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#how they write them as important as romantic relationships if not more
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in a world of boys, he's a gentleman . . .
gentlemanly things the jjk men do ! feat. gojo, nanami, geto, choso, higuruma, yuuji, megumi
fluff, headcanons, dubious grammar
by @cinnamon-girl-writes
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gojo
Im’ma be real, it was hard af to come up with something serious for this man
but I’m gonna go with: he always opens doors for you and never lets you open them yourself
whether it be your car door or a restaurant, he’s always there just a step ahead of you to make sure his princes doesn’t have to do any work <3
*coughs* he also does it to stare at your ass from behind *coughs*
nanami
opposite of gojo, i couldn’t stop thinking of gentlemanly things this man *wouldn’t* do— anyways
nanami is the man who compliments you on more than just your appearance <3
of course, he tells you how beautiful you are all the time
but the best thing about this man is when he tells you how smart you are, or how he loves that your jokes always make him laugh
he’ll compliment your dtermined attitude or your loving nature
if you’ve been working really hard lately, he takes notice and tells you that you’re doing great
overall just. 10/10
geto
soooo geto has a history (in canon) of feeling unneeded/underappreciated
SO wwhat i think he’d always do for his partner is make a deliberate effort to tell them that
every day he finds a way to tell you: you matter to me and i need you in my life <3
sometimes it’s random, like when you’re laying and the couch and he tells you
or sometimes it’s more of a show, like him taking you out to dinner just to show you he appreciates you
choso
while romantic relationships are a little new to him, he treats his relationship with you very seriously
that being said, he notices whenever you’re stressed out about something
so to help you with this, he takes on whatever tasks are burdening you: your kids are driving you crazy? he’s great with kids. the dishes on your counter have been sitting there for two weeks? don’t worry, he’s got it
overall probably one of the best on this list
higuruma
this man- *ovulates*
anyways . . .  like nanami he’s another epitome of gentlemanliness, however higuruma doesn’t have that much free time to spend with you because of his job as a lawyer
so when he is with you, he deliberatly asks you about how your day was. he’ll listen to every word you say and ask questions, wanting to get every detail out of you (and also, maybe he just likes the sound of your voice :))
but regardless, hearing about your day is very important to him
oh, you’ve got gossip about people he doesn’t even know?? he’s SAT
he listens to every detail, stopping you to ask questions and make sure he’s following the story
the KING of giving advice
yuuji
yuuji doesn’t necessasrily stick to formalities, but one thing he always pays attention to is the SIDEWALK RULE <3
like you swear this guy has a sixth sense or something because you literally never find yourself walking on the outside of the sidewalk
if you ever ask him about it, he just says he doesn’t do it on purpose but just always puts your safety first
megumi
poor megs didn’t really have a great example of being a gentleman growing up :( so this stuff is kind of hard for him
i would say in general he just has a pretty hard time with giving/recieving affection
but that being said, megumi puts a lot of thought into everything in your relationship
dates that he plans out are always extremely well thought out according to your interests and likes
his gifts are usually hand made, but if he does pick something out it’s very personal, usually something that you’ve been mentioning a lot lately
a/n: no i did not inclde toji because as much as i love his broke ass, for the life of me i could not think of one single gentlemanly thing about him
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vscabarca · 19 hours
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how about a gavi fic where they’ve been dating for a long time but long distance so the whole relationship is basically a secret and the public finds out and the internet sort of breaks and keeps commenting on how gavi is so different with her. if you do end up liking this and writing this please tag me <33
sant jordi - pablo gavi
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summary: you visit your long-distance boyfriend Gavi and he accidentally hard launches your relationship.
genre: fluff!
a/n: @weekendlusting that request was so cute, thank you for your patience!🫶🏼 Also, i was listening to this song while writing, check it out for the full experience;)
———
Exhausted, you placed your school bag onto the floor of your hallway, walking towards the darkly lit living room. Just as you sat down, your phone buzzed and Pablo appeared on the screen.
With an immediate smile, you pressed the green button, accepting his call.
„Hello my love.“ He chimed, already laying in bed with his hood up.
„Hey amor.“ You tiredly answered, now also kicking your feet upon the couch.
„How was your day?“
„Exhausing but I wrote my last exam today.“ A feeling of relief washed over your body when you realized you‘d have now two weeks of pure relaxation, without having to do any schoolwork. But this feeling of relief was over quickly. Being in another country, several hours away from your boyfriend was hard. Especially if you had now so much freetime, you would love to spend it with Pablo.
„I‘m proud of you. Any plans for the upcoming days?“ Your boyfriend asked while playing with his hair.
„Not much. I wish I could spend them with you, I miss you.“ You pouted, feeling sad for only seeing him through the screen.
„Fly to Barcelona. I‘m having a few days off and I wanna see my gorgeous girl again.“
That’s how you ended up on a plane on a Tuesday, flying two hours to visit your long distance boyfriend for the next week.
The reunion was more than sweet. Pablo surprised you with flowers as he waited in his Audi for you. You two were over four months together, but still kept the relationship from the public. You wouldn’t actively try to keep it a secret, but also didn’t have the need to show everyone you two were together. After all, Pablo was Spain‘s teenage heartthrob and you were just a normal girl going to university.
He drove to his house first, giving you time to freshen up and put down your luggage. As it was the 23rd of April, also known as Diada de Sant Jordi, a catalan holiday, the city was decorated in red roses and Catalan flags.
As you two strolled aimlessly around a more quiet part of the city, Pablo never let go of your hand. To be not recognized too often, he wore his sunglasses and a cap, looking as handsome as ever.
The touch of his hand made you blush and the smile never left your face.
Suddenly, Pablo walked towards a little shop at the end of the street. It was so small you wouldn’t have noticed it if it weren’t for your boyfriend. Outside, there was a shelf filled with second-hand books and roses. Like the tradition says, Pablo grabbed a book with the most romantic title and went inside to pay. He stood in front of you, his signature smile plastered across his face as he gave you the book and the red rose.
„Feliz dia de Sant Jordi mi amor.“ You couldn’t help but blush, your face turning red from the charm of your boyfriend.
„Muchas gracias Pablito.“ You mused and stepped closer to press a gentle but yet passionate kiss onto his lips.
After you two enjoyed a fun day in Barcelona, you headed back home to cook dinner and have a relaxing night together.
During cooking and occasionally dancing to the music playing in the background, your phone started buzzing almost every two seconds. At first you dismissed it, thinking it was your friend filling you in on one of her hookup stories, but even Pablo turned his head in curiosity after the buzzing wouldn’t stop several minutes later.
„Don’t you think it’s important? It won’t stop.“ He asked with furrowed eyebrows, just as confused as you were. Your phone screen was flooded with people you barely knew asking about Gavi. Gavi here Gavi there, things like „you’re really together?“ or „could you ask him to sign me something?.“
It was so confusing until one of your family members told you to check Pablo‘s instagram.
You opened the app, seeing your boyfriend posted a story. Clicking on it, you saw a picture of you, holding the rose and book in your hands. Written was next to it „Feliz dia de sant jordi mi amor💞“
The blood froze in your veins. Did Pablo realize he just hard launched you?
„PABLO! why did you post me on your instagram account?“ You asked, eyes wide while he just shrugged his shoulders.
„I always do that. I thought you were okay with me posting you on my private account. You know only my family and close friends follow that account.“
Now it dawned on you. Pablo mistakenly posted the picture on his official account, the one with sixteen million followers instead of his private one with only twenty-seven.
„Baby… Of course I‘m okay with that, but you posted it on your main one. The one with sixteen million followers.“ You started laughing in despair, finding the situation oddly funny, even though whole Spain now knew about your relationship with the famous footballer.
Pablo grew red, standing in front of you in horror as he took a look himself.
„Fuck… I‘m so sorry. I swear I didn’t want to post that on there.“
„It‘s fine. I bet there are picture of us anyway from today.“ You said and assured him it was alright. He embraced you in a hug, kissing your head softly.
