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#like first of all it's one of the few seasons where every episode is at LEAST mid tier
stairset · 2 years
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Season 2 is the most underappreciated Clone Wars season no one gives it credit cause they didn’t give the show a chance until season 3 and they don’t wanna admit they were wrong about the first two seasons but season 2 is literally so fucking sexy from start to finish
#like first of all it's one of the few seasons where every episode is at LEAST mid tier#and then there's the fact that most of the episodes are based on different movie genres#like holocron heist is a heist movie senate spy is a political thriller#landing at point rain and weapons factory are a war movie#legacy of terror and brain invaders are a horror movie#lightsaber lost is a detective movie#senate murders is a murder mystery#cat and mouse is a submarine movie just with a space ship instead of a submarine#bounty hunters is just straight up seven samurai#and of course the zillo beast duology is a monster movie#like it's the only season that sticks to a consistent theme like this and that makes it really unique#and as much as people like to credit season 3 as the point where the animation improves i think season 2 deserves that credit#landing at point rain ALONE made several leaps forward for the show's animation#it's the first time we see the characters get really dirty and beat up#it's the first time they use the flamethrower effect#there's like an 8 second tracking shot at one point#and it's the first time we get like a really massive and chaotic battle in the show#there's always so much happening on screen at any given point in that episode it's insane#and that's not even getting into shit like the zero gravity scene in cargo of doom#or just how massive in scale the zillo beast episodes are#or the exploding droid factory in weapons factory which is also a great sound design moment#season 2 set the stage for the greatness that is season 3-onward and i will not let you nerds ignore it#in this house we respect the first two seasons or die#star wars the clone wars#star wars#shut up tristan
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kennys-parka-jacket · 9 months
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So, um... would you guys still think im cool if i said that i havent seen every single episode yet
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rogersstevie · 11 months
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just started rewatching ugly betty bc i had read some v excellent betty/daniel fic i thought recently but i guess it was a couple years ago lol, i just couldn’t follow everything, because i didn’t remember all the characters/plots that well ANYWAY from what i remember idt i really thought of betty/daniel romantically until the end of the series, i remember liking her with henry before he became a shit (at least i’m pretty sure that’s what happened, i haven’t watched since this show since it ended 13 years ago) but other than that there’s not TOO much that sticks with me, i just know i loved the ending but ofc was left wanting more at the time but ya while i think i was reading fic on ff.net in 2010 there were only a few things i would’ve been searching for at that point SO once i get through the series i’m gonna have so much fun bc i read 3 fics from that author and they’ve published like 12 more stories this year and i’m gonna be able to understand them so much better, but yeah just now rewatching the pilot i’m like oh my god how did i not immediately love them i mean obviously daniel was a dick but he apologized and at the end of the ep he’s watching her fondly and i’m just ahhhh over them already bc i know the romantic aspect aside there’s such excellent growth in them and their relationship and i can’t wait to watch it play out
#ik there will be the storylines i DON'T love and ofc rebecca romijn playing a trans woman#and i'm sure loads of transphobia in her storyline itself#but yeah like i remember the characters fondly and everything but so much is of course gone from my head#also obvs it at least got a proper finale which is something but i wonder if it would've gone longer if not for the writers strike#i need to add all the things i watched in that period of time to my watchlist bc there's a lot i loved#and some i drifted away from bc that was in the time where like you had to watch it live#and were lucky to catch the episode repeating later#so like i stopped watching bones and heroes and supernatural (actually not sure i got past season 1 of supernatural at the time#though...i should not have been watching that at 10 probably lol and ofc i later watched it through in college then stopped again#so. i still have to actually finish that eventually)#and then pushing daisies i THINK i watched all of#but i remember they had like the last few episodes air after ages and ages or something and i'm not sure i got to watch them#once it got to like 2009/2010 i was able to watch stuff online though all i remember is starting glee from the beginning a little bit late#maybe still in season 1 just the first episodes idk but it was only 72 minutes at a time and it was the WOOOORST#love having everything at my fingertips now lol for the most part anyway#but yeah other than like one tree hill and gg and charmed most things from the mid-2000s i have not watched since then so#i gotta think of what else there is bc much as i love it i do not actually need to rewatch gg every year
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emo-batboy · 10 months
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Battinson on SNL
Idk how popular Saturday Night Live is outside of the US so there will be some links for context. That said, as a New Jersey native, I think Battinson would totally watch the show. And since he's a celebrity...👀
SO
To promote WE’s newest charity fund, Alfred signs Bruce up to be a guest host on SNL (à la this post) The announcement is made, and everyone’s like “oh this is going to be a disaster. That man can’t even hold eye contact or speak a full sentence without crying.”
But oh, that’s why it’s so funny.
Now, hear me out. Bruce’s strengths are displayed best when he’s himself. That’s why he’s so popular in Gotham. That’s why the internet calls him Relatable TM and a Disaster (Affectionate) and “Poor Little Meow Meow.” It’s his ✨ essence ✨
But he tends to get overwhelmed or self-conscious onstage, right? Because he can’t be Himself himself if he has time to overthink something. So after a few meetings with Bruce, the writers of SNL figure out the perfect way to keep Bruce from getting anxious.
They decide to load this episode with as many skits where Bruce plays different caricature-like versions of himself as possible. The objective? Make him break character and laugh so he doesn’t overthink. And if he breaks character, he’ll still technically be in character because he’s playing himself, you know? Genius.
So that’s how they go about structuring the show. During the few days they have to write, they decide to take everything about Bruce’s public image and either ramp it up to 11 or turn it on its head.
He speaks quietly? Turn it into a running gag. He dresses in all black? Make him emo. He tips well? Add that in too. He’s “depressed” and “sad?” Literally, all he does on screen is laugh and break character. What’s not to love?
Of course, Bruce also gets to decide what skits are in each episode as well. (Refer to this if you have no idea how SNL works.) He loves the idea, though, and he has a surprisingly dark sense of humor which bleeds into some of the sketches. They add in a few skits without him, and they’ve got their lineup.
It’s the wildest episode of the season. Here are the highlights:
OPENING MONOLOGUE
It’s the big night, everyone’s excited to see Bruce Wayne hosting a live sketch comedy show with no idea how it will turn out.
To begin his monologue, Bruce walks on, opens his mouth to start talking, and immediately two cast members appear as stagehands to set up six microphones in front of him. He is already struggling to keep himself together.
Bruce: “You may be wondering why I’m host- Cast Member: *adds one more tiny microphone to his chest* Bruce: “You may be wondering why I’m hosting tonight.”
It’s working. The audience loves it.
Halfway through, Kate McKinnon comes out in a dark cloak with a chalice. “Your sustenance, my lord.” *sees camera* “Oh. Sorry. Carry on.” And she shambles off. Bruce has to take a second before continuing.
Bruce knows when (most of) the jokes come. It’s literally on the cue cards, but he still falls into a fit of giggles.
There are a few more gags, including Lex Luthor peeking out from behind the band set-up, all teasing the show to come.
Overall, an amazing way to set the tone for the episode. Expectations have been set. Then the skits begin!
(Oh but before I forget: During every single live skit with Bruce, the writers have scheduled for one of the cast members to run in dressed as a stagehand and put an extra mic on him. They do not tell him when it will happen.)
SKIT #1
Between the monologue and the first skit, he has to do a really fast quick change, but to everyone’s surprise, Bruce is a natural. (Huh, wonder why.)
The skit is called Gotham PTA Meeting. We open in a meeting room full of stereotypical PTA moms setting down baked goods and gossiping. And apparently, there is a new PTA member attending today 👀
Right as the meeting starts, he enters. Bruce walks in wearing the most emo get-up imaginable. He’s got a Nirvana shirt, a comical amount of eyeliner, black skinny jeans, chain accessories, metal rings, AND a clip-in extension to give him fringe.
Someone immediately runs in and puts another mic on him.
PTA Mom: “Oh, Bruce! You made it! Did you bring a snack?” Bruce: “I brought lemon bars.” PTA Mom: “Why are they black?” Bruce: “They match my soul…they’re also vegan.”
He talks like a moody teenager. HE CONSTANTLY has to brush the fringe off to the side to read the cue cards. And because there’s so much eyeliner and he’s sweating a bit from the lights, it starts running everywhere.
PTA Mom: “Bruce, you’re a little quiet. What are your thoughts on increasing the school lunch budget?” Bruce: *eyeliner dripping down his chin* “I think it’s a great idea.”
SKIT #2
For a pre-filmed skit, they bring back the Chad character with Pete Davidson.
It’s 2 am, and Chad is working at a 24hr drug store in Gotham. He’s reading Twilight (the book is upside down) when the lights begin to flicker.
He turns around and tries the light switch, turns back around, and JUMPSCARE it’s Bruce dressed as Edward from Twilight.
Yes, he IS sparkly.
Bruce is awkwardly holding a bunch of items, all concerning. He plops down a few knives, several raw meats, Sudafed. Chad: “Oh hey.” Bruce: O_O “I’d like to check out please.” Chad: “Lit.”
Chad’s “No Fucks Given” energy and Bruce’s “Please Do Not Perceive Me” energy clash like titans. The whole skit centers around it.
Bruce: *sweating bullets* “Oh. You’re reading Twilight?” Chad: “Just the title.” Bruce: *throws the book through the window at lightning speed* “It’s not very good. You should probably read something else.” Chad: *shrugs* “Okay.”
Chad: “ID?” Bruce: “ID? For what?” Chad: “Sudafed.” Bruce: “Oh. I don’t really need that, actually.” Chad: “Already scanned it.” Bruce: “Haha. Of course.” *awkwardly produces a scroll from his pocket that says Bruce Wayne DOB: 1901* Chad: “Okay.”
Bruce checks out, Chad picks up a porno mag or something, and we see Bruce turn into a bat and fly off through the window behind him.
SKIT #3
The next skit they have is Celebrity Family Feud: Billionaires Edition. Again, Bruce plays himself, but he’s more of a background character. Instead, the skit makes fun of billionaires as a whole.
Bruce’s team consists of Kylie Jenner, Lex Luthor, and Oliver Queen. So just imagine three Lucille Bluths standing beside one another. 
Bruce’s bit? He just keeps handing cash to Steve Harvey every time he breathes in his direction.
Host: "We got the richest man in the world: Bruce Wayne!" Bruce: *hands him a roll of cash* Host: "Oh, what’s this for?" Bruce: "It’s your tip. I always tip." Host: "Oh, Mr. Wayne, you don’t usually tip the show host. I’m also a millionaire myself." Lex Luthor: *snatches it* "Well, if you’re not going to use it, I will…for charity, of course." Host: "Uh huh, whatever helps you sleep at night."
Just a ton of fun quips, the usual.
At some point, Harvey says, “That’s batty.” Bruce: *ducks* “Where?!” Host: “Oh, I don’t mean Batman. He’s not here.” Bruce: “You don’t know that.”
This time, the mic bit is a bit different.
Host: “We asked 100 billionaires: How much does a loaf of bread cost? Top three answers are on the board.” Bruce: *hits buzzer* Host: Bruce, your answer is? Cast Member: *runs in with a megaphone and holds it in front of Bruce* Bruce: “TEN DOLLARS?”
Board dings! That was the #1 answer
Brucie Wayne for the win
SKIT #4
Next is a skit that dares to ask Gotham, “Why would anyone live here?”
The skit begins with someone opening a press conference for Wayne Enterprises. “And now presenting: Bruce Wayne!” Bruce walks in…
But it’s not him. Instead, it’s one of the cast members dressed in a black suit with horribly gelled brown hair.
Everyone in the audience is wondering where the actual Bruce is before another cast member runs onstage crying, “Help! Help! I’ve just been robbed! Somebody call Batman!”
A mini version of the bat-signal lights up…
We hear some generic hero music play…
And there he is: Bruce Wayne dressed in a horribly cheap Batman costume
(They got the cowl ALL wrong btw)
Bruce puts his hands on his hips in a weird superhero pose. Bruce: “I’m Batm-” Cast Member: *runs out to attach another mic to his costume* Bruce: “….I’m Batman!”
Cue all of the gags and digs against Batman. The fake Bruce faints then starts crying under a table. Someone calls Batman a furry. Bruce is barely keeping it together the whole time. Lord help him, but he asked for it. He approved the skit.
Bruce: “Looks like a job for my bat taser!” Cast Member: “Isn’t that just a taser with a bat on it?” Bruce: *whispers* “You shut your mouth.”
He saves the day, the police take the thief into custody, then Batman myStErioUsly disappears. Bruce: “Look over there!” *runs off* Cast Member: “Oh my gooood, how did he do that?”
CLOSING SEGMENT
Finally, they have the Weekend Update where Bruce comes on as himself for the final time.
Since they got his permission, the writers switch out some of Bruce’s jokes last minute. (Think Bill Hader’s Stefon which notoriously caused him to break character because the writers would mess with his cue cards.)
News Anchor: “Here to promote his newest humanitarian project: Bruce Wayne!” “Mr. Wayne, what a pleasure to see you today.” Bruce: “Thank you. This is probably the longest I’ve been out of the house.” News Anchor: “Since the Riddler catastrophe?” Bruce: “Since ever.”
News Anchor: “So Mr. Wayne! Before you make your announcement, any life updates?” Bruce: “Yes, actually. Just a few days ago, I adopted five- *starts losing it* five more children.” News Anchor: “Wow, really? So you have eight kids now.” Bruce: “Uh huh. *tears streaming down his face* One more orphan and I get the tenth one free.”
News Anchor: “So where can people find you online?” Bruce: “Well, I don’t have social media because I’m afraid of people, but sometimes I’m on Twitter.” News Anchor: “What about a phone call?” Bruce: “Oh no, phone calls- *giggle* phone calls give me fainting spells.”
It’s a great way of finishing the show, with the most genuine version of Bruce. Then, he gets to what’s really important!
News Anchor: “So if they can’t reach you on social media or on the phone, what else can our viewers do, Mr. Wayne?” Bruce: “They can donate to the Wayne Foundation’s newest charity called The Arts Initiative. It funds programs for the arts in underdeveloped school districts nationwide. I’ve already donated $30 million, and I’ve pledged to match every dollar donated within the next week.”
And that’s what he’s here for :) They share a link for where and how to donate. The anchors praise him for his charity, which he deflects because he can definitely afford this, and the 90-minute broadcast is over.
The camera pans away with the whole cast waving goodbye, and Bruce is seen keeling over with laughter.
Along with some of the other skits, these four specifically go viral. WE raises a fuck ton of money, and everyone loves Bruce.
THE END
LOVE YOU ALL!! Let me know what you think :D
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noneorother · 8 days
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I bought Aziraphale's Bible so you don't have to.
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Am I insane? Yes. Was it worth it? Maybe. In most* of both season 1 and season 2 of GO, there's a very specific Bible on a bookstand next to Aziraphale's desk. It's a vintage illustrated plate book by Harold Copping, known as the Harold Copping Bible, published by the religious tract society in London in 1910. It features some of the most well known Old Testament stories, summarized and annotated by the Bishop of Durham at the time, and illustrated by Copping, who was freshly returned from a sojourn in the middle east. Ironically, It was meant as a lay-person's version of a comic book, short, exciting by use of exotic illustrations, and easy to read.
But my (expensive) gain is now your gain! As I've collected here every visible page in both seasons for your reading and viewing pleasure.
Season 1: All episodes Adam & Eve Genesis iii (1:3) / HCB page 10
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Season 2: Episode 1 Joseph known to his brethren Genesis xlv (1:45) / HCB Page 28
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S2E1 14:21, S2E1 17:41, S2E1 39:45
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Season 2: Episode 2 Jacob's vow Genesis xxviii (1:28) / HCB Page 22
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S2E2 5:49
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Season 2: Episode 2 Joseph known to his brethren Genesis xlv (1:45) / HCB Page 28
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S2E2 13:38 (see S2E1 above)
Season 2: Episode 2 The Brazen Serpent Numbers xxi (4:21) / HCB page 36
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S2E2 16:12, 43:40
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Season 2: Episode 2* Bible on the desk, Magazine on the stand Annuel L'art Pour Tous, Cover (1861-1880 most likely)
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S2E2 22:10
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The French L'art pour tous industrial design periodical will have to be a story for another post. For now, just enjoy this 1880 edition copperplate of cherubs discovering a microscope...
