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#it does not need to be boring!
p1nkshield · 1 year
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Bruce being just as guilty of introducing Jason to people like he is but a small little guy.
Bruce at gala supporting youth literary comprehension programs: Have you met my son Jason? As stubborn as kids can be I managed to get him to attend.
Beneficiary: oh that’s wonderful! Does your son enjoy literature?
Bruce: oh absolutely! That’s what convinced him to even come! He has so many respectable hobbies for someone his age. Kids these days rarely find value in the classics but not Jason! Honestly he reads more, and more in depth, than I do! He’s a little mechanic too! When I first saw him he was trying to take the tires off my car with a lug wrench that was bigger than him! It was quite a sight and a rather unconventional way to meet your son but I wouldn’t have it any other way.
Beneficiary, blinks as they try to process all the proud dad info: …well that’s lovely, we have some activities for the children of the donors so that none of them get too bored!
Bruce: that’s great! I’ll let him know. Jason, can you come here for a moment?
A very tall, wide, and muscular man turns around and raises an eyebrow.
What a coincidence, that dude must also be named Jason.
He walks towards them
Jason: what do you want old man?
What
Bruce: there are activities at that table if you’re bored.
Huh
Jason: thanks for the memo but I’m not exactly at coloring book age anymore remember?
Bruce: I suppose you’re right :(
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cuddlytogas · 1 month
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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marukfe · 3 months
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Tag urself if u can relate 🌊🌊🤖
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dykeinthedark · 4 months
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doing this thing i call "reading every class high school lit book i missed out on" partially because as an english minor i feel like a lot of ppl in my english lectures have already read these books in higschool partially because high school english classes suck balls and i think the way they taught kids to read books was lame and dumb as hell and killed love for reading and i think some of these books they make kids read should never be experienced in a classroom setting
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ccassettetape · 7 months
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i am writing an accidental haiku to attract haiku bot
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saw a four-armed pose and Could Not Resist!
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evilkaeya · 8 months
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domestic skk
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fictionadventurer · 8 months
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There's something about reading really great writing that's so relaxing. You can just sit back and let the words wash over you, knowing that you can trust the writer.
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bizarreandjarring · 1 year
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just an old hick goin' fishin
plus kim "i am winning at fishing. something which is both normal to want and possible to acheive" kitsuragi
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ref
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incorrect-hs-quotes · 3 months
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ERIDAN: i lovve you…
FEFERI: Swordfis)( slas)( to the c)(est. And you’re on fire.
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the-darkestminds · 23 days
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Personally, I don’t like the idea of Nuala and Cerridwen being Elain’s best friends because at the start of Elain’s time in Velaris it was their job to attend to her, just like they did when Feyre first showed up. They answer to Rhysand and Azriel first and foremost because that is what they are paid to do. Elain deserves the opportunity to make friends of her own, just like Nesta did. I still feel bad for Feyre that she never got the chance to do that because as we saw in ACOSF, all of her friends are loyal to Rhysand first and her second. Not to mention the fact that if Elain is best friends with the twins, it has happened 100% off page and we didn’t get to read any of it as it developed. 🥱
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milkbreadtoast · 4 months
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o yeah btw i liked these guys from the latest crk update..... detective gays.... macaroni and cheese....🤭
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crowliphale · 9 months
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proving to each other that romance is boring
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kakyogay · 1 year
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bullying
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also more mini beast thigs
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Artblock? No, tiny five pebbles.
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mrsbonesmccoy · 2 months
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alchemiclee · 3 months
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I think I found a way to explain the difference/connection between dan heng and dan feng with a silly metaphor. don't know if it will make sense to everyone else, but it makes sense to me.
dan heng is a cassette/vhs tape that is recording over the original content on the tape. if you are old enough to have used those, you might have accidentally recorded over things that were already on them. maybe you had family video tapes your dad recorded of you and/or your sibling as babies and you accidentally recorded your favorite TV show over one of them (and got in huge trouble.....I'm sorry dad 😅) or your sibling recorded over your cassette that you redorded things on and lost most of what you did)
the reincarnated vidyadharas get a new tape to put in the same device to record a whole new tape. however, in dan heng/feng's case, we know it was messed with. it wasn't a new tape. it was the same tape put back in, rewound to the beginning, and started over. dan heng's life/memories are recording over top dan feng's. in my experience with these tapes, sometimes when you record over top something, there will be little blips of the old thing that sneak through in between different recordings. (at least I recall that happening when my sister recorded over my cassette. there would be a minute of me talking and then she cuts me off and babbles for few minutes and then part of a song on the radio I recorded for a few seconds, then back to her, and so on) that's dan feng's fragmented memories coming to dan heng here and there.
they are essentially the same tape, but being re-recorded over the old one. therefore, it's basically a different tape at that point because all the content recorded on it now is different, minus some little bits that didn't get recorded over.
if you had a vhs for the movie shrek, but when you watched it, it turned out to be a barbie movie (and maybe after the barbie movie ended, instead of credits, it switched to the ending of skrek), would you still say that vhs tape is shrek? no, you'd probably cross out "shrek" and write what barbie movie it is instead.
that's basically how dan heng/feng works and why they are different people, yet still connected.
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