„At least I don’t have to hide you anymore.“
———
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footy.gossip: teenage heartthrob Pablo Gavi is not on the love market anymore ladies!💔
He was seen spending the romantic holiday Sant Jordi with a mysterious girl by his side, buying her roses and a book. What a true gentleman!
view all comments:
user1: she’s really living the Y/N lifestyle…
user2: Gavi is for sure such a sucker for his girlfriend
->user3: I mean you can even see the heart eyes behind the sunglasses😭
pedri: yn finally you came to visit… he wouldn’t shut his mouth
->pablogavi: how could I not
->user4: HE‘S NOT EVEN DENYING IT??
user5: not pedri exposing gavi😭😭
user6: WE WANT A GF REVEAL!!
user7: I just know she dresses him
->user8: fr, the change from skinny jeans to this is a blessing
->user9: pedri step up your game
user10: don’t know who the girl is but… mamá y papá.
author: wish that was you huh?🫵🏻🤨
———
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pablogavi: whoops accidental hard launch… anyway yn te amoo🫶🏼
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heliza24 · 3 days
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Let’s talk about parallels between Wilhelm and Sara in Season 3 of Young Royals
Because there are so many! This is a continuation of sorts of this meta that I wrote about them being A and B plot protagonists in season 1 and 2. I don’t know that I would describe them exactly that way in season 3, but I do think their plots, character arcs, and themes are meant to mirror each other very closely this season.
One of my favorite things about the parallels between Wilhelm and Sara this season is that comparing them really makes you hold Sara’s friendship with Felice on the same level as Wilhelm’s romantic relationship with Simon (and Sara’s with August) which I think is so important. Both Wilhelm and Sara go through breakups over the course of the season (I think Felice’s reaction especially frames her friendship breakup with Sara similarly to a romantic breakup, which I love). And both of their arcs are about mending those relationships.
Sara and Wilhelm both need to experience the world outside of Hillerska before they can mend those relationships. Sara is able to glimpse some independence, even just through getting her license. The whole world is open to her now, as Felice says in ep 6. I don’t know that she would have been able to make her decision not to go back to August without experiencing that freedom. And Wilhelm also needs to experience the full force of what life in the monarchy would be like before he is able to decide to leave it. Because of this they also act as our window into the two different worlds outside of Hillerska, the palace and Bjarstad. They create the larger context in which we understand Hillerska this season.
I love that both of their journeys of personal growth are symbolized through cars. Wilhelm is always getting trapped with his mom or a member of the court in a fancy car; it’s where almost all of the monarchy’s most onerous instructions on how to live are delivered to him. So it’s huge when he leaves his parents in the chauffeured car at the end of episode 6 and goes to find Simon, Felice and Sara in Sara’s beat up used car. Meanwhile, Sara has traded in horses for the car. This is stated pretty explicitly when her dad asks her if she would like to work with horses and she declines, saying that she has come to realize that horses are simply traded by rich people as status symbols, and her dad suggests she get her drivers license since it will help with any job she wants. In seasons 1 and 2 Rousseau is pretty heavily associated with August, along with the pressures put on August and the other elite kids at Hillerska to conform to expectations (@bluedalahorse has written the Bible on that here), so the fact that Sara swaps out the horse for a car that can take her anywhere feels like a step away from both August and the prescriptive norms of Hillerska.
Sara and Wilhelm both reject what they saw as their destined future. This is obviously really clear for Wilhelm; he assumed he would be prince and then king after Erik died, and his greatest moment of character growth is when he decides he doesn’t have to fulfill that assigned role if it will keep him from being happy and living authentically. I love the scene where Sara talks with her dad about her fears that she will fail in the same ways that he did because she also has autism and adhd. This is a less clear-cut assigned destiny, but that fear of becoming a self fulfilling prophecy is equally overwhelming, especially because Sara has already let down someone she cares about in a way that’s not dissimilar to how her father breaks promises. The fact that she’s able to come to terms with her dad’s influence in her life, but realize she really is in charge of her own future, is really powerful. (I also think it’s such smart writing about the way disability and internalized ableism can really affect your self image).
In order to break free of those predetermined destinies, both Sara and Wilhelm need to see a father/mentor figure as more than black and white. Wilhelm needs to acknowledge that Erik wasn’t perfect, and did help contribute to some of the abusive traditions of Hillerska. Sara needs to recognize that even though her dad isn’t a perfect parent, she still loves him for the care he is able to show to her and wants to have him in her life. I love that both Wilhelm and Sara learn to hold multiple conflicting emotions about their loved ones. They can be disappointed by some of Micke and Erik’s actions, but they can still value their relationships with those family members and recognize them as complex, complete people.
They also both go on a similar journey with how they see August. Wilhelm comes to recognize that August is both a perpetrator and victim of the class system and Hillerska’s systemized abuse. Sara similarly realizes that August is an adult who needs to be responsible for his own emotions. She’s no longer interested in saving him from his complex feelings of guilt, and recognizes his potential to find self healing. Both of those new assessments of August grant him more maturity and complexity than earlier in the show. (They also reflect the way that August grows, in fits and starts, over the course of season 3. If there was a season 4 of the show, I think we would really see August respond to Sara and Wilhelm’s new attitudes towards him in a way that would fuel future character growth).
Viewing Erik, Micke, and August more complexly also allows Sara and Wilhelm to forgive themselves for the ways they are similar to those people. They are able to acknowledge the shame they feel around their actions, but also forgive themselves in the same way that they forgive others.
Both Sara and Wilhelm have specifically let down Simon in pretty big ways (Sara by secretly dating August, Wilhelm by perpetuating the royal family restrictions onto Simon). But they are able to recognize those mistakes and reconcile with Simon.
Wilhelm and Sara both leave the monarchy (Wilhelm literally, Sara by refusing a relationship with August), but they also leave a kind of prescriptive romance behind. Wilhelm says no to having to monitor Simon, to having to roll out his relationship in a certain way to please the court, and to having their future together mapped out and their decision around children made for them. Sara says no to a smaller set of requirements, but the traditional ways that August sees romance are so influenced by the monarchy (which is in turn so influenced patriarchy) that they are similar in some ways. Sara says no to having to do August’s emotional labor, to managing him so that he will fit the image of a good heir. She says no to waiting for him to visit on weekends while he does military service. She says no to this grand plan that he has. (This was @bluedalahorse’s point originally that she shared with me, and honestly I think it's so smart). Wilhelm chooses a romantic relationship that he and Simon are free to create together without rules; Sara chooses a friendship based on honesty and support. Both are valid options that give the characters a sense of peace and freedom. And they would not have been able to make those choices without all of the growth they went through over the course of the season.
I think Sara and Wilhelm's arcs compliment each other so well, and it was one of my favorite things about season 3. I loved watching both of them get to grow so much and end up in such a happy place.
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bernard-the-rabbit · 2 years
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"I couldn’t quite believe how much I seriously loved Aled Last, even if it wasn’t in the ideal way that would make it socially acceptable for us to live together until we die"
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sweetpapercroissant · 4 months
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i don’t get the appeal of an incest ship if you’re only ever going to focus on the good romantic feelings and not the icky negative ones. the resentment the feeling of being trapped shackled wanting out and away from the person who knows so much too much about you since before you even knew to not allow it but at the same time you can’t imagine living in a world without them being away is like tearing a limb a piece of your soul you will never again be complete without them. no one else will ever understand you the way they do no one else will ever get so deep under your skin and you may hate it but you hate the thought of them not being there even more you can’t stand to see anyone else get to a part of them you didn’t and even worse when they get it before you. you push and you push and you push but when they let go it’s like you’re free falling and it doesn’t matter how far away you run you will never be far enough away because you carry them inside you everywhere you go. you tell yourself you want nothing more than to get away but they’re the only home you will ever have and you won’t ever let anyone get that close you’re already moulded to only fit in perfectly with them and you didn’t have a choice but this is who you are. there’s nothing you could do to make them let you go but there’s nothing you could do to make them let you go. you want to be so close to them you want to merge your bodies into one you hate how crowded you feel when they’re in the same room like they’re sucking in all the air and there isn’t any left for you and you want to get away so you can just breathe but you don’t even want to breathe in the air that hasn’t passed through their lungs first you hate that you feel this way you wish you could claw it out of your veins but then who would you be without it without them you want so much and it’s so ugly and you’re ashamed of how raw that need is how you want every part the good the bad the human you wish none of this had ever happened you feel dirty you never even had a chance to find something else be something else but then you look over and you love them so much so much and when it comes down to it nothing else was ever going to be enough for you anyway.
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kalofi · 8 months
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zl fic idea
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hii everyone i wrote something yesterday about an au idea i had for zolu and. i thought i'd share it here since its a bit too messy and disjointed in places to post on like. ao3 or something.
