Tumgik
#i didn't mean to disappear
Text
um, hi?🥴
well, it has been a hot minute since i've been around. first thing first, i am super sorry about disappearing off the face of the planet with no warning of any kind.
second, i wanted to thank everyone who sent me a message checking in on me. i logged in today to an overwhelming amount of love and that really meant so much to me. y'all are literally the sweetest people ever. it would take me a full 24hrs to reply to them all so i'll spare y'all the flood of me being sappy, but the summary is I LOVE YOU (yes, i am talking to you, you beautiful soul and precious person). just know that if you sent me a message i read it more than once and it made me happy cry.
third, let's go over my excuses. i won't bore y'all with the details but life got tough. many of you know i was job searching, and the sort of good news is i got a job! and it's technically a great job. medicine has just burned me out to a degree where i looked forward to nothing. so then i felt disgustingly disrespectful and ungrateful for the opportunities i have. my brain was a vicious cycle for a bit there.
fourth, and the final portion of this rambling i promise, the topic of writing. this entire time i've been able to work on my original work which has been super rewarding. i think i'll be able to get some copies out to beta readers soon and hopefully get some ARCs ready for the summer. but in terms of what's going on here, i haven't had time to work on a lot but before i went MIA i was like 90% done with the next chapter of 'Take Care of You' so i'm hopeful to get that out at the very least. the good news is not only is that chapter decent in length but it also gives y'all all the answers you've been waiting oh so patiently for (: anyways, from here on out i'll try to be better about answering asks and i'll work on some stuff for y'all promise💜
152 notes · View notes
egophiliac · 10 months
Text
Tumblr media
oh, uh, this...this isn't Silver's backstory after all.
5K notes · View notes
bogleech · 5 months
Text
hey these little sea creature charms are so cute and what the hell is that
Tumblr media Tumblr media Tumblr media
?????????
2K notes · View notes
not-kat · 1 month
Text
Tumblr media
randomly got the urge to revisit an old flame
442 notes · View notes
ducks-love-peas · 4 months
Text
Tumblr media Tumblr media Tumblr media
meanwhile, Crowley:
Tumblr media
Good Omens 2 | ⭑favorite moments⭑ 2/?
261 notes · View notes
ohitslen · 1 month
Text
Tumblr media
"My body's all beaten up.
But this love, I can't let you go"
"Love & Peace" by 6FU;
Tumblr media Tumblr media
No text and the cover of the single that inspired this 🙌
176 notes · View notes
tapakah0 · 6 months
Note
I see you👁
Tumblr media
294 notes · View notes
lizardlicks · 4 months
Text
I've been having this thought that I haven't been able to really articulate? And I still don't think I'm going to do it right, but here goes my attempt anyway:
BROADLY SPEAKING, yes, the trope of everyone gets hetero married and has lots of kids at the end of the story is over done, and YES we absolutely badly need other versions of happily ever after because there is no one path to life fulfillment, and no one true way to find or build a family, or even one definition of family!
HOWEVER: it rings a bit hollow to me when I see other people taking this bit of generallized story crafting advise and applying that to katara and sokka specifically. Because they're not the ethnically dominant race or culture in the AtLA setting, not even close. They're based off circumpolar native populations. Their people have survived a century of genocide. Their story repeatedly echos themes of family, community, tradition, being forcefully stripped of it by imperialist colonizers, and the trauma there in. There's pieces of themselves they lost before they were even born, and both siblings are acutely aware of that, though they choose to deal with it in different ways.
I'm not saying that they DEFINITELY ABSOLUTELY must get hetero married and have a million babies to have a fulfilling ending, I hope no one reads this that way. I'm only saying that I think there has been a gap in the critical analysis responses of the broader fandom when they start reflectively sneering at stories that do have them content to stay home and raise the next generation, or whenever anyone laments about post show canon/LoK seems to neglect mentioning sokka having any family at some point it gets push back on with that exact argument.
Consider that it might be better applied to people for whom getting to raise the next generation in some way isn't itself an entire victory fanfare.
