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#i don't want to be a professional artist i just draw because i think it's fun and I've always done it

petite-madame · 3 months

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just so you know, it’s very obvious to actual artists that you’re posting AI and then lying that you’ve done it all by hand. kind of embarrassing, and more than a little fucked up.

Hi anon

This kind of nonsense usually ends up in the trash with a laugh but as it's my first "your art is AI", let's go! (It was just a matter of time, as practically all my artist friends got this kind of messages at this point)

it’s very obvious to actual artists...

Actual artists ? You mean, like me, a professional illustrator in her 40s, who has started drawing at the age of 8 and who has been drawing with a consistant art style for the past 15 years (with some improvements, thank god 🤓) ? People like you have accused me of tracing using tracing paper when I was a kid, tracing in Photoshop 15 years ago when I started to post on the internet and now my art is "AI". I should be used to it by now: when I posted this one 14 YEARS AGO, people told me it was traced and that "I wasn't a real artist, actual artists could tell"

I've consistently posted step by step, WIPs, vids, reels, gifs, shown the number of layers I use by art (sometimes more than 100) but apparently, it's never enough. And my art is AI generated ? Which one ?

So much for the Loki one, I apologize for the 0,3%…

Which is also funny is that fans of Supernatural, Good Omens, Sherlock, etc…have been able to say exactly which reference pictures I used for each drawing, not only for faces but sometimes also for the pose and the clothing (because yes, omg, I use reference pictures, the horror 😲)

However if you want to talk about my technique, and I've never hidden it, I sometimes use photos or 3D models for backgrounds because I hate drawing backgrounds. For instance the background of the Superwholock one is composed of a couple of stock pictures (a pub).

Same for a "Sherlock Harry Potter AU" I'll post in a month or so: some parts oh Hogwarts are screenshots from the movie because I didn't feel like drawing a room full of students.

Also, is there sometimes mistakes in my art that don't make sense ? Yes, nothing new, I make mistakes, I've been doing it for years and I still do it, particularly when it comes to anatomy. I want to pull my hair out when I notice them weeks (sometimes months) later but here we are.

Anyway, people like you who throw "it's AI" accusations all over the Internet better think twice because the result is this.

Don't get me wrong, I get the AI paranoia but instead of sending messages to artists like this one, ask kindly about their process, their technique, etc…and also, have a look at their archive, it could help.

I'm leaving you now, I have AI art to generate (= spending 10 hours per drawing using reference pictures, finding inspiration from classical painting, using about 100 layers and stressing about the art not being good enough).

Have a great weekend!

#pmasks #my first “it's AI”#a change from “you trace” and death threats I suppose

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somerandomdudelmao · 8 months

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hey i just wanted to say that I actually really appreciate that Leo didn't get his arm back when he was resurrected. Yeah he was magically revived through wacky and improbable space time shenanigans, yeah he's still an amputee. It would have been easy to have him magically cured of his disability but you didn't go that route, and personally I'm really grateful for that.

<3<3<3<3<3<3

Thank you:3

I may sound weird now, but...to me, there's something fascinating about disabilities.

Like...like when you watch an artist who draws in Paint instead of a professional program. Or a musician who makes music from random things found under his bed. They're not doing things in a way that would be obvious. Not in a way you think is even possible or effective. Their limitations put a layer of creativity on their way of doing things that is almost impossible to guess without having similar experiences.

Something very similar I experience when I see disabilities. When someone with no arms shows me how to open a bottle cap, or someone with almost no vision talks about how they organize their things. I look at them and think, oh my god, that's amazing, I never would have thought it could be done like that??

I've barely spent any time on the subject of Leo's disability, but I want to do it more in the future. Because damn, I'm fascinated by it and I don't think I've ever seen that topic explored anywhere the way I think of it.

I really hope I haven't said anything disrespectful here :т I've been genuine I

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shmaba · 11 months

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I’m going to assume that at this point you’ve all seen Critical Role’s new show Candela Obscura and at least skimmed through the Quickstart Guide (you have done all that riiiight??) So I wanted to compile all the things I’ve done that have been shown so far. Its long so read below the line!

I’m going to try to avoid spoilers. So feel free to read without worry. I’m also going to try and avoid breaking any NDA like a good professional. So I will not be doing some deep dive behind the scenes thing. Only visuals that have already been publicly shared are going to be on here

The very first thing I did on this show was the concepts for the main set. Everything is practical. Nothing is green screen or cg or whatever. Some people think it’s just good cg but nope that's all real. You could touch it! (don’t touch it, there are ghosts)

There were multiple iterations on the design, each with their own vibe and statement piece. CR narrowed it down to what you see in the show: a sort of storage hall with an odd clock contraption behind the GM. I think I called this design version the “Abyssal Hall” or something like that (I gave the different versions names to better keep track of which design was being discussed)

The company Flip This Bitch built the physical set. They turned my silly little art into a real thing. So they did all the actual magic of making this set come together in the end! They deserve a lot of the credit for it looking so good in the end.

Also that little piece of art in the bottom left of the preshow is a section from the final concept art of the set.

That contraption behind Matt is based on astrolabes and clocks. This isn’t really meant to be a literal astrolabe or a clock as we would use them in our world. Narratively this isn’t a device that measures either of the things that a traditional astrolabe or clock does. This is a special magickal tool that does a secret third thing.

Also I did concepts for the GM screen. You don't really see it besides in the fancy-shmancy preshow. There were a number of more intricate designs for it but CR went with the simpler option since the only part that would be visible on stream is the top, so that's where I put the most detail.

I should also note that I did not design the logo! It’s pretty prominent on the GM screen but I was supplied an already existing logo for this.

NEXT is the Taliesin enclosure set that you see in the trailer. This is actually meant to be like the lantern room on the top of a lighthouse, minus the big light beacon (You could say Taliesin is the beacon).

Also in the trailer you see a couple brief sketches I did for some world building concepts:

Speaking of sketches there are a number of art pieces of mine in the Quickstart guide

A lot of my art is sketches. They’re all meant to be like notes and drawings from members of Candela as they travel and notate their findings. Most of the notes on these sketches are my actually my notes when I was doing world building concepts, but they replaced my handwriting with a font because my handwriting sucks lmao (also likely for ease of future localization).

Also the cover of the Quickstart guide uses line art of a part of that astrolabe clock set piece. This line art was part of the deliverables that was sent over to Flip This Bitch for construction. They’re just using pieces of those set concepts everywhere!

As you can see I’ve done a lot of art for this project. I was part of this project when it was still early in development. It’s changed quite a bit from where we started.

I wasn’t the only one that made all this art happen though. Other artists, writers, and designers got to add their own vision to this. It was very much a collaborative effort that took a long time to happen. It’s very exciting to see everyone’s hard work come to fruition and there is a lot more to come!

#candela obscura #critical role #my art #ttrpg #illustration #art #cr #candela spoilers #I could say a lot about what went into each thing #but that would be too long #this is already too long #more art is coming #you’ll see it in the final release of the rules/setting book #also it’s very likely a significant amount of art won’t ever be show to the public #such is the life of a concept artist

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daytaker · 4 months

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Hi! I'd Like to request something for obey me. So MC is an Artist Like Semi realistic or so and then they draw the brothers and themself all together Like some Kind of Family Photo for maybe a sweet gesture to appriciat them, what would the reaction be?

First of all, that's adorable. Second of all, yes, absolutely.

Everyone

The immediate question on everyone's mind is where it should be put. The suggestions are fairly predictable. Beel wants it in the kitchen. Satan wants it in the library. Belphie wants it in the observatory. Asmo thinks it should go in his bathroom, and he acts amazed when his brothers disagree.

You'll probably be the one to suggest making some copies of it if they like it so much. That way they can all have one. The brothers all like this idea, so you head off to the Devildom equivalent of a FedEx store and make some quick copies for everybody.

Eventually, the original work will find pride of place above the fireplace, where everyone will get plenty of time to admire it, including guests. The brothers are all very proud to explain to them that they have a very close friend who's an artist, thank you, and they made that piece of artwork up there for them, for free, because they love them all so much. What do you mean it's too small for that big of a space? Clearly you don't understand art, they'll tell the guest. Satan smirks; Levi rolls his eyes; Asmo whispers something to Mammon and they both start snickering. Real mean girl energy.

Lucifer

It's proved to be more or less impossible to get a photograph with himself and all six of his brothers, so this is an immediate hit with him. Plus, you're in it, which makes it even more valuable. He wonders why he didn't commission a painted family portrait earlier. It just hadn't crossed his mind, he supposes.

He'll buy a very nice and expensive frame for the picture and have it professionally mounted on a backboard. Only a museum quality display will do.

He enjoys looking at the artwork now and then and mentally noting all the details he likes. You captured Mammon's smug smile perfectly, and somehow Levi looks happy, but still like himself. Of course, his favorite part of the picture (along with you, of course) is himself. He thinks he looks very dignified, and he appreciates that you placed him in the center; the true patriarch of the family. Besides that (though he wouldn't bring it up unprompted), he thinks you made him look very handsome, and he likes the idea that you see him that way.

Mammon

You put him next to you?! I mean, of course you did! He's your number one demon, right? Obviously he belongs right next to you! He'll point out his positioning in the picture to his brothers often enough that they've gotten past feeling annoyed about it and just tease him for simping so openly.

He thinks it looks a little bit like you're smiling at him in the picture. You're not. You're staring into the 'camera', just like everyone else. But he tells himself that. He has another copy of the picture made where he cropped out everyone besides the two of you. He keeps it in his sock drawer so he can pull it out when he's by himself and admire it. Lucifer has walked in on him lying on his back and holding it up, staring wistfully at the picture, often enough that he can tell by how quiet it is when Mammon is either sleeping or staring at that goddamn picture of his again.

