)
silly xtras + simp thoughts under the cut
a shitpost ... ft silly au bc i got attached to how blorbo i made my sona in it...
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im just a lil guye... against big scary tall skeleman constantly burning lots of magic... who easily crumbles to even the smallest bit of affection... he'll be dead on the fukcign gorund when im done w him /j/j/j/j/lh/aff <333
self-indulgent scenario/au surrounding my simping (just like all my other AUs in my head lololol) is called icecube (for now,, 👉👈),, yearned hard during an especially chilly rainy day, and felt so cold i joked that i was turning into ice-- then i got attacked with simp thoughts about how he'd be sooo warm and toasty (,,perfect for the weather,,,/)/////(\;;) and the silly thought of being the ice to his warmth-- his little icecube-- is very /////wwww
i love,, the visual of getting cold chilly hands and just reaching up to cup his cheeks and feel his ambient(?) magic warming my hands up and the whole gesture simultaneously making him melt,,
an icecube can only cool off a magic-burning body so much,, but i hope he enjoys the feeling lots everytime he holds cold lil me to his chest uwu 🧊💙❤️‍🔥
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soaked-ghost · 2 months
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2 (two) strips of a comic I'm not planning to finish but I thought they looked good on their own
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caseymcdang · 10 months
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A rainbow of characters, all suggested by my followers on Twitter <3
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The submitter's argument:
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bogleech · 1 month
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Sped up little video of the Maggot Slime I made. I experimentally made enough to sell a handful on Etsy here:
Plus 1 more silly thing is included:
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thewonderingbard · 6 months
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How are the skeletons with a cuddly S/O? Like, S/O shows love though touching like kisses, hugs, cuddles ect. How are they with him?
Undertale Sans - Vanilla
He too is cuddly! He loves it when his S/O cuddles into his sternum, his skull blushes a light blue! When it comes to kisses he prefers them to be done in private but who is he to deny smooches. What he loves most is when he and his S/O are at Grillbys and his S/O just naturally leans into him and when he finds out it is how you show love? He loves it even more!
Undertale Papyrus - Paps
This man is a very hyper boy! But when his S/O cuddles/hugs him he can't help but relax into their arms. This helps when he has had a particularly overwhelming day, his S/O's kisses, cuddles and hugs will always make him feel better. Also, be prepared for surprise hugs! He is the self-proclaimed 'MASTER SURPIZE HUGGER'.
Underswap Sans - Blue
He doesn't mind his S/O being cuddly but he can't stay still for the life of him. He has to be doing something. When he inevitably crashes from exhaustion he still struggles to sleep, his S/O wrapping their arms around him and pulling him to their chest, kissing the crown off his head instantly knocks him out. Unfortunately, this is really the only time he cuddles his S/O, he does however give Hugs and kisses as a reward. You found him in "hide and Seek"?Hugs and kisses for you!
Underswap Papyrus - Honey
This is a match made in heaven as he is the same! Because of this, Honey and S/O are always seen touching each other in some way. There are designated movie nights where you and he just cuddle and watch a movie or two. Kissing S/O on the forehead is now his way of greeting them. There have also been nights where his anxiety gets really bad, a slow song is put on and Honey and S/O are hugging while swaying gently, his head in S/Os hair and S/O on his Sternum. That is his way of calming down.
Underfell Sans - Red
It takes him a bit of getting used to but after about a month he is completely fine with S/Os kisses, cuddles and hugs. It doesn't stop him from being as red as a tomato for up to a minute. He has also gotten used to casually wrapping his arm around your waist when walking or sitting down somewhere. He is also completely fine spending the day on the sofa with his S/O lying on him, Cuddling and kissing him.
Underfell Papyrus - Edge
He is.....fine.No you did not see his S/O wrap their arms around his waist.No you did not see his S/O beckon him to be face to skull to give him a kiss. And you definitely did not see him and S/O swaying in each other's arms. He may not like to admit it be he is willing to do anything if it means he gets to be in your arms and subject to kisses, He actually is not a fan of PDA, only when it is extremely busy he will hold your hand."ITS JUST SO YOU DON'T GET LOST' Edge says but in actuality, your touch stops him from lashing out at every person that bumps into him.
Horrortale Sans - Seaweed
This relationship was meant to be. Now he knows you show love through kisses, cuddles and hugs, he wants all of those things. All the time.24/7.365.At a million per cent. His S/Os cuddle, hugs and kisses ground him, they stop him from spiralling, they stop him from getting overwhelmed and most of all they stop the pain his skull hole causes him. Physically and mentally. He will constantly be touching S/O.Whether it's his hand on your back or him literally walking around with his head in S/O's shoulder. In fact, I dare say if you were not cuddly then the relationship would not work out.
