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#just so that you can consume as much pop culture news as possible
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skepticalarrie · 1 year
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i am quite new to larry. i’m in my twenties but still fully missed the whole one direction phenomenon until two weeks ago when I saw one (1) tiktok of harry performing satellite and it has been all consuming since. what’s so strange to me about the whole experience (and i know this is not unique) is there’s no way i have thought of to talk about it with anyone irl. like how do i convincingly impress upon anyone how sincere i am in saying that these two former members of the 21st century’s most ubiquitous (and straightest™) boyband — including pop culture’s current golden boy — are actually exceedingly queer and closeted and now soul crushingly important to me as a queer person??? it’s just so contrary to the commonly accepted narrative of them, which i know is the whole damn point, but jesus. all i’ve been able to do is say “hey you should do some research about one direction lore, it’s interesting” and hope my friends accidentally fall down the rabbit hole too. tis a wild and wacky time.
This message would never feel as relatable to me as it feels right now. Because you’re right, it’s not a thing you really talk about in real life, it sounds insane.
I want to share something about Harry, specifically. I wasn’t sure if I would want to share that in the first place, but since you just sent this ask I thought it would fit this discussion just right and it literally just happened in my life. I’m sure a lot of people can relate to that. I’ve been a fan for several years now and I always got away just fine with it with people IRL, I don’t really talk much about it. But apparently now everyone in my social circle is completely in love with golden boy Harry Styles, and well… people happened to notice within the last year I’m a big fan. I just went to a bunch of his shows last week and people definitely noticed that even more. I had A LOT of friends coming to me saying all kinds of things, but mostly how hot he is. *Thank god he’s single now* was something I’ve had to sit through a couple of times. And fuck… it was by far the most uncomfortable situation I’ve ever been in all the years of being a fan, it was intense, he truly causes a reaction on people and I wasn’t expecting that. The kind of things some people say about artists just because they’re famous is just… yikes. And I’m talking about friends of mine, good people, treating him like a piece of meat, like he’s not human. People don’t even realise he’s just a normal guy behind all the fame and marketing. And I’m not going to be hypocritical and say I never treated artists like that because I must have at some point, it’s such an easy concept but somehow it’s very hard to realise how human they are unless you *really* look at them and listen to what they’re saying.
Anyway, it was a very devastating situation. I was uncomfortable enough once or twice to tell people to give up thirsting over him because he wouldn’t fuck them anyway, and they should look it up online because he was definitely not straight. I was *angry*, it really got to me. And people actually looked at me like I had completely lost my fucking mind. Like, what do you mean you don’t want to fuck him?? why do you love him so much then?? So it’s what you said, maybe some of them will look up and accept the idea that closeting may be a possibility, and that’s why a lot of queer fans connect with him so much... but who the fuck knows, they probably won’t. But it truly hit me like a ton of bricks how far deep in the closet he is, most people (in my very LGBTQ+ circle) don’t even consider the possibility even though he’s out there waving pride flags every single show and defying gender norms. I’m definitely keeping it more to myself now than I was before.
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hollers-and-holmes · 1 year
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Just wanted to say that you are on a ROLL with these unpopular opinions! I’ve never seen this much well-articulated, orthodox theology on my dash at the same time before!
So on that note:
🔥 on homosexuality?
😂 I’ve been waiting for this one to pop up. Thank you for the encouraging word and for promptly slapping me with a difficult topic! 🤣
🫙 First, to the text!
“For the wrath of God is revealed from heaven against all ungodliness and unrighteousness of men, who by their unrighteousness suppress the truth. For what can be known about God is plain to them, because God has shown it to them. For his invisible attributes, namely, his eternal power and divine nature, have been clearly perceived, ever since the creation of the world, in the things that have been made. So they are without excuse.
For although they knew God, they did not honor him as God or give thanks to him, but they became futile in their thinking, and their foolish hearts were darkened….they exchanged the glory of the immortal God for images resembling mortal man and birds and animals and creeping things.
For this reason God gave them up to dishonorable passions. For their women exchanged natural relations for those that are contrary to nature; and the men likewise gave up natural relations with women and were consumed with passion for one another, men committing shameless acts with men and receiving in themselves the due penalty for their error. And since they did not see fit to acknowledge God, God gave them up to a debased mind to do what ought not to be done.”
‭‭Romans‬ ‭1:18-21, 23, 26-28‬ ‭ESV‬‬ (emphasis added)
God makes it inescapably clear that homosexuality is sinful. Not only is it sinful, but its widespread accepted practice is a symptom of a culture that has collectively rebelled against God’s good authority and seeks to throw off His rule.
🫙 God is also inescapably clear that it is possible to be delivered from this, and that becoming a Christian means you no longer practice it.
“Or do you not know that the unrighteous will not inherit the kingdom of God? Do not be deceived: neither the sexually immoral, nor idolaters, nor adulterers, nor men who practice homosexuality, nor thieves, nor the greedy, nor drunkards, nor revilers, nor swindlers will inherit the kingdom of God. And such were some of you. But you were washed, you were sanctified, you were justified in the name of the Lord Jesus Christ and by the Spirit of our God.”
‭‭1 Corinthians‬ ‭6:9-11‬ ‭ESV‬‬ (emphasis added)
🫙 Much of the current discourse around homosexuality has to do with matters of identity. What Paul is saying here is that if the Lord Jesus claims you, you have a new identity and it’s no longer that of homosexual. You are in Christ. You are a new creation.
🫙 This does not necessarily mean immediate deliverance from the temptation of the former lusts. Sanctification is a process.
🫙 It does mean your opinion of those lusts has now changed. Becoming a Christian means you now love what God’s loves and hate what He hates.
🫙 Believing what He has said regarding sin of any sort—that it is what broke the world to a smoking ruin, that it desires to have you like a ravening wolf, that its wages is death and that for some of us that meant the unimaginably torturous murder of the innocent Lord of Glory in our place—is the first step to gaining victory over it. Our view of sin should not be softer than God’s.
🫙 If anyone happens to read this who does battle in this area, dear one, listen to me. Why do you spend your money on that which will not satisfy you? These cisterns are broken and they can hold no water. There is not life for you here. There is not healing for your ruptured heart. The sweetness of it is a poison sweetness and it will someday crumble to ash in your mouth. It will fester your wounds instead of repair them.
But the Lord Jesus is King of the winecup and of the feasting table. Come and drink. Taste and see that He is good. That His ways lead to life, to sweet green meadows, to the sun warm on your face, to the perfect law of liberty. To salve and binding that will soothe and someday close your wounds forever. To a family of people who get it.
He is not offering you the shackles of a pleasureless life. He is offering to kick down the door of your cell.
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iheartchv · 2 months
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hihi I’d like to request a dmc male matchup please! (also, I’m happy to make this an exchange if you would like! my requests say closed but I’m still happy to take an exchange, completely up to you!)
appearance: 5’7”, long light blonde hair, i have glasses but usually wear contacts. i don’t have one specific style but i love alternative and girly styles especially. i put lots of effort into my fashion and makeup.
personality: ENFP, very talkative, outgoing and loud. im quite often joking around but I have the capacity to be serious if needed. im on the more sensitive side and my feelings will guide my decisions before my mind does. everyone says I can be very dramatic haha. i do take a bit of time to be open and vulnerable though. I am extremely loyal, ride or die. i stand up for what I believe in firmly (but I don’t like causing a lot of trouble really, im not intimidating at all and i can’t fight 😅) im a typical sagittarius- extremely creative and always craving new adventures and experiences- unless they involve heights then I’m totally out lol.
my likes: travelling, throwing myself into any artistic hobby I can manage, having my music on full blast (i love rock, metalcore etc but im also a sucker for pop and kpop. hell, i even love a musical soundtrack. whatever I’m feeling.) i love both consuming and creating stories, and I love certain aspects of history. things like greek and roman mythology, or monarchies and culture from thousands of years ago. i also love geeking out over video games, cartoons etc.
in a partner i don’t have a set type much. introvert or extrovert is fine so long as you’re willing to have long conversations with me. i can talk for hours about basically anything. im the physically affectionate type but only with an s/o, not really with anyone else at all. i like when someone knows how to flirt a little, but it’s not a necessity. im just lowkey a sucker for cheesy romance.
i think that’s all. I hope this is ok! thank youu :D 💕
//I'm curious who you'd pair me up with, so I'll send you a PM with my info x3; hope you like your match ^v^/~♡
🤔 I'd pair you with...
Virgil 🗡💙
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Possible matches: Sparda
I think you'd be a perfect match for Virgil
Your personality balances out his
You're basically his opposite
One can't live or exist without the other
.....
But ofc at first he thinks you're too loud and talk too much
You take no offense to it, you just let it roll off your shoulder and just tell him to 'lighten up more'
Being with you sparks something inside him
It's more like a rekindling of a flame
He felt his human side trying to surface but always drowned it out
You, however, unintentionally bring that side of him out...
He'll deny anything when he stares at you, admiring you, or he saves you from any danger
But you know better
You could only smile to yourself as you feel yourself falling for this white haired half demon in blue
💙
He'll listen to you prattle on about your cartoon and other media you like
He'll make a mental note to research more about whatever you were talking about so he could have some conversations on that topic
But he'll start to talk with you more with history or philosophical topics
The more he listens to you, the more he likes hearing your voice
He will take the excuse of being quiet as listening to you... while he looks over you, memorizing every small detail of your face
You'll be the first to make a move
But Virgil will be the one to engage in more displays of affection when he's alone with you; he'll kiss you, hold you tight against him
Deep down he wants to make you his but he holds back... he doesn't know for how long though
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It's been so long since he's been with anyone
But you're the one he wants
And whether he admits it or not, you make him a better man
He will tell you he loves you in his own way
But during a few intimate moments he will outright say "I love you" after hearing you say it plenty of times
He will have an inkling of knowing why his father loved his mother
He wants more, he wants more with you
The one thing he thinks about now is what it would be like to not have you in his life
One thing he doesn't want to happen is what happened to his mother: she died trying to protect him and Dante
He doesn't want that to happen to you at all; he doesn't want you to die
"Promise me that you'll let me protect you... till the end"
"You've already saved me... in more ways than you know"
💍
He gives you a ring he had picked up, telling you to wear it and never take it off
With how his life is, demons coming to try to challenge and kill him for his father's power, this could be the closest you could get for a wedding and wedding vows
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dropintomanga · 3 months
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Get That Bit of Chunibyo Inside You
"We must have a bit of 'chūnibyō' inside us. The fact is we like manga because of the moral within that could touch us emotionally, and we have to behave as we are taught from these media." -Chloe Lisa Kung, Organizer of Rainbow Gala 30, Source: Rainbow Gala 30 and the End of an Era: Hong Kong's Biggest Doujinshi Convention Set to Shutter
I stumbled across an Anime News Network article about a Hong Kong doujinshi event, Rainbow Gala, possibly not existing anymore after a long run in a convention center set to be demolished in the near future.
The organizer, Chloe Lisa Kung, was asked about the future and what led to the impending doom of her event. She spoke about how Hong Kong youth aren't allowed to thrive or chase creative pursuits. Kung lamented on how there's no breeding grounds for young artists to shine or inspiration for art in Hong Kong compared to almost 30 years ago when she started to draw at the age of 12 after seeing doujinshi art.
It does make me think about Hong Kong's anime culture today. I remember visiting Mong Kok Shopping Center back in 2009 and it felt like going to Akihabara in some ways. Every floor was filled with anime, manga, video games, artbooks, toys, etc. When I hear about Hong Kong now, I hear that it's "dead." And reading what Kung said now makes me hesitant to go back there in some way. I do feel that Hong Kong is a bit too commercialized at times. I never liked Canto-pop much and listened to counter-cultural Cantonese music. While anime has always been popular in Asia, it does feel like there's a very genuine communal vibe in that part of the world when it comes to anime/manga fandom and outside forces are slowly stripping that away as everyone wants to jump in on the fan convention train.