4.7k words, warning for temporary major character death but do not worry all will be fixed in due time. i'll put the rest under the cut
ok i have an idea for an au thats like kind of reincarnation but like reality displacement but like. okay just listen.
so we start at laughtale. its a couple years into the future from where we are in canon the strawhats are achieving their dreams luffy is about to find the one piece theres a big battle happening between them and the blackbeard pirates and whoever the fuck else is there idc. the rest of the strawhats are fighting the bb crew while luffy and zoro head off to find the one piece and also end up fighting black beard himself. luffy and zoro atp r like basically a thing but they never talk about it cuz theyre luffy and zoro and they kind of just exist with each other but like. theyre basically in love and everyone knows it. anyway they go off together luffy has the one piece almost in his grasp blackbeard attacks they fight its a big battle blood is shed bones are broken uumm in my mind luffy and zoro are like teaming up against bb bc his devil fruit is lowk broken and op and like ok theres gear5 too but i didnt rly consider that so lets just assume bb’s devil fruit can negate gear5 somehow or luffy exhausts it before bb is fully defeated.��
finally theyre able to knock bb down and hes out and theyre both tired and worn but they DID IT and the one piece is luffys and theyre facing each other grinning ear to ear and zoros saying “you ready, king of the pirates?” and luffy laughs and goes “not just yet zoro, i still gotta-“ and then theres a spear piercing right through his chest. and in the next moment its gone. 
theres a gaping hole through his captain and theres blood, theres so much blood and luffy’s still smiling like he hasnt realized it yet, like it hasnt even registered. zoros ears are ringing and he doesnt know what to make of whats hes seeing because its just not real, it CANT be. 
he looks over luffy’s shoulder and blackbeard is on the ground with his hand outstretched , black energy coiling back into his form and he’s laughing and laughing with bloodstained teeth. hes fucking laughing. one moment zoro is still standing parallel to luffy and the next hes in front of blackbeard and the mans head is rolling through the dirt and gravel, wado dripping crimson, a terrible gap toothed grin still stretching the man’s cheeks. 
zoro is breathing heavy, hes trembling and hes almost mesmerized by the blood pooling around a lacerated neck— then he’s remembering luffy and turning around and calling his name and he can see right through him theres a HOLE right through him and he chokes and stumbles and rushes to his side right as luffy starts to crumple to the floor . catches him and lowers him gently and doesnt know what to say. 
hes still shaking but cant move his mouth and everything is muffled, the sounds from the battle outside are distant and they dont matter but what does he do. what does he do. 
he snaps out of it when luffy gently calls his name. a strong “zoro,” like hes not fazed at all. like there isnt blood soaking into zoros clothes. 
his brain kickstarts and he’s speaking. saying things like “youre ok you’ll be ok” and “choppers right outside i’ll just call him and he’ll fix you right up” and “you always bounce back, right captain?” and hes thinking “dont die please dont fucking die. not now, not when we’re this close please dont fucking die” and hes silently praying to all the gods he doesnt believe in but luffy calls his name again and his mouth clicks shut. luffys saying it’ll be fine, that he had fun. that hes proud to have made it this far with all of them. and those sound a lot like parting words so zoro’s shaking his head no but luffy is still smiling. hes saying that hes glad he had zoro, that he made him happy. hes saying to tell everyone he’s glad they met, that hes glad they all had each other, that he knows theyll be just fine . 
zoro wants to say that luffy should tell that to them himself, when hes wrapped up and recovering and alive but his mouth is glued shut again and he feels that interrupting luffy now would be cursing him to death, like his words are the only thing keeping him tethered here, he just needs to get him to keep talking to stay awake. 
he tries to smile but it comes out ugly and wrong and he feels his lip wobble so he drops it. he settles on rubbing his thumb on luffys shoulder. something to keep him here. 
so he rubs and luffy talks little things until he cant anymore. until his eyes grow dull and his skin loses its warmth and still zoro rubs and he rubs.
thats how law finds them. zoro hunched over a body that should never be as still as it is. and its really no surprise hes there, hes been gunning for the one piece since the time he could captain a ship (or a submarine) but it all feels so wrong. 
zoro either doesnt notice him or doesnt care, but either way the man doesnt acknowledge law until he’s right behind him. its not like law can say anything to announce himself either, not after seeing the state of the body that zoros currently holding. the body that used to be luffy’s. hes still processing it all when the other man(the one whos alive) finally speaks. 
zoro asks if hes got a devil fruit. less of a question and more of a statement, but he should know anyway since theyve spent considerable time together and hes literally seen him use it. law cant unstick his jaw so he hums in affirmation. “and you can switch stuffs’ places?” another hum. “what about time.” 
that makes law pause. “what?” his voice comes out stronger than he feels. 
“what about time? can you switch things in time?” by this point law has awakened his devil fruit or some shit dont sweat the logistics but hes never tried anything of that sort so he kind of stumbles “im not- maybe? ive never attempted-“ zoro interrupts “send me back” 
“what?” 
“send me back so i can fix this. you can do that, right.” it clicks. law would pity zoro if he didnt know any better, instead he just feels mounting despair and resignation. 
he may not be crew, but he knew luffy too, he was allied with the man for fucks sake, and this just feels- wrong. he sighs, a tired, heavy thing. 
“what about your crew?” its useless. zoros as stubborn as his captain, with arguably a handful more screws loose. “it wont matter. they’ll never know because i’ll make sure this doesnt happen.” he still hasnt turned around. law doesnt know what expression hes making and hes sure he never wants to find out. 
hes ready to deny it, cut his losses and head for the one piece himself (hes not heartless, but if he stands here any longer and has to look at. well. he think he might never be able to move again) but then he really thinks about it. could he? would it even be possible? surely this isnt the way things were supposed to go, surely this isnt right. luffys never been one who was supposed to die just like that, like this, law knows that much. he thinks hes going to regret this, but he counts it as one last thank you for everything luffy did for him. 
youre gonna owe me big time strawhat-ya. if i even remember this, that is. 
he puffs a breath “i can try. i cant- promise anything but. i think we both know this,” he makes a vague, weak gesture, “isnt right.” 
zoro doesnt say anything, law didnt expect him to. he just bows his head slightly and law takes that as the acknowledgment it is. 
he brings his hand up, “dont do anything stupid, zoro-ya. or, at least, make it stupid enough to bring him back.” 
he positions his fingers in way so familiar, but the weight of it now is nearly unbearable.
room.
shambles
zoro’s world shatters, differently than before, and then theres nothing.
he wakes up in bed, bleary eyed and a pounding headache assaulting his senses. his alarm clock is going off which only adds to the drumbeat against his eyes. he grumbles and whacks around aimlessly to shut it off. the silence lasts a moment before his eyes fly open and he jolts up, sheets pooling around his waist. luffy. where was he? where was zoro? did the crew find him and take him back to the ship? did law fail? but this didnt look like chopper’s office.
he looks around to find hes in a room hes never seen before in his life, yet he instinctively knows is his. it all feels so wrong, like he doesnt belong in his own skin. he scratches lightly at his arm. he needs to go to work. 
work?
what the fuck is happening. 
its like his mind is at war with itself, one truth trying to dominate over the other. he trained at sensei’s dojo. he aged out of foster care. he was a swordsman, he was the first mate of the strawhat pirates. he didnt go to college, hes working construction. he made a promise, and kuina died. kuina…died. huh. his captain, his luffy, someone he knew so intimately and who knew him in turn. hes never met someone with that name his entire life. he needs to go to work, he needs to find his crew. 
he doesn’t understand what the fuck is happening. 
without his permission his legs stand him right up and he moves confusedly, surely, to the bathroom he didnt know he had. his reflection stares back at him in the mirror and its him, of course it is, he doesnt know why he expected someone else, but hes also…different. he has both function of his eyes, first of all. a scar in the same place as before but its light and healed over and doesnt seem to have blinded him like it once did. his hair is green, sure, but black roots peek out from underneath the familiar shade. hes grown stubble, he should shave. he needs to go to work. 
hes so confused, but his body moves like its been doing this its whole life. as far as zoro knows, it has. 
he continues getting ready, mind still at odds, and makes himself a cup of coffee (in his own kitchen. his own kitchen? the state of it leaves less to be desired. sanji would surely skin him alive) before tucking into his shoes, grabbing his wallet and keys and heading out the door. he seems to live in a single room apartment, and a crummy one at that. his legs move him faster, he has to go to work, he cant be late again (again?).
his car is parked outside the building, he has no fucking clue what it is but he unlocks it all the same and settles in. he feels like he shouldnt be operating this sort of machinery. franky would know better than him how it must work. he starts it up and backs out. trusting his gut to get him where he needs to be. he should be more concerned, he should be frantic and inconsolable, his captain was dead in his arms and now hes? what? going to lay some bricks or some shit? but he finds that part of him dulled in favor of following whatever mundanity this body is pushing him towards. 