Horrortale Papyrus - Papaya
Because of how his spine is now, he can not bend down properly. So often if he wants to give S/O a hug he will bring their head inward to the bottom of his ribcage near his pelves, while caressing S/Os head. He does get all gooey and blushy when his S/O kisses his hands. In the morning he is happy to be awoken by a storm of kisses and even peppers S/Os face as well. In public, he prefers your hands to be on him or his mobility aid as it gives him that extra support he needs.
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Overall, all the skeles enjoy having a cuddly S/O.
You can tell I rambled on a lot. :)
Thank you for requesting!
-Morganna.
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denaliwrites · 6 months
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f i c m a s t e r l i s t
p o l i c i e s (please read before making requests!)
b a d s a m a r i t a n The Best of You, Honey, Belongs to Me Blackthorn Cover Myself in the Ashes of You Dumb Ways To Die Enough of You to Dull the Pain (18+) Hellbent Looking For A Godsend Hit Me With Your Best Shot I Got This Feeling On A Summer Day (18+) I'm Gooey in the Middle Baby Let Me Bake In His Eyes A Flaming Glow Intrigued and Afraid Keep You Like An Oath (18+) Killing Me Softly My Baby Shot Me Down (18+) Not Much Between Despair and Ecstasy (18+) Only Touch That Gets Me Melting (18+) Run Rabbit Run (18+) Say My Name Send a Thousand Kings Away Shia Surprise Something Good to Celebrate Stop, Look and Listen, It's Halloween! Taste of a Poison Paradise Trust in Me, Just in Me With Your Scars and Your Lonely Heart Your Body's a Secret Girl and You're About to Spill It (18+)
t h e b o y s Watch That Butcher Burn
b r o a d c h u r c h Always Leave Me With a Hungry Heart Am I Doing This Right? An Art to Life's Distractions Beating Like A Kick Drum Catch & Release Girls Like Girls Like Boys Do It's Been a Long, Long Time Love's Perfect Ache Now and Again We Try to Just Stay Alive Regale You With A Gourd-geous Tale Say You'll Remember Me Say You'll Remember Me (Denali's Version) Tell Me It's A Nightmare
d o c t o r w h o Cuddle, Meet Puddle Cute Things Don't Blink (Part 1) Don't Turn Your Back (Part 2) Don't Look Away (Part 3) Dreams See Us Through (Part 4) Hate the Feeling of Falling Have a Holly Jolly Christmas Horrible Things Isn't That Wizard It's How I'm Made Let Me Come Home Little Creepy House On the Brave Shit The Origin of (Love Bug) Species What Beautiful Things I'll Wear When the Crypt Doors Creak You Know That I Would Jump Too
d u c k t a l e s Tales of Daring
g o o d o m e n s All I Want For Christmas Aziraphale's Favorite Author Dance on a Tightrope of Weird Free as My Hair His Love is All in Me How the Wine Plays Tricks on My Tongue Lockdown Blues Making Biscuits My Heart's a Stereo Naked in That Garden (18+) Out There Making DuckTales Pickin' Up the Pieces of the Mess You Made Road to Hell Something Meaty For The Main Course Step Too Far Tongue Tied Your Love is Holy (18+)
f a l l o f t h e h o u s e o f u s h e r Tomorrow I Shall Be Fetterless (18+)
f r i g h t n i g h t Emptiness to Melody Everybody Scream in Our Town of Halloween Fixed Up to the Nines Howl Like an Animal in the Darkness I'm So Hot I'd Fuck Myself (18+) I'm Starvin', Darlin', Let Me Put My Lips to Somethin' Late Night Devil Put Your Hands On Me (18+) Make Me Glow Night of Long Fangs (18+) Parade of Dancing Skeletons Talk So Pretty (18+) Who Are You Supposed To Be, Criss Angel? (18+)
h a u n t i n g o f b l y m a n o r ???
j u r a s s i c p a r k / w o r l d Best Behavior The Future Ex Mrs. Malcolm
p r o d i g a l s o n But Then My Stupid Phone Beeps Never Fallen From Quite This High Office Supplies Rude Boy They are the Hunters, We are the Foxes Trigger Happy With a Sense of Poise (18+)
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spacedace · 9 months
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Something that I keep thinking about that I've not seen be mentioned in the DP fandom is the fact that Dani/Elle had brothers before Danny.
Angst ahead (I'm in an angsty mood lol)
I don't know if I've just missed it or not, but I just keep thinking about how for a while, it was just Elle and the other clones. That with Vlad being Vlad they probably really only had each other. And Elle being stable while the others weren't implies that she was the youngest of them all.