There's something that Kung says about the future of Rainbow Gala that makes me think about fans in general and the growing appeal of anime to doujin artists.
"Indeed, there are more consumers now than ever, but the most important lead still lies in the people inside drawing."
I think about the kids who draw manga after watching an episode of anime. I think about the various drawings I've seen over the years of their favorite characters. Sure, some adults will find it "cute" and suggest that it's just a "phase." But to me, the magic starts to happen there.
There's so many consumers, but not enough people to create stuff that can touch lives. It's hard to be creative. Creativity is often devalued due to a general obsession over measurable outcomes.
Kung's words about learning from manga also make me think about how much manga has meant to me. While I did write that I needed mahjong to save me, manga is still what I care about the most. A lot of my mannerisms and attitudes still come from manga. I try to incorporate my manga reading experiences into how I behave. Sometimes, I make blunders, but I still try.
I think about how most fans aren't like me and countless others who use their love to talk about manga on the internet (shout-outs to the bloggers, YouTubers, and podcasters that promote manga in their way). What drove us to start talking about our love to manga to people who don't know us in person? What drove us to become more than just consumers? How do we cultivate that mindset? Those are questions that I'm still trying to get the answers for.
I can only speak for myself in that my own personal mental health experiences combined with the environment I grew up in made me want to blog in the first place. I continue to do so because of how much manga has grown in the past few years. I know it's not just a phase for some youth.
Until then, I'm proud to say that I still got a bit of 8th grade syndrome in me. I'm proud to say that stuff that's mostly read by teens still gets me pumped to seize the day. I'm proud to be a fan that wishes for future creators and their youthful enthusiasm to be treasured as much as the mainstream works that inspired them.
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upalldown · 7 months
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Olivia Rodrigo - Guts
Second album from the American singer and actress produced by Dan Nigro
9/13
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There was a moment, in the first half of 2021, where adults felt a pressing need to announce to the world why they liked Olivia Rodrigo. The young, bright-eyed Disney Channel actress and songwriter had just gone through her first teenage heartbreak, and had poured her emotions into a “drivers license” (her devastating first single that topped the charts), and then again on her debut album, SOUR—which also topped the charts, won a few Grammys and catapulted the 17-year-old into global pop stardom.
Socially starved, we relished living through her innocence and naivety as she navigated her deep pain. We cried remembering high school heartbreaks that may or may not have happened (though, shockingly, first heartbreaks can actually happen at any age). We used the words “nostalgic” and “geriatric” and “millennial” a lot. What does all that outsized attention do to a teenager with no chance to hone her craft on a smaller stage, whose debut was already hailed as a classic, generation defining voice? In a 2021 piece for The Ringer, Julia Gray noted of our fascination with Rodrigo’s age and SOUR’s ‘00s-era musical influences as a “fixation with dated pop culture relics…We don’t see Olivia Rodrigo for who she is as an artist, but who she is when we project ourselves onto her.”
It’s fitting then, that Rodrigo’s second album, GUTS, begins with “all-american bitch,” an ironic gem that arrives as a gentle, folksy ballad before making a heel turn into a pop punk kiss-off to her idolizers: “I am built like a mother and a total machine,” she sings angelically over a light, fairytale-like guitar plucking. When the full band kicks in and rocks out in the chorus, it’s apparent just how much the now-20-year-old has been holding in all these years: “I don’t get angry when I’m pissed / I’m the eternal optimist / I scream inside to deal with it,” she chants, tauntingly, before actually screaming her guts out. This is about more than just adulthood: GUTS is a brash, sobering look at the totality of fame on a young woman—how it consumes, abuses and isolates.
On SOUR, Rodrigo wore her sadness and rage as armor; her emotions were intense but predictable; and the music hinted at a brighter sky beyond the stormy weather. Not so on GUTS, where bad decisions are encouraged, death is preferable over socializing and every playboy can be fixed. On the dizzy, jangly-rock “bad idea right?,” she willingly ignores her mind’s rational pleas to have one more tryst with an ex, while on the soaring ballad “logical,” she attempts to reason with her own lovesick feelings by believing the impossible: “‘Cause if rain don’t pour and sun don’t shine / Then changing you is possible / I guess love is never logical.” The stakes are higher in these new loves built on power and age differentials—and the consequences cut a lot deeper. “I know I’m half-responsible / And that makes me feel horrible,” she repeatedly sings near the song’s end, soft and fragile, embedded in a wilting layer of synths.
There’s so much self-deprecation and internalized blaming here, which could be viewed as a depressing cry for help if it wasn’t so much fun to listen to. Rodrigo, along with her songwriting and producing partner Dan Nigro, plays with abrupt changes in voice and structure in these otherwise heady tracks, as if to signal that she knows just how absurd she’s being. “ballad of a homeschooled girl,” a rollicking, bratty emo highlight, has her crying out in embarrassment over the most minuscule social faux-pas in a breathless chorus: “I broke a glass, I tripped and fell / I told secrets I shouldn’t tell / I stumped over all my words / I made it weird, I made it worse.” Soaring into a dispiriting line that sounds euphoric—“Each time I step outside / It’s social suicide”—Rodrigo quickly dips into a nonchalant chorus of “ahs,” dismissing her anxious headspace with a shrug.
Meanwhile, the raucous “get him back!” almost positions her as drunk and pleading to a friend at a party, as she raps in a muffled tone trying to make the case for her cheating ex: “But he was so much fun and he had such weird friends / And he would take us out to parties and the night would never end.” A sing-songy chorus drives the point home, as she flutters between what she really wants (“I want sweet revenge and I want him again”)—but it’s the track’s bridge where Rodrigo lets her rage boil up. “I wanna key his car / I wanna make him lunch,” she quietly sneers amid backing chants and a choppy guitar, ramping up the viciousness of her anger and letting it out in a gleeful squeal.
And yet, even with all of Rodrigo’s Kathleen Hanna yelps and fiery screams, I almost wish GUTS was a little more punk than it is rock: Its production seems too clean at times, its fadeouts too exact, and its structural changes too accurate. But the honesty of her rage is still refreshing and, at times, comes across as more earnest than the debut single that turned her into a superstar. Beneath the cannonball of her voice and the album’s thunderous sounds, there is a soft fragility waiting to be absorbed. Anger comes from having no total grasp of the unknown, from the realization that growth is a never ending process.
On SOUR’s opening track, Rodrigo wished for her own “teenage dream;” now that phrase titles GUTS album closer—a reflective lament on the pressures of fame and the fear of not living up to the world’s expectations: “They all say that it gets better / It gets better the more you grow,” she lightly sighs, “They all say that it gets better / It gets better, but what if I don’t?” Raising her voice from that fluttering falsetto to a stronger, yet panicked belt, Rodrigo brings her deepest fears to the surface. These are emotions you don’t need to reminisce on, as long as you let them float within you—as long as you know when to let them go.
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lexsang · 2 years
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from what i've heard, theres a general consensus that vampirism isnt something you can catch, and turning people isn't possible. im new to the community and research is a bit difficult, is that the agreed upon truth? if it is, i can hardly imagine what caused all the myths of vampirism being a mutation or virus you can give someone.
That is an interesting question! This may end up being a pretty long answer, so buckle up!
First of all, remember that this is only my opinion based on what I have read, heard, and personally experienced. I will try to come at this from more than one perspective as well, since these things change quite a lot when you look at them from the different angles of sanguinarianism, psychic vampirism, and even the different beliefs inherent in both of those vampiric experiences.
Generally, it is agreed upon that "turning" is not possible, though of course there are a small number who do believe in the possibility of turning others. Many members of the online community get hounded with questions from people wanting to be turned and have to educate them on the reality of vampirism. In general, no, vampirism is not a transmissible condition as far as I know.
However, that only scratches the surface. It isn't uncommon in literature on psychic vampirism, to see references to sympathetic vampirism. It is a fairly common belief among psychic vampires that vampirism is caused by an energy deficiency or some damage to the subtle body, which causes a person to need to consume energy to make up for the energy they either lose, or cannot produce themselves in the first place. Sympathetic vampirism is the idea that feeding too regularly and too much on a specific person might cause a similar (but temporary) lack of energy within them, and they may start to crave energy and seek it out in a similar way as a vampire would. Beyond that, in some more ritual centric groups, turning is used as a symbolic initiation. Since the techniques used by psychic vampires can be learned by anyone, there is a number of groups that use it within a black magic context.
On the subject of what caused the myths, there are some interesting angles there. My personal opinion is that we use the term vampire because it is the closest approximation to our experience. There is a decent number of things that might tie the pop culture image of the vampire to sanguinarians and other real vampires, but the ancient, mythical depictions of the vampire (at least the most popular ones that we get our modern vampire mythos from) were deceased people crawling out of their graves. So much so that it was oftentimes seen as a prerequisite of vampirism that a person had to be dead to be a vampire. Additionally, those views of vampires in Slavic countries only started after the Christianization of the areas, which brings up the question. Why only after the adoption of Christianity, not before? If you are looking at it from the perspective that the myths were exaggerations of real life sanguinarians, the modern myths aren’t too far off, if you pick them apart at least. However, the blood drinking and more human seeming sides of the myth weren’t always there. They were introduced at a point later down the line. Older myths treat vampires almost like ghosts. They generally fed off of a person’s life force, like psychic vampires. There are even astral feeding practices some psychic vampires use that sound pretty similar, of course most of us try to be more ethical nowadays than just feeding off of whoever.
Vampirism is a huge umbrella that spans over many different things. I hope that was a decent answer, but if it brought up more questions, let me know 😊 And again, this is just from my experience and the things I have read. There are plenty of vampire myths from plenty of different cultures as well, but I know more about the European myths since that is what we generally seem to base most vampire pop culture off of.
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fumpkins · 2 years
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How to shoot with Super 8 film
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This article was originally featured on Popular Photography.
Super 8’s grainy, nostalgic look is having a moment right now, popping up everywhere from music videos to blockbuster TV shows. But even outside of pop culture, the consumer-friendly Super 8 film format is winning the hearts of amateurs and the analog community. If it’s caught your eye, too, here’s everything you need to know about getting started shooting Super 8 film.
This format might just be the king (or queen) of home movies. Introduced in 1965 by Kodak, it was a step up from the 8mm film that came before it, both in terms of quality—thanks to its larger frame size—and usability. This led it to be positioned as the new movie-making format of the masses.
More cost-effective than 16mm or 35mm, Super 8 film is housed in inexpensive plastic cartridges, so it’s easier to handle and load, too. These cartridges also convey to the camera important bits of information, like the film speed as well as filter information for B&W film. And in 1975, a magnetic strip was added to the cartridges to capture audio.
With its launch, Super 8 put the power of creativity in the hands of regular people. Suddenly, everyone was a movie maker.
Super 8 film today
Today, the medium is still very much alive—and by many indications—both doing well and picking up steam. Aside from the enthusiasts scooping up used cameras to record their summers, some of the biggest names in entertainment are turning to film—and Super 8 specifically—for their creative projects.
Harry Styles’ Watermelon Sugar, Katy Perry’s Daisies, Chopard’s short film with Julia Roberts, Burger King, and more have used Super 8 footage to create a grainy, vintage, old-school effect. Search for the medium on YouTube, and you’ll find there’s no lack of videos showing off the medium.
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What Super 8 camera should I buy?
How much should I pay for a Super 8 camera?
Options are plentiful when it comes to used Super 8 cameras. Major brands still circulating include Canon, Nikon, and the king of Super 8, Beaulieu. Other brands like Minolta and Chinon sell for under $100, while Canon and Nikon Super 8 cameras can run as low as $300, depending on the model. But Beaulieu cameras are sure to command a heftier (over $500) price tag.