Season 2: Episode 2 Imaginary page from HCB, Job KJV Job (18:1) / HCB N/A
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S2E2 22:29, S2E2 40:05 Obviously, the plate illustrations and text look different here than in the real bible, because they were created for the show. But there are a few more particularities here. For one, this layout with the thin grid around the text, as well as the paragraph symbol next to the first title, indicate that this would have been a printer's proof copy, not a finished book. It shows you the layout grid and can be annotated for changes. Second, there seems to be a war going on between fonts. Where the "chapter" of Job begins, we get a font and a style similar to the original bible, which gets rudely interrupted by a dropped capital (from the real book) and a Gothic-style font/verse numbers like in the original King James version of the printed Bible.
Season 2: Episode 3 The Brazen Serpent NUMBERS xxi (4:21) / HCB page 36
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S2E3 1:18 (see episode 2)
Season 2: Episode 5 By the Rivers of Babylon Pslam cxxxvii (19:137) / HCB page 52
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S2E5 21:20
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Season 2: Episode 6 Bible missing, L'art pour Tous on the stand Annuel L'art Pour Tous, Cover (1861-1880 most likely)
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S2E6 10:21, 17:21, 18:15, 34:28 (see episode 2)
Season 2: Episode 6 Closed HCB, L'art pour Tous on the stand behind HCB page 0
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S2E6 37:58, 44:20, 48:08
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sparrowlucero · 1 month
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Instead of discourse about showrunners and lesbians and whatever, I'm gonna bring a different type of discourse...whats ur fav and least Dr Whomst monsters. Hard mode: only the practical ones.
ok so I do like all the obvious ones, I like the angels, I like the vashta nerada, I like the not-things, I like the eternals. Here's a few deeper cuts (focusing on the tv show specifically):
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they peaked with these maggots. they rock. pretty sure they're made with taxidermy? really great puppetry. I really like this thing:
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what a cool design for this kind of forgotten midseason episode.
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this is such a fun design for a langolier-type monster. I love how their crest and tail gives them the silhouette of a grim reaper
The 60s cybermen rock. I feel like they're hesitant to use them often in the modern show because they do look very 1960s but I think there's something really uncomfortable and evocative about the cloth faces that's lost when they're cool metallic robots. The mix between looking like an old diving suit and the implication of there being a chopped up person inside is gnarly and I love it. Simple, creepy, iconic design.
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My favorite design in the show is probably this:
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The 456 from the spinoff series torchwood. They didn't need the puppet to emote or move a ton since it spends the entire season in a little tank obscured in mist, so they just went crazy with the design and made it really bizarre looking. Extremely top tier alien. Anyways, negative. I really don't like this satan. the satan kind of sucks. the impossible planet is great atmospheric sci fi horror; every image of build up in it is haunting and leagues ahead of the climactic scene where he meets the satan. It singlehandedly kind of kills the vibe.
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Personally I would have just kept the actual appearance off screen, just have it be eyes in the dark or something. Apparently they also tossed around the idea that it would end up being a normal little girl who was chained up in the cave and I think that would have visually fit the rest of the episode better.
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I'm really not big on the modern design for the sea devils (the green one on the right). I think the classic ones clearly took a lot of direct influence from real animals and generally is a pretty thoughtfully realized design, the modern ones seem like they were first and foremost using the classic ones for reference and didn't quite capture the nuance of the design. Sad, as I would really like to see design for these guys with modern puppetry.
I think this is actually a pretty contentious opinion but the work of the specific studio who headed this redesign generally wasn't my favorite. Apparently there was some sort of major, semi public falling out between the fx studio that had been working on the show since 2005 and the people who started running the show in 2018, and they were briefly replaced with a much less experienced studio. No hate to them of course (I think this was actually their first job like, ever, and a lot of the work was done in crunch time?) but the difference did stand out to me:
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ziorite · 3 months
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oh my god season four of leverage is fucking DIABOLICAL. how the fuck are you gonna open with the long way down job, and then hit with the van gogh job carnival job AND the grave danger job in just the first half ??? i swear to god i was shaking out of my skin all through the second half of the grave danger job. and where is aldis hodge’s oscar ??? the shaky voice the constant tears the frantic ripping at the inside of the coffin ?? i was literally holding my phone at arm’s length trying not to cry for him i swear.
i have to appreciate the directors here because i think they did a fantastic job focusing on harrison’s situation and really emphasizing the peril and dread the whole team was working through. the fevered search of the city, the awful moment when parker and sophie have to abandon their shovels and duck for cover, and harrison is left panicked and alone— that shit HURT y’all. it HURT. (i will say that the way the coffin was apparently uncovered off screen was a bit off— they only got a few shovels in before the guy started shooting, i thought, but oh well)
and obviously the hugging at the end. fuck kissing on screen hugging is where it’s at. eliot literally diving over gravestones to get to the coffin and pull hardison out and then clutching him like he’s trying to absorb the poor guy into his bloodstream ??? i will simply never be the same. and the perfect touch of beth riesgraf looking absolutely fucking devastated before turning away because she’s so so so wrecked about this but she’s not ready for that hug…. leverage writers need to square up because that was one fucked up episode and it also delivered on every characterization front ever. leverage is the gift that fucking giving y’all
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siriusly-the-best-bi · 9 months
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wow so I have like 3 analysis in progress that touch on this topic but I really need to just talk about it rn with its own spotlight.
Aziraphale has this entire life that he's built for himself on earth, after armageddon he's thriving. When we catch up with him in Season 2 his first scene is literally him going to check in with one of his tenants, and throughout the season we see that he has a decent relationship with nearly Everyone on the block. He has an entire life for himself all hashed out and pretty.
Crowley... does not. His cold open in Season 2 is back in St. James park, checking in with Shax, finding out the gossip on Hell. He doesn't have his apartment, he only has his Bentley and the few plants he could fit in it. He doesn't have any other human friendships. His entire life and everything he loves to do is built entirely around Aziraphale.
This is something that I just find so fucking thrilling because when it comes to their characters and where exactly they are in their arcs right now, it's essentially like looking into a mirror.
Aziraphale knows exactly who he is when he's on his own. He nurtures his own relationships with humans he sees often, he's a nice landlord, he loves books and classical music, and hot cocoa. But, Aziraphale still holds onto the ideals of heaven. He still cares about doing good and being forgiving. He still cowers and jumps at the opportunity to help heaven, not because he wants to but because he's supposed to because he's still an angel.
Crowley has nothing. He has his car, which he drives to a secluded location to park every night, only to drive it right back in the morning. He's only even vaguely recognizable because people associate him with Aziraphale and this is fine for him, he could care less. He doesn't really need to know who he is or process his traumas, why would he when he can put all his attention and focus and love and care directly into Aziraphale? His friend, who has always been his friend, the one person who has always stood by him. Who cares about heaven and hell, he has Aziraphale.
When we finally see them on their own and without the influences of their head offices, we see the opposite of what we'd expect, and nearly the opposite of the outcome we see in episode 6. Crowley is the one constantly checking in with Hell (wether he likes it or not), and Aziraphale is the one who's living care free without even thinking about heaven. When he does something good that he wants to report, he just calls Crowley.
this whole dance of Crowley not knowing who he is without Aziraphale and Aziraphale knowing who he is fundamentally but not knowing how to break free from the confines of Heaven that stop him from truly embracing Crowley in the end, it's just so delicious.
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starsinthesky5 · 1 month
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wanna get out of here? | joe burrow x reader
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description: an impromptu getaway is exactly what you and joe needed
a/n: ahhh my second fic!! all the love on my first one gave me the motivation to go and write another one :) i hope you all like this one!
warnings: smut (hope it’s not too bad since it’s my first time writing it LOL), language
word count: 6 k
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Wednesday 
The sounds of hammering rain and thunder were all you could focus on as you were sitting on the couch, curled up in a blanket trying to finish an overly complex project for work. You had been trying to finish the final section for the past week but you simply could not get rid of the restless feeling that had engulfed you over the past few days. 
Joe, on the other hand, was sitting right next to you. He was staring at the TV which had on some random rerun episode of The Office. Normally, he’d be laughing along to the show no matter how many times he had seen the episode, but today he was quiet & agitated. He had been overwhelmed this past month with intense rehab for his wrist injury; on top of which he had his off-season workouts every day which had also been incredibly vigorous. He was mentally and physically burnt out and needed something to take his mind off of everything. He noticed that you also had been swamped with work which caused you to be on edge the whole week, preventing you two from having any real 1 on 1 time like you usually do, and he wasn’t having it. 
You were typing away on your computer, another idea that would probably lead to nothing, before you heard the TV turn off. 
You turned your head to Joe and saw his blank face. “Everything Okay?” you questioned while reaching for his hand. 
“Wanna get out of here?” he asked while interlocking your hands, still looking expressionless. 
“Joey there is literally a monsoon happening outside right now,” you deadpanned as you squeezed his hand. 
“Not out there. I mean do you wanna get out of Ohio?”.
“Who are you and what have you done with my fiancee,” you laughed. 
“What?” he asked, looking quizzical as if he had no idea why you said that.
“You, the same man that never leaves his house unless it’s business or football related. And sometimes due to a forced social activity, or occasionally to have fun, wants to leave Ohio? You’re practically a turtle that stays in its shell all day,” you say before going back to your work project. 
Joe is slightly taken aback by what you said. Deep down he knows you aren’t wrong, he doesn’t go out very often, which made what he said next even more necessary. 
“Let’s go to the Bahamas this weekend. I can call up Ted and get a jet here and we can leave Friday morning. I’m thinking we stay at a lowkey house on a private beach for maybe 4 days,” he says.
You think he’s just messing with you but when you look over at him, he looks serious. 
“Where is this coming from?” you say with worry in your voice. In the 5 years, you and Joe have been together, he’d never sprung an idea of a vacation on you by himself, it was always mutual. And you’d never left the States before either. You close your computer and turn to face him. 
“I’m just so fucking tired,” he says with a sigh. “These past few weeks have been really intense and I just need a break.” 
Your face drops as he continues. He’d been under so much pressure lately with OTA’s slowly approaching and training amping up; plus all the background noise. He’d start throwing in the next month or so and deep down he was nervous. He didn’t know how it was going to go and if all this rehab was even worth it if he was never going to be able to get back to where he was. 
“And you’ve been stressed out all week because of work and it feels like we haven’t had just ‘us’ time,” he adds. 
Joe was right. He’d be gone all day with either rehab or workouts and the only time you two would get together would be dinner. And by dinner, you’d be too exhausted to do anything but eat and rush off to bed. 
You spend a few moments contemplating his offer. It would be nice to get away for a few days and you both needed the change of environment badly. 
“Okay, let’s do it," you say with a smile as you pull him in for a hug. 
“But just so you know, since we’d be leaving in 2 days, I’m going to be an absolute nightmare when it comes to packing,” you say before planting a kiss on his cheek. 
“Oh, I'm well aware. You only get 2 days to stress about packing and not a whole week like usual,” he laughs. 
Thursday Evening 
You both spent the majority of the day planning your impromptu vacation. You found the perfect beach house on the other side of Nassau, away from the main part of the island. It was hidden by palm trees and had a private beach which made it easy to unwind without any prying eyes. You would spend the week there and pick out a few activities nearby to occupy your time. You also chose a few places to eat although you both decided to cook at home for the majority of your stay. 
Currently, you were sitting on your closet floor attempting to pack your suitcase but were majorly failing. Packing was never your strong suit, especially if you had to pack the day before a trip. The closet looked like a war zone, things were everywhere. 
“This is the wrong time to not be able to find anything,” you say to yourself while getting up once again to hunt for missing items. 
Joe walked into the closet and saw you frantically pacing back and forth looking for something. 
“Babe, are you Okay?” He asked while sitting down on the stool. 
“Have you seen my new white bikini? Or my sunglasses? Or my tank tops?” You asked, aggravated that you couldn’t find your stuff.
“I literally cannot find anything,” You added before giving Joe a look. He knew that look all too well, you were 1 misplaced item away from having a full breakdown. 
He got up from the stool and walked over to where you were, put his hands on your shoulders, and said “Y/N you could wear a potato sack and still look amazing. Stop stressing about it, this vacation is supposed to get rid of the stress. Not add onto it,”
You let out a deep breath and say “You’re right. It’s just us anyway. I’ll just pack some nice dresses and stuff whatever in the suitcase,” 
“The fewer clothes the better,” Joe smirks and says before leaning in and planting a kiss on your lips. 
“You’re insatiable,” you say against his lips. 
After you finish packing your suitcase, you get ready for bed since you have a fairly early flight. It took Joe about 15 minutes to pack his things, which came as no surprise since he is the biggest outfit repeater you know. You’re just about ready to doze off before you feel Joe’s hand creep up your leg and squeeze your thigh.
“Mmm Joe not right now,” you say half asleeply. “Go to bed,”
“Not that,” he states. “I can’t fall asleep,” he mumbles. 
You let out a sigh before turning to face him. No way you’re getting any sleep now. “What’s wrong,” you say as you move his messy curls out of his eyes. 
“I don’t know, I just can’t fall asleep,” he says. 
You knew Joe too well to know when something was bothering him. His confession earlier was only the tip of the iceberg. Something was bugging him and you needed him to talk to you.
“What’s going on in that brain of yours,” you say as you play with his curls. 
He stayed silent for a few heartbeats, not knowing if he should unload his heavy thoughts on you right before a vacation. But he knew that it was just you. You’d always listen to whatever he had to say, no matter the time or place. 
“Just everything.” He says, meeting your eyes. “Rehab has been going great and training has been too, and I should be happy about that but I just can’t get rid of that feeling,”
“What feeling?” You question.
“Feeling like I won’t be good enough. I know what people are saying; overpaid, overrated, no rings, injury-prone. And they aren’t wrong. I don’t have anything to back up why people think I’m a top 3 quarterback,” 
Your heart breaks as he continues to talk. The fact that Joe feels like he isn’t good enough is mind-boggling to you. He’s one of the best damn players you’ve ever seen and you wish you could do something to get rid of his doubts, but you knew that that was something he had to do on his own. 
“But you do have things to back it up. You had one of the greatest college football seasons ever. Winning the Natty and the Heisman was only the start of your legacy. You were drafted by an organization that was in desperate need of saving and you made an impact that not many could have done,” you say as you see a small smile on his face.
“You had a shitty rookie season with tearing basically everything in your knee, but you worked hard and came back better than ever fucking before. You went on and led the team to their first playoff win in 30 years and went to the fucking Super Bowl in your first full season,” you add.
“Yeah, you didn’t win. But you put the entire league on notice and showed them who the hell you are. And then you did it again next year even though you didn’t go all the way. This past year was rough and didn’t go the way anyone would have expected, but this is part of what makes you, you.” you say with a smile as he stares deeply into your eyes. 
“You thrive when there’s adversity. It makes you work harder for what you want and it always pays off one way or another. You always come out better and stronger. You are a great quarterback and are absolutely more than good enough. You’re going to have your moment soon, and I know it,” you conclude. 
Joe stares into your eyes for a few more heartbeats. You knew exactly what to say to bring him back down from whatever cloud he was stuck on and he was so thankful for you. 
“I love you,” he said as he pulled you onto his lap, pressing kisses all over your face. 
“I love you more, always,” you laugh as he kisses the hell out of you. 
You two spent the rest of the night in each other's embrace. You finally felt at peace once you heard Joe’s soft snores fill the room and finally got some sleep.
Friday
You both got up pretty early for your flight, taking a quick shower before packing the car and heading to the airport. After boarding the plane you both took off your shoes, pulled out your fav blanket, and got comfy. 
“Are you excited?” Joe beams.
“Excited is an understatement, Burrow,” you smirk. “Getting you out of Ohio might be my favorite part,”. 
“I’m so looking forward to getting some sun and swimming in that big pool,” he says, referring to the massive pool that’s a part of the house you rented.  
“It’s like you’re a whole new person,” you smile while leaning your head on his shoulder. He smiles and kisses your forehead before pulling out his laptop to turn on a movie. 
