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#like who cares? not me because the whole thing is already so absurd
otrtbs · 28 days
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writing tips do not work on me
i wrote about gay wizards art heisting ,,,, the unbelievable dialogue is the least fantastical thing about it 😭
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rockingbytheseaside · 18 days
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✦ You surprise them with terms of endearment in their language
(Or, pretending that Teyvat uses certain languages based on the regions.) 
Pierro, Capitano, Dottore, Scaramouche, Pantalone, Childe 
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✧ You don’t remember what prompted you to emit this word specifically, however, its occurrence was as natural as the auroras in the Snezhayan sky. During a typical day, when you were casually conversing with Pierro, you just replied with:
“Of course, just be careful, mel.” (honey)
It was out before you could register it, and you hoped he didn’t catch on. But it's known that nothing passes by the Jester unnoticed. Pierro’s gaze was uncharacteristically stunned, yet it softened the moment he turned to you. 
“It’s been… centuries since you called me that.” 
You averted your gaze away in shame, muttering a small apology. But the Director stepped closer to you, his gloved fingers brushing underneath your chin to look you tenderly in the eyes. 
“No, no. I do not seek an apology. You often called me melimelum (honey apple) during our days of guilelessness. Go on. Utter these words for me once more. I must know whether you remember them as much as I do.” 
Meeting his gaze, you stammered upon your words but managed to convey “mi mel” (my honey) for him again despite your coy disposition. The Jester smiled as if an eon-long frost had been melted off his heart. Thus, he leaned closer to relish your lips in his, whispering.  
“That’s more like it, corculum (sweetheart). These words are always sweeter when uttered by your lips.” 
✧ It is no one's surprise that you and Capitano participate in convivial challenges. Who else would match the harbinger’s fierce ambition for competition if it weren't for you, his partner? From duels, training, and games, to even… endearing nicknames. Yes, just loudly calling each other cute nicknames until the other gives up, in the privacy of your own home. 
“You may be the strongest man in Tevyat, Capitano, but!” - you loudly proclaimed “I can still defeat you in a battle of wits.” 
“Your words bring forth a challenge that I seek, my beloved. If you dare to challenge me, know that I will not back down.” 
“Hmph!” - you crossed your arms, a triumphant smile already gracing your features. “My dear, sweet Captain. Don’t be so sure of yourself. It’s clear that I love you more.” 
“Absurd,” - Capitano clenched his fists, his resolve is unshaken. “My love for you brings mountains to dust and the seas to dry. It is clear that I love you more.” 
“Tsk, tsk. I can still express my love in a far wider range, geliebter (loved one).” - There it was. Your special attack as you spoke confidently back. “ You better not underestimate me.” 
The Captain froze, his stance now rigid. Even through his pitch-black helmet, you could see you seized him off-guard. A word he has not heard in centuries, even more so, you put in the effort to pronounce it correctly. The Harbinger stepped closer, his sharp fingers gently cupping your cheeks.
“My dear, cherished, loved engelchen (little angel). Where did you learn that from? Such sweet words will not be tolerated. I shall memorize the entire dictionary to out-win you in this battle of precious monikers.” 
“Oh yeah? We’ll see, herzblatt (sweetheart), because I did my research! So I win!” - you mumbled proudly, even when Capitano kept squishing your face by squeezing your cheeks lovingly. 
Your little ‘warfare’ was left at that, and you didn’t think much of it afterward. A successful conquest; or so you credulously thought. Little did you expect, that in a couple of days, Capitano would burst into the room, a thick book in his hand labeled ‘Dictionary & Encyclopedia of Teyvat's Ancient Languages’.
“My dear, you won’t believe this! I have found a compelling addition to what I must call you, notlazohtlé." (my precious thing)
“U-um, Capitano. You didn't actually spend days trying to memorize a whole… dictionary, did you?”
“Nonsense. A warrior never backs down from a challenge. Especially one bestowed upon him by his yōltzin.” (lover)
✧ When Il Dottore heard you speak, he had to ensure the grip on his book was firm. He swore he almost dropped it but made sure to conceal it, as his back was facing you while he stood in front of bookshelves. 
“What did you just say?”
“Habibi” - you retorted simply. “Or, do you prefer azizam?” (my dear)
There was a prolonged silence coming from the Doctor. The sound of this native tongue brought a conflicting range of abrupt disgust and wistful familiarity. Yet Dottore clenched his jaw; there wasn’t an ounce of humor in his voice, and he would much rather go on pretending he hadn’t heard you say those words. 
"What are those harebrained names you are calling me? Has your time in Sumeru made you so asinine?"
You were not surprised he reacted this way. Nonetheless, It was futile to hide your solemn disappointment, so you sighed - "Never mind..." 
The book he had been flicking through was gradually set aside. Although you couldn’t read his expression, he remained eerily still. 
"Say it again." 
"Hm?" 
"I said,” - Il Dottore suddenly turned, stepping closer to firmly set his hands on the table, looming over you. “Say it again." 
Oh no, you thought. “I said habibi. Like people in the Sumeru desert region often say… But I thought you’d loathe it so maybe aziz-” 
Your words were cut off, as the Harbinger cupped your jawline and made sure to silence your doubts with his own lips. The sudden kiss was as sweet and warm as honey, and as ardent and fiery as the blazing deserts of Sumeru. 
“I was not being serious.” - He explained after leaning away, even if his scoff came out stilted. He didn’t mean to be rude, instead, he was impressed you went your way to learn these expressions. His hold on your jaw abates in an instance “Call me whatever you want.
You blink - “Well, you studied like… twenty languages since you were a student. So I wanted to gauge your reaction. What about ‘my heart’? was it kalbi, or…?” 
“...Ya balsam qalbi (O balm of my heart), you just called me a dog.”
The Doctor couldn’t help but laugh at your antic. Your sweet attempts at endearment were beyond him, especially when you fumbled on pronunciation. Thus, he settled with teasing you, locking his lips back with yours. You could feel his love wash over you like the gentle breeze blowing across the sand; carrying away any lingering worries and leaving you with the joy of being with him.
✧ Scaramouche abhors seeing couples being all mushy and sweet in public. Lovers giggling when embracing under the shade? Ugh. Calling each other cute nicknames as they walk? Disgusting. Stealing discreet kisses while no one is looking? Nauseating! 
His reaction is nothing new for you, as he frequently crossed his arms in annoyance. Particularly after a nearby married couple passed by the two of you, one of them saying “Anata, don't forget to buy some sugar and flour on our way home.” - Just people going on with their lives. What you didn't expect was how the Puppeteer would latch to your arm and accuse you:
“Why are you not calling me that!?” 
You blinked in bewilderment - “...what?” 
Scaramouche huffed, his expression sour - “You know what! Dropping the semi-formalities and using Anata (dear). Don't make me repeat myself.” 
“But that's how married couples refer to each other.”
“So?” 
Silence. The two of you awkwardly stood still, frozen. And then it clicked. “I can’t believe my ears… The 6th of The Fatui Harbinger,” 
“Wait, I take it back –” 
“Is asking me,” 
“Don’t. Don’t you da–” 
“To use anata, like a precious spouse would do to their loved one! Aaa!” - you gushed and beamed, your tone countering Scaramouche’s flustered groans, while he tugged at his hat to conceal his furrowed eyebrows. “Should I welcome you home with a cute pink apron, telling you that dinner and a bath are ready, too? Or maybe, offer you something else… ” 
“You’re insufferable. I regret even bringing this up now.” 
“Fine, Fine. I'll stop." - you sighed after a hearty chuckle. “Sometimes, rigid formalities can appear as an insult too, you know. After all, what sort of sweetheart would I be if I didn’t consider your troubles."
You mused innocently at the mental image of using terms of endearment like a married couple. However, your imagination was interrupted as the Harbinger took it upon himself to grab your waist, pulling you flush against him.
"Did I tell you to stop? If we're going to pretend to be a cute, married couple - then do so properly. Besides, what was that part about offering something else when greeting me back home?” 
✧ When you prepare little surprises for your beloved Pantalone, you often come up to him with contagious excitement, eager to show what nick-nacks and artifacts you brought along. This time, you recently returned from an expedition in Liyue, and as always your affluent partner greeted you with honeyed enthusiasm, embracing you tightly as you spoke of your adventures.
“Pantalone, Pantalone!” - You exclaimed gleefully “I learned something new while I was staying in Liyue Harbour!” 
“Oh? And do tell, sweetheart, what is it that caught your curiosity this time?” - Pantalone spoke elegantly, helping you undress from your adventuring garbs. 
“I was familiarizing myself with certain literary texts and it led me down a rabbit hole of traditional phrases common in Liyue… And I figured out how to call you precious! Bǎobǎo!” (baby) 
Pantalone’s eyes shot wide open with renowned zeal. He grinned and clasped his hands, “Oh, my treasure! How adorable of you! And did you go all the way out just to learn this for me? Let me hear you say it again.”
“Bǎobǎo! It suits you! Or maybe you prefer xīn'gān?” (heart and soul)
Pantalone was ecstatic, his smile further widening - “My, my, you certainly worked on your pronunciation. Your stay in Liyue paid off then, because dear, you are making me swoon with your adorable surprises. Pray tell, what other phrases did you learn?” 
“Well, I was told that lǎogōng (hubby) is good.”
“Mhm, yes, yes.” - Pantalone nodded.
“Also huài bāo,” (naughty)
“O-oh?”
“And wǒ yào nǐ,” (I want you)
“O-.... oh,”
“And also shǐjìn yīdiǎn (go harder), but I was told this one is a little bit intense.”
The Regrator became motionless. You gazed at him with such pure naïveté, so oblivious that your charming perception didn't grasp the weight of these foreign words. He placed his hands on your shoulders firmly and inquired seriously:  
“My sweetheart. Who, exactly, taught you all this?”
“Well, so. There was this lady who had a small perfumery shop by Chihu Rock. I think her name was Ying'er.” - you pondered but smiled “She was a nice lady, she taught me all these phrases, and said they would work like a charm!”
Pantalone had to exert all his mental strength to avoid fainting or exploding. He is unsure of what exactly, but one more word from you and he'd drop to his knees with a ring for you. Rather than translating your earlier words, the Harbinger lets out a shaky sigh and focuses on controlling his hitched breathing.
“Oh, Shǎguā (silly). If you were unsure of the words' meanings, you could have just asked me and I would have demonstrated. Personally.”
✧ It was another day at Tartaglia’s family home in Snezhnaya. You visit him often and his family has long since welcomed you as part of their household. Especially the siblings, as Teucer and Tonia always welcome you with tight embraces whenever you arrive. 
When you found your beloved Childe in the kitchen, he innately greeted you with a kiss on the cheek, asking: “You’re right on time, sweetpea. We’re planning on making homemade meat dumplings. Maybe some borscht as a side dish too. Is that okay with you?” 
To which you simply nodded, already moving to help - “Of course, milyy (sweet). Do you need me to start with the bullion?” 
The Harbinger stopped. He never heard you use native terms, but when he registered your words, his head quickly snapped toward you in astonishment.
“Do my ears deceive me?! Did you just call me…!” 
Aha, so you got him. You tried to hide your giddiness, a faint grin threatening to appear - “Well, I just tried to use something new. You love nicknames, right? So perhaps…” 
“Say it again!” - The man practically leaped at you, his eyes now glowing with elation as he hyped you up to reveal your cards. 
“Okay, okay big guy, just take it easy. I just said milyy (sweet). Maybe you’d like it if I said… lyubimyy (darling)?”
Tartaglia gasps as your sweet words hit his ears, but then a wide grin spreads across his face. “Oh, is this a challenge? If so, fight me! I will shower you with more love for each sweet word coming out of your mouth. But I warn you, you'll have to use them a lot more often from now on.” 