You can buy Super 8 cameras pretty much anywhere secondhand electronics are sold, including Ebay, Etsy, Facebook Marketplace, and used camera shops (like Pro8mm). But also know that an astute searcher may find luck befalls them at random garage or yard sale. The main thing you want to do when buying a Super 8 camera is make sure the motor works. If it doesn’t, you won’t be able to advance your film.
What to look for when buying any Super 8 camera
Some cameras may have a crank and are completely manual. Others will require batteries. If possible, go for a film-tested camera and always ask to see the footage and any CLA (clean, lube, adjust) certification the seller may have. It’ll be more expensive but save you the agony of wasted money on the back end. Developing Super 8 film isn’t cheap any way you slice it, so better to know you’ve got a working camera beforehand.
Best Super 8 cameras under $100
If you want to get your toes wet, there are Super 8 cameras out there under $100. The Chinon 723 XL is a good option with its autofocusing capabilities, and so is the Minolta XL 400 with its Zoom Rokkor-Macro lens, which has 13 elements. Both will shoot at 18 frames per second (fps).
If you can’t find those exact models, consider also the Bauer C series (A512 in particular), the Minolta Autopak 8 D6, and the Chinon 213 PXL. The Bauer A512 specifically may run you a little over $100.
Best Super 8 cameras under $500
The sought-after brands live here: Canon and Nikon occupy the top end of this range. Particularly, the Canon 310, 514, or 814 series are popular choices and finds. At the time of its release, the Canon 514XL had the world’s fastest lens at f/1.0. While the Auto Zoom 814, which is comprised of an all-metal mechanical design, was the first Super 8 camera to have an 8x zoom range with an f/1.4 lens.
There are also a handful of other Super 8 cameras that fall on the lower side of the spectrum, too, such as the Sankyo Sound SL-60S and Elmo 1012S-XL. The Nikon R8 and R10 would be considered the high end of this range.
Best Super 8 cameras $500+
If you’re sure Super 8 is your medium, you might find yourself fancying the fanciest of them all: The Beaulieu 4008ZM II. With beautiful design and a reputation for being the best Super 8 camera ever created, there’s a lot to its name. Thanks to its built-in rangefinder, plentiful shooting options (you can adjust the frame rate from 2fps to 50fps), and interchangeable lens design, this French-made camera gives creators plenty of control over their vision. Expect to spend at least $600, with mint kits running up to $5,000.
Also on the market are the Beaulieu S2008 and the 5008S, the latter of which is considered the professional model.
Several types of Canon cameras can still be found on the used market. Connor Betts on Unsplash
Types of Super 8 film and where to buy it 
Kodak is the main purveyor of Super 8 film, and it’s available from major retailers like Adorama, Amazon, and B&H. The options are Kodak Vision 3 (color-negative 50D, 500T, and 200T); Tri-X reversal 7266; and Ektachrome 100D color reversal.
However, you can also find B&W Fomapan R100 film, and Pro8mm packages their own, which you can buy in a bundle to include processing. Film cartridges run about $40 ($27 if you’re going for Fomapan) and can record 2.5 minutes at 24fps and 3.3 minutes at 18fps. Expect to pay at least $25 to process it.
If shooting Super 8 for the first time, we recommend grabbing the Kodak Vision 3 50D and shooting in daylight. 500T and 200T are balanced for tungsten light, and as a color-reversal film, Ektachrome is quite saturated. These might be better to experiment with once you’re more familiar with the medium.
Though the beloved Kodachrome is no more, there are still plenty of Super 8 film options on the market. Connor Betts on Unsplash.
How to use a light meter for Super 8 video 
Most cameras will often come with an internal meter, but unless you’ve confirmed it works, an external light meter is always a solid investment, whether you shoot stills or video. I personally use a Sekonic L358, but we’ve also got a list of best light meters for you to choose from. If you’re not ready to take the plunge on a real light meter, there are some apps, like Lumu, that have a video mode.
To use the light meter, you’d best take a look at the instructions, as each may differ slightly in how to operate the video mode. But, generally, you’ll want it to be in the f/s mode (frames per second), as opposed to A (aperture) or T (for shutter speed). Know that the frame rate you choose will affect how long you can film—at 24fps, you won’t shoot as much footage vs. 18fps.  
Where to get Super 8 film developed
There are still a good number of film processors that will develop (and scan) Super 8 film. A good bet is to see if there’s a local spot in your area that still processes Super 8. If not, see the list below for where to develop Super 8 film.
Super 8 film can be developed at home or at a lab. Processing at home requires steep upfront costs and is best suited to experienced film developers. Thomas William on Unsplash.
Pro8mm
Pro8mm has an incredibly robust lineup of offerings, from selling/renting Super 8 cameras to film development packages. They’ve processed film for Harry Styles, Drake, and Katy Perry, to name a few. Their packages include film, processing, development, and color correction. If you find yourself really bitten by the analog film bug, they’ll also do 16mm, double Super 8mm, and Super 16mm films. 
Film Photography Store
The Film Photography Store has many films on offer, from Super 8 to 35mm and 16mm, which they will also develop and digitize. 
Negativeland Film
Negativeland is a motion-picture lab that will process Super 8 and 16mm films.
Color Lab
Working with clients including National Geographic Channel, NBC, HBO, and the Academy of Motion Picture Arts and Sciences, Color Lab processes 35mm, 16mm, and Super 8 color negative film and Super 8 B&W film.  
BB Optics
BB Optics specializes in motion picture processing for Super 8, 16mm, Super 16mm, and 35mm, also offering color grading services and post-production supervision. 
How to develop Super 8 film at home 
This is a real commitment and should only be attempted if you have prior experience developing your own film. If you don’t, try 35mm first before taking on the (literally) gargantuan task of processing Super 8.
For those who want to take the plunge, any old developing tank won’t do. You’ll need a special drum that will accommodate the reel, which is typically 50 feet per cartridge. A Jobo Super 8/16mm drum kit (drum, tank, and foot pump) will run you about $880—and that’s before you’ve procured the chemicals.
After you’ve picked up the drum, you’ll want to consult the shop on the chemicals you’ll need to process the film. Then, you’ll need to make sure you have space. Practically, will you be able to hang 50 feet of film somewhere while it dries? This video delves into more specifics to consider.
How to convert Super 8 film to digital  
Digitizing film reels is usually included or an optional add-on to the development package at labs. However, if you’re going to shoot a decent volume of film and want to save a little money, you can scan it at home—with less hassle than the development process.
Scanners are available from Amazon, B&H, and other retailers, and Wolverine Data seems to be the brand of choice. The Wolverine 8mm and Super 8mm Film Reel Converter retails for $299.95 and will digitize film at a resolution of 720 pixels. For $100 more, the Wolverine Digital Movie Maker Pro scans at 1080 pixels. Simply load up the film and the scanner does the rest, compiling the footage onto an SD card (that you must provide). This video offers a detailed tutorial on how to set yours up.
Further resources for Super 8
Feeling daunted? Don’t be—at the end of the day, you only need three things: A working camera, film, and a place to develop. Should you be searching for additional resources, try the Pro8mm Super 8 Reference Library, which features tips, a film calculator, education, manuals, and more. Super8camera.com is also a wonderful compendium of the medium. Happy movie-making.
New post published on: https://livescience.tech/2022/08/03/how-to-shoot-with-super-8-film/
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bengallynx1 · 2 years
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<h1>Bobbleheads</h1>
Much more than a talented painter with a shocking afro, Ross is an inspiration to folks all around the world, which is why a Bob Ross Bobblehead makes an excellent reward. Wrap up the limited version resin figure and provides it to a pal who’s going via a troublesome time. They’ll love taking a look at mini-Bob panting a scenic landscape while a group of furry creatures lovingly cling to him. Groot Bobbleheads are as near the actual deal as they arrive! They’re cute, small, and will gladly go along with any oddball idea you cook dinner up. Guardians of the Galaxy 2 followers will fall in love with the Baby Groot figurine because it’s adorable.
IMDb gave it a 2.6/10 out of 20 consumer reviews. A heartfelt moment where Earl and his brother make up and turn out to be friends again on the end of the movie. Very predictable and cliched plot; in fact, the film appears to have subsequent to no stakes in any respect, outside of the moment where Binky and Earl go into the home. There’s a scene within the film the place Ikioi makes use of an aluminum soda can inside a shifting microwave as a projectile as soon as the microwave door is open. Doing this in actual life can not only cause an actual fire, however it can educate a nasty lesson to kids.
Stand Tony Stark subsequent to him by also picking up an Iron Man Bobblehead. Beware, these Avengers are recognized to butt heads so a scuffle could get away, especially since the heads on these two are rather large. Produced in partnership with Microsoft and NVIDIA, the beautifully realized CGI animated movie was created with NVIDIA GPUs on Azure Cloud, a state-of-the-art platform that allows for improved 3D-rendering and worldwide collaboration.
Every pop-culture reference makes zero sense to the story. The film premiered on December 8, 2020 in the United States on DVD, and digital. It was launched in 2021 all over the place else only via digital. When Toy Story and The Lego Movie meet The Emoji Movie, you get this abomination of a "function length movie".
If you’ve wished upon a shooting star for the chance to chill with the sassiest droid in the galaxy, you’re in luck as a result of now there’s a means. They’re a must-have for Star Wars followers who respect every film throughout the legendary franchise. Use different Star Wars home décor to offset your model new collection of delightful bobbleheads.
She then disappears from the film for 75 minutes so it could possibly focus on bobbleheads whose incessant bobbling never stops being annoying. Fortress of Solitude has turn out to be one of the most popular geek entertainment interest web sites in South Africa and covers news and critiques on movies, games, comedian books, devices, TV collection, toys, sneakers and extra. There’s also a special appearance by music famous person, Cher whose bobblehead supplies braveness and words of wisdom to the movie’s main characters. On the 2012 season premiere episode of ABC's The Bachelorette, contestant Chris Bukowski offered bachelorette Emily Maynard with custom bobbleheads of the two of them in an attempt to impress her and further himself in the competition. The subsequent increase in reputation was in the late 1990s. Although older bobbleheads such because the baseball groups and The Beatles had been wanted by collectors throughout this era, new bobblehead dolls were uncommon.
During the holidays, neglect worrying about what to buy a co-worker as a White Elephant current. Just find out which franchise they’re obsessed with and purchase any of our Funko POP Bobbleheads to represent their obsession. They’ll love exhibiting their fandom for manufacturers like DC Comics and Star Wars while they’re exhausting at work. Whether consisting of the characters bobbling their heads, or making bobblehead puns, that is simply THE most annoying a part of the complete film. In truth, the bobbling gag is in almost each scene within the film, which will get old really fast.
I may also give the movie a minor little bit of credit in that they did bodily comedy with their feminine antagonist. Usually, it’s guys who get tortured – however it was kinda nice to see a girl hit herself in the boobs quite than getting a guy to himself in the crotch. There is precisely one good line on this complete movie. And of course, it isn’t said by any of our “protagonists,” if they can be known as that. I don’t normally name names in my critiques, I simply give them credit but I gotta wonder…this was a fairly competent and profitable group of individuals. They ought to be able to make a mediocre, if not respectable film. The humorous factor is, this film has no cause to suck as much because it does.
When I look at the movie this way, surprisingly, it might have really been kinda good. But I’m leaning more in direction of the former because contemplating who labored on this film – there’s no excuse for it to be as dull as it is.
