hey it's nanowrimo. i have tips bc i've done it about 34 times.
Don't edit. Ever. Stop it. If you just decide to start a new project half thru this one with all new characters, no problem. pick up and keep writing as if you'd already written the first half of that.
"but i spelled it wrong" whatever. "but the grammar" whatever. make it exist first. no time for sense. think like you're working on a typewriter. no backspace. only forward go.
Don't re-read further than a paragraph or two backwards. "did i mention the gun before?" listen - it doesn't matter. if you need there to be a gun there, the gun is there. put it back in once you finish the book.
"i forgot the specifics of X thing i already wrote" whatever. change it, make a note/comment to figure it out later, and just write what makes sense for the moment. "no raquel it's legit the characters name and origin" idc that character is now reborn as Claudius from Elsewhere. it's fine.
only you see your mistakes. nobody else knows. one of the ways writing and dance overlap - only you know the choreography. nobody else will know if you miss a step, so just keep dancing and pretend you meant to do it like that.
it's an illusion that you need to write linearly - from point A to point B to point C. Nah; that's just timeline propaganda. I've written a LOT of books out of order and just reordered them once i've finished. if you have a scene you'd LOVE to write but can't get there yet because of plot, just fuckin write the scene. I've always found its easier to establish "point F" "point J" and "Point A" and then wiggle my way between those scenes.
write what you WANT to write. 230 pages of smut? of well-researched discussion on bread? whatever. the point is to strengthen muscles however you can.
if you miss a day, a week, whatever. not the end of the world. we all have dry days. also time is a myth so u can do this challenge whenever u want.
as soon as you try to write for a specific audience, you kill your voice. you are writing for yourself. stop thinking about how people will take ur book. it don't matter. what matter is u, enjoying writing. i luv u.
play to your strengths. i have characters talk so much because i don't know how to write a plot if it kills me but i'm really good at dialogue so.
i love a flight of fancy. write a poem in there. shift tactics and write in code. keep it fun for yourself.
see what happens if you shift something major about ur main characters - gender, wealth, superpowers. or if you change point-of-view. or if you kill everyone in a big explosion. do NOT edit anything before this or after it. often these little weird one-off exercises teach me what interests me about what i'm working on. it is never what i thought. plus it is a fun way to add like 1k words.
stretch.
it's for fun and for practice. stop doing that project if it's giving you anxiety. once my nano was literally 50k words of half-started stories. just things i tried and tried and tried and wasn't able to flesh out. oops. but i am now 50k words of a better writer.
add dragons?
read books/listen to books on tape/etc. people often make the mistake of "buckling down" to just write. you need inspiration. you need to like. fill up on words. you need to remember how it feels to lose yourself in a story.
i don't have the time or space to really talk about this in this post but a lot of creative people turn to drugs/alcohol because it can help you be more creative. this is harmful, and walking a blade that only cuts deep. if you notice you and your loved ones are turning more to substances, please know i love you and i hope you are able to get help soon. i feel like this almost never gets mentioned because it's kind of a hazy underbelly to art. you are always more important than the work.
on that note. drink your fukin. water.
don't talk about a story until you've finished it. once you tell the story, it exists already, and isn't about discovery. i usually have a very canned "haha we'll see" response.
grapes :) tasty snack.
i love you be free.
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little story about little Eddie and his 2 new friends | word count approx 2.5k | general audience rating | steve and eddie are kids and Wayne is a pushover
Wayne sometimes thinks it was a mistake, not taking in the boy. God no, he would never think of Eddie as anything other than an important and intrinsic part of his life, couldn't be without him, wouldn't want to be.
No, what Wayne worries about is how his readiness to help Eddie feel loved might contribute to the boy's difficulty in making friends.
It was an innocent enough request, Eddie asked for a pet as all young children do. He was so small and so wide eyed, just a scrap of an 8 year old with more feelings than he knew what to do with. Wayne knew he'd never hold up against any request Eddie made but he liked to pretend to himself that he could. And while technically he never pandered to the boy, yes Eddie usually got what he wanted but in a way that suited their means. Or so Wayne tells himself.
8 year old Eddie asked for a pet and a pet is what he got.
-
Eddie barrelled into the trailer door, backpack swinging off his arm and ready to be thrown into the corner. Planning to shoot off back out the door to do his usual; lift up rocks and inspect whatever bugs he could find, to grab sticks and imagine them as wizard staffs, to let his imagination finally run wild after hours of sitting still at a desk under too bright lights and too busy class rooms. In truth he wasn't really paying attention to the insides of the trailer, expecting it to be the same as always. It took a very pointed cough for Eddie to register that Wayne was unusually home from work, far earlier than normal, and a further loud clearing of the throat for Eddie to pay attention to what Wayne had placed on the kitchen table.