“Oooo what are we gonna watch?” you excitedly question. 
“I was thinking of either ‘Grown-Ups’ or ‘21 Jump Street’,” he responds.
“Hmm, let’s do Jump Street, it’s been a while since we watched that,” you say. 
You spent the rest of the flight watching movies, playing a few card games, and eventually taking a small nap before the plane landed. 
A few hours later
After the plane landed, you both drove to your house for the week and it was like something out of a fairytale. The house overlooked the beach and the crystal blue water. Lush green palm trees surrounding the house provided ample privacy, especially for the large open pool in the backyard. You two settled into the house before changing into your swimsuits for a nice afternoon dip in the pool. You did end up finding your new white bikini, which was perfect for the occasion. 
Joe walked out of the bathroom and saw you brushing your hair in the mirror. His eyes trailed down to your bare legs, up to your perfect ass, then to your toned stomach, and straight to your chest. You looked so sexy and he was in heaven. He walked up to you and hugged you from behind, his warmth causing you to melt into his arms. 
Your eyes met his in the mirror, “Like what you see, Burrow?” you teased. 
“Absolutely,” he chuckled as he swayed you two back and forth, pressing a kiss on the back of your shoulder while sliding his hand down to your ass. Joe was grinning like a love-struck fool as he watched you close your eyes and melt into his embrace. He was making you feel more relaxed than you’d ever been before and you both were loving it. 
You both ventured out to the pool and sat down on the pool chairs, hoping to get a quick tanning sesh in before a swim. A few minutes in, Joe found himself staring at the pool when he got an idea. 
“I’m gonna jump into the pool,” he casually said.
You quickly turned your head to him and said, “Are you crazy, the water will get everywhere,” You gasped.
“It’s just us though, nobody around to complain. Besides, I can’t do it in the pool at home since we spent way too much money on redoing the backyard. At least here there isn’t any vegetable garden at risk of being destroyed,” he smirked before quickly running back to the patio door and launching himself into the pool, not giving you a moment to lecture him. 
The water did in fact get everywhere but it was worth it when you saw Joe come up from the water. He shook his head back and forth to get the water out of his hair before he took his hand and attempted to slick it back. Your eyes navigated to his muscular chest which had stray water droplets sliding down his abdomen, back into the water. God, he looked so hot like this. 
“Like what you see, Burrow,” he teased as he noticed your expression. 
“Yes, in fact I do. Very much actually,” you say while getting off the chair. “And I’m not a ‘Burrow’ yet, still gotta wait a few months before that,” you say as you make your way into the pool. 
“Well, you’re practically already my wifey sooo,” he trails off before swimming over to the steps and helping you into the pool. 
You giggle at his words. He couldn’t wait to marry you and he never failed to make it known. 
You immediately latch onto him when you're in the pool. This was pretty normal for you both. You’d always use him as a floatie and make him do all the work while you just lay on him and relaxed. 
A few moments later you release yourself from his embrace, making him slightly confused at the sudden loss of contact. 
“Y/N come back,” he whines out.
“Someone’s clingy today,” you say while playfully rolling your eyes and swimming away from him. 
He stared at you for a few moments, a sad look on his face while you continued to swim around and away from him. You felt bad that you’d left him hanging but you were having too much fun teasing him. 
“Come and catch me shiesty,” you yelled. He hated it when you called him that. That nickname was only for football-related individuals to use and he thought it was a little cringe whenever you would use it. Not in a bad way, it’s just he preferred you calling him other names that football-related people can’t use. You knew how he felt about it but you also knew that this would for sure set him off. 
“Oh you’re done for,” he playfully growled before swimming after you. The pool was massive so you had just enough space to get away from him. 
You two were swimming circles around each other, occasionally splashing water into each other's faces in hopes of catching each other off guard. Your arms began to get tired of swimming around so you stopped by the ledge to take a breather while Joe was settled on the other side of the pool. 
Before you knew it, Joe had swum over to you and pulled you back into his arms. 
“Got you,” you whispered against your ear. 
“I guess you did,” you whispered back. 
“You look absolutely gorgeous by the way,” he said looking down into your eyes. “I love this bikini on you,” 
You blushed at his sweet comments. He never failed to tell you how pretty you looked. 
“Ya know, I look even better with it off,” you tease. 
Joe’s face dropped immediately when you said that. He’d been horny since he saw you in that bikini but had to compose himself since you both were looking forward to swimming in the pool. But now that you’d gotten your swim time in, nothing was stopping him. 
He slowly pressed you against the wall of the pool and kissed his way up your neck right up to your sweet spot. 
“Joe,” you moaned out. 
“What baby?” He asked, knowing exactly what you wanted.
“I need you,” you whined.
He looked at you momentarily before lifting you out of the pool and rushing you inside to the large bedroom. You let out a squeal as he pushed you back onto the bed. Joe climbed over you and situated his body in between your thighs, capturing your lips in a passionate kiss. You stayed kissing each other for a few minutes before you felt something hard poke at your stomach.
“Getting eager now aren’t we,” you tease. 
“Please, I’ve been waiting to get you in this bed since I saw you in this bikini,” he grinned. 
“Then I suggest you do something about it,” you replied.
Joe smiled and started to untie the strands of your bikini top before tossing it to the side. He kissed his way down to your perfect breasts, swirling his lips around your sensitive bud which caused you to let out a breathy moan.
“Joe,” you moaned out while shoving your hands in his hair. 
He spent a few moments sucking on your breasts before he continued his way down. He pressed a few sloppy kisses on your stomach before eventually making his way down to where you needed him the most. He slowly peeled off your bottoms which was driving you insane.
“Joe please,” you whined out.
“Patience is key, baby,” he teased. 
He threw your bottoms to the side as he made his way back up to your heat. “You’re so wet,” he says while ghosting his fingers over your folds.
“Joe I swear to god-,” You suddenly felt his warm tongue lapping at your folds which caused you to let out another moan, “Ohh Fuck”. 
He buried his warm tongue inside your core as he continued to eat you out like a starved man. He moved one of his hands up to cup your breast as the other was firmly on your thigh. Joe moved up and started to rhythmically suck on your clit which made you see stars; something which he made you see often. “Joey, fuck don’t stop,” you said breathlessly.
“You like that?” he chuckled against your core, sending vibrations throughout your body. Those 3 words always managed to get you more horny than you already were. "Yeah," you whispered.
He went back to lapping at your folds as he used his thumb to rub your clit. The combination of his mouth and fingers was sending you over the edge. You started to arch your back which caused you to lift your hips slightly but Joe pushed them back down as he continued to send you into a frenzy. You fisted your hands into his hair and started to pull on the loose curls which caused Joe to let out a soft moan against you. 
“Joe I’m so close,” you whispered as you pushed his head closer to your core. You felt a familiar warmth in your belly as you were moaning Joe’s name out (which was driving him insane). Joe thrusted one of his fingers into you, causing the imaginary rubber band in your lower belly to snap; feeling a familiar gush of liquid pool below you. You were overcome with a feeling of pure pleasure and satisfaction as he cleaned up your mess with his skillful mouth. He pressed delicate kisses on the insides of your thighs before moving back up and pushing his lips against yours again. 
“You’re so hot,” he said in between kisses. 
You felt a blush creep up on your face. “I’m flattered Mr. Burrow, but have you seen yourself”. 
“Shut up,” he chuckled before going back to kissing you. You stopped kissing him after a few moments and said “Joe, I need you inside me.”
“Your wish is my command babe,” he replied as he pulled down his swim trunks and threw them to the side. His cock was rock hard and the sight of it had you sizzling with anticipation. 
Your core was slick with your arousal which made it easy for him to push his dick into you. The tip slowly teasing your folds before he buries himself inside of you, causing you to let out a loud moan. You will never get tired of the feeling of him inside you. 
He started slowly thrusting into you which made you wrap your legs around him, wanting him deeper asap. 
“Joe, Fuck,” you moaned out. “Faster baby,”. 
He began snapping his hips against you, faster & harder than before. “God, you feel so good Y/N,” he moaned out. You brought him in for another kiss, this time quick, messy, and sloppy. He continued thrusting into you and you bucked your hips each time to match his movements. The sound of your arousal and skin-hitting skin filled the room as you two were caught up in the euphoria that was happening between you. 
Joe buried his face into your neck, sucking on your sweet spot, as your hands found themselves in his hair again. You were on Cloud 9 right now and it was all because of him.
“Joe, don’t stop. Shit, you feel too good,” you moaned. You felt him move deeper inside of you as he repeatedly hit your cervix. 
He continued to pound into you, making you feel like nothing else mattered but this moment. You both felt your arousal building up, begging to be released. 
“Fuck Y/N, I’m close,” he panted as he slowed down.
“Me too,” you whimpered. 
He picked up the pace of his thrusts once again, this time moving one of his hands down to your heat, toying with your clit. “Fuck,” you moaned out for what seemed like the hundredth time. “I’m gonna cum,” you whimpered. You felt your walls clench around him, signaling you were almost there. Joe felt you clench around him and pinched your clit which set off your orgasm. Your chest heaved up and down as you whimpered out his name while seeing stars again. He continued to thrust into you, chasing his pleasure. 
“Y/N,” Joe moaned out. You knew he was close by the way his thrusts started to become sporadic. 
“Come on baby,” you encouraged while pulling at his hair and kissing his neck. 
After a few rough thrusts, Joe let out a loud moan as you felt hot spurts of his cum fill you up. He collapsed on top of you as you both panted, needing a moment to recover after the workout you two just had. You moved one of your hands to his back, softly sliding it up and down to help him relax.
“I love you,” he softly said as he kissed your cheek, making you smile. 
“I love you more,” you whisper in his ear as he buries his face into your neck again. 
The next day 
The next morning was pretty chill for you both. You had breakfast at the local beachside cafe, stuffing your faces with delicious fresh fruit from the island before embarking on a pleasant morning walk on the beach. 
“This is nice,” Joe says as you both walk hand in hand alongside the water, a content look on his face.
You look up at him and smile, “Very nice,” you giggle. “Although, I don’t know how you’re not uncomfortable with walking on the beach in shoes,” you question while looking at your bare feet and then his shoes. 
“You never know when a crab might come up and pinch your toes,” he says with a straight face. 
“Righhhht,” you say while relishing the feeling of sand between your toes. 
“So, what should we do today? We pretty much have the whole day since we’re cooking at home tonight,” he says while squeezing your hand. 
“Hmmm,” you wonder for a second. “We could go out on one of the boats?” you carefully question while looking up at your fiancee. 
Joe did not like going on boats. He hated the idea of being out on the open water with no way of getting back to shore other than using the boat. He always questioned what you would do if the boat broke down or even started sinking. You always told him the sinking part was highly unlikely, but you blamed yourself for that worry because you’ve made him watch Titanic with you one too many times. He also didn’t like how you couldn’t see what was in the water. But lucky for you, the water in the Bahamas was crystal clear. 
He stayed silent for a few moments, making you a little sad since you wanted to experience something new with him. 
“Let’s do it,” he says while flashing you a smile. 
You looked up at him, a little surprised. “Really?” you beam. 
“Yes, now let’s go before I change my mind,” he says before stopping to pick you up. He doesn’t give you a moment to respond because he throws you over his shoulders causing you to let out a squeal. He leads you both back to the house so you can get freshened up.
You both got changed into your swimsuits before walking over to the docks and renting a boat for the day. You weren’t sure how you managed to get Joe to go on the boat, but you certainly were not complaining. 
The driver had taken the boat not too far from shore, which kept Joe’s mind at ease. You swam in the water for a little bit and enjoyed a few drinks. 
“Mmm, this like the best Mai Tai I’ve ever had,” you say while taking another sip. Joe was currently in the water in front of you, while you were seated on the steps of the boat, legs partially in the water. 
“Come in the water,” Joe says while splashing some water onto you. 
“Mmm, I think I’m good up here,” you tease while placing your drink to the side.
Joe swam closer to you and said “Nope.”
You were confused at what he meant but then you felt his wet hand wrap around your wrist. 
“Joe, don’t even think about it,” you playfully growled, knowing exactly what he was about to do. He didn’t listen and pulled you into the water, causing a big splash. You came back up to the surface with a frown.
“Someone’s mad,” Joe laughs. You swim over to him while he is fully anticipating an ass-kicking but is pleasantly surprised when you wrap your arms around his neck and kiss his cheek.
You laugh and say, “If this is mad, let me be mad more often,”.
A few hours pass and you both are sitting on the boat in the net seating area that was right above the water. Joe had put on one of his many bucket hats and shades and was laid flat against the net, soaking in the golden sun. You were applying another layer of sunscreen before noticing his chest turning red. You knew he’d be a pain in the ass if he got sunburnt so you took the bottle and moved closer to him. 
You squeezed out a dab of sunscreen and started applying it to his chest. He flinched at the sudden contact before realizing it was just you. 
You felt him flinch and laughed, “Daydreaming, Burrow?”. 
“Maybe,” he smiles while taking off his shades. He looks down and sees you applying sunscreen on him, “Oh, thanks,” he says while meeting your eyes. 
You let out a playful sigh and say, “What would you do without me,”.
“For real,” he says. “I’d be walking around like a tomato,” he laughs. 
After applying the rest of the sunscreen, you lay back against the net and Joe lifts one of his arms, motioning for you to curl up next to him. He rests his hand on the small of your back while you tangle your legs with his. 
You lay there briefly, soaking up the perfect scene before breaking the silence. “Are you enjoying this? I know boats aren’t really your thing and I hope I didn’t force you into this,” you softly say. 
“Of course, I’m enjoying this. I will admit, I was a little nervy when getting on but you’re here with me so I’m fine. Besides, If the boat breaks down at least we’d be stranded together,” he jokes. 
“I guess that’s true. Better than being stranded with a bunch of randos too. I’m glad we could get a boat just for the two of us,” you reply. 
“Yup. This isn’t as bad as I thought. I can see everything below us too so no risk of a random shark popping out,” he deadpans.
“Like that would actually happen,” you say while softly hitting his chest.
“You never know,” he says while shaking your shoulder in an attempt to scare you.
You spent a few minutes messing around with each other before the driver came out to tell you that you were heading back to the island. You both got up and sat on the bench, your back pressed into Joe’s chest and stared out into the open waters, taking in the view before it was time to go back. You were mindlessly sliding your hand along Joe’s leg while he had his arms around your waist, gently squeezing your soft skin. Everything about this moment was peaceful. Joe felt at ease for the first time in a long time and he had his favorite person to thank for it. 
Once you got back to the house, you both took a nice shared shower before starting your dinner prep. Before arriving at the house yesterday, you had stopped at the local market to pick up some groceries. 
“So, what are we making tonight,” Joe asked as he sat down on one of the barstools. 
“I was thinking of shrimp-avocado tostadas and some of that wine we picked up yesterday?”
“Sounds delicious,” he said while rubbing his belly.
You let Joe fry the tortillas and make the avocado mixture while you cooked the shrimp and assembled the tostadas. While you were assembling the dish, Joe found a few candles in the cabinet and got an idea. He went outside to the backyard and set up the candles on one of the patio tables, setting the scene for a nice sunset dinner. He picked out a few flowers from the front of the house and put them in a vase to use as a centerpiece. He then poured the wine into 2 glasses, setting one on each side. 
You had finished plating the tostadas and didn’t see Joe anywhere. “Joe? Where are you,” you yelled out.
“Out here! Bring the plates outside,” he yelled back. 
You were a little confused but went along with it. You walked outside with your dinner and saw Joe setting the table and your heart melted. 
“Joe, this is so romantic,” you cooed while putting the plates on the table. 
He gave you a warm smile before pulling out one of the chairs for you to sit in. You sat down as he settled into the chair across from you. You both devoured the tostadas while making small talk about your plans for tomorrow. After you finished eating, Joe took the plates and set them inside; he suggested you both finish up your wine on the daybed since you would get a comfier view of the sky. 
Later that night, per your suggestion, you and Joe were sitting in the bathtub surrounded by bubbles and a few candles. You felt so relaxed even though you’d only been here for 2 days, and it was all because of Joe.