He kisses your cheeks again, this time with even more passion and fervor while he cupped your cheeks. His lips felt like waves crashing against the shore, and each one left an invisible imprint of love and adoration on your soul. As you chuckle at his affectionate antics, small hushed voices interrupt you two. 
Teucer and his sister Tonia were peeking behind the kitchen door, giggling as they eavesdropped on you two. However, when Tartaglia caught their gazes, the rascals scurried away giggling.
“Hey! Quite sneaking in! Did your parents not teach you to give adults some privacy?” 
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Latin: melimelum (honey-apple), mel (honey), corculum (sweetheart) German: geliebter (Loved one), herzblatt (sweetheart), engelchen (little angel) Nahuatl (Aztec): notlazohtlé (my darling/precious thing), yōltzin (lover) Persian: azizam (my dear) Arabic: habibi (my dear), Ya balsam qalbi (O balm of my heart), qalbi (my heart), kalbi (my dog, lmao)  Japanese: Anata (informal you, dear for couples)  Mandarin: Bǎobǎo (baby), lǎogōng (hubby), huài bāo (naughty), wǒ yào nǐ,” (I want you), shǐjìn yīdiǎn (go harder), Shǎguā (silly melon) Russian: milyy (sweet), lyubimyy (darling)
*While I speak Arabic, and Russian and know a little bit of Japanese; If you have some additional info on the linguistic part, or speculation or spot some inaccuracies - please, please, please 🙏 kindly share them with me! I am open to fixing any mistakes. Or if you just have headcanons and love projecting certain languages onto these characters like I do - share them with me! 
Thank you 
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hero-israel · 7 months
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#4 sounds like white people at the end of slavery… “we didn’t want to end it because what if there’s retaliation? There have already been slave riots. Imagine what would happen if we gave them freedom or if we became the minority?” It’s not speculative it actually happened the fears had basis. That’s what number four sounds like. It also feels like you only care about one view point like you expect me to believe y’all are perfect victims that did one thing in retaliation?
#4 sounds like that to you because you are an American who thinks the whole world is America and all history must be the same as yours. So you should start by asking yourself what it is in your cultural upbringing, and what in the media you consume, that has you automatically believing the worst possible claims against Jews, to the point of seeing it as understandable for us to be mass murdered.
Jews did not - and do not - want to live in an Arab or Muslim majority society not because of any issues related to "slave uprisings" you are teleporting into this discussion, but rather because Jews had already been brutally oppressed, persecuted, and genocided by Arabs and Muslims for 1,000+ years before Israel or political Zionism were ever invented. Mohammed himself got his hands dirty with this, wiping out the Jews of Yathrib and renaming the gore-drenched rubble into something called "Medina." No less a source than Maimonides wrote in 1172 "God has entangled us with this people, the nation of Ishmael, who treat us so prejudicially and who legislate our harm and hatred…. No nation has ever arisen more harmful than they, nor has anyone done more to humiliate us, degrade us, and consolidate hatred against us... We bear the inhumane burden of their humiliation, lies and absurdities, being as the prophet said, ‘like a deaf man who does not hear or a dumb man who does not open his mouth’.... Our sages disciplined us to bear Ishmael’s lies and absurdities, listening in silence, and we have trained ourselves, old and young, to endure their humiliation, as Isaiah said, ‘I have given my back to the smiters, and my cheek to the beard pullers.’”
Because there is a long history of this, there is much you can read about it, if you care.
Some very random examples:
The "badge of shame" was invented in medieval Baghdad, only later migrating to Europe
Life for Jews in Yemen: The Jews of Yemen were treated as pariah, third-class citizens who needed to be perennially reminded of their submission to the ruling faith…The Jews were considered to be impure, and therefore forbidden to touch a Muslim or a Muslim’s food. They were obliged to humble themselves before a Muslim, to walk on his left side, and to greet him first. They were forbidden to raise their voices in front of a Muslim. They could not build their houses higher than the Muslims’ or ride a camel or horse, and when riding on a mule or donkey, they had to sit sideways. Upon entering a Muslim quarter, a Jew had to take off his footgear and walk barefoot. No Jewish man was permitted to wear a turban or carry the Jambiyyah (dagger), which was worn universally by the free tribesmen of Yemen. If attacked with stones or fist by Islamic youth, a Jew was not allowed to defend himself. Further, the Jews were forced to wear sidelocks or peots. The wearing of such long and dangling peots “was originally a source of great shame for the Yemenites. It was decreed by the imams to distinguish the Jews from the Muslims”. More degrading and insulting decrees to the Jews were the Atarot (Headgear) and Latrine Decrees. The former was a seventeenth-century decree forbidding the Jews to wear a headcovering or turbans. The Latrine Decree was a nineteenth-century edict in which the Jews were forced to clean out public toilets and remove animal dung and carcasses from the streets. Another discriminatory edict was the Orphan Decree which gave the Zaydis the right to convert to Islam any child under the age of thirteen whose father is dead. Further, evidence by a Jew against a Muslim was invalid and a “Jew was forbidden to pass a Muslim to his right, and whoever did so, even unwittingly, could be beaten without trial; the Jews were forbidden to make their purchases before the Muslims had completed theirs; a Jew entering the house of an Arab or the office of an official was only allowed to sit down in the place where the shoes were removed” . Tudor Parfitt summarizes some of these laws in the following: [the Jews] were required not to insult Islam, never strike a Muslim, or to impede him in his path. They were not to assist each other in any activity against a Muslim…They were not to build new places of worship or repair existing one…They were not to pray too noisily or hold public religious processions. They were not to wink. They were not to proselytize. They were not to bear arms. They were required to dress in a distinctive fashion in order not to be mistaken for a member of the Muslim occupying forces. In other words dhimmis had all the times to behave themselves in an unostentatious and unthreatening manner, one appropriate to a defeated and humbled subject people. They were to avoid the slightest show of triumphalism and they were forbidden any activity that could lead to proselytization. Yemenite Jews were “excluded as it almost always…from affairs of state, and from the great institutions of the country”
1941 Farhud pogrom (Iraq)
1929 Hebron Massacre ("They cut off hands, they cut off fingers, they held heads over a stove, they gouged out eyes. A rabbi stood immobile, commending the souls of his Jews to God – they scalped him. They made off with his brains. On Mrs. Sokolov’s lap, one after the other, they sat six students from the yeshiva and, with her still alive, slit their throats. They mutilated the men. They shoved thirteen-year-old girls, mothers, and grandmothers into the blood and raped them in unison....")
1921 Jaffa Riots
1920 Nebi Musa Riots
1910 Shiraz Blood Libel (Iran) ("In the middle of the 19th century, J. J. Benjamin wrote about the life of Persian Jews: "…they are obliged to live in a separate part of town…; for they are considered as unclean creatures… Under the pretext of their being unclean, they are treated with the greatest severity and should they enter a street, inhabited by Mussulmans, they are pelted by the boys and mobs with stones and dirt… For the same reason, they are prohibited to go out when it rains; for it is said the rain would wash dirt off them, which would sully the feet of the Mussulmans… If a Jew is recognized as such in the streets, he is subjected to the greatest insults. The passers-by spit in his face, and sometimes beat him… unmercifully… If a Jew enters a shop for anything, he is forbidden to inspect the goods… Should his hand incautiously touch the goods, he must take them at any price the seller chooses to ask for them... Sometimes the Iranians intrude into the dwellings of the Jews and take possession of whatever please them. Should the owner make the least opposition in defense of his property, he incurs the danger of atoning for it with his life... If... a Jew shows himself in the street during the three days of the Katel (the start of Muharram)…, he is sure to be murdered")
1840 Damascus Blood Libel (Syria)
1839 Allahdad Pogrom (Iran)
1834 Hebron Massacre
1834 Looting of Safed
1700 Jerusalem oppression / apartheid: ("Muslims are very hostile to Jews and inflict upon them vexations in the streets of the city… the common folk persecute the Jews, for we are forbidden to defend ourselves against the Turks or the Arabs. If an Arab strikes a Jew, he (the Jew) must appease him but dare not rebuke him, for fear that he may be struck even harder, which they (the Arabs) do without the slightest scruple...")
1679 Mawza Exile (Yemen)
1660 Destruction of Safed
1500s Iran: ("After the ascension of Shah ‘Abbas II the Jews of Isfahan faced a lot of persecution. Most communities were forced to convert to Islam. Furthermore those who refused to convert would have most of their inheritance taken away as the inheritance laws at the time allowed for those who converted to Shia Islam to inherit the property of non-Muslim family members. Some communities did not convert and were thus forced to wear a special badge to show that they were Jewish. The maltreatment of the Jews weakened their community ties and influence throughout the region. By 1889 there were only around four hundred Jewish families left in Isfahan and most very poor.... by the middle 20th century 80% of the Jews of Isfahan lived on the verge of poverty.")
There's so much more I really don't know where to start or where to end. Afghanistan revoked all Jewish citizenship in 1933. Turkey banned all Jewish names and held massive antisemitic pogroms in 1934. Iraq banned Hebrew schools and Hebrew names in 1936, pogroms throughout Libya 1945, Syria fired all Jewish government employees 1946. Tripoli pogrom 1785. Algiers 1805. Cairo 1844. Istanbul 1870. Safed 1517 and 1799. Jerusalem 1665 and 1720. Granada Massacre 1066. Fez Massacre 1033. How many Wiki links do you want, how many textbooks?
This is an old, old conflict, and the Americanized "colonizer / slave plantation" frame is off-topic.
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ofswordsandpens · 5 months
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just finished episode 6…. truly don’t know how to feel about these changes. would love to know your thoughts bc i’m just kinda baffled by some changes tbh
Mixed feelings as always:
Percy's dream slapped. I loved Kronos's actor. It felt perfectly eery. No notes.
No percabeth late night convo on the truck. This doesn't surprise me given we sort of did that on the train already, but now there's just another iconic book moment that we'll get bits and pieces of, but never actually get to see in its entirety/original setting.
I did vibe with the glass prism tool for the iris message and it was pretty cool. The Percy + Annabeth argument was great but I'm gonna be honest, Luke being like "you're arguing like an old married couple" was laying it on a tad thick to me idk idk. I know I'll probably be in the minority there lol but I think it would have liked the line better if Percy and Annabeth got more embarrassed to his statement but they both reacted to it like :/ so it just felt heavy handed on the show runners part more than anything
Lotus Hotel vibes? Lackluster. Uninspired. It just didn't capture that outrageous paradise for kids feeling from the book because they turned it into Hermes' hangout so there's a whole bunch more adults than kids. Basically felt like if you took the movie's version and turned down the energy of it by a mile lmao. (Which is also ironic given RR's post about it today).
And of course the kids immediately know what's happening so like. No fun mystery. No Percy figuring it out. Just them being like "omg we need to be careful" and then immediately separating from Grover lmao.
Okay. LMM's Hermes.... it wasn't bad. Thankfully there was no singing. He was fine. It's more or less that turning the Lotus story line into a Hermes' storyline was like an "okay, I guess we're doing this" thing. I mean I guess we finally introduced something for the non-book reader's to pick up on that Luke might not have the best relationship with his dad (and consequently the gods). But like, nothing about this storyline is something that isn't introduced later on in the books. Nor was it better or more interesting than the original lotus storyline in the books.
Again, its the constant replacement of everything fun and silly and absurd in the book and turning it into a very serious moment, is just like, killing the energy. Seriousness is good. Silliness is also good. The book balanced it greatly. The show struggles here.
Glad we got a Pan mention tho!! Finally!