Speaking of extra copies, he also made some more to try and sell at RAD, but, shockingly, cheap copies of a picture of someone else's family didn't sell well. Diavolo bought one though, as did Simeon. Yeah, maybe it wasn't exactly ethical to try and capitalize on your artwork, but, well, come on, he's in it, and you gave it to him, so that kind of makes him the owner of it, right...?

Leviathan

He's pretty sure he's not breathing right now. That's... That's how he looks? To you? He looks....amazing....!! Look at his smile! His jawline! His glossy hair! His cheeks, touched with color---!!! You must think he's... like....... Ugh, it's stupid, like, who even cares? Nobody, that's who. Nobody except him. He cares. And he wishes his stomach would settle down a little bit before lunch explodes onto the rug. So he'll just take his copy of the painting, clutch it to his chest, and giggle to himself as he slinks off to his room while everyone else stands admiring the painting on the mantlepiece.

Now, to really study this thing. He lies in his bathtub and squints at the painting. He realizes, to his dismay, that all his brothers look extra hot in this thing too. Hrmm... But, whatever! The important part is that he looks amazing! His eyes are shining, his skin looks healthy and smooth, and.... well.... he doesn't look like somebody it'd be weird for you to be into, maybe. Maybe? Possibly.

He's pretty shy around you for a few days after you give them all the picture. He's not really sure how he's supposed to react around someone who thinks he's... h....ha-ha....handsome...???? And not just that, but the look on his face! Does he make faces like that in real life? Does he make faces like that in front of you?

He spends a good chunk of time in front of the mirror trying to imitate the look from the painting, but he can't quite get it right. He always ends up crumbling into a pathetic, groaning, blushing little creep and fleeing the bathroom. He hates himself. But he can cheer himself up with the knowledge that you definitely don't hate him, right? How could you draw someone you hated looking like... like....?!?

Satan

Knowing Satan is someone who admires art in general, you were most nervous about him seeing it. He has a tendency to be fairly blunt and honest, and you really hoped he'd just appreciate the thought behind the picture without subjecting it to any kind of critical analysis.

But of course he did it anyway. He'd expressed his appreciation just like his brothers had when you first gave it to them, but you'd often see him standing in front of the fireplace staring up at the picture with a hand to his chin after that.

Satan's initial thought, after the excitement over the gift and how cute and nervous you looked giving it to them all, is that the composition of the piece, while not particularly original, has definite visual appeal. While he doesn't particularly enjoy Lucifer's position in the middle, he understands why you put him there, both artistically and psychologically. Lucifer dominates almost any group he's in with his annoyingly hefty self-confidence. His ego is smeared all over the picture, but that's not your fault. That's just Lucifer, being awful and ruining things, like he always does.

When he finally gives some attention to how he looks in the painting, he's pleasantly surprised. He looks refreshingly like himself, but also like he's meant to be there, with everybody else. He can also tell you spent some time on his eyes. They look lovely. If you ever want to paint them again, he'd be happy to model for you. What, shy all of a sudden?

Asmodeus

Well, obviously he's the real star of the artwork. It's as if he's glowing, washing out his brothers with his effervescent presence on the canvas! Clearly, you know your art. Never mind he's the only one who seems to quite see the picture in that way.

He has his copy of the painting framed and hung up in his bathroom, where he thought the original should have been put all along. Now he never feels like he's alone in the tub! Every once in a while, he'll talk to the artwork while he takes a bath. Just to amuse himself. But when you go back to the human world, 'every once in a while' becomes 'almost every day'.

He has a theory that if someone stares into the eyes of Painting Asmo too deeply for too long, they'll fall in love with him. The painting version of him, that is. He knows that's silly, so he keeps it to himself, but he can't stop himself from imagining you mesmerized by your own painting of him, bewitched by the very eyes you painted...

Beel

Honestly, Beel is just happy you made a picture including him, his brothers, and you. You put him right beside Belphie with an arm slung around his shoulders. He's smiling more in the picture than he normally does in real life, but that doesn't bother him at all. He wants to look happy in this kind of painting.

He taped his copy of the picture to the refrigerator door. Everyone appreciates this, not just Beel, though he definitely sees it the most often. After you go home, he says good morning to you every day when he first heads to the fridge. It's a nice way to feel like you're still around.

Belphie

Wow... He looks adorable here. And you didn't include him drooling like his brothers always do when they draw him. Though it really isn't fair to compare this to the "drawings" his brothers have made to make fun of each other. Idiots...

You put him right next to Beel. That makes him smile. And he looks...like he's happy to be there. Maybe not grinning like a doofus, but like this is his family, and he's pretty okay with it.

He keeps his copy of the picture taped to his bedpost so he can look at it whenever he feels lonely, especially after your year in the Devildom comes to an end.

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togglesbloggle · 1 month

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In Defense of Bad Things

'Bad' here meaning mostly 'amateur'; stuff made enthusiastically by people at an unprofessional level. Art with visible gaps between what the artist imagined and what they achieved, products of flawed craftsmanship. I suppose everybody can appreciate them to some extent, it's a rare parent that doesn't put up their kid's drawings on the fridge in one way or another. But it turns out to be a fully general skill you can cultivate, and the more I do, the more I'm glad I did.

Partly, it's the teacher thing; finding delight in amateur work is one of the ways to find delight in the process of learning. Cultivating a love of striving-qua-striving can help make you a force for good in the world, as people start to feel safe trying to do things when you're around, even when their efforts are wobbly. You get to participate a little more in the process of atoms spinning themselves into ideas, even when there aren't any illusions about whether you're helping cultivate some revolutionary genius in the field.

And partly it's a fabulous way to build community. By necessity, our professional-level skills tend to be at the service of other people, performed for economic benefit; that's kind of how you get professionally good at something in the first place. When we're acting for our own sake, and among friends, most of what we do with one another is amateurish. I only cook middling-okay, I can't hold a tune that well, I'll never be a speed runner for anything. If you can only enjoy singing from the hundred best singers in the whole world, manufactured and polished by major studios, then you and your friends will sit shoulder-to-shoulder and passively listen to music. But it's so much richer an experience to sit face-to-face, actually singing together, even badly; you expose yourself to so many new ways to appreciate and respect one another, building relationships on what you've accomplished and not just by witty criticism or liking the same things.

And partly it's because some of the most powerful and innovative artistic experiences are in high-churn environments with low expectations and low barriers to entry, if only because those catch the passionate and driven young people that have been otherwise overlooked by our systems. The golden age of webcomics meant that a ton of the actual art involved was pretty lousy, but it also produced work that people still talk about today. D&D began as a profoundly unpolished collection of handmade rulebooks sold at cons in a plastic baggie. By the time these products of enthusiastic amateurs filter themselves through various levels of popularity and absorb mainstream cash influx, they're often risk-averse and missing a lot of the bold spark that inspired their fans in the first place; others will simply never drift towards the mainstream at all. I'm not saying you should be the person who goes out to dig through the slush piles of the internet looking for overlooked art, unless you want to be-- but sometimes a work of actual staggering genius also happens to be a Supernatural fanfic by a first-time author who's a little hazy on commas, and if that's a dealbreaker, you're going to miss out on some profoundly valuable experiences.

And hiding behind all of these things is, like...

Our appreciation of beauty has an odd structure, right? When things are done very skillfully, by brilliant artists with years of training, we can usually appreciate those accomplishments. And when we're looking at nature without human influence, and especially when we think very deeply about natural processes and understand them in context, we often rediscover that sense of beauty. There's just this bizarre hole in the middle where we declare things 'ugly'; as if a little skill is worse than none at all.

I really don't trust that gap. It feels like a trick my brain is playing on me, you know? It has me suspicious that a lot of what I consider 'ugly' or 'bad' is not a very direct experience of the world at all, or an informed judgment. That it is, rather, a declaration of (self-, social-) identity; a desire to be seen as a person of good taste, or as somebody who does things well, or just more primitively as one of the monkeys who is in the good-stuff-tribe and not one of the monkeys who is in the bad-stuff-tribe.

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contact-guy · 1 month

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heyyy I hope it's okay to send an ask! I just wanted to know about your art process, if you got any advise. Because I'm in love with your SH doodles, they're so dynamic and lively and the shading is such a nice accent yet it remains somewhat minimalistic? I'm relatively decent at realism but want to develop my own character in drawing more and I'm wondering how you arrived at yours, did you have a method? Thanks in advance^^

love to talk about DRAWING......

The short answer is that because I want to draw them a lot, and have limited time, I can't be too precious about how the final result looks! So a lack of perfectionism and a desire for speed ends up forcing me to simplify and stylize them. This was an organic process (if you scroll down my art tag you can see I was drawing them with a bit more detail, finish, and care a few months ago - I was illustrating vs what I'm doing now, cartooning).

Ideally when you are cartooning, every line of the character's face is doing work to make them THEM, and to tell a story. No unnecessary lines! I find that story is best expressed through eyes, eyebrows, and mouth (this might be different for you). Those features can and should change shape to express emotion. They are usually what I draw first, to figure out the emotion, and they're what I spend the most time tweaking.

The rest of the features - face shape, cheekbones, nose, forehead, ears, hairline - are less emotive, less 'plastic', they don't change shape much. These are doing work to make the character recognizable. I try to keep them simple and have a few simple rules that I can remember about each character.

(Watson is tricky because of his mustache! I've found that treating it as part of his mouth rather than a distinct piece works best, but even so it makes his face less emotive - which, honestly, works for the character, as he is less demonstrative than Holmes)

I'll usually do a simple underdrawing to figure out what the body is doing - trying to capture the energy of a pose and, again, thinking about what story the body is telling.