“I’m glad we finally get to have ‘us’ time,” Joe says while rubbing your thigh under the water. “I missed just being able to sit with you and do nothing. This past month felt so repetitive, I feel like we barely saw each other,” 
“Me too. We needed this,” you said as you pressed yourself into his chest a little more. Your back was to his chest and both your legs were tangled under the water. This was your favorite position; the warmth radiating off of his body felt like a big hug. 
“Thank you for doing this by the way,” you add.
“Doing what?” He questioned.
“This trip. I needed it more than I thought I did. Getting away from home and the change of environment was much needed. I think if I stayed in Ohio for another day I might have spontaneously exploded,” you joked, causing him to let out a soft chuckle. 
“Anytime,” he replied while kissing the nape of your neck.
“Do you feel better?” You asked. “I hope you were able to get your mind off of things. Your stuff was a lot heavier than mine,”
He lets out a content sigh and says, “Actually, yeah I do feel better. I think I just needed to get out of the chaos and get out of my head. This trip has helped me decompress and realize that not everything has to be so stuffy all the time,” Joe says. 
“Exactly,” you chirp as you lean your head back to place a kiss on his neck.
“I can’t do anything about what people are saying, they’ll always talk. But what I can do is work hard to get back to where I’m supposed to be. And I won’t be able to get there if I’m constantly pressuring myself,” he says. “Letting loose and having fun is a part of that journey. I need that balance,” he adds.
“And this is a great start,” you say while smiling up at Joe
“Yes it is,” Joe says while pressing another kiss to your forehead. 
You both had spent the rest of the night talking about the rest of your exciting activities planned for the final 2 days of the trip. You even talked about a few fun things you could do around Cincinnati when you get back home so that you could keep the work-life balance that you both so desperately needed. 
“This impromptu vacation might have been the best idea you’ve had so far,” you tell Joe as you both are about to fall asleep. 
“We should get away more often,” Joe grins.
--The End--
308 notes · View notes
samwinchesterism · 2 months
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in re: “cas knows dean better than sam”
“cas sees dean as a whole person and sam just sees dean’s façade as his big brother slash parent” but like how and where. outside of your fanfiction. season and episode. scene and line. if it’s so obvious and apparent you should have at least 3-5 concrete examples right? “sam doesn’t know dean carried him out of the burning house” yeah but did cas? outside of a footnote in the angelic manila folder they gave him between seasons 3 and 4 so he could better manipulate him and sam into doing heaven’s bidding? like if you’re going to say “cas knows dean better than sam” than you need to show how cas succeeds where you perceive sam to be failing at the very least. but even your perceptions of how sam doesn’t measure up are so warped, blinkered, and moronic that it wouldn’t even be worth much if you could provide the textual evidence, but at least you’d have a semblance of a point. like say anything without going “as an eldest daughter…” “well my relationship with my sibling isn’t…” please say anything without fucking projecting your own self-pitying crybaby bullshit onto your little woobie dean and using the actual canon text of the show. I’m literally begging you.
like the thing of it all is and always has been that you’re so hell-bent on twisting the sam and dean relationship to fit into this narrow and almost entirely inaccurate mold which is the basis upon which you build the entire Destiel Mythos that you literally lose all sense of media literacy. you don’t even miss the forest for the trees, you miss the trees for like, the pretend invisible things you’re seeing in between the trees, the forest is a whole long way away from your current level of perception. because the Destiel Mythos is based entirely on the fact that dean is Not Seen and Not Appreciated and Not Loved and Cannot Be Himself until cas comes along, and that Family (read: sam) Is Only A Burden on Him That He Must Be Freed From In Order to Flourish, so you keep trying to warp the sam relationship into something that is only one dimension of it – and keep ignoring the ways in which dean is seen, loved and understood within it, because you need to keep lying to yourselves that there is a narrative need to emancipate dean from something that he has never wanted emancipation from because it is ultimately a net good for dean in the particular circumstances of their lives. it’s also profoundly unhealthy, codependent, evil and toxic etc. (a lot more dean’s fault than sam’s but I will nawt be getting into all that right now) but that doesn’t change the fact that sam and dean both know and understand and feel deeply that they are each other’s person – that they know the best and love the most in the world. but that – which IS true canon fact – is incompatible with the Destiel Mythos so it must be ignored and all good sense must be thrown out the window in order to do it.
anyway i digress there are two main categories of Bad Thinking that i will be addressing below
childhood/ “parent/child” / blah blah blah
every single thing people are saying in favour of the deeply stupid thesis in the title of this post is proof positive of the very silly form of ‘analysis’ I just described. a few things:
“wah sam didn’t know that dean carried him out of the burning house :( this means that dean withholds things from sam to protect him because he is a PARENT and sam can only know things about him in the context of him being a PARENT to him” – what the fuck are you on about genuinely. first of all reducing the sam/dean relationship exclusively to parent/child is in itself foolishness for so many reasons that I don’t have time for right now. but also, it’s clear that this is just something that happened when sam was a baby that just never came up. in the scene (1.09) where this is brought up, dean is mildly surprised that he or john never mentioned that detail and then states that sam knows the rest of the story (i.e. the actual traumatic stuff) just as well as dean does – which is true, demonstrably whenever they talk about it.
obviously there are some things that happened to dean in their childhood that sam doesn’t know about (or didn’t know about, until told in whatever episode they come up in). equally, there are things dean doesn’t know about sam’s childhood, e.g. the fact that he was so lonely he needed a zanna (11.08). or how dean didn’t remember that sam was friends with barry cook until he mentions it when they go back to their old school (4.13). or about the nature of sam’s relationship with amy pond (7.03). these don’t mean that ‘sam withheld these things to protect dean out of parental love’ lol, it’s just that there are details and events in each of their lives that the other happens to not have been told about.
similarly “sam didn’t even know dean wanted to be a firefighter L” girl did dean know sam wanted to be a lawyer? in 1.01 he’s pretty surprised that sam has a law school interview. the point here isn’t “neither sam nor dean know each other well,” these are minutiae that aren’t relevant to how well you know someone as a whole, and very poorly demonstrate the bad and inaccurate point that dean withholds things from sam the way a parent does a child (on a constant or regular basis). obviously the way they were raised, sam was deemed too young to know about certain things until he got older and dean had to keep that secret, but as shown in 3.08 flashbacks, most if not all of this is eventually revealed throughout their childhood when sam is still fairly young.
or possibly the dumbest one is that “wah sam doesn’t even know that dean reads books L” whenever that was he was also obviously joking because in more serious moments (e.g. 8.14) he admits that dean is smart/a better researcher than he is, literally remembers dean reading to him as a kid (8.21) so like. clam down  
one of the extra annoying variants of this type of ‘proof’ covers things that are very clearly novel pieces of information about dean that dean, sam, and the audience are learning about dean in real time. like if you’re actually watching the show to comprehend it as it was intended to be comprehended, instead of funnelling everything through the Destiel Machine until it’s unrecognizable slop that fits neatly into your pre-ordained molds that Make Destiel Necessary In the Narrative (when it actually isn’t, at all) it’s abundantly clear. the top two worst offenders:
“sam didn’t even know that dean is good with kids :( he doesn’t even realize that dean raised him :(” first of all you people need to understand that parentification does not literally create a parent-child dynamic between siblings but I digress – this doesn’t make any sense bro. in 1.03 dean admits he doesn’t know any kids as an adult. dean being good with his own kid brother when they were both kids is to any reasonable person not necessarily linked with him being good with other random kids when he’s an adult. in 1.03 it’s clear that dean himself is a bit surprised that he’s able to connect w/ lucas so well because he’s clearly not dealt with a lot of kids since sam grew up. the whole point of this is that dean, sam, and the audience are all sort of seeing a new side of dean. who again is just 26. after this very early episode, there’s no question from sam that dean is able to connect w kids. sam being a bit surprised by this also has absolutely zero connection with him not understanding or realizing that dean looked out for him when they were both kids – sam is standing there at 22 years of age talking about adult dean and children – of fucking course he doesn’t mean himself are you stupid.
from the very first season, sam is very clearly aware of everything dean ~did for him~ when they were kids, see e.g. 1.21: “Dean...ah...I wanna thank you. […] For everything. You've always had my back you know? Even when I couldn't count on anyone I could always count on you. And I don't know, I just wanted to let you know, just in case.”
and 1.06: DEAN: Well, I’m a freak, too. I’m right there with ya, all the way. (SAM laughs.) SAM: Yeah, I know you are.
and then possibly even more stupidly, the one where it’s like “wah sam doesn’t even know dean can cook :( he doesn’t even know that DEAN was the one making him food as a babe in arms :(” – when sam is surprised that dean made something fairly gourmet and from scratch literally the first time they have ever had a permanent living space with a functional kitchen. in this VERY scene (8.14), dean himself points out that they haven’t had a kitchen before and when sam remarks on the irregularity of him doing serious cooking, he says “I’m nesting”, clearly showing that this is a novel development because they now have a kitchen, and that it’s irregular relative to past behaviour – both of them acknowledge this. because real proper in-depth cooking and making box mac and cheese for sam until he was like 11 and old enough to be left alone are two different things, which sam understands because he’s smart, unlike whoever chooses to make this point. dean never showed significant signs of liking to cook before this, which is what the exchange is about, but he did have to prepare food for them both when sam was too young – of course sam knows he had to, there are childhood memories referred to (e.g. 14.11) where sam is mentioned to literally help dean do the cooking as kids lol (and yes, genius, sam says ‘I didn’t know you knew what a kitchen was’ or something to that effect, but if you think he’s being 100% literal there I have an oceanfront property in Kansas to sell you)
again, obviously there are pieces that sam doesn’t know about dean, e.g. when he’s talking about his response to mary dying in 1.03. but again, Sam is 22, dean is 26, the last time they were in regular contact was when sam was 18-20, these are things that happen when people grow up, they’re able to reflect and share on childhood experiences if they’re close with their siblings as adults. it’s clearly not something that 26 y/o dean wanted to hide from 22 y/o sam. yes sam didn’t know everything about how dean felt when they were young, but that’s equally true in the other direction, and it’s such an irrelevant point in this discussion when, crucially, sam does learn these things about dean mostly fairly early on in the series (i.e. when they’re really not that deep into adulthood yet). cas was also not magically blessed w/ knowledge about dean, he also had to learn whatever it is that he knows, but somehow sam has to know everything about dean from age 7 or it doesn’t count when it’s sam lol.
“sam doesn’t know the One True Dean / doesn’t see through his facades”
the next branch of defending this flawed thesis is invariably that sam has little idea of the fronts and facades that dean puts up and is content to just believe them, whereas cas digs deep and sees the One True Dean that stupid sam always misses. there is nothing in the text that demonstrates this is true. multiple times, we see sam being very knowing of the fact that dean puts up fronts and facades. sam is also knowledgeable of the way dean perceives himself, and – demonstrated in multiple episodes before such sam lines were very poorly recycled and regurgitated into cas’s dialogue in 15.18, but keep acting like that was the first time anyone ever showed that they knew the One True Dean.
Obviously there are times where sam teases dean when he’s being more touchy-feely than usual, but 9.99 times out of 10 (as a conservative estimate in case there's something i'm forgetting otherwise i would say every time) that’s very clearly coming from a place of knowing the real dean vs. the façade he puts up because that’s the whole joke. and it’s allowed to be a joke because they’re siblings and that’s what siblings do lol. esp since sam and dean have touchy feely moments at the end of like every episode.
examples of all of the above off the top of my head (there are more than these, but these are the ones I can think of):
2.02 (about John’s death)
Sam: “I mean this ‘strong silent’ thing of yours, it's crap. […] I'm over it. This isn't just anyone we're talking about, this is Dad. I know how you felt about the man.”
Dean: “You know what, back off, all right? Just because I'm not caring and sharing like you want me to.”
Sam: “No, no, no, that's not what this is about, Dean. I don't care how you deal with this. But you have to deal with it, man. Listen, I'm your brother, all right? I just want to make sure you're okay.”
2.03 (Sam to Dean, also about John’s death): “You know, you slap on this big fake smile but I can see right through it. Because I know how you feel, Dean. Dad's dead. And he left a hole, and it hurts so bad you can't take it, but you can't just fill up that hole with whoever you want to. It's an insult to his memory.”
Note that Dean essentially admits that Sam is right in these two instances in 2.04 bc I know yall have stupid shit to say about john too that has nothing to do with how anyone actually felt about him in canon
3.07 (about Dean’s demon deal – also proven true in later episodes)
SAM: Dude, drop the attitude, Dean. Quit turning everything into a punch line. And you know something else? Stop trying to act like you're not afraid.
DEAN: I'm not!
SAM: You're lying. And you may as well drop it 'cause I can see right through you.
DEAN: You got no idea what you're talking about.
SAM: Yeah, I do. You're scared, Dean. You're scared because your year is running out, and you're still going to Hell, and you're freaked.
DEAN: And how do you know that?
SAM: Because I know you! […] Yeah, I've been following you around my entire life! I mean, I've been looking up to you since I was four, Dean. Studying you, trying to be just like my big brother. So yeah, I know you. Better than anyone else in the entire world. And this is exactly how you act when you're terrified. And, I mean, I can't blame you. It's just […] I wish you would drop the show and be my brother again. 'Cause... (can't find words; tears in his eyes) just 'cause.
5.18 [Sam figures out what Dean is doing re: his plan to let Michael possess him, tracks him down, and eventually is the catalyst for Dean ‘making the right call’, which he predicts] – e.g.:
SAM: No, you won’t. When push shoves, you’ll make the right call
DEAN: You know, if tables were turned…I’d let you rot in here. Hell, I have let you rot in here.
SAM: Yeah, well…I guess I’m not that smart.
DEAN: I—I don’t get it. Sam, why are you doing this?
SAM: Because… you’re still my big brother.
8.14 (basically the o.g. version of whatever went on in 15.18 + sam intrinsically understanding the trials are a death wish for dean): “I'm closing the gates. It's a suicide mission for you. I want to slam hell shut, too, okay? But I want to survive it. I want to live, and so should you. You have friends up here, family. I mean, hell, you even got your own room now. You were right, okay? I see light at the end of this tunnel. And I'm sorry you don't – I am. But it's there. And if you come with me, I can take you to it. […] I AM smart, and so are you. You're not a grunt, Dean. You're a genius – when it comes to lore, to – you're the best damn hunter I have ever seen – better than me, better than dad. I believe in you, Dean. So, please – please believe in me, too.”
10.22 (understanding how much dean has ~done for him~)
SAM: I'm saving my brother.
CASTIEL: You told Dean—
SAM: —I know what I told Dean. Cas, look. I've been the one out there, messed up and scared. And alone. And Dean—
CASTIEL: He did whatever he could to save you.
SAM: Yes. I mean, it's become his thing. I owe him this. I owe him everything.
10.23 (basically the o.g. version of whatever went on in 15.18, x2 – from Sam to Dean): “You were also willing to summon death to make sure you could never do any more harm. You summoned me because you knew I would do anything to protect you. That's not evil, Dean. That's not an evil man. That is a good man crying to be heard, searching for... some other way. […] You will never, ever hear me say that you -- the real you -- is anything but good.”
11.13 (Sam understanding exactly how Dean feels about Amara being his ‘deepest desire’, and confirming that it doesn’t make him a bad person)
Dean: Why? Because if she is that means that I’m…
Sam: Means you’re what? Complicit? Weak? Evil?
Dean: For starters, yeah.
Sam: Dean. Do you honestly think you ever had a choice in the matter? She’s the sister of God, and for some reason she picked you and that sucks, but if you think I’m gonna blame you or judge you…I’m not.
Dean: You know that I want her ass dead.
Sam: Yes. Of course. And I know you’ve also probably beaten yourself up a hundred times over it, but where has that gotten us? (Long silence) Just how bad is it?
13.02 (Sam perfectly explaining Dean’s psyche to Jack)
JACK: Is that why Dean hates me?
SAM: Dean doesn’t hate you. It… Look, sometimes the wires in Dean’s head get crossed and—and he gets frustrated, and then he mixes frustration with anger, and—and fear.
JACK: Why would he be afraid?