Adding to the strangeness, the movie's voice solid is mostly individuals you have never heard of , nevertheless it also includes a visitor spot from Cher, for some reason. The film did not precisely come from nobody. It was directed by Kirk Wise, who additionally helped direct Disney'sBeauty and the BeastandThe Hunchback of Notre Dame. Hell, thor bobblehead is even received a credit onSpirited Away. But Studio Ghibli this is not, asBobbleheadswill give you whiplash in the first few seconds of the trailer. On Rotten Tomatoes, the film has an audience rating of twenty-two% from 5 consumer critiques and 3 critic reviews.
In fact, they beat that joke to the bottom so hard, that some extra frames do nothing aside from present the heads bobbling. Every character aside from Earl and Deuce is both unlikable or irrelevant to the story.
Act as Santa and buy them for a friend or be a total Grinch and get them all for yourself.
Many of the bobbleheads within the US have been produced in Germany, with an increase in imports during the Twenties and 30s.
Guardians of the Galaxy 2 followers will fall in love with the Baby Groot figurine because it’s adorable.
These dolls are normally 6" to 12" tall .
The pop celebrity has been concerned in a variety of different tasks, from reinventing herself musically, being a style development-setter, and even performing in a number of the most iconic films of the last many years.
In 2016, the Guinness Book of World Records mark for world's largest bobblehead was set at 15 toes four inches tall.
When the toys' people go "AWOL," they must defend their house from sudden guests, two uninvited intruders who hope to swap a new baseball player bobblehead for a useful one. That's the place Bobble Cher steps in to offer some bobble wisdom. Disney followers will feel like little kids once more after they see our massive assortment of Disney bobble heads. They make good items for kids who're simply starting to acquire vinyl figures or adults who get pleasure from indulging their inner child. (Treat yourself!) Also, bobbleheads will remedy all your present-shopping for dilemmas any more. Know someone with a fixation on American politicians of yesteryear? The George Washington Bobblehead makes a super gift!
The hand-painted figure holds his treasured electronic recreation whereas making a sour face. Teenage Groot is a troublemaker but very cute, particularly as a Bobblehead. If you're at an office or shared network, you can ask the community administrator to run a scan throughout the network looking for misconfigured or infected units. The pop superstar has been involved in a number of totally different projects, from reinventing herself musically, being a fashion development-setter, and even performing in a number of the most iconic movies of the last decades.
Both use the truth that their main characters are toys as an integral a part of their plot and main theme. Plus, I’m fairly certain I don’t know anybody who really owns a bobblehead they didn’t get at a baseball stadium for free. And I’m fairly certain youngsters nowadays aren’t into bobbleheads. This film is the rationale people suppose animation is for little children. Call animation a style, and never a medium. It gives a bad name to all animated movies. It’s just one other film making an attempt to capitalize on the coattails of The LEGO Movie – without understanding what made the film so special within the first place.
Perhaps you’re an expert cosplayer who's looking for the proper burger, or perhaps you’re simply excited about high-end tech and Netflix binging. Covering gaming, leisure, tech and geek, Critical Hit offers info and critique from a workers of diverse, knowledgeable and fiercely opinionated writers. A man of many abilities, however no sense tips on how to use them. I could possibly be out changing the world, however I'd rather be running, watching movies, enjoying games and writing right here as a substitute. Although the movie is described as a “brand-new hilarious, coronary heart-warming animated action-comedy, it really looks like one thing we’ve all seen before. So maybe this outrageous battle of wits and wobble must be just for the youngsters.
Why is that specific Cher bobblehead part of the Commission? Are the Commission members sad because they aren’t people ? The movie doesn’t even have a so-dangerous, it’s funny quality to it. I watched the film at 1.25 speed just so I wouldn’t have to sit by way of it for as long. This movie was the first Universal animated film to make use of Microsoft Azure after Universal thought-about it helpful for animation again in August 2020, and the primary animation movie using Azure to be accomplished remotely on Nvidia GPUs. The character improvement is okay, compared to several different movies the place that is non-existent.
The world-constructing and lore on this movie are simply absolute bullshit. I don’t know what the principles of this world are or what makes bobbleheads so particular or even really what the Bobblehead High Commission does or the way it works….It’s simply all padding. This brings me to a facet of the film that simply pisses me off to no finish. All the bobbleheads name the individuals they have been based on “prototypes.” I get that you must do some type of world-constructing however why…would you choose the word “prototype? And not like in Toy Story, all of the characters are properly conscious they’re bobbleheads and never the particular person or character they’re based mostly off of. And they feel like they have to stay up their counterparts.
Named "Goldie" a St. Bernard, the mascot of Applied Underwriters, it was created for Applied Underwriters, designed by Nate Wells, constructed by Dino Rentos and BobbleHeads.com. The most fantastic time of the year calls for essentially the most magnificent Bobbleheads you’ve ever seen. Whether you’re a Christmas decoration connoisseur or a critical Bobblehead collector, you’ll want to find these Christmas Bobbleheads nestled under your tree this holiday season. Featuring sturdy designs and professional craftsman, each figure is the epitome of jolly.
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recentanimenews · 2 years
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FEATURE: Love After World Domination Uplifts A Familiar Twist With Adorable Dedication
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  At its best, fan fiction can be a vivid read between the lines. Whether it’s an unofficial follow-up, an unforeseen romantic pairing, or a simple slice of life diversion from the main story, it allows for the creative expression of fandom in what is typically a one-way street of enjoying pop culture — the creator creates and the consumer consumes. So when I say that a series feels like its own fan fiction, I don’t mean that in a bad way. Love After World Domination, centered around the secret romance between the leading hero of a Power Rangers-esque supergroup and the “Reaper Princess” of a comical legion of doom, is a light and funny excursion from a long-going war between the two factions. It plays out like fan fiction from whatever bigger universe is there, and I really enjoy it for that.
  For those that haven’t watched, the leading man of the “Gelato Five” is Fudo, clad in the traditional red outfit of a tokusatsu show leader by day and typically found lifting weights in the gym at any other time. Across the aisle, we see Desumi, aka the Reaper Princess of Gekko, a collection of outlandish villains who, like all good villains, enjoy sitting at a big table and hashing out their schemes. These two groups are pre-destined to fight one another in Saturday morning fashion, perhaps forever, and if you need an example of the tone of the series, accompanying Desumi into combat is Culverin Bear, a large, well, bear who simultaneously serves as both henchman and extra comic relief. 
  RELATED: 5 Romantic Comedies To Watch If You Like Kaguya-sama: Love Is War - Ultra Romantic
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    However, when Fudo and Desumi meet, sparks fly. Fudo is supposed to represent “The aroma of strawberry, the flavor of justice” but he and Desumi come to spend most of the battles hiding away from their respective teams and flirting somewhere where they can’t be seen. The “hands grasping” test of strength that’s everywhere from battle anime to pro wrestling becomes an excuse for them to just hold hands all the time, for they have to be sneaky if they want to meet up outside of combat. This burgeoning romance provides a learning curve for both of them, as the one thing they don’t teach you when you’re training to be a fantastical super-soldier is dating cues.
  It’s here that Love After World Domination progresses from what could be a one-joke series to an effortlessly watchable journey. The “enemies become lovers” twist isn’t exactly new, but it’s the show’s glee with the minutiae of it all that helps it rise above. There’s your requisite blushing, but the series takes time to examine all of the things that would happen in an actual new relationship, even if saving/destroying the world wasn’t a factor. For example, in order to communicate better with Desumi, Fudo has to learn how to use a smartphone. He has to learn how to plan dates that don’t just involve what he’s interested in. He has to learn simple body language that comes much harder to him than the countless bicep curls he’s used to. And Love After World Domination wastes no time getting around to it.
  RELATED: Eldin Ring Is My Favorite Romance Anime
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    All of it gives off the vibe of fan fiction, which, again, isn’t a criticism in the slightest. There are countless moments in more straightforward versions of this story that would lead you to play a game of “What if?” ranging from little references dropped to even whole subplots that never quite reach the potential they could. And as Love After World Domination progresses, it expands on the premise to investigate other characters and how they’d react to the goings-on of a mysterious coupling between hero and arch foe. Some are clueless and some cynically curious. What could Fudo possibly be up to? He’s the Red leader. He’s not meant to be hunched over a phone trying to work through plans to visit an amusement park. He’s supposed to be ... doing whatever scant opportunities a life outside of the dedication to fighting cartoonish crime allows. 
  The spring 2022 season has a few that follow the same pattern of toying with familiar narratives — the most famous example right now is likely SPY x FAMILY, a show that balances thrills with domestic comedy in a way that I'm also a big fan of. What these have in common is a way to enjoy characters that isn’t the purely aspirational trappings of a grimmer genre. So much so that saving the world can become an afterthought. Who can focus on that when you have a date in 20 minutes?
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      Daniel Dockery is a Senior Staff Writer for Crunchyroll. Follow him on Twitter!
By: Daniel Dockery
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fozmeadows · 3 years
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race & culture in fandom
For the past decade, English language fanwriting culture post the days of LiveJournal and Strikethrough has been hugely shaped by a handful of megafandoms that exploded across AO3 and tumblr – I’m talking Supernatural, Teen Wolf, Dr Who, the MCU, Harry Potter, Star Wars, BBC Sherlock – which have all been overwhelmingly white. I don’t mean in terms of the fans themselves, although whiteness also figures prominently in said fandoms: I mean that the source materials themselves feature very few POC, and the ones who are there tended to be done dirty by the creators.
Periodically, this has led POC in fandom to point out, extremely reasonably, that even where non-white characters do get central roles in various media properties, they’re often overlooked by fandom at large, such that the popular focus stays primarily on the white characters. Sometimes this happened (it was argued) because the POC characters were secondary to begin with and as such attracted less fan devotion (although this has never stopped fandoms from picking a random white gremlin from the background cast and elevating them to the status of Fave); at other times, however, there has been a clear trend of sidelining POC leads in favour of white alternatives (as per Finn, Poe and Rose Tico being edged out in Star Wars shipping by Hux, Kylo and Rey). I mention this, not to demonize individuals whose preferred ships happen to involve white characters, but to point out the collective impact these trends can have on POC in fandom spaces: it’s not bad to ship what you ship, but that doesn’t mean there’s no utility in analysing what’s popular and why through a racial lens.
All this being so, it feels increasingly salient that fanwriting culture as exists right now developed under the influence and in the shadow of these white-dominated fandoms – specifically, the taboo against criticizing or critiquing fics for any reason. Certainly, there’s a hell of a lot of value to Don’t Like, Don’t Read as a general policy, especially when it comes to the darker, kinkier side of ficwriting, and whether the context is professional or recreational, offering someone direct, unsolicited feedback on their writing style is a dick move. But on the flipside, the anti-criticism culture in fanwriting has consistently worked against fans of colour who speak out about racist tropes, fan ignorance and hurtful portrayals of living cultures. Voicing anything negative about works created for free is seen as violating a core rule of ficwriting culture – but as that culture has been foundationally shaped by white fandoms, white characters and, overwhelmingly, white ideas about what’s allowed and what isn’t, we ought to consider that all critical contexts are not created equal.
Right now, the rise of C-drama (and K-drama, and J-drama) fandoms is seeing a surge of white creators – myself included – writing fics for fandoms in which no white people exist, and where the cultural context which informs the canon is different to western norms. Which isn’t to say that no popular fandoms focused on POC have existed before now – K-pop RPF and anime fandoms, for example, have been big for a while. But with the success of The Untamed, more western fans are investing in stories whose plots, references, characterization and settings are so fundamentally rooted in real Chinese history and living Chinese culture that it’s not really possible to write around it. And yet, inevitably, too many in fandom are trying to do just that, treating respect for Chinese culture or an attempt to understand it as optional extras – because surely, fandom shouldn’t feel like work. If you’re writing something for free, on your own time, for your own pleasure, why should anyone else get to demand that you research the subject matter first?