uumm whatever whatever he arrives at work eventually i dont know how construction jobs work are there offices or something. idc thats not the point. johnny and yosaku are there and zoro is surprised to see them since, as far as he knows, the last time they were with each other was at arlong park which was years ago for him. but the two greet him like this is a daily occurence, like theyve been working together for years. and zoro thinks, knows, they must have. but this is good, this is great fucking news actually because until now theres been no confirmation if zoro was here alone (wherever “here” is) but now his proof is right in front of him because if johnny and yosaku are here, and they exist the same as from before, then that must mean everyone else is here too right? he clings onto this hope with both hands trembling. 
nami, usopp, the cook and chopper and robin and franky, brook, jinbe and fuck. fuck, luffy. theyve got to be here somewhere, zoro just has to find them. hes not sure if they remember things like he does but hes got to try because they are his as much as he has always been theirs and they should all exist together as it has always been. 
so then yeah he finishes his shift because its what hes ‘supposed’ to do but he doesnt go home. he drives around aimlessly before pulling into a random lot and pulling out his phone (theres no snail attached to it. weird.) he doesnt even know where to begin. hes not usually the one coming up with plans, he just goes where theres blood need to be shed. but no one seems to be in any danger here except for maybe himself, and its not like he has his swords anyway- shit. fuck did he still have wado? he must have right? he knows there was a kuina that existed here too, he knows because he remembers. and she, well she wasnt around anymore so he must have wado. he must. with shaking fingers he pushes that aside for now, though barely. he needs to find luffy, but he wouldnt even know where to start. luffy could probably find the rest of their crew by simply wandering around and happening upon them, thats how he did it before. but zoro has no idea where he’d be, he doesnt even know where he is. nami or robin would be a good bet to at least form a plan, but he wouldnt know how to find them either. 
is there even a coco village here? would robin still be part of baroque works? he needs someone who has a defined location that he could google or something (what the hell is google?). usopp would be at syrup village right? shit. is there even a drum island? these are all too broad, he needs something specific. specific…..a place with an identifiable name, somewhere smaller that would be easier to stake out…
a lightbulb goes off. 
fucking shit he thinks. of course. of fucking course it would come down to the cook. 
he types in “baratie” to his maps and a location pops up, just 27 minutes from where he is now. he hasnt eaten yet either, so he figures thats killing two birds with one stone. he taps the address, backs out of the lot and drives. 
(if it takes him nearly an hour to get there thats nobodys business but his own)
he pulls up to the building about a quarter after 7. it seems packed enough already, but if memory serves him right then that was just par for the course for baratie. he parks, gets out and locks his car, then shoves his hands in his pocket and resigns himself to another oncoming migraine hes sure to get upon interacting with the man hes certain is waiting somewhere inside. 
the tables are full, the host tells him, he slips a 20 from his wallet and suddenly (of course) theyre more than willing to serve him. 
he gets settled in a far and somewhat isolated booth and a waiter comes up to him, but he cuts the man off as hes introducing himself and says “you got a blonde working here? stupid ass side part with a weird eyebrow? goes by sanji” the waiter looks shocked and put off by his rudeness but quickly collects himself and says “we might. depends on whos asking” zoro snorts “just tell him hes got someone who wants to talk to him,” he cringes at this next part, tries to smile but knows it comes off as a sneer. hes not sure if he still has conquerors haki wherever he happens to be now, but he tries to channel that energy the same way he would if he were in battle and says “tell him im a fan.” the waiters eyes widen, in fear or surprise zoros not sure (most likely a mix of both) before he nods and scurries across the floor, weaving in between patrons and coworkers alike until he disappears behind the double doors to the kitchen. 
zoro sits with his arms crossed and skims through the menu out of boredom and impatience. its a couple minutes before he sees a familiar head of blonde hair emerge from across the way. a smile climbs onto his face despite himself. sure, the guy annoyed him to hell and back and their…friendship (if you could really call it that) was a tumultuous one, but it was good to see someone familiar nonetheless. he schools his expression before the blonde can spot him. a few moments pass before hes standing right in front of zoro, his stupid suit primped and pressed as always, and a cautious look on his face. 
“you asked for me?” his tone is the one he only reserves for men who he deems not worth his time. zoro grits his teeth but says “yeah, theres something ive gotta discuss with you.” 
hes never been one for tact, forever blunt unlike his swords. 
sanji quirks a brow “i dont plan on talking about anything with anyone unless theyre a paying customer” zoro feels his eyebrow twitch but grabs his menu nonetheless and points to a random item without looking “i’ll have this then, and whatever booze you got.” sanji leans in to see what hes pointing to before his one visible eye widens and a grin slowly overtakes his previously unaffected face. 
he speaks condescendingly. “wonderful choice sir, coming right up.” before zoro can get another word in he grabs the menu out of his hand, spins on his heel, and marches back to the kitchen. 
zoro clenches his fists and does his best not to grind his teeth into a fine dust. no matter where they are or what displacement in time the fucking curly brow never fails to be absolutely insufferable. at least this way though, zoro knows its him for real. 
its another 20 minutes before the shit cook reemerges from the back with a platter and a mug in his hand. he steps up to zoros table and places the plate and cup down in front of him with a smug look. zoro has no idea what the fuck hes looking at on his plate. he doesnt have time to question it before sanji plops down in the booth seat across from him, disregarding all previous faux-professionale and asking “so what do you want” zoro tears his eyes away from his plate and looks into sanji’s, trying to convey as much emotion, as much urgency as he possibly can. 
“luffy needs us. and we have to find him” whatever the cook was expecting him to say, it definitely wasnt that. the other man regards him more warily now, looking him up and down with a tense frown before replying “i dont know what the hell youre talking about. and i dont appreciate being mocked or having my time wasted” he goes to stand up but zoro grabs his wrist, yanking him back down unceremoniously. 
he blinks before rounding back on zoro, flaring his nostrils in a way zoro knows means hes about to get himself in deep shit “oi, what the fuck do you think youre-“ he doesnt let him finish “im not mocking you. this isnt some stupid prank or whatever youre thinking. and despite how much i would enjoy punching your teeth in right now im not looking for a fight either.” 
the cook still looks affronted but seems to actually be listening. zoro continues “look, i dont know what the fuck is going on. i was at laughtale with you and the others, with luffy, and then i woke up and now im here and i dont know how but this is all wrong. its all wrong but i need to find luffy and fuck, i cant do it alone. i need your help to find him. find everyone.” the blondes eye is wide, but he blinks and its gone. he looks more tired than zoro has ever seen him 
“im not paid enough for this shit. i dont know why i even-“ he looks like hes getting ready to leave again but zoro is desperate at this point so he blurts out whatever he thinks will convince the other man hes not bullshitting.
“we met you here, at the baratie. me and nami and usopp and luffy. luffy busted through one of your walls so your old man punished him by making him wash dishes. i dont, i dont know what luffy said to you, or how he convinced you to join us, but he changed your life like he did mine. we sailed together, and we had each others backs no matter how much we got on each others nerves. you were our cook. i was our swordsman. luffy was our captain and youd do anything to help him, i know you would, same as me. youre a pervert and an asshole and a damn annoyance, but youre strong. i could still kick your ass though” if the cook’s eyebrow could go any higher hes sure itd be clear off his forehead by now. 
“and you- your dream. you wanted to find the all blue.” he stalls there, engine sputtering. zoro doesnt know what else to say, so he snaps his mouth shut. 
the blonde is still gaping at him like a fish, but he mouths the phrase “all blue” like hes been searching for it his whole life, like he always knew but just never had the words. 
he blinks. 
then he blinks again, rapidly. there are tears pooling in his eyes. his mouth flaps for a moment before he seems to finally be able to push out words. 
“you- zoro?” he sounds small. he sounds hopeful. zoro grins. 
“yeah, yeah its me.” sanji stares at him a moment, then looks around, as if hes seeing everything with clear eyes for the very first time. zoro figures he might as well be. 
“holy shit. holy shit.” 
zoro laughs, a rough thing. theres a ball in his throat that he cant seem to dislodge. “nice to have you back, curly brow” sanji’s gaze snaps back to him before he scowls and tries wiping away the tears that are now streaking down his cheeks. its useless though, it seems they cant stop. zoro laughs again at the sorry state of the asshole in front of him, this time more full and genuine. he feels so relieved he doesnt know what to do with himself. 
“yeah yeah, whatever dick head.” sanji grumbles. zoro quiets down, glances away, lets him have his moment. “fuck, mosshead, im still on the clock and you unload all this on me? how the hell am i supposed to finish the rest of my shift?” his words are sharp but he doesnt sound angry at all. in fact, when zoro turns back to look, hes smiling. 
