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#i had this in my brain for weeks
s-aint-elmo · 4 months
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part 1 of my pining falin agenda aka it was so tragical that falin got benched for the entirety of marcille's little black dress morally bankrupt baddie era and falin thinks so too
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part 2
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obsob · 5 months
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hmm anyway. holds u in my arms
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nounaarts · 1 month
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LEAKED SCENE FROM SONIC MOVIE 3 ??
*queue 80’s music*
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Here’s all their crimes listed :)
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doctorsiren · 3 months
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some sketches from today
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Danny, at 17, did not have the best love life. This is partially because two of his must haves in a partner are " Will protect me with their life" and "Will commit unspeakable acts of violence for me" or at least beat someone up for his honor.
Naturally, this doesn't always result in the most stable of partners.
His first girlfriend, Valerie, became an anti-hero and broke up with him for his safety.
He finally got with Sam in sophomore year only for the feds to come into class one day to arrest her. To his surprise, her crimes had nothing to do with ghosts but rather an incident where she went too far and committed a few acts of economic terrorism. Danny and Tucker never really learned the specifics of the crimes, and her parents hushed up as many news outlets as they could, so there wasn't much info to go around. All they knew was that she saved thousands of lives by doing it.
In the end, she was sentenced to eight years, and she broke up with him so that he wouldn't wait around for her to get out.
His third partner was a guy named David who was really sweet. Unfortunately, Danny got kidnapped one day by David's arch nemesis, who was some villain with a corny edge lord name. Yeah. David had become a a super hero after they started dating.
And if you guessed that he freaked out and dumped Danny for his own protection, you'd deserve a cookie.
Danny was noticing a pattern here. One that continued with everyone he dated. They always became some kind of hero before dumping him for his own protection, and it was infuriating. Sure, danny could defend himself, but he was never deep enough into the relationship to reveal his phantom half, and frankly, his hero career was something he left behind when he left Amity and destroyed the portals.
He met Tim at a skatepark after Tim fell off his board cause of some jerk speeding out in front of him on his own board, forcing Tim to stop or else hit the guy. The guy was unrepentant and Tim calmed him down (this did not stop him from melting the guys wheels with an ectoblast when no one was looking).
Tim then asked him to coffee. Danny, noticing how cute Tim was, agreed.
Danny was up front with his parents being mad scientists in Illinois. He always was with all the people he dated. It was better not to hide these kinds of things or worse, wait until you're already attached and afraid of losing them. So he always told potential partners as early as possible. Tim seemed a bit put off by this but was calmer about it than most, and they continued chatting.
Tim didn't seem like the type to turn to heroism or anti heroism so he felt safe on their later dates. It was only after he had known Tim for a while that he put the pieces together.
Tim was always covered in bruises that he hid with his clothes and make up, he had complained about batman over the phone when he thought danny couldn't hear, he was rich, he knew how to fight as revealed by his stances and footwork dispite trying to pretend he didn't, and lastly he held a lot of political power and influence being Bruce Wayne's son. Power he had no reservations using when it suited him or he was just feeling petty (that pettiness was part of why danny was falling for him harder than he thought he could)
No wonder Tim was so okay with his parents being rouges.
Tim was a villain!
At least Tim wouldn't leave him like all his exes. Danny doesn't think he could handle it if he did. Another good thing about this is now he can talk more freely about the more villainous and morally gray ideas and inventions when he was alone with Tim.
Tim didn't see anything wrong with Danny's idea to use something similar to cloning pods to make synthetic meats like rump roasts and steaks as a way to end world hunger and was eager to add to the conversation.
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artilite · 2 months
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stay unserious chaos sonic <3 never change
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ramlightly · 3 months
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Malady the Knight
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attleboy · 2 months
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I hold you SO SO closed in my handsss,,, I love seeing you in my notifications it's always such an honor and makes my day so much
-@sm-baby
omg hiiii mushroom!! :D i'm gonna be honest, i've been staring at this trying to figure out how to respond for a while but i am far too flattered to think of a good response! consider me rendered speechless...
anyway, i just hope you know the feeling is mutual and i am also very happy when i see you around!!! i'm going to use this as an excuse to toss some carnival au art your way which you'd enjoy, i hope?? ^-^
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yes this one's based off madagascar 3 which... please don't judge me too hard for that... that movie's iconic (to me at least 😭)
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there's more to these but idk i wasn't feeling it so crops are all i'm giving out
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this one i'll probably still finish but i like how caine looks so here's a sneak peek
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that was all pomni and caine wasn't it uhhh. whoops... here's a couple jax i also like that guy
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and this isn't the carnival au, but it IS showtime and i know you love them... technically a wip but it's gonna take sooo many rendered pages to finish that idk if i'll ever actually get it done so just take this bit
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okay that's it, ty again for stopping by!!!