Did the others look after her? Did they play with her and try and teach her ghost stuff even though they weren't very good at it? Did she curl up with the big Frankenstein Clone to sleep at night, did the Skeleton Clone start wearing the bed sheet originally because he was worried about scaring his little sister? Did the Gooey Clone that could change sized play hide and seek with her to keep her entertained?
There's a level of implication that she didn't know that the other Clones were actually gone gone after they fought Danny when he told her that he wouldn't fight her because when he did fight the clones they destabilized. And I can't help but think it's something that would haunt her, realizing that not only were her brothers were gone, but she helped destroy one of them.
I don't know I just feel like it's a piece of Elle's backstory that isn't brought up, both for family fluffy and angst purposes.
Gimme some fics of Elle and Danny talking about her brothers, their shared grief and regret over everything. Danny trying to help make it up to her or Elle admitting that as much as she loves Danny she still sometimes finds herself looking at him and knowing that he's the one that killed her brothers, even though he didn't mean to.
Give me Elle making graves for her brothers and mourning them with her new family, never forgetting them but slowly learning how to accept their deaths. Or of her going full Tim Drake and trying to clone them to get them back even though she knows it won't be the same (give me a DP x DC crossover with her & Tim feeding off each others grief spirals and helping each other in their unhealthy cloning coping methods or Elle stepping in to stop Tim because she's been there and done that and knows it doesn't do anything but prolong the pain).
Or something happy! Elle goes off and explores the multiverse and discovers worlds were her brothers lived! Or where she was the one that didn't make it in their world but they did and she's able to stabilize them and bring them home! Or an AU where the clones live and run off with Elle to see the world and she comes back to Amity Park sooner because while she's getting weaker her brothers are fully on the verge of destabilizing and she needs Danny's help to save them!
I just have a lot of thoughts on the untapped potential of the other clones and Elle's relationships to them.
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mars-file-name · 6 months
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Something that stands out to be about how Murder Drones does horror, is its relationship to organic matter, especially in contrast to how machinery is portrayed.
The main characters are as the title would imply, drones- they live in a cold wasteland, trapped behind doors upon doors of mechanical creations. In a way Murder Drones establishes machinery and robots as its baseline, it's what's comfortable and familiar. Which I find interesting because we as humans are more familiar with the organic, what scares me is a future dystopia dominated by machines, where life struggles to survive.
However in Murder Drones- the moments I find the most freaky are always those where something looks.... Human... Or, alive.
This moment from episode 2 where J goes eldritch horror and Solver appears, the hand that crawls in to grab Thad looks human.
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[image description: human looking hand crawling on the ground, but it's revealed to not be attached to an actual human, but instead a long mechanical wire]
This honestly was really freaky to me, because it's so... Wrong. Even when we see actual humans, it's as shadow thingies, or in the case of Tessa, completely covered up by clothing. We see skeletons too, but they're dead, which I feel doesn't really qualify for the horror of something looking... Alive.
I feel like it's mostly with Solver's portrayal that things look... Organic. For example whenever Uzi loses control of her quirky powers, a black hole thingy appears and leaves gooey flesh looking stuff- honestly very gross
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[Image description: There's a hole in the wall, with the edges covered in organic looking goo, spreading across the wall. There's a black orb in the center of the hole]
It's also very apparent when comparing Solver Uzi's wing design to the disassembly drones' wing designs. Uzi's are bat-like, with tears and they look more reminiscent of something organically created.
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[image description: Uzi looking silly with her bat wings]
Meanwhile Disassembly drone wings are 100% metallic and look like blades, there's a pretty big contrast. Especially when you think of how Uzi actually does start to develop average disassembly drone characteristics, like the mouth, burning in sunlight, and the X for eyes.
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Might be besides the point but Uzi's wings look like hands, meanwhile the others' wings don't have that shape really built in anywhere.
Freaky little guy
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Something something design language of Solver being completely different to other things in the show.
Anyways I've completely run out of brain juice, hopefully this makes sense
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steviewashere · 4 months
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Words Like A Bullet, Wounding My Soul
(also on ao3)
This is Part One, Part Two is Posted Here!
CW: Implied/Referenced Sex, Safeword Use (No Smut, Though) Rating: Teen
WC: 2,543
Tags: Post Vecna, Angst and Hurt/Comfort, Established Relationship, Arguing, Eddie Being Mean, Steve Harrington is a Sweetheart, Emotionally Hurt Steve Harrington, Insecure Eddie Munson, Insecure Steve Harrington, Safeword Use, NO SMUT, Using a Safeword While Arguing, Hard of Hearing Steve Harrington, Dialogue Heavy
Relationships: Steve Harrington/Eddie Munson
Characters: Steve Harrington, Eddie Munson
----------------- Eddie Munson and Steve Harrington were two forces not to be reckoned with. Everybody knew this. If Eddie was snippy and rough and loud—then people zipped their lips, threw away the key, and sat on their hands. If Steve was cold and distant and biting with every word—then the others knew to be warm and inviting and leave the past in the past.