SAM: Because Dean feels like it’s his job to protect everyone. And right now, we need to protect you. But we may also need to protect people from you.
14.03 [Sam assesses Dean’s psychological/emotional response to the Michael possession; end of episode, Dean confirms that Sam’s assessment was fully accurate]
14.10 [Sam is the only one able to snap Dean out of his weird Michael mind loop by using their code word]
14.11 [Sam figuring out that something is troubling Dean just based on the fact that Dean hugs him]
15.17 (self explanatory at this point)
DEAN: Chuck has to die. He has to! Otherwise he'll keep us tap dancing forever, and I can't live like that, man! I can't live like that! I won't!
SAM: I know you feel like that right now, okay. I know you do. But you gotta trust me. My entire life, you've protected me— from Dad, from Lucifer, from everything. I didn't always like it, you know, but... it's the one thing in the whole world that I could always count on. It's the only thing I've ever known that was true. So please... put the gun away. Just put it away, and we'll figure it out, Dean, we'll find another way, you and me. We always do.
like maybe there are some cas moments w dean along these lines too. i don't know, i don't remember what the guy says or does anymore it's been too many years and he is not memorable. but the point is where and in what capacity and based on what metric other than the amount of bad fanfic you've read does cas exceed sam in these respects.
so basically just. genuinely, what are you people literally ever talking about. go watch the show instead of saying stupid wrong stuff about sam on the hellsites all day. or watch another show (please for the love of god watch any other show this one is absolutely lost on you and it’s such a stupid one too i'm embarrassed for you)
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wlntrsldler · 4 months
Note
Hiiiiii!!!! I love Apple Pie by Lizzy McAlpine!! Can I get Jamie Tartt to apple pie?
apple pie | jamie tartt
based on the song apple pie by lizzy mcalpine
description: jamie gets insecure sometimes, but having you with him helps.
pairing: jamie tartt x actress!reader (f!reader she/her)
warnings: lots of kissing, self-doubt, insecurities, mention of jamie's dad
word count: 2631
ted lasso requests are open | main masterlist
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When Jamie first got into a relationship with you, he knew that both of your busy schedules would pose a problem down the road. With his football career seemingly reaching new peaks every season and your acting career taking off after being cast in what is being called “the film that revived the dying genre of romantic comedies,” the amount of time you get to spend with each other decreased significantly since the start of your relationship. 
You first met Jamie halfway through his returning season at AFC Richmond. You met him at a birthday dinner party for a friend of a friend where you relentlessly teased him for his ridiculous, but outstanding performance, on Lust Conquers All. You had originally praised him for it when you were fully under the impression that he was putting on an act. You didn’t find out that he was just being his prick-ish self, albeit his younger prick-ish self, until about four months into your relationship when he embarrassedly admitted it to you. That’s how you found yourself rewatching the entire season together on his couch until 2 hours before Roy knocked on his door for his training session. 
At first, Jamie thought you were making fun of him. His insecurities would still peek in here and there and sometimes he couldn’t help but worry that you’d see him as nothing more than a dumb footballer like everyone else does. He quickly realized, though, that while you were losing your mind laughing at how he acted in the show, making fun of him was the last thing you wanted to do. 
“Why’d ya wanna watch this shit anyways?” he grumbled, trying not to let his emotions get the better of him. “It’s just poopy. ‘M not even like that anymore.” 
“I know,” you sat up, pausing the show when you heard his voice crack. You knew the tone of Jamie’s voice when he was cracking jokes and when he was happy, and this voice wasn’t one or the other. You turned your body to face him, “I know you aren’t like this anymore, I just thought it would be funny.” 
“I dunno, I suppose it doesn’t make much sense to me.” 
“What doesn’t?” you questioned. “Why I want to watch it?” 
“Yeah,” Jamie replied. His eyes were looking at everything but at you. He was playing with the threads of the blanket loosely draped over his legs. He rubbed his nose with his balled-up fist. “Why does it matter how I was before you? I’m better now, yeah? Unless you don’t think so...” 
“Oh, love,” you grabbed his face, forcing him to look at you. You were so engrossed in the episode on the TV that you didn’t realize how uncomfortable Jamie was feeling about the whole situation. “I’m sorry, I should’ve been paying more attention to how you were feeling about this. We can stop watching it.” 
“Yeah, I’d like that.” He hummed, tugging on your hoodie to pull you closer to him. “I just don’t want you to see how I used to be and realize you don’t want to be with a prick like that, even if I have changed, you know? I don’t know… I just thought that with ya, I’d have a fresh start.” 
“Jamie Tartt, enough of that now,” You took over being the big spoon, which made Jamie nuzzle into your neck contently, “You have changed. You’re an amazing man and the best boyfriend I’ve ever had. I only wanted to watch this show because it’s such a shitty show that it’s nice to just unwind. When I watch this Jamie on the screen, my brain can’t even comprehend that it’s you.” 
“You don’t think I’m a prick anymore, yeah?” Jamie asked again, hoping that he’d get a confirmation, “Like you wouldn’t leave me over that?”
You’ve learned over the past few months things about Jamie– one of which is that he needs to be told positive things or else he’d spiral. The thing is, if you could go into his mind and turn off that control box that spews self-doubt and insecurities to him, you would do it in a heartbeat. But since you can’t, you were more than happy to shower him with love and adoration in hopes that your voice can drown the rest of them out. 
“Never,” you placed your lips on his in a soft kiss. “You’d have to work a hell of a lot harder to get rid of me.” 
“I’m working double overtime just so you’d keep me, love,” he murmured, pulling you in for another kiss. His hand reached for the remote to turn the TV off to leave you both in the glow of the floor lamp in his living room. 
“You don’t have to work hard for that.” 
Jamie had gotten used to having you around his flat. He would leave for 4 AM training with Roy with you on his bed, often naked, then return at around 6:30 AM to shower and join you back in bed for another hour before you woke up. He’d wake up for the second time that day with you drawing patterns on his chest and a soft smile on your face. He’d lean over and place a loving kiss on your lips and he’d feel prepared to start the day. 
You were filming a show in London for three months, which meant that for three months, this was Jamie’s life. In between projects, you stayed at his place. For two weeks after the wrap party, you came home to him, visited him at the facility, and went to all the team outings, home games, and away games with him. He was with you 24/7 and he wouldn’t have it any other way. He didn’t realize how he took it for granted until filming ended.
Three weeks ago, you flew to New York City to begin filming another movie. With training and games, Jamie hasn’t been able to take time off to visit you, and with filming just starting, you couldn’t fly back to Richmond either. 
Jamie was doing fine– as fine as someone can be when their daily routine was abruptly disrupted. He was proud of you. The premise of the movie seemed perfect for you and was a seamless continuation of the romantic comedy trend you were on. People were buzzing for your next project, especially after your last one was so well received. He was so proud of you…. But he also missed you. 
During the three weeks that you were gone, you and Jamie still texted each other constantly and FaceTimed everyday, despite the crazy time difference. He wanted to make it work, and so did you, so you did what you could to stay in touch. While not being able to hold you and kiss you for three weeks was killing Jamie, he was glad he was still able to spend time with you. Things didn’t get to Jamie until Jan Maas made an off-handed comment about it.
All of them were packing up after training, feeling extremely antsy with the Man City match on the horizon, Jamie especially. There were a lot of things on his mind, including the possibility of seeing his father, who he hadn’t seen since Wembley, and playing against his old team was always a trip. In short, he wasn’t feeling his best and the fact that you weren’t nearby made it worse. 
“Jamie, we have not seen Y/N in a while,” Sam noted, “Is everything okay with you two?” 
“She’s filming a movie in New York, bruv,” Isaac replied before Jamie could speak, “Right, Tartt?” 
Jamie nodded, putting his shirt over his head, “Yeah. She’ll be gone for a few months, at least.” 
“I do not know how you’re gonna survive, Jamie,” Jan Maas said. “You are so clingy when it comes to her. I don’t think you can make it all those months.” 
The rest of the team chuckled at Jan’s teasing tone, but Jamie furrowed his eyebrows in thought. Was he clingy? He frowned as he continued to put his things away. He picked up his phone from his cubby, smiling when he received a few messages from you while he was at training. As he was about to respond, Jan’s comment made him stop in his tracks. 
Maybe it would be best to let you have a night to yourself. You had a life outside of him and you deserve to be able to live it without having him cling to you all the time. He rubbed his eyes tiredly, slipping his phone in his back pocket, before walking out of the locker room to head to his place. 
When you woke up to no text from Jamie, you assumed that he was just worn out from training and didn’t have the energy to reply. You’ve seen the intense training he went through, so you wouldn’t be surprised if that was the case. But as the day went on and there was still no word from Jamie– you’d even checked the timezone clock on your phone to make sure you weren’t being unreasonable– you began to worry. FaceTime calls went unanswered and instead, you were met with the Apple automated response, “Sorry, can’t talk right now.” 
To: lover boy <3
“Hi, love. Got some exciting news, you free to chat? Xx” 
By the time you were boarding the plane to Manchester, Jamie still hadn’t texted you back. After begging the producers to give you a week off filming, they finally agreed. You asked for this week in particular, knowing that you wanted to be there for Jamie for the Man City match. There was a lot on the line for Jamie and you wanted to be there for him no matter what happened. 
The entire plane ride back to England was filled with dread and anxiety. It wasn’t like Jamie to not respond. Unless he was at a game, training, or sleeping, but even then he had a special ringtone for you that wakes him up whenever you called, he always replied to your messages as soon as possible. When you landed, everything that could go wrong went wrong. Your plane was stuck on the tarmac for an hour because there were problems with the gate. Your luggage got delayed which left you sitting at baggage claim for another 45 minutes. When you finally arrived at the hotel the team was staying at– shoutout to Ted for being yours and Jamie’s number one supporter and telling you where they were staying– Jamie was nowhere to be found. 
You dragged your luggage to Jamie’s room, plopping on the bed tiredly. You glanced at the digital clock on the nightstand. 9:28 PM. Ted mentioned that there was a 10 PM curfew so you hoped that tonight was not one of the nights where Jamie decided to break the rules. Ted also mentioned that Jamie has not been himself lately, which did nothing to soothe your panic. You hopped in the shower to rinse yourself from the long day you’ve had. You did your night routine and dug into Jamie’s bag to retrieve his AFC Richmond hoodie. Before putting it on, you held it up to your nose, sighing as your senses were filled with Jamie. You missed him. 
It was 9:57 PM when you heard the door unlock. You were on his bed, scrolling aimlessly on social media, when you saw him. You sat up, shutting your phone off. He walked in with his head low. His shoulders were hunched over a bit, but he looked okay. He looked better than how Ted described him. 
He kicked off his shoes, before looking at you on his bed, startled. His eyes widened, first in fear that there was someone in his room, then in surprise that it was you in his room. His lips curved down in a frown, eyebrows furrowed in sadness. 
“Baby,” you whispered, moving to the side of the bed to make room for him. 
Jamie knew that he needed to not be clingy. He didn’t want to bother you too much. He was trying to be cool. But when you called him “baby,” with that voice, in his hoodie on his bed, his resolve crumbled to pieces.
He ran to you, nearly tackling you off the bed when he engulfed you in his arms. He buried his face in your neck, a mix of your lotion and the cologne he sprays on his clothes surrounding him. You cradled the back of his head, mumbling how much you missed him into his shoulder. Jamie could cry. He hasn’t seen you in so long, but here you are now. 
“What are you doing here?” He asked when he finally pulled away from you. He couldn’t stray too far though. His arm was still wrapped around you while you cuddled into his side. “I thought you were in New York.” 
“Well, if you bothered to answer my texts,” you trailed off, faking a voice of sadness. You poked his side, “You would’ve seen that I had exciting news. The producers gave me a week off after begging them since I first got to New York and this week is perfect because I know tomorrow’s match is gonna be a lot for you. I wanted to be here for you, whatever the outcome is.” 
“Oh.” Jamie was speechless. Here he was ignoring you like a prick while you were planning to come back just to be here for him. He didn’t deserve you. 
“Yeah,” you continued, “If tomorrow we celebrate, I’ll be here making sure that you drink enough water so that your hangover the next day won’t be too much. If tomorrow we try to never think about it again, I’ll sit next to you on the bus in silence holding your hand and when we get home we can do the same thing.” 
Home. You were here and he felt like he was home. 
“I missed you so much,” Jamie sighed. He kissed you all over your face, giving your lips extra attention. “‘M sorry if I was bothering you by texting and calling so much over the last few weeks… I just missed you loads and I wanted to talk to you.” 
“Baby, you didn’t text and call me enough,” you played with his hair, running your fingers through the strands. “If it was possible, I would stay on a call with you all day, everyday. Can’t get enough of ya.” 
He smiled, his worries disappearing with every word you said, “Yeah?”
“Oh yeah, I love you, Jamie Tartt.” You kissed him deeply. “Couldn’t get tired of you even after a million years. Now, catch me up! Tell me everything.” 
Jamie, feeling like himself again, began to tell you everything you missed over the last few weeks– meeting Sam’s father, meeting Ted’s mum, Roy and Keeley, and seeing his mum earlier that night, which is why he came home late. He talked about how a visit to Georgie and Simon helped lift his spirits, and how Georgie was gushing about you and asking him when you’ll come to visit again. 
Then he talked about his fears for tomorrow and everything that’s been piling up on him ever since you left. As he spoke, you rubbed his back comfortingly, a small reminder that you’ll always be here no matter what. 
Jamie knew that he still had a lot of work to do. He knew that his insecurities could get the best of him sometimes and it can cause him to push back on people who love and care about him, but he was trying. You believed in him and that’s all he needed.
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coccinelle-et-chaton · 2 months
Text
OK OK I FINISHED BINGING THE ENTIRETY OF NATLA AND I GOTTA SAY IT WAS A GREAT ADAPTATION!!!
Here are my thoughts so far:
The parts where I still had my reservations for the first half were definitely addressed in the second. There were more Kataang beats, especially in the last three episodes.
Please that whole part before the zutara showdown where Aang goes like "go easy, enough ppl have suffered" and zuko is more or less like "lol it's cute u think i'd hold back" and then aang has this proud little smirk like "oh i wasn’t talking to you"😏 Also his proud little smirk when Katara is fighting Pakku PLEASE HE IS GOING TO BE THE PROUDEST BF
They covered the most important points and had a decent few scenes of fan service, loved that.
However, the adaptation is not perfect and there are definitely parts that were lacking, at least to me. Primarily, I think they did our girl Katara a little dirty not emphasizing as much on her arc as opposed to Sokka's, for example, and also the way her ascension to master was pretty telly instead of showy
There was definitely something to love in every episode, but I think the weakest ones have to be Omashu and Spirited Away.
My ABSOULUTE FAVORITE episodes were Into the Dark and Masks. Dallas, Paul, and Gordon did SUCH a great job in them. I cannot WAIT for the proper leaves from the vine scene and also to have more of zuko interacting with aang.
ZUKO IS BABY BOY AND DOES NOT KNOW ANYTHING NOT EVEN ABCs 🥺🥺🥺
My favorite was Zuko by far, yes. I think the performance and the was he was written struck the best balance of that goofiness and tragedy atla is originally known for. That’s not to say the other kids didn't do a good job, but Dallas' Zuko was by far the best imo
I understand now what the showrunners meant by making the show more mature and serious. I cannot say I didn't like it, but I can see it being an acquired taste especially for the part of the fandom that is more purist/demanding. I like that the focus emphasized more on the consequences of war and that it reflected on the cycles of violence and hurt, what they do to a person and how the wounds pass down generationally. I think this emphasis on war, compassion, kindness, all those things are definitely an important message in this time and day. However, it is a little too serious for my taste, PRECISELY because of the times we are living in. Back when the OG came about the world was in a time of relative peace. But now we get pictures of carnage and genocide mixed in with videos of cute puppies, so it's definitely a different place. It was much easier to understand the gravity of the genocidal/bombing scenes imo, almost to a point that they seemed watered down/kid friendly compared to the real thing that we see on our phones everyday. Because of that, I think erring more on the comedy, the balance between what it ACTUALLY means to be hopeful and not just talking about it, is the one thing the show could improve upon for next seasons.