Because it matters, is the short answer. Because race and culture are not made-up things like lightsabers and werewolves that you can alter, mock or misunderstand without the risk of hurting or marginalizing actual real people – and because, quite frankly, we already know that fandom is capable of drawing lines in the sand where it chooses. When Brony culture first reared its head (hah), the online fandom for My Little Pony – which, like the other fandoms we’re discussing here, is overwhelmingly female – was initially welcoming. It felt like progress, that so many straight men could identify with such a feminine show; a potential sign that maybe, we were finally leaving the era of mainstream hypermasculine fandom bullshit behind, at least in this one arena. And then, in pretty much the blink of an eye, things got overwhelmingly bad. Artists drawing hardcorn porn didn’t tag their works as adult, leading to those images flooding the public search results for a children’s show. Women were edged out of their own spaces. Bronies got aggressive, posting harsh, ugly criticism of artists whose gijinka interpretations of the Mane Six as humans were deemed insufficiently fuckable.
The resulting fandom conflict was deeply unpleasant, but in the end, the verdict was laid down loud and clear: if you cannot comport yourself like a decent fucking person – if your base mode of engagement within a fandom is to coopt it from the original audience and declare it newly cool only because you’re into it now; if you do not, at the very least, attempt to understand and respect the original context so as to engage appropriately (in this case, by acknowledging that the media you’re consuming was foundational to many women who were there before you and is still consumed by minors, and tagging your goddamn porn) – then the rest of fandom will treat you like a social biohazard, and rightly so.
Here’s the thing, fellow white people: when it comes to C-drama fandoms and other non-white, non-western properties? We are the Bronies.
Not, I hasten to add, in terms of toxic fuckery – though if we don’t get our collective shit together, I’m not taking that darkest timeline off the table. What I mean is that, by virtue of the whiteminding which, both consciously and unconsciously, has shaped current fan culture, particularly in terms of ficwriting conventions, we’re collectively acting as though we’re the primary audience for narratives that weren’t actually made with us in mind, being hostile dicks to Chinese and Chinese diaspora fans when they take the time to point out what we’re getting wrong. We’re bristling because we’ve conceived of ficwriting as a place wherein No Criticism Occurs without questioning how this culture, while valuable in some respects, also serves to uphold, excuse and perpetuate microaggresions and other forms of racism, lashing out or falling back on passive aggression when POC, quite understandably, talk about how they’re sick and tired of our bullshit.
An analogy: one of the most helpful and important tags on AO3 is the one for homophobia, not just because it allows readers to brace for or opt out of reading content they might find distressing, but because it lets the reader know that the writer knows what homophobia is, and is employing it deliberately. When this concept is tagged, I – like many others – often feel more able to read about it than I do when it crops up in untagged works of commercial fiction, film or TV, because I don’t have to worry that the author thinks what they’re depicting is okay. I can say definitively, “yes, the author knows this is messed up, but has elected to tell a messed up story, a fact that will be obvious to anyone who reads this,” instead of worrying that someone will see a fucked up story blind and think “oh, I guess that’s fine.” The contextual framing matters, is the point – which is why it’s so jarring and unpleasant on those rare occasions when I do stumble on a fic whose author has legitimately mistaken homophobic microaggressions for cute banter. This is why, in a ficwriting culture that otherwise aggressively dislikes criticism, the request to tag for a certain thing – while still sometimes fraught – is generally permitted: it helps everyone to have a good time and to curate their fan experience appropriately.
But when white and/or western fans fail to educate ourselves about race, culture and the history of other countries and proceed to deploy that ignorance in our writing, we’re not tagging for racism as a thing we’ve explored deliberately; we’re just being ignorant at best and hateful at worst, which means fans of colour don’t know to avoid or brace for the content of those works until they get hit in the face with microaggresions and/or outright racism. Instead, the burden is placed on them to navigate a minefield not of their creation: which fans can be trusted to write respectfully? Who, if they make an error, will listen and apologise if the error is explained? Who, if lived experience, personal translations or cultural insights are shared, can be counted on to acknowledge those contributions rather than taking sole credit? Too often, fans of colour are being made to feel like guests in their own house, while white fans act like a tone-policing HOA.
Point being: fandom and ficwriting cultures as they currently exist badly need to confront the implicit acceptance of racism and cultural bias that underlies a lot of community rules about engagement and criticism, and that needs to start with white and western fans. We don’t want to be the new Bronies, guys. We need to do better.  
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boop-le-snoot · 3 years
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marmalade taffy
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Helmut Zemo smut & feels. Soft!Dom Zemo, non-superhero!AU, Zemo being the weird uncle of college!Maximoff twins. This was written on a whim so if someone signs up to beta-read, I will shower you with affection and reminders to drink water. The Reader is addressed as "you" and is not described - race/age/body type neutral. The language I used for Sokovian is actually Serbian. Word count 2,8k.
Fun fact: I have mild synesthesia. Emotions/feelings and some people have an assigned color (and sometimes smell) for me. That's how the name of the fic was born. This fic feels like the colors of marmalade and taffy, look them up. This fic is dedicated to my lovely @slothspaghettiwrites , the shining beacon in my misty, rocky beach. (You're a periwinkle for me, by the way. I thought you might ask.)
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When you first see him all you do is raise an eyebrow. His sleek, well-maintained vintage car stands out almost grotesquely amongst the various sedans and mom vans on the campus and you can see the glint of his wristwatch even from afar. Wanda's and Pietro's sheepish smirk only makes the situation worse - the girl's attire obviously screams "liberal arts" and her twin brother doesn't seem to have anything better to wear than tracksuits.
The man behind the wheel is unfazed. He is calm and collected in that European way, not conceited, just waiting. For what? You don't know. His eyes trail over you but he doesn't smile, simply gives a tiny polite nod. If you hadn't had extensive conversations about cultural differences with Wanda, you'd say he was extremely rude.
Shy, quiet Wanda, who's eyes lit up seeing her favorite not-actually-uncle. In a surprising dash of energetic agility, she hopped right into the car, her numerous scarves a bright flash of saturation against the campus grayscale. You giggle and wave at the departing car, snorting when Wanda's hand reaches over to briefly honk the horn, causing the driver to swerve the tiniest bit, his eyes trained on you in the rearview mirror.
He comes and goes often. Almost always in a different perfectly restored vintage car, mostly with the same polite mask of bored contentment. You know he's royalty in his home country and can't help but wonder how frivolously the twins act around him - no, free. He gives all the appearance of a silent, strict man.
You're proven wrong rather quickly. Freshman year left behind you, you and Wanda decide to ditch the dorms for an apartment - she finds one rather quickly and it's just you two in it even though it is ridiculously huge and the rent amount she requests is equally ridiculously small. Not the one to look a gift horse in the mouth, you pretend nothing is out of the ordinary and buy yourself a new pair of shoes.
Helmut - Wanda finally formally had introduced you two - doesn't come by often, however the visits are always... Eventful. He's not at all what it seemed to be; in the quiet of your apartment, a witty, incredibly clever man resurfaces from under the stoic façade. The Slav in him easily lets him consume alarming quantities of alcohol together with Pietro, who opted to stay in the dorms with his idiotic football team, and - you couldn't believe your eyes at the time - dorkily dad-dance squat in the middle of your living room, unfazed by your and Wanda's cackling.
The way Helmut is absolutely unbothered by the audience and the laughter, pale face flushed from the wine and a little smirk stretching his thin lips into expression almost catlike. The maroon turtleneck stretches nicely across his chest, as thinly as your lip that you worry between your teeth.
Pietro raises an eyebrow. You shrug.
"Got something in your eye, no?" He teases playfully and you shrug again, taking another swig of your nice, European beer.
There are more gatherings, more parties and quite a few rides in his car, when the wind blows your hair in all directions possible and intermingles it with Wanda's as you giggle and squeal in the back seat. Helmut always indulges you two; the word 'no' simply does not exist in that man's vocabulary. He insists politely but firmly on a dinner with all three of them on your birthday and the gifts he brings make your eyes pop out and your face heat.
"A woman like you makes any sensible man want to shower you with the finest gifts," Helmut's voice is quiet and his accent is thick and somehow, it makes it all that harder to refuse. He smiles like usual - tiny and a little secretive, as he pecks your cheek, filling the air around you with the smell of his cologne. It makes your mouth water and your fingers clench helplessly around the half a dozen of silk paper-wrapped boxes.
The summer rolls in and it's hot and humid and finally you don't have to worry about waking up at the crack of dawn or classes or the annoying boys who can barely take a no for an answer. The invitation to Helmut's villa doesn't come as a surprise; Wanda had been riled up over it since early May and Pietro and his whole damn football team were equally as thrilled.
You pack flowy dresses, daisy dukes and swimsuits. The expensive jewelry and handbag Helmut had gifted you, too, since the villa is surrounded by a whole neighborhood meant solely for the rich and famous. Wanda is absolutely unbothered by her own bohemian chic and you quietly envy her; the longer you get to know her, the more you realise of how much actually she does not give a fuck about anything besides her paintings and sculptures.
It's admirable, really, because she is talented. And Helmut knows it, too, having had collected and kept every single work Wanda had made, showing it off in the various rooms of his two-story mansion. The abstract fits in well and is a great conversation topic for him and his equally important friends. There's an endless stream of them in the first days and Wanda isn't overtly happy, choosing to run away to laze around the pool with you more often than not.
Helmut's friends stop at the glass wall between the inner side of the house and the pool to stare at you two, too, causing something dark and tense flash across his features. There always had been a sort of tangy obscurity in him, you've noticed, but not nearly enough for you to grow concerned. It added the bittersweetness, the flavour and consistency to the modest man.
Although calling him modest might have been a mistake. The moment you can't shake off one of his friends after a polite chit-chat seems to never end, Wanda nowhere in sight, dread and unease digging their sharp, spindly fingers in the soft flesh behind your rib cage, Helmut is suddenly there, arm wrapped almost possessively around your waist.
"Draga mea, Wanda is looking for you. She says it's urgent," He stares the man down with the eyes of a vulture. "I believe we haven't been properly introduced," Helmut seems to not realize he's still clutching you in a grasp of steel as the man opposite you rumbles out his name, few syllables you'd forgotten seconds after he spoke them for the first time.
"Baron Helmut Zemo," the fingers brush and squeeze once, gently, over the valley of your waist before letting go. You miss the rest of their peacocking, walking away with a fight and fire inside of your hammering heart. Anxiety and longing and confusion mix and blend, combining into a cocktail that has you beelining for the bar like a woman parched.
The next day you're sleeping off the hangover, first in your bed and then by the pool - Wanda had run off into town for one thing or another, and knowing her, she'd be back home at the crack of dawn. It was blissful peace, the soothing balm for your troubled heart and your aching head.
"Hungover?" Helmut's voice was quiet and a little bit teasing. None of the Eastern Europeans had ever showed the signs of having any ill effects from the alcohol they drunk, unlike you.
You stretched, too blissed out to care about the skimpy strings and straps of your bikini, basking in the gentle morning sun. "Mmm, not anymore," a swim in the cold pool had done wonders.
Your soft pink float rocked as Helmut's footsteps quieted, giving way to a short splash and the sound of his breathing somewhere in your space. Just as you cracked open your eyes, he reached out a hand to steady himself next to you. "I wanted to apologize for the situation yesterday. That man was stepping out of line. He is not welcome in my home anymore."
You stare at him and then you snort. The blunt was he usually speaks is so easy, it flows oh so effortlessly. No mind games, just honesty. You want to pay him back in kind. "Don't worry, Helmut. I just had a bit too much to drink," that was the truth. Any other time and you wouldn't have hesitated to unapologetically steer clear of any creep. Heat and bubbly don't mix and that was your own mistake.