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sneez · 11 days
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pathologic but it's a lost 1920s german expressionist film [id under cut]
[id:
image 1: a digital drawing of a fake poster, using bright colours and rough, painterly brushstrokes. the title, 'pest' (german for 'plague'), is written at the top in spiky black text. in the foreground a man dressed as a tragedian is staring intently at the viewer, his hands raised and splayed as if in horror. in the background, the town is framed against a red sky, with the polyhedron in yellow behind.
images 2 and 3: fake casting sheets for the film, with the names of the actors and the characters they are playing above a black-and-white portrait photograph of them. all the text is in german. in english it reads: 'Pest', a film by Robert Wiene Alfred Abel as Victor Kain Ernst Busch as Grief Lil Dagover as Katerina Saburova Ernst Deutsch as the Bachelor Carl de Vogt as Vlad the Younger Marlene Dietrich as the Inquisitor Willy Fritsch as Mark Immortell Alexander Granach as Andrey and Peter Stamatin Bernhard Goetzke as General Block Dolly Haas as the Changeling Ludwig Hartau as the Haruspex Brigitte Helm as Anna Angel Brigitte Horney as Maria Kaina Emil Jannings as Big Vlad Gerda Maurus as Yulia Lyuricheva Lothar Menhert as Georgiy Kain Asta Nielsen as Lara Ravel Ossi Oswalda as Eva Yan Fritz Rasp as Stanislas Rubin Conrad Veidt as Alexander Saburov and Tragedian Paul Wegener as Oyun Gertrud Welcker as Aspity
image 4: four digital sketches of set designs for various locations. all are strongly influenced by expressionist imagery, using extreme angles, warped perspective, and dramatic shapes. they are labelled 'street 1' (a street lined with houses), 'street 2' (a square with a lamppost and a set of steps), 'polyhedron exterior' (the polyhedron walkway), and 'cathedral interior' (the dais at the far end of the cathedral).
image 5: four digital drawings in a black-and-white watercolour style, showing fake stills from the film. all are similarly distorted and lit by dramatic lighting. the first shows katerina's bedroom, with katerina standing in the centre of the floor. the second shows the interior of an infected house. the third shows daniil staring out of the frame in horror, one hand on his head and the other raised as if to ward something off. the fourth shows an intertitle with jagged white text reading 'the first day' against a dark background.
end id.]
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trek-tracks · 5 months
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Sorry, we can't move them
Source
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forestofsprites · 1 month
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WHY at no point in the show's history did my best friend castiel angel of the lord get called a dilf. yeah yeah yeah he got the early seasons pretty boy commentary, mr wisp of an angel dawdling about the twinkish gait of jimmy the salesman I'M TALKING S13 ->>>>>> that gay angel's a FATHER. he's a dad and he's fucking built, okay. he's tired, he's got eyebags, he's got wrinkles, he's juggling all sorts of shit. ongoing divorce, hunt at 3:00pm, pick jack up from the become god at 6:00. he's fuckin broad chest, fitted coat, he drives a truck but let's be honest it's like if a truck were a minivan
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obsob · 1 year
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love is stored in the parallel play
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rocky-road-art · 9 months
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here just. just take these. take them. mania possessed me after viewing this movie
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disappeareddraws · 11 months
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(text post source)
just a regular convo on the battle subway
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nomazee · 7 months
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Silly little thing I thought of
Like like imagine dazai and the reader have been friends for years like the reader knew him since his 15 goofer era... and they got used to eachother sm they usually sleep in eachothers beds n stuff :3
LIKE SOMETHING IS GOING ON BUT THEY STILL HAVE THE FRIENDSHIP LABEL.. 🐺🤞
this concept stuck itself in my head like a tapeworm and it has not escaped me for days IM ACTUALLY OBSESSED i wrote SO MUCH for this omfg i had so much fun writing this thank u for this wonderful idea pairing: dazai x gn reader word count: 2.5k content: fluff, vignette-style writing, friends-to-lovers unspoken label type of thing, soft dazai, domestic fluff without the marriage bit, banter, idiots in love im taking requests!