Then I 'ink' in the clothing, following the lines of the body and gravity. Victorian clothing is fun to draw, I find that the structure around the shoulders and neckline lends itself to expressive poses. I did a bunch of Victorian clothing studies a few months ago and felt like I built up a 'library' in my head so that I don't need to reference it every time.

Shading is incredibly minimal and quick. In really simple drawings, its purpose is usually to distinguish characters from the background. In more detailed ones, it's to give them a little dimension and focus the eye to the faces.

Every choice I make is in service of readability rather than beauty or accuracy, if that makes sense. So it is quite a different mindset than when you're drawing realistically or painting.

I hope this was helpful! I am a professional artist but whenever I get sucked into a fandom I find myself making leaps and bounds in my craft because I want to draw so MUCH and don't care about making it polished...truly shout out to hyperfixation for the gifts it brings

#art post

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meruz · 14 days

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i hope this hasn't been asked before. what size do you make your canvas? and do you crop it to fit other socials (like Instagram for example)? i hear that 300 dpi is standard. i never know if it's good to make my canvas big or not.

hi i think this ask is like at least 4 months old but i was scanning my sketchbooks from last year and i abruptly remembered i had gotten this ask because i had made a little chart in my sketchbook trying to figure out how to answer it

anyways theres pros and cons. and the size of your canvas is really going to depend on personal needs + preference. how good ur computer is, how complicated ur art style, how comfortable drawing feels, how much disk space you have to spare, what youre gonna end up using the art for in the end...300dpi is standard for PRINTING specifically, if you only plan to ever post things online then 72dpi works great and will save you space (fun fact a lot of professional animation files i deal with are 72dpi. and those eventually go on your tv screen). but personally i make everything i draw 300dpi because i am always printing stuff for cons, zines, etc and its nice to have the option even if i dont end up printing.

when I was a teen I used to draw on a rly shitty laptop and i made everything 800x800px 300dpi because big canvases would cause a lot of lag and also the resolution on this laptop was pretty small so 800px was a lot of the screen already. now i have a slightly better laptop with a bigger resolution and i sketch on giant 10000px-40000px canvases with the hard round brush and no shape dynamics or transfer whatsoever to minimize lag. when it comes to making a final illustration when i know ill be using a bunch of layer effects/blending modes/colors/mixing brushes etc etc ill generally crop the canvas down to the 6000px range. most illustrations i try to make sure are comfortably printable on tabloid size paper so thats pretty much anything hovering around or above 3000x5000px w 300dpi (so 11x17in). HOPE THIS HELPS?

EDIT: OH ALSO re: socials. i always ALWAYS size down my art to post on the internet. i think its crazy when other artists dont. because why would i ever let the internet have my hi-res file for free. also in general i think it looks better if you do the resizing yourself because if you don't then many social media sites will compress your file for you! a lot of people will post a hi-res file to twitter and then go "Wow twitter killed the quality of this img!!!" UH YEAH because they have an automatic image compressor. because they need to save space too lol and they dont want your image to take 248263895 years to load. same with instagram and to a lesser extent tumblr. when i post anything on social media i resize it down to 1200px-1600px on the longest side... its a little arbitrary but im kind of basing it on the smallest resolution of widely available screens. mostly because i think it looks stupid when u open up an image file fullsize and u have to scroll to see the whole thing... also iirc instagram only takes images up to 1080px before it resizes them? granted if you upload something smaller than that itll also resize it up which will look worse so I think bumping the numbers just over 1080px is pretty safe.

I should really be bringing the dpi down to 72 too when i post online but often im too lazy to do that. but it will technically help ur image load faster and stuff. and make it less likely for people to yoink it off the web and print it themselves.

#ask

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vinguist · 7 months

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Unironically I think Drawfee played a HUGE part in my art journey- and not teaching me how to draw [though their drawclass streams are also incredibly useful!] But just the fact that they're professional artists with like so much knowlege just instead doing silly and shitty drawings and aren't afraid to talk about artist struggles [procrastination, burn out, etc] I probably would be way more nervous about trying to get into professional artist spaces and would would crumble from burn out and self doubt of my own skills.

I think one of the most important things I learned (from I think Karina?) Was that if I want art to be a *job* and not just a hobby I need to get other hobbies because your work being your only hobby is not healthy when you're burnt out from work.

Like THOSE are the kinds of lessons that you cant just look up a tutorial for but in a random drawfee video they'll just randomly drop while drawing a cat shitting itself and it will change my life- Those kinds of skills actually are actually just as usefull if not moreso than actual art technique & talent, and since I don't have any connections to professional artists who could teach me those kinds of things, drawfee ended up being that teacher for me while also being super fun and entertaining.

It also often makes me inspired to do art- and not inspired in the way I get inspired by media I consume to draw characters I like from it, but inspired in a way where I just feel like I can draw *anything* in *any* style because each host has their own very distinct art style and draw so many different things and just get *fun* with it.

#drawfee

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kelogsloops · 27 days

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putting this in the tumblr ask box bc idk where else to put it 🕺 does anyone even read these still

anyways i just woke up but i had a dream and you were a big part of it- i don’t want to say it was a nightmare or like a bad dream but like basically in the dream you announced that you would be quitting art and like retiring ig? it was for a few reasons but in that moment idk i just realized just how much you have had an influence on my life- you know that saying “you don’t know what you have until you lose it”? yeah…

honestly at first when i woke up i was so ready to call it a nightmare, like “oh my god?? you?? leaving?? forever?? noooo!” but as i’m sitting here awake now i realize eventually it’s probably gonna happen- maybe not in the way it was in my dream with you making a whole like announcement video and wiping your accs, but maybe quieter. i wonder if it’ll be that you stop making art, but i find that hard to imagine. i think it would happen slowly, less and less posts as the years go on. in my head even if you stop posting it, i’d think you’re still creating, making art for simply the sake of such. but then i think about how silly that thought is though, i don’t know you outside of your social media bubble. i don’t know your life and what happens there so to even assume something so quiet is pretentious of me.

like i said, at first i thought it was a nightmare, i can’t bear the thought of you leaving one day- especially for the reasons you gave in my dream it was like “i gave up, arts getting too much for me, and things are so competitive now no one wants my art anymore…” blah blah blah. it was all my own stress as an artist manifesting onto you i think- but anyways i hope that should the day ever come where you do end up leaving your socials and whatnot, i can only hope that it’s out of your own accord and you do so because you want to, not out of pressure or anything like that. like i’m not saying i want you to quit or anything, but what i’m saying is if it happens i just hope it’s something that you chose on your own. i just don’t think i could ever stand that happening though without letting you know how much of an impact you’ve had on my life.

i found your art when at a very developmental part of my life, so your work wether consciously or not i think has just become like a part of my brain wether conscious or not haha. whenever i go to draw even if i don’t explicitly go to look to your work for inspiration, it’s still there i can see it. it’s like just unconsciously ingrained at this point. but more than that though the whole idea of like “brb chasing dreams” and whatever and the whole idea that i feel you impart every time you share pieces of your journey as an artist to just keep going, i kind of stole that mantra for myself and started to tell myself that as well. even at my lowests, i’m still trying to follow that dream, even lost and i don’t know what direction i’m going in there’ll always be that dream as an anchor almost.

thank you for all that you’ve shared and thank you for being the biggest inspiration in my life. i know that’s quite dramatic to say, but i mean it in full honesty. whatever the future holds for you, i hope it’s kind. i hope you live a long life chasing all your dreams where at the end of the day, you’re happy. thank you.

waking up to find a message like this in my inbox has me feeling t e a r y. it's reading stories like these and hearing how my work has impacted people that makes this all feel so surreal sometimes. the fact that people would even care if i stopped making art one day or just disappeared is crazy... i'm very fortunate!

i've resigned myself to the fact that sure, one day (but hopefully never) i won't be able to pursue a professional career as an artist anymore, but if there's one thing that i can promise, it's that there is no reality in where i stop making art!

i don't know if i show it enough, but to each and every one of you who have been part of my journey so far, thank you from the bottom of my heart. it's messages like these that pinch me and remind me how it's all so worth it

forever #brbchasingdreams

#ask me #ask me anything #ask

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kokoasci · 1 month

Note

hey hiii love your art and i am astonished by your background composition, is there a process behind that or maybe tips you would share ?

hi!! thank you! this kind of like depends per piece, im not a professional artist (compsci student, so take my advice as a student with no formal art studies with enough salt to taste) but i do have a kind of general-ish process that i can talk about like with this scara piece comp:

i work pose first, composition second: i.e. i draw a pose and usually refine it before i start thinking about a background lol 😭

working general -> specific is my best friend, and I think it also helps me evolve a drawing as i go, since i don't usually have an idea for a full composition when i start (that's so stressful to me LMAO) you can see this progress here (i erased the basic guidelines though so theres no facial features, but i usually leave the face for last anyway because it helps me fit in an expression better)

by the time i have a full pose THEN ill start refining to an actual composition. this is also the point at which i decide to start putting actual effort in

then i just. fill the background with objects, usually ones that have a connection to the character or vibe im trying to fit. this is a weird example because the only things i know about scaramouche is there's some sort of like connection with puppets and he also likes his vision so i played with that idea, which is kind of where those fishes and the general pose came from. (i go into more detail about this here!)

i originally wanted to have puppet strings for those objects as you can see below but it made the final piece kind of muddy so i took them out :(

then its just coloring, which is usually what takes me the longest because im so. indecisive 😭 i like to keep depth and 3d space as the like #1 thing in my mind while coloring though and how shadows will work with that, because i think it helps a piece pop out way more

and that's how i get my compositions !! i make it seem pretty streamlined here please know it's a lot of redoing whole parts of the drawing and fixing the background/foreground until im happy with the finished result

thank you for asking, i hope this helped answer the question <3

#ask koko #you all should see the reference pictures i had to take for this LMAOOO i look so angry in them its so embarassing #but the drawing turned out well so. it was worth it #thank you for asking!#scaramouche

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shokolandish · 2 months

Text

viv is not a good person and i don't support her, but ive got a hyperfixation right now and im gonna make that everybody else's problem

besides, separate art from the artist or whatever

hazbin has a shit ton of mistakes, problems, same body and hell, even same clothes syndrome. does hell only have one shop or something???

but i just kiiiinda enjoy (?) it for what it is

and ive seen a lot of people do redesigns and that seems really fun and honestly, the characters have a lot of potential that's just blatantly ignored by the show

aaaanyways, after all that out of the way, i present to you...

finished refs for two of my redesigns for the cast!!! did the main couple first, naturally

soo, here's charlie

age: about 22 in human years

and vanessa!

age: about 25 years old. not sure if angels age differently but that's her age in human years

some notes under the cut

Charlie

- yep, i made her non-binary. just get a lot of non-binary energy from xer. besides, i like the hc of them preferring the name charlie over charlotte because it sounds more gender-neutral

- i like to imagine xer a bit on the bigger side complexion-wise. like, i don't know if you could call her chubby but she is a bit plump and really soft to the touch not only because of the fur. i feel like being soft and having more soft edges in buns design would fit buns character more

- she's not freakishly tall anymore!!!! like.. i don't mind her being tall because she's the princess of hell after all.. also have you seen how tall lilith is???? but i feel like sometimes it's TOO much... also honestly it also just fits them more imo??