These were known facts.
It was also known that Eddie and Steve were a pair. They were gentle with each other and all soft and gooey around the edges. Often, they'd circulate each other in public—skimming fingertips over backs of hands, sharing straws because somebody "forgot" to grab another—or behind the privacy of closed doors—entangled on the couch during movie nights and washing dishes after large dinners and exchanging quiet glances that everyone knew meant, "Horny and Impatient."
But they definitely knew how to choke each other out. Insecurities ran deep and were easy to point out. Like mold on bread slices.
So it makes perfect senes that they constantly argued, too. Usually mundane situations. Things like: "Ugh, Steve! It's my turn to choose what we watch, enough with the basketball!" and "Eddie, stop leaving your dishes strewn about!" and "No, I'll pick up everybody and drop them off!" Though, these were quickly resolved. A deep breath taken, a compromise made, and a few warm pecks exchanged.
However, on a slow Thursday evening in the middle of November, things go haywire.
They've been neck at neck for hours. Biting back and forth about the usual. The dishes. Your sports game. No, I'll do this. No, I can do it. Yet, everything comes crashing down the moment Eddie says:
"God, you're being so stupid!" Shouted and spitting. He's red faced and wild. His body lanky and petrifying the way a molten skeleton in some very graphic thriller movie would be.
Steve stops where he's been pacing in the living room. Now glancing back over to Eddie on the couch. "What?" he asks in a quiet, shaking voice. He doesn't remember anything about the argument, but he can definitely hear the way Eddie's voice echoes now. Doesn't know where the snarky remarks were going, how they dissolved now into this.
This being the two of them several feet apart in the same room. Not looking at each other, trying to find the most convenient and decorated corner of the Harrington's living room. Spitting and biting and growling.
"You're being so stupid!" Eddie shouts again. "I feel like every time I try to explain something to you, I'm just talking to a brick wall! Do you even listen to me? Or are you just a fucking space cadet all the time?" He runs a frustrated hand down his face, pulling at his features exaggeratingly. "For once, I wish you'd listen to me, just once!"
There's a tense moment where Steve just stands rigid and Eddie must take this as some sort of confirmation. Because he hefts himself up from the couch and makes his way around the coffee table to where Steve is just standing. A bony finger stabs into Steve's chest. Eddie closes in, voice low and husky. Face centimeters away, eyes lit with ingenuine mirth and teeth glinting in the shape of fangs. "See?" he questions lowly. "Can't even fucking give me an answer."
And something finally wakes up in Steve. He takes a wobbling step back, feeling cold air rush around him. "Wh-what? Of course I listen to you. I just—"
"You just what?" Eddie raises. His voice itching to be loud and louder. "You just listen to what you want to hear? Want me to call you pretty names and tell you how good you are and how excited I am to see you?" he taunts. "But when it's something I care about—"
Steve flinches at his wording.
"—when it's something I care about, you just can't bother," Eddie growls. "If it isn't fascinating to you, then you just tune me out. Your brain fucking implodes and shrivels back down to being jock sized and empty." He takes a hefty step forward, once again in Steve's orbit. A palm raises in Steve's line of sight, it shoves hard at his chest. Not sending him to the floor, but stumbling enough that he wheezes from the impact.
Eddie moves again to try it once more, to make Steve feel small.
But, Steve sidesteps him. "That's not true," he tries to argue, but it sounds too soft and tiny to be anything. "You were talking about D&D and I tried to follow along, but you know how I am with that stuff. It doesn't—"
"It doesn't connect," Eddie mocks. "Fuck you, Harrington. I've heard that a million times before and each one of those times, I've explained this shit to you. Over and over and—"
"Fuck me?! Fuck you, Eddie!" Save finally screams back. "Do you even hear yourself right now? You're being such an asshole, you know how I am with being called du—"
Eddie scoffs. "Oh, so for years, you and your little pack of high school bullies can mock me for shit. Call me names. Toss me around. And the one time I finally call you out on this, it's suddenly too much?!" he roars. "You're so—" He grunts, groans, screams nearly.
"Stop, Eddie," Steve demands. Tome firm first.
But Eddie barrels on anyway. "You're such a dick. You think everything revolves around you. You don't care for anything I have to say. You—"
"Stop," Steve pleads.
