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#who is also one of my favourite characters ever
grandline-fics · 15 hours
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Terms of Endearment
DESCRIPTION:  You call them by a term of endearment without realising 
WARNINGS: just fluff, mentions of alcohol in Luffy's
CHARACTERS: Ace, Sabo, Luffy | Law, Kid, Shanks, Marco, Zoro
WORDS: 1,933
A/N: The next part in this in honour of reaching 500 followers. Hope you all enjoy
*REQUESTS ARE OPEN*
MASTERLIST | PROMPT LIST
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ACE
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You knew nothing would ever happen between you and the Division Commander. You knew he was just a likeable guy who was friendly and warm with everyone. Countless times you told yourself that he was just nice with everyone and yet still you couldn’t help but feel your heart beat just a little faster when he smiled at you and you couldn’t stop yourself from liking him a little more each time he spoke with you and spent time with you outside of chores and tasks being done onboard the ship. It didn’t matter though, even with the knowledge nothing romantic would happen you were happy to be considered a close friend of Ace’s.
One morning you were perched on the edge of the ship’s railing and keeping a critical eye on the thick wall of cloud draped over the entirety of the sky above the next island you were approaching. It made a stark difference to the clear blue you and the rest of the crew were currently under. You were no stranger to the absurdity of the ever changing weather and separate climates certain islands had but seeing what you were going to be greeted with was starting to sour your mood. It wasn’t as fun stopping at an island if there was a storm to endure.
“Glaring at the clouds won’t make them change you know.” You looked over your shoulder to see Ace hop up onto the railing and sit down beside you. Glancing out of the corner of your eye you were jealous of how relaxed he was and let out a long sigh as you returned your stare to the clouds you could now see were darker than you had originally thought. 
“Who knows, stranger things have happened on these seas.” You mused, scowling harder now that the idea was in your head. “Maybe I have the ability to control weather and neither of us knew it? Don’t know unless I try.”
From beside you Ace laughed, reclining back to support his body on his elbows and grinned up at you. 
“If that were possible, that’d be a pretty dumb gift. Glaring at clouds to make them obey you? You’d get a headache all day.” You rolled your eyes and laughed, getting more comfortable too, lying down and tucking your arms behind your head. 
“Look we can’t all be super amazing and control fire like some people, Ace.” You teased, a small yawn breaking from your lips as your eyes closed. You were still a ways away from the stormy island so you may as well make the most of the sunshine and warmth until then. “Some of us are just boring.”
“I definitely wouldn’t call you boring.” Ace told you. Safely in the knowledge that you couldn’t see him, he could observe you carefully with softened gaze. “You’re one of my favourite people to hang out with.” 
“Aw thank you love, you always know just what to say.” Your relaxed smile brightened considerably but you were too drowsy to open your eyes again to look at the man beside you. It was also why you hadn’t realised your slip of the tongue. Ace however tensed and sat up a little straighter from his once relaxed position. His eyes were widened and a soft pink was dusting his freckled skin. All this time he’d thought his feelings were one-sided and now he was hit with the reality that it might not be the case. Overcome with a burst of excitement and hope he quickly lay back down and used his hat to hide his giddy expression and began to think about how to subtly broach the subject when you were awake.
SABO
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“You’re not going to improve if you don’t keep your focus.” Hack lectured, swiftly knocking Sabo back with ease. Sabo managed to recover from the attack and retaliated with one of his own that was completely dodged to the point it made the attack look so pitiful. Hack paused in the sparring match to frown at the younger Revolutionary. “Seriously, what’s with you today? Do you need to take a break?” Quickly Sabo shook his head and forced himself to keep his attention on Hack but even then he couldn’t help but feel your presence silently calling to him. 
You were oblivious to the power you had over the Chief of Staff, even from the very first day you joined the Revolutionary Army you’d somehow managed to make Sabo immediately endeared to you. Given Sabo’s personality he was able to pass off his momentary slips and lack of concentration when you were around and for the most part others hadn’t made the connection. Most being the word. People like Hack, Koala, and Dragon however knew. Normally Hack wouldn’t mind and ignore it but this was the third time in the short amount of time of the sparring match that he’d seen Sabo zone out and look your way as you were speaking with Dragon about a recent mission you’d been on. Enough was enough. After knocking Sabo onto his back, Hack turned and called you over. You finished your conversation with Dragon and approached the sparring pair with a soft, expectant smile while Sabo got to his feet. “I want you to spar Sabo with me. Perhaps having two opponents will help sharpen his dulled senses.” 
You became concerned to hear Hack’s less than complimentary tone at the blond and you looked to Sabo with a light frown, scrutinising his features carefully. Could it be he was sick? Was something else be bothering him? It wasn't like the Chief of Staff to be so distracted especially when it came to his training. At the suggestion of you fighting along with Hack, Sabo’s expression became a mix of uncertainty and irritation. He didn’t want to spar against you but he couldn’t outright deny Hack requesting you join them given he had no real reason to oppose it. Sabo could only take a breath and adjust his stance while praying he didn’t make an embarrassment of himself.
At first having you as part of the fight helped Sabo when it came to focusing on the fight, by having two skilled fighters attacking he didn’t have the ability to pay attention to his personal feelings. However when he kept his sight on Hack as the priority he’d slipped up and forgotten you. You took the window of opportunity and ducked under Sabo’s arm, your face less than inch from his. Quickly you hooked her arm around his and tucked your foot around his ankle, twisting and knocking him to the ground. You kept a firm hold on Sabo’s wrist and pressed your knee into his back. “Give up sweetie?” you asked innocently, unable to see Sabo’s eyes widen. Before he could respond you were abruptly called for by another Revolutionary to go out on a mission. Pouting you released Sabo and left him and Hack. 
“Please tell me I didn’t imagine that…” Sabo uttered, almost begging Hack. He looked up to see the Fishman grin at him and help him to his feet. 
“No I heard it too. Funny thing is I don’t think they noticed they did it.” Sabo watched your retreating form and brightly smiled. 
“Interesting.”
LUFFY
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For the most part Luffy can be considered fairly clueless about a lot of things if they don’t involve his ambition to be King of the Pirates and obtaining the One Piece, doing whatever he wanted and eating all he wished. That included his own deeper feelings at times. However no matter how complex Luffy’s emotions were about certain things he found it easier to break them down into more simplistic views and gain a better understanding about them. He found he had to do that with you and the longer you were part of his crew the more he had to take an inward look at his feelings. So far he was able to discern that he liked you, he liked being around you and it was mutual because you’d been all too eager to join his crew. For the longest time it was simple as that. 
Things however became complicated one night after he and the rest of the crew helped free another town from a corrupt ruler. As always the celebration was a large affair with plenty of food, music and drink. While Luffy wasn’t a drinker and happily indulged in all the food he could get his hands on, you were pulled into a drinking contest with some of the locals along with Nami, Zoro, Franky, and Usopp. You’d managed to hold your own for a respectable amount but when you felt the world being to tilt and your mind grow hazy you knew you wouldn’t be able to handle anymore. 
Staggering from the table you somehow managed to wander to the only spot you knew you’d feel completely safe and content with. You didn’t know how you managed it, call it instinct or sheer will but you stopped beside your Captain and slid down to sit on the soft grass beside him, leaning against his back for support. Luffy looked over his shoulder to grin at you before continuing to eat. “You lost huh?” he laughed before taking a large bite of a meat skewer.
“It’s cheating when Zoro plays.” You grumbled, shifting to get more comfortable against your Captain. “He’s so smug too. Didn’t even wanna win anyway.” You fell into soft laughter with Luffy and then drifted into content silence. Subconsciously Luffy moved while he ate, seamlessly turning so you were leaning against his side and neither of you seemed to even notice the new position.
When morning came and you woke with a hangover and lack of memory you let out a worried groan, hoping that whatever you’d done wasn’t too embarrassing or at the very least you hoped that everyone else was also too drunk to remember too. Wincing you pushed yourself up to see that you were in your own bed. Hazily you tried to force your brain to work and managed to pull out the image of Luffy which made sense, he was your go-to for anything. Knowing he didn’t drink, you knew you could also rely on him for the truth on what you failed to remember. You found Luffy sitting on Sunny’s head just as you knew he’d be but you became worried to see him frowning, deep in thought. “Everything okay Luffy?” you asked, flinching when Luffy’s head swiftly snapped around to look at you intently. 
“No! You’re not allowed to call me that.” Immediately worry and guilt took hold. What had you done? Would he ever forgive you? Oh no, what if it was so bad he’d kick you off of the ship for good. 
“Wh-what do you mean?“ You asked panicked and feeling sick which was not from the hangover. “Whatever I’ve done I’m sorry but I don’t remember. Please tell me what I did wrong. I can fix it.”