Right in the middle of the table, sitting in a beam of sunlight, was a cage and in that cage was what would soon become, Eddie's very reason for being. He crept up close, almost as if scared that any sudden movements would prove the whole thing to be a cruel illusion. He was brought out of his reverie by a pink nose wiggling at the bars, whiskers attached and twitching as the rest of the rat appeared.
'is he-? is he for real?' Eddie said with a gasp, hands inching towards the door of the cage.
Wayne had to suppress a laugh, trust this boy to be bowled over in wonder at a rat as if it were a puppy. He opened the contraption of the enclosure door and dipped his hand inside, allowing the rat to climb onto his palm. The guy from work assured him that this one was the most tame he had, inquisitive to a fault and oddly enough, desperate to be handled. Quite honestly, the perfect match for his well meaning but excitable nephew-near-enough-son.
'Yeah, yeah kid it's for real. And he's a she.' Wayne lets the rat sniff at Eddie's hands, little pink hands finding a platform on Eddie's palms, clearly holding himself a still as possible but if Wayne knew this boy, and he did, he knows that Eddie is so close to vibrating out of his skin, that containing that much excitement must be killing him.
'I don't care. Wayne, I don't! Can she sleep in my room? Does she know tricks? Can I teach her? What does she like? Can I take her to school? Please! Wayne!' He's started now, words pouring out of his mouth, tripping over himself to try and release every thought entering his brain at lightning speed.
'Woah, there' Wayne says pulling the rat up, cradling it in two hands, 'We got to be kind to her alright? She's only small. Doesn't know what loud noises are good and which are bad, okay?' He watches as Eddie nods vigorously, eyes never leaving the creature. 'Now you promised me you'd look after a pet so that's what's going to happen. She is your responsibility. That means cleaning, feeding and loving, got it?' Eddie nods again, tentatively reaching his hands up, the image of Oliver Twist springs to Wayne's mind.
Wayne comes around the kitchen table, crouches down to Eddie on creaky knees and hands the rat over, filling Eddie's small hands with a heartbeat and fur. Eddie giggles, watching as the rat surveils the new patch of skin its found itself on.
'Tickles, Wayne' and its said with such love and devotion Wayne almost feels his heart break
'Yeah son. She does, doesn't she?'
-
Of course it takes less than a week and Eddie and Sam are inseparable. As soon as Eddie gets home he's itching for his furry friend, delighting in the way she scampers around the room, over his arms and anywhere she can get. No matter what though, she always comes back to him. She can be digging in to a particularly interesting crevice behind the couch but she'll always come running back when she hears Eddie make a noise.
The thing is, Eddie is a pretty lonely kid. Not for lack of trying, don't get it wrong. Eddie tries to socialise he tries to talk to the other kids in his class, get them involved in his imaginary games and play pretend but being the new kid doesn't really do him any favours. Being the new kid that lives in the trailer park and a penchant for biting to show affection does him even less.
To Eddie, its him and Sam against the world. He can come home and know that his best friend will listen to all his problems, will stay close and won't run away even when he's extra loud or being 'a lot' as his teacher like to tell him. He's so tired of being told to use his 'quiet hands', his 'inside voice' and every other subdued phrase they try to press on him.
This particular day was a hard one, Sally Winters had said that Eddie was 'bad luck' and the word quickly spread around by recess. Eddie had thought he was making some progress with a couple of kids from the class, was thinking today might be the day that he finally got asked to play but that hope quickly got squashed. He had hopped up to the potential friends with a stick in his hand and a notion of being a pirate when they both looked at him like he was a monster, they couldn't get away fast enough. And Eddie couldn't find a place to hide quick enough before the fat and heavy tears fell from his eyes.
It was a long day and home time was his only saving grace.
Wayne knows somethings up, can tell in the way that Eddie isn't even really talking to Sam, hardly looking at the Tv despite the fact that Wayne very purposefully had put the cartoon Lord of the Rings movie on. The sure fire fall back he liked to keep in his back pocket. The trump card to get his kid happy. This time though? No luck. Looking at the kid makes a chasm open up in his gut, deep and full of overwhelming sadness that he just wants to stop, wants to find the solution to make this boy smile like the sun again. They don't talk much for the rest of the night but Wayne makes sure to stay close, stay awake in case he's needed. Eddie spends the time between dinner and bed sitting on the floor, side pressed up against Wayne's leg and playing fetch with bits of Wayne's whittling with Sam, not a word said.
-
Eddie wakes up the next morning with a plan and a devil may care attitude. Oh so carefully he maintains his usual routine; says good morning to Sam, carts her around the trailer as he washes his face and wanders into the kitchen, placing her in her secondary cage so she can eat breakfast with Eddie and Wayne - Eddie was adamant that they couldn't have meals without her, 'she's part of the family!' and soft hearted fool Wayne Munson agreed and an additional cage was sourced.