All in all I am VERY pleased with the adaptation. There were moments where I definitely bawled my eyes out, shouted, and laughed the same way I did the first time I watched the show. All I can say is, for those still on the fence about watching it, so long as you go in with an open mind and with the explicit objective of enjoying yourself, it will be a fun watch.
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stagefoureddiediaz · 2 months
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Costume Meta 7x01
Aaaaaaannnnd we're back!!
OMG I cannot tell you how good it feels to be back writing costume meta - I have missed it so very much and this first episode has given me lots and lots to talk about so lets crack on with it shall we!
Where to start?! Firstly - Its amazing to have Alayna Bell-Price back in the driving seat and she is a genius because she knows the characters better than anyone and I have to say from my perspective there is a pretty clear difference between this episodes costumes and the ones from season 6 - not that s6's costumes were bad, just that you could see the shift of having a designer who didn't know the characters to the same level. I’m going to go in order of character appearance in a non uniform capacity for this one I think so we’re going to jump around from character to character a bit. There is no Maddie or Hen this week, as we don't see them out of uniform, but every one else is accounted for and I've included Norman and Lola as they've got a multi episode arc and their costumes are interesting and playing into a colour theme!
putting it below the cut as its a long post and I on't want to overtake everyones dashes! Enjoy!
We start off with Athena in this pale pink high neck ribbed sweater with large bell sleeves. I've spoken a fair amount about pale pink over the last couple of seasons of costume metas and how, in clothes its representative of childish and immature behaviours or thoughts. That holds true here - the pale pink is playing into Athena's childhood - when she developed her fear of cruise ships - its creating a connection between her childhood experiences and the woman sitting in Franks office.
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We get a flashback that shows her in yellow and orange - the yellow for communication and the orange for transformation. A literal moment where we see Athena transform from the innocence of youth to her developing anxiety and fear around cruise ships. Its really clever visual storytelling connecting adult with child and shows us her fear is genuine and founded in something that she may not have been able to articualte fully as a child, but she can as an adult, even if she doesn't actually articulate it to Bobby.
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Our next non uniform costume is Chimney. The lighting is really low in this scene, so it's kind of hard to be 100% sure of the colouring, but he seems to be wearing either a dark navy or black button up shirt under a dark green and black bomber jacket. The use of really dark green in combination with black, Back is a colour that can be about hiding ones vulnerabilities - concealment and masking, but it is also a colour associated with magic (generally dark magic) as well as pessimism. The green is growth and renewal, and the hope for a better future. to use them in combination i this way is playing on Chimneys insecurites and fears, his desire to keep the 'magic' alive in his relationship with Maddie, but it also speaks to his growth, that he goes home and talks to her about it (even if he does come up with an insane plan to 'date forever').
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Eddie in the locker room - aside from being shirtless for much of it and pulling some epically good faces - was a super interesting costume choice. Especially the use of his watch! first though - Denim shirt time! We don't actually see Eddie in a denim shirt all that often and we've seen him in the super washed out one far more than dark denim shirts. I've been laughing a little bit at a few people (on twitter mostly) claiming its the same shirt he was wearing at the hospital during and after Bucks coma and it being a play on bringing Buck back to life. While I like the theory, its actually a very different shirt - the one in the hospital was black with a grey wash out and was made of velveteen - so different colour and fabric.
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This shirt, is however one we have actually seen Eddie wear before and its far more telling than if it were the hospital shirt. You need to bear in mind that this scene is about Buck and Eddies respective girlfriends (or lack there of) and the fact that Christopher has a girlfriend now as well. This shirt is the same shirt Edie was wearing when he (re)introduced Ana to Chris in 4x08 (breaking point my beloved! the gift that keeps on giving!) and this puts a conversation about Marisol and things going well with her into the same category as Ana - suggesting she is ultimately destined for the same fate as Ana. the other thing that plays into this narrative is the use of the watch.
Eddie does not put the Christopher watch on until after he has found out that Buck has broken up with Natalia - so during the entire conversation about their respective girlfriends, he is only holding the Christopher watch, rather than wearing it.
In the picture below from 4x08 you can see that Eddie is wearing his black 'work' watch rather than the brown strapped 'Christopher' watch. Remember that the first time we see the Christopher watch is when he goes for his first date with Ana in Jinx, so he already has this watch and in theory should be wearing it in this scene. The fact he isn't is pretty telling and I'll go into that a bit more later when we get to Chris's (and Eddies) date scene.
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Then we have Buck in his outfit of many colours! The white trainers, continue to play into my theory of Buck wearing them when he is in key points on his journey to discover his self - her it is about showing his growth - that he ended the relationship with Natalia - this is a massive thing when we saw how long it took for him to end things with Taylor - The man who clings is growing and getting out before it drags him down!
The jacket is similar in style to many of the ones we've seen him wearing in season 5 and 6, but this one is much brighter and more colourful. I know I go on about white meaning bad things for Buck, but that isn't relevant here - the white bad things happen to Buck theory is much more about t-shirts, jumpers and shirts rather than jackets - its an under-layer rather than a top layer that = danger. So i'm not thinking of its relevance here for this scene. What I am going to say is that this (according to my spreadsheet!) is the first time we've seen Buck in a white jacket of any description. To me, it's playing into the idea of purity and rebirth which is what white is often associated with. This plays into the comment Eddie makes welcoming Buck back to 'the land of the living' but also implies that Buck is starting a new chapter and making a fresh start - the check patterning suggests it might not all be plain sailing though.
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The check pattern is an interesting one, obviously check pattern theory comes into play here, but whether its only in relation to the reveal that he split with Natalia, or if its also foreshadowing Buck getting himself into danger/trouble down the line, remains to be seen.
I'm going to quote myself again because I did predict that this scene may be about his relationship with Natalia when we got the stills dropped - the costume department never let us down!
The only thing I can do is scream into the void about check theory because check does't bode well for people - they always end up in the middle of the drama (see my check theory posts linked on my pinned post for more) and while they come out the other side (99% of the time) Buck in check for that scene in 6x18 pretty much doomed his relationship with Natalia (its specific to her and not C&K's baby as Buck wasn't wearing it when he delivered it!) and as that shirt in the still is very un Buck like, has not only yellow ochre in it, but also its a white base (and we all know buck in white is a bad sign!!) and its check patterned - my theory is that this scene is connected to Natalia in some way - either Buck is not being true to him self in more than one way - that things are going to/have come to a head for their relationship (my kingdom for a reverse of Buck to Eddie about Ana in 5x03!!!) and lead to a pretty big change in some way (fingers crossed for Buck to end it and then finally break down and deal with his trauma!!!) Some other things about that shirt - the colour combination - the green blue and yellow ochre are giving me call backs to coma Buck (another reason I think it might be connected to Bucks unresolved trauma around his death and Eddies absense in his dream)
In the quote above, I was also referring to the blue and white check pattern shirt he was wearing when he and Natalia got together, but there was also the fact that in the balcony scene at the end of 6x18, we also saw her in one of Bucks white shirts. I wrote in my 6x18 meta about how those two things combined didn't bode well for that relationship going forward, and thats what leaves me unsure about the check pattern on this white jacket being purely about something that has already happened. If I put my Buddie goggles on, I would perhaps suggest that the troubled times ahead may be more connected to Buck and Eddies relationship, and this would fit in with a couple of the things Oliver and Ryan have said. The thing with check theory though, is that generally speaking if it's on one of the mains, they come out the other side of the dram/trauma stronger than before. So if it is connected to Buck and Eddies relationship, then we can expect it to be in an even stronger position on the other side of whatever goes down (and at this point you can't strengthen their relationship any further and keep them as just friends imo!)
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Chimneys forever dating proposal to Maddie, connects with his outfit when he's talking to Hen - it's the same jeans and black shirt, so the meanings of black, can be continued on into this scene - the idea of magic and hiding his vulnerabilities. The addition of the jacket with this brickwork pattern in its weave is a fun choice, it's playing into the idea of building something, but also plays into the idea that Chimney has his walls up - again fitting in with the black meaning of hiding his vulnerabilities - because instead of expressing his fears to Maddie ad then them talking it thorough, he comes up with his insane forever dating concept. the fact that much of this scene is a contrasting parallel with the scene from season 1 when he is pretending to be someone else entirely for Tatiana all ties in perfectly with this costume. The fact that he reverts to wearing blue (ran out of picture spaces so I couldn't include one) later on - when he's realised his plan isn't realistic, talks to Maddie and they end up back on the same page is really good to see - the blue being a signature Chimney colour and is indicative of him being true to himself.
Bobbys blue suit and blue check patterned shirt. The brightness of the blue is a really important choice - it's the only time we see him this brightly coloured on the cruise until he ends up in the bright red at the end. This is important because this is the moment when he's still all excited and hopeful for his honeymoon cruise - everything is good in Bobby's world at this moment in time - the check pattern is telling us that it's not going to stay that way for long. From her on out we see the colours of Bobby's costumes slowly beginning to dull and take on a washed out tone, but here in this moment all is good.
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Athena's bright yellow dress is all about making her stand out - communicating with the audience, she is the brightest person in the room (in more ways than one!!). The thing with yellow, apart from the communication aspect, is that it can also be a symbol of anxiety and fear, so this dress plays rather nicely into the theme of Athenas fear of being on that ship.
The colour does have other good traits too - its fresh and bright and is a colour of happiness in its more jewel like tones and I think we can see all of these meanings in these scenes - Athena might be anxious about being on the ship, but she is also happy and enjoying herself with Bobby in that moment.
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Lola and Norman. Lola is the one we need to focus on in her very bright very check patterned Victoria Beckham dress. Obviously the check pattern plays into check pattern theory, but the red also acts like a neon sign to the audience - highlighting that Lola is in danger - the ga won't pick up on check theory, although they might connect the dots about the fact this check patterning looks very like a cage - foreshadowing her being held captive later on, but also as a nod to the fact she was incarcerated previously.
The red is also a nod towards romance and love - playing into the rekindling of their relationship and romance in the aftermath of the freeway 'see me Norman' incident.
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Ok so Christophers date night and by extension Eddies date night! This is where this meta is goingto get a bit messy and I'm goingto jump around a bit becasue I need to talk about the way colour theory is at play in all the scenes in Christophers bedroom, so we're going to talk about Christophers bedroom as one big thing rather than the two separate scenes that it actually is. They are extensions of one another and build on so much of the groundwork we've already seen in previous seasons.
Chris in plaid check yellow and red check plays perfectly into check pattern theory - it’s a signifier that something is about to go down with him - namely that the fact he’s dating multiple girls at the same time. 
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He’s also wearing a white shirt which is not a colour we see on him all that often - in fact, the only times we’ve seen him in a completely white shirt is with his suit in 5x01 when suit shopping and again in 6x08 for his school dance. He did wear a white vest when dressed as wolverine for halloween  So as you can see its not a common colour for him, but the times have seen him wear it as a solid colour have been connected to school/girls and dating (i’m including the suit shopping in this because Ana was there and it was kind of a Eddie and Ana date of sorts - in that it was suppose to be for this Christening - meet the family - date type thing).
The most interesting thing is the plaid hooded shirt though. It was such an interesting choice to go with for a couple of reasons. the colour way is especially loud - we tend to see Chris wearing greens and blues and greys, with the odd other colour thrown in occasionally. So red and yellow are not common colours for him to be wearing.
On the red front we see him in it a couple of times - the adapted skateboarding scene and the scene in 4x10 when he joins Eddie and Ana on the sofa - getting in the way of their date night. We do also see him wear red in Christmas related episodes (so I don’t tend to count them in the same way as the Christmas colour theming will nearly always override any other colour theming intention - the use of stripes or check or other patterning is more important in those episodes!). 
On the yellow front things are even more clear cut - the Tsunami arc, the aftermath of him falling off the skateboard, Mays graduation party and 5x03’s Eddie Ana break up! These (apart from the tsunami shirt) were all bright almost neon yellow.
This new plaid shirt is more into the yellow ochre part of the yellow spectrum, therefore tying much more to the tsunami arc, which is actually really fitting if you think about it in a little more detail - its a connection, not only to Buck, but also to loss and grief. Eddie might have been using his secret weapon (Chris) to get Buck out of his moping (read mourning) over not being able to go back to work, but Christopher is also still grieving the loss of his mother at that point as well, so its not just about cheering Buck up, its also about giving Chris a chance to do something fun and distract him from his own grief. That is why the use of yellow then ties in so nicely with its use on Chris now.
The other thing that really grabbed my attention about this shirt though is the fact that the two times we’ve seen Buck have a conversation with Chris in his bedroom, he has sat in the same spot and has been wearing one of those two colours - post shooting in maroon and this episode in the yellow ochre - if you watch those two scenes side by side, you see that they’ve used almost identical camera angles as well to film Buck.
I've spoken a lot about the use of maroon as a colour connected to parenthood - especially fatherhood , which is how its intended to be read on Buck - connecting to Eddie and his being shot, pushing Buck into a parental role in Eddies absence.
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That alone is a pretty loud reference to Christophers connection and relationship to Buck, but then we have the yellow ochre of it all.
I feel a little bit insane about how close my prediction was on what the Buck Christopher scene was going to be about - this is from the meta I wrote when t he stills dropped;
Whatever this scene transpires being about, based on what we've seen with Buck wearing yellow ochre, we can assume its going to continue to play into this idea of Buck not being fully truthful with people and fitting into the role he thinks people want him to pay rather than being true to himself. I do want to add to this theory by looking at Christophers shirt as well. The grey/ yellow combination is a bit reminiscent of Breaking point (the episode that really is the gift that keeps on giving) because we get Chris in grey and Eddie in tan - that is yellowish toned whilst not actually being yellow There isn't a good screenshot of them together, but the placing of Chris and Buck in the new one has echoes of Eddie and Chris in that scene (one that is interestingly enough playing into the idea of changing family dynamics, but also the moment before and the one that happens afterwards at Bucks loft, directly placing Buck into a parental role (as an aside the idea of Buck being a miracle worker plays into the theme of Eddie looking for magic, just saying!))
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Indirectly this scene was about Buck not being true to himself with people and fitting into whatever role he thinks people want him to fit into, only this wasn't an active situation - this was a scene where Buck could draw on his experience of having done that in the past to help Christopher - the line from Eddie 'you didn't end up being like you' is such a call to this and actually shows how valuable Bucks own experiences and learnings are in helping Chris (we've all been joking about Eddie choosing Buck to help him with this Chris's issue, but in actual fact he was the perfect person for the job - not just because of his being a 'reformed player', but also because of his relationship with death and the death of a loved one where you are reliant on others for their memories of a person rather than having your own)
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The thing with the Yellow ochre (this meta here that i've already quoted from above is the place to go if you'd like more detail on its use on Buck more widely) isn't just its about it's connection to Buck, his place in Christopher's life and more loosely to the will of it all, (the fact that Buck and Eddie are both wearing the same colour ways as in the hospital bed will reveal scene and are both on the same sides of the screen in both scenes is a stroke of genius and is meant to connect these two scenes together) its also its connection to Shannon.
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The first time we meet Shannon, she sits on Christophers bed in more or less the same position as we see Buck and Eddie sit, and looks at where Christopher has been positioned in all these conversations, and she is wearing a burnt orange top thats pretty close to the dark yellow ochre we see Buck wearing. Shannon wears a lot of yellow - as in it there are only a couple of times we don't see her wearing something yellow or with yellow in it and those are key scenes (which I will talk about later on).
Shannons appearance in Christophers room to read the letter she wrote him had her in this black top with a floral patterning on it. She was also wearing green trousers (which can be seen in the still below but aren't actually seen during the scene.
I actually really loved the green trousers and black top as a choice because the top is very Shannon - it sits perfectly with the floral patterns we saw her wearing when she was still alive. The green trousers are a bit of a departure for her, but I think its very intentional for two reasons .
The first is that they are very much in the Eddie trousers wheelhouse, especially in combination with black - he wears green khaki trousers a lot. The inference being that the black and green combination is an echo of Eddie.
The second ties to Christopher. Green is also a colour we've seen on Christopher a lot, it's probably the colour we see him in most. It's being used as a reflection of the fact he is growing and transitioning from child to teenager. But having it here in this scene - on Shannon connects a Christopher growing up without his mom.