But um 4 pearls, so no dilemma about who to save. A part of me is relieved because the show's created like 3 other sacrifice convo scenarios so its gotten bit reductive, but Sally being a part of the equation is an entirely different dynamic and now that dilemma is theoretically gone. (unless he loses one of the pearls?)
And Percy's missed the deadline?? Right?? So like? I really don't know what we're doing anymore. In the book the deadline was pretty strict lol. Here I guess the deadline was like, a loose suggestion? Percy's walking into the middle of the god's battle field with master bolt in his hand? Idk.
Overall things in the show feel messy and way less cohesive. They seem to know that certain things from the book are important but not necessarily why, or they'll introduce events or plot points strangely late or way too early.
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its-time-to-write · 11 months
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hey big fan of your writing!! you write jamie so perfectly 💜 pls forgive me if you’ve already written something about this (i haven’t been able to find it if so) but could you write something post-mom city episode with the reader taking care of jamie when he’s hurt after the game and telling him how proud she is?? 🥹 thank you!!
This one’s canon compliant with you don’t want to know me for no reason other than the fact that I like to make my fics match up. It’s fun for me to pretend like I could write something with chapters someday😇 Hope you like it!
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you’re in the kitchen humming
Of course, the one game you can’t go to is the one where Jamie gets injured so badly he has to come home on crutches. He’s not even the one who texts you about it. It’s Ted who writes, Your boy got hurt pretty badly. Might want to come pick him up when we get back.
So now you’re headed to AFC Richmond because Jamie only just let you know they’re back. 
we’re in the treatment room, he says, and you don’t even take a moment to ask who we is.
It’s Roy and Keeley, and you aren’t a little bit surprised. They’re been passing around a bottle and laughing, so obviously Jamie can’t be hurt that badly. His right foot is stuck in a bucket of ice, so you get him up, say goodnight to Roy and Keeley, and help him tipsily hop to your car. Jamie chatters on about the game the whole ride home, only leaving room for you to interject the occasional “mhm,” or “I’m so proud of you!”
It’s somewhat of a chore to get him out of the car, mostly because he’s laughing so hard at the sheer absurdity of the situation, humor exaggerated by the champagne. 
You finally maneuver him onto the couch and get him laid down, leg elevated. He’s still giggling.
You flip on the kitchen light to make him some food. You wonder briefly how many times you’ve done this: put Jamie on the couch, made him food, and let him take you to bed. It’s been a few years’ worth.
You’re at the stove humming softly, when you hear a tap thump, tap thump as Jamie hobbles over to wrap his arms around you from behind.
“Oi, you need to be lying down, mister,” you scold.
Jamie just presses his face into the crook of your neck.
“Can’t get comfortable. I’m still in my kit and I need help getting it off.”
His words are laced with a suggestive tone, made more apparent by the fact that his hands are no longer on your waist per se, but more under your waistband.
You put down the spatula and turn off the stove.
“Jamie Tartt,” you say in a tone that means listen the fuck up, “if you want even half a chance of getting in my pants tonight, you’ll go back to the couch and put ice on your ankle.”
His hands slip away and he groans, but complies. You shake your head and slide the eggs onto a plate.
You hate eggs, but they’re Jamie’s go-to post-match food. You asked him why once, and he said something about his mum and it being the only thing she could cook without burning.
So you suck it up and make him scrambled eggs every time he comes home from a game, whether home or away. Tonight, you bring him his plate on the couch, sit next to him, and hold it for him to eat.
You say softly, “I’m really proud of you, Jaim,” as he pushes himself into a sitting position. “Didn’t really get a chance to say it, but I am. You absolutely smashed it today.”
Jamie smirks. “I got your emojis,” he says. “Had twenty-one missed texts from you, none of ‘em containing a single word.” He puts down his fork and reaches into a pocket for his phone. “Got a fuck-ton of hearts, some fireworks, and one squirrel.”
You blush. Ah yes. The squirrel.
“Don’t think I can make it up the stairs,” he laments. “Might just have to stay on the couch all night. Sad. Alone. Fucking horny.”
You roll your eyes and flick his arm with your free hand. “You done eating? Because you need a shower. You smell, and I’m not fucking you until you’re clean.”
Jamie grins. “But you are going to fuck me.”
You shake your head. Yes, you are. With a goal like that, how could you not? Plus his foot’s injured, and he must be in pain. He could use a good distraction.
Jamie’s mind has to be going in a similar direction because he asks, “You gonna shower with me? I hate showering alone.”
“Obviously,” you respond. “You can barely stand on your own and you’re going to need help with your hair.”
This shower is a lot less sexy than some might imagine. Jamie is trying to keep his balance without putting weight on his foot, but it’s difficult because it’s slippery. You’ve made it through most of his shower routine (and yours too) but now you’re at the final step. Conditioner. 
You grab the bottle and Jamie frowns. “You remember how much to use?”
You nod, but he’s not convinced. “Let me put it on your hand,” he says, grabbing the bottle and forgetting to be careful of his ankle. He puts too much weight on it and it gives out with a “fuck,” leaving Jamie’s lips. 
He’s slipping and trying to grab onto something and that something is you so now you’re both tangled on the floor of the shower, water running in your faces and Jamie grimacing from pain.
You do manage to get him back up and condition his hair to his satisfaction (“It’s a delicate balance, babe,”) but the slip was not good for Jamie’s ankle. You have to go back downstairs for more ice, so now he’s lying flat on his back on the bed, towel wrapped precariously loose around his waist. When you’re satisfied that the ice is secure and Jamie’s foot is at a good angle, you flop down in the bed next to him. You’re still in your towel, too.
“I can’t stop thinking about that kick,” you say.
Jamie asks, “Which one? I did a lot of those,” and you laugh.
“The one to block Man City’s goal. The one where you landed wrong. It was probably the most amazing thing I’ve ever seen. I’m so, so proud of you. I just can’t get over the fact that you can do all that and then you come home to me. It boggles my mind.”
Jamie’s blowing tickly breaths in your ear to make you shiver. “I was pretty sexy, weren’t I?”
You laugh again. “Everything’s always about being sexy with you, isn’t it? Sure, I’ll admit you were sexy. But you were also admirable and selfless and brave and amazing. You can’t sell yourself short.”
Jamie’s silent for a moment, and you think he’s fallen asleep. You look over to see him staring at the ceiling with glazed eyes.
You ask, “Are you crying?” and the words are barely out of your mouth before Jamie’s saying fuck no but you know he means fuck yes so you roll over to kiss him, because sometimes it’s better to leave some things unsaid. He’s pretty great, and you’re glad you’re the one who gets to tell him.
476 notes · View notes
sanjisboyfie · 8 months
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one piece smau: vacation edition
— strawhats being a cute friend group once again
— male reader, everyone having the tiniest crush on him too but thats only if u swuint (im a very selfindulgent writer sorry)
— also i imagine robin, franky and brook to be older than the rest of hte crew, but not like crazy older. its probably not really relevant, but like mid twenties insead of their thirties and forties LMFAOA the rest of the crew is young twenties
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liked by ._.[name], princesanji, and 10k others
dni_nami: pre-7hr flight question, how long until we all start killing each other? everyone place your bets
tagged: ._.[name], freeluffy, and princesanji
uso_pp: we barely made it through the airport without losing luffy, so i'm placing my bet on one hour.
[liked by ._.[name], roro.zoro, and 20 others]
-> dr.law: i'm surprised you even made it through airport security....
-> freeluffy: TOORRAOO YOU SHOULD'VE COME IT WOULDVE BEEN SO FUNNNN!!!
-> dr.law: hard pass. good luck everyone else.
._.[name]: i think it's gonna be fine !!! what's the worst that can happen tbh
-> dni_nami: i could list 100 reasons why this is gonna go bad and all of them involve luffy.
-> robinkills: [name]'s right, i think this trip is going to be very fun !
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liked by roro.zoro, robinkills, and 11k others
freeluffy: [name] rented bikes for us, but he won't let me drive :/
tagged: ._.[name]
SUPERCOLA: good job [name] for saving his life, much appreciated
dni_nami: i'm begging you two to not crash and make the expenses of our trip go up even more
-> princesanji: always thinking logically, nami, this is why i love you so much <333333333333333
roro.zoro: pick up some sake otw back
-> ._.[name]: yesyesyes we all know thats the only reason why you came anyway, i'll pick some up
-> roro.zoro: what. no way. i definitely wanted to be sat on a hours long flight next to luffy and be living in a small apartment with all of my friends who dont know how to speak quietly and wont let me sleep even when its already early morning. what. i am so excited to be here.
-> uso_pp: alright we get it please stop
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liked by princesanji, SUPERCOLA, and 8k others
robinkills: thank you [name] for winning me the prizes :)
tagged: ._.[name]
._.[name]: anything for you robin <3 aka the person thats keeping all of us sane right now <3
princesanji: HOW DARE THIS BAFFOON STEAL YOU AWAY ROBIN PLEASE LET ME TAKE CARE OF HIM, I WILL MAKE SURE HE NEVER BOTHERS YOU AGAIN
-> uso_pp: when is sanji going to accept the fact that [name] is actually apart of this friend group and that he is also more favored by the women we interact with
-> ._.[name]: dw usopp he only puts on a hard front, he ltr begged me to room with him so he could cuddle w me at night. he's just being shy rn
[liked by dni_nami, roro.zoro, and 40 others]
freeluffy: [NAME] [NAME] DID YOU GET ME THEONE I WANTED TOO??!?!?! REMEMBER I SHOWED YOU
-> ._.[name]: yes luffy :) we are otw back and i have the one you asked for as well.
-> SUPERCOLA: [name] the absolute goat in dealing with luffy and his absurd requests so the rest of us dont have to
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liked by freeluffy, roro.zoro, ._.[name], and 9k others
uso_pp: morning debrief where we all share embarrassing stories, like how [name] almost stripped completely naked drunk last night because an ice spice song was playing on the karaoke.
._.[name]: alright genuinely why the fuck did that have to be the caption you put on the internet for the whole world to see
-> roro.zoro: no dont be embarassed [name] it was funny watching you try and copy her signature pose
[liked by dni_nami, robinkills, and 90 others]
-> dni_nami: don't think about even crossing me in the future, i have a video of the whole thing bby
-> ._.[name]: GOD FORBID A GUY HAS FUN
skullnsoul: i found [name]'s dancing and singing quite endearing
-> ._.[name]: thank you brook :') you're so sweet
-> skullnsoul: yes, although i feel like you're much too old to be wearing underwear with hearts as the print, [name]. i suggest buying new pairs of boxers :)
-> ._.[name]: what the actual fuck
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liked by princesanji, uso_pp, and 11k others
dni_nami: i really wish you could hear sanji cursing [name] outin this photo
tagged: princesanji and ._.[name]
._.[name]: me when im literally following the instructions that hes telling me and i somehow still get yelled at
-> princesanji: do you even understand hwo cooking meat works? everyone would have gotten salmonella and food poisoning if i didn't teach you how
->._.[name]: yelling is never the answer sanji
-> freeluffy: I THINK [NAME]'S COOKING TASTED REALLY GOOD
uso_pp: they acc cookeedddd tho like our food was so tastyyy
[liked by princesanji, ._.[name], and 9 others]
robinklills: sanji almost shoved [name]'s head into the griller, it was funny
-> ._.[name]: HE WHAT ??!?!?! I DIDN'T EVEN REALIZE THAT HE TRIED DOING THA TWHAT THE FUCK
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liked by princesanji, ._.[name], and 12k others
roro.zoro: [name] told me to post this photo he took.
tagged: princesanji and ._.[name]
dni_nami: awww look all the boys finally getting along
[liked by robinkills, uso_pp, vivi, and 50 others]
-> princesanji: i would have much rather been in your presence my queen, i love you so much
-> ._.[name]: sanjii give up the bit for fucks sake
uso_pp: where was me and luffy's inv ??? ig its like that now ....