"No, printsesa," the man in front of you let loose some of the delicious darkness, eyes growing stormy, hand gently resting over yours. "Some men are fools, they are nothing but animals. You deserve to feel safe, especially in my home." His lips stretched into a smile, water dripping down his jaw and making tiny circles form in the azure of the pool.
"I can't argue with that," you replied, catching the stray liquid and following the trails it made with your eyes. His forehead, dripping down over his eyes, making Helmut blink the stray drops away until they landed on his lips, trickling down his chin.
You swallowed, opting to dip your toes into the cool pool water before you could make a fool of yourself. The water splashed towards him, making a mischievous grin grace his usually serious face, as me made a half-hearted attempt to splash back weakly, making the water sizzle on your sun-kissed skin. Never the one to back down from a challenge, you knitted your eyebrows in mock offense, eagerly letting the water wash over you as you abandoned the float in favour of creating waves with your whole body.
The temperature contrast was delicious and Helmut's laugh even more so as it echoed in between the high walls of the building surrounding the pool. The sun was nearly at its peak, shining over your head in a beacon of heat that almost matched the one inside of you, the one that had blossomed there months ago and finally grew into a steady smolder, shooting sparks whenever you were around the baron.
It was hot and wet, the same feeling chasing you two when you finally kissed. His hand firmly planted on the side of your neck, his nose softly brushing against the underside of your jaw, Helmut was in no rush to taste you, to savour every millimeter of your sun-kissed skin. The man left you with your fingertips trembling and heart scrambling for purchase somewhere in the deepest pits of your belly.
"What are you so hungry for, mmm?" Helmut's voice rumbled next to the shell of your ear; you could barely focus, skin singing underwater, where he held onto you like a lifeline. "You have hungry eyes, ljubavi, tell me what it is and I'll give it to you," your bodies pressed flush against each other, his eyelashes flittering against your cheek.
"You," the maximum capacity for your brain was one-syllable words and you used it sparingly, failing to suppress a gasp when Helmut's mouth latched around a particularly sensitive spot right under your jawline.
Teeth scraped over it before he soothed the sting with his tongue. "All the things in the world, I could give them to you. And yet..." He sounded almost disappointed. Perplexed, just as you were at the strange admission. "A woman like you would have men fighting for your attention yet you give it to me so freely," he murmured softly, capturing your lips in a slow, fluid kiss once more. "I will make sure you have everything you could ever want."
Helmut's touch grew bolder as he steered the two of you towards the shallow end of the pool. The taste of him was intoxicating, like the sweetest, most alluring poison you'd ever tasted: you knew that once you had one small bit, you'd be addicted, drawn to him like a moth to a flame. His words were clever and his mouth even more, making the short stumble upstairs last hours.
A wall, baroque tapestry, marked with the wetness of the pool water, where you allowed yourself to be pressed against as he leaned into you with the entirety of his broad frame, domineering the kiss effortlessly.
You panted as your back hit the soft, million-thread count, unmade sheets of the baron's bed, staring up into his eyes and finding your own reflection in his pupils, blown wide with lust. The tiny smirk was back but now his unexpressive face was marred by a gleem, accentuating his moist, puffy lips you'd licked into and bitten in a heated frenzy.
"Beautiful, printsesa," he stated with quiet firmness, leaning over into you to unclasp and toss away the upper part of the bikini. The bottoms followed suit, flung carelessly somewhere. His hands ran over your as it sang, every tiniest nerve hypersensitive, coming alive with a fervor borne of months of longing, complimented by the summer heat and cool waters.
"Helmut," your voice wavered, flowed on the syllables as his clever, clever mouth trailed hot down your chest, briefly submerging each nipple into the sear of it. Goosebumps rose over your exposed body, highlighting a trail for him, a trail he followed eagerly. Kisses were candy sweet and marshmallow soft.
Hot breath at the apex of your thighs had you mewling and arching into it, having abandoned all shame, and Helmut found it amusing. The petite chuckle made an appearance, his fingertips ghosting over the part of your lower lips; he was as amused by your impatience as he was enthralled by the youthfulness of the gesture. "Shh, ljubavi, I will make it feel better," his accent as thick as clover honey and just as saccharine.
The first movements were tentative, brief and so light, the demanding moan slipped out of your mouth along with a growl of frustration. You felt continuous chuckling, slight stubble rasping along the sides your thighs; you felt him pick up pace and steady his hot hands on your hips as you attempted to trash against the overwhelming stimulation your pussy was receiving.
His moans, loud and wet, drove you closer to the edge like a drunk drove a Ferrari; Helmut's skill was unparalleled but it lacked precision as he lost himself in the moment just as much as you.
"Fuck, fuck, I'm- I'm so close," you managed to grunt out before the crescendo hit, eyes rolling back into your skull as the influx of more, more, more hit every nerve ending in your body. You could do little more than rest your legs on his shoulders as the noble man, the quiet storm lapped up every drop of your release.
He made the inside of you weak.
In seconds, Helmut was back on top of you, grinding his arousal into you desperately, almost begging for it and all you could do was let your body respond, mimic your lover, clench around nothing just as you felt him twitch.
"Tell me you're mine," he demanded hooking one of your legs over his hip, eyes boring into yours with everything in them plain on display. It was a terrifying thing: as if your heart had suddenly grown legs, stood up and walked out into the bare, wide world, open for all to see. "Ti moa, skaži eto," his native tongue made his voice even more hoarse, you couldn't resist anymore.
"I'm yours, I'm yours, I'm yours," you chanted the words like a prayer, hoping he'd be merciful - and he is. No, there's only a hidden tenderness in his hands as he drives into your with increasing force that shakes you and makes your core quiver, igniting your flesh once again like the color red; it's messy and it's sloppy and you're barely aware of Helmut muttering something into the crook of your neck as you feel yourself clench down on him with a choked moan.
"Fuck," hearing him, the polite composed man, bite the end of his own orgasm into a curse made a wave of magenta hot rush travel through your body at lightning speed, his cock pulsating and coating you, claiming you from inside out so sweetly you couldn't resist a shallow gasp into his cheek, a gasp he mirrored as his own oversensitive flesh was once more assaulted by your combined lust.
The tide of his breathing was high; both of you spent yet still drunk on the newfound sense of togetherness. It was clear as a summer's day that in your arms laid a man who'd once lost something important and you - you were a someone who's never had anything of significance and perhaps, this time each other's arms would let you both keep whatever it was that you missed.
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justfangirlthingies · 3 years
Text
The prince of lies (Loki x reader)
Soulmate AU: Every time your soulmate lies, their words are permanently written on your skin
Word count: 3140 Words
I think this is the last Soulmate one that I have on Wattpad as of right now
Father is dead. Your banishment... The threat of a new war...it was too much for him to bear. You mustn't blame yourself. I know that you loved him. I tried to tell him so, but he wouldn't listen.
The truce with Jotunheim is conditional  upon your exile
Mother has forbidden your return
This is goodbye brother, I'm so sorry
Perhaps your senses have weakened after your many years of service
I'M NOT YOUR BROTHER I NEVER WAS!
I don't know what happened on earth to make you so soft! Don't tell me it was that woman?... Oh, it was. Well, when we're done here, maybe I'll pay her a visit myself!
You're not
(etc. more lies)
Lies...
Every single one of them. How did you know? Well, because they were printed all over your body.
Every single lie your soulmate ever told up until now graced your (s/c) skin.
How was a liar like that supposed to be a soulmate for you? Someone you could trust?
Yes, your so called soulmate would never be able to lie to you, for as soon as he tried the lie would appear on your skin. Had they only been some minor white lies, that would've probably been fine by you, but looking at the severity of those lies you could only shake your head in disbelief and sorrow for whoever had received those news.
Now ignoring the fact that those statements were lies, there were other aspects that made absolutely no sense. Those you had already researched quite a bit . Jotunheim for a start was a mythical place and the lies stated that apparently the liar and his brother were not from earth, which was complete nonsense was it not? Otherwise he had to be some kind of alien.
You were interrupted in the middle of your thought-process.
I missed you too
A new lie, gracing your forearm. Though this one seemed rather small and harmless, this man was still lying through his teeth and you had to carry every single one of those lies. How often had you been asked why your body was full of lies. Yet you never had an answer to those questions. He was your soulmate, even if he was a liar he had to be good somewhere, right?
Aliens and beings from other worlds did exist though. Thor the god of thunder and the events of New York city. Did they have soulmates as well? They had to, otherwise the statements on your features made even less sense.
But who?
Who would lie so much?
The thoughts in your head kept floating around as you got ready to meet up with your friend Anthony.
You started walking to a nearby park. Your usual meeting point, as you felt yet another familiar tingle. Pushing it to the back of your head in hopes of ignoring it, you kept walking towards your friend and hugged him "It's good to see you" you smiled but only got a confused stare in return "What?" "You uh...got a new one there, a long one." A sigh escaped your lips at the reply of Anthony. "Well, where? And does it at least make sense?" Your friend just shook his head as he took a picture of the lettering on your collarbone "No, but here. Maybe you can understand some of this. It looks like sarcasm this time." He gave you his phone to look at the picture. Great another one.
Wait? Sarcasm? One thing you had to give your soulmate credit for were his snarky remarks, at least those sometimes put a smile on your face. You zoomed in on your collarbone as you read what was engraved on the previously clear space of (s/c) skin.
You know this is wonderful! This a tremendous idea! Let's steal the biggest most obvious ship in the universe and escape in that! Flying around the city, smash it into everything in sight and everyone will see it! It's brilliant Thor! It's truly brilliant...
Thor?! You could not believe your eyes. Whoever your soulmate was knew Thor. It was a shock and a relief as well. If he was friends with this god he couldn't be so bad, could he? You did however, question why Thor would spend time, let alone steal some kind of spaceship with this person.
"I see. I can't say I understand what it's about, but whoever this liar of mine is, seems to be friends with Thor..." The words left your mouth as you handed the phone back to your dear friend. The two of you sat down on a wooden bench underneath a tree, but when you heard Anthony speak up, your mind went blank "He could also be Thor's brother, doesn't that one lie a lot?" It took you a few moments to fully comprehend what he meant "No, that'd be impossible, that man is sitting behind bars for the rest of his life. Besides, that guy is evil. My soulmate could never possibly be a bad person." that last part was a lie. Your soulmate was a liar, he could easily be a bad person, you just hoped with all your might that he wasn't"
■ ■ ■
"Trust my rage" the god of mischief spoke. Just as he had finished his sentence he felt a tingle on his wrist. A rare occasion if it was a real lie, usually it was just a sarcastic comment which most of the time he enjoyed quite a bit. These sarcastic statements often caused a small smile to appear on his face, the few nice moments that made the time in his cell more bearable, not only did he find them funny and witty, they also stood for his soulmate, for someone that was destined for him and also that he was a perfect fit for whoever this soulmate was. He looked at his bare wrist expectantly, waiting for one of the snarky remarks that his soulmate had spoken to appear. When it did appear though, it broke his heart. His cold expression fell for a second as he looked at the writing on his wrist. Quickly regaining his cold exterior before anyone would notice. It was too late though. His brother had seen the trickster's face falter just in time and he had also seen what Loki was staring at. Before the raven-haired could pull his hand back he felt it had already been grabbed "Let go of me Thor!"
"Brother, just let me see!" Thor replied loudly, he wanted to know what this was about. Loki looked away in shame as he let his brother read what his soulmate had said. My soulmate could never possibly be a bad person. As he finished reading he loosened his grip on the other's hand, allowing Loki to finally pull his hand back "I'm sorry" he muttered. "They think I'm a monster too..." The black haired god whispered as he sat down in the small ship, his stone cold exterior dropping by the second. Was a soulmate not meant to understand? Was there really no hope for him?