“You didn’t do anything wrong.” Luffy’s expression became confused. “I’ve just decided that you can’t call me Luffy anymore I like what you called me last night after I helped you to bed better.” 
“Oh…” you couldn’t tell what you were feeling in that moment exactly. Desperately you tried to think what you called him, silently thankful that whatever it was hadn’t offended him. “Well if you want me to call you that instead you have to remind me.”
“You called me dear.” Luffy grinned while your face reddened.
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lupuslikethewolf · 21 hours
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in honour of being promoted to Deputy Stage Manager in my school's theatre department, top gun high school/sixth form au:
Dr Kazansky rules the drama department with an iron fist. always wearing black turtlenecks. never seen without his glasses, his coffee, and his terrifying glare (which earned him the moniker Dr Iceman). do not show up to rehearsals if you don't know your lines. death be upon the poor students who fuck around during tech and dress, because they will find out. he loves the crew tho.
Mr Call-Me-Mav Mitchell is the head of sports. you name it, he's played it, and he could absolutely give you pointers, also, do you want a protein bar with that? it's chocolate flavoured :) even the kids who Hate (capital H) sports love him. he is sunshine and adrenaline in human form. endless energy. no one knows why he is called maverick, but even the principal does it, so.
Mr Kerner is the principal. he is also the only person who can interrupt rehearsals and survive. dr kazansky loves him. inexplicably, maverick hates him. nough said.
Jake Seresin is the school's golden child, not even because he's Kazansky's nephew. he’s head boy. he’s on the school’s football/rugby team. he writes regular articles for the internal magazines. and this year, he’s playing Orpheus in the school’s production of Hadestown. everyone thinks it’s nepotism. it is and it’s not, jake just lost a bet to his Uncle Tom, and must now reap the consequences to said uncle’s delight.
Bradley Bradshaw has been stage crew since he was thirteen and an overworked runner, thank you very much. it’s his final show, he’s the DSM, and if fucking seresin ruins this for him, he will riot. dr kazansky should never let that happen. however, this is the same man who, last year, laughed when revealing that a screen on stage had turned off and bradley had to go on stage during the show to fix it. hm. maybe bradley should have re-thought his life choices. also: the turntable. the goddamn turntable.
other characters include: phoenix as eurydice, bob doing lighting, payback and fanboy as ASMs who flirt over the comms to everyones misery, cyclone as another drama teacher/stage manager,
maverick keeps turning up to rehearsals and trying to help because his favourite (cough only cough) godson and his favourite player are both interested in this stuff, so he should at least try, right? kazansky hates it until he doesn’t. kerner thinks it’s all fucking hilarious. bradley is embarrassed but its kinda endearing do NOT tell him i said that.
kazansky and maverick both bare witness to A Moment between their respective pseudo sons and decide the two simply must get together for their sakes and also so they never inflict that on another person ever.
bradley and jake both bare witness to A Moment between their respective pseudo fathers and decide the two simply must get together for their sakes and also so they never inflict that on another person ever.
kerner is cackling. Cackling.
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biasbuck · 2 days
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BiAsBuck’s ficrec Fridays
Happy Friday everyone! This is my first 911 ficrec post (I'm usually over here if ill-fated hunters and their angel husbands are your jam) but I've been DEEP in the Evan Buckley hyperfixation throughout April so come with me for what I've been reading!
This is a combination of Buddie and Bucktommy and buckeddietommy (aka buckeddie and meatballs, heh!)
26 April 2024
tell me about despair by @hattalove was the first fic I read, specifically because I wanted to get inside Eddie's head more as on first viewing I found him a little trickier to grasp...but yeah...that might just be because I am he and he am I. This fic was an wonderful way in to understanding his inner workings. His queer awakening and the associated traumas he has to work through were handled with such care, and the character voices were just gorgeous. "Eddie's not entirely sure he believes in getting help, at least not for himself. There's only so much healing to be had for a body torn apart by bullets, for a mind that's only half there, for a man who's been leaving pieces of himself behind all his life with nothing to take their place. Except, as it turns out, falling apart happens in increments, and healing does, too"
evan, elated and euphoric by @gayhoediaz 16500 words of bucktommy first time smut anyone?? "Buck likes it - not just being with Tommy, being with a man - that part is obvious, but he… likes that he likes it. He loves that he likes it. Truthfully, he doesn’t think that he has ever felt more at home in his own body than he does in this very moment." This is such a delightful exploration (through copious amounts of sizzling sex) in Buck feeling fully present and fully himself in his sexuality, and it's gloriously decadent as well as sweet and sexy as hell. I loved this characterisation of Tommy.
Both Bermuda and Golden (Lost but Doing Just Fine) by @letmetellyouaboutmyfeels all hail the threesome fics! In which the correct answer is always - Both? Both is good! This one is gloriously kinky and sexy and I love the 'guiding hand' aspect and how both Buck and Eddie allow themselves to be led. "It's not that Buck's not happy with Eddie. It's just that being with Tommy taught him things about himself, things he wants, and he doesn't quite know how to ask Eddie for those things. He shouldn't have underestimated how well Eddie knows him, or how willing Tommy is to lend a helping, instructional hand."
Heart of Flowers / Heart of Gold by @elvensorceress is a gorgeously written allegorical tale with PEAK Buddie and Christopher family vibes set between S4&5. "In the aftermath of the sniper attack, Buck has to keep going without his partner while sorting through the layers of everything they are to each other, while Eddie fights for his life and through all his internalized trauma and regret for everything they never managed to say. aka After nearly losing each other, Buck and Eddie find their way to each other and their family’s happily ever after." My absolute favourite thing about this fic is the thread with the bedtime story that Christopher and Buck have created together. Just beautiful.
five ways to fall in love with the man in the mirror by @buckttommy is a bucktommy fic but crucially a Buck absolutely revelling in the poetry of getting to know your own identity. It also crucially gives me Jay Hulme vibes (iykyk) "Buck meets God at a gay club. He finds him in an oil-slick puddle on a damp night, neon lights reflecting off the kaleidoscopic liquid in the parking lot. or; Evan Buckley falls in love with himself."
and i know how i feel by @middyblue is a very sweet Buck coming out to Bobby fic, written I believe between 7x04 and 7x05. ALL the Dad!Bobby feels. "Buck stares off over the hills of Los Angeles, hugging his knees. He half wants to take out his phone and start playing Nine Simone (it’s a new dawn, it’s a new day, it’s a new life for me, and I’m feeling - ) and half can’t bear to drown out the thin peace of bird calls in the quiet blue of the morning. Footsteps scrape on gravel behind him and he turns, half-expecting another hiker, but it’s Bobby, carrying a coffee tray with two to-go cups and a paper bag."
Short and sweet fic:
For All Occasions by @storybelle FIREFAM FEELS! In which of course, as per tradition, Hen makes the 118 a cake. I neeeeeed Hen and Buck queer camaraderie show, I need it, and just like this!
Wedding Bell Blues by @klutzygirl - much needed supportive parents actually fic! "Margaret and Phillip meet their son's new boyfriend when they arrive in town for Maddie's wedding." it doesn't go how Buck would expect, in the best way.
PS - if you have any henren authors/fic recs I should check out PLEASE let me know! I'm new and I love them!
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britcision · 2 days
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Okay so first of all I find Kabru fundamentally uninteresting in every single aspect except his relationships with Rin and the Canaries specifically
(I do not like characters who go out of the way to be liked by everyone I am obstreperous)
I am fucking obsessed with Cithis she is wonderful and the most fun and the fucking worst and I love her
I am the one who keeps pointing out how these two have So Much in common, like. The same smiley facade and diplomatic tendencies, the same “handling” everyone around them, the same looking down on everyone else
(Kabru even wanted to learn illusion magic but never got the hang of it HE WISHES HE WAS HER SO BAD)
There are a few key differences and the one which matters to me and I think is the reason I find Kabru otherwise uninteresting is that Cithis owns her shit
She is utterly unapologetic, doesn’t give a fuck, doesn’t pretend it’s all moral and for the best for anyone but her
Cithis is here for one reason only and it is to have a good time and fuck with rich bitches
Kabru’s still trying to pretend he’s got everyone else’s best interests at heart and he actually really is trying to be a nice and good person he’s just the stereotypical paladin, self righteous bullshit and all
However this difference is also why Cithis and Kabru’s relationship is my fucking favourite because he would DESPISE anyone ever even remotely commenting on how much they have in common
And so would Cithis, because Kabru is literally also the thing she hates the most, an entirely pampered little nepo baby who has never paid rent or done a single chore ever in his life
But they’re soulmates (derogatory) and I love that for them
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inkyquince · 3 days
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I was about to wonder why you'd like him and saw that the unburnt/skinless side looks like Miguel o'hera and was like "yeah that's fair"
...can you tell I miss him
i... imma be so honest with you rn.