When breakfast is finished Eddie begins his usual rigmarole of dragging his feet to get out of his pjs and into his clothes, reluctant to grab his bag and go out the door. Same old protests as Wayne watches him walk out towards the school bus.
What is a new addition to the routine though, is Sam Munson hiding up the sleeve of a school boy and about to go on a secret and very dangerous mission. A mission to survive the school day.
Surprisingly, Eddie manages to keep Sam secret, keep her safe, the whole morning. He came prepared with snacks to make sure she was entertained and happy, he couldn't stand the thought of her being sad, her eyes get so big and her tail droops as well as her ears, it makes the whole of Eddie ache. But no, she's happy, or happy enough at least.
So the morning goes without a hitch, Eddie making noises to cover up any squeaks and keeping a hand in his pocket to reassure Sam, stowed in the pocket of his hoodie. He knows he's seen as 'weird' so what's a few extra noises? They are let out for recess and Eddie breathes a sigh of relief, thinking this is his time to let Sam out, knowing she's desperate for some fresh air. Sure, she's peed in his hoodie pocket, but he can't really tell with it's dark colour and the layer of t-shirt between the wet material and his tummy.
He runs off to his usual corner, stuck between a bush and a tree and gently tips Sam out of his pocket, she scampers around his feet and gratefully accepts a broken off bit of cracker between her hands.
'Thanks for coming with me Sam. Everyone is so mean, its so stupid. I don't care. You are a better friend than any of those losers' He crouches down, hoping to find a twig to play fetch with. A game that he delights in, is immeasurably proud of her for learning it so quickly. 'Gonna find you the best stick Sam. Promise. Best stick for the best friend'
He continues muttering to himself and doesn't notice that he's getting progressively louder after finding a twig and beginning the game. Doesn't register that he's drawn unwanted attention with his happy shouts and encouragement until a body is crashing through the shrub he's hidden himself behind.
Sam doesn't notice either until the unexpected form is right in front of her and she bolts, running as fast as her legs will carry her and Eddie is right behind her, muttering under his breath as he trips over his own feet in an attempt to catch her 'oh shit oh no oh no oh no' He's pushing himself as hard as he can but it doesn't count for much, he never was the fastest. He keeps trying though but then a faster body is accelrating past him, in a evident bee line for Sam.
Without thinking, Eddie lets out a painful 'NO!' terrified of what might happen.
He knows people think rats are dirty, thinks they don't deserve love and don't deserve life. He doesn't want to imagine what this person's intent might be. Sam reaches a dead end up against the wall of the school and the body, the boy, stops infront of her. Scoops her up? Cradles her into his chest? Eddie...Eddie doesn't know what to think, he's prepared to fight this kid but then the boy is looking up at him with curious hazel eyes. Stroking Sam's head gently and with intent.
He holds Sam out, careful with his motions, trying to blow his brown floppy hair out of his face without disturbing the animal in his hands 'is she okay? is she yours? did I hurt her? she looks okay, is she?' Eddie gingerly steps forward and plucks Sam out of the boys hands, gives hera thorough inspection as the other boy continues
'I didn't mean to scare her I swear! I didn't even know you had her! I won't tell, I swear I wont! You know...you shouldn't really have a rat in school. If I promise not to tell can I play with you? I'm Steve'
Holding her close, Eddie squints at the boy, at Steve, and thinks. Thinks about how he looks nice, about how soft his hair looks and how he asked Eddie, Eddie!, to play, that he didn't give him a wide bearth and that he held Sam with such care. It isn't even a hard decision.
They spend the rest of recess together. Eddie shows Steve just how smart Sam. That she can play fetch, that she can run across one arm to the next, over your shoulders without losing balance. That she can twitch her whiskers and it seems like she's laughing at the joke Eddie tells her. That she laughs at the joke Steve tells her! Steve learns that she's named after somebody called Samwise and it doesn't matter that he's a boy because Sam is brave just like Samwise and smart and cares just as much. That Sam is Sam and Eddie is Frodo and together they can take on the world.
Steve asks if he can have a name too and Eddie calls him Legolas, doesn't tell him why. Doesn't say that Steve reminds him of the pretty elves described in the books Wayne reads out loud to Eddie. It doesn't matter, not really.
Recess ends and they shuffle back to the school doors, both of them lagging behind the others.
Eddie steels himself, knows he has to bring his misfortune up so that he can own in, so that his new friend doesn't find out from someone else. 'I'm bad luck you know. Sally...she said it. now everyone wont talk to me. I wont be mad if you don't either. I've got Sam. We'll be oaky! So you can just go, I don't care!' He knows he's getting wound up, he can't stop himself. He just wants the bandaid ripped off so he can start feeling sad quicker, get it over with sooner.