-> roro.zoro: you guys were playing mermaids in the pool at the apartment and explicitly told us to not interfere with your serious business
-> princesanji: and then you started getting mad at us for invitig you again right before we left
._.[name]: damn zoro u lookin mad fine in this photo shiiiitttt #smash
-> roro.zoro: i need you to make sure your door is locked later tn or else i cant promise you will wake up the next day
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liked by dni_nami, vivi, roro.zoro, and 12k others
._.[name]: thank u nami for the photos
tagged: dni_nami
._.[name]: btw nami made me post this w that caption so it could "scare away the hoes"
-> dni_nami: im doing them a favor, they just dont know it yet cuz ur fucking insane
-> uso_pp: LMFAOAO
purrrona: can i bite it?
-> ._.[name]: BITE WHAT?????
-> purrrona: so is that a yes or a no?
-> uso_pp: professional dick rider alert !!!!
roro.zoro: why is your thirst trap the first thing i have to see when i open this app
-> ._.[name]: why are you acting like you weren't the first person to like this post???
[liked by dni_nami, robinkills, and 57 others]
portgasace: WHY THE FUCK WAS I NOT INVITED ON THIS TRIP?????
dr.law: id also like to thank nami for the photos
327 notes · View notes
lokiiied · 6 months
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my thoughts on the making of loki s2:
• “our approach was really doubling down on who loki cares about, who we care about.” and then having season 2 centre around loki & mobius’ relationship, how he cares for his friends, and sylvie’s independence & what she wants/fought for like okay cool got it.
• “tom is the author of all things loki” he really, truly is. bless him.
• ke huy quan must be protected at all costs the world does not deserve him
• loml rafael casal 💞💅🏻
• “mobius can be eccentric, because loki is eccentric, he just is. but they don’t see themselves that way. they’re the straight man (???) in this absurd world.” 🤨🧐 kevin…you were going somewhere and then you lost me.
• “this is her first chance to experiment with freedom, with choice.” (about sylvie). and her choosing a simple life, with the comfort of routine and connecting with a few particular humans and just appreciating life. the little things. with no romantic motivations that we see. big aspec energy.
and then replaying the scenes where she says “my life’s here now” and “your friends are where they belong. we’re all writing our own stories” like. yeah. just reiterating how important this life she’s built is to her and she has no interest in going back. she appreciates loki & mobius and the others in helping her to keep/save free will - but aside from that, she’d be fine never seeing them again. because if she did - it would probably mean trouble. fighting again. running again. and she’s already spent her whole life fighting and running. she’s tired. of course she was upset they kept seeking her out, cuz she thought she was done. that she fixed everything that mattered. even though she didn’t. but now she gets to live. and be sylvie. “not a loki” and to figure out who that is.
• 700 PAGE BOOK??!!? isaac bauman, the cinematographer. wrote a 700 PAGE “cinematography bible” of the entire visual language of the show. down to the smallest lights. the pure tism dedication. this is what i’m talking about when i say everything is intentional. every shot. the lighting. the tone. every time someone writes an analysis about these themes in this show - just one page of this mans work is appreciated. i never want to hear anyone talking shit about “reading too much” into cinematography. i have isaac bauman’s loki cinematography bible on my side.
• wunmi is so funny and warm i love her energy
• TOM “HELPING” OWEN UP THE STAIRS. 🫴🏻dead.
• christopher townsend sounds EXACTLY like an older tom holland it’s tripping me up
• “what is it mobius says…” tom says and then recites the line word for word. as if loki wasn’t thinking of that line while sacrificing himself. as if mobius’ words weren’t echoing over him in the final shot of the show. he’s so funny.
• speaking of…owen only talked for like 5 minutes what?? probably started rambling about mobius’ gay feelings for loki and they cut it :/ seriously though did they just not ask him questions?? his presence felt weirdly lacking.
• tom hiddleston everyone. our lord and saviour
98 notes · View notes
drunkenskunk · 6 months
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Welcome to another Drunk Skunk™ rant!
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It is entirely possible that you have noticed: I love Warhammer 40k. At the same time, I hate Warhammer 40k... okay, hate is probably the wrong word, but let me explain.
40k is one of my favorite sci-fi settings because it is, hilariously, one of the few that actually manages to get the scale of Outer Space right. Most sci-fi writers have no sense of scale, but 40k is somehow able to convey the unimaginable, incomprehensible, terrifying vastness of Outer Space correctly.
Granted, I think it does this entirely on accident, because everything in 40k is exaggerated beyond the point of absurdity. The scale of everything is massive, every number has several zeros tacked onto the end of it, travelling anywhere takes months, years, even decades, and... that's just how Outer Space is. You can't exaggerate on what is already functionally infinite.
As a result, 40k as a setting has an enormous amount of potential. No matter how much we see of the Warhammer galaxy, we will only ever see a bare fraction of it, and there is always going to be more - and stranger - stuff hidden in pockets of the galaxy that has slipped entirely beneath notice for decades, if not centuries. Or even millennia!
But here's the problem I have. All of this potential? It is almost always completely wasted by Games Workshop. Nearly every single time, GW ignores the massive amount of potential in the setting they created, in order to focus on boring shit that nobody cares about like even more fucking space marines. It's infuriating.
As far as I'm concerned, there is no better example of this in the entire setting... than the Tau Empire.
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The Tau annoy me, but not for the reasons you think.
The most common complaint I see leveled against the Tau is that they are the "good" guys, and that they don't fit into the Grim Darkness of the Grim Dark far future of Grim Dark. This is untrue. Moreover: it was never true. Even when they were introduced in 2001 with their first codex during 3rd edition, they were not good guys.
I've always held the suspicion that people saw things like their catchphrase "The Greater Good" and they read things like "the Tau are not overtly hostile," and took all of that entirely at face value, because a sizeable chunk of this fucking fandom has no media literacy skills.
It still amazes me that Warhammer 40k - a game physically incapable of subtlety - has fans that miss the blatantly obvious.
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Before I get to my main point, let's clear the air on something right now: the Tau are bad guys, just like all the other factions in 40k.
If you were to place the Tau in any other science fiction setting, they would be a terrifyingly evil authoritarian space hegemony, with a firmly held belief of "Manifest Destiny" and constantly expanding the borders of their imperial holdings through the use of dirty tricks, illegitimate treaties, and good old fashioned military adventurism spurred on by their vast military industrial complex.
Yes, the Tau typically engage in diplomacy first, but that's usually only to establish a casus belli to claim the moral high ground in a conflict because the Tau are obsessed with appearances and love to play the Long Game. Yes, the average standard of living in Tau space is higher than the Imperium, but that's not a high bar. The Tau have a rigidly enforced caste system, and you can imagine how they deal with their "client races" who might disagree with that and even other Tau who refuse to fall in line.
Or have we all forgotten about Commander Farsight?
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... I feel like I may have gotten a bit off track.
Okay, so: the simple reason the Tau annoy me is because there was a whole lot of potential there, and all of it has been completely wasted because Games Workshop doesn't seem to understand what made them interesting in the first place.
See, when the Tau were introduced in 2001, it was quickly established in the first codex that the only reason they even managed to make it to the "present" of 40k was due to a series of accidents that allowed that particular scrap of nowhere to slip beneath everyone's notice.
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But here's the thing: we didn't really need that excuse. Every time we see maps of Tau space, it's always zoomed in to such an extent that it looks much bigger than it is... because, unlike every other faction, you can't have a full map of the galaxy that only focuses on the Tau, because it's always just a pinprick.
My personal favorite of these maps is the one from the 5th edition rulebook, but it's common with all of them.
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To put this into better perspective: Tau space is almost always described as a sphere about 300 light years in diameter, which is roughly the same size as "The Bubble," the cluster of human worlds centered around Sol, in Elite Dangerous.
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And that, right there, is why the Tau should be interesting, at least to me. They represent what could exist in the hidden parts of the Warhammer galaxy that slips beneath everyone's notice because SPACE IS BIG. The Imperium of Man may technically cover the entire breadth of the Milky Way galaxy, and "hold" a million worlds... but there are 100 BILLION stars, and even more planets besides, in a galaxy that stretches 100 thousand light years from end to end.
That is A LOT of Outer Space that could hold any number of secrets and weird alien species that nobody would know about until somebody accidentally stumbles on them.
The Tau could have - should have - been a jumping off point, allowing Games Workshop to make the setting feel even bigger and far more strange than it already does. The Tau could've been the template for introducing "pocket empires" to the setting: smaller xenos armies that people could use in skirmishes, but without entertaining the illusion that they have the military projection power to stand up to the other factions on an appreciable strategic scale for an extended period of time.
And yet...
It fees like Games Workshop consistently misunderstands what should make the Tau interesting. Every new codex, every new edition, it feels like we get more and more of GW trying to be like "No, no! The Tau can definitely stand toe-to-toe with the Imperium of Man! They build tall rather than wide, and are ABSOLUTELY a threat to the Imperium, we promise!" when in reality the only reason the Tau are even still here is because the Imperium always has bigger problems to deal with.
There was the bit I mentioned earlier, where the Tau were initially saved after they discovered fire due to a mixture of freak warp storms and the Age of Apostasy causing the records to get lost. The Damocles Crusade ended in the Imperium's withdrawal because of the imminent arrival of Hive Fleet Behemoth. The Third Sphere Expansion was only successful because Failbbadon Abbadon launched the 13th Black Crusade at the same time on the other side of the galaxy, blew up Cadia, and split the galaxy in half with the Cicatrix Maledictum. Every single time the Tau do anything, a much bigger threat always shows up, and causes everyone to forget about the Tau until they inevitably go back to poking the monster.
Like, I know it's GW doing this, but sometimes it feels like Tzeentch is secretly pulling strings behind the scenes to specifically ensure the continued survival of the Tau, for no other reason than simply because the Changer of Ways thinks its funny.
And that's not even talking about how they've slowly morphed into The Gundam Faction.
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Like, it used to be that the Tau Empire was supposed to be this big conglomeration of many different alien races all working together. And there are token mentions of that in the 9th edition codex, with a big list of names largely devoid of context. But as soon as you see these guys in action on the tabletop, it's immediately clear what they're about. You only ever see Tau, and you only ever see Big Robots.
Which... it's not bad, the model range looks great, don't get me wrong. But it still feels slightly disappointing, when you think about what we could have had.
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I love Warhammer 40k.
But I also hate Warhammer 40k.
Because I see all this potential... and, inevitably, I see it squandered.
And it frustrates me to no end.