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anon these men dont look alike to me.
but also dude i like him as a character and also his looks, in a totally seperate way to miguel.
it's like saying i like wren because he looks like whitney or somethin'
i miss miguel too but idk, im not currently writing a fic for miguel where he's switching rapidly from being a sadistic fuck to be so sweet and caring because it doesn't fit with his character.
fits with our king harvey's character tho
anyway, that's just one iteration of this king. and ive needed him gutteraly for a long as time with many different loooks to this king.
so of course, the comic book Harleen (2019) version:
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king. angry king.
then there's the batman animated version:
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i was recently getting back into batman and when regular harvey showed up? tossing his coin? instant squirt. ask any person i was chatting with regularly during that time. for the love of god i made horny compilation videos of JUST HIS VOICE.
... anyway.
from the long halloween
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to robin: year 1
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to batman: jekyll and hyde
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to the detective comics with him and his ass in the air
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this man has had a strong hold on him. now, real quick, the worst iteration of him, of course made by joel schumacher, collosal hack who ruined every IP he's ever touched from phantom of the opera to batman.
jumpscare warning?
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sorry tommy lee jones, heard you hated working with jim carrey on this movie.
and lastly, the movie version that i'll be putting under the cut because yowza. oh and the cgi for his face burn is excellent so.
scroll to see if but ALL IN ALL.
Harvey Dent is my favourite tragic character of all time, and Im way more emotionally invested in his story than Miguel's ngl. Both amazing charactesr, but my guy, all of his iterations look different except for the obvious half of his face.
idk if im coming off mean, but idk, im thoroughly side eyeing you.
anyway, harvey dent from the dark knight under the cut because my god, he's hot and mad.
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i need him viscerally ever since the dark knight game out in 200 and wot wot.
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pokelolmc · 2 days
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One of my new favourite Hazbin Hotel fic AUs is this weird crossover niche of "Alastor is/was a character from another fandom, before he snapped and became who he is today" AUs, eg. "Harry Potter becomes Alastor", and one random "Tim Drake becomes Alastor" fic I found on AO3. Because I find it interesting to try and figure out how to meld the other character's backstory, powers or personality with his.
And that inevitably led my traitorous brain to the idea of "Danny Fenton becomes Alastor" (because now DP and DC are forever associated in my lizard brain, curse you Phandom!).
Which is just...the weirdest thing ever, because they're just so different—like, how the fuck do you set up Danny to become Alastor, of all people?! It feels like the most unfitting character to do this with...
And that's exactly what my brain has decided to see it as a challenge.
Added caveat: this is an AU!Danny specifically from a generic angsty dissection fic scenario, where he's been traumatised by his parents and fucked over by the world (and he has no healthy way to cope)—then he's sent back in time, lost and completely alone
-Danny falls through a natural portal to 1900's Louisiana with no way back (something something, Clockwork's-out-of-the-picture, something something)
-Alastor being a mama's boy? Danny gets taken in by a loving mother figure after getting lost in time—a kind woman familiar with the supernatural who accepts his ghost half right off the bat. He sees her as his family. After a year or so, though, she dies. He spirals again. He dyes his hair brown and starts wearing glasses when he runs away to New Orleans to change himself and cover his tracks.
-Alastor feels like an interesting name for Danny to choose because it means "the avenger", and can also mean "defender of the people" (a meaning more apparent in the Scottish version "Alasdair/Alastair"), but could also have a negative connotation of "persecutor"; the character symbolism writes itself
-the normally tech-savvy Danny who finds old-timey stuff boring would be forced to find something to entertain himself in the 1900's. So he gravitates towards radio, with it being the closest thing he's got to modern tech. Give him several years or so to grow attached to it and enjoy the idea of working in it. He goes from fantasising of radio comms at NASA to a public radio host, playing with all the fancy knobs and dials.
-his ghost half is the reason Alastor's powers/magic in Hell is green
(also I heard someone say the typical human!Alastor design has the "Timmy Turner hairstyle", which I can't unsee now. And it's Danny's hairstyle too. Because we know how well Butch Hartman and originality mix. Male protagonist? There's only one hairstyle for that!)
-he becomes a serial killer because he's snapped over the years after all the shit that's happened to him; he's developed a bitter, cynical and self-aggrandised ego and thirst for justice and revenge, and he's all alone with no one to keep him out of the dark echo chamber leading to villainy
-a serial killer with ghost powers plays cat-and-mouse with cops, and never leaves a trace; before he starts killing, he's already made deals with and intimidated the ghosts that come to New Orleans through other natural portals (it's a portal hotspot) under a new ghostly persona. He has both sides of the city fearing or respecting his power. Every ghost who goes to New Orleans knows whose territory it is. They just never link the ghost and human together. He becomes like an even worse Plasmius. It sets him up for Overlord stuff in Hell from the getgo
-the cannibalism was a...happy accident. On a whim, he decided one guy's crime was too insufferable to die without torment, so he took the guy back and...tortured him the way his ol' folks knew best. He starts cutting people open as if trying to relive what his parents did to him, but from the other end—as the person with all the power. Taste-testing what he cut up came incidentally, but he decided he didn't mind it and made it a routine.
I can imagine a villain!Danny with more narcissistic tendencies, but my main trouble is where the overblown confidence and charming/manipulative skills come from. After all, Danny's pretty socially awkward. How exactly does he grow into that?
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hazshit-hotel-hater · 19 hours
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Angel Dust Redesign! (7/7)
FINALLY I AM DONE WITH THE MAIN 7 FREAKS.
Depending how I feel I might throw in some bonuses but these guys are your only guarantees! Going to be posting the full lineup separately because I don’t want to clutter this post!!
God okay where to start. I was talking about them in Husk’s post so let’s go with that. Angel’s clothing restrictions are his necklace and shoes. I might go on a bit of a tangent with this so forgive me 💔
For the necklace let me get this out of the way: yes it is a BDSM thing! I’m terrified people are going to take this as me being a weirdo but please as an adult content creator give me some space to explain before anyone jumps on me and hits me with a metal pipe. The intentions behind symbolism matter HEAVILY. I am against Vivzie’s portrayal of Angel’s abuse and the chain/collar imagery because it is blatantly either her being incredibly uncreative or her inserting her kinks into her shows. I think it is completely fine to use suggestive items in this way as long as the intentions are clear and not just there for no reason.
I would’ve probably done something else like a corset as a restriction, but I’d like to stop being so shy about Angel’s actual job. He is a pornstar and removing that outward aspect of him is taking a big chunk of his character away. I need more people to acknowledge that Angel enjoys sex and actively wanted to explore this side of himself. With the slip chain however, I would also like to portray how things Angel enjoys in his job have been used against him and made him come to resent what he does when he is forced into it. I think thats a pretty understandable thing to show.
This is harder to explain but the gist of it is just don’t be afraid to acknowledge Angel’s job. It’s okay to use sexual things as metaphors. Have you heard any christian song ever/hj
Alright with that out of the way, with the shoes. Angel’s feet are a large insecurity and discomfort of his which already makes his shoes some sort of restriction on their own, however if controlled, they can be made to stumble forward, fall over, etc. I wanted to show how Angel has freedom to go mostly wherever he pleases, though once again, that free will can be taken away very quickly.
I hated his suit so all suiting is gone entirely. He’s supposed to look attractive or eye catching at the very least. I’ve also added back the outer fangs he had in my first redesign!
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I am much happier with the new one in comparison to this old guy. I know it’s only a few months old but you can really see how differently I draw him and the details I pay attention to more like the shape of his hair. Aside from the old one! I wanted Angel himself to still keep the reddish pink to show wrath and destain being masked as lust, except now his clothing is actually the pinkish-purple lust colour and it covers more eye grabbing parts of his body like the chest, hands, hips, and so on.
I don’t think I’ve ever outwardly mentioned Angel having polycoria but he does and it’s probably my favourite feature to draw aside from his hair. About the hair and fur: Angel used to have spots and basic stripes before his contract with Valentino, where afterwards they began to curl into their cordiform shapes. Most physical overlord changes with hair and skin tend to not go away, so depending on who you make a contract with it’s either a fun perk or a sort of scar.