"You don't really care for anybody around you, do you?" he questions darkly. "'Just wanted to help,' my ass. Just wanted to clear your name, more like. Am I right? And now you're just stuck here, fucking jumping to whatever conclusions you want, following the wording you want to hear—"
"Red!" Steve screams. "Red, red, red!" he shouts before turning towards the couch and sitting down heavily. Head in his hands, fingers pulling at the hair around his ears. His throat feels like it's on fire and his head is pounding and there's definitely tears threatening to pour from his eyes. Peeking between the gap of his palms, the carpet is a mirage of blended colors, not a single one making a complete picture. But he can't look up from it. Not after having to practically safeword out of an argument.
Eddie is now startled into silence. His body turns to face his boyfriend. Where he sits, shaking and choking on quiet sobs. There's a brief moment where Eddie can literally feel his heart parachute to his stomach. Can hear the sizzling of his organ and the rush of his own blood. He's never heard Steve get loud like this. Usually he's so quiet and pensive and passive aggressive, but this, this is a new side. And Eddie doesn't like it at all.
It was common between them to try new things out and see what pleasure can be derived. And if things were taken too far or something immediately felt off-putting or terrible, they were allowed to exit the scene at any time. The stoplight system. Their shared word being "Asparagus." Things that could easily be heard and shut down everything at once, forcing them into a gentle lull where they share whispered praises and warm compliments and careful touches with a soft rag or just fingers.
So it's not unusual for Eddie to hear it. He's had to comfort Steve after a few scenes. And Steve's done the same for him.
What gets him is the context now. How tense the room feels, like walking into an already heated up sauna. Like walking into a hot tub set to one thousand degrees, in nothing—absolutely nothing.
And even though they’re fighting, Eddie’s immediate care kicks into overdrive. He forces his body to skitter over to the couch, plop down by Steve’s side, and reach out to rub a palm over his back. But when his skin makes contact, Steve flinches away.
“Don’t fucking touch me right now,” he growls. And when his eyes look deep into Eddie’s, there’s something tragic there. “You—You don’t get to say shit like that to me and then try to—Try to,” he chokes. A sob caught between a gag and a phlegm cough cracks open from his chest. “I don’t understand what I did wrong,” he cries out.
Eddie is once again quiet, keeping his hands to himself. Running them nervously over his thighs. It takes everything in him to not reach out and scoop Steve up and run fingers through his hair. He swallows and breathes. Opting to not respond. Maybe this will teach him to shut his mouth, for once.
Steve cries loud and harsh. And Eddie bears witness to it all. The contortion of his body, the reddening of his skin, the pulling of his hair, especially the wailing that’s spilling from his closing throat.
“I was listening,” Steve hiccups. “I was, I swear. I didn’t—“ His breath stutters through his next inhale. Lip sucking inwards when he does attempt a deep breath; it’s not like it lasts, merely only sitting in his lungs for three seconds before punching back between them. “I couldn’t hear you!” He exclaims. 
There’s no residual anger in Steve’s tone, though Eddie thinks there should be. God, he feels like a pile of shit just for the way Steve is holding himself right now. How his body is giving up on him. The way he continues to writhe through each stabbing cough and sob and gag and—He just feels like shit.
Though, alarms are going off in Eddie’s head. What Steve just said, that doesn’t make any sense. They were facing each other. They were sitting only two inches apart, practically every open area of skin clinging to one another. For a moment, Eddie once again feels anger spike through him. But the other part of him is overcome with deep concern, rippling in his blood, pouring out in the way his eyes widen and his eyebrows furrow and his mouth shifts downturned.
“You couldn’t hear me?” He parrots.
Steve nods his head. A bobblehead who’s spring is wound too loose, head flopping almost over its shoulders. “I—I was going to tell you, I swear. But I—You were talking and talking and I couldn’t read your lips because that’s really hard and you talk super fast and when you talk fast you mumble and—“ He gags. Slams his back behind into the couch, head dropping over the curved edge. He blinks rapidly, swallows so aggressive that his Adam’s apple appears to be plunging from behind his tongue. A deep breath, short lived. Two more deep breaths and they wheeze through him, but it must be enough because he carries on. “And then you got mad and you were so mean and I swear I was listening, I was interested, I just didn’t understand. And you get so tired of having to reexplain things that I didn’t want to ask and then you got even more mad and now—I was listening, I swear!” He cries out once more.
In response, Eddie’s jaw is dropped slack. He couldn’t hear me, he realizes. Genuinely, really.Scrambling, he whispers, “And I got mad and I called you stupid and then…” And then he called red, you idiot, Eddie self-chastises.
God, he is really a steaming back of flaming dog shit.