73 notes · View notes
brookheimer · 11 months
Text
i feel very mixed on shiv's ending, particularly her choice to return to tom -- i think it makes sense from a thematic/character arc perspective and is a powerful yet devastating indictment of both shiv and the world that created her as well as showing that the cycle of abuse will always continue to cycle, that shiv will become her mother etc, but i also think it does not make sense from a character/internal logic perspective. it's a choice that makes sense from the writers, but not from shiv, not yet. it could've been a brilliant ending to her character, but is tainted for me by the less-than-ideal execution of it, which felt very rushed, making shiv's final submission to tom feel forced by the show rather than forced by the situation or honest to her character. the ending is not inherently misogynistic from the writers' side as i've seen some criticisms claim (it is a dark but real portrayal of misogyny within capitalist society and how it's internalized within the white women who end up at the hips of the CEOs who run it), but i do understand how it could feel that way. the show fails at building up to (and thus convincing us) that the version of shiv we currently know would so immediately subject herself to her mother's fate, so instead of it feeling like shiv's hand was forced by patriarchy to place herself into her worst nightmare, it instead feels like the show itself was the thing that forced shiv to take that route, which does leave a sour taste in the mouth. it doesn't feel like the result of a choice shiv would make or the impact of patriarchal society bearing down, it just feels rushed and thus wrong. shiv would've benefitted immensely from a few more episodes or even just a few scenes dedicated to teasing out her newfound willingness to subject herself to immense disrespect in order to remain close to power, but given that her entire character has always been defined by her inability to do just that unless forced to (which i don't think she was in this situation as she could've easily not waited in the car for tom, not put her hand in his, but she did), her return to tom feels hard to comprehend, and her near immediate submission to him hard to stomach.
(read more under the cut because jesus christ did this get long)
in my mind, at least, i've always understood shiv as being respect-driven rather than power-driven -- she wants power, yes, but more than anything she wants to be taken seriously and respected and seen as a legitimate player, and time and time again we've seen her blow up situations that would've been very advantageous long-term because she felt disrespected and needed to speak up and force people to take her seriously (which, ironically, typically results in the opposite). shiv's overarching goal is power, but her immediate necessity is always respect. her dignity is her number one priority at any given moment, even when it shouldn't be, even when it stops her from attaining the success and power she wants. i can kind of understand shiv going against kendall because of this -- she's always had a very, very narrow lens whenever she feels like she's being disrespected, and even though it is infinitely more humiliating for your (somewhat ex) husband to betray you and boot you out of the CEO position behind your back at the behest of your supposed closest ally (and for you to still vote for them after that!!!) than it is for you to magnanimously allow your brother to be CEO (which would publicly be seen as a choice, as telly etc said - sibs need to stand united behind one chosen CEO - rather than shiv being out of the loop and fucked to infinity), the narrowness of her vision upon seeing kendall about to win makes it impossible for her to think about that legitimately. it's not just jealousy, it's indignity: shiv feels she earned CEO through her machinations with mattson and feels genuinely sick seeing the loganified kendall grinning at the head of the table, hearing his "that's fucking right" and witnessing his cocky entitlement to the job that belonged to her. so, she does what she always does when she feels disrespected, when she feels her dignity is at stake, and impulsively blows everything to fuck, including her own best interests. that makes sense for shiv, at least somewhat -- i still think that as much as she wouldn't want ken as CEO she'd feel like at least w that outcome she'd be seen as a player and a deciding factor, whereas with mattson/tom she'd be viewed as a pathetic fucked-over nothing woman pawn etc (a situation of unparalleled indignity imo), but i can rationalize her choice to go against ken anyways as being part of the narrowed field of vision she always gets upon feeling disrespected by men in her life that makes it impossible for her to think strategically (and i guess even though the disrespect was greater and more humiliating from tom/mattson than ken, ken was the most recent most present and most lifelong source so that's all she could focus on; seeing him like logan was too much to bear). it's hard to imagine shiv publicly throwing her vote behind two men who publicly fucked her as humiliatingly as mattson and tom just did, even if the other option is kendall, but i think that's part of it -- it's fundamentally illogical, even from her disrespect-lens, because there's just something about kendall specifically being in charge that she's never been able to stomach. it's visceral and impulsive. it's not meant to make "sense." it's just what she feels she has to do to preserve her own dignity, even though it works directly against those same interests realistically. it wasn't executed very well, making it hard to entirely buy it given just how publicly humiliating the alternative is, but it can still be chalked up to her historically one-track-mind when it comes to indignity by the hands of kendall in particular. it's a last-ditch attempt for shiv to at least feel like she's maintaining her dignity, her self-respect, as counterintuitive as it actually is. it makes sense. i can stomach it.