Once again, not sure if I will be continuing with anymore in this specific lineup, but if I do end up posting more of these I really hope you like those too! 💣
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gogandmagog · 12 hours
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Guys! Yesterday I had a book-shaped piece of mail, and inside of it was my copy of Children and Childhoods in L.M. Montgomery: Continuing Conversations being returned, from another very dear user here! I bring this up only because some-months-ago I promised to copy out a particular article from this book, for yet another user here, who was interested! Interested because it’s on the the subject of a Fan Favourite thing... fan fiction. And better still because some of our (basically famous) mutuals here are mentioned by name! If you’ve ever wondered if the Montgomery scholarship is reading your fan fiction... the answer is yes, they are! They totally are. More than that, they also have some thoughts to share… as well as recommendations of their faves too! This article even covers the F/F and M/M fan fiction presented by fans in LMM’s universe, and I’m personally super excited to be able to begin reading these works, as soon as I can find them all. I’ve done my best to link what I could immediately find, but some of the mentioned stories were unavailable... potentially due to changes in usernames? (That said... if anyone knows of the works indicated here, that I haven’t provided a link for, please do share!)   This article, by the way, was written recently... in 2020! It’s very current, and it covers a few stories that were still being actively updated during the pandemic. The focus of this article is less so on canon (or really just the Anne/Gilbert pairing), though, and seems to prefer demonstrating the versatility of mixing relationships (Anne and Emily, for one!) and the wider more general universe-building aspects (the entanglements of future generations/Anne’s grandchildren) that fans have been expounding on for nothing less than decades. 
Okay, here we go! xx
Continuing Stories: L.M. Montgomery and Fanfiction in the Digital Era by Balaka Basu
Fanfiction – the recreational (re)writing of texts – is a literary genre of rapidly growing significance. Abigail Derecho in her brief history of fanfiction identifies it as “a genre that has a long history of appealing to women and minorities, minorities, individuals on the cultural margins who used archontic writing as a means to express not only their narrative creativity, but their criticisms of social and political inequities as well.”
Insightfully defined by Francesca Coppa and Mary Ellen Curtin as “speculative fiction about character,” fanfiction can be even more precisely understood as fantasies about the diegetic positioning of characters in the context of various settings, communities, relationships both textual and paratextual, and eventually all manner of cultural mythologies.
Kristina Busse and Karen Hellekson describe the production of fanfiction as “part collaboration and part response to not only the source text, but also the cultural context within and outside the fannish community in which it is produced.”
They point out that the shift in the method of dissemination of fanfiction from newsletters and zines to internet archives means that “ever-younger fans who previously would not have had access to the fannish culture except through their parents can now enter the fan space effortlessly; financial resources have become less of a concern because access to a computer is the only prerequisite; and national boundaries and time zones have ceased to limit fannish interaction.”
The nature of fanfiction allows participants to cross-generational and socio-economic boundaries in an ongoing exchange of responses to a source text with which they share a fascination, developing new texts that in turn elicit their own responses. While the creation of fanfiction is evidence of an affective, loving, communal relationship with the source text, this genre of writing is still dismissed in many quarters as overly emotional, purely erotic, and even perverse, a type of amateur and immature engagement with popular texts that produces writing necessarily divorced from literary significance. Produced in staggeringly vast quantities by subcultures with complex vocabularies and traditions that can intimidate the casual reader, fanfiction is perceived by many to be more of a cultural practice than a literary genre, variously denigrated for its pornographic potential and its lack of originality. However, close examination reveals that fan writers are able to create a critical dialogue with the originating author in acts of communal storytelling that incorporate allusions and reference points to which other dedicated fan readers and writers may respond.
In this chapter, after examining how L.M. Montgomery and her writer heroine Emily themselves engage in practices now associated with fanfiction, I survey four forms of fanfiction that remove Montgomery’s novels from her seemingly idyllic and timeless island settings, contextualizing her characters and plots within history and other genres: the sequel set during the Second World War, the modern AU (alternate universe), the gap-filler, and the slash fic, all of which allow the young readers who grow up with her novels to engage in dialogue with the stories they love, a type of literary conversation that Montgomery herself models within her texts. Emily’s reading, which is active rather than passive, resembles twenty-first-century fans’ ownership of the texts they love, provoking creative responses. For instance, after reading works by Lord Tennyson, Elizabeth Barrett Browning, and Matthew Arnold, Emily writes, “Teddy lent me 3 books of poetry. One of them was Tennyson and I have learned The Bugle Song off by heart so I will always have it. One was Mrs. Browning. She is lovely. I would like to meet her. I suppose I will when I die but that may be a long time away. The other was just one poem called Sohrab and Rustum. After I went to bed I cried over it. Aunt Elizabeth said ‘what are you sniffling about?’ I wasn’t sniffling – I was weeping sore … I couldn’t go to sleep until I had thought out a different end for it – a happy one.”
The reactions Emily catalogues are those of the fan; they are viscerally felt in the body and attempt to dissolve the boundary between author and reader, producer and consumer. She inscribes Tennyson within her heart in order to possess the poem she loves; she creates a relationship between Barrett Browning and herself; and, most significantly, she interjects her own desired happy ending into Arnold’s tragic narrative, a corrective desire that is at the core of many works of fanfiction. Emily’s diaries and her story reflect Montgomery’s own experiences from childhood to adulthood as reader, writer, and reader-turned-writer discussed in the introduction to this volume. Depicting Emily as a voracious reader and a life-writer like herself, Montgomery places the child Emily’s voice in conversation with that of the narrator through Emily’s letters to her dead father in Emily of New Moon and through her diary entries in Emily Climbs and Emily’s Quest, creating a form of joint authorship that is referenced explicitly in “Salad Days,” the second chapter of Emily Climbs: “book is not going to be wholly, or even mainly, made up of extracts from Emily’s diary; but, by way of linking up matters unimportant enough for a chapter in themselves, and yet necessary for a proper understanding of her personality and environment, I am going to include some more of them. Besides, when one has material ready to hand, why not use it?”
The narrator’s willingness to use the “material” that is “ready to hand” reflects Montgomery’s and Emily’s practices, and also validates other writers’ use of the material Montgomery places at their disposal. As with many fans, Emily’s reading frequently makes itself felt within her writing.
Like Montgomery, Emily learns her trade through mimicry, from her first poem in blank verse inspired by James Thomson’s Seasons to her unwitting imitation of Kipling that is pointed out by her teacher, Mr Carpenter, in his review of her work. Like Sara Stanley of The Story Girl, whose compelling and fascinating stories are rarely if ever original, Emily is a fan of the oral traditions of her community, incorporating and building upon them in her own writing, transforming and recreating, for instance, the story of “The Woman Who Spanked the King” in Emily Climbs.
The retelling and versioning that Emily practises signal her immense admiration for the source texts she adapts, just as the creation of fanfiction does for Montgomery’s readership and fans. The possibilities inherent in versioning and adaptation are illustrated in Emily’s Quest. When Montgomery depicts Emily undertaking the reworking of someone else’s narrative, she is adapting an episode from her own experience while working for The Echo in Halifax, which she records in her journal. Montgomery, like Emily, was asked to create an ending for a serialized story, “A Royal Betrothal,” after compositors had misplaced the original text.
Like Emily, she claims that her “knowledge of royal love affairs [was] limited,” and that she was unaccustomed “to write with flippant levity of kings and queens.” Nevertheless, Montgomery manages to create a conclusion that passes muster, since “as yet nobody has guessed where the ‘seam’ comes in.” She is, however, curious about the original author’s reaction to her unauthorized adaptation, and while she never discovers this in real life, she does imagine it in her fiction when she introduces Mark Greaves, who is horrified by Emily’s new ending for the story but enchanted by its author. Neither Montgomery nor Emily engages in this sort of writing from a place of fandom; they have no previous attachment to “A Royal Betrothal,” and both are writing professionally. Nevertheless, the ability to solve the puzzle of the story and the weaving of their work into an already extant text are the very project of fanfiction: ludic narrative composition that recalls the way children play make-believe with the narratives they love, reworking and extending them. It is telling that Montgomery uses the metaphor of the “seam” to describe this particular craft. Jane Dawkins, writing about her fanfiction, which is inspired by Jane Austen, describes her fan novel Letters from Pemberley as “an old-fashioned patchwork quilt, where in place of the scraps of fabric reminding one of the favorite frocks or shirts whence they came, there is a line or a phrase or a sentence from one of [the original] books or letters stitched alongside the lesser scraps of my own manufacture.”
Montgomery’s final book, framed by the two world wars, is just such a patchwork sequel, albeit providing only brief glimpses of the characters that readers met as children and who have now grown older. When a version of the book was published in 1974 as The Road to Yesterday, these glimpses, lacking the interstitial materials, became even briefer, mirroring the more forced insertion of beloved characters that the two earlier collections, Chronicles of Avonlea and Further Chronicles of Avonlea, display. Only two of Anne’s grandchildren – Gilbert Ford and Walter Blythe – are obliquely referred to, in the story “A Commonplace Woman,” where an unpleasant young doctor reflects on both of them as potential rivals for the affection of a beautiful girl he himself hopes to pursue.