“you remember now though, dont you?” he has to be sure. 
“what does it look like, dumbass? think im tearin’ up cuz of pollen or some shit?” the cook rolls his eye. theyre both silent for a moment, trapped in their own heads, before he speaks up again. “so, what now?” zoro doesnt even have to think before he answers “we find everyone else, obviously.” “well no shit, but how?” zoro glances to the side. “i was hoping youd figure that out” sanji stares before bursting out laughing. zoro scowls and hunches into his shoulders. 
“of course!” sanji cackles “of course your dumbass wouldnt know what to do! you probably just typed in the most recognizable place you could remember and hoped one of us would be there!” zoro doesn’t answer, because yes thats what he fucking did, but it worked didnt it? he doesnt see whats so funny. 
“fuck you.” 
he wants nothing more than to bash that smarmy mouth in, but the familiar egging settles something in his soul. sanji gasps a few breaths before calming down, now wiping tears from his eyes for a completely different reason. 
“alright alright, well lets figure this out then, yeah? we figure out how we got here then we can figure out how to get back right? simple enough” 
zoro nods, “law was-“ he stops. remembers dull eyes and clammy skin and wrong wrong wrong. he shakes his head, “no, no we cant” sanji looks at him confused. 
“we cant go back,” zoro presses, “not until i fix things. i promised i would” the other man seems to pick up on his panic and his mood dampens, becomes more serious. “promised what?” 
zoros never been one to sugarcoat, but now he wishes he could find a way to soften the blow hes about to deal. he inhales, pushes the breath out. says, “luffy died, sanji.” the fact the hes actually using the other mans name seems to fly right over his head in favor of the first part. “what?” zoro huffs, is he really gonna make him say it again? “luffy di-“ sanji interrupts, angry now, fists clenched and whitened from the pressure “i heard what you said. but what do you mean.” 
he doesnt want to have to tell sanji what happened, doesnt want to talk about it at all, wants to slice it up into small enough pieces that it very well may have never existed.
he told law the others wouldn't have to know, that he would make sure of it, but he's realizing now just how unrealistic that is. as much faith as zoro places in his own abilities, he's aware he's only one man.
and, he figures, if there's anyone i can trust enough to share a burden heavy as this with, might as well be the one who's strength i'd count on just as much as my own.
sanji cant help if he doesnt know what went down once they got separated at laughtale, so zoro sets his shoulders, clenches his fists, prepares himself like hes riding into a battle he knows he has no chance of winning—hes the first mate for fucks sake—and resigns himself to filling the other man in on every horrible detail
by the end, the cook looks much the same as zoro feels, pale-faced and shaky. he runs a trembling hand through his hair and clenches his eye shut. “fuck mosshead, thats…” he doesnt bother finishing, and zoro stays silent—already knowing just how much of a shitty situation it is that theyve found themselves in.
(btw the reason sanji was so smug about what zoro randomly chose on the menu is bc its one of their most expensive dishes. even upon regaining his memories he still makes zoro pay it cuz hes an asshole like that. business is business 😁)
uuummm i dont feel like detailing the rest basically my idea is that they work together to try and track down all the members as well as law, since hes also a part of this. i dont know how or when or in what order but i do know finding luffy would come last. so yes its zolu but for a majority of it more in spirit than anything. maybe i can throw in some luffy pov of him living with ace and sabo . he knows something is off but cant place his finger on what. he knows something is missing but hes got his brothers with him so what else could he possibly need? etc etc. you get the idea
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paellegere · 2 months
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hey girlie it’s me, sam winchesters gay lover, your mootie 🥰🥰🥰 i just wanted to let you know, that your tags on the post about that wincest video are based and i agree with every word, hashtag slay couldn’t agree more i loved reading your essay in those tags heart ❤️
omg thank you!!! i'm basically only capable of talking in essays whether people want me to or not, unfortunately
i just have a lot of feelings on this topic and the whole "canon or not canon" argument is weird to me; the themes are pretty darn clear in supernatural (it is NOT known for its subtlety) so idk man. they don't have to kiss to be canon. and they don't have to have a romantic relationship to be canon either. how many times do they get into relationships with other people only for it to be treated as cheating/betrayal/abandonment, only for them have to give up that relationship in order to reaffirm their devotion to their brother
that's just what the text says. i'm not under any kind of delusion that they have some secret sexual or romantic relationship, but that doesn't change that sam and dean are each other's most important person regardless of that. which is really awesome imo, that romance isn't treated as more important than whatever horrible thing they have with each other, and that they don't have to consummate their relationship with romance/sex in order for it to be the most important one they have
(and of course there's romantic/sexual subtext, like parallels and metaphors and misunderstandings and jokes, but to me that just provides a solid foundation for presenting this relationship between them as the most important even though it's not romantic or sexual—because this language of romance is the only one we know, really, when it comes to writing important relationships between characters. it's the only one we know in our own personal lives, to a large extent. so you use the romance/sexuality to symbolize the actual bond they have. which is so much worse lmao)
anyway i think spn is fairly unique in this way because of how no other relationships can really ever stand parallel to the one they share; even in other shows that center male friendship, romance is allowed to coexist with brotherhood. for sam and dean, it's not, and that becomes a point of tension and conflict and resolution many, many times over the course of the show. so like yeah!!! just because it's not romantic or sexual doesn't mean it's not canon, in the sense that their relationship is the point of the show, and it is the most important relationship they have. they chose each other above all else, every single time. yknow, it's "the epic love story of sam and dean" and all that
#ask#sorry. i did not intend to write another essay about this#but as i said i am only capable of talking in essays. my apologies#to be honest the only reason i have so much to say about this is because i have seen some truly baffling takes about what sam and dean are#and every time i see one i have to sit here and think about it. like how did you arrive at that conclusion. what are you watching#mostly in terms of like. people saying sam and dean are not weird and codependent and enmeshed with each other#that's just blatantly not true because again. this show is about sam and dean and their relationship. textually subtextually metatextually#the concept of even having to defend their relationship as canon is as confusing to me as having to defend umm rubysam is canon#or something#like it happened. they were together in canon. we saw them have sex. you can't say rubysam isn't canon because it's right there#same thing with sam and dean. the difference is the nature of their relationship and the fact that i guess people don't want to like#think of it as canon when it's not romantic????#it's such a no-brainer kind of thing. like the fact that i'm sitting here trying to explain myself is embarrassing me bc it's like#no shit sherlock#but again the only reason i am thinking about this so much is because i keep seeing people trying to deny or downplay their relationship#in the first place#which is BIZARRE to me#like idk i don't see people trying to deny that ummmm fuck. killua and gon hxh aren't canon friends#that they don't even like each other#wow i'm seriously rambling. apparently i have more to say about this topic than i originally conceived#idk man i get people are uncomfortable with incest but the point is that it's like. not. their canon-ness is not related to incest#they're just insane about each other and they are each other's most important person. they are more important than romantic pursuits#the uniqueness is that it trumps all other relationships and cannot coexist with any others. that's what's so canon about it#it's not just friendship. it's not just brothers. it's not just husbands. it's everything and nothing and so much more all at once#shrugs. sorry for rambling AGAIN#i hope i'm making sense here#supernatural#wincest#spn posting
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hexados-on-a-string · 7 months
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spectragus dont get enough credit for being a sun and moon ship but like. destructive sun and moon ship. sun and moon ship but they're the forces of nature the sun and moon actually are. the sun is harsh and relentless and unpredictable in its evil but also it's kindness, the moon is sharp and cold and cruel, a harsh light that doesn't allow you peace, but can also guide you, a light in the darkness. even on nights with a new moon, with no light in the sky, the moon is always reflecting the sun, and it'll be that way until they come to their end.