Taking another breath, Steve exhales with, “I was listening.” He tilts his head to look directly at Eddie. Eyes open and pleading. Begging to be understood. “I’m losing my hearing, Eds. I was going to tell you, but I didn’t—I didn’t get the chance. And then you were—“
“I was being mean. I was being an asshole. I wasn’t listening to you,” Eddie lists off. “I was doing the things that I accused you of,” he realizes.
Steve nods against the back of the couch. Blinking and blinking and swallowing and trembling.
“Oh my god, you couldn’t hear me, you couldn’t understand me,” Eddie whispers. Suddenly, he shoots upwards. Nearly startling Steve into another frantic round of panic. “How long, Steve?”
“Since March,” Steve admits, almost shamefully. “My head slammed into the wall inside of the Creel house and I ended up with another concussion. And that was the start of it,” he elaborates. “It’s just been going from there.”
As he talks, Eddie begins to silently cry. And when Steve’s done, Eddie sobs.
“And this entire time…Oh my god,” he mumbles. “Oh my god,” he repeats. Choking through his next breath. “Baby—“ Steve perks up at that. “—Baby why didn’t you mention this earlier?”
Steve shrugs. “Everybody else had it worse off. It didn’t seem important.” He sniffs. “Guess now it kind of is though, right?” A humorless chuckle. “If that’s how you’ve been thinking of me.”
Damn him, Eddie thinks. Damn him and stu—and his unnecessary self-sacrificial nature. “Sweetheart, you’re not stupid. I swear, you’re not stupid. Steve, you are one of the most intelligent people I have ever had the fortune of coming across. You know just what to say, when to say it. You’ve got that interest in classic literature, which I fucking adore by the way. And you know almost too much about any sport in the world. That’s—Your sport stuff is like D&D for me.
“God, you’re not stupid. Not by a mile. I just—I’ve always been treated like shit for the things I like. And I know that’s not an excuse, it’s just the way I’ve had to adapt and grow, y’know?” He asks rhetorically. “If I got defensive and angry and vicious, then people left me alone. And I could enjoy my stuff in peace. But when I tried to share the things I liked, people were fast to tune me out and shrug me off.” Eddie slowly inches in again, gauging Steve’s reaction. When he doesn’t flinch, but instead moves close, Eddie shoves a hand into the back of his hair and slings his other arm over Steve’s lap. Thumb rubbing at Steve’s denim thigh. He says, “You’ve never been stupid. I just thought you didn’t care. Nobody has ever cared about me the way you care about me, I swear it.”
Steve nuzzles in closer. He breathes against Eddie’s neck. Murmurs, “Everything you like is special to me. And I want to be able to understand. I’m trying.”
“I know baby, I see that now,” Eddie whispers. “I’m so sorry for the way I treated you previously and today. Sweetheart, I’m so sorry.”
He squeezes Steve tighter. An attempt to meld their bodies into one.
“I love you so much, Steve. We’re going to figure something out. Learn a language or raise some money for a hearing aid, whatever you want.”
Against Eddie’s chest, Steve nods. “I love you too,” he whispers. Presses a kiss over Eddie’s left pec. “You’re gonna have to show me though.”
“Whatever you fucking want, Steve. You can have anything you want from me.” And he can feel the smirk against his neck. But Eddie is willing and able to give. “Take anything you want from me.”
----------------- Part Two is Here!
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claypigeonpottery · 7 months
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omg so many plate designs to sketch. I have eight plates drying. some are still on the mold, some are already underglazed
I overdid it and made too many plates all at once lol
anyway here are my plans for them
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my middle sized and largest round plates are still undecided.
help meeee
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roxannepolice · 7 days
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Masters, coyotes and reset buttons
Ok, so this has been going after me for a few months now and probably won't end up as coherent as I'd like it to, but this is also a warm up for finally fixing that stupid article that everyone tells me is good but has been halted by journal paperwork since 2020, so... As always, because there be salt, putting everything under a cut.
There's been this debate on whether the Master should be given a break from appearing for a while and, as always, it's usually taken somewhat hostile as an attack on the character or a particular actor (which. look if this was about acting skills BBC should have never moved from sir Derek Jacobi, period). And I would say the problem lies entirely elsewhere. Namely, circularity vs. linearity.
There has always been a mythical or commedia dell'arte element to the whole concept of regeneration, an archetypal thing in characters going by titles as names and having a certain set of characterisics and narrative functions that go along with those. Hell, commedia dell'arte even has a literal "Il Dottore" whose whole thing is embodying science and education - more often than not mockingly. When you employ Zeus rather than Poseidon in your story that's probably because there be weird sex rather than disproportionate fury. When you choose a paladin class in your rpg that's because you're going to have different skills and make different choices than if you were a rogue. Galahad and Lancelot will go on completely different journeys of nunnery/brothel and rescuing a prince from forced marriage even while they both seek the Holy Grail. When you want your children to have different properties you'll use your mantra to invoke four different gods.