However, the full novel, The Blythes Are Quoted, published in 2009 and comprised of short stories about the people in Glen St Mary and over the harbour, is interspersed with poetry by both a young Walter and an adult Anne. The poems are cut with tiny slices of dialogue that suggest the continuing lives of fans’ favourite characters and how they might have developed. In “‘Dragged at Anne’s Chariot Wheels’: L.M. Montgomery and the Sequels to Anne of Green Gables,” Carole Gerson notes the mixture of feelings from pleasure to frustration that Montgomery records in her journals as she prepares to write her first sequel.
While Montgomery wrote the first installments of her various series out of inspiration, she was certainly aware of what her market desired from subsequent installments. She often regretted the necessity of marrying off her characters, but was aware that her fans demanded this conventional outcome for the characters they had come to love; these traditionally romantic endings, when not offered by Montgomery herself at the instigation of her publishers, are regularly deployed by contemporary fanfiction authors building on the source texts.
Indeed, long before the original structure of The Blythes Are Quoted was revealed to readers in Benjamin Lefebvre’s afterword, fanfiction writers were spinning off lengthy narratives that included a third generation of young Blythes, Fords, and Merediths dealing with the onslaught of the Second World War. While earlier installments in the Anne series – such as Anne of Green Gables and Anne’s House of Dreams – depict the deaths of Matthew, Anne and Gilbert’s first daughter (Joyce), and Captain Jim, Walter’s death in Rilla of Ingleside is somehow more striking. Unlike Matthew and Captain Jim, he has not yet had time to grow old; unlike Joyce, readers have had opportunities to get to know him as a child in Rainbow Valley and as he grows into young adulthood in Rilla of Ingleside. His death is unnatural and, therefore, all the more horrifying. These two aspects of Rilla of Ingleside – the evocation of history by a nostalgic fictional world that is still tied to real time and the use of high drama, tragedy, and romance – provide fanfiction authors with a model they can use to appeal to the emotions of those readers who are immersed in the next generation of Montgomery characters.
The Second World War, then, provides an entry point into the series for fanfiction authors, who can deploy real history coupled with beloved characters to create a tale that feels absolutely authentic. One example of this is a short story, “The Pen and the Sword,” written in 2007 by MarnaNightingale. Here, mimicking the style of Dorothy L. Sayers’s The Wimsey Papers (a series of Spectator articles published between 1939 and 1940, which interestingly also continue the story of First World War–era characters during the Second World War), MarnaNightingale employs epistolary excerpts and newspaper articles to tell the story of a family going through the horrors of war for a second time. Grounding her fragmented story – like The Blythes Are Quoted, a mixture of genres – in the accounts of novelist Mollie Panter-Downes (1939) and war correspondents Ernie Pyle (1940) and Ross Munro of the Canadian Press (1941), whose articles are attributed to Kenneth Ford, she offers a story that, like Rilla of Ingleside, is anchored to the historical moment, while also nostalgically focusing on the character development that comes from Gilbert Ford’s death, Rilla’s and Faith’s reactions to the war, and the lives of their children. Here war also serves as an opportunity for new experiences, particularly for women and children: Rilla takes a factory job as a machinist, liking it better than working in Carter Flagg’s store; one of Anne’s grandchildren, Susan, plans to be a doctor; and Faith, who worked as a Voluntary Aid Detachment nurse in the First World War, mentions how she can sympathize. As well, the daily tidbits that flavour the pages of Rilla of Ingleside are there: one article, attributed to Anne, includes the recipe for Susan Baker’s war bread, reminding readers of the problems of wartime rationing, even in the Americas. Real life events – like the Canadian forces trying (and failing) to make a beachhead at Dieppe – arouse the passions of the reader. Unlike Austen – who also famously wrote of three or four families in a country town, but kept the Napoleonic wars firmly in the shadows – Montgomery brings the passions and high drama of the world stage into the sleepy villages of Prince Edward Island, which inspire fanfiction spinoffs.
The long novel Cecilia of Red Apple Farm, by a fan author who posts under the pseudonym ruby gillis, also directly reworks passages and scenes from the whole range of Anne books, set in the late-nineteenth century, to The Blythes Are Quoted, set in the early years of the Second World War, to highlight the similarity between her new generation of characters and their ancestors. Cecilia is the daughter of Una Meredith and Shirley Blythe (characters often married off in fanfiction). Like MarnaNightingale, ruby gillis provides period flavouring in the styles of dresses and behaviour and in references to 1940s popular films and songs. Simultaneously, this setting offers new opportunities to her female character: Cecilia wants to be a doctor, and rather than staying in Canada, she joins up to be a nurse in England. She has a series of romances – one with Sid Gardiner (before he marries May Binnie), and one with her cousin Blythe Meredith, who is this generation’s poet – before finally ending up with Marshall Douglas (the son of Mary Vance). Just as Anne initially refuses Gilbert Blythe in favour of Roy Gardner’s resemblance to her ideal man in Anne of the Island, ruby gillis’s Cecilia is fooled by the allure of Sid and Blythe as Roy Gardner–like romantic heroes into believing that she does not truly love her fun, practical, “Gilbert-esque” friend. Published in 2004, Cecilia of Red Apple Farm further illustrates the opportunities presented by reusing and reworking a body of texts through its incorporation of Montgomery’s poem “I Wish You” as the work of Blythe Meredith. Montgomery includes this poem and attributes it to Anne in The Blythes Are Quoted, although ruby gillis could not have known this when writing. The repetition of names and circumstances might seem derivative, but for readers who have read and reread the original books so many times, the extension of the story world is prized, even if – perhaps even because of – its callbacks to the original text. Due to the tendency of fans to fixate on “the good bits” in a reread, these parts can be taken for the whole.
Austen fanfiction demonstrates this aptly. Indeed, Helen Fielding’s second Bridget Jones novel, Bridget Jones and the Edge of Reason (1999), illustrates just such a reading of Pride and Prejudice: she shows Bridget, a fan, watching the scene from the 1995 mini-series in which Darcy, dripping in a wet see-through shirt, exits the lake, and then rewinding and rewatching the scene multiple times. How many times might a similar fan reread Walter’s letter from Courcelette? This repeated reviewing of selected portions can replace the amplitude of the original novel. With this delimited focus, narrative is no longer seen as a progression, but as a single moment of pleasure, sustained as long as possible. Reading the Second World War as a repetitive sequel to the First World War further highlights this possibility.
Even Montgomery seems to do so, as demonstrated in The Blythes Are Quoted, with its new generation of characters confusingly named after the old: Walter, Jem, Rilla, Di, Anne, and Gilbert. A variation on Marah Gubar’s kinship model, this kind of continuation highlights the blurred boundaries between child and adult characters who are literally related to one another and whose adventures mimic one another.
In a third example of fanfiction set during the Second World War, Weeping May Tarry, a long novel by ElouiseBates, Meggie, the heroine, is Shirley’s daughter (and also, surprisingly, Paul Irving’s granddaughter). In this story, which like Cecilia of Red Apple Farm is an installment of a longer series, Meggie is sent off to a conservatory of music to study singing, aptly combining the traditions of the nostalgic boarding-school novel with “Girl’s Own” wartime fiction. Following the tradition of Magic for Marigold, which explicitly suggests in its second chapter that the Murrays of Blair Water and the Lesleys of Cloud of Spruce exist in the same universe, @e-louise-bates (like many other fanfiction authors, including ruby gillis) suggests that all of Montgomery’s characters exist in a single universe: Meggie partners briefly with the grandson of Sara Stanley (The Story Girl and The Golden Road) and is close friends with Jane Stuart (Jane of Lantern Hill).
Going even further, @e-louise-bates introduces the grandchildren of the What Katy Did series as friends for Meggie and includes Betsy from Dorothy Canfield Fisher’s Understood Betsy as Bruce Meredith’s wife, creating a world where all the characters of early-twentieth-century girls’ fiction seem to have truly lived, where their descendants must cope with victory gardens and dances with soldiers at the Exhibition Grounds, and where kisses are much more commonplace than they once were.
These particular continuers of Montgomery are also desirous of membership in the community of her fans, seeing their literary endeavours as productive of approval from a fellow readership. Likewise, the novels are notable for their sociality – they seem to offer the reader not only a fantasy friendship with the characters themselves but also the very real society of fellow readers of the works. Thus, these fan authors attempt to diversify their stories so that they represent contemporary beliefs regarding multiculturalism; ruby gillis, for instance, introduces into the family by way of marriage a French girl who has had to flee the Nazis due to being Jewish, a situation Montgomery and her contemporaries might have had some difficulty accepting, considering early-twentieth-century attitudes toward interreligious marriage and Montgomery’s othering of the German-Jewish peddler who sells Anne green hair dye.