===
Dazai’s toes are still as frigid at night as they were seven years ago. You, of all people, would be the best person to measure this—not in a weird way, but you two have shared a bed at least once a week since your teenage years. You know all of Dazai’s annoying sleeping habits, including his ones of sleeping without socks and digging his feet into your shins for warmth. 
Annoying fucker. You sigh, batting his arm away from its loose hold around your waist. “Get your toes off of me,” you croak out, half-conscious and mind still addled with the remains of your once-deep sleep.
“What toes,” Dazai mutters back, smacking your intervening hand away and returning his arm to its rightful place around you. “I don’t have toes. I got rid of them after puberty, ‘member?” 
“I’m gonna kill you.” You won’t, not really, and the threats have lost their edge after all these years, but it’s fun to throw at him when he annoys you like this. “I know all your weaknesses, Osamu. One wrong move and you’ll be missing more than just your toes.” 
“I’m cold, dear. Would you really let me freeze like this? So mean.” 
You try not to choke up at the nickname. He’s been a fan of those recently, at least in the last year. You think it has something to do with your new places at the Agency. New workplace, new life, and new nicknames, apparently. If you overthink it you might puke on him and fall back asleep. 
“Not cruel. We have money now, you know. Go buy yourself socks. Wool, or something. Stupid ass cold ass toes.”
He goes quiet. Even in all these years of knowing him, half-living with him, you can’t tell if it’s a normal lull in the conversation or a calculated pause. It doesn’t unnerve you as much as it used to, but there’s still a cold chill at the nape of your neck that springs up at times like these. 
“Why would I do that when I have you?” 
Dazai has also been a fan of this recently—strange uncharacteristic moments of tenderness. He peels himself back for you and bares himself raw. The implications make you nauseous. Swathed in the darkness of the night, he can’t see your fingers twitch from where they lay next to your head, away from his sight; or the conflicted expression that crosses your face. 
Easing your breath out into a steady, deep rhythm, you pretend to be asleep. It’s not like he can’t tell, but the message is there. Let’s not talk about this until the morning. Let’s just sleep for the night. Let’s keep what we have and not change it for the worse. 
==
At age eighteen, shaken with the death of his friend and haunted by blood stains on his fingers, Dazai defects from the mafia. 
He doesn’t take you with him—at least, he doesn’t mean to. He expects to leave quietly, or as quietly as blowing up Chuuya’s car can be. He doesn’t expect you to drag yourself along kicking and screaming. 
Dazai doesn’t remember much about specifics, but he knows that one day he was alone in his underground apartment and the next day you were there. The kitchen smelled like melted marshmallows and rice krispies and his dingy counter was covered in sprinkles. 
“Hi, Dazai,” you’d greeted conversationally. “I’m making your favorite.” 
He doesn’t even like rice krispie treats. Hates them, actually. 
In truth, your presence is less the result of you “kicking and screaming” and more like an after-effect of your own quiet stubbornness. Your kicking-and-screaming was done in the passive aggressive way that you cleaned his dishes and made his bed and left big trays of rice krispie treats in his fridge for the next week. 
Neither of you talked about Chuuya. It was better for you that way. 
On the first night, Dazai remembers you holding him from behind, forehead pressed into the stretch of skin between his neck and shoulder. He’s sensitive there despite being wrapped in his stupid scratchy bandaids. His memories for the rest of the night are overrun by a feeling of want, an itch to feel your fingers on his bare skin, a craving for your hand on his stomach to slide beneath the hem of his shirt and press into the tender skin of his abdomen and keep him warm.  
===
“Leave me alone,” you grumble from behind the sleeve of your jacket. “I’m napping.” 
“It’s not napping if you’re still awake.” 