Before he can register is, Steve is wrapped around Eddie in a flash of a hug, careful to keep his tummy away from squashing Sam.
'Not bad luck to me. See you tomorrow Frodo' Steve whispers next to Eddie's ear and shuffles through the school door.
Eddie is in a daze of joy and happiness, thoughts rumbling through his head but none of them sticking as he journey back into his class room. Pure happiness radiating out of his body, he takes Sam out of his pocket and holds her up to his face 'Sam you made my bad luck go away!' kissing her on the forehead as he hears his teacher scream
'EDWARD MUNSON IS THAT A RAT?!'
-
So Wayne thought the already unpopular kid having a rat would make things worse. Turns out, he was wrong. Very, very wrong. He might have to start pocket inspections before school though.
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also on ao3 if that's the preferred reading format for you
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sorry for making yet another textpost but i came across that post saying they dislike transfem natsume because he "canonically hates being perceived as a girl and tries to erase all sorts of memories related to that" and also went on to shame genderbends of him aswell. So, as someone who not only draws genderbends of natsume but is myself someone who is nonbinary and hates being perceived as a woman, i thought id offer my two cents
first of all; i think its important to note that natsume does NOT hate his childhood. in fact, hes quite happy that he had such an unusual upbringing!
what natsume hates is being perceived as weak. thats why he was raised as a girl after all, it was his mother trying to protect him from evil spirits. he doesnt hate the whole "-chan" or "wearing dresses" thing because he has a hatred for womanhood, its because due to his upbringing hes now come to associate those things as being weak. he begs tsumugi to forget about it because that means tsumugi remembers natsume being weak, and natsume thinks tsumugi still referring to him as "natsume-chan" means he still sees natsume as weak. (iirc natsume did however once say that he is a little sad that he doesnt really know how to relate to young boys due to this in poltergeist, but i couldnt find the exact quote. either way that just adds to the complexity of natsumes relationship with his childhood, because while he is happy to be "abnormal" in that sense, it has left him lacking in some areas)
i have to ask though, should this conflict of his not be something we hope he overcomes? should we not want him to develop a healthy relationship with various gender expressions? should we not want natsume to overcome his belief that feminine things = weakness? i want natsume to reach a point where he can wear feminine clothing and not feel like some damsel in distress because of it. i want natsumes character to grow. i want him to develop a positive relationship with his gender because natsume DOES enjoy some more typically feminine things, like baking! he used to bake with his mom when he was little! and i want him to feel like he can indulge in that side of him without feeling insecure.....
i LOVE transmasc natsume, my primary hc for him is transmasc nonbinary after all, but with all these things considered, shouldnt people be allowed to headcanon him however they want? if they hear his story and negative relationship with femininity and how that resonates with them and they themselves are transfem, should they not be allowed to hc him as such too?
which brings me to my next point; my own personal relationship with gender and femininity. i was raised as a girl and i fucking DESPISED womanhood. i hated everything about it. i hated how i felt forced into a box i didnt want to be stuck in, and i hated how it felt like my whole life had already been planned out for me due to societal expectations, aswell as me needing to present a certain way. i was peak "tomboy" growing up, constantly wearing super baggy clothes and wouldnt even brush my hair alot of the time. but despite that i remained miserable. i frankly hated how i looked and would constantly dye my hair vibrant colors in an attempt to make me like myself a little more. it wasnt until i realized "wow, im actually not a girl at all" that i finally let go of believing i needed to look a certain way (and thus, defying it) and started to dress for myself. i started to dress in clothes that made me happy and feel pretty! alot of which leans feminine, but clothes doesnt have a gender, and how you dress doesnt define your gender either, but it can still be a bit scary yknow? especially since i dont want people to think of me as a girl, and drawing a bunch of femstars has really made me learn to love myself more in a funny way. i can put these characters in clothes i think are beautiful, i can explore the more feminine parts of me that i adore but dont want to express in public due to how i want others to perceive me, but it has also warmed me up to femininity even more. because femstars to me feels detached from the expectations of society because its not a real thing!! there are no canon femstars designs!!! i can do literally whatever the hell i want with it and its been so liberating to me!!
all this to say; i think it really sucks seeing the way this fandom treats transfem hcs and explicit genderbends, because like ive said before; they can truly be something so personal. you dont know why that person is drawing what theyre drawing, so its a little unwise to make assumptions based on ........ Well, whatever it may be. i know very well that women dressing the way society expects them to SUCKS, esp if you have personal ties to it, but you have to realize the issue isnt femininity, but misogyny.
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