The Second World War thus offers writers of Montgomery fanfiction the loom on which to weave new, more diverse stories, even as The Blythes Are Quoted, which also traces the characters’ reactions to this new war, demonstrates how these readers-turned-writers followed Montgomery’s own trajectory, not knowing that they were doing so. On the subject of fanfiction, young-adult author Patricia C. Wrede writes: “The thing that fascinates me about fanfiction, though, is the way that it models the decision tree that writers go through (whether consciously or unconsciously) to get to their final product. For those of us who do this part mostly unconsciously, it can be interesting and instructing to see the multitude of alternate paths that a story could have taken, all laid out more-or-less neatly in different authors’ fanfics [… taking a slightly different fork in the road] resulting in the plot veering in a completely new direction. Friends become enemies; enemies become friends; goals and objectives and results shift and change.” Within these pieces of fanfiction, then, fan writers are able to follow these decision trees with subsequent generations of characters as well.
Another avenue of access occurs when fan authors transpose historical narratives into the contemporary moment. Perhaps the best-known example of this modern alternate universe [AU] conversion is the television program Sherlock, which takes Arthur Conan Doyle’s Victorian detective into the twenty-first century. While new cultural contexts appear, the essence of character is meant to be retained. Just as Sherlock uses text messages and blogs to substitute for telegraphs and handwritten journals, fans of Montgomery reimagine the relationships between her characters as if they were taking place online.
For instance, “Work in Progress” (2012) by verity postulates a friendship between Montgomery’s most famous heroines, Anne and Emily. In this piece of fanfiction, Emily circumvents Aunt Elizabeth’s injunction against fiction during her time at Shrewsbury High by becoming a blogger who is restricted to the “truth.” The story’s online summary, a part of which reads “Anne rolls her eyes. ‘Is your aunt really going to know if you cheat on your nonfiction with some hot prose on the side?’” shows how the story preserves the character qualities that Montgomery laid out, complete with references to the Murray pride and Anne’s orphanhood. Mr Carpenter’s admonitions are spelled out at the beginning of the story:
“Emily Byrd Starr has a sticky note on her desktop. It reads:
ITALICS
CAPITALS
!!!!!
“just”
“really”
CTRL+F!
It is almost like having Mr Carpenter in the room with her.”
Verity creates humour through the juxtaposition of contemporary social media and allusions to Montgomery’s source text. Another story by verity detailing Rilla’s romance with Ken Ford and her friendship with Una Meredith, “Rilla of Toronto,” takes place mainly through instant messages. In this story, Rilla reflects on her life from eighteen to twenty-five, tracing a continuum from her child self to her new adulthood, underscored by verity’s translation of Montgomery’s work into contemporary millennial language.
A third type of fanfiction narrative, the gap-filler, focuses on and expands the implications of the source texts. Moira Walley-Beckett’s Netflix/CBC series Anne with an “E,” as Laura Robinson shows in chapter 12 of this volume, is somewhat fanfictional in and of itself: as Robinson points out, the show fills gaps by bringing to the fore the darker currents that have always been beneath the seemingly untroubled waters of Anne of Green Gables, including Anne’s potential post-traumatic stress disorder from the disturbing life she led before coming to Green Gables. This kind of versioning and adaptation tacitly permits fan authors to feel that their versions are just as valid as those produced by professionals. Gap-fillers frequently expand on romantic pairings and in fandom are often referred to by portmanteaux of characters’ names that perpetuate some inside joke or work as puns. “Shirbert” – a moniker for Anne and Gilbert – is the latter, and demonstrates how fans posting on sites like Archive of Our Own (Ao3), Fanfiction.net, and Wattpad (this last generally populated by younger fans) develop their own language to identify their stories within the community for which they write.
One such story, “You caught me staring, but I caught you staring back,” by Anuka, clearly inspired more by the television series than the novels, begins with an author’s note that reads, “I decided to write some fluff for these two, because I need more Shirbert moments, and season 2 is so far away. I added gifs to make it more vivid.” Here, the romance between Anne and Gilbert as depicted by Montgomery and Walley-Beckett is not sufficient for the reader-turned-writer. Anuka wants the gaps in the narrative to be more fully explored than they are on either page or screen and to be made more “vivid” by the inclusion of images that help make the story come alive.
Similarly, “Rilla Blythe’s Wedding: A Not Entirely Comprehensive Account” by Scylla also fills a gap: Rilla and Ken’s wedding day, a scene that Montgomery leaves to the reader’s imagination at the end of Rilla of Ingleside. Modelled upon other accounts of weddings within Montgomery’s fiction, the story also suggests that accounts of Walter’s death have been gravely exaggerated, as he makes a stunning appearance at his sister’s wedding. In order to align her work with Montgomery’s novel, Scylla ensures that Little Dog Monday’s awareness of Walter’s death remains, but makes it only a technicality, writing, “His heart had stopped for a full ten seconds – long enough for his Captain to feel for his empty pulse and for Dog Monday to be jolted with the fullness of his death. Little dogs, after all, can only have tender dogs’ hearts. Grief to Dog Monday was an all-consuming thing, and when Walter’s heart began to beat once more, he was deaf to its spark of joy.” After meeting with his eldest sister, Joyce, in heaven – which is, as he had always hoped, Rainbow Valley, Walter is returned to life so that he may write of peace as well as war (as he did when he was a boy), marry Una, and repair the broken hearts of readers who did not want to lose him.
While heterosexual pairings are the most prevalent in Montgomery fandom, there is room for queer imaginings as well.
This very popular genre of fanfiction, known as “slash,” is generally defined as stories that centre on samesex romances between characters, particularly between men. Montgomery slash fiction usually stars Walter Blythe.
One slash story, “but i don’t know who you are” by @freyafrida, imagines a bisexual Walter. Told in an enduringly popular sub-genre of fanfiction often referred to as Five Things Plus One (which involves a series of thematically linked but not necessarily chronological scenes), the story is summarized by @freyafrida as “Five people Walter thought he wanted, and one person he didn’t notice until it was too late.”
This last person is original to Montgomery’s text: Una, whose apparently unreturned attraction to Walter is woven through Rilla of Ingleside. The other five potential partners are all alluded to as Walter’s close friends, beginning in childhood with Alice Parker from Anne of Ingleside and Pat Brewster from The Blythes Are Quoted and then carrying on through adolescence and young adulthood with Faith Meredith, Ken Ford, and finally Paul Irving from Anne of Avonlea. While his feelings for Faith and Ken are clearly unrequited, Alice, Pat, and Paul all express their own desire for Walter. The inclusion of the famous poet and Walter’s “model” uncle, Paul Irving, in particular, particular, illustrates how traits of sensitivity and aesthetic appreciation that challenge traditional ideas about masculinity are frequently interpreted as queer by fan readers and writers.
In another slash fiction, cero_ate’s “The Moving Finger Writes, and Having Writ Moves On,” Walter discovers his homosexuality while fighting in Europe:
He wrote half truths and lies once more, when he wrote his Rilla that he could not form poems of the depths of the war. For who could write his sister of the phallic love he had found? He had found his reason in a tow-headed American boy. He meant so much more to Walter than mere friendship could explain. He wanted to write, as sweethearts write, of the tempest of joy in the darkest night. But how would they understand? How would they even try to understand he sought not the Dark Lady of Shakespeare but the youth, fair and Wilde? When he was presented with Una’s faithful heart, he spurned it. When his tow-headed darling presented his own, Walter took it, greedy for him. His grecian style love, the boy who’s [sic] eyes danced, even in the darkest of days. He would do anything to keep him safe. But he could not present him to his family, for their scorn or pity. War had broken him, but made him as well.
While male/male pairings are generally the most popular stories in fandoms, Montgomery’s novels, peopled as they are by communities of girls and women, require that readers who want to queer the text must explore what is called femslash (that is, slash fiction featuring two female characters).
Such relationships have been explored within the academic setting. For instance, Laura Robinson remarks in “Bosom Friends: Lesbian Desire and the Anne Books,” that the relationship between Anne and Diana uses “the language that readers associate with adult romantic love rather than girlhood affections,” even as it is expressed through the heterosexual paradigm of marriage.
One fanfiction author, ArcticLava21, makes it clear that such fan written stories are not speculation but instead address key issues of representation. The author’s note to ArcticLava21’s short Anne/Diana story, “Nature,” reads, “Hello everybody! Hope your [sic] having a wonderful day. Before anyone yells at me for ‘sexualizing platonic friendships’ please note that this is for all those queer kids who grew up pretending. Pretending that he ended up with him instead of her, or desperately wanted representation. Are we good? <3 Enjoy yourselves lovely people.” The intended audience of the story, “queer kids who grew up,” again establishes the transgenerational kinship between Montgomery’s child and adult fans.
All fan fiction, shared on the Internet, exist in dialogue not just with Montgomery’s fiction but with the author herself, and between the fans who read the novels as children and adolescents and the adults that these readers become.