The thing about archetypes, though, is that they are, literally, timeless. Or better yet, outside of time. But stories, narratives are, by nature, linear and timed. There's the beggining, the middle and the end. And of course, the whole fun is toying with the archetype, tweaking and reinterpreting them in specific contexts and stories. And DW has been doing a phenomenal job of it throughout its history, even if occasional nitpicks can be made. Classic Who was perhaps more circular and repeating in its storytelling and - sorry, posession by Marshall McLuhan - this makes sense in a medium where a story airs just a couple of times. There were arcs for each Doctor, though significantly more so for companions. NuWho became much more clear in this, but still mostly managed to keep a neat balance between the timelessness and timeliness.
Take the Saxon's story, which is what kickstarted me spilling here. Not to come off as a canon snob, but I think if he was an introduction to the character it may not be clear just how shocking him dying on the Valiant was. This is the character that was a skeleton, a gooey body snatching snake and a cat to go on living, and has been the Doctor's prisoner, in fact begging them to save them. Ten is 100% justified in his assumption that he'd never kill himself. His death introduced a major shift to their dynamic, especially when framed as fuelled by hatred. The finale in EoT is largely a return from this shift. No, the Doctor didn't only care for the Master because he wanted another Time Lord. No, the Master doesn't wholeheartedly hate the Doctor. They can and will always cooperate when there's a common enemy. As has been the case throughout all of Classic Who.
Enter Moffat era. Now, it's a bit of a cliche to say Moffat is a better episode writer than showrunner, but it being cliche does not make it incorrect. His poetic definitely works better when there's an ending, a specific goal in sight. In singular episodes this works like a charm. It worked terrifically in season 5. But later on there definitely came this element of "keep watching, because this is all heading somewhere, trust me". And all too often the answer was proving less interesting than the question. This was particularly clear in seasons 7-9, with return to Gallifrey being hyped up repeatedly, only to fianlly fall flat. And I guess Moffat realised that and decided to go for a soft reboot in season 10.
Which brings me to Missy and redemption arcs. Now, in our completely not puritan era there's way too much talk of whether characters deserve redemption, and what would account for a redemption, and how that differs between different legal systems, and too little appreciation that redemption narrative is as linear as they get. You get the starting point of sin and have a clear goal of that sin being repaid or undone. Sure, you can dig into that, and question that, and reinterpret that, and cynically cut that, but it always relies on that clear line. And it's obvious that Moffat was aware of how linear he wanted Missy, and indeed the Master in general, to be. The fucking text says that: "where we've always been going". The disagreement is only what that where is. Now, if the story was meant to be lieanr, then it really does make infinitelly more sense to view the events of EoT as a turning point in the thoschei relationship, but the story explicitly shuts that down. Nah, it was more infitely more important to have the initial sin embodied to be killed in the ultimate act of redemption. #symbolism
A slight tangent here. I know that the original plan for Delgado!Master was to have a redemption arc where he sarcifices himself for the Doctor, so I guess it can be argued this was indeed where the story was going all along. But things turned out how they did and people generally don't introduce Moriarty into their sherlockiana to have no actual screentime (literal or metaphorical), as was the original plan.
Aaaand then there's Spymaster. I've seen dozens of explanations of why he is the way he is, and whether that follows logically from Missy's story or not, and whether he might be before her, and whether he undoes her redemption, and blah blah, but the bitter truth is: Chibs hit the reset button. He hit it hard. No, we are not meant to keep in mind the events of s10 when we analyze the spydoc relationship. Again, a comparison to Moffat explicitly bringing up the events of EoT with Saxon, if only to brush them aside as meaningless for both parties. More importantly, if those were meant to affect Thirteen's hostile attitude towards the Master, then she shouldn't have been so shocked with his appearance. She might be surprised he regenerated, but like the whole reason for bitterness over being abandoned would go along with the expectation the Master did survive, that's why they left Twelve in the first place ffs. So, it would look like Chibnall tried to go back to a circular status quo after a linear redemption, and that's certainly what the writing thinks it's doing. Except now that the whole TTC can of worms has been opened, the relationship is deeply imbalanced. Imbalanced in a way that cannot be easily undone. Like, I know the fandom is trying to frame the Master's sense of inferiority as somehow mistaken and fanon!Thirteen certainly thinks so, but that's not what the text is saying. There is a misundertanding going on here, but a misunderstanding that goes on unresolved gets tiresome and frankly masochistic pretty fast. Either the Master should get to the point of understanding that the Doctor is not inherently superior to them because of past or magic of friendship and that they're Kenough, or accept the Doctor as their lord and saviour and martyred god who died so they may live and spend the rest of their days as a lapdog. Which, I understand the fandom may enjoy, but doesn't make for a very exciting story. So yes, there's definitely a linear narrative going on here. One that does need some time in a fridge and exposition of how the Doctor themself feels about their relationship before the character is brought back. Right now we are not in the The clown always gets up again, no matter how often he has been knocked down paradigm only No clowns were funny. That was the whole purpose of a clown. People laughed at clowns, but only out of nervousness. The point of clowns was that, after watching them, anything else that happened seemed enjoyable. It was nice to know there was someone worse off than you. Someone had to be the butt of the world.