- they're a redhead now. I MEAN LIKE. both lucifer and lilith were described with red hair in old paintings.. i just had to.

Vanessa

- yeah yeah i made her a demigirl... her original color palette just screamed demigirl. like. it was literally the demigirl flag color palette.

- i thought of naming her violet but that'd be a little too on the nose i think- gave her actual hips!! and not whatever was going on in her original design (the waist just going straight into the legs)

- also made her a little more.. (uh i guess the appropriate word is "thicc") overall- yeah i also redesigned the angelic spear a bit. not too proud of it but i think it gets the idea across

- i don't usually.. draw noses, but i figured it was a pretty big/most recognizable part of her design so i gave her one.

- oh yeah btw she's not gray anymore!!!! yippee!!!!! like what's even up with viv and making poc characters gray. anyways since she's a fallen angel i figured giving her a more human appearance would make sense. we've seen winners in heaven and a lot of them look pretty human. even if we only look at exorcists, lute looks pretty human too.

writing notes

okay, so, i wanna give you some notes about the writing, but before i do - i am NOT a professional writer, im just a kid who has some criticism for the hellfire of a show hazbin is

with that out of the way...

chaggie's writing

okay so. chaggie am i right.

so, ill just get this out of the way - it's boring

like, really boring

chaggie defenders will say they're just "casual" and im an asshole for wanting more from them but you can be casual and not be FUCKING BORING

like.. all of their interactions just go the same waythey comfort each other or hold hands or vaggie is trying to convince charlie to do something and she NEVER. FUCKING. LISTENS. like seriously.

the only time she actually listened was when vaggie convinced her to be more assertive but she was trying to do it anyway... and she changed vaggie's words and did her own thing anyways

they don't even have that much chemistry. and they're like, the main couple. they're supposed to have chemistry.

hell, emily and charlie had more chemistry in one episode they interacted in than vaggie and charlie in the whole damn show

vaggie's writing

vaggie's writing.. it's... sigh.

she doesn't really feel like a separate character when she's with charlie

they're just. doing the same thing. over and over again. all of their interactions are the fucking same. like.. i wanna care but i just have no reason to. i just DON'T FUCKING CARE.

even vaggie's whole deal in "whatever it takes" is her just?? dedicating her life to being charlie's partner?? and not even being her own person and living for herself??? like. what's up with that. maybe i just didn't pay enough attention??? i can't be bothered to rewatch any chaggie scenes in episode 2 because they did not deserve that drama and i just don't care enough

im supposed to care but i don't

the show just. doesn't give me any reason to care.

vaggie interacting with ANY other character is so much more interesting - i don't know what to expect, i can't predict it!

vaggie interacting with alastor? hell yeah! we never know alastor's intentions and seeing vaggie not taking any of his shit is really entertaining!

vaggie interacting with angel dust? sure! id love to hear the bickering or maybe them having to put up being alone with each other for an episode? maybe both of them having to put up with charlie's shenanigans and bonding over that?

vaggie interacting with niffty? okay sure! a lil gremlin and an involuntary caretaker maybe with vaggie seeing niffty can take care of herself? or vaggie trying to put up with her insanity?

vaggie interacting with husk? oh hell yeah, they both seem to be the straight man in any situation (despite neither of them being straight but whatever), maybe they can have a drink or two together.

vaggie interacting with pentious? yes please! she'd not take any of his shit, but honestly? pentious' obliviousness with vaggie's seriousness could be a very fun dynamic!

but charlie? yeah i can just. predict any interaction they'll have.

and that's not really a good thing with the main couple

because it just gets old really quickly

and we see them all the time, so after some time they can just start to irritate people

how would i fix it?

MAKE THEM INTERESTING, DAMN IT

maybe make charlie listen to vaggie more often??

or maybe vaggie getting a bit irritated because charlie doesn't take her advice seriously

or maybe actually show us how they fell in love?? not just love at first sight or whatever they had in the flashback

like, id love to see actual chemistry develop!or maybe make their interactions not as predictable??

or maybe actually show us how they work together

have an episode dedicated to them

that's the problem with trying to fit everything into one season - the character and relationship developments can end up rushed and just. not very good.

like.. the season we got could be easily stretched out into two or three, WHERE ARE YOU GOING SO FAST, SHOW?? why so fast

this show doesn't know about the existence of filler episodes and we NEED filler episodes

to actually get to know the characters, to explore dynamics, to get to know the world around them

the season is just way too short to tell the story it's trying to say

and if i didn't care about a character from the start and the show doesn't let me meet them... im not gonna just start caring.

---

anyways, that's about it! im definitely gonna do more, i even have angel and pentious ready:) niffty, husk, alastor, emily or adam are next after them, i already have them sketched out

idk what order im gonna post them in but we'll see i guess

---

bonus:

some concepts

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painted-bees · 4 months

Text

Migraine addled feelings and thoughts about art and me.

My relationship with art is a little strange haha

When people ask me about...what I want to improve on, or what kind of critique or advice I am open to receiving, or anything of that sort, I don't really have an acceptable answer for them.

The simple matter of the fact is that I'm not...actively aspiring towards improving my technical skill. Being good at drawing/painting and taking the serious steps nessicary towards that end isn't really...fun for me, personally. Not as a goal, nor as an intentional part of my process.

I literally just draw for fun. My goal is to have as much fun as possible with each piece I make. If I am not having fun with a drawing, I stop drawing it. Simple as that.

I worry that this kinda chafes some people when the topic of constructive criticism, etc, is brought up. When someone asks me if I am open to critique, my "no thanks" isn't out of arrogance, but rather because critique takes time and energy, and there are artists out there who'll be thankful--rather than indifferent--towards receiving it. Very likely, the critique is a valid and very helpful observation, no denying that. But it is a bit wasted on me, I am afraid.

I approach my drawings as a hobby--like video games. That's my relationship to the craft. Some people might think I am very good at it. Others undoubtedly think I kinda suck at it, or that I could be much better if I took it as seriously as they do (or would). But that's not my goal. I just like drawing and making characters and story things, and sharing them with people who like it. I don't wanna be the best at it, I am not even very interested in striving towards my own "full potential".

I learned years ago that when art stops being fun, I stop making art. And I have learned that technical improvement comes naturally when I just draw a lot. It comes very slowly--on the scale of years--but it does come. I get bored of a technique and try on a different one, or get annoyed at a particular limitation and put the effort in to overcome or problem solve around it. But the pace is driven by personal enjoyment, not a desire for improvement nor even a fear of stagnation. So long as I am having fun, I don't care if my work stagnates. Like playing the exact same level of a game over and over again that is challenging enough to be rewarding, but doesn't exactly contribute to bettering your skill. I don't look at a piece I finished and consider the ways in which I could have done it better. Of course it could have been done better but I made it the way I did, I enjoyed it, and it's done, now. My concern is that hopefully next piece won't fight me and will be just as fun and rewarding to make.

There are people, excellent artists from both professional and hobbyist circles, who find a lot of joy and satisfaction in honing their skill and seeing the steady improvement in the work they produce. I am just not one of those people, haha.

And hopefully that's okay!

Most importantly, the nature of my leisurely enjoyment isn't a belittlement of anyone's hard work and dedication to the craft. We all make art for different reasons, towards different ends, and find joy in different ways♡

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munkiey · 10 months

Note

Hey I saw some Macaque fanart that looked eerily similar to yours and just wanted to let you know (I might be making a deal of nothing but yeah I'll include a screenshot of the art):

Alright so.

1: This is likely someone who is doing screenshot redraws from the same images I did that came from a published show that is accessible to millions.

2: Tracing is actually a great way to learn.

Now, credit should be given obviously but there is a huge stigma from folks online about tracing. I can almost promise you that some of your favorite artists out there will look at a work they like and go 'how did they do this?'

Best way to get into the head of another artist? Trace it.

I've done traces of other artists that I admired and honestly I learned a lot from doing so. Did I post these or ever claim them as my own? Absolutely not, that is when you're stealing.

Thousands of professional comic artists, or almost every skilled artist you can think of has traced. This little waltz is like a baby bird taking its first haphazardly drunk steps across a ice pit. We call them screenshot redraws today, but in the fine arts spectrum, they're called Master Studies.

Because you're looking at someone who has already accomplished something and you want to see how they did it, how you can apply it, and how you as an artist can grow.