133 notes · View notes
moltengoldveins · 8 months
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so, I am already Adoring the discourse on The Creator, the new sci fi AI film that came out recently, but I’ve yet to see anyone talk about the fascinating religious undertones to the whole movie? Like, I’m Christian. I’ll be the first to admit my bias here: I tend to look for faith and spiritual undertones when consuming media because it’s an integral part of the way I see the world. but this movie was SO COOL?? Like, the Complete Lack of any sort of faith shown in the American characters in contrast with the AI and the Asian characters, a total shift from the modern cultural idea that religion and AI are incompatible. There are monks that are droids and simulants. The kid uses her technology powers by making a “praying” motion. There’s a robot preaching a pretty classic Judeo-Christian Messiah narrative to a bunch of kiddos. There’s only ONE American character given any sort of obvious religious identity and it’s that One Trooper Lady when she mentions Valhalla. This is such an interesting decision and I’m fascinated to know what y’all think of it. NOT TO MENTION (and this is by FAR my favorite part) the fact that the religion and the AI conflict and the treatment of human life are all implicitly bound up together. The Americans believe that the AI are ‘just programming,’ that they aren’t real, that they don’t have souls. The New Asians don’t. And that seems to bleed into the way they treat Humans as well? The kind girl near the beginning of the film, clearing the blast zone with Taylor, panics when she sees an AI online for the first time because she recognizes that he behaves like a person, while Taylor is cold, unresponsive, and insists that it’s just programming. The Americans SAY they value human life because humans are really people and AI aren’t, but they treat civilians and combatants, AI and Humans, Exactly the Same. Almost like, if you reduce one thing with a soul to ‘just programming, not of value’ that starts messing with the way you treat Everything Else. The New Asians, as far as the narrative tells us, don’t plan on retribution for the war. They’re careful with civilians, to a certain extent (I don’t love the van scene with the kiddos tbh :( feel like that was out of place? And the AI lady, the girlfriend of Taylor’s friend who was killed as well, interesting nuances there) and they treat one another like people ought. There’s very little distinction given between the more android and more human AI, which I think is awesome, and the climax of the arc of Taylor’s character happens In A Temple. The end of the story is a message of hope for reunification in heaven AND hope for reunification on earth. That’s. That’s so cool. Like. I think that’s the coolest thing I’ve seen in Ages. I can’t Ever remember seeing that kind of message done in a story that isn’t painfully preachy. One thing that often bothers me about modern film and media is the idea that religion and spirituality has to be handled in one of three ways: entirely unmentioned, preachy to the absurd, or blatantly disrespected. It’s not a universal problem, but it’s pretty widespread. I couldn’t tell what faith the directors ascribed to in this film, but I could tell they were discussing it intelligently and I LIKED THAT. I liked it a lot. I can’t speak for anyone but myself, my tastes, and beliefs: I’m willing to bet a lot of Christians won’t like this movie because they’re hung up on the lack of a blatantly Christian or preachy narrative. I’m willing to bet a lot of other people won’t like it because it tackled spirituality at all. But I liked it, because it looked at the world we live in and spoke of what it saw. It wrestled with the topics of death and life and souls and heaven and national pride and racism and capitalism and love and what it means to be a good person and it did it really well, and I admire that.
please please let me know what y’all thought of the movie? I’m really interested in knowing what people picked up on or thought the movie was saying. God bless y’all, and have an excellent weekend :) 💜
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compacflt · 1 year
Note
if you're open to angsty prompts - tgm mission goes bad and Ice gets to accept Bradley and Mav's flags at their funerals? (but only if you're feeling angsty. if not, feel free to ignore!)
San Diego, California. November 2016.
It should not be surprising that the complicated politics of a funeral like Mitchell’s supersede even the national grief of losing him, but of course it is. The Defense Department and the new administration (loudly Tweeting out of their asses because the President-Elect hasn’t yet been sworn in) want to hold it in Arlington. Do it in D.C., show American unity, show how proud we are of our fallen aviator, who sacrificed himself for America’s national interests, bury him in Virginian soil next to Kennedy’s eternal flame… It’s not a terrible idea, geopolitically speaking. But the Republican leadership of the state of Texas wants a piece of him, too. Why not bury him in the National Cemetery in Dallas? That’s where he’s from. Lay him to rest in the soil of his forefathers, as all good men should be. But the entire Pacific Fleet of the United States Navy, it is argued by people who aren’t Kazansky, also has a stake in this. Bury him at sea. He gave his life for the Navy. This is how it ought to be. Bury both Mitchell and Bradshaw at sea the way we buried other American Navy heroes like John Paul Jones. (When he hears this argument, Kazansky also remembers that we buried Osama bin Laden at sea, too.)
The whole political clusterfuck is put to rest at last in mid-November, when someone bothers to ask Kazansky what he thinks, and Kazansky says, “I’ll remind you that there’s absolutely nothing left of him to bury. But Mitchell lived in California for the last thirty years of his life. He told me he’d want to be buried in San Diego. I don’t really care where you put him. But that’s what he said he wanted.” And after Pacific Command leadership hears this and communicates it to the White House, everyone all of a sudden bends over backwards to organize a joint funeral in San Diego, where Bradshaw’s parents are buried, anyway. Maybe it really is fitting. Okay.
It’s a funny thing, ritual. The military’s full of it. A funeral: that’s a ritual. So, too, is promotion, retirement, commissioning in the first place. So, too, is the everyday ritual of getting dressed, donning battle gear, which today is dress blues, the way it was the day Mitchell died. Medals instead of ribbons. The President posthumously gave Bradshaw and Mitchell Medals of Honor. Their bodies would be wearing them, if there were bodies to bury. The President prehumously gave Kazansky and Seresin Medals of Honor as well. Kazansky’s is sitting around his throat like a noose. He feels like nothing but a body himself, no soul, already passed-on. They’ll lower Mitchell’s empty casket into the ground this afternoon and Kazansky’s already thinking about climbing inside it before they do. He’s not so un-self-aware that he can’t see the absurdity in that thought. But he’s also not so self-aware that he isn’t having that thought.
It’s the highest-profile funeral Kazansky’s attended in a few years. The Secretary of State is here. The Secretary of Defense is here. The Secretary of the Navy is here. The Vice President is here. He, too, has only recently lost a son; he, too, has already lost someone he thought he’d spend the rest of his life with. They don’t talk, but when they shake hands, it feels like stronger solidarity than all the Sorry for your losses Kazansky’s received over the past couple weeks. Everyone here knows about him and Mitchell, in a way that had once been Kazansky’s worst nightmare; now, his actual worst nightmare having been realized, he can’t bring himself to care, and no one’s making a big deal out of it. When they say, Sorry for your loss, they don’t mean in the “loss of two highly strategic assets for the U.S. Pacific Fleet” sense, they mean in the “loss of the only two people you cared about more than your career” sense. Sorry for your loss. It’s not so bad. And because everyone knows, in a way that had once been Kazansky’s worst nightmare, no one bats an eye when Kazansky realizes his actual worst nightmare and accepts Mitchell’s folded flag. No, they weren’t legal family. But everyone knows they were close enough.
He tacks his own Naval aviator wings onto Mitchell’s empty casket. Twenty-one guns fire. He salutes. They lower two empty caskets into the ground and he’s still standing. It doesn’t really mean anything. It’s not really a goodbye, because neither Mitchell nor Bradshaw are actually inside. He watches Seresin struggle not to cry. He stands before a few hundred people and makes a short boring speech about service and sacrifice that he did not write. This is all political. This is all just for show. Most ritual usually is. So who gives a fuck.
He disappears before anyone can pin him down to apologize again and again, but finds that his intended hideout location has already been claimed: by the time he makes it to Goose’s grave, Seresin’s already standing there alone, his hands in his blues pockets, his cap tucked under his arm.
“I just,” says Seresin stupidly. His eyes are red-rimmed and his face is sallow. They’ve never really spoken, the two of them, but Kazansky’s heard the rumors about him and Bradshaw. And he’s sure Seresin’s heard the rumors about him and Mitchell. They’re in the same leaking boat, here. “Bradley talked about him all the time.” Gestures down to the grave. “And about you. And about Maverick.”
Kazansky says, “Would you want to have lunch with me? I’m not very hungry. But maybe we can talk.” He’s trying. Too little too late, but he’s trying.
He exchanges his jingling blues coat for a regular suit jacket in the armored Suburban. Takes the Medal of Honor off as he does. Seresin, still only a lieutenant, doesn’t have the luxury of a general staff who will carry around a wardrobe change on his behalf. He’s gonna have to make do with his dress blues. He’s nervously fingering the Medal of Honor around his neck, and will continue to do so long after they’ve taken their seats in a restaurant downtown where Kazansky used to take Mitchell out for dinner, not so long ago. He can hear his chief flag aide kindly whispering to their waiter: Somewhere in the back. Where they won’t be bothered. Everyone’s being so kind.
“I could kill him,” Seresin says after a few minutes.
“Who?” says Kazansky incuriously. He’s been running his fingers over the condensation on his water glass. Now his fingertips are wet. Actions and consequences.
“Cyclone. He’s the one who refused to send me. And he didn’t launch search-and-rescue, either.”
Kazansky blinks, then looks down at his menu. “No, son, that was me.”
Seresin’s Then I could kill you goes unsaid. It’s quiet for a long time, long enough that Kazansky’s read through the menu—every word—twice. Then Seresin says, “Why?”
“You would’ve searched for the rest of your life and rescued nothing, and blamed yourself.”
“I blame myself for not going anyway. For not disobeying orders. —Maverick would’ve gone.”
Yeah, he probably would have. Kazansky remembers, in a split second, a story Mitchell had only told him a few years ago, lying next to him in the dark, a little tipsy after dinner and touchy-feely as he always was lying next to Kazansky in the dark: I don’t think I ever told you the story of how I saved Cougar’s life. His warm hands, gentle and unhurried, sliding up and down Kazansky’s abdomen: it’s so funny the details you choose to overlook at the time, and only remember when you lose them. / Well, I never wanted to ask. You hate telling those stories, I thought, Kazansky had said. Because it was true. At any party, Mitchell could tell the stories of how he saved Cougar’s life and how he ejected out of a flat spin at TOPGUN and how he shot down three MiGs not two weeks later—but he’d always have nightmares about all of it the night after. He hated telling those stories. He’d only do it if people asked, so Kazansky never asked. / You’re here in bed next to me, Mitchell said, so I’ll sleep just fine. Let me be a hero for you for once. —It was the day I saw that first Soviet MiG up close. Remember that? Negative four-G inverted dive? That was real, baby. Scared the shit outta Cougar. Messed him up bad. I mean, he thought we were all cooked. He wasn’t gonna land, I mean. Or if he tried, he was gonna plow right into the side of the boat. Couldn’t see straight. You ever been so scared you couldn’t see straight? He was dipping his wings, power too low, basically drunk-driving his Tomcat, I mean, it was freaky. So I touch-and-goed my F-14. / Against orders, surely, Kazansky’d said. / Oh, of course. You’ve met me, haven’t you? Of course, against orders. We were both outta gas. But I took off again and circled around to find him, and guided him in, you know, level off, call the ball, there you go, Coug, you got it, you got it. Don’t know if he ever told you this—he probably did ten million dollars of damage to that plane. Fucked up the landing gear and snapped off his tailhook and ground up into the fuselage. / But he lived. / But he lived, Mitchell said, and that’s how I got sent to TOPGUN. And that’s—with a soft sweet kiss—how I met you. / My hero, Kazansky’d said.
“Yeah,” he says noncommittally. “Maverick would’ve gone. —But he’d have searched for the rest of his life and rescued nothing, and blamed himself.”
Seresin says, “Is that what happened with him and Bradley’s dad? Is that what happened with Goose?”
“Yeah.”
They sit in silence for another while. The waiter comes by to take their orders. Kazansky’s not hungry and orders a beer. Seresin’s starving and orders a burger and a side of onion rings and a glass of wine.
“Can I ask you a question?” Seresin says after another few minutes. “Are you, like, a coward, or something? —That speech you gave was pretty neutered, sir. You loved him and you can’t even say it at his funeral?”
It’s a stupid, immature question. The Navy doesn’t deserve to hear that out loud. Nor does Mitchell’s empty casket. Only Mitchell did, and too late now. Kazansky shrugs. “If I were a brave man,” he says, “do you think I would have let him go?”