#spectragus give me a dopamine high that any sort of drug couldn't even come close to giving me#its the loyalty. its the seeing each other at their worst and still staying.#its the being the only person still around who knows and understands what youve been through#its the being so important to each other's characters that u cant mention one without recognising the impact the other has on them#i dont rlly do shipping unless its funny but also im a huge gus fan so like. yea. plus my view on romance is a bit all over the place anyway#something something my skrunkles deserve complicated relationships that are more than romantic but something else#its the trust thats the most important thing to me. trust and loyalty and devotion and#im sorry but i would have exploded if i like. didn't write down these thoughts#anyways fucked up gay people who are a package deal and that is a threat thats them#ik the majority of my posts are hee hee funnie and i usually dont take things too seriously#but these two have taken up part of my brain permanently since i was 8. like. they just live there. rent free.#i am like rabid rn. i am feral and i am insane and i am crazy and there are so many things wrong with me#i cant even write down all my fuckin thoughts there's so many my brain is going to Explode pray for me#idk if u understand how important it is to me the times they show kindness even while at their worst#they're not good people but they have people they care about and they care abt each other and that matters SO much#i take 0 criticism on my posts i only take cash. however there is no possible criticism to be made bc i am RIGHT#also this all kinda sparked from me getting obsessed with a certain kh character who has a connection to the moon#who is also one of my favourite characters ever#and if u know who it is and u also like him ur very cool#im not tagging this w character tags. im like. very shy. but#i love gus i love spectra i love spectragus#anyways see u next time where i should hopefully have art maybe potentially#i found the brushes i used to use back when i did lineless art so i am rlly happy
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musical-chick-13 · 15 days
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What if I made this as off-putting as possible instead of romantic.
#I mean I'm very heavily leaning into the humor for this one but what if I made it funny AND creepy#then I wouldn't have to pretend I know how to write a functional relationship#(well. as functional as these two characters can be anyway.)#the problem is that most of my ideas are about analyzing relationships between characters#and some of them are fucked up with the romantic element unrealized (which is a lot easier to write because of. you know. personal history)#and some of them are about how mental illness interacts with one's relationships#but the rest of them are straight up 'how would these characters get together and build a relationship that works for them'#and I WANT to write those things because they're important to me and because I want there to be more fic for my unpopular ships#but the idea of ME trying to write something where the entire focus is people getting into a happy and relatively straightforward#relationship feels...laughable.#c2g is different because it's not like...straightforward at all? there are a lot of elements at play there.#and the characters are ALREADY together. and most of the fic really is just unpacking their psyches.#I wouldn't call it a romance fic?#but Deranged Oneshot is...probably somehow actually closer to that idea.#but like. what if it wasn't.#ugh maybe I DO post this one anonymously like I hate considering that but that might be the#only way it actually gets finished#(though. of course. I have to figure out how to get c2g finished too. because we are ALSO struggling there just#for different reasons)#mc13 writes#c2g#The Fic That's A Lot#(and others)
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portokali · 2 years
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there is. definitely a lot to be said about the merits of having the ability to turn off Shipper Brain Mode and enjoy a story without ever demanding a ship be canon or even shipping any of the characters. however there is something about a hint or a promise of romance in works that aren’t explicitly romantic that makes them somehow more tantalizing and interesting. anyway this post is about james and erin derrygirls where i had 0 expectations of their feelings ever being confirmed and simply entertained the idea of them as a what-if-james-likes-erin-lol on a completely different tab that was left open in my brain but when it Was confirmed in s3 and the way it was left unfulfilled but all the same promised absolutely has done numbers to my brain chemistry like the small and tender crushes of two kids living ordinary lives under extraordinary circumstances. something about that yeah.
#like sometimes i feel a lot of Shipping is all abt for the sake of shipping and so u can project a Whatever romantic ideal#which often has nothing to do w the characters presented on screen (or on page etc ykwim) and more abt fandom building a fanon around t#the ship and making it all abt coffeeshop college aus etc... like its more abt inside consumption and deformation of the original ship#to be sth it wasnt meant to in canon but what the fandom wants it to be. i dont rly like this kind of shipping#BUT when i see two blorbos and their love is real it touches my soul...... blease understand#like im SO HAPPY w how little screentime their romance actually takes up its EXACTLY as much as i needed in a story out of derry girls#any more wouldve been too much cause honestly theyre all just losers who dont pull and the story is abt friendship and coming of age anyway#but also..... the jerin story so so good and important to me fr.#no bad tracks. the way it happens so quietly and you can pick their feelings up by SQUINTING? impeccable#the way HE is whipped for HER (a must in a het relationship) but absolutely sees right through her bs and keeps it real always#the way james absolutely Knows and Sees erin for all of her and still oh god oh shit#disintegrating to my bare essentials im gone#cause erin diary girl erin erin the author erin the writer and james you should write that down derrygirl james my best friend james#the i can wait........ like literally so mature of them to realise theyre not mature enough yet but YET theres potential for sth#that they cant just fuck up w their teen bullshit!!!!!1GOSH. FABULOUS!!!!!!#AND the way everyone's parents mirrored the girls in the flashback episode and now erin and james seem to rather grow to be similar to#erin's parents aka a loving marriage and relationship that endured objectively A Lot and provided shelter n family not only to their kids#but also officially unofficially james too james who never knew his dad james whose ma kinda umm doesnt love him. lets be honest.#like theres n o reason for me to be losting my shit so mcuh over them except there IS.#except i am!#the fact that their ship name is jerin? erin with a j?? an absolute w for j community on top of everything#no bad tracks im telling you#the quiet tender kind of love that short of develops as a bytheway as an aside to the main story#as an of course id have a crush on you. of course it would happen. of course it's not going to be the main story#its not the end of it either its not even the beginning not really#you know im such a fool for you....... but now im feeling it even more......... etc#jerin#derry girls#derry girls spoilers
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iwantyoursexmp3 · 7 months
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realising this is silly in hindsight but the way i kind of just assumed people would not be interested in the grief and death and caretaking and historical aspect of lover boy LOL happy to be proven wrong. going to be obnoxious on main now
#literally no reason to believe this besides the beaulix novel that became lover boy got love when i introduced it last year#like i dont write based on what people find more interesting i just thought it was like. A Lot and Heavy#like at this point grief is so normal to me and then i've talked about it with other people and will be like Oh this is a lot actually#i am also realising how interesting it is for the grief to be around a friend...a lot of the AIDS grief lit i read for and about#with my diss was about lovers (which in itself is so important bc most of society denied people that relationship)#not that lover boy is Different or New because of it like parting glances is right there#but even then (spoiler) they're revealed to have been and still be in love with each other despite michael still being with robert#but even then the parallel between michael and roberts very domestic relationship to the love between michael and nick!!!#i love that movie and then when i rewatch it im like this is so mid.....#ANYWAY dont like to define bobby and beau by how close they are to romance but i like the idea of paralleling friendship and romance#and incorporating romantic elements to them without it reshaping them being friends#like they are in love with each other. no they would never be anything more than friends. etc#i think friends should be allowed to be in love with each other as friends#i was kind of worried the excerpt made it seem like a realisation that he was in love with his friend in THAT way#like no! he's just in love so deep it cannot be categorised
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moki-dokie · 6 months
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been seeing some stuff on blue eye samurai and big yikes to nearly everyone pushing extremely western ideals onto these characters.
this is early edo period. 1600s. the japan you know now did not exist yet.
yall. please. there was NO concept of sexuality in pre-modern japan. that came with both the influx of christianity and western influence very very late in history. like, mid-1800s. (yes, there was christianity pre-1800s but it was not a widespread idea yet and wouldn't be until about the 1800s since, y'know, missionaries were routinely murdered before then)
"so and so is either bi and hasn't figured it out yet or..." no. that isn't how it worked then. nobody gave a shit what was between your legs. anyone could be attracted to anyone else. it was a little more common for male homosexual relationships to be between an adult and younger male - like many other places around the world - but two adult men could bang and love each other just as easily. relationships between women were quite common - especially since so many men were often away at war. there's tons of pornographic prints from the time depicting all manner of fun queer relationships. sex itself had absolutely no moral assignment to it. good sex was good health. it didn't matter who with. (well, social class/caste mattered more than anything else tbh but that didn't stop upper and lower class from fucking.) that isn't to say people didn't have preferences. of course they did. that is human nature. preferences arose more from physical appearance, caste, and circumstances with gender being about the last thing one would look for in a partner - romantic, casual, or otherwise. the only role in sex where gender actually mattered was for procreation.
there would be no queer awakening moment, no sudden switch flipped, no stigma to have internal conflicts about because it simply did not exist as a concept whatsoever. you were either attracted to a person or you weren't, it was that simple. gender played no role when it came to sex and sexual attraction. the japanese were lightyears ahead of western cultures in this particular area - like most cultures were before christianity came in and ruined everything with its backwards morals and strict good/evil dichotomy.
yall have got to realize queer rep will not and should not always adhere by modern western standards. there was no straight, gay, bi, or anything else of the sort. the closest they ever got was referring to roles during sex - as in who is giving and who is receiving.
i know this is mostly a made up story but it is still set within a very specific time period and culture, which should be honored and respected by not making it fit into our box. tons of research went into making this show historically accurate (albeit with some discrepancies but tbh they aren't really that huge) right down to the calligraphy writing. please please please don't whitewash the culture from these characters.
i say this mainly because without this knowledge, so many of you are going to build these characters up on a foundation they aren't meant to be on and then you'll rage about queerbaiting and bad queer rep if it isn't somehow super explicitly stated, if it doesn't match your very modern, very western ideal of what queer looks like. don't try to force this plot and narrative and characters into something they canonically and historically aren't. headcanons are a thing, AUs are a thing, fanfiction is a thing - leave your western thinking for those and let these characters simply exist as they should otherwise. this is one of those times where the queerness really does not need to be examined at all beyond what we get.
i know it can be hard to wrap your head around - sexuality is such a huge part of our identity in the western world and has slowly started to spread amongst other parts of the world in importance. but just keep in mind with these particular characters, that concept would be so very alien to them.