again, shiv's fatal flaw (in logan's eyes and aside from her original sin of being a woman) has always, always been her inability to shut up and make the smart move in situations where she feels she's being disrespected or not taken seriously. if shiv stayed quiet during that dinner with the pierces, maybe she would've been logan's CEO, but no, she couldn't stop herself, she needed to feel she was being taken seriously, she burst out 'cmon, dad, just tell them it's going to be me.' she is unable to play it smart, to keep quiet, to win when winning means perceived disrespect. she's allergic to it. even on a personal level, she shoots herself in the foot constantly because of this: she is unable to let herself have the things she wants because she can't put herself in positions that open her up to disrespect and perceived inferiority. she can't be vulnerable because she needs to be respected. tom asks her if he could 'try to make love to her' in episode one of this season, and even though she clearly wants to, she says 'no, i don't think so, tom.' tom tells her he 'wants her, wants this' back in episode six, and even though she clearly wants that too, she draws back and says 'well then you shouldn't have betrayed me.' shiv is fundamentally incapable of allowing herself to remain in possibly advantageous situations when she feels at risk of being seen as lesser, of being disrespected, of being perceived as weak. that is her response to patriarchy. when patriarchal forces bear down, shiv is unable to grin and bare it -- she has a short fuse, a sharp tongue, and an inability to entertain even a second of being treated like The Woman, of being looked down upon, especially when it's for her gender. it's the one thing she cannot do, cannot let herself do, and it's why she fails to "win" over and over and over again. she shoots herself in the foot the second her patriarchy disrespect sensors tingle. she makes the wrong choice, the dumb choice, the one that makes her feel like she stood up for herself in the moment but ends up leaving her powerless and helpless in the end. that's the only explanation for why she chose to vote against kendall (the clearly better option for her long-term as she'd 1) be respected as part of the decision, as someone who helped choose the CEO rather than a Woman who got fucked over and had the door slammed in her face by her husband and close ally simply because she possessed a womb, and 2) probably be head of ATN or some other area of waystar, she'd have actual power within the company and be respected as a legitimate source of power rather than the CEO-to-be made CEO's humiliated wife -- if she was capable of making the smart, selfish choice in terms of power instead of having a hair-trigger reaction to gendered disrespect and cocky male superiority, she would have voted kendall. but she is not capable of doing that. she never has been. so she voted tom and mattson.