The beauty of art is that we can take aspects of things we like and add onto our own work. Its an amalgamation of influences that compound together to create the concept we call an artist. I love seeing where people draw their inspiration from.

3: Personally, I think that it's good that this person is taking some steps into digital and learning. Looking at the line weight and the way they use their tools it seems that they're still learning how they want to navigate the digital platform. This is a great way for them to improve an if they had, allegedly, used my images at reference then I'm honored they saw something to admire in it!

The fact that they practiced at all is way more than I can say for others that say they want to improve but don't put the effort in.

4: Now, final point here.

In the future, please do not come to me like this.

I appreciate you trying to give me a heads up, but I'm not going to sit here and reprimand or police people. This kind of message to me feels like a rather deliberate attempt to stir up drama, which if it was not your intention and you genuinely were just looking out for me, I appreciate you trying. The way I see it though, reporting people like this or going after what may very well be kids trying to learn creates a toxic mentality that I don't want anything to do with. I've been there, done that, and been on the receiving end of that nastiness.

I've learned a lot through my time online and the big lesson sometimes is just to let people do what they're gonna do.

Seriously though, who ever did this has a very cute style. I like the smile headshot there in the middle.

Stay wild <3

#rant #tracing #ask #munkiey

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iznsfw · 1 year

Note

Give me your best minju femdom

just how much are you willing to give for a dream that big?

IZ Days of Christmas: Day 7 - Kim Minju

IZ*ONE's Kim Minju x Male Reader Smut

7,397 words

Categories | dominant_curator!Minju x aspiring_artist!you; mommy kink; MINJU LIKES BEING CALLED DADDY; degradation; #DomJu; femdom

Content warning | pegging, SLIGHT DUB-CON, harsh criticism/insults from Minju

You asked for it.

"I'll think about it."

Four words. Four words that are designed to make it seem that there's still a possibility lingering here, but actually pose a definite answer: no. And you would have believed in a potential answer of yes if it weren't for the curator's amused smile as you exhibit your artworks to her. There's no chance anymore; just by looking at her pink lips, you know what she actually means.

Your whole world falls apart. There's your hope, there's your lifelong dream, all cut into hopeless little fragments on the ground. And all you can think is: why? You've worked so hard for this. You've taken so many classes, so many days of coaching and endless painting. It's a difficult world out there, but you are certain that you deserve better than a " I'll think about it."

You deserve to have your painting in the country's biggest gallery. You deserve the recognition, the praise, everything. But the curator of this museum isn't quite convinced, and although she doesn't say it directly, her bored eyes say it all. To her, you're just another artist with a superiority complex, just another artist she can reject and move on without.

Even her quirked lips tell you that she's unimpressed. Probably even disgusted. How dare a niche artist like you demand to come to her personally and ask to have this... art—(if she can even call it that)—displayed?

Her heels clack on the marble museum floor as she runs her fingers along the frames of your paintings. "Honey," she says, testily, throwing you an amused glance, "this isn't even Picasso level talent. And, in case you don't know, Picasso was a pretty shit artist."

You're taken aback by plenty of factors in that condescending statement, because for one, Picasso was an excellent painter. He's your role model in the world of painting and the medium of art itself. You've visited museums in places you aren't even remotely interested in staying just to see his art in person. Hell, you took classes to be able to replicate his abstract style. How dare this woman speak of him as if he weren't one of the biggest names in art? How dare she? You bet that she probably doesn't know how to name any painting besides Starry Night.

"This one"—and then Minju reaches her bare arm, exposed by the loss of a sleeve attached to her black turtleneck top, to glaze her fingers across one of your pieces—"is probably my least favorite. It's rushed, it's not even colorful enough to attract attention. Not even gray enough to capture a sad mood."

How many pointed bullets has she shot at you this afternoon? You're losing count. "Well," you answer, quite shaken, "I don't believe in colors very much. It's the drawing that should matter. You see—"

"I don't want nor care enough to hear about your nerdy art bullshit."

The umpteenth bullet. It strikes your heart right through the core, and through the flat of your back. You take two steps backward for a reason you aren't sure of. It's a big museum, filled with towering sculptures created by lone artists many decades ago and paintings that take up two blocks, yet what intimidates you more than any of them is this woman:

Kim Minju, curator of the biggest art museum in Korea, and a professional asshole. You had to find that put the hard way the moment you started to crush on her. Who wouldn't? Her features—doe eyes, pointed nose, and thick pink lips—blend in together so perfectly, as if she were another masterpiece in the museum. But looks, you learn, are deceiving. Kim Minju is not as kind as she looks, nor are her words as pretty as her face.

Dress pants sway freely around her slim legs as she walks back to you. Her expressions never vary away from boredom, condescending, and angry. It's like those are the only emotions she is capable of having. She's such a complex person—you understand that although you've only been with her from eight o' clock today to three—but so, unbelievably uninteresting at the same time. You have no idea what to make of her yet, except for the fact that she can be pretty cruel.

Minju approaches you with crossed arms, then pauses when she's just another breath away from you. You try to meet her gaze, but it's too good at holding yours. Besides, the hate you have for the fact that she's taller than you doesn't help either. But you have to hold your ground. If you don't, there will be more pieces to pick up than your broken dreams.

"I'll give it to you straight," says Minju airily, "my museum doesn't have the time for your art."

That's another shot. One more and you're dead. Your cheeks already flush from embarrassment, but she drones on, clearly not caring about what you feel. Not that that's an unusual thing for her.

"I spent all day trying to listen to you talk about your credentials and art whatnot," she continues. "But I'm getting bored, and I don't like your tacky style or you. So I suggest you find another smaller place to start posting your art, like a kindergarten teacher's art class billboard."

You've died at least a hundred times with each word she spits. You're utterly humiliated; you've been through terrors of teachers but you have never received words from them as harsh as Minju's. Every syllable was fashioned to hit just the right spot, because yes, your art's first criticism is its tackiness from when you first started. Yes, it was a risk you took when the first place you decided to hang your art is the biggest museum in the country. But you're not like the other artists. You've improved so much over the years, and your art is nothing less than pleasing to the eyes now that you've found your own style.

You have to admit that they do slightly look out of place with all the other gorgeous paintings, but you can be as good as them. You just need a jumpstart, and you'll get to it. You swear on your own life.

"Miss Kim," you answer, not sure what to say, "I can be as good as Van Gogh, or whoever artist it is that you like. I just need a place to start, and I think your museum is a good place for that."

Minju laughs. "Van Gogh was as shitty as Picasso, dear thing. And your art is not good enough for this museum to be good. So please, take my advice and start at the nearest preschool. I'll hear from you when you've finally gotten into second grade."

Dear thing? Dear thing?! Oh, now she's royally pissed you off. Now, it's your turn to be cocky. Kim Minju is about to find out that two can play at this game.

"For your information, Minju," you reply, now with more confidence, "I'm not your dear thing. And I'm the best artist of my generation right now. You're going to be so sorry if you don't accept my art right now."

Minju nods condescendingly, as if she were listening to a small child rambling about dinosaurs. There's a laugh on her face, which makes you even more infuriated because she is just not getting the point. If she does, she doesn't believe in it. Oh, not in the slightest.

"'Best artist'? Let's not get ahead of ourselves right now. Your style is not unique. The topics you draw are not game-changing. Not even close."

"You just don't have the eyes for it," say you with gritting teeth. You hate how your lips are quivering. "You're, you're not even an artist yourself. You're just a curator."

"And a good one at that." She's just as assured in her own abilities as you are. Minju is unfazed by your amateur insults. She could hear better from a sixth grader. "You can drone on all you want, honey, but that won't change the fact that I'm not interested in taking you in. You can go or kill yourself in front of me. Either way, I won't care."

That's your breaking point. Your hands start to form trembling fists. You can't cope with all this right now, or with Minju. She's just another self-absorbed curator. What does she know about art?

But you've relied your dreams on her. If she doesn't give in, you're nothing. You'll never have a chance to make it big. Nobody cares about art nowadays, except for the classicals, making it even harder to make a name for yourself. You want to become so big in the world of craft that you're credited as inspirations centuries from now. You want to be the best that no one ever was. If Minju doesn't like you or what you make, you don't have a chance.

Gone is your oversaturated arrogance. Gone is the front you were trying to put up before Minju. Most importantly, your dreams are gone, snapped into pieces just like that by words. You're more than hurt; you're devastated. If you can't be a renowned artist—the only steady dream you've had your whole life—what are all your efforts worth now? They will remain fruitless if you don't put one foot forward.

Minju is your wall blocking the path to fame and recognition. A goddamned gorgeous wall who won't falter nor break for anyone, especially not you. No punch can break her foundation. No word from you can make her bricks detoriate.

Try to hold it back, but the tears are forming in your eyes. You're a mess, you truly are. You've been a fool for your dream, and you are just realizing now at the present that it was all for nothing.

"Please," you whisper. Break the staring contest with Minju and look at your shoes instead. Look at the marble floor no one would cross to see your works. Look at the ground where the pieces of your hopes and desires have broken.

"Please what?" Minju is clearly enjoying this. Her crossed arms quiver as she tries to hold back a laugh. Oh, she loves seeing pathetic men admit that they're nothing. It's what she feeds on. She can put their tears in a bowl and put cereal in it for breakfast.

"I'll—I'll do anything. Is that enough? I'll do anything for you to accept my works."

There's the smallest hope in you as you see that Minju is considering this. For a woman like her,and a man like you, she can make you do anything. She can make you mop the floors of the museum and yell "hakuna matata" on its roof and know that you would do all that just for her acceptance. That's what makes it so, utterly satisfying.

"That depends, to be honest," she says slowly.

Minju leans down a little and places a finger under your chin. Her nails are sharp, and they scratch your skin as she tilts your face upwards. Her smile is teasing; you hate that you like it so much. You hate that despite her clear description of how much she dislikes you as a person and you as an artist, your magnetic attraction to her remains.