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crimeronan · 10 months
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i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!
(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)
listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.
but the things discussed in the post Can and Should improve your execution!
you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it
BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.
so i have outlined some basic important concepts about polyamory.
MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun
future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.
i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)
sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.
here we go:
compersion!
compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.
compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.
by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.
i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.
it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.
(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)
if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.
metamours!
a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.
the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.
there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.
the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."
(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)
of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)
open versus closed polyamorous relationships!
i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown
google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).
this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.
an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.
some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!
with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.
i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.
feelings for multiple people!
i was gonna tack this on to the previous section but decided it warranted its own lil bit.
a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.
this is perfectly fine!
the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.
for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"
some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!
some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)
or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)
i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.
like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?
that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it
alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?
it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.
i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad
first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:
how does each pair act when alone?
how do they act differently alone compared to when they're with their third partner?
are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?
if so, what are they?
are there any boundaries or hard limits within this dyad that aren't shared with the third partner?
if so, what are they?
partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?
(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)
what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?
what problem do These Two Specifically need to solve in the story before their relationship will work?
how is that problem DIFFERENT from the problems being solved within the other two dyads?
doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.
those questions should be enough to get you started, i hope
then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?
but the main goal is to figure out how to Differentiate each relationship!
a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.
(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")
AND FINALLY.
if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)
you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.
polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.
seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.
in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.
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loveemagicpeace · 5 days
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🧚🏽Astrology Notes🧚🏽
🎸If Jupiter is in the first, fourth, seventh, tenth house, it should protect the person from major accidents. Jupiter in the 11th house means many friends. Jupiter in the 9th house means long journeys, usually paid for by someone else. Jupiter in the 4th house means that the person has a very religious family and that he will not live where he was born.
If Saturn is in the falling house (third, sixth, ninth, twelfth), circumstances may arise during that period, but you only become aware of them a few years later. If Saturn is in an angular house (fourth, seventh, tenth) at the time of birth, it sets a pattern that a person will follow throughout his life.
Saturn in the first, second or third house can indicate a burden on a person already in his early life. This is often because of the father. Saturn in the 4th house means that the individual will build a larger valuable property.
If the Sun is in a corner house (first, fourth, seventh, tenth), this means that the exercise of individuality will be visible to others. It makes the power that you can brings fame.
If the Sun is in one of the following houses (second, fifth, eighth, eleventh), this tends to give up publicity and the individual must progress on his own. If it is accepted by the public, it is not based on a personal initiative, as the main position of the sun sign would suggest. Follow-up houses often lead y dealing with other people's lives and/or their property.
If the Sun is in the falling houses (third, sixth, ninth, twelfth), this indicates that the individual thrives best behind the scenes. It makes an individual who serves. The beauty and strength of this individual are visible only to those closest to him in close contact with him.
Uranus is the planet that shows the clairvoyance of a person and the premonitions that a person has. But it is also a planet associated with astrology.
Mercury and Uranus: each aspect helps the person to communicate well. A person writes a horoscope.
Sun and Uranus: this is one of the more important aspects. No matter how aspected it brings a person great success in the field of astrology. And people will accept him as an expert and trust that person. You will become an authority figure, so you can make sure that you are honest.
Pluto rules kidnappings and gangsters. And many people do not know that cork is also the co-ruler of Aries. So people who have a lot of Aries and act mysteriously is also part of it.
Cancer rising people are very sensitive when someone is rude to them. They take it to heart when someone is rude to them, especially authority figures. They are very used to home and family and it is difficult for them to be with people who are not their family for a long time. Let's say: if someone takes them to a doctor, they will always want it to be a person who is related to them.
Capricorn rising people are basically unaffected by things. And they are used to people being harsher towards them. are basically unaffected by things. And they are used to people being harsher towards them. They have tough skin and are generally not that personal as a sign. They look at things from a different perspective.
Aquarius Sun tend to want more friendly relationships than romantic ones. They don't like you controlling them or telling them what to do. But they are prone to long engagements. They also say that Aquarians do not like flashy and provocative clothes, jewelry and make-up. Although it all depends on what other signs a person has.
Venus:
Venus in Aries- are often selfish in love and will always put themselves first. And it is considered unstable venus.
Venus in Taurus- are very frugal with money. In love, however, they are loyal, deep and lasting.
Venus in Gemini- in love, they tend to flirt or have several relationships at the same time.
Venus in Cancer- are emotional and tend towards the domestic environment. They can be better parents than partners. This position is not always favorable for marriage.
Venus in Leo- love to spend, especially on people they love. They like attention. They are frank, honest and sometimes too kind-hearted.
Venus in Virgo-Venus falls here. They are artistic, but they are also emotionally closed. They tend to be critical. Once they commit, they don't let up.They are often disappointed in relationships and have several.
Venus in Libra- are young at heart, often indecisive. They are determined hosts. They often marry early.
Venus in Scorpio- are passionate, intense, mysterious, jealous. They strongly desire to know the hidden motives of others. He is quick to rate people. They can have a hard time forming relationships.
Venus in Sagittarius- are positive, sincere, passionate, irresistible. They are very idealistic, philosophical. They are intuitive, loyal and love a mystical way of life. They have many friends.
Venus in Capricorn- usually not open, they are calculating, serious, careful. They are often disappointed in love, so they are afraid of relationships. They can get married for the sake of society. They marry a person who can be quite different.
Venus in Aquarius - aloof in love, quickly establish contacts with strangers. They are usually more friendly than romantic. They tend to have multiple relationships.
Venus in Pisces- often fantasize about their love life. They are sensitive and also depressed. Music has a good effect on them.
The first house covers areas of life such as: early life impression, causes of financial losses, long journeys of children and their religious inclinations, friends of brothers and sisters.
The third house covers areas of life such as: incidental sciences, willpower, speech and hearing, reasons for moving away from home, long journeys of a spouse.
The fifth house covers areas of life such as: spouse's friends, grandchildren's long journeys, person's passions, ways of relaxation, cause of bankruptcy.
The seven house covers areas of life such as: the description and characteristics of a marriage partner, friends in other countries, rivalries, quarrels and fights, enemies and rivals, things that are the most difficult for a person to achieve, the outcome of diseases, the mentality of children, the later life conditions of the father in the female chart, later life conditions of the mother in the male chart.
The eighth house covers areas of life such as: natural death of a person, business friends, transition to the astral world, gateway to the spiritual world, acquisitions due to partnership, acquisitions due to marriage, investigation of lawsuits, short trips to work.
The second house covers areas of life such as: inner emotions and feelings, financial visions, the propriety of borrowing money, a person's ingenuity, the ability to be comfortable, what you give is what you get, family friends, time and reputation of children, inheritances and inheritances by marriage partner, cause of death partner.
The fourth house covers areas of life such as: family traditions, situations in later life, kitchen, causes of sadness due to love relationships, inheritances from other countries.
The sixth house covers areas of life such as: favors, small animals, attitude to diet, restrictions due to marriage, restrictions due to partner, working conditions, food, clothing.
The ninth house covers areas of life such as: rites and ceremonies, types of church, gains from spiritual experiences, gains from psychic experiences, the person's consciousness, the hygienic conditions of the person's home, the care or neglect of property, the mentality of the spouse, the health of the parent of the opposite sex, the end of the life of uncles, restrictions or losses in business, situations of children's romantic relationships.
The tenth house covers areas of life such as: the house of pride, reward karma, grief and loss of friends, long journeys due to money matters, children's health, the cause of death of loved ones, the end of the life of a spouse, money that you can earn from traveling.
The eleventh house covers areas of life such as: societies and organizations to which one belongs, punishments, fines that a person has to pay, the way money is spent, agreements in foreign countries, attitude towards entertainment of the spouse, potential cause of loss of property, health of uncles and aunt on your mother's side.