so what i still cannot for the life of me understand is what would compel this shiv, the one who cannot stomach indignity even when power's on the line, to immediately return to tom's side the second he beckons her, which is like five minutes after he becomes CEO (the job she was promised) by mattson (who gave it to tom instead of shiv because 'why get the baby lady if i can get the man who put the baby inside her?'). it makes perfect, cruel, devastating sense from a show perspective, and that's what most people are talking about, understandably. it's a devastating yet unavoidable, inevitable outcome. she's left with no other choice once she makes the decision against kendall, and patriarchy compels her to play the good wife to stay close to power. except, like... she does still have a choice. she does not have to go back to tom's car. she does not have to sit patiently waiting for him. she does not have to quietly congratulate him on his victory. she does not have to place her hand in his. these are all choices she made very voluntary. they're choices between maintaining her dignity and self-respect at the cost of future power versus maintaining the potential for future power at the cost of her dignity and self-respect -- the classic siobhan roy conundrum. she's been faced with it time and time again (even just five minutes prior with kendall) and she has never, not once, chosen the latter of her own volition. she hasn't been able to. that's her fatal flaw. maybe i could stomach her going back to tom if she didn't congratulate him, didn't place her hand in his when he expectantly held his out -- then some dignity would be preserved, maybe. but her complete and total submission for the sake of future power does not make sense with her lifelong inability to do just that. it makes sense that this would be her eventual endpoint, but we have seen nothing that implies shiv would so willingly subject herself to this feminine submission of wife and mother before person or source of power, to the complete and utter humiliation of being the quiet wife at the side of the man who knifed her in the back (and notably handed said knife by the man she thought her closest ally) in order to steal the job she fought for her entire life and, in her opinion, had earned. maybe she would come back to him eventually, for love or (more likely) for power, but it is incredibly hard to believe that shiv 'impulsive when faced with indignity' roy would be capable of immediately and publicly playing the role of the good wife after such intense and public humiliation at the hands of her husband.
really, the way i feel about the shiv ending is similar to how i feel about the daenerys ending -- unlike most people, i really wasn't that against the daenerys outcome. i thought it made a lot of sense and was interesting, devastating, and fascinating. i thought there had been a few signs all along and that that ending for her would make sense and be far more interesting than a Hooray ! Girlboss ! ending. however, it was poorly executed -- it was rushed. it did not make sense from where daenerys was at that point in the text. it could've worked, it could've worked brilliantly, but it needed more time to build and fester in order for her ultimate turn to feel earned rather than forced for the sake of the point the writers wanted to make. that's kind of how i feel about shiv. i get the ending and i don't think it's inherently bad or misogynistic or anything, but it feels like the writers saw the possibility for a shiv 'mommed' ending and immediately took it, with little regard to what actually made sense for shiv herself to do in that moment. outcome > character. that's frustrating for me particularly for succession because my like number one reason for adoring succession as much as i do is their consistent refusal to operate the way most media does (using the characters as instruments to achieve the plot/outcome the writers want), instead prioritizing following the characters themselves in a way that feels honest and real. it's character-driven, not plot or ending driven. i think that this fell by the wayside a few times in the latter half of this season simply because there was so much that needed to happen in such a short space of time (especially during the finale), but in my opinion, at least, the most egregious case is shiv. given more time, more development, more build-up, the last shot of her hand in tom's would've struck the chord the writers wanted it to -- and for some people, it did anyways! but for me, it rang out and fell nauseatingly flat. it felt hollow and wrong and unearned. shiv could end up becoming her mother, that feels entirely possible, but not in this particular sense, not yet. in what world would siobhan roy willingly choose to be seen as nothing more than a woman hanging off her husband's arm, especially when said husband had publicly humiliated her and ruined her entire life just five minutes prior? when, just five (metaphorical) minutes prior, she was the one poised to be CEO and everyone knew it? when now everyone will see her on tom's arm and whisper and gawk? she has become her worst fear, yes, but unlike kendall, it does not feel earned. it does not feel like she has actually become her worst fear. it feels like the show forced her to. not patriarchy or the situation or her own desire for power, but the show itself. that's what feels so shitty.
i wouldn't necessarily call the writing misogynistic as a result of this, as it's less a flaw of misogyny and more a flaw of bad, rushed writing that could happen to any character. it's the same as with daenerys -- although (somewhat unlike succession) there were many, many aspects of GoT's writing that were deeply misogynistic, especially in the last season (just look at fucking brienne), the core issue with the daenerys plotline is not one of misogyny but of time. they did not give daenerys the time needed to become the version of herself seen burning down the city. that could've easily been a focus of previous episodes, but it wasn't. they simply did not develop her enough for that turn to make sense yet. it could make sense, hypothetically, at some point down the line, but at that point it felt sudden, off-putting, and wrong. shiv could easily become her mother. that's been made evident especially regarding her relationship to pregnancy/children, love, and vulnerability (or the lack thereof). but for this ending to make sense, we would have needed to see signs of shiv imitating her mother's willingness to be relegated to the sidelines, to bring out the food while the men eat and make deals, in order to remain tangential to power. that is a concession shiv roy had never been willing to make prior to the last five minutes of the entire show. other signs of shiv imitating caroline or falling prey to patriarchal norms throughout the show are not enough to undo shiv's fundamental refusal to weather gender-related indignity even when doing so would benefit her. in my opinion, that's why the final five minutes of shiv's plotline were so unsatisfying.