"Just how much are you willing to give, boy toy, for a dream that big?"

She's degrading you again. It's strange how much it makes your skin tingle.

"Like I said," you sniffle, "anything. I'll give anything."

"Oh, you'll sooo regret saying that."

With a woman of her caliber? Of course you will. But you're a desperate person. It's your sheer need and your willingness to do whatever it takes to get it that get you to places. It's both an advantage and a disadvantage, a pro and con, light and dark. Chiaroscuro, if you will.

"W-what do I have to do?" you ask shakily.

"Simple." And she says this without any shame or sign of shame: "Call me mommy."

It takes a moment for you to register, and Minju uses your confusion as the perfect time to pin you to the wall, like you are a masterpiece, too. Not that she sees you in that light; you are too weak to be one. Too easy to be played with.

Minju is kissing your neck. Lipstick leaves fresh marks on your skin. And when she bites... oh, your knees do more than buckle. You almost collapse to the floor. Thank God (or not) for Minju's hands popping your shirt buttons; they keep you standing. They keep you knowing that all this is real.

She kisses you again, crudely. "What did I say?"

"Call you mommy..."

"Say it then."

She swiftly pulls off her black top, and in the bat of an eyelash, tangles your wrists in between its fabric behind your back. All the while, her kisses rampage your skin. She can't get enough of your pathetic submissiveness. She plays with you as if you were a toy, her toy.

Her mouth traces your torso like a pencil. Her teeth come out to play at times, specifically to see the alarm in your eyes. But nothing prepared you for her lips right above your jeans, or her daring eyes looking up at you and shooting glares into your soul.

"Say it."

"Mommy..."

That's the ticket. The zipper and button are undone by Minju's eager fingers. Your cock is easily fished out and taken into her mouth as if it were nothing. Your body tenses as your mouth falls open.

Although she is the one on her knees, Minju shows that it doesn't change that she's still in control. Her technique and pacing alternates between harsh, rough suckling to a snail's pace of blowing.She sucks you off not for your own pleasure, but for hers. Clearly, that is what she has put first most in this world.

"Fuck!" you can't help but cry out.

Minju spits on your cock and squeezes it tightly. Your hips jerk forward at the tightness and pain. "You're not allowed to talk unless I say so," she says firmly. She's serious about this, too; her eyes show clear and unbridled anger. "Is that clear?"

"Yes."

"Yes what?"

"Yes, hnghh!" Your moan echoes in the wide museum. Her lips have rounded your head again and provide great suction. "Y-yes, mommy!"

Satisfied, Minju continues to suck you off. She's unlike any other girl you've had sex with. The others put on innocent faces to entice you whilst their lips worked on your cock, and picked up the pace if you pleased. They let out the prettiest of tears as they called you daddy, whimpered out the sexual title in the midst of the shoves of your cock down their throats.

But Minju... she's a woman with the unhinged desire to belittle you. Even in sex, she remains taunting—the licks at the sides of your dick and in the tiny slit you have are only done to make her laugh at your shivers. It's pleasurable, yes, but degrading, too. Degrading in the sense that she's simply doing it to see you break yourself into something more pathetic, into the writhing, needy mommy's boy that you aren't.

Or... ?

"This dick is so fucking small." Minju spits on the shaft with disgust. "I bet you can't even fuck me properly, not even if I guide you along."

"I—I can," you say, defensively. Minju's saliva coats your cock with more liquid than the continuous stream of pre-cum, which she licks off, of course.

Minju rises to her feet. It is only then that you admire her body. You would say that her face is the real deal, and it is, but you're still rendered shocked by her form. Her breasts are not the biggest, but they're still pretty eye candies. Their nipples are tiny pink things atop small handfuls of flesh. Her hips are what tempt you the most; they're so fucking wide, bringing more shape to her slim stomach.

"Show me," she says. She smiles again, marking a new challenge. "Put that cock inside me or you'll never make yourself recognized. I can fucking crush your dream with a snap of my fingers, baby, so I suggest you move fast."

You can't do anything. Besides the fear of never making it in the real world or as an artist bubbling inside of you, she's so tempting. Even with her all-black outfit: black heels, black sleeveless top, black dress pants, a style you are not fond of almost as much as you aren't fond of pineapple pizza, she attracts you. It's like there's invisible magnets taped to her skin that pulls your fingers to her hips, pulls down the long pants, and grabs her close.

Like magnets, you rub together. Your cock lodges in the hole between her legs. It's met with an immediate contraction, but Minju shows little appreciation on her face. Yes, her jaw drops and her eyes are suddenly round and wide, but she doesn't care to tell you how good it is. Your quick thrusts outnumber the fucks Minju gives about catering to your wants.

"Yes... fuck, yes, fuck that cock into me." Minju humps your entering and exiting shaft determinedly. "Suck on my tits, toy. Suck them until they're red and sore."

That's not something you're adamant to disobey. Like her lips lubricating the shape of your cock earlier, your mouth finds her nipples and captures it. You do as she says, sucking it cleanly and hardly. It feels amazing in your mouth. You knew it would even before it slipped in between your lips. Minju lets out sighs of gratification. That was the only thing it took for her to be louder. She would have to turn up the volume, though; the slaps of your cock into her cavern are starting to boom.

While her breasts are a beauty of their own degree, Minju's cunt is just perfect. It's wet, grasping onto your cock and covering it with a sheen of juices, just like she coated it with saliva during her blowjob earlier. Her mouth was considerably warmer though. But you aren't one to complain when you're clearly the toy in this situation.

Besides, the texture of her walls is a welcome addition to the stimulus on your shaft. Your cockhead repeatedly dips onto the patches of sensitivity, provoking a surefire reaction of the tender walls closing around it tighter. Jerk your hips forward; if you were only more powerful, you could reach her cervix and make it a finishing line. But no, your focus is on sucking the life out of Minju's boobs, just like she commanded.

Minju whispers soft curses under her breath. Arms wound around your neck, she silently tells you to go deeper. No, it's not just a matter of telling; it's a command, as brazen and firm as her earlier order to tell you to suck her tits. She expects you to comply, and if she is disappointed by you not doing so, she'll discard of you. Simple as that.

Release her nipple from your lips and prove that you're worthy. Prove it with more powerful thrusts of your hips into her tiny hips. You string together every might in your body, although most of it is being drained by Minju's humps on your shaft, into pushing your cock deeper. Minju cries out in pleasure. Continue the cycle and never break it. Eyes closed, head tilted to the sky, and arms almost choking your neck, you know you've proven your value to her. All you have to do now is to maintain that.

"Fuck, that's right!" Minju yells out. Even she can't handle your pounds. You're knocking he rinto oblivion. "Fuck mommy's cunt like that, slut! Fucking stretch her out!"

You're already stretching her out enough. It's hard to see since Minju is so adamant on fucking herself on you, but your girth is practically spreading her pussy lips apart. Wonder if she'll become tighter if you fill her up to the base of your cock.

Test it out. Cock stiff and a compelled mind in action, you shove yourself as hard and deep as you can.

"Oh fuck!" Minju's fully penetrated by you now. Your cockhead nudges the end of her tunnel and slams into it repeatedly. Minju's high on the pleasure. She's fucking herself onto you as if she were possessed by a succubus. She's sex-crazed, she's rabid, she's a feral fucking vixen who won't play around when it comes to what pleases her. And right now, what's giving her so much bliss is your dick. She's never letting it go.

But she thinks she wants something else to add to the mix.

"Finger my asshole," Minju says bluntly. Another command. She takes your hand, undoes it from its constraints, and guides it to her round bottom. "Do it."

"B-but..." You're not used to butt stuff, to put it cleanly. You've never touched or inserted yourself in any of your girlfriends' asses. It has always been purely excluded from sessions like these. "I'm, I'm not—"

Minju leans over conspiratorially and rasps in your ear: "Now."

Can you still continue proving yourself worthy? Even if you can't, you have no choice. Your chance at making it big is in Minju's hands. Besides, you're pretty curious yourself. Does it feel good there for her, too? How good, exactly?

Pat your finger on the tensing brown circle. Minju's breath hitches in response. Hide your uncertainty by meticulous teasing, rubbing your fingertips around her asshole and only slightly putting some inside. But Minju is becoming impatient. Whimpers still escape her lips, but she makes herself clear with the reverse of her ass into your hand. She knows what you're trying to do, and she's not letting you get away with it.

Hold your breath and plug one finger inside her. Turns out that's all you needed to do for Minju to put her all into hugging you with her walls, for her neck and head to throw back, for her to cry out a scream that sounds a little fox-like due to its pitch.

"Mommy's cumming, mommy's cumming, ffffuhh—! "

Her voice cracks. It's that momentary weakness that compels you to burst inside her like a popped balloon, except that instead of helium, you release hot strings of wet white cum. You don't have the mind nor the care for a few seconds to worry about impregnating her. The grasp of her walls and the push of her manicured nails into your skin are too mighty in turning your attention away from that.

However, to Minju, it doesn't matter if your cock is thick and big. She's paralyzed in shock. She can't believe you had the audacity to cum inside her.

"Fuck! What the fucking fuck did you do?" Her hands free themselves of their frozen to push you away roughly.

You only come to your senses after she slaps you. "I'm sorry, Minju," you say guiltily. Had you really lost all self-control after months without sex? Sex education literally revolves around protection! "Are you at least on the pill...?"

"Of course I am!"

The tension releases itself from your shoulders. At least God still has your back. "It isn't a problem then," you say. "We can—"

Minju pushes you again. This time, your back knocks hard into the wall. She grasps you by the neck tightly. There's true anger in her eyes now. None of it is an arrogant ploy anymore.