“I wouldn’t be awake if it wasn’t for your annoying ass.” Rotating your body to face the ceiling from your place on the Agency’s couch, you sigh when your view is blocked by Dazai’s ugly stupid face. He’s smiling in that conniving way that he does when he’s about to do something super annoying. Another sigh escapes you when he leans down close enough for the overgrown ends of his hair to brush against your nose. The puff of air from your verbal discontent makes the strands sway slightly. You try not to think about how mesmerizing he looks when he’s this close, with the light from the window casting a golden sheen on the crown of his head. 
Since when did you get this sappy? Must be Dazai rubbing off on you, obviously. 
“So tired already! It’s barely noon.” 
“You came into work an hour ago. I’ve been here since eight. Try being responsible for a change, might exhaust you just as much.” 
“Hmm.” He tilts his head, big stupid shiny brown eyes blinking down at you like he’s observing a specimen. “I think I’m more than responsible enough.” 
“Sure,” you relent, turning back around to shove your face into the corner of the couch and block out the incoming light. It’s the truth—you’re exhausted. A persistent weariness permeates your bones from how much you’ve been working these last few weeks. It’s not like it’s anyone’s fault in particular, not even Dazai’s despite how much he slacks on paperwork. But looming threats from enemy organizations hang over everyone’s heads and there’s no shortage of uncertainty in the Agency. It’s been mission after mission for you, and you’re taking every break you can get. 
Rustling sounds from above you, but you pay it no mind, busying yourself with nestling all of your body into the crevices of the couch and hopefully turning into a piece of furniture yourself. It might be a more peaceful life, really. The calm is short-lived when you feel fingers tap along your cheek—not in a rousing gesture, but something along the lines of placating. 
Dazai squeezes a hand beneath your head and cups the side of your face pressed against the couch, tilting it closer to him before you feel a warm press of lips against your cheek. He lingers. He always does. You can feel the gentle inhales and exhales breeze against your face before he breaks his kiss away. Your cheek is warm for more reasons than one. 
“Take care of yourself,” and oh, god, you’ll never get used to this, never get used to how tender and soft he’s become with you, never get used to how this Agency has fostered something like kindness in both of you. Your stomach stirs with something unnamed and if you were braver, you’d blink your eyes open and reach up and grab the sides of his face and pull him down to you. 
But you’re not brave, and there’s people still behind you in the office, and you wonder what led Dazai to be soft enough to kiss your face like that in front of everyone. You’re sure they’re watching you both. The Agency is full of gossips, whether they admit it or not. 
===
“Dazai,” Ango Sakaguchi grits out from behind the crackling reception of a burner phone. “They were not a part of the plan.” 
“You think I don’t know that, Ango?” Dazai replies, tone more playful than aggressive. “I know they’re not a part of the plan. They knew they weren’t part of the plan, too. But it’s too late to do anything about it. It’s just a minor change.” 
“A minor change?” Ango’s voice is strained with stress, no doubt pulling out strands of his hair as they speak. “I have to deal with not one, but now two members of the mafia defecting. Do you know how much work this was to begin with?” 
The thing is—of course Dazai knows. He knows everything. The minute he found you in his kitchen, his stomach dropped with the uncertainty of the future. Going underground with another person was nothing short of a burden, at least on paper. But, he couldn't find it in himself to think of you like that. Like a burden. 
“We’ll figure it out, Ango. If you don’t, then we will.” 
A gritty sigh sounds from the other side of the phone call. “I’m putting a lot of faith in you, Dazai. Don’t screw this up.” 
===
“Made you lunch. Since, obviously, you’re not gonna do that for yourself any time soon.” 
A closed plastic container is thrown on the counter in front of Dazai. He looks at it, then up at you, eyebrow raised as if he doesn’t have a clue what this could be about. He’s not that stupid, though. You of all people would know that. 
“How nice of you! Too bad I’m not hungry.” His lip juts out in a poor imitation of a pout, and he looks ugly with it. So ugly. Ugly enough to make you feel the need to kiss him all over and then slap him. An incredulous huff escapes you. 
“I don’t care if you’re hungry. Eat. It has crab in it, see, your favorite.” 
“I thought my favorite was rice krispies?” 