The twelfth house covers areas of life such as: a symbol of the most difficult battles, a symbol of the most difficult tasks, a symbol of accidents, losses, fate, enemies, hospitals, asylums, the house of spies, the cause of the end of romantic relationships, residence in a foreign country, how someone sleeps and relaxes, house hindsight, self-analysis, friends' finances, friends' acquisitions, closest point of contact with a person's soul.
🎸For personal readings u can sign up here: https://snipfeed.co/bekylibra 🎸
-Rebekah🧚🏽🪐🎸
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rweoutofthewoods · 2 months
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fanfic/fandom ettiquite guide
Okay, I've seen some things recently that make me think there is some need to make a master post of some general fandom and fic ettiquite just because some people may not know and I think there's a huge wave of fanfic becoming more mainstream especially on apps like tiktok.
If you don't like it, don't engage with it!! I think this above all, is the golden rule of fandom. The internet is made for you to be able to mute, hide, and censor things you don't like. DO THAT! don't make a career off of hating things. This goes along with the three laws of fandom, which u should check out FIRST OF ALL.
DON'T GATEKEEP!! If you're posting about a fic, art, ANYTHING link it, credit it! Don't post a tiktok about a fic and then refuse to give the name. Not only are you failing to credit the creators of this content, but you're taking away from the fact that fandom is a COMMUNITY where content is meant for everyone.
Ao3 is an archive. You're going to see things you might not like or even find offensive or uncomfortable. But fanfic is not meant to be censored. Ao3 is made to be unfiltered, people can post anything and everything. Posting fics on other sites simply to shame their content not only brings MORE attention to it, but it's pointless. If you want a website that is censored go to wattpad. And of course, if you don't like it DON'T READ. You can filter your tags and warnings on ao3 so it won't show you that content.
Along those lines LEARN HOW TO USE AO3. There is no algorithm, it is not tiktok. You don't need to censor words in your tags. Your fics are not magically getting pushed out to people. Make sure you're using "person 1/person 2" for romantic relationships and "person 1 & person 2" for non-romantic relationships. Make sure things like non-con and underage are tagged under the warnings. AND AS A READER, know how to filter ships and tags to find the content you want. You can filter by kudos, certain tags, exclude certain relationships or characters etc. USE IT.
Do not create placeholder fics or other "non fics" on ao3. This is against their terms of service. You can (and probably will) be reported, this annoys people endlessly. We don't want to find a fic and open it to see "I haven't written this yet, sorry!" JUST SAVE A DRAFT OR DO IT IN A DOCUMENT? this seems like way to rack up hits, and it comes across as disingenuous, I don't see a real valid reason to make placeholders.
HOW TO WRITE AN ACCEPTABLE COMMENT: long is not important. A simple "loved this!" will make an author happy. DO NOT say any variation of "update pls?" regardless of how nice you think it is. Authors update when they can.I'm not the only author I've seen unhappy with this. JUST WAIT, either it will be updated or it won't, and either way you will live. If you have nothing nice to say about a fic?? MOVE ON. Don't leave a hate comment.
Do not rate or publicly shit on fanfic! A lot of authors know many people, and the chances of that author seeing whatever you're saying about their work is very high. If you don't like it, click off and read something else. If it's still living rent-free in your mind, that sounds like fan behavior to me. And there is no standard fics are supposed to meet, don't rate them.
Don't cross-post fics. Don't put fics on other sites, don't put translation on other sites. DON'T DO ANYTHING with a fic without checking with the author first. On that note, also don't post fics on GoodReads etc. unless an author explicitly says it's okay.
IF YOU DO NOT MARK YOUR BOOKMARKS AS PRIVATE AUTHORS CAN SEE THEM!! If you're going to say anything that isn't positive, you better mark that as private or better yet, move on. Don't say anything on a public bookmark you wouldn't want the author to read.
YOU CANNOT PROFIT OFF OF FANFIC, don't sell bound fics! Don't bind fics if the intention is to sell them. You're potentially creating a lawsuit for the authors of these fics and putting the existence of fanfic in danger. I've seen multiple authors debating taking fics down because of binding issues, just don't do it. AND IF YOU'RE BUYING BOUND FICS YOU'RE PART OF THE PROBLEM. it's selfish and I wish bad karma upon you.
You wouldn't think I'd have to say this but don't plagiarize or use AI to create fics/art etc. firstly making ai write something IS a form of plagiarism. bUT ALSO just write your own content. If you can't, then writing fics etc. is just not for you. No shame about it!
DON'T ASK AUTHORS TO BETA FOR YOU!! You wouldn't believe how many people have asked me to beta their fics for them, I AM NOT A BETA. I HAVE a beta because my proofreading skills are shit. If someone wants to beta they will offer, or go find a blog or somewhere where people are looking to beta. Like @needabeta You can even make a post asking around for a beta, but don't go bug your favorite authors to proofread your fics.
Really just don't harass authors. Of course, don't be afraid to send nice dms, asks, or comments if their inbox is open, but don't spam them especially if they don't reply. Respect boundaries! Don't send nasty anons, everyone knows this is a sign of jealousy and obsession. You're only succeeding in making yourself look bad. Ask yourself why is this author living rent-free in your mind, hm??
If you don't like a ship, stay away from the content geared towards that ship. There's no reason for you to be in people's inbox harassing them over a ship. It's never that deep. If you truly hate it so much, go consume the content for ships you DO like.
Stay grounded. This goes to both fic authors and readers alike. Hits and popularity are not the mark of a good fic. Getting a lot of hits doesn't mean it's good and NOT getting many doesn't mean it's bad. I'm tired of seeing tiktoks asking "so what's the next big fic?" WHY DOES IT HAVE TO BE A "BIG FIC"? go look through the ao3 tag and find something you like to read, it doesn't have to be what everyone else is reading.
Headcanons are not law. People can think whatever they want about the characters. If you disagree with someone's hc, just move on... and just because a headcanon is popular, doesn't mean everyone has to abide by it. Be creative!
Don't treat artists and authors like celebs! We're all in this together! We're all losers who like the same characters and ships. Of course, compliment and be kind to all creators because we put a lot of time and effort into creating fan content for you all, but don't worship anyone. Don't treat them weirdly or make a post like "omg x followed me!" that's a bit weird. If you want to be excited, dm your friends and giggle together, but acting like authors and artists etc. are celebs only creates the room for people to stop seeing them as normal people and start acting rude or entitled. And many people are uncomfortable with it!!
TLDR; stop creating so much negativity in fandom spaces. At least in MY fandom it's just constantly shitting on ships, fics, art. It's hate anons, antis, and constant fighting about every headcanon. I'M TIRED OF IT! Learn to filter out content you don't want to see, and move on with your life instead of spreading more negativity.
If you have anything you think I should add shoot me a comment or an ask and I will add it! I'm sure I didn't get everything :) this mostly applies to my own experience being in the hp/marauders fandom for a good 10+ years, and I'm sure it varies slightly from fandom to fandom.
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neil-gaiman · 8 months
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Hello Neil, how are you?
You get a lot of asks about how therapeutic good omens is for the queer community, and I thought you should know there is another therapeutic effect for this show and this fandom. I'm sure I'm not the only one feeling like this and I hope I will be able to explain it in a way that will do justice to the point I'm trying to make (English is not my native language).
So to the point - good omens have helped me significantly with my eating disorders and body image problems. I'm here lurking in fandoms for at least 15 years, most of them fantasy and comics related. And almost always the main characters are young, very fit with perfect bodies, whether in movies and TV or fanfiction. For years I have struggled with not being able to fit my body to the beauty standards of society and western culture. I don't want to trigger anyone so I won't elaborate, but I did everything I could and it never was enough. Therapy was very important and got me to the point I don't hurt myself anymore, but my mind still couldn't believe a person who looks like me can be attractive or romantically lovable. Then I got to know the good omens fandom. Where you chose to show characters that doesn't see food as the enemy or the pleasure from it as ugly or wrong. That can have love and support and being comfortable with themselves regardless of any 'gut' they 'need' to lose. And it continued and magnified in season 2, with your plot and casting choices. But also the fandom of good omens have helped immensely to enable the change in my perspective about myself. The way people talk and write about these characters and their relationships allows me to feel better about myself. It's amazing how reading stories about different types of bodies being accepted and considered as beautiful can make the reader feel more appreciative and even learn to love their own body. I wish I could see more of it on mainstream tv, movies and books.
So thank you neil and thanks to this entire community, for helping me learn how to accept, love and treat myself better.
I'm so very glad.
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