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#i miss su
jirachibaby · 2 months
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spinel my beloved
a repaint of an old piece of art, also the perfect size for my desktop wallpaper
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basket-of-loquats · 3 months
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su screencap redraw wip that im too lazy to render
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jayceart · 1 year
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Days in Yunmeng
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joobshroom · 2 years
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almoonds · 3 months
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some ballet teacher pearl x milf rose stuff from trying to hold the wind by @vanillabeanwrites !! they enter my head now and then and i suffer... this story still has a special hold on me :"")
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ziangjiya · 4 months
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jiang and daji 😆😆😆🤮🤮🤮😭😭😭😢
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teethcritter · 10 months
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guess who got his new laptop 🔥
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stariiberry · 1 year
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Roooseee
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quirki-ly · 6 months
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HAPPY 10th ANNIVERSARY STEVEN UNIVERSE!!
This show means so much to me, I am so happy that I grew up with a show that was as revolutionary as this one. It's the first show I remember seeing that normalized & embraced queerness + poc + fat bodies onscreen. Not to be cheesy but it genuinely got me through some difficult times in my teens, especially when I had to come to terms with who I am. I miss these space rocks.
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queeny-v · 5 months
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I forgot how much of a blast it is to draw peridot 💚
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mystery-mangoes · 2 years
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Opal!! ⭐️
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feroluce · 7 days
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So I spoke somewhat about my thoughts on Emanator Sampo here, but I never really thought of it from a design point of view or what kind of powers he would have until just recently. But I actually kind of love leaning into it from a "stage hand" perspective?
Because like. Aha's body in THEIR official art is completely black, giving attention to all the fun brightly colored things around THEM. And that's so fitting for Sampo! He usually prefers to be a side character. He likes to act from the shadows. His is a much more subtle hand.
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So I wonder if as an Emanator, a lot of his clothes are actually very dark? Not necessarily plain, still extravagant and needlessly detailed in things like cut and quality with lots of different fabrics and textures and ornamentation, but dark. Or maybe even his skin itself becomes blackened further down his body; his hands in particular are dark, as a sort of sleight of hand reference.
The motif of a lot of straps wrapped around him like in his canon design is still present, but they're all loose and flowing off of him like paper streamers now instead of restraining him or holding him together. He is no longer contained! Or maybe they're still a bit more rigid/heavy, but just draped more like red stage curtains!
And this is like. Fully self-indulgent, but I love inhuman designs, and there's nothing in canon to say I can't do this, so screw it! Go for broke!! Maybe it's not visible to normal people, but Sampo having a second set of arms would be really cool, as further sleight of hand reference. One set is almost normal looking, but his hands are a bright, attention-drawing white, and the other is dark, set almost in the shadows of the first arms, to act less noticeably.
He also has something of a broken heart design to him in canon (the front of his black shirt with its jagged shape down the middle; his coat looks like a full heart shape in the back), and I actually like him keeping that element as an Emanator, because I think it suits him. Sampo says his taste in aesthetics and views on Elation involve human dignity,
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and the story he helps create in Belobog involves the long and winding road of resistance and survival and eventual triumph in the face of some very adverse, oppressing odds. (I'm pretty sure I heard he once called Wildfire "artless" though, plus the man acts like he thinks Shame is some kind of dessert, so like ndkdjzjskkd) But the point being!!
I think Sampo is someone who can appreciate heartbreak and angst and tragedy in a story, because it makes the victory at the end all the sweeter. And this would be another thing he shares with Aha, because I think THEY did bless the Mourning Actors partly just to be a little shit, but also because Aha does recognize tragedy as part of THEIR Path, too, and you can see it in some of the game. So a broken heart motif can still suit him, and I like him having elements of both comedy and tragedy. Like his clothing having a happy sun/sad moon (like the moon in Aha's art) or him having both of the traditional comedy/tragedy masks in his design.
And as Emanator, Sampo can maybe play with the stage settings environment, too. Like lights sometimes behave strangely around him, appearing blindingly bright to someone or dramatically dark. Sampo wills it and suddenly there seems to be a metaphorical spotlight right where he wants everyone to look. And when he doesn't want to be noticed, his face seems to be cast in shadow, he seemingly just fades into the background, no one notices or recognizes him and he sneaks away easily. He can create smoke or fog literally out of thin air without his bombs now, too, the air will just suddenly thicken until his stage is obscured, and Sampo can set the scene as he pleases or disappear without a trace.
And in line with being a stage hand, Sampo can direct attention like no other. He was already extremely good at this as a normal mortal, and becoming an Emanator only took it up to 11, past human limits. Sampo points, and all present feel compelled to follow his fingertip. He looks away, and they all follow his gaze. He can even affect the mood of an audience; he can influence everyone to be calm and placid or he can whip them into a feverish frenzy. Sometimes a crowd will start to become unsettled, agitation stirring until it boils over, until it incites a full on violent mob.
And in the middle of all that chaos will stand one perfectly calm figure, face cast in shadow, until they quietly slip away out of sight.
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rhymesswith · 1 year
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POV: you’re a murder mystery clue being examined by two very good friends.
(Look at this photo)
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teryyo · 2 months
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Butterfly Rebellion
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pogostikk · 21 days
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totally okay if this isn't up your alley, but could we see greg angst in your style? just one of those nights where you know your son is light years away and being a human is hard
He actually didn’t know his son was light years away, or even alive. Greg was under the impression that if the diamonds executed Rose- which the CGs were unfortunately very sure of- then it was impossible for his child to be alive at all.
But he often spent nights rifling through all the little items he had gotten for his child, such as the birthday suit and onesies, mourning over the little person he never got to meet.
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artbyblastweave · 12 days
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Your description of yourself is the guy with Opinions on Steven Universe so say what you think of Peridot
Fond of her. I don't think I've got much to say about her that the more singularly fixated SU analysts haven't gotten to. I will say that she's a pretty salient example of a quote-unquote "redemption arc" that's facilitated in large part by the villain being "redeemed" never having actually caused serious, lasting, unfixable harm before switching sides, such that the story being told in practice is the story of an interpersonally unpleasant person working on themselves and learning to be less of a tar pit- jazzed up with ray guns and cartoonish doomsday devices. This is interesting taken on its own terms, but not necessarily morally interesting in the way the phrase "redemption arc" would ideally imply.
Contrast (unfavorably) with Entrapta in She-Ra, where they're clearly chasing a Peridot-adjacent energy, but the narrative treats the conflict between her and the protagonists as a similar kind of souped-up interpersonal miscommunication when no, she's in fact on the hook for very literal war crimes in a way the narrative was never really prepared to weigh seriously due to the use of a handful of Princesses as a metonym for everything meaningful SPOP is interested in trying to say, to the exclusion of more literal, non-metaphorical worldbuilding. Zuko, meanwhile, sits in a happy middle ground where he genuinely is attached to some morally heinous shit that the show is interested in weighing and unpacking, but not so deeply attached as to become synonymous with it in a way that would make his redemption come across as apologetics. (I sort of use these three as reference points when calculating how annoyed to get at the writing decisions of whatever children's cartoon I'm currently watching- this does not translate very well outside of that space methinks)
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