shiv could become her mother, and her ending could be a devastating portrayal of the inability for even rich white women to escape their original sin of being a woman in a man's world, as well as a dark, ironic criticism of both women like shiv and the patriarchal world that breeds them into existence. but because the show did not develop shiv in this particular direction and because her entire character thus far has been defined by her self-destructive insistence on being respected at all costs, shiv's ending did not land the way it could've, or should've.
187 notes · View notes
redrobin-detective · 1 year
Text
So watching the newest Spy x Family, I see everyone squealing over Uncle Franky (don’t get me wrong I am too) but I also think his outsider’s perspective is kind of sad. When Anya is waiting for Yor and Loid to get home, the line he says there struck me.
“Hey, do you like your mom and dad?”
Like that’s a weird question to ask a young child who, hopefully, should love their parents. But Franky I think is acutely aware that they aren’t Anya’s real parents and the Forger family is fake. Franky has worked with Twilight for years, knows him very well and has presumably seen him make and drop identities like one would an article of clothes. We’ve even had Franky directly accusing Loid of being too clinical, focusing only the mission. I think Franky believes that once Operation Strix is completed, that he’ll leave and Anya and move on to the next assignment.
 I think that idea has colored a lot of Franky’s interactions with Anya. Yes, he’s also a big kid and wants to run around and be silly. But I also believe he’s trying to give this girl a sense of happiness and family presumably before she’s dropped off at the nearest orphanage once her usefulness is outlived. Like we all know Loid is catching feels but he’s a Good Actor and it might not be readily apparent to his coworker. Idk it must be so sad for Franky to watch this little family interact, to sweep up a child so clearly desperate for love and family in a spy operation, only to realize it won’t last.
438 notes · View notes
muzzleroars · 6 months
Text
i think taking a little social media break revived me...thank you to everyone for their patience <3
65 notes · View notes
thenothing17 · 7 months
Text
Tumblr media
Happy Birthday
59 notes · View notes
jaeyxns · 10 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
Jake ♡ Sacrifice (Eat Me Up) 230618
89 notes · View notes
inkperch · 3 months
Text
Hmm mm not a fan of the way the fandom saw the vaguest hint that a mother might be morally grey and jumped to her being the worst character in the show no, nope, nope, not a fan-
20 notes · View notes
spacecasehobbit · 1 year
Text
If we take Azula in The Beach as an unreliable narrator - because we never actually see any evidence that Ursa played favorites with her kids or thought Azula was a monster - then it makes for a really nice parallel between her and Zuko, and how they respond to their parents.
Zuko spent three years trying to win his father's approval. He convinced himself that Ozai was a good man who deserved his love and loyalty, but he needed to realize that Ozai was the monster instead.
Azula, on the other hand, hasn't seen her mother in five years, and for three years she's been essentially isolated with Ozai. She's convinced herself that her mother thought she was a monster, that she never had her mother's love, when in reality it was her mother who did love her. Ozai's constant praise of her was just a way to control her, to validate and encourage her worst impulses, but it made her feel good so she assumed that her mother's scolding meant that Ursa didn't love her as much.
Zuko wanted to believe that his father loved him in spite of how cruel Ozai was to him, while Azula chose to believe that her mother didn't love her because Ursa didn't praise her the way that Ozai did.
And both of them were wrong.
260 notes · View notes
hanghenfil · 3 months
Text
Tumblr media Tumblr media
hello! long time no see! have a gallen doodle, weech or unweeched edition
(i have been over @capn-twitchery , if you wanted to visit!)
22 notes · View notes