"Are you fucking stupid?" she asks, then rolls her eyes. "Oh, why did I even bother asking? Of course you are."

Ouch.

"The thing here, boy toy, is I don't want your cum in me! Clean me up!"

"D-do I get a tissue or...?"

"No. Lick it out of me."

You're stunned. What? Shake your head, bewildered. "No, I'm not gonna lick my cum out of your cunt, Minju!" you yell.

Her fingers grab your hair and pull it downwards. You fall to the floor in a heap. But you should get used to it. With the way she treats you like you're dust beneath her feet, you've always belonged here. It's only literal now.

You take a glance at her creampied pussy and cringe. It looks gorgeous; it's dripping out of her like a river. But now that you have to lick your own cum out of her, like you're some obedient little slave who can do nothing but obey and obey, it doesn't look so enticing at all.

Minju fires you another glare. It's a warning of the worse that's yet to come if you don't clean her up.

Oh, the things you do for your dreams. The things you do for money; for fame; for the tiniest bit of recognition...

How did you get to this point?

Fine, you'll lick.

At first, it's humiliating. Your ears burn red as Minju parts her legs and sits on your mouth, using you as a sex toy and chair. It's hard to support her weight on your face, even if she is light. It's easy to slip your tongue inside her though. You know it feels good when she moans softly.

"Come on," she pushes you on. Demanding, that's what Minju is. You wonder how she even became a curator with that kind of attitude. She slides herself up and down your tongue, which doesn't become flaccid in its licks due to the uncomfortableness of it all. "Clean mommy up. We still have a lot of things to do."

You take some of your cum from her creamed hole and drag your tip tantalizingly to her clit. Minju whimpers. Repeat the process for a few more seconds. You enjoy the shivers she does, and how tight she is around you. They make the experience much more bearable.

You haven't appreciated her thighs enough. She may be slim, but they are thick enough to choke the breath out of you. They encase the sides of your face tightly as she guides your tongue hotly. Her eyelids are fluttered lower than usual. Her breaths become more labored after the ones before them exit.

Glad that your hands have been freed from much earlier, you try to make this fun for you, too. Grab those honey thighs and push her down onto your mouth. Her gasp is satisfying. Her eyes flutter wide. They're all fun to watch: the shiver of her tight form, the expressions she makes, but pulling her down was a big mistake. Now you can't breathe at all. Your nose is nestled into her clit.

The muffled breaths you take end up pleasuring her cunt instead, much to your dismay. Minju doesn't mind; they make her more soaked than before. She sways her hips to and fro to get the feel of your nose swiping on her clitoris and your tongue entering and exiting her. The tip of your tongue excites her senses in the best way possible. She can't get enough of it. Hands on her nipples, she bounces herself on your pink appendage, overall satisfied with the work you've been doing.

"Such a good boy now," she remarks with a playful caress of your hair. "See how pathetic boys like you always end up in this position? Lick me faster."

The insults graze your pride because you know they are true. You became a whore for Minju. Her little boy toy. Weren't you just boasting about your own achievements a while ago? If so, why are you on your knees now? It's humiliating.

Close your eyes to stop the tears of embarrassment from flowing. The last of your dignity is gone. You can't give Minju the satisfaction of seeing you cry.

You increase the speed. Thrust your tongue inside her faster. Wiggle it around to hit the right spots. You discover that it isn't a matter of cleaning your cum up from inside her anymore. That was all a scam to get you to orally pleasure her. It shows in the way Minju refuses to let your tongue leave her hole, even to collect your semen. She's humping it too quickly for there to even be a chance of exiting her warm little hole. But it's too late to confront her about it now. You just have to wait until she climaxes again.

You have to admit: you do taste quite delicious. Turns out the girls whose mouths you pounded weren't pretending when they sucked off the semen from your tip. Your cheeks redden with the humiliation at that knowledge. However, there's a con in being aware of that. For example, it isn't so difficult anymore to lap at Minju's pussy. You willingly circle and dance your tongue inside her. It's fun to see her pleasured reactions.

When the opportunity presents itself, you pull your tongue out. Minju winces, but before she can voice out any frustration or order, you start to lick her labia back and forth. Her wide, shapely hips stutter. You have to take them in your hands and steady her to continue.

"Oh—mmmm! Fuck, such a good boy for mommy, eating her out so well!"

You would have been surprised at the compliment, but her silky voice never reaches your ears. Her thighs are compressing them too tightly for anything to be heard but wordless screams.

Her most erogenous part is her clitoris, clearly. She demandingly pushes that part of her center on your tongue. Twirl it at your tip, play with it, suckle it. Nibble at it to keep her on her toes. Show her how much you've tamed the brat in you, because once she did, it was apparent that there was no going back.

"Yes, that feels so good!" she cries. Her movements become more frantic and less graceful. It's like you're being waterboarded by a tsunami; she's a force of her own, a danger with the cleanest edge. "I'm gonna cum, baby boy! Mommy's gonna cum, she's gonna fucking cum all over your face---!"

When she does, it's like a sobering splash. Her screams symbolize the thunder, and the juices that squirt on your nose and mouth is the flood. There are no lifeboats anywhere to save you. Nor are there people that are going to. You just have to withstand the rain for a few more seconds

Close your eyes and wait for the storm to end. It takes a while to cease. You try to help yourself out by sticking out your tongue and catching her steady spray into your mouth, but you just choke on it. Minju finds her girl cum spilling down the sides of your lips and swirling in your throat amusing.

Through all that, her taste remains impeccable.

The stream stops. Minju's thighs are shaking. She slowly edges herself off your messy face. Her breasts heave with every heavy breath she takes. They're hypnotizing, but you file your eyes away from them. You have to remember that they belong to the cruel woman who told you to do away with yourself. This is still the same woman who used you. It doesn't matter if the only things you are appreciating in the moment are hr breasts; they still belong to her. She degraded and humiliated you in ways you never would have imagined.

Nudity is another form of art widely appreciated, for both aesthetic and gratification purposes. It returned and became popularized during the Renaissance and the Impressionism. Science was used to figure out how to create the right proportions for whoever is being sculpted, painted, or drawn. Mathematics was heavily involved, too. The golden ratio was used to present the figures in an ideal manner, whether the figures were of gods or historical icons.

You are glad it became popular through the years. You are glad at how normalized it has become for Minju's body looks exactly like another stunning sculpture. She may not have the golden ratio, but she has something even better than that. She's naturally curvy, naturally beautiful. Back in the day, they would have written sonnets about her.

She may be cruel, but she is quite stunning.

"We're not done yet."

The curator puts a stop to your daydreaming. Raised brows, fine creased lines on her forehead that scold you, Minju is flattered that you think this is over yet. It's quite entertaining to her, actually. You don't really think she's gonna give in after just a few sessions of fucking, do you?

Pocket your sore pride and face the challenge head-on. "What else is there to do?"

Her smile is haunting. "You're gonna find out soon. You might even like it."

The museum is closed today. There's a big sign outside with "CLOSED" plastered across the letters spelling "Now Open!". Minju had to shut its doors for the day due to your endless requests for a chance to have your works exhibited. Oh, if you knew what you had to do to get her to agree, you wouldn't believe it. You'd call it bullshit.

You and Minju clean yourselves up. There's no point in reusing her turtleneck; it's blotted with her squirt. And you have no business going out with a face drenched with the same liquid. So, while Minju gets into a change of clothes, you go to the bathroom and splash cold water into your face. You don't want to look in the mirror. You don't want to see the slut the man it reflects has become, because, if you were able to admit it to yourself, you'd say that you liked the way Minju treats you. You like the power she has over you that she achieved through such a short period of time.

But you can't say that. You refuse to.

Apparently, you were in the bathroom for too long. Minju's fist knocks three short sounds onto the door.

"You can't hide there all afternoon, babycakes!" she reminds you sweetly. She fires another five knocks. "Come out, come out!"

Roll your eyes with a tired huff. You weren't exactly planning to, but hey, that could work. She can't do anything about it but look stupid pounding onto the door like a maniac.

You get out. You find Minju dressed in a gray, sleeveless top with a jacket matching its color. She has undone her black hair and let it fall to her shoulders.

She gives you a wide, scheming smile. "Let's go?"

Minju does not wait for a reply. She simply takes hold of your wrist and pulls you through the swindling doors, colorful galleries, and parked cars. She leads you to her own vehicle. It's a modest black car that's been around for ages, but still works as if it were new. You can tell from the light rust on the knobs.

"Get in," Minju says. She already peeks at you from the rolled-down window. Gesturing to the empty passenger seat beside her with a tilt of her head, her brows rise and stay at their impatient height until you get into the car.

You only learn later that it's more than mandatory to have a seatbelt on when Minju is your driver.

There's that red light she easily breezes through. And another. Your eyes are wide. "What the fuck, Minju?" you yell. Your hands frantically fly to your seatbelt and fasten its buckle into place. Not without flying around, of course.

"What?" she asks, really not knowing what's wrong. "You need a water or something?"

Anddd a near miss with a bus. The honk of the horn is deafening. "Do you even have a license?"

"Ha, nope. This car isn't mine. It's my—hey, fuck you, too, you old shit!" Minju gives an angry driver who nearly collided with her sideview mirror the middle finger. When she turns back to you, she grins calmly. "Anyway, it was my brother's. He taught me to drive when I was eleven."

"Well, that explains it," you mutter to yourself sarcastically. And you'd think that since she learned from an early age, she'd drive better than most. That's her second deception of the day, and the twenty-third broken law.

The car swerves and spins into curved roads as if it were dancing. You're constantly on the edge of your seat. Minju, however, is unbothered. This isn't an out-of-place habit for her, breaking at least thirty traffic laws the moment the wheels of her car start rolling. Nor is it for the traffic guards in the middle of the roads, it seems. They yell at Minju with a a warning, but disregard it after a few seconds. How many almost-crashes did it take for them to realize there's no dealing with her?