“I’d like to think I’m a brave man,” says Seresin. “I let Bradley go because I trusted him to come back. —Honestly, I’m kind of fucking pissed about it, to be honest. Sorry for the language. But it’s the truth. The night after he died, I mean, I went apeshit. Tore up our photos, punched the wall, cried myself fucking dry, that kind of stupid shit. I was so mad. I trusted him to come back, and he didn’t. Thought he was a good pilot. —Sorry. Is that sacrilegious to say? We aren’t supposed to speak ill of the dead, are we? I don’t care. I’m still mad about it. I know I shouldn’t be. But it’s the only thing I know how to be, is angry. Does that make sense?”
“It makes sense.”
“Are you angry?”
“Yes, but not at Mitchell. You know that saying, we have old pilots and bold pilots, but never old, bold pilots? Maverick was an old, bold pilot. We both knew he was living on borrowed time. That’s how he lived.”
“Pretty fucking defeatist.”
Kazansky shrugs again. He is a man defeated.
Seresin says, “Are you gonna be okay?” Then, in the resulting silence, he says, “Sorry, stupid question. Sorry. It’s just—“ He hesitates. It’s only now that Kazansky sees the dark circles under his eyes, the tremor in his hands, the desperation in the stiffness of his shoulders. “Look, it’s just that I don’t think I’m going to be okay, and you’re a lot older than me, and I keep thinking you have, like, the answer. Some wisdom, you know what I mean? How am I gonna be okay? You’re the Commander of the Pacific Fleet of the United States Navy. Aren’t you supposed to know what to do? Aren’t you supposed to give me orders? What do I do?”
“If I were a wise man,” Kazansky says, “do you think I would have let him go?”
Seresin is quiet. His food comes. He immediately launches into it, eats ravenously and silently for a few minutes.
Then he says, around a bite of his burger, “You know, I was gonna ask him to marry me.”
“Bradshaw?”
“Who else?”
Kazansky blinks. “I’m sorry for your loss.”
“Yeah,” says Seresin. “You know, fucking everyone is.”
“Lunch is on me,” Kazansky says.
Home, afterwards, is silent and lonely. Of course it is: Mitchell’s not here. Of course. Kazansky’s settling into it. Life so rarely gives you a choice, when assigning you ritual, routine. There’s still legal paperwork to fill out. That he can do. And there are still letters of condolences to respond to: Thank you for your kind words. Maverick was… figuring out how to end that sentence will give Kazansky a way to occupy his time for a while. And there are flowers to throw out—no one wants flowers after someone they care about has died. They stink up the house and permeate everything with their reminder of grief and mourning, and you’ll find the dried petals even months later and grieve and mourn all over again. Kazansky throws them all out before they can start shedding. There are friends to call and thank for coming. “I don’t know what to say,” Slider says over the phone. / “Yeah, neither do I,” says Kazansky, so they sit in silence on the line together for a while, and that’s pretty nice. / “He was the best of us,” says Sundown, and Kazansky thinks about what Seresin had said a few hours ago: Thought he was a good pilot. It’s a cruel thought, but sometimes the only thing you can be is angry: if Maverick really was the best of us, he should’ve come home. / “You know, I’m still in his debt,” says Cougar. “He saved my life thirty years ago. It’s so fucking stupid, you know what I mean, this idea that I should’ve saved his in return? Feels like it’s my fault that he died. Maybe I’m too superstitious. I’m indebted to a fucking dead man. I’ll never be able to pay him back. —Sorry, Ice. Sorry. I don’t mean to make it all about me. I can’t even imagine what you’re going through right now. I’m so sorry.”
“That’s okay,” says Kazansky. “Don’t, um—look, I’m just curious. How did he save your life? Would you mind telling me?”
“I don’t remember too much of it, to be honest,” says Cougar. “That’s why I quit, isn’t it? Something wrong with me. I was so scared I couldn’t see straight. You ever been so scared you couldn’t see straight? I wouldn’t have landed if it weren’t for Maverick. Or, if I had tried, I think I would’ve plowed into the side of the boat. Dipping my wings, power too low, basically drunk-driving my Tomcat. There was something wrong with me. You know, they could’ve kicked him out for that stunt, touch-and-going his F-14 like that. We were both outta gas. It could’ve killed him, too. But he guided me in. Saved my life. —I don’t think I ever told you this. I probably did about ten million dollars of damage to that plane. Fucked up my landing gear, snapped off my tailhook, ground up into the fuselage.”
“But you lived.”
“But I lived,” says Cougar. “And I came home to my family. Only ‘cause of him.”
“He was a hero.”
“He was a fucking hero,” says Cougar. “To the very fucking last. Sorry you had to go and fall in love with him. They advise against that, don’t they?”
“What, falling in love with heroes?”
“Yeah. —Sorry. Not funny.”
“A little funny. In a cosmic sense. Means it’s my own fault.”
Cougar pauses. “It wasn’t your fault, Ice.”
There’s still a Fleet to be run. Still work to be done. Kazansky can do that. People will laud him for the rest of his life for his professionalism under duress. He works when he should be grieving. Work is a ritual, too. Take some time off, sir, one of the Chief of Naval Operations’ aides had begged him. You need time. But he can’t. Only thing to do is keep working until all the work is done. The geopolitical situation after the mission, which was still classified as a success, is quite bad. They knew it would be. A bombing mission on Russian territory right near the American general election? Yeah, that’s bad. Russia’s Foreign Ministry has openly stated that if they find any remains of Mitchell and Bradshaw’s bodies, they will not extradite them home to the United States. I’m sorry you had to hear that, the President e-mailed him personally. But it’s fine. Kazansky likes the chaos. Means there’s work to do. He works.
When he can’t work anymore, because he’s done all the work that needs to be done, he takes care of another ritual. Life assigned him this one without giving him a choice, too. It’s past 2200. He turns no light on. He’s not sleeping in their bed, which is pretty cliché, and maybe he should be stronger than that, but you do have to make some concessions to your own grief when something like this happens. But he’s strong enough to sit on the side of it that had been his and open his phone and dial the number of his only favorited contact and hold the phone to his ear. It gives the dial tone five times, as is routine, and then Mitchell picks up the phone, as is routine. Hi! Captain Pete Mitchell here! Unfortunately I’m not able to come to the phone right now. Leave a message, or if it’s Navy business, you can shoot me an e-mail at C. A. P. T. dot P. dot Mitchell at navy dot mil. Thanks! Bye. Maybe Mitchell’s just busy. Maybe Mitchell’s somewhere without cell service. Maybe Mitchell’s just out flying.
Kazansky considers leaving a message, as is routine; realizes he doesn’t know what to say, as is routine; and hangs up, as is routine.
He takes all his medals off the rack of his double-breasted blues coat, packs them back into their clear-plastic-velvet boxes. He considers, momentarily, throwing out the Medal of Honor with the flowers. But he’s too self-aware to do that. He hangs up his coat on its felt-lined hanger, steams it straight, does the same to his slacks, slips the ensemble back into its garment bag, hangs it up next to Mitchell’s in their closet. This is a ritual, too. He takes a shower. He eats something. He answers a couple e-mails. He climbs into a bed that is not his own. He holds one of Mitchell’s college sweatshirts over his face and breathes in. He takes stock. His fuel gauge is reading pretty low. He knows his wings are dipping. If he really thought about it, he’d say he’s so scared he can’t see straight. And the truth is—he’s not so un-self-aware that he can’t recognize this, however numbly—Maverick’s not coming home to guide him in to land. Maverick’s never coming home again. Thought you were a good pilot. He closes his eyes. He tries to sleep.
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vctrvn-ls · 9 months
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I love you too? |Kenny|
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summary: you and Kenny get into a heated argument after which you try and take the first step to make peace
warnings: angst, language
wordcount: 1.35k
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"What the fuck is this?!" You heard Kenny call out from the living room.
"What!?" You shouted back, not thinking much of it, continuing to cut the watermelon for the fruit salad you were making. A series of footsteps quickly revealed Kenny who was glued to his phone with furrowed eyebrows.
"What?" You take a piece of watermelon and put it in your mouth "What is it?" You chew.
Kenny walks up to you shoving his phone up close to your face. You squint trying to see the image in front of you. It was you from yesterdays shoot, kissing Filly on the cheek as he smiled into the camera. Your eyes widened as you looked up at Kenny "And?"
"You- Look- Ah fuck," he goes back to his phone for a second before showing it again "Look at the caption."
You saw it was Twitter. Already not a good sign. And as you predicted, your mouth fell open as you finished reading the sentence:
"Damn. That's what happens when Kenny's not on the one shoot."
You look back up at Kenny and raise an eyebrow "What the hell are you doing listening to dumbass Twitter-people?" You go back to cutting the fruits, seeing as this wasn't a thing to worry about.
"This isn't the only one. That's firstly. Secondly there's rumors now that we're broken up and thirdly what the hell are you doing going around kissing other guys when you have a boyfriend?"
You were in so much shock that you had to put down your knife and lean on the counter, processing what the fuck had just been said to you.
"Fuck. You." You simply state. "That's to begin with. Also what the fuck Kenny!? It wasn't guys it was one and it's fucking Filly, now please for Christ sake tell me you're pranking me right now because you are not going to stand here and pretend like you're bothered by this." You look at him, trying to read him and his emotions, although it was quite clear that he was in fact mad.
"Yeah well they don't know that it's just Filly. And just because it's Filly, gives you no right to get all up in his face."
"Kenny you need to take a break." You chuckle dryly turning back to the cutting board.
"No the hell I don't," he pushes your shoulder, turning you around to face him.
"It's a few comments Kenny, for fucks sake just leave it alone!"
"Oh yeah? You know what else started as 'a few comments'? Hm? Our secret relationship."
You roll your eyes "We were going to reveal it anyways right?"
"I don't care."
"Ok? What am I supposed to do?"
"Definitely don't do THAT!" He held up his phone with the photo.
You cover your face with the palms of your hands and groan, still stunned that this was actually happening "Kenny its fucking Filly! You look so dumb right now I wish you knew!"
"I KNOW I LOOK DUMB! I LOOK DUMBER NOW!" He lashed out, voice booming through the whole house "It's all anyone fucking talks about. Oh Kenny's stupid. No one likes Kenny. Why is Kenny even here? Let's make an article about how everyone in the Squad hates Kenny." He mocked the comments from the internet. "Now fucking this? I just- I'm gonna- Ah fuck." He turns around and just leaves. This guy leaves! You hear him stomp up the stairs and slam your bedroom door, leaving you speechless.
You blink a few times still digesting the very emotional information that was thrown at you and decide to take a seat in the living room. You wanted to be mad, you really did, but there was just this one thing that really caught your attention. It was how focused he was on the internet's opinion, which with the jobs both of you had was a little alarming.
After a little more thinking you came to a conclusion that insecurity was what drove this whole thing in the first place. Understandable, you didn't blame him, but it was sad because how can such a special and amazing person be insecure?
It sounded absurd!
Especially with his talent, friends and status.
You felt bad for Kenny, and you could totally relate to his lack of confidence because everyone feels unsteady from time to time and with enough love and words it could easily be beaten.
As much as you wanted to go up to him and provide the comfort he so definitely needed, you couldn't stop feeling hurt by some of his words. You sigh throwing your head back against the couch.
"Fuck." You whisper, feeling the two halves of you battling inside.
You hated fighting.
It was so stressful and unnecessary, and that's exactly why you decided that you needed to go talk to Kenny. You finished cutting all the fruits, laid some out on a bowl, got a spoon and headed upstairs to Kenny.
As you got closer to the bedroom door you felt your stomach twisting into a knot. What if he tells you to fuck off? What if he doesn't want to see you at all after this? What if you break up and then you'd have toshowuponshootsanditwoukdbesoawkward!
