What Secrets Lie In Mystacor's Shadows?
So, it has been noted many, many times that She-Ra and the Princesses of Power is a series about trauma. And usually, this takes the form of overcoming conditioning and pre-programmed responses. But there is another aspect of the trauma that is less obvious.
Adora suffers from post-traumatic stress disorder (PTSD), not from the war or the Horde, but from Shadow Weaver. This is examined in the topic of this post, In The Shadows Of Mystacor.
Let me explain.
SPOILERS AHEAD
I'm going to start by taking a look at the bath sequence. It shows two things. One: Adora is paranoid and brings a sword to a place in which she should feel safe. Two: Shadow weaver is just messing with her.
That's what's happening here, this is how Shadow Weaver acts. Her stated motive here is bringing Adora back to the Horde, and her preferred method is psychological. She tries to scare Adora into returning, she tries to convince Glimmer and Bow that their friend is unreliable. And she tries to convince Adora that her friends are giving up on her. She's trying to isolate her prey.
Shadow Weaver doesn't have to be a physical threat to be intimidating. She's intelligent, and manipulative. Her power comes from her patience, and her drive, her understanding. She doesn't have to be present to have an impact.
"I saw her shadow on the floor"
A shadow is a reflection, of sorts. It is a sign that there is someone there, not detailed, but enough to be sure. Shadow Weaver is very much here, but its her shadow. You see the impact she has had, more than you see her.
There's even the transition at the end, as the shot of Adora fades into a much closer and larger Shadow Weaver, showing their connection and power dynamic with all the subtlety of a crocodile in a steakhouse.
Despite receiving its name in 1980, Post-traumatic Stress Disorder is one of the oldest mental health problems afflicting humanity. It is a response to fear and/or pain that is designed to avoid the same situation again.
Shakespeare famously wrote a character from Henry IV, Hotspur, with what would now be diagnosed as PTSD. There is a whole speech on it in part 1, which I highly recommend you look up. But Cambridge University, the article Shakespeare And Post-Traumatic Stress Disorder, gives another description from the bard of the phenomenon:
"Or in the night, imagining some fear,
How easy is a bush supposed a bear!"
(A Midsummer Night's Dream)
In essence, PTSD has many forms and symptoms, but most revolve around sensory processing and instinctual reactions.
Notice how Adora shows both in this episode. She mistrusts her senses about Shadow Weaver, and immediately goes into a fighting position when snuck up on by Glimmer and Bow.
The point I am making is that this is an episode about Shadow Weaver as much as it is about Adora, and a lot about her can be inferred from Adora's reactions to everything.
"Pull it together, Adora. There's no way shadow weaver can be here."
Again, notice how Adora's shadow is the spy, the influence. Again, Shadow weaver is here, not in person, but through Adora's trauma.
The most stressful scene in this episode is Adora, alone, in a room, taunted by her own thoughts, or rather, thoughts Shadow Weaver has put in her head.
It is almost more comforting when we finally see Shadow Weaver. She becomes a tangible problem, one Adora can talk to, one Adora can physically fight.
I've mentioned Shadow Weaver's shadows before in how they frame a shot, but that was in relation to Catra, notice the difference in how they interact with Adora. With Catra, the shadows cover her up, and corrupt her, they look painful, like claws that scratch specifically at her eyes. With Adora, the shadows encircle her, they compress her, they trap here. The imagery in this shot is reminiscent, at least to me, of fingers clasping shut around Adora to reach for her and grasp her, to control her.
"I could give you Etheria, we could rule the world together."
Here we finally get Shadow Weaver's actual motivation. She doesn't align herself with any faction, she wants control. She offers Adora the world not out of benevolence, but because Adora is the one who can give the world to Shadow Weaver, and all she has to do is manipulate Adora's perceptions to get what she wants.
I do not like Shadow Weaver.
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Shadow Weaver gets a lot of credit for sacrificing herself in the end, but I feel like people forget that literally two minutes before that she was COMPLETELY ready to sacrifice Catra instead.
She didn't even hesitate before wrapping her arm around a poisoned and disoriented Adora and leading her away while Catra fought a giant, ancient monster by herself.
The only reason Shadow Weaver even went back at all, is because Adora pushed her away and went back first. And she only decided to sacrifice herself after tasting the super charged power from the heart so it kinda felt like she would just rather die than go back to living without that power (that she knew the rebellion would never let her keep) moreso than actually sacrificing herself for the greater good
And like, Shadow Weaver spent her entire life pursuing power, and when she finally got it with the Spell of Obtainment, she never accomplished one fucking thing with it until she died, other than murdering her allies and abusing children.
She was with the Horde for decades hopped up on runestone magic, and it didn't make a goddamn bit of difference for them. Once Catra and Entrapta took over, the Horde got more done in like two years than it had accomplished in the previous twenty.
Shadow Weaver was literally good for nothing. She had to be fully charged with a Magical Super Battery and stuck between a rock and a hard place before deciding to do one useful thing with her powers.
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