Butbutbut, of course, what about Ainley!Master being brought back again and again seemlessly? That's just the thing - Ainley!Master existed in a completely different poetic. He was purely circular. He was the most circular of the Masters. He was as circular as you can get without actually being a cartoon coyote who only falls down when he realises he's midair. I'm not entirely ironic here - there is an inherent trickster element to the Master as a character! Perhaps more Goethe's Mephistopheles that Native Americans' Coyote, but between constanct scheming, shapeshifting and falling into the pits they've dug the elements are all there. And a trickster either endlessly travels between Olympus, Earth and Hades or gets killed by Heimdall.
And before a gotcha of me insanely hoping for a Saxon cameo either in the 60th anniversary or, that being off the table, somehow meeting Fourteen - yeah, in an anti-linear bubble. I've seen speculations that RTD wants to do another soft reboot, hence there's no knowing what Master will pop out of that tooth. As far as I wouldn't like it to be one of pre-Delgado Masters and for the record I wouldn't mind if it is Spymaster!, there's definitely something to the idea there's a soft reboot in The Giggle, with the Doctor "going home". Because you don't necessarily want to know what Odysseus' tax policies were once he reached Ithaka, but you do want to know that he's been a year on Circe's island.
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sunandmoonseisai · 16 days
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"you'll just have to find another partner. Someone strong. And smart. And brave! Someone who, though they act all tough, has a creamy center of gooey goodness!
This is how wander describe his ideal partner after he feels left aside from Sylvia in "the rider". I think this say a lot about wander and the kind of people he's drawn to. Wander obviously love kindness and selflessness. But while those things are fine on their own, wander is there for the chase. There's nothing more satisfying for him than finding the love behind a mask of hate. Nothing more cathartic than the vulnerability behind the power. Nothing more adorable than a grumpy though guy admitting that he care.
This obviously define wander and hater's relationship from start to finish but you can also see trace of it in his relationship with Sylvia. He still find himself squeeeing when she admit that she love him and need his help.
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Tdlr: wander has a type: tsunderes
(this obviously apply more to skeleton dance but can you tell I'm biased?)
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fluffychubbydragon · 8 months
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Final day of sansxyouweek~ I love you
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The very first time we even said those words to each other... I didn't expect Nightmare to say it first. Heh. I love this gooey skeleton with all my soul.
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queen--kenobi · 2 years
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Talking about the fucking disgusting scene from Nope
The thing. The thing about That Scene in Nope is that it still feels like a normal alien abduction until a certain point! It feels like the abduction scene in Fire in the Sky where it’s gross and fleshy and gooey. I think it’s meant to evoke that scene in some ways. Until you realize no, this is wrong. They’re not in fleshy pods, are they? This feels more like an Animal Planet video about a boa constrictor or a python. It feels more like a scene from a snake movie where you get a view of something, or someone, going into the snake’s gullet. Or in a shark movie where someone gets swallowed and then has to cut their way out
And then oh. Oh they are being eaten, and they can’t get out. They can’t cut their way out, they can’t do anything. They’re being eaten and there’s nothing they can do
The horse skeleton just shows them what they’re about to become
And then as you hear them screaming from inside Jean Jacket, the wind and air making the sounds seem “otherworldly”. And you realize the noise from before was the horses screaming as they were eaten. And you can hear every single person inside Jean Jacket begging for help, for mercy
Somehow that makes the silence over the house worse too. Because you can’t hear them anymore. They spent their last few hours screaming in agony as they were devoured and digested, and now. You don’t know if they’re still alive in there but can’t scream because their vocal chords were worn away or if they’re truly dead
You find out when Jean Jacket vomits blood all over the house. While it’s horrifying, at least you know they aren’t suffering anymore. Even if all you could hear for several hours was their screaming carried on the wind and echoes from the mountains
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