Your mind was overthinking the future and leaving you standing right outside the door with a bowl of fruit in your hands feeling like the last idiot on the planet. It really took all of your courage to bring your knuckles up to the door and knock. Even though there was no response, you slowly opened the door and peeped in, seeing Kenny on the bed. You sighed noticing his frowned eyebrows as he scrolled through his phone.
"Kenny," you slowly sat down on the other side of the bed, not taking your eyes off of him. He didn't even look at you.
You fought your intrusive thoughts that were saying to just throw the bowl of fruit at his face and call him a dickhead.
"Look I'm sorry, I didn't think that things would spiral into something like that."
"Of course you didn't." He mumbled.
"Oh fuck you!" You exclaimed "Maybe you wouldn't be so fucking bothered if you grew a pair!"
His expression turned from angry to shocked real quick.
"What were you born fucking yesterday? It's the internet! I've seen shit way more fucked up than tweets from tenyearolds and I'm sure you have too, so stop acting like no one loves you because everyone does. Especially me and for you to even question my loyalty is so hurtful not only to me but also to you."
Kenny was at a loss for words. On one side you just insulted him, but on the other you just said you loved him and there's wasn't anything he could say. He stared at you with wide eyes as you tried to catch your breathe from all the talking.
"Uuuhhh...." He turned off his phone and put it in his pocket, turning to you and crossing his legs "I love you too?"
There was a small pause before the two of you broke out into a series of giggles, suddenly everything was ridiculously absurd and pointless. Without words both of you agreed that this fight wasn't worth the energy.
"I'm sorry. I didn't mean to like- I was-" Kenny groaned in annoyance as he struggled to explain "I just felt like-"
"Insecure?" You guessed.
"Yeah...That." He scratched the back of his head feeling a little uneasy at such a strong word.
"I get it." You sigh "Peace?" You hold up the bowl of fruit with a grin.
Kenny chuckles and nods "Peace." He takes the bowl.
"And it's fair of you to get jealous of me kissing Filly."
"Jealous?" Kenny chewed with a raised eyebrow "I wasn't jealous."
"Uhuh, yeah." You smirk at him.
"Wha- Nah. I was mad," he tries to hide his smile. You roll your eyes and scooch over next to him, bringing his head down and placing your lips onto his.
"Mmm, pineapple." You noded jokingly, pretending to chew.
"Stop," he giggles nudging you.
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ystrike1 · 1 year
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Beast’s Flower - By Habrin (7.5/10)
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Would you read a story about a cliche abused heroine and a possessive guy if it came with a little spice? Most people give smutty stories a chance when they're weird. So, this one is totally PG13 and the heroine is stinky. You heard me. Her magical powers make her stinky. She only smells good to the crown prince, because he's a panther man. None of that information is presented in a comedic way. The author is dead serious.
Lyla comes from a village where mages aren't seen as valuable inventors. They're still witches in the eyes of the uneducated and poor. Lyla was born stinky. Her magic is too strong. It's implied that the smell makes people fear her, but the "I'm stinky" curse is too damn funny please help me I can't fucking do this one...
Anyway.
Lyla is the daughter of a Baron. Nobody else has magic nearby so no tutor comes to save her. The maids abandon her and she starts living in the barn with the horses.
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When she turns ten things get worse. Her father leaves her in a cabin near the mansion in the woods. He provides candles and minimal supplies. Lyla has no education. She's kinda dumb as a brick and defensive as hell, and she's stinky. The locals think she's a witch that eats children. Really, her life could not suck more.
Ariadne is Lyla's tall, normal smelling sister. Ariadne is a narcissist that thinks Lyla should die. She gradually makes Lyla's life even worse.
Lyla begs for more candles for her hovel. Ariadne says no, and Lyla's position is very realistic. Without candlelight she literally must live like an animal. Ariadne's sick games worsen her mental health, which is already questionable...at best...
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One night, while Lyla is busy thinking about death, she hears a noise. It's a guest. A "lost" man has come. It's Prince Viorst, a prince that can transform into a beast at will!!!!
He doesn't tell her that. He pretends to be a passing noble who is lost and injured and in need of help.
Lyla rushes to his aid...just kidding she tries to stab him. Lyla doesn't trust him AT ALL. He even says he doesn’t have a sense of smell....which is also a lie. Lyla can't resist. No nose means she can maybe have a normal human friend. She's very uncivilized and blunt with him, but he doesn’t care.
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Lyla's yucky stink smell...turns him on? Like he immediately wants to marry her, and no one else ever. Viorst is more beast than man. He is known as a sociopath who will do anything to maintain power. That's great for the country but he is deeply feared by all. He even threatens to sell off his head aide when he's kinda annoyed. Violence is part of his everyday life, and he thinks Lyla smells like a flower. A sexy one....
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The flirtation is all one-sided until Lyla cracks. It's so ridiculous. Viorst acts like a normal Casanova type of man, even though his bride is in rags. It gets absurd and really creepy. Viorst doesn't feel human in the slightest. All of his sweetness is a ploy to capture Lyla, who is the only woman he has ever felt anything for.
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By the way the shit with Lyla's family is actually really depressing??? Ariadne is the perfect daughter her father always wanted. She's not stinky and she's pretty. The Baron ignored her lust for blood, and now it's too late. The Baron is actually afraid of Ariadne. Ariadne thinks she's going to be Crown Princess, because Viorst is staying with them will he courts Lyla in secret.
He's staying there out of convenience.
As soon as Lyla agrees to go with him he's going to kill everybody in the manor.
Hardcore...
Ariadne doesn't know that, so she tries to seduce him the whole time...
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Ariadne actually tries to fight back. Viorst admits he's after Stinky Lyla. Ariadne convinces her father to give the order for an old-fashioned Witch Hunt. By the way!!! Lyla's father did love her!!! He just kinda gave up on her because of the Witch Stuff and the stink. He used to visit her. Ariadne slowly convinced him that he didn't need an imperfect daughter. He hesitates to give the killing order until the last second, with Ariadne screaming in his face.
He still sucks, but Lyla could have had a better life. She didn’t get it because Ariadne is a violent, narcissistic wacko. This idea is pretty great. In any other story Ariadne would be a hateful villain, but her parents adored her until the end because she's not cursed/magical.
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Viorst uses his beast form to scare the villagers and save(?) Lyla from the Witch Hunt. However, he does let them burn her cabin down. He practically forces her to come home with him, because there's no home left for her to cling to. He reveals that her father gave the order too. There's no chance to put Ariadne on trial for her madness. Lyla doesn't get the chance to reconcile with her father.
Viorst takes her away.
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He unleashes his punishment.
He cuts off Ariadnes arm, because she dared to touch him.
He takes away the Baron's title, leaving him destitute.
Then, he sets the manor on fire while the entire family is still inside.
If they survive they all have to live as peasants.
Maybe Ariadne will live and return...but it's most likely that the family will choose to die.
They can't beat the prince.
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Lyla learns that Viorst is the prince...when she's locked up safely in the castle. He pretends to be a normal noble until then. Lyla says she wouldn't have accepted his proposal if she knew and he's like...lol yeah that's why I lied to you the whole time...lol...
This is the beginning of a super healthy relationship. How wholesome.
Viorst wants to keep Lyla stupid too.
He doesn't want her to learn about her powers or anything. She just needs to stay in the palace and be loved by him.
......
......
Viorst is a real wackjob. Lyla is definitely a strong mage. After she learns a bit she'll be able to control the miasma/stink. Viorst doesn't care if she spends the rest of her life in isolation. At least let her get rid of the stink....come on....stinky....Why would you want to go down in history as The King with the Stankrank bride????
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deer-carcasses · 4 months
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"Great Alastor, altruist, died for his friends"
a deeper look into Alastor's solo part of the final song
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The entire soundtrack has been stuck in my head since the show ended, but Alastor's part of the final specifically has been playing on a loop in my brain since I first heard it.
The slow downward pan from the Vee's feeling like they are now finally able to take over the city to the upward pan with Alasto's song starting was a fantastic choice, the contrast in their emotions, in the music, and still it all fit perfectly together.
"This place reeks of death," is such an underrated opening for this song in my eyes. We know Alastor is a cannibal, we've seen him eat a dead deer before, [^1] which would point toward him not having a problem with the smell of death and decay, but he goes out of his way to mention it smells of death. I don't think he truly meant the smell of death in this scene though. He might be talking about the death of his career if he had gotten killed in his fight with Adam. The line "Great Alastor, Altruist, died for his friends" is not him referring to himself as an altruist, it is the headlines he already sees if he truly would have died, seemingly for his friends, for the hotel. The way he follows it up with "Sorry to disappoint, this is not where it ends" shows this. It's him stating how absurd it is, but that this would be the story everyone would be thinking should it have happened. But I also feel like he says it because he knows there's the tiniest of truths behind it. Why did he fight Adam alone? Why did he fight in the first place? For the hotel, for his friends. As much as Alastor hates to admit it, he has gotten closer to the people in the hotel for sure, especially when we look at how he interacts with them all. He seems friendlier, even if it's just for show and to keep up his facade, but he truly does act like he at least cares a little but about them. The look he has while even saying it speaks volumes, he looks truly terrified of the implication that hell could see him as an altruist in this fight.
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At first, his smile was an angry snarl, aggression about being humiliated by losing this fight clearly written all over his smile. But then it turns genuinely afraid like he fears the mere concept of being seen as a decent person, not even a good person, just decent enough to fight for the people in the hotel.
He digs his nails into his scalp, dragging his hands down the side of his face, but not at the prospect of dying, but at the idea of what would've come after he had died. [^2] At the idea that all of hell would know he not only died but died for someone else. Before this thought of what other people in hell would think of him, he looked more angry, enraged that Adam even dared be an opponent that Alastor had to run from in order to get out of there alive. His reaction is surprisingly human considering how Alastor normally holds himself. Sure he was alone ignoring the eyes following him around his destroyed radio tower, [^3] There's no one here that he would have to lie to, but he knows better than anyone that you're never truly alone in hell, so it still surprised me how honest he was with the viewers in this moment. It's the most we see of him that doesn't seem to be a character, a facade.
His whole persona is this blatant mask he wears constantly, obvious to everyone who knows him. He even admitted to Charlie that his smile is not real in the slightest. But it works. Every scene where Alastor was talking before his Breakdown Ballad in the finale, I second-guessed every single word that left his mouth. Wondering if it all is a performance. I see a lot of people online with the same thought, looking at everything he says twice, trying to see any hidden meaning, any clue as to what he truly wants to say behind words that, if said by any other character, would've been the least interesting thing ever. And even then, his fake smile keeps in place, even if the actual emotions behind it are clear as day, while alone in his destroyed tower. It might be to fool himself like he fools others, but I think his smile is not able to be dropped, let it be part of his deal or part of his punishment, Alastor will never be seen without his smile. [^4]
Overall i feel like Alastor does care about the Hotel staff and guests to a certain extent. I can't fully trust it, and I'd be less than surprised if I were to be wrong, but there are scenes where he seems too much like he cares.
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Moving along on the song, the next lyrics are rather straightforward forward "I'm hungry for freedom like never before. The constraints of my deal surely have a backdoor" circling back to what I mentioned above. His current goal is to escape this deal that is constricting his powers, powers that would most likely have saved him from the injury he sustained. The next and final lines"Once I figure out how to unclip my wings. Guess who will be pulling all the strings?" strongly point towards how he is unable to use his full strength, that his full potential can't be reached while he is still under this deal he made. The thought of Alastor not being at his full potential in his fight with Adam is on some level truly terrifying, a Sinner can reach these kinds of powers in hell that he is able to fight someone like Adam, the first man, someone with approximately the same amount of power Lilith must have? I've just today talked to a friend of one about it. Yes, Alastor lost the fight, but he held up quite well and was a worthy opponent to the point that Adam had to seriously take a second, stop joking around, and concentrate on the fight to get a single hit on Alastor. All of this while Alastor also got a few hits in, not as strong as the ones he had to endure later on, but still. They were hits.