You freeze. It hadn’t occurred to you that he might remember that, after all this time. You don’t dwell, because that’s the worst thing to do with Osamu Dazai—dwell. 
“Don’t act stupid. Just eat it. Even if it’s not the whole thing, at least some of it. It would do you some good.” Getting serious with Dazai is one of the most awkward, unbearable things you could ever do. He has a way of making you feel stupid for worrying about him, with all his roundabout jokes and skills of evasion built up over years. You’ve found that being straightforward is the best way to avoid all those blank moments of silence. 
His fingers curl around the plastic lid and pop it open. The container is still warm, having cooked all its contents just half an hour before showing up at Dazai’s apartment with conviction in your eyes. “Sure,” he says. “I’ll have some.” 
You bring out a duplicate container with a serving for you, and treat yourself to a juice box from his fridge. You try not to launch into a lecture at the sight of his barren pantry—that’s best done by Kunikida. The both of you eat in silence, sitting across from each other at Dazai’s dusty kitchen island. 
He only gets through a few bites before pushing the container away and complaining about how full he is. You know it’s not the truth, but it’s the mixed-up signals that his body sends him. It’s not that he’s full, but his persistent lack of appetite has caused a lot of troubles for him in the past and you don’t doubt that it’ll keep causing troubles in the future, too. 
“Let’s get you to bed, then,” you tell him, dragging him up from his chair despite his whining protests. “I won’t make you shower, but you should probably do that tomorrow, ‘cause your hair’s about to get all greasy and disgusting.”
“So crude.” 
“I do my best.” 
You let him change on his own, but not before picking out a nice soft set of matching pajamas from deep inside his closet. You grumble a little in annoyance. The set was a birthday gift you got for him a year ago and that asshole pushed it to the back of his wardrobe and never touched it again. What a brat. You throw a pair of fuzzy socks at him to boot. 
Once he’s changed into proper sleep clothes, you can tell that the exhaustion is starting to hit him. He sways a little on his feet and his blinks last for a little too long, as if he’s chasing sleep every time his eyes shut. With another begrudging sigh, you set him down on the floor of the bathroom and dollop his toothbrush with fruity kid’s toothpaste—because of course that’s the only toothpaste he owns—and brush his teeth for him. 
Dazai dozes off in the middle of it, and you can’t bring yourself to wake him up in the most annoying way possible. You try really, really hard to not think about how soft you’ve gotten. You’re an ex-mafia member, past coated with dark stains and entrails and death, all of those dark things. Your blood is just as black as Dazai’s, if not more. And yet, being a part of this stupid Detective Agency with this stupid man has melted you down into something parallel to good.
Don’t dwell. It’ll do you no good. 
You use a gentle grip with the toothbrush, ensuring that his delicate gums don’t tear with the force of the bristles. A warm feeling stirs in your chest. It feels like you’ve proven something, like you’ve proven to the world that your coal-stained hands can be gentle, too. You can kill and you can nurture. You tap Dazai awake with a little more care, now. 
“Rinse your mouth,” you tell him in a whisper. “Then you can sleep.” And after a pause, you add, “I promise,” because now you’re in the business of making promises to people. 
Dazai rinses his mouth, and you wipe off the remaining droplets of water from his face with a paper towel that you leave on the counter for your future self to throw out. You lace your fingers with his as you walk to his bed. Not that he needs any guiding. Of course he doesn’t. It’s just a little extra insurance, you think. 
“Stay with me,” he mumbles out the minute you lay him down on the bed. It’s a sentence, and not a question, because he’d rather die than ask you something so vulnerable. He’s doing it again—peeling himself back and baring himself raw for you. Your head swims and your vision blurs with either a migraine or with tears, you can’t tell. But your lips quirk up into a stupid smile and he sees it despite his half-lidded eyes, and he smiles back like the stupid dope that he is. 
“Yeah, of course. I’m right here, Osamu. Go to sleep.” 
And he does. Of course, not before he feels you cup the opposite side of his face and plant a warm, lingering kiss on the swell of his cheek just as he did for you weeks before. The faint laugh that he lets out before he falls asleep is enough to tell you that he’ll be making fun of you for it in the morning. For now, though, he’s soft and pliant and warm between your hands, and you sleep.
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