Whether fan writers extend the narrative or fill gaps, transpose chronology or to queer the text, these pieces of fanfiction allow fans not only to insert themselves into the narrative, but also simultaneously to revivify the original novels, published a century ago. In performing interventions to the text, Montgomery’s young fans grow up to reply to the discussions that she began long ago in the pages of her journals and stories, ensuring that all three – author, reader, and text – are continually reborn into a conversation that will never end.
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junkanimate · 18 hours
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EHY I'VE BEEN READING A LOT OF FANFICTIONS LATELY
I know, who would have guess?? Anyway I wanted to send some appreciation all around to some of the fanfics I've read, because writers need some more appreciation in general.
so, in no particular order:
✨Here's a list of fanfics I've read/I'm reading that I think they're pretty good✨
Solid Stone Turns To Clay by @randyzorra - MK fic
A solid Johnshi fic set in a pirate au, I'm absolutely obsessed with it. It's a beautiful slow burn, where Johnny is a disgraced bounty hunter who's trying to regain his fame by stealing The Shadow, legendary cursed ship. Ship that so happens to have a certain someone as her captain. Honestly not only I love the romance, but also the friendship between Johnny and Kung Lao and Johnny and Baraka.
Beware that this fic is tagged as explicit, so check the tags carefully
Back There by houndhead - MK fic
Ehy, have you ever thought that Raiden wasn't there when the others went to Outworld to find Shang Tsung? Yeah what if they never told him what happened back there because of good ol' classic trauma? I'm in love with this concept and houndhead explores it in a very interesting way, showing us how each character would act after experiencing what happened at the lab. I also really love how the characters interact with each other, in the last chapter Tanya and Tomas are just perfect.
Raise The Blade (Make The Change) by cherrycola94 - MK fic
A very fun Johnshi fic that's written a little bit like a script, it has some added scene set before the game, some exploration of the canon through a Johnshi lense, ad finally it continues as a post canon, with a very fun story. While I was reading it I could see in my head the scene perfectly, like it was actually a movie. The second chapter has an AMAZING SCENE, like I was so in love that I have a wip of that scene. I should come back and finish it honestly. The new chapter had exactly the kind of scene I was craving for recently, I'm so happy they wrote it!
But I lowered my sword when you held me and swore (you'd stay, stay, stay) by @necromanticzz - MK fic
It's a johnshi fic with a Kenshi pov, where Kenshi has so many walls up doesn't want any help but Johnny just seems to be able to go through them without any problems. Honestly I also advice the other fic necromanticzz wrote about them, the way Kenshi gets chracterized in both of them is just *chef's kiss* perfect, beautiful, amazing. The two fics are just my favourite in the way Kenshi is written, applause all around, love it.
Koffee Shop Kombat by @loujitsushotsoup - MK fic
Because a classic coffee shop au is always needed. We have multiple ships, different writing styles between chaptes, changing with which character's pov we are following, and I love the creativity that was put in it. You maybe saw this post where I drew one of the scenes in this fic, so YOU KNOW that I mean it when i say that I love this fic. And I'm a big sucker for coffee shops as a setting, really love them in real life as well.
Cole's Chilli Recipe by @before-time-had-a-name - Ninjago fic
Another fic where I drew one of the scenes and it's because it deserves it. It's a lostshipping fic, very sweet, very cozy, honestly Cole and Geo make me incredibly emotional everytime and this fic also straight up picked me up and squashed me. I saw in some of the reblogs on my post that people went to check out the fic and I'm so happy about it because they deserve his work to be checked out. And honestly if I can give her more spotlight I will take the chance. Go check out this fic, it's very cool.
Here Comes Casey Jones by Invader_Sam - TMNT MM fic
Very sweet rasey fic that takes place post movie, with the turtles going to highschool and Raph meeting for the first time Casey Jones. What can I say? I just really love Rasey, and I love they're both clearly crushing on each other but they're not really saying it. And the fact that there's no unecessary teenage angst, they just really like each other, and I love that for them ❤
Think Of It As War Paint by less_depresso_more_espresso - TMNT 2012 fic
Another Rasey one, short and sweet, where both of them honestly are giving so much gender in my humble opinion. It's hard to explaning it without just saying all the fic, so we could say it's about them just chilling on a roof.
A Garden Across Our Collarbone by PittedPeaches - LMK fic
I think everyone and their mom already know this fic, and if you don't it would be my honor to talk to you about it. This for me is THE spicynoodle fic, it was one year of my life and honestly at the end of it I cried. This is a soulmate au, where demons sometimes have soulmates, and when that happen it's like they share skin, so they can write stuff on their body and it will appeared on the skin of their soulmate. It mostly starts like a rewriting of seson 1-2-3 by Red son's pov with this new dynamic, and then it becomes a new original timeline. The way this fic is everything to me, every chapter was an incredible experience, I fell in love with this fic at every chapter. So many beautiful scenes, written so beautifully, as I said this fic was 1 YEAR of my life. It was also a very difficult year, and I'm honestly so happy that this fic was there for that time of my life.
Desde el Principio by ShippingMyWorld - Nicktoons United fic
Okay idk If you saw me reblogging a bunch of Nicktoons fanart like two days ago, but just so you know I'm totally going into the rabbit hole of this fandom and I will be lost for a while. Now, this is a Danny Fenton/Manny Rivera fic, the tag has only two fics and both of them are from this writer.
I wish I had this commitment in my life, to just being THE ONLY one creating a specific content for something and still having the motivation of doing it
I read this fic last night, I finished it at 5 a.m. and I do not regret it at all, this was amazing
I actually recommend reading both fics because they are very good, I'm giving a shout out to this one because I think it's the one that made the biggest impact to me personally. ShippingMyWorld you did it, you converted me, I ship this now.
And that's the list, thank you so much to every fanfic writers that give us such amazing art everyday, you're the backbone of fandom!
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OC interview
Thanks to @bloodmoonloveletter here, @mk-writes-stuff here, @illarian-rambling here, and @elsie-writes here!
Last did Wade here.
Doing Jazlyn now because I don't talk about her enough and I'd like to develop her character more!
Are you named after anyone?
“Nope. The one and only, girl. I'm just Jazlyn!”
When was the last time you cried?
“Oh, pfft! I don't cry. Maybe out of sheer boredom listening to Dr. Ass-ghar ramble on about her rules and how I'm not following them! Like, girl, I can't help that I have fire powers and lit something on fire! That would be like getting mad that Gabe got a little dirty. Oh, and her meetings are the wooorst. Yeah crying for my life in there.” [It was during Ewan's clarinet solo actually]
Do you have kids?
“Girl, what? I'm not even eighteen yet! Close... I'd love kids, honestly. A lot of them! I'd have so much fun with them!”
Do you use sarcasm a lot?
“Look, I know I come across as someone who uses sarcasm, but I'd rather just flat out say what I'm thinking. Why be like ‘wow that was so riveting’ when I could say, ‘this is the most boring crap I have ever seen in my entire life’? So much easier, no mental hoops. Besides, Ewan is the most oblivious to sarcasm I have ever seen.”
What’s the first thing you notice about people?
“Their confidence level. I can usually tell how someone feels about themselves based on how they stand. Posture is the key, but also what they're doing with their hands.”
What’s your eye colour?
“Brown. With some golden flecks when the light hits them right, according to Ewan.”
Scary movies or happy endings?
“Easy, scary movies. This question is stupid - they aren't opposites. However, nothing is more fun than a horror movie. Love getting the blood pumping. Yelling at the characters for being massive dummies is also the best. Horror is the most entertaining to watch with others. Ewan thank the Lord is also a horror enthusiast. We make a habit to have at least one or two horror movie nights a month.”
Any special talents?
“Oh, several. I am pretty athletic. Took cheerleading a while back and now I am on my high school basketball team. At first, I wasn't sure I would like basketball - my coach in middle school pulled me aside and recommended it due to my height, but I love it now. I am also getting pretty good at learning archery. Lighting the arrows on fire makes that more exciting. I am also pretty good at martial arts and my pyrokinesis. Working on breathing fire without burning my throat. Thank the Lord I have Wade to heal me so I can try again!”
Where were you born?
“I was born in flippin' Utah. I know--lily white state, you'd never guess. Ewan and I plan to move somewhere else once we can. Can you believe he was born in Alium? That ain't fair.”
Do you have any pets?
“Ewan and I plan to one day get a dog. We have been planning on moving in together for a while.”
What sort of sports do you play?
“Like I said, basketball. I would love to learn how to play this Alii fireball sport. It's very similar to basketball, but pyrokinetics pass around fire. That sounds like so much fun, man. Did you know they have to keep a healer at each game because not all pyrokinetics are immune to fire? And the audience can get hit too if they're not careful! This sounds like such a fun sport.”