Both of these combined really connect into Shannon in this scene, tying the three of them together and on Eddies efforts to keep her alive for Christopher - the underlying implication that his growth into who he is so far is as much to do with Shannon as it is to do with Eddie.
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Her necklaces were not identical to the ones we saw her in in season 2, but that's most likely because they don't have them any longer, so they've replicated them as best as they can. The other little nod that I enjoyed is the brown bracelets on her right wrist - the same place Eddie wears his brown strapped Christopher watch!
But the top they have her in plays into a couple of other things - the prominent yellow flowers make an obvious connection to Buck from the previous scene, but they also tie into the 'I want a divorce' scene from 2x17 where she is wearing a dark blue dress with bright yellow ochre flowers all over it. the dress is not especially close to the top in the wider sense - blue dress with white squares v black top with florals in a variety of colours, but the yellow flowers are the prominent aspect of both items of clothing and play into the yellow theme connected to Shannon and then to Buck.
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This is espeically relevant when you remember that Eddie is in a black suit in that scene and he's wearing black when he gives the letter to Christopher.
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The black for this sequence of scenes is such a poignant choice - its Eddie mourning all over again, not for his loss, but for Christophers loss. I did find it telling that again in this scene, we have the absence of the Christopher watch. Eddie has very rarely not been wearing a watch in his scenes, so the times when we don't see him wearing one are very telling.
For me, in this sequence of scenes, it's about the fact that they are not about Eddies relationship with Christopher, but about Shannons relationship with Christopher. The watch is much more about Eddie and Christopher, so to have it absent from this story arc makes total sense and is symbolic of Eddie being a good father
Then we have Christophers grey shirt - I said when we first got the stills from that scene, how it was likely to be connected to complex family relationships - a la when we’ve seen Buck wearing his grey shirt. And what do you know - the scene was about complex family dynamics/ relationships.
It wasn’t perhaps in the manner I was expecting, but that series of scenes played with the full scope of Chris’s complex family relationships - from the relationship he has with Buck -not only as Christophers friend, but also as more or less Eddies co-parent (the way Eddie asked for Bucks help screamed co-parent rather than friend imo - that whole burnt out car scene was two co-parents discussing their child!) to the relationship he has with his dad - which is a pretty great relationship, but it is a complex one.
The relationship he has with his mom - or the fact he feels he doesn’t have a relationship with her despite Eddies best efforts, because as he grows up she feels further and further away. 
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Eddies 'date' night with Marisol. Again I ran out of pictures (30 is not enough!) so you're going to have to use your imagination or go back and rewatch the scene for yourselves, but trust me when I say that Eddie is wearing the same shirt he was wearing for this date night as he was in 4x10 - when Christopher interrupts because he can't sleep!
It's also a similar tee to the one Eddie wears when he has his breakdown and trashes his room (that one was more green when this one is much browner). Its slouchy and has cut and stretched raw edges at the sleeves and on the pocket - in the same way his breakdown shirt did. there is an element of being in familiar surroundings and being comfortable at home, but stretched out raw edges and Eddie generally tend to mean not so great things.
Of course there is the element of his parenting skills being tested by Christophers having more than one girlfriend, but if that where the only reason, then it would've made more sense to have him in that shirt when he's listening in to Chris talking to Buck, rather than when he's on a date with a new girlfriend.
This is especially true as the screen time for that tee has more connection with Marisol than it does with Chris. Combined with the fact that once again, like in the locker room scene, he is not wearing his Christopher watch in this scene and that speaks volumes.
If we are to read the scene as being about Christopher soley, he should be wearing his watch because that watch is a physical embodiment of the importance of Christopher in Eddies life - that he puts Christopher first in all things.
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Got to say I was a bit shocked to see Marisol in his bright magenta silk spaghetti strap top when you consider the costumes we saw her in last season - mostly dressed down, t-shirts, jumpers and dungarees so this is a complete 180 for her character.
There are a few interesting things connected to her outfit, firstly it low key ties into Natalia - we saw Natalia in a red version of this top for her first proper onscreen date with Buck (when they go to the badge and ladder joint) so there is an interesting low key parallel to draw there. There is also the fact that her bracelet is a chain one - much like we've seen on all of Buck and Eddies previous girlfriends - although those have been necklaces, so I'm undecided if this chain bracelet is paying into the same trope as those.
Then there is the pink of it all.
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You see Eddie and Pink on his girlfriends doesn't bode well for Marisol.
Both Shannon and Ana wore pink. Ana wore it a lot - there are two examples below, but generally speaking its her most commonly worn colour - including on her first date with Eddie in Jinx.
The first example below is from the first time we see her in the Diaz house. the shades are different, but the fact that the first time we see both characters in the Diaz house they're both wearing pink, speaks volumes.
The other key use of Pink is when Shannon is at the beach with Eddie and Christopher and she tells Eddie she's pregnant - Eddie takes it as the sign he has been looking for - the chance to effectively start over with their marriage, but this is the beginning of the end for their relationship, even if she hadn't died a short while later. She is wearing pale pink in that scene and it's the only time we see her wear the colour in the show.
The fact we can also contrast the use of pink with when Buck wears it is telling in its own right - we see the relationship between Buck and Eddie strengthening when Buck wears pink - May's graduation party, the tsunami, the Hildy coffee machine - all moments (big and small) that show the development of various aspects of their relationship and its ability to endure.
Essentially all this use of pink on the women he has had previous relationships with, doesn't bode well for Marisol and the longevity of her relationship with Eddie. How quickly it will end I can't say, just that it will end.
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I spoke earlier in this post about colour theming for the episode and this is where I talk about it!
Pink - and in particular the very bright pinks we saw scattered across the episode. Marisol above wearing it, isn't just about connecting her to Ana in costume terms (especially as at this point that costume is a departure of her costumes from s6) it also connects her to the other characters we see wearing bright pink in this episode - Lola and Norman.
At this point in time I'm not sure if we're going to see it play out as a theme across the season, but its use in this episode was very loud on characters that are going to be around for more than 1 episode. It suggests that there is some underlying theme that connects them (by this I don't mean that they're gonna meet and hang out I mean that personality traits are going to be similar)
Magenta and bright pink in colour theory means a few different things, and like with all colours, has positive and negative traits. Generally speaking its a loud and brash colour thats designed to stand out and draw attention to it's wearer.
Things that are considered positive traits for this shade of pink are; intensity, acceptance, kindness and it's supportive and uplifting nature. It's connected to naive love (as in lust rather than the passionate and enduring love of red) can also be considered a nurturing colour.
Negative traits are; intensity, volatility, arrogant and impatient, irritability and irritating and frustration. it is also said to be a stress inducing colour and is said to be overly emotional.
Theres a clear and fairly loud connection between Lola and Norman getting into danger - Lola is in magenta trousers when she is kidnaped. Norman also has bright magenta flowers on his shirt at this point as well. My guess at this point is that we're supposed to lean into the stress inducing element, and also the irritating nature of the colour (On Athenas part at the very least!) and we'll see if those are the themes that play out for Marisol as well down the line.
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Norman is in bright pink when he's lying and claiming she's unwell from being outside or too long. We also see that he is wearing pink in the ditsy print shirt later on (again I ran out of picture spaces!)
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Athena's black top in this scene is much like the use of Chimney in black in his scenes. It's all about power and authority but it's also about her hiding her vulnerabilities. The other thing it does is creates a huge contrast with Bobby and all of the other passengers - she is the only one in black in the scene and it contrasts her with the underlying white of Bobbys shirt - juxtaposing them and visually putting them at odd with one another.
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Like I said above about him becoming increasingly pale - here we see Bobby in a sea-foam green shirt - its the palest and washed out colour we've seen him in on this cruise (grey pyjama shirt not being included as its blink and you miss it and a pyjama tee!!!). Sea-foam green doesn't really play into the traditional meanings of green - there is still the element of renewal about it (the sea washes the sand etc)but its mostly a self-conscious and uncertain colour - both things that perfectly sum up how Bobby is feeling in this moment.
The other fun thing about this outfit is the palm tree shorts the patterns Bobby has worn in relation to this cruise, up to this point (and that includes the shirts from season 6) have all been tropical themed but on his shirts, the fact that they've now slipped down onto his shorts is a visual representation of him becoming increasingly dissatisfied with the way his honeymoon is going - that the tropical vacation vibes are slipping away.
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Athenas red and white shirt, in my opinion is showing her cross purposes - its the duality of investigating and being on a cruise in a shirt. The bright red ties into the red and blue first responder colour way the show uses (for obvious reasons) while the white and the palm fronds, the lei flowers and the watery theming of the pattern fit into the troipical cruise they're on.
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Bobbys red shirt contrasts with the lavender that we see on Athena - its not a colour we see on Bobby all that often and that makes its use all the more important. Especially considering the entire cruise thus far we've seen him in blues and greens - especially pale closer to pastel tones.
This red is bright snd bold and unlike his usual choices. Red is a colour of cross meaning - there is obviously the connection with love and the heart, which is absolutely at play her - his love for Athena is spurring him on and is part of what is pushing him in to investigator Bobby mode - and its representation of love is what is going to be the key player in the up coming episodes on the ship - when he is looking for Athena during the evacuation etc. But the other meaning of red is war, courage and anger and that is very much present here in this episode, and will (i'm assuming) be later on in 7x02 and 3.
The other thing I think its worth pointing out at this point (which is pure conjecture on my part at this moment in time but that I think will become relevant in the next two episodes rather than this one) is the foreshadowed parallel with Buck in season 5 when he broke down Eddies door. The bright red we saw him wearing then was an uncommon colour for him, in the same way it is for Bobby here. It's paralleling the way Buck was prepared to go into battle for Eddie, with the way Bobby is prepared to do so for Athena - going to war for your closest person, your loved one and doing what you need to do to save them.
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Putting Athena in lavender the moment she gets to go into cop mode was a choice that had me giggling! Lavender is a colour of relaxation and order so for her to start wearing it the moment she gets to start being a cop again - speaks volumes for her state of being - it shows that her fear of being on the cruise ship and of being alone with bobby, has been overridden by her need to do her job and start investigating things. Its the perfect colour for this moment and for the impeding trouble brewing on the ship - Athena will bring order to things as order has been restored to her inner world.
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Hopefully you've enjoyed this little canter through the costumes of 7x01 we're back in business and I can't wait to read your comments in the tags and comments 🥰
Tagging for those who've asked to be tagged - drop me a comment on this post if you'd like to be added to the list for the next meta 😎
@theladyyavilee @mistmarauder @xxfiction-is-my-realityxx @mandzuking17 @spotsandsocks @loveyou2thecore @wanderingwomanwondering @oneawkwardcookie @leothil @copyninjabuckley @nathleigh @shammers86 @crazyfangirlallert @missmagooglie @inandoutoffocus @katyobsesses @radiation-run @gayandbifiremenofmine @lemotmo @bi-moonlight @satvojihusana @crazyaboutotps @princesschez75 @mongreloer @alliaskisthepossibilityoflove @sherlocking-out-loud
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nineteenninety-six · 1 year
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HI EJDBJEBJ pls pls can u do a banda sunato imagine?
where he meets reader at the jack of hearts game and he fell in love at first sight and he was not expecting it because he's a serial killer and there he sees reader (doesnt need to be fem) and like gad damn hi why did i just meet u today. and he swears to like,, protect the reader.
bonus ig is that reader is close to chishiya
I change a few things from the episode but hopefully, it still makes sense lol and Banda is ooc. Also, it's funny seeing the likes go up for my Arisu fic since the second season was released.
I made this gn but if you see any gendered language please tell me so I can correct it!
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YN trailed behind Chishiya as they entered the prison where the Jack of Hearts game was being held. After being separated from the rest of the group, the two of them were trying to get back to them whilst entering the face card games.
Well, YN was focused on getting back to the group whilst Chishiya took his sweet time, eagerly seeking out the blimps that flew over Tokyo. 
His eyes lit up when he realised that they were near the Jack of Hearts game, and though he says he was not suited for them, YN believed that Chishiya was intelligent to the point he could adapt to all of the card types, except maybe Spades but he would figure a way out for that too as he did with the Tag game.
If it wasn’t for the fact that their visa was going to expire soon, YN would be sitting outside of the prison waiting for Chishiya to return but unfortunately, the borderlands were cruel so here they were putting their life on the line yet again.
They slipped the collars on as instructed and made their way into the guard room where about ten people were waiting and judging from the table of collars by the entrance, it was going to be a high-number player game.
Chishiya found a shadowed alcove where he could see the entrance and everyone else who was already there. YN took their place next to him and together they waited for the rest of the players to join.
Eventually, the last player joined and the tension and fear in the room amplified as the screen in the room lit up and the automated voice rattled through the speakers and everyone’s attention was directed to it.
“Difficulty, Jack of Hearts.”
“Game, Prison Cell”
┆彡
Banda stepped into the guardroom and set his gaze upon the other players in the guardroom. Some nervously avoided eye contact, others squared their shoulders and made themselves bigger as others hid in the shadows.
Nothing unusual, he noted. After all, they were all forced to participate in these death games but some adapted better than others. Some people thrived and dominated the games whilst others simply rode on their coattails, surviving off the backs of others.
Banda turned his attention back to the screen, listening to the instructions as they were explained. 
“Rules. Guess the suit that appears on the back of your collar. However, you cannot see your own suit. The time limit per round is one hour. Five minutes before the time is up enter one of the prison cells and guess what your own suit is. If you do not guess your suit correctly, the game is over for you. When time runs out, your collar will explode and you will die. In addition, your suit will change at every round.”
People fiddled with their collars, twisting and turning but their design made it impossible.
“But we just need to have someone tell us what it is, right? That'll be easy” A young man excitedly exclaims on the other side of the room, bringing Banda’s attention to him and consequently to YN as they move out of the shadows when the man next to them responds.
“I wouldn't be so sure. They haven't told us how to clear the game.”
Banda pays no attention to the voice as it finishes explaining the rules as he was hooked on the mysterious person on the opposite side of the room. 
He was down bad and they hadn’t even shared a word.
┆彡
YN watched as everyone started to team up but distrust was thick in the air. Reality has settled in, it would be hard to clear this game and most will die as distrust and backstabbing fester.
The young man in what YN thought was quite an adorable set-up of a yellow t-shirt and dungarees, turns to them “Hey, let’s tell each other”
“If you want to survive, you need to observe everyone here very closely. You need to remember everyone who doesn’t lie. Besides, I could be the Jack of Hearts myself…”
YN tunes out Chishiya, their gaze focused on the man who is steadily approaching them from the other side of the room. He was cute, with a sweet smile and broad shoulders.
His eyes are only on YN and as he stops in front of them, it pulls Chishiya from his conversation but he remains silent as he watches on.
“Do you want to partner up?” The man asked eagerly, “We’re stronger in pairs.”
Chishiya makes a noise of amusement which causes the man's eyes to flicker over to him.
“...Unless you’ve already partnered up” The man glared slightly at Chishiya
“No, no… we can all group up.” YN quickly spoke up, trying to diffuse the tension between the two men. Chishiya had the ability to piss anyone and everyone off, including YN several times.
When the man looked back over at YN, they introduced themselves, holding out a hand that the man eagerly shook and introduced himself.
“Banda.” He smiles, “Banda Sunato”
YN returns his smile and twists around, showing him the back of their collar, “Do you mind telling me mine?”
Banda steps closer to look at the collar before gently tugging YN back around to face him. The physical contact was unneeded but YN didn’t mind. In fact, they kind of liked it.
“Club.”
YN tells him and Chishiya’s theirs before they have to go into the cells to call out their suit.
There are no deaths this round and everyone breathes a sigh of relief as they step out of their cells. 
Immediately Banda makes their way over to YN with a smile, not wanting to be separated from them for longer than he has to.
Chishiya watches as they head to the food room, racking his brain, trying to remember where he remembers the name Banda Sunato from. 
┆彡
“You know, I wonder how long this will last”
The words of the man next to Banda catch YN’s attention, so they listen in on their conversation.