Regardless, in the end, Alastor came very close to dying, and that was for a cause that wasn't just for himself. Seeing what Adam did to the Hotel (or Sir Pentious while we're at it), Alastor has to honestly be glad he even survived that blow directly to his chest. There surely was some plot armor behind this decision, but it's still believable when we trust the theory that Alastor made a deal with someone far more powerful than anyone expects.
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This show, and Alastor specifically, has taken over my thoughts completely.
[^1]: in my eyes his being a cannibal points to how he has a need for superiority. To always prove his worth. In his days alive he was a serial killer, a hunter, and now in hell, he has aspects of a deer, a prey animal. The cannibalism is purely to show that he is still on top, that he is superior even to those similar to him, to those that are the same as him. He might have characteristics of a prey animal, but he stays the hunter.
[^2]: this strengthens my theory that Alastor is also afraid of dying whiteout escaping the deal he is currently still bound to. I touch on it in this post a bit more clearly, it's almost at the end of the post.
[^3]: I'd like to link everyone to this post for some thoughts on the eyes in this scene. It's incredibly well written and I couldn't have phrased it better.
[^4]: the closest we ever get to not seeing him, or more part of him, not smiling is shortly before he vanishes from the fight with Adam. His shadow can be seen frowning in the background before quickly correcting itself. It's a blink-and-you-miss-it kind of situation.
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goldenwoods · 5 months
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I don't want to beat the dead horse of 'Harry Potter's depiction of enslaved house elves is disgusting' but...I simply can't help myself. It still leaves a bad taste in my mouth, and I made this account to rant, after all.
So, I knew that Harry Potter never solved systemic slavery, nor even condemned it as a system. Treating house elves badly was a big no, but enslaving them in general? Debatable to say the least, says the narrative. But a recent conversation with a friend made me remember some details about just how bad it was.
First of all, though the freeing of elves via socks is a repeated element, information regarding how house elves are enslaved (or indeed, how they are born) are never shown. It's some nebulous 'bound by magic' thing and George said they come with old manors (huh?). The narrative deliberately presents all of them in an already enslaved state. Enslavement is, in the Harry Potter universe, the natural state of elves while freedom on the other hand is something that requires an external 'act', something unnatural. Elves are not shown to naturally possess autonomy which is thereafter systematically deprived, rather, they are born as part of a wizard family's property. This is pretty disturbing and sets the foundation for the narrative's whole "slavery is okay because house elves like it!' thing.
The second problem is Harry Potter himself. Harry is infuriatingly passive in front of disgusting acts of slavery. And it's not because he's a shy or apathetic character. Harry will stand up for people, is quite rash about it in fact, and even at his calmest will issue an appropriately scathing remark. But when Winky, someone who's whole kind has been enslaved and abused for who knows how long, sprouts of stuff she's been conditioned to believe like 'we're not paid, and Dobby wanting to be is unbecoming', or 'we're not supposed to have fun' or 'we do what we're told', Harry doesn't tell her 'No? You are entitled to individual autonomy, enslaving you is wrong.' but he's just like 'eh.....Dobby's cool, let him live his life.' and when Hermione complained about their oppression, the book states, literally, "Harry shook his head and applied himself to his scrambled eggs." and "True, both [Harry and Ron] had paid two Sickles for a S.P.E.W. badge, but they had only done it to keep her quiet." and regarding a professor using house elves to test for poison, Harry simply thought 'welp, guess Hermione's gonna be pissed about that, better not mention it'. (???) What the hell is going on with the good guys here, Rowling? Is this the approved attitude towards slavery?
Thirdly, of course, is the whole 'house elves love being enslaved' thing. Which...silly me for thinking Rowling was trying to critique systemic oppression...and not trying to shove it under the rug after using one poor oppressed elf to characterise bad guy Lucius. I mean, Hagrid's reasoning as to why we shouldn't free elves is absurd, he explains that it's 'in their nature to look after humans, that's what they like', they'd be unhappy to have their work taken away, and they'd be insulted if they got paid. Which is, first of all, a demonstrably untrue statement, because Dobby loved being paid. ('in their nature' generalisations proven to be inaccurate? What a shock!) But even putting that aside, how does this translate to slavery? You could...I don't know, free them and let them voluntarily be cooks, cleaners, servants, whatever, instead of keeping them under a 'magical bound' that makes coerced self-harm possible. They can...take care of you and be your servants if they really want to without being your property. What the hell.
Last but not least is how the only time the narrative made Ron Weasley ('good guy' who's exasperated by Hermione's house elves movement) openly consider the well-beings of house elves is when they wanted to set up Ron and Hermione's big romantic kiss. There's something so gross about Rowling trying to finalise her haphazardly-written romance with her poorly-written slaves, a group that she had, in the last few books, already mercilessly exploited for "comedy" via Hermione's unsuccessful activism. And it's...not even that significant. Ron: 'Hey, don't you think we shouldn't trap enslaved elves in a sieged castle that's about to become a death pit?' Hermione, and the narrative by extension: 'You're amazing, Ron! For showing them basic decency!' *aggressive kissing ensues*
And then Rowling made a whole crowd of house elves (along with a bunch of other systemically oppressed races that she couldn't bother writing properly) rush into battle on Harry/Hogwarts' behalf because wow, isn't he benevolent towards the enslaved? They love him! Like...no, Rowling, you didn't earn the 'all races unite' moment, rather you screwed it over so badly that your feel-good climax presents a picture of slaves rushing to defend their masters, who, I might add, just kind of forgot about them and decided that establishing nuclear families with a bunch of kids and no evil baddie anymore means 'all is well', systemic issues be damned.
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stormblessed95 · 5 months
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https://twitter.com/_capvirgos/status/1742482657060286507
I don't think I can think of Jikook as special anymore when JK literally acts same with everyone especially JM and Tae. I saw jikookers overjoyed when some restaurant aunt said JK looked older blowing Jimin his hot food but we didn't knew on other side another aunt said even nicer things about tkk... we didn't even saw it while JK treating Tae at a restaurant footage is literally out. There are few exclusive things to Jikook I agree but who knows whether JK did the same things with others which wasn't caught on cam ? He might have bitten their ears too. Someone else has bit his neck and it made a bruise too. I'm glad I checked why tkk was trending only to see Tae and JK stuck with each other in whole LA and LV concerts.. even in beach while JM was alone by himself. Now what they used to say make sense because HYBE successfully hidden all these clips in memories but included in documentary. I understood whatever jikookers i follow was giving a vague idea of whatever happening.. always explaining away what others does as just friendship while what jkk does is some fairytale love story shit when it's really not. How can one be love story while other moment which is same as jkk is just friendship? If jkk are real then so is Tkk and jinkook or whatever and if all those are just friendships then so is Jkk. Simple. Now jkkrs will highlight and overhype JK cooking for JM in Jimin's apartment as if JK havent done the same for Tae and Jin especially Tae who said many times already that JK cooks for him while JM said he haven't cooked ramen for him yet.. but jkkrs ignore that and call JK 'Jimin's personal cook' yeah cook who cooks for all his hyungs including Jimin 😑. There's a reason why jkkrs always complain how Fandom ignores jkk... well what's special to highlight with them ? JK treating Jimin just like how he treat everyone else ? He speaks very highly of RM everytime thus even they are highlighted more than Jkk. Now I'm inclined to believe he definitely have a gf because all those 'if I was JK's gf and see Jkk....' is just BS because why she should be even mad ? That her bf treats his hyungs all the same and with love especially JM and Tae whom he grew up with ? Sorry but I don't think Jikook is real.. as in Romantic relationship, it's absurd to think it that way anymore.
How new are you to watching BTS content? Lmao how new are you to my blog? JK feeding Tae is what put you over the edge? When they've been doing that for years? All of them? I guess then you REALLY should have followed me much sooner. I had a whole series of BTS feeding each other I posted.... I could've helped you come to your new conclusions MUCH sooner! Saved you a ton of time and saved me the effort of trying to read your exit speech no one asked for. You can stop shipping at ANY point freely, I even encourage it. But I really don't need or care to know about it. Thanks anyway!
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yusiyomogi · 11 months
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people who say that jake as a character has only 2 layers don't understand how bad hussie's writing actually was. no, the way jake's character was built is such a confusing mess.
first of all, like all alpha kids, jake was written in the backwards way: someone who we only knew in the form of mysterious 1-dimensional parental figure needed to be fleshed out in the form of a main character. but here's the first very weird choice made by hussie: the big part of grandpa's and nanna's characters was the fact that they are, well, old people. with old-timey outlook on things and speech patterns and stuff like that. and for some bizarre reason hussie desided to write jane and jake as sorta (?) old people who are also teenagers. they are unmistakingly grandpa and grandma, but not because they had their character traits, but largely because they're still old people.
another layer to this is harleybert legacy. it makes sense of course, hussie put a lot of attention to this sort of "genetic predispositions" when it comes to all characters of homestuck. but for some reason jake got the worst case of it. his thing is that he's an exaggeration/flanderization/satire of what john and jade as characters were. john likes shitty movies? jake likes all the movies especially the shittiest ones. john is a bit goofy? jake is the goofiest. jade is excited about the game and somewhat naive at the start of the story? jake is completely oblivious to everything and only cares about adventures. jade has a weird pet? jake has a whole island of weird pets. jade is overpowered? jake has the biggest absurd dumb-looking form of power in the comic. just compare this to the much more subtle writing of dirk and roxy and you'll see that there's something almost mean-spirited in the way jake is written. i have no idea why.
next layer that hussie decided to add to already badly written character of jake is the weird parody on misogynistic tropes. here's the question hussie present to us: what if we have "a useless sexy woman" character but he's a boy instead? and i still have no idea what hussie was thinking here. it's not like this trope was super popular at the time (early 2010s) and someone desperately needed to make fun of it. it was more of a late 90s thing really. it could be some form of ironic self-critique, but i don't think it was the case, because, if anything, hussie did a pretty good job writing women in homestuck. but here's a boy who's a parody of something that had not been relevant for 15 years or so. who's everyone's love interest and no one think about him as a person. this wasn't even a clever commentary really. jake isn't happy with his situation, but it's not an important point in the story and nothing comes out of it.
another layer to jake's character is that around this time hussie decided to put a lot of focus on classpects. especially thanks to calliope and aranea, a lot of act 6 is focused on the weird self-analysis of the story where we are basically forced to look at it through classpect reading. the unfortunate consequence of this is that all new characters are very confined to their classpects, but skilled writer can work with that and even make character writing more interesting than it was before. you'd think that hussie could use this opportunity to explore classpects more, make them deeper by writing complex characters, but. ugh. that's not really what they did?
actually hussie took a bunch of character traits from already existing characters and gave them to the new ones. jake is a page? tavros is also a page. so jake is a bit like tavros, because of course tavros personality was always connected to his classpect. hussie wrote a vast majority of homestuck through "backwards self-justification" method and that's exactly why jake's personality connects to tavros. and funnily enough, since hussie kinda hated tavros's personality (which is so so weird to me), they also ended up hating jake's personality as well. which, i think, was eventually the reason hussie gave up completely on writing jake.
that said, reading homestuck serially, i liked jake. i still like jake! fandom had a very different outlook on his character and i remember we all kinda found him relatable and waited for his "big" moment where he finally says what he thinks and chooses what he wants to do with his life. hussie didn't go the route we hoped for, at all.
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