"Loki..."
"Stop it. Don't pity me for something that's my own fault!" he screamed. He just needed a moment to calm down.
■ ■ ■
"How is this possible? How do I deal with this? I can't just ignore it can I? No" before you knew it you found yourself in front of a massive building. Stark tower. Your (e/c) eyes stared at the monument in awe, but you soon shook your head in order to resume your task. "Enter the tower and talk to the avengers on how to communicate with Thor. You have to do this because Thor knows your soulmate..." you repeated in your head as you entered the building...
...or so you thought.
In the blink of an eye you were consumed by light and gone from where you stood. Was that some kind of security system Stark invented?
Your eyes fluttered open just to see some old man on a throne before your sight went black and your body dropped to the ground unconscious.
■ ■ ■
"Are you certain Heimdall?" the king asked, looking at the unconscious human, who was now dressed to fit the Asgardian culture. He was inspecting some of the tattoos on their body "You were right they definitely are his soulmate. Though they seem to be a rather honest person, for Loki does not have as many markings on him. As far as I know at least"
What were they talking about? Who were these people, why did they speak of you in a connection to Loki, it made no sense. None at all. You tried to look like you were still passed out.
But apparently you failed in your acting. "The human is awake" a different voice spoke. Maybe it belonged to this Heimdall person.
A sigh of defeat left your lips as you opened your eyes. You tried to take in your surroundings when suddenly, your eyes went wide from the sensation on your skin.
You sighed as you waited for the writing to appear on one of your upper arms. "Oh boy this is a long one" You muttered underneath your breath, but it seems Odin had heard, for he raised an eyebrow as his eyes followed your gaze to your arm which you had uncovered from the strange clothing you were dressed in. The king had taken a hold of your arm to read your words.
You really think I cared about Frigga? About any of you? All I ever wanted was you and Odin dead at my feet! Malekith! I am Loki of Jotunheim and I bring you a gift! I ask only one thing in return, a good seat from which to watch Asgard burn.
"Fools!" Odin shouted.
Meanwhile you thought your eyes were about to pop out of their sockets as you tried to comprehend the meaning behind those words. The only thing you could focus on however, was the name etched in your skin. His name. Loki.
Your thoughts were interrupted when the Allfather spoke up again "Send guards to Svartálfheimr and retrieve my sons! Bring the Aether back if it's still there!"
His sons?
It was at that moment. Realisation hit you like a bus. You were in Asgard and this man before you had to be Odin then. Your brows furrowed. Why were you here? How did you get here?
"Come. You must have many questions." The king said as you got up and followed him "I am Odin of Asgard. Tell me child what is your name?" "M-my name is (Y/n) (L/n). How-how did I get here?" you stuttered as you looked around still walking. "I gave orders to bring you here" He replied casually.
■ ■ ■
The Jotun prince laid on the ground panting as his brother cradled him in his strong arms "No. No, no, no. Oh, you fool, you didn't listen." "I know." Loki spoke, his voice quiet and weak "I'm a fool. I'm a fool." he gasped in pain. "Stay with me, okay?" The god of thunder spoke close to tears as he pat the other's face to keep him conscious. "I'm sorry, I'm sorry" the young god apologized gasping for air but he was quickly shushed by his brother "shhh...it's okay" Thor nodded as tears welled up in his blue eyes. "It's all right. I'll tell father what you did here today" He spoke again the tears now making their way down his cheeks. "I didn't do it for him" The raven haired spoke calmly. As he took his dying breath he spoke his last words "Tell them, I didn't want to be a monster" Just like that the god closed his eyes and went limp in his brother's arms. "NOOO!" Thor shouted in pain and hugged Loki. "I will find them and tell them in your stead brother" He whispered into the other's ear before he let go and left with Jane. Loki's limp body was left in the sand and dirt.
■ ■ ■
"I take it, you know who your soulmate is,  judging by your reaction. It must certainly be hard to carry all the lies of the god of mischief and lies" Odin raised his eyebrow. "I have heard quite a few stories about him indeed." You replied taking a sip of your tea. You were seated in the throne room across from Odin as he tried to answer some of your questions.
In the middle of your conversation a guard entered and as soon as he spoke up you felt a burning and tingling just underneath your chest.
"Forgive me my liege. I've returned from the Dark World with news. " The guard spoke.
"Thor?" Odin asked with hope. The guard dropped his head a bit at that "There was no sign of Thor or the weapon, but..." As soon as the man spoke up again the tingling began once again in the same place as before. "What?" the Allfather asked.
The tingles continued "We found a body."
Silence filled the air for a moment before Odin spoke "Loki"
The guard just looked at his king with sad eyes. The burning had stopped. "Thank you. Bring this one..." The old king pointed at you "...to Heimdall. Tell him to return them to Midgard. Then you may be dismissed for the day."
Your chin dropped as the guard nodded and turned to you. Oh now you were definitely not going to tell the god that Loki was alive and lying. He grabbed you roughly and brought you out of the throne room and to another room, the room you had woken up in. "Gather your belongings mortal before you return to Midgard." Midgard? Was that what they called earth. As the guard was about to close the door you shouted after him "Mister guard man! Wait!" He raised an eyebrow at you, seemingly amused, but he waited for you to speak nonetheless and so you did "Loki can't be dead." He stared at you confused "Well he is."
Another tingle. This time on your finger, but you ignored it for now seeing as you were focused on the conversation you were having "No. I don't think you understand. I-I know he is alive. I can feel it." A small smile was placed on your lips as the man before you began to laugh, he seemed curious though "And how would a little mortal like you know that? Oh you feel it, of course"
"I-I don't know how I know" That was a lie for you did know why and how "I just know." You finished, he seemed distracted though. While the guard was distracted you took a moment to look at the side of your pinkie finger. "No." You mumbled when you realized the man before you was your soulmate, disguised as a guard. "What?" The man asked. "Nothing" you lied, a small smile on your lips. You were scared yes, but he wouldn't hurt his own soulmate, now would he? "Would you please come in and close the door Loki?~" You asked innocently.
His eyes went wide, confused as to how a simple human like you could look through his disguise with such ease. So he complied. He didn't really have a choice now. As he closed the door, he dissolved his disguise. Green smoke surrounded the man as Loki the trickster god stood before you now. He was stunning. Yes there was a deep hatred for this man inside you, but he did something good today and you hadn't met him before. Well not personally, you had however seen him on TV as he tried to take over the world, you had heard he was under some kind of mind control though. "You are a curious little thing, aren't you?" Loki spoke as he approached you "Who are you and how did you know it was me mortal?"
You grinned "I'm no one important to you" Your smile widened as you noticed him being distracted again. You watched in awe as your statement appeared on the back of his hand.
The black haired god stared at you in disbelief "No...no no no no. How? That's not possible" Before you realized what was happening he was already too close for comfort. He grabbed one of your arms and shoved up your sleeves. Perhaps your senses have weakened after your many years of service. Disbelief filled Loki's eyes as they pierced your own gaze. He let go of your hand as some kind of hatred but also hope filled his eyes "You hate me. You think I'm a monster." He spoke with clenched teeth. He was trying to compose himself, to seem calm, but you easily looked through his disguise. "I do not" You replied, your (e/c) eyes were soft as you looked at him. He stood there, waiting for the tingling and burning somewhere on his pale body. But the feeling never came. You had been truthful. "I know better than to lie to my soulmate." The words escaped your throat before you could even think. "Why did you say it then?!" The god growled. "Said wha-" The mischievous man cut you off "My soulmate could never possibly be a bad person" he quoted your lie "what changed?"
"I-I" you were speechless "I said that, knowing that anyone could be my soulmate, I tried to convince myself to see things positively. I did not know it would affect you as it was about soulmates in general. I am sorry for causing you pain Loki"
"So you don't think I'm a bad person?" he asked, turning your words around "I do know of the bad things you did. You tried to take over my home. I cannot confirm that you are a completely bad person though. I-I don't know you well enough to judge. For I try to build my opinion when I get to know people myself, even if this person is the prince of lies. Besides, you can't be too bad if you are my soulmate, at least not towards me" You grinned, reaching out your hand for him to shake "I'm (Y/n) by the way."
Loki looked at your hand, a smirk on his lips as he held your hand in his and brought it up to his lips to press a small kiss against the back of it. His eyes never leaving yours as a blush took over your features "It is a pleasure to meet you (Y/n). My name is Loki and I do not think I'll send you off to Midgard just yet, if ever..." The last two words were not meant for you to hear but you did. "Before we get to know each other better my soulmate~" he smirked "I have to take care of my father and brother." He turned around and walked towards the door "You stay here for now" the man winked at you before he turned himself into the guard again and left the room.
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maxwell-grant · 3 years
Note
Might I please ask if you have an opinion of DRACULA? (Either the novel itself or the adaptations); having read both this novel and FRANKENSTEIN, I'm tempted to agree with the reviewer who wrote that one of these is a Classic and the other is actually Fun to read ... (-;
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(Art by Cinemamind)
I completely understand the sentiment of "one's a classic and the other's fun to read" and I don't necessarily disagree with it. I don't read Frankenstein for fun, I read it because it's the book closest to me and it's heartbreaking to think about and it's got one of my favorite characters ever in it and it's got a stake in my soul I gotta renew every year. Dracula, however? Dracula is a blast and it boggles the mind as to how every adaptation can be so crushingly lesser in nearly every aspect. My hardcover edition with annotations is one of my most prized possessions.
It's interesting that people tend to talk about Frankenstein and Dracula like Frankenstein was cutting edge sci-fi while Dracula was archaic and folkloric, when it's really the other way around. Frankenstein is the story of an arrogant dipshit rejecting modern science and thinking to unearth outdated knowledge soon blossoming into a vicious cycle of savagery, where as Dracula is the story of an ancient predator adapting and trying to take over current society and fought by a ragtag team of upstanding citizens using modern tactics to stave him off and eventually fight him, desperately struggling to stay ahead of the curve as he wisens to their tactics.
This book was really ahead of it's time in so many ways. I could easily see excerpts of it, particularly the Demeter journals and Renfield's story, taking off as internet creepypastas or found footage horror films. Dracula's a story about a group of characters playing detective as they update their blog entries about the coming of an initially incomprehensible horror taking over their lives. It's a story that could work regardless of Victorian or vampire trappings, and we know this because Blair Witch Project and Marble Hornets are some of the biggest horror successes of the past decades, all of which follow the same general idea, except in Dracula, they don't just discover the true nature of the horror, they also start fighting back and ultimately destroy it.
Dracula's obviously a great villain, that goes without saying. I don't actually tend to take Dracula seriously much of the time because I'm very fond of comedy takes on Dracula and vampires, but that doesn't at all diminish his impact in the original book. He's barely in the novel for much of it which makes his every appearence Count, and the atmosphere as well as the many, many forms he can show up or be suggested at really help solidify what an incredible presence he can be.
He's the strange ruler in a foreign country, he's the kooky old man with weird customs, he's the creepy house owner tormenting a hapless guest, he's a barbarian who lives in nostalgia. He's the wind on your window, a dog on the street, a bat in your windshield, a storm on your ship. He's a predator in every way possible, he's a handsome aristocrat, he's a tragic victim of his own monstrous nature, he's a demon who threatens to consume all mankind, he's the fucker who assaulted your loved one and has to go down hard by machete right now.