“Either the Jack will start killing people, or someone who’s afraid they’ll be killed will start killing others. Until one of those things happens, this will never end.” Banda explains.
“That’s exactly right.” Chishiya jumps in.
“As long as we’re all telling each other, we’ll be fine.” The man in the yellow shirt, Ippei, tries to look on the brighter side of things.
YN gives him a sympathetic smile, “I wouldn’t be so sure.”
Their conversation is interrupted by shouting and a young man being shoved to the floor. Everybody turns to watch as a bald man shouts at the frightened younger man to tell him his suit.
YN tries to move forward to help him but is stopped by Chishiya who shakes his head at them, motioning to what Banda was currently doing. 
When YN hears the muffled explosion and thump that echoes through the prison at the end of the round, they realise what Banda had done.
┆彡
Banda watches as YN snacks on a packet of cookies, finding everything they do utterly endearing and adorable.
“You know…” He begins to speak, catching YN’s attention, “I would never betray you. I’ll protect you.”
He takes YN’s hand in his, holding it tightly but their moment is interrupted by the arrival of Chishiya.
“Eyy, for all we know you can be the jack of hearts.”
Banda glares at Chishiya. So does YN. Trust him to stir up shit.
“So could you.”
Chishiya points at YN, “They can vouch for me”
Banda looks over to YN who rolls their eyes and nods, “I’ve had the misfortune of knowing Chishiya since I came to the borderlands. He’s not the Jack. Neither am I, by the way.”
Banda quickly shook his head, “I would have never thought that.”
YN saw Chishiya make a face from the corner of their eye but ignored him.
YN didn’t tell Banda that they knew he kickstarted the series of deaths in this game either.
┆彡
Players were dropping like flies. Backing stabbing and fear had crumbled groups until there were only seven of them left. 
Ippei couldn’t take it, the game had broken him and as YN watched him sob on the floor as Chishiya tried to comfort him, they felt bad for him. They understood how these death games took everything from you and if you manage to survive one, you barely have enough time to recuperate before you’re forced to join another lest you want your visa to run out.
When YN heard the muffled explosion at the end of the hour, they knew Ippei chose death. 
Banda approached YN, seeing how upset they were about Ippei, bringing them into a hug and comforting them.
“He’s at peace now.”
YN nodded and snuggled further into his hold, melting into his warmth. YN had needed that hug desperately, the last one they had was with Kuina at The Beach which felt like a lifetime ago. 
YN took a backseat role for the next round, Chishiya told them their suit and vice versa. Watching as he planned something with Banda and Yaba but did not get involved as they laid a trap for Matsushita, the Jack of Hearts.
After the trap fell in place, YN watched as Yaba dragged Matsushita into an empty cell as Banda made his way over to where they were standing and Chishiya made himself scarce, giving them a moment of privacy.
Banda cups YN’s cheek in his hand, “I think this is where we part but we will meet again. I promise you that.”
YN nodded, placing their hand over the one that rested on their cheek, “We will. I know it.”
Banda gave them a rare smile before leaning down and pressing a soft kiss on YN’s cheek before he let them go and walked back to the cell Yaba was holding Matsushita in.
As YN and Chishiya left the prison, the blimp above it exploded, signalling the Jack of Hearts had been defeated.
YN cast a worried look back at the prison as they walked further away which Chishiya rolled his eyes at when he noticed.
“You know he is a serial killer right?” Chishiya told them still walking away, “ He’ll be fine”
YN did a double take at his words, “A what?”
“Serial killer. Killed four women”
YN gaped at the back of Chishiya’s head before chasing after him, “Why didn’t you tell me this before?”
Chishiya looked behind him and picked up his pace at the sight of YN’s mad face gaining ground on him, “I thought you knew! I thought he told you!”
┆彡
One week later, YN sat outside the supreme court waiting for Chishiya as he played the King of Diamonds game when they heard a voice call out to them.
“Waiting for someone?”
YN looked up and couldn’t help the smile that spread on their face, 
“Banda!”
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toastnpretzels · 2 months
Text
home
relationships: crosshair x reader
masterlist
word count: 733
warnings: angsty, fluff, there's an unexplained relationship between the reader and crosshair, kinda left it up to interpretation whether you think they were together before or if it was just them having feelings for each other.
season 3 episode 4 spoilers
author's note: i have not posted a fic in so long. ive been so busy but that doesnt matter. the new episode had me feeling some type of way so here you go. its kinda short but i didnt want to expand without seeing hunter and wrecker's reaction to crosshair being back.
thank you for any support whether its likes, reblogs, or comments <3
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“I had help.”
The last few months had been terrible. From losing Tech and then losing Omega to the empire. Spending everyday looking for her with no success. Nothing was ok. All of us were miserable. Our family was being torn apart and there was nothing we could do about it. It couldn’t have gotten any worse.
Getting the comm from Omega was one of the best things to ever happen to us, but seeing her running down from the ship was even better. Embracing her, knowing she was safe, felt better than anything had. Things were starting to feel right again. All it took was one hug from Omega.
But then he walked off the cargo ship and everything in my body froze. He looked so different. He had been gone for so long that I thought the feelings had disappeared. Seeing him there, I knew they never were.
I forgot what it was like to be near him. I forgot how my heart sped up and how my head felt dizzy. I forgot how he smelled and how warm he was. I forgot how much I loved him.
-
After Kaller, nothing was ever the same. He wasn’t the same. The chip had changed him. The Empire had changed him.
He let us go on Kamino. The same day you had told him you loved him. On the platform before we left, with tears in my eyes. I told him I loved him.
“You shouldn’t.”
“Crosshair, please,” you whispered. He could hear the way your voice was breaking. You couldn’t lose him again.
When he didn’t say anything, you turned to walk away. Typical Crosshair to not say anything. He grabbed your wrist as you started walking.
“I love you.”
You stared at him. Your tears threatened to spill out from his confession.
“But I can’t come with you. You deserve better. This is where I want to be. With the Empire.”
I should have dragged him to the ship. I should have done more. But what more could you do when he didn’t want to be there. He wanted to be with the Empire.
Why couldn’t he have just came with you that day?
-
No one moved. Everyone was just as shocked to see him. No one knew what he was going to do, how he was going to react. He had tried to kill us before, but he had also let us go. No one trusted him anymore. You chose to remember how he had let us go.
You were the first one to move. Slowly, I stepped out from behind Wrecker. Every step I took towards him was filled with anxiety. It had been too long.
He doesn’t want to see me.
Is he still him?
Why did he come then?
Why would he still be here if he didn’t want to be?
You stopped a few feet in front of him. I could see how tired he looked from where I was standing. I couldn’t stand seeing him like this. It hurt so much. He had been through so much since Kamino.
What did they do to him?
I couldn’t stand there anymore. I ran the few feet that were left in between us. I wasn’t sure if he would push me away. As I got close to him, I fell right into his arms. I didn’t realize just how much I had missed him until this moment. He wrapped his arms around me in the tightest embrace I’ve ever had. It had been too long since I had felt him. He was safe. He was here.
“I’m sorry,” he whispered after a few minutes, so quietly that you barely heard it.
I looked up at him. He had tears that were threatening to spill over. Your heart broke at the look on his face.
“Shh. Not now. Just let me hold you.”
You stood there for what felt like an eternity just holding each other. Quiet tears were spiling from both of your eyes.
“I love you,” he whispered into your hair. His arms tightened around you again, as if he was afraid you would disappear.
It would be hard to forgive. Hard for everyone, not just you. So much had happened. But for now, all that mattered was that him and Omega were safe. Omega was home. Crosshair was home.
“I love you too.”
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thankskenpenders · 10 months
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Sonic Prime: "Season 2"
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Eight more episodes of Sonic Prime are out! They're labeled as "season 2" despite just being the next eight episodes of the first (and presumably only) season, allowing Netflix to market it as multiple seasons without having to give the cast and crew raises. They love doing that shit to their original cartoons. Ugh.
Anyway! Last time, I gave the show some leeway because it was still finding its legs. This time, though? We're now two thirds of the way through the series, and sadly, I think it's time to accept the truth:
While there are parts I like, a lot of this show... kinda sucks?
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This multiverse sucks and Rouge was robbed
Previously, I noted the pattern of each universe spotlighting a different friend of Sonic's (Tails in New Yolk City, Amy in the jungle world, Knuckles in the pirate world) and predicted that, hopefully, Rouge would get her time to shine next. And with 16 episodes left, surely there's time to explore new worlds that are more interesting than the jungle and pirate worlds. Those were just the warm up act. Right?
...Right?
Nope! That's it! There are no more worlds.
This multiverse show where anything is possible really is just about another Eggman-controlled dystopia world, a jungle world, and a pirate world. That's all they came up with! Just those three, and two dead worlds that don't really count - one a featureless wasteland, the other a ghostly echo of the original Green Hill dubbed "Ghost Hill." (Sonic's friends appear here as holograms stuck repeating a single line each. It gets old immediately.)
The jungle and pirate worlds and their inhabitants being so overwhelmingly generic becomes unforgivable the moment you realize this is all we're gonna get. It just leaves me wishing they'd thrown this whole concept out and finally made a normal Sonic cartoon with no twist in its premise. A few of the new takes here are good, particularly Nine as a darker riff on Tails, but so many of them don't feel anything like the fun characters they're supposed to be. They're stock cartoon characters wearing the Sonic casts' skins.
I'll admit my bias is showing, but god, Rouge is REALLY done dirty by this setup. The normal Rouge we see in the first episode is so fun for how briefly she appears, but then in all the other worlds she's reduced to a generic action girl with zero personality. What's her purpose, exactly, when every AU version of Amy is ALSO a straightforward action girl? It drives me absolutely insane that they gave us a PIRATE ROUGE and she doesn't care about treasure. They do nothing with this! How!!!!!!!! She's just never gonna get her turn. It's so obvious that Rouge is only in this show so that they can have another girl, but you could swap her out with another character like Blaze and it'd make no difference.
Speaking of the pirates, though...
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The way things play out in the pirate world is so stupid
Previously, with the Paradox Prism shard within reach, Captain Dread Knux was regressing into his old obsessive personality. I'm fine with this. Sonic and Dread both want the shard, they're gonna fight over it. Obvious stuff. But the actual impact it has on the story is maybe the stupidest bit of writing in this entire show so far.
Basically, while fighting a couple of the Eggmen and their robots at sea, Sonic has to briefly run over to the enemy ship to fight them and grab the Paradox Prism shard while Dread and his crew remain back on their ship. Dread goes "Oh my god, look! Sonic's abandoning us! Traitor!" While Sonic is... like 200 feet away. Still in clear view. Fighting the guys who are trying to kill them. Retrieving Dread's beloved treasure for him.
And yet, Dread's crew buys this! And when Sonic runs right back over with the shard in hand, they're all like "HOW DARE YOU BETRAY US" and turn on him.
It's just. What?!
This isn't a huge part of the "season," but I highlight it as maybe the worst moment of the show's character writing. I'm reminded of Thorn Rose's backstory from last time, where she was depicted as suddenly snapping one day when she saw her friends pick one too many berries in the jungle. Sometimes a character just needs to pivot for the story to work, and they aren't really interested in getting there smoothly.
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The Chaos Council fucking sucks
I tried so hard to like these guys, but they drag the show down so much.
The choice to have a team of five different Eggmen really just means that Eggman has been split into five one-note characters. Four of them revolve entirely around the most trite, predictable, boomer-ass jokes based on their ages. The teenage one is whiny and just wants to play video games. The young adult one is a vegan hipster who does yoga. The old one is cranky about all the whippersnappers and has a bad back. The baby is a baby. These are jokes that would've been tired if this show aired 20 years ago.
The odd man out is Mister Doctor Eggman, the middle-aged one with a toupee who's the stand-in for regular Eggman. But even he kinda sucks. The other four all being one-note joke characters means that he has to be the straight man of the group, so he's just very dry and serious and plot-focused without any of Eggman's fun eccentricities. He's neither particularly funny nor particularly sinister, which is just about the worst place for an Eggman to be.
He doesn't even have any incompetent robot lackeys to bounce off of, because the unfunny alternate age Eggmen fill the quota for bumbling secondary villains. But also, like... Orbot and Cubot are in this show! They were in the first episode! Where are they? God, I never thought I'd miss them so much...
But, okay. It's not ALL bad.
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The highlights
There's a recurring theme here, which is that the best episodes are the ones where Sonic is pitted against a foe who can match his speed and they just let the animation carry it.
The first of the new episodes is mostly about Sonic fighting Shadow, and BOY is their fight fun to watch. Said fight happens because Shadow blames Sonic for shattering the universe and doesn't trust him to fix things. Shadow wants to restore their world, but he refuses to see the various AU counterparts as the same people Sonic once knew, and he doesn't really care what happens to them. Ultimately, though, he begrudgingly accepts that Sonic really is the only one who can hop between dimensions for Plot Reasons, and therefore lets him go try to do things the nice way. He sadly spends most of his time waiting around in the void between worlds, but in the last episode of the batch he and Sonic get to team up against the Chaos Council's forces and it's very cool.
As far as recent interpretations of Shadow go, this is a good one. He's a great foil for Sonic, which just makes me wish he could travel with Sonic to the different worlds. He's cynical and overly pragmatic in his approach, but his points aren't entirely wrong. His anger feels justified. They even let him have some snark! And Ian Hanlin is really great in the role - definitely a contender for Shadow's best voice ever. He just sounds so natural.
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The other speedster Sonic fights is Chaos Sonic, the Chaos Council's take on Metal.
He can talk! Deven is basically doing a Jaleel impersonation for him? People are very mixed on this.
The idea behind Chaos Sonic is to turn Sonic's obnoxious smack talk and zingers back around on him, and I don't hate this idea, even if a lot of fans find him annoying compared to Metal Sonic. (Some comparisons have been made to Archie's Shard, but I assume this is a coincidence.) Like the rest of the script, his dialogue certainly isn't anything to write home about, but the fights he gets into with Sonic and co. are so damn fun and dynamic that I have to like him. I also like how expressive his eyes are on his dome screen face, and the animators have a ton of fun with the fact that his torso and head can rotate 360 degrees.
Unfortunately, he's destroyed at the end of his debut episode. I'm praying he gets rebuilt, because this show desperately needs better villains than the Chaos Council.
Again, the animation in Prime is maybe the best animation in any official Sonic media, period. I just wished I liked the characters and worlds enough to be invested in more of the fights. It's hard to care about the dozenth group battle against the generic Eggforcer bots and the baby in his Fisher-Price mech.
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The note we end on
After fighting a giant glowing replica of the normal Eggman for... some reason? Episode 16 ends with Sonic and Nine getting into an argument over what to do with the Paradox Prism shards. Sonic wants to restore his original world, but Nine still wants to create a new, better world out of the one that's just an empty wasteland, believing he doesn't belong anywhere else. Nine angrily runs off with the shards, and Sonic is distraught as he realizes that Shadow was seemingly right about how he shouldn't trust Nine.
I kind of like this conflict, mostly because Nine is the standout character of this show. But my main problem is that we don't know what will happen when everything is fixed.
The logical assumption is that the alternate worlds will just... stop existing, right? That must be the idea if Sonic and Nine are treating restoring the original world and creating a new one in the Shatterverse as mutually exclusive options, right? If the Shatterverse disappears, will Nine and the rest all stop existing, too? The show seems unwilling to discuss this possibility, so I'm left not really knowing what the stakes are in this conflict. Nine becomes a whole lot more sympathetic and Sonic becomes a whole lot more monstrous if restoring the world will erase most of this show's cast from existence, but the thought that this could even happen doesn't seem to have crossed Sonic's mind. Sonic seems to want to take his AU friends back to the regular Green Hill - he at least wants to introduce Nine to his normal friends - but like... he can't really do that, can he? They're not gonna have four Tailses running around.
I don't really know what direction this is all headed in. I guess we just have to keep watching, even if I'm past the point of accepting that this show is mostly very mid.
It's just frustrating that everyone else working on this show is clearly giving it their all while the writers at Man of Action phone it in for so much of its runtime. The scripts drag this show down so, so hard. There are moments and episodes I like, but you have to slog through so much mediocrity to get there.
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