You almost break into song of religious praise when Minju finally parks near her house. But it's too early to celebrate. God has fashioned this day unpredictably.

Her home is as large as a mansion. It's not exactly a mansion, of course, but the combination of paint and placing is satisfactory enough to pass as a modern house. It stands out in the suburban division like a sore thumb, if a sore thumb were fancier.

She throws open the door. The interior of her home is just as impressive as the exterior. Posters and drawings decorate the walls. The space in each room is wider than the first floor of your own home. You'd give in to jealousy if you weren't more surprised at the thing Minju is brandishing.

"Surprise, surprise," she says. She sticks it in your face for you to see it better, but it's too close for you to even understand what it is. It is only when she moves it back does it finally sink in.

A foretelling personification, really. It's a strap-on. Or is it a dildo? Oh, it's whatever you call a pink plastic shaped like dick. But your difficulty in naming what it is isn't the biggest problem you'll encounter this day. Oh, you have bigger fish to fry soon.

"What the fuck, Minju?" you ask in disbelief. Shake your head again and again, still not coming to terms with what she plans to do. "I'm not gay! I'm not getting fucked in the ass by—"

"I never said you were gay," Minju points out. She's good at that, finding Freudian slips in the middle of your sentences to turn against you."I just wanted to try fucking a guy's ass, that's all. And since I have you... I thought that today is the day."

"Minju!"

"Babycakes!" she says, with a grin that's a distorted mirroring of your worried frown. She grasps your chin and kisses you on the lips. "It'll be fine, I promise. You have nothing to worry about."

She really needs to stop calling you babycakes. It's annoying you already. But more than that, you don't trust her words. What if she's just using you again? What if she's lying to you, like she did when she said that she would think about taking your pieces in? When she's done, she'll surely throw you away like a trash bag, as if you were never really there, and replace you with a new and prettier one to dump everything she wants in.

But you find yourself walking to her bedroom. Slipping your jeans down. Putting them on the floor as Minju fastens the strap to her hips. Lying down on the bed and just waiting for it.

Wait, why the fuck is your dick hard?

There's a cold feeling on your asshole for a while. It's because of the lube Minju's lathering onto it, "for safety purposes," she says. "Damn, I'm pretty big! D'you think it'll be funny if I actually put a condom on the tip?"

But she doesn't, after an unamused roll of your eyes, and the pink tip penetrates your lubed hole. The intrusion is fought with the receiving hole's tightening. The sensation is weirder than anything you've felt before. Of course, you've never done this before, so you never could imagine what it felt like. But now, you discover that it's a sickly mix of pain and pleasure.

"Fuck, Min—"

"That's not the right word, honey," Minju corrects you. The drags of her cock in and out are slow. "Tonight, I'm not Kim Minju. I'm your daddy."

"Mmph! Please, Min— daddy," you whimper out. The word feels right when it slips past your mouth. "Daddy." Daddy, daddy, daddy. You're usually on the receiving side when your previous girls uttered it, but maybe it's actually fun to say it, too.

Minju's cock prods at your ass. It slips further inside as she giggles musically. "That's right. Open up for daddy, sweetheart~"

Even if, let's say, you refuse to, there's no other choice you can run to. You're on the bed, naked, with a woman whose hips wield a fastened dick. You can't escape.

Minju's strokes are almost loving. It's slow, sensual, and timed. She must have taken sympathy on you, for what might be the first time. Of course, her hand wraps around your own dick to provide an "everyday" stimulus, too. That, you enjoy, better than the pegging. You jerk into her hand with a clear need never spoken through words, but a series of helpless mewls.

"What a twitchy little cock," laughs Minju. She wraps her hand around it like a ribbon, and fastens it with quick, bold strokes. They're bolder than any step or curve you've drawn, any controversial piece you've made. "Your cock really likes daddy's dick, doesn't it? And her warm hand?"

You're leaning towards the latter as of now, but you nod anyway. What else can you do? Your virgin asshole can't do anything about it, your leaking cock can't do anything about it. Hell, your tears can't, either. But there's a secret joy formed inside of you at being under Minju's control, with nowhere to run or hide. It's sick, you know that, but you can't help what you feel.

Maybe you like being used and pegged by this harsh curator. Maybe you like her evil words, her tempting body, and her attitude that would make any grandmother die on the spot. Maybe you like the way she treats you like you're a particularly crude inconvenience in her way.

You're shaken by that realization. But what shocks you more is her hand slapping your ass cheeks hardly. You cry out, but the sound is quickly silenced by Minju's free fingers in your mouth.

"Shhh, quiet, baby," Minju coos softly. She leans over to kiss your back and neck. "I want to hear your cute cheeks slap together."

It's a sentence that can easily be used for comedic relief in a fucked-up sitcom. But to you, it's nothing but sexy. The way the words drip from her kissing lips just add to the hotness of her hand giving your ass a firm spank. Your bottom cringes, causing your legs to go weak. You've sunken onto the bed helplessly. At least it's a comfortable place to lie into. The bedsheets must be expensive. They have no other reason to be this silky and soft. Just how much is a curator paid? You might want to consider that career rather than go for being an artist.

Due to your fall, Minju takes your ass in a pronebone position. Sometimes, she isn't satisfied with your butt hole's gape, so she pries it apart with her own fingers. You squeal into the pillows. Pray the neighbors don't hear your scream when Minju takes matters into her own hands and slips a finger beside her strap.

Her strokes gain more strength as the present becomes soon. It's a sensation that you have no idea how to choose between liking and hating it. Your prostrate is constantly stimulated, and the brown walls of your butt are rubbed against, but there's the newness of it all. You aren't used to this. Part of you outright refuses to do it again, but the curious side of you is more than interested for another round. Maybe one or two more? You really wouldn't mind.

"P-please, please, daddy."

You start to beg of your own accord. Lewdly. Needily. You're starting to like this too much. With Minju corrupting your ass and her hand jerking you off, you accept your fate. Paintings don't matter anymore, just as long as it's Minju's cock lodged inside you.

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searchingforakeythatdoesntexist · 3 months

Text

It started as it will end, with a garden with this post -> link

"Stuntman / Stuntwoman / Stuntperson: a person employed to take an actor's place in performing dangerous stunts on purpose"

Day 12 : “Funnier my way” - Good Omens, Gymnast/StuntPerson AU

Aziraphale *angry*: You're being silly! Hurting yourself like this...

Crowley *pouty*: Naaah. Stunt person, that's what I am!

Aziraphale: Well, Dear, it is dangerous. *sigh*

Crowley: *sigh loudly* It's not if you're doing it professionaly. And I am. Very professional. Me.

Aziraphale: ...

Crowley: ...

Aziraphale *kindly*: Does it still hurt?

Crowley *softly*: ...Yeah. Still hurts. But doing it my way is funnier, Angel.

[Previous] [Next Day] [First Day]

Don't forget to 💕/ reblog ;-)

Personal challenge: a simple sketch each day

Goal: forcing me to keep things simple - inking, shading, just a few sashes of colour

Improvement pursued: to get the movement, the emotion, finding how to add depth, learning how to leave things barely finished

Max time allowed: 2 hours instead of 8-20 on my previous projects - well, 2 hours for the complete sketch, then 1 more hour for editing their lovely quotes - AND drawing the Minisnake!Crowley.

Today's theme chosen by me: Well, this time it definitely feels like it's the theme that HAS CHOSEN me. I was scrolling on Tumblr and found this old "Gymnast Vs Stuntwoman" video I have already seen on YouTube months ago. But my GO-rotten brain made me think "WOAAA this is splendid AziraCrow Arrangement's vibes, doesn't it'". Aaaand... Voilà.

Trivia: when I started this Challenge, I wasn't very comfortable with Aziraphale soft curves - partly because I always tried to draw unrealistic bodies and "healthy" (whatever that means) silhouettes, and partly because it reminds me of my own bigger roundnesses and I can't stop feeling ashamed about it. But now I like to draw realistic Aziraphale more and more, sometimes plushy, sometimes a little bit more muscular (you'll see it in my future Ice Skating Tribute). It is a long road for me, but I like it a little more each day .

Trivia2: I love so much their wings tattoos. And I am particularly proud of the winged-sword because when I imagined it, it only took 10 minutes doing it. I am having so much fun in this Challenge, because I don't have time to think or hesitate. It's very refreshing for an indecisive and perfectionist artist like me.

How did it start? I reblogged here but my brain didn't want to stop...

"Hey, Good Omens Fam, listen, listen.

Is it just my Good-Omens-rotting brain speaking, or there is some Aziraphale/Crowley's Arrangement vibes here?

Feels like a kind of funny Fem!AU to me...

Aziraphale: If I may? *performs their gymnastic routine with a perfect sense of timing, beautiful and powerful, everything is neat, calculated, an rightful Angel in disguise with their sculptural body and their lovely blond curls*

Crowley: My turn. *performs the exact same gymnastic routine with an almost-perfect sense of timing, failling clumsy and weirdly sensual, everything seems chaotic but it IS (?) calculated, an bloody Demon in disguise with their messy gestures and their red disheveled long hair*

Aziraphale: ...

Crowley: WOT? Job done!

Aziraphale, *sincerely concerned* : Mate, didn't you just hurt yourself on this last jump?

Crowley, *blushing*: Ha! No way. I am a professional. Very professional, me.

Aziraphale: ... ... .... *raise eyebrows*

Crowley, *blushing A LOT*: ...Yeah. Still hurts. But my way is funnier, Angel.

Aziraphale: Oh dear. 🥺🙄😌"

And YES, the stuntwoman dit it ON PURPOSE - almost of it. See for yourself, they are so lovely, having so much fun together.