How tall are you?
“I have finally passed six-foot-three. Alii heights are a blessing and a curse.”
What was your favourite subject in school?
“I hope you tell me PE counts as a subject cause I ain't saying anything else. School sucks, girl. I have gotten detention for the lamest reasons imaginable.”
What is your dream job?
“I would love to be in sales. Something about convincing people to do what I want is inticing. Planning on getting a marketing degree when I go to college next year.”
Tagging @leahnardo-da-veggie @eccaiia @mysticstarlightduck @monstrouswrites @mrbexwrites @gottestod-writes @willtheweaver @winterandwords @i-can-even-burn-salad @elizaellwrites @chauceryfairytales @somethingclevermahogony @faeriecinna + anyone else who wants to!
TSP intro
TSP tag list (ask to be +/-): @thepeculiarbird @illarian-rambling @televisionjester @finchwrites
Blanks below the cut
Are you named after anyone? When was the last time you cried? Do you have kids? Do you use sarcasm a lot? What’s the first thing you notice about people? What’s your eye colour? Scary movies or happy endings? Any special talents? Where were you born? Do you have any pets? What sort of sports do you play? How tall are you? What was your favourite subject in school? What is your dream job?
^for an easy copy and paste
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backgroundagent3 · 3 days
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for the character ask, daisy johnson!
Thank you so much for the ask! 💜 I love any excuse to talk about Daisy Johnson.
First impression: I'm trying to squeeze my brain here, but all I remember was trying not to like her at first because I knew se was a double agent for the Rising Tide. It goes without saying I failed miserably about three episodes in.
Impression now: She is my favourite character of all time.
Favorite moment: I really can't choose, but one that comes to mind was the final fight of season 5. I think it's a very underrated fight scene, because it's the end of the world, her dad is dying, she has been recently betrayed and tortured by her friend, and she still goes into battle BY HERSELF against Talbot, and if that wasn't bad enough, when she's about to die a horrible death she realises that the only way she can save the world is if she takes the serum and basically condemns the person she loves most to his death. It's so heartbreaking and poetic, but very cool to watch, and I just love so much it, idk.
Idea for a story: This is angsty but I would love to read something where the events of 5.14 are properly dealt with. May watches the security cameras and goes ballistic on Fitz, and Daisy gets time to grieve and heal. They get Coulson back and he's horrified, and Jemma is so conflicted but she's there for her best friend.
Unpopular opinion: Since apparently I can't stop thinking about season 5, here's some more. I think she actually did a good job of leading the team in season 5b. Especially if you consider that she's been recently tortured, her family doesn't seem to care, she has no experience, and hasn't gotten a good nights sleep in about 5 years. She might be tough, but hello? IT'S THE END OF THE WORLD?? You have to be at least a little bossy if you wanna make it through that. Also if you're gonna be a baby and call her a hard ass maybe you should have thought twice before joining SHIELD.
Favorite relationship: If it's romantic, then Sousa. I love them so so much, they're literally perfect and despite my obvious outrage at season 5, I will forever love the AoS writers for somehow pulling that off. As for platonic relationships, I'd say May. She's the perfect mother figure for her, and I love the parallels between them. I think Daisy has the best relationships in general, but this one is my favourite. Honourable mentions go to Coulson for being the most unhinged dad ever, and to Jemma for being the sweetest friend in the earlier seasons.
Favorite headcanon: before she goes off to space at the end of season 7, she rebuilds Afterlife with the help of Sousa and Kora. I've said this before, but I think they are actually the perfect team to do this. Kora has lived in Afterlife her whole life, she's seen Jiaying help people go through Terrigenesis, and she's been though it herself in a much healthier and safer environment than Daisy. Sousa is reasonable and calm, which are good qualities to have when you're helping someone who's terrified and potentially dangerous. He has experience leading people, which I think would make him a good mentor for the Inhumans. So Kora has the experience, Sousa has the qualities, and in my opinion, Daisy has a nice combination of the two. She has a different and much more horrifying experience of Terrigenesis that people who accidentally go though it can relate to, and she has spent years exploring and controlling her powers, so she knows what the deal is. And she's also a good leader, so where Sousa can help the Inhumans pre-Terrigenesis, she can train them after if that's what they want. Because that's another thing, SHIELD may be funding Afterlife, but they've learnt their lesson and they're not sticking their noses where they shouldn't. They accept new recruits and help train them, but if that's not what the Inhumans want, then SHIELD helps them get settled back into their normal lives. Anyways this got long but it's one of my favourite headcanons, so there you go.
Thank you so much for the ask! Sorry for rambling, but I have a lot to say about Daisy. 🌼💛
Character Asks.
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hexados-on-a-string · 7 months
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spectragus dont get enough credit for being a sun and moon ship but like. destructive sun and moon ship. sun and moon ship but they're the forces of nature the sun and moon actually are. the sun is harsh and relentless and unpredictable in its evil but also it's kindness, the moon is sharp and cold and cruel, a harsh light that doesn't allow you peace, but can also guide you, a light in the darkness. even on nights with a new moon, with no light in the sky, the moon is always reflecting the sun, and it'll be that way until they come to their end.
#spectragus give me a dopamine high that any sort of drug couldn't even come close to giving me#its the loyalty. its the seeing each other at their worst and still staying.#its the being the only person still around who knows and understands what youve been through#its the being so important to each other's characters that u cant mention one without recognising the impact the other has on them#i dont rlly do shipping unless its funny but also im a huge gus fan so like. yea. plus my view on romance is a bit all over the place anyway#something something my skrunkles deserve complicated relationships that are more than romantic but something else#its the trust thats the most important thing to me. trust and loyalty and devotion and#im sorry but i would have exploded if i like. didn't write down these thoughts#anyways fucked up gay people who are a package deal and that is a threat thats them#ik the majority of my posts are hee hee funnie and i usually dont take things too seriously#but these two have taken up part of my brain permanently since i was 8. like. they just live there. rent free.#i am like rabid rn. i am feral and i am insane and i am crazy and there are so many things wrong with me#i cant even write down all my fuckin thoughts there's so many my brain is going to Explode pray for me#idk if u understand how important it is to me the times they show kindness even while at their worst#they're not good people but they have people they care about and they care abt each other and that matters SO much#i take 0 criticism on my posts i only take cash. however there is no possible criticism to be made bc i am RIGHT#also this all kinda sparked from me getting obsessed with a certain kh character who has a connection to the moon#who is also one of my favourite characters ever#and if u know who it is and u also like him ur very cool#im not tagging this w character tags. im like. very shy. but#i love gus i love spectra i love spectragus#anyways see u next time where i should hopefully have art maybe potentially#i found the brushes i used to use back when i did lineless art so i am rlly happy
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lecter-lioncourt · 4 months
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I COMPLETELY fucking forgot that in her first introductory scene, Missy refers to 12 has her boyfriend. Absolutely fucking insane behaviour
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pharawee · 8 months
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—What about me? You don't love me anymore? What did I do wrong?
Nonkul Chanon as JOM I FEEL YOU LINGER IN THE AIR 💮 Episode 1
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nemmet · 10 months
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question: how did you discover/get into scooby doo?
this is something i'm always so interested to hear, being that there are few people who don't have at least some small tie to the franchise. whether you would consider it one of your biggest current interests or it's just something nostalgic from your childhood, i'd love to know how you found scooby and what it means to you!
#for me it was my dad! he grew up with the original show and wanted to introduce it to me#so one day when i was maybe? seven?? he came home with the winter wonderdog dvd and we watched it that night#from there we watched every single scooby doo movie that had ever been made#and got the new ones as they came out in subsequent years!#watching a new scooby movie with my dad every weekend are honestly some of my favourite childhood memories#also what's new scooby doo had also started airing on one of the main cartoon channels here in the uk around 2010#so that's the show i watched the most consistently as a kid#velma was my original favourite of the gang because i looked a lot like her (big glasses/same haircut/etc.)#people would always compare me to her and it genuinely gave me a lot of confidence in my appearance that stays with me to this day#but fred was always my firm second favourite - he made me laugh the most of any character#and took on a deeper meaning to me in my adolescence when i realised i was autistic and strongly identified with his portrayals as such#the characters are probably what's kept me coming back all this time - they've been with me forever#and i love them individually + as a team who support each other with their unique skills and love for one another#but also the wacky adventures and general aesthetic#many people joke about the basic plot being the same every time but it makes my autistic brain happy#i love permanence and consistency baby!!!!!#and the different variations on that same formula always keep things fresh and fun#anyway ramble over#looking forward to hearing you guys' responses! :D#scooby doo#nem misc posts :]
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seancefemme · 2 years
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Dream Girl Evil
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