Even if we just threw out the 124 years of Dracula's history out, we'd still have enough material in the book not just for a great villain, but dozens of great villains and characters who could take just about any of these traits and run with them. And still, the thing that really, really stuck out to me about Dracula wasn't him, it was the other characters
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Art by Kiwi
Dracula's cast is so, so underrated, so unfortunately sidelined as a result of adaptations that only care about The Count and try to give him all the dramatic weight and characterization and sideline all the other characters as merely bit players. Stories that twist Jonathan into a useless fop or an active jerk on the idea that he's the "boring" one, that diminish Renfield's story into just being a hapless and insane goon of Dracula, that make Van Helsing the only character who's even capable of putting up a fight and make him a generic badass, that completely neglect Quincy Morris even though he's great and everyone who discovers him is aghast at discovering "holy shit there's a COWBOY in Dracula?" like yes, there is, and he's incredible and everyone should love him and everyone WOULD love him if only the adaptations remembered he exists.
Adaptations that completely sideline Mina when, and I can't stress this enough, she is the most competent character in the book, one of the greatest pop culture detectives, a wonderful and compassionate and incredibly strong and intelligent character and the main reason why they even managed to win against the Count in the first place, and arguably the closest thing the book even has to a protagonist or hero. I'm not gonna go too into it here but, even putting aside the sheer awfulness of adaptations that try and force a romance between The Count and Mina, seriously fuck off with that, why is it that pretty much every "official" adaptation has had considerably less feminist interpretations of Mina than the source material written in the 1880s? It's a complete travesty (and yes, I'm including LOEG Mina in this, anyone who likes the book and character could have done that concept better)
I enjoy aspects of Dracula adaptations, mostly regarding certain actors's takes on the characters like Bela Lugosi (the only saving grace of that movie, honestly, but rightfully considered the iconic performance), or Peter Cushing as Van Helsing. I very much enjoy the Dracula adaptation Orson Welles did because it at least tried to stay faithful to the book. But regardless of their individual quality, I don't have much to say about Dracula adaptations that try to adapt the book other than "WHY in christ aren't you just sticking to what's in the book? Do you not see how GREAT it is, all the great things about it that are just waiting to be rediscovered and loved by new audiences? STOP WHATEVER IT IS YOU'RE DOING WITH MINA FOR THE LOVE OF GOD-"
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So yeah I definitely got thoughts on Dracula. Utterly adore the book but thinking about how much of it's greatness has been lost in the adaptations kinda makes me a little angry. Of course, this doesn't extend to adaptations that tell different stories or just put Dracula into existing stories or reinterpret it. I love Nosferatu and Castlevania Dracula and Hellsing Dracula and Billy & Mandy Dracula and Sesame Street Dracula. Dracula's basically become a sub-category of monster in it's own right and there's no such think as too many monsters, or too many Draculas
I'm very glad that Dracula's public domain because it means not only can he just show up anywhere, but it also means that just about anyone can pen their own Dracula stories. Still, it would be nice if the other great characters of Dracula got brought along for the ride on a couple of those.
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new-sandrafilter · 3 years
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How Timothée Chalamet Channeled The Blockbuster Pressure of Leading Denis Villeneuve’s ‘Dune’ Back Into His Role – Venice Q&A
DEADLINE: In a few days Dune will premiere at the Venice Film Festival. You first met Denis Villeneuve about the role in May 2018 and started shooting in the early half of 2019. It was always going to be a long journey, but the pandemic stretched it even further. How does it feel to have finally arrived at this moment?
TIMOTHÉE CHALAMET: You know, I like to think that with every film I’ve done, whether it’s Call Me by Your Name or Beautiful Boy, The King, or Little Women, the character you play is almost a piece of your flesh. And that’s always true, but simply from the perspective of how long the shoot for Dune was, and also the arc that Paul Atreides is on, as well as the huge love and almost biblical connection that so many people have for the book and the original film, it really felt… tectonic, if that’s the right word for it. Just getting to this finish line feels like: phew.
And independent of what the film is now, and what it has become, the experience of making it was I was put in such a safe environment, which you can never take for granted as a human, as an actor, but especially when you’re just starting your career, and when this is the first film of this size you’ve ever done.
To get to work with Denis on it, to get to work with someone of his caliber, let alone on a book that he considers the book of his youth and one of the things he has connected to the most… When he would have it in his hands on set, his body language would become that of a fan; of a kid who had fallen in love with the book at home in Montreal. And when all the kids around him were wearing hockey jerseys with their favorite players’ names on the back, this was a kid wearing a jersey that said ‘Spielberg’ on the back.
For it all to come together, especially with the added challenge of the pandemic, it has all combined to make this moment feel especially spicy [laughs].
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DEADLINE: The entire ensemble will show up in Venice.
CHALAMET: Right. And I just can’t believe it; Jason Momoa has the number one film on Netflix right now with Sweet Girl, which I just watched. And since we shot, Zendaya has had all this success with Euphoria and Malcolm & Marie. Just to be part of this cast, period, let alone as one of the title characters, it’s really the shit you dream of.
And let me not forget, too—and I know I’ve told you this before—that The Dark Knight was the movie that made me want to act. That movie had a score by Hans Zimmer, and he has done the score for Dune. And it’s almost not what you’d think. It’s totally appropriate and excellent for the movie, but he has somehow managed to do something subversive, in my opinion. It’s a pinch-me moment all over.
DEADLINE: So, take me back to the start. Is it true you had a Google alert set up to track the latest news on this project before you were ever cast?
CHALAMET: Yeah, it’s true [laughs]. Not right away—Legendary had the rights and was developing it—but as soon as Denis got involved, I set up a Google alert and that’s when I got the book.
In total honesty, I think my understanding of Dune at that point was from a graphic novel I’d seen at Midtown Comics when I was shopping for Yu-Gi-Oh! cards when I was about 10. The year you and I first met, when I was there at Deadline Contenders with Call Me by Your Name, that would have been 2017 or early 2018, and Denis was there with Blade Runner. I remember I was trying to put myself in front of him as much as possible and set up a meeting with him. We had a night at the BAFTA where one of my good friends, Stéphane Bak—who’s also an actor—saw Denis across the room and was like, “Hey buddy, he’s right over there.” So, we went over to talk to him. I kept trying to put myself in front of him, but I didn’t really get a sense of the possibility [of working with him].
I was about halfway through the book when I got the call that he was going to be the president of the jury at the Cannes Film Festival, and I was in London prepping The King. He asked me if I could come out there, so I quickly busted through the second half of the book as best I could. So, like, the first half of my copy is properly annotated and full of my thoughts, and then the second half I just raced through. And then I had that meeting with him, and it was such a joy.
I’m struggling with this even now, as I’m working with Paul King [on Wonka], because he’s another guy I have huge respect and admiration for, and it’s hard to feel on a level. Not that you ever are, because as an actor you’re a cog in the machine, and you’ve got to be humble to the vision of the director. But with Denis, he was pacing around the room, throwing ideas around, in some fancy suite in Cannes, and all I could think was that a year before I was just sat on a stoop on 9th Street in the East Village or something.
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DEADLINE: Was that your first time in Cannes?
CHALAMET: Yeah. Well, bizarrely, my sister would do dance camps growing up. Ballet intensive programs in a town called Mougins, which is nearby Cannes, so I spent a lot of time there growing up, but never during the festival, and not on the Riviera. To get to be there for the festival was just nuts. I went to see the Romain Gavras movie, I think, and it was just a huge joy.
I got attached [to the role in Dune] a couple of months after that, and it was nerve-wracking from the announcement, because like I said before, the fans of the book, and the fans of David Lynch version, the computer game, and everything, there’s so much love and strength of feeling. And so much of our pop culture and films and books have been derived from Dune, and all the philosophy the book. I’ve been shocked to learn how many people have a next-level connection to the book. I compare it to how our generation grew up with Harry Potter, and that one makes sense to me. But it’s cool to see with Dune also, when you actually sit down and read it… It’s not that it’s a quote-unquote “hard read” or anything, but it’s not made to be consumed easily, I think that’s fair to say.
So, I was grateful to be working on something of this size not only with Denis Villeneuve leading it, who between Polytechnique, Incendies and Prisoners had nailed the smaller indie film across languages, and then had nailed Arrival and Blade Runner, but who, in his own words, he didn’t feel he’d made his greatest film yet. But also, to be working with this cast. I don’t know if there’s some nightmare version of a film where a young lead is not supported by the rest of his cast, where every one of them had been the leads in their own huge projects. But on this, everyone was there to support, and I think it’s because we all wanted to be foot soldiers for Denis, and I think we understood the potential, based on the script by Eric Roth, Jon Spaihts and Denis, that this could be something really special.
DEADLINE: I don’t have a connection to Dune; this movie is really my first experience of the story. What strikes me is this is clearly an enormous universe—a broad canvas being painted with various families and factions and politics and mythos—but that ultimately it comes down to very elemental, human themes, and we feel them through this character you play, Paul Atreides. Did those themes help ground the experience for you?
CHALAMET: Yes, and I would give the credit entirely to Denis. He would constantly say on set that he had some opposing drumbeat or something. In my diminished intellectual standing, I didn’t understand it, but it was like some vision for the movie based on how biblical the book is that tries to tackle so much that it doesn’t tackle anything. I think he felt the need to be close to a character in it, and Paul is that guy in the book. He’s a character that is still in formation, like a lump of clay, which makes him a great figure for the audience to mirror off.
It speaks, I think, to Denis’ premonition and his directing ability that there were times when we’d move on from a shot or move on from a scene, and I swear, literally, we’d go back because Denis wanted to get something over my shoulder, or push in on my reaction, just to make sure [it stayed on Paul].
And again, it’s something where I’m pinching myself. I had the best time on Interstellar, and that was one of my favorite films I’ve ever worked on, but it was very much something where I was aware of when I had the opportunity to do real acting. And on a movie like Dune, again, one could think it would get lost in the scale and scope. But I felt every day like my plate was full.
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DEADLINE: One of those themes is fear, and Paul must overcome his to become the person he needs to be. When you are number one on the call sheet on a project of this scale, and the cast list reads like an address book of Hollywood in the 21st century, and Legendary has injected hundreds of millions of dollars into this production, and it’s all falling on your shoulders, I have to imagine fear is a theme you can readily relate to.
CHALAMET: Oh yeah, and they can bleed into each other for sure—not to diminish the other work that goes in. It’s great when your life experience can inform the role. That’s not at all to say I’m on some crusade in the universe or anything, but definitely… And I had that same good fortune with The King I think. My life is not nearly as significant or as exciting as Paul or Prince Hal, but we all share an unwitting needle in the haystack feeling. On The King that feeling was because I was so new to having a career. On Dune it’s because of, as you say, just feeling the pressure of the hugeness of the project in all those different ways. Those things can absolutely inform each other.
And then there are the moments of glee that come, too, like seeing Jason Momoa running at you at a hundred miles an hour, or just getting to shoot the shit with Josh Brolin, or getting to do a scene with Oscar Isaac. I felt so supported, whether it was Rebecca Fergusson or Charlotte Rampling. When Zendaya came, it was a total breath of fresh air, and she’s one of my favorite parts of the movie. I just got really lucky, and I can’t wait to see them all in Venice.
Denis split the book in half, and the hope is a second movie will get a greenlight. That’d expand Zendaya’s role in the story.
CHALAMET: Definitely, Chani will play a huge role in the next film. I don’t know if there’s a script yet, but just based on the book, along with Lady Jessica [Rebecca Fergusson], they have a lot to do together, let’s put it like that. And Zendaya was incredible in this movie; the moment she pulls the mask down, it felt properly showstopping and powerful. I was hiding behind the camera, counting my lucky starts, because I was there in month two of the shoot and here was a total powerhouse just coming in for the first time.
And as I said before, this was before I’d seen Euphoria and Malcolm & Marie. She’s doing such incredible work and is just trailblazing her own path, and she’s so, so cool. She also happens to be in the most-watched trailer of the moment, too, for Spider-Man: No Way Home. I cannot wait for that movie, and I was there, by the way, with everybody else, clicking through the trailer frame by frame looking for clues [laughs].
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