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#luke would focus on anakin
nervoustreellama · 1 year
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So I’ve come to the conclusion that I would be a terrible Jedi. Not cause I can’t swing a light saber or cause of the moral thing but cause I can’t focus on shit.
My Jedi teacher: ok now concentrate and lift the rock
Me: ooh shiny thing (drops rock on foot)
Or
Jedi master: we must meditate to focus our selves
Me: do you think fish can see water
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merrysithmas · 2 years
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Force Ghosts as Enlightened beings, each representing a Theme
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This meta presents a theory that all characters who become Force Ghosts were reincarnated souls close to nirvana that needed to master one final lesson before becoming eternal in the Force.
Once they do, they are allowed to become Force Ghosts, serving as bodhisattva-like entities for the Galaxy. I propose Jedi (or force-sensitives) are these particular reincarnated souls close to nirvana. This explains their "powers" in the SW universe. Importantly, only a few of even the Jedi are close enough to nirvana to reach Enlightenment - thus becoming Force Ghosts.
A bodhisattva is a person or entity who can reach nirvana but they basically stay behind to help assuage the suffering of others. As a follower of buddhism, I have always sort of assigned the Force Ghosts this role in Star Wars because even out of the Jedi they are special. This is only my personal interpretation and application of the concepts mishmashed with Star Wars. To me, each of them represents a Master over a different version of Suffering.
In their latest incarnations (aka the Jedi characters we know them by) they are tasked with trials and tribulations by the Force that are intended to be insurmountable, these tasks are intended to test them to see if are ready to leap over that final hurdle towards Enlightenment so they can act as guides to humanity (bodhisattva-like entities or Force Ghosts).
They are already all good people- but to reach this final stage requires immense inner balance and understanding of the true Way (as reflected by the Eight-Fold Path). The EFP is a buddhist guidance system which does not rely on concepts of "good" or "evil" but rather personal integrity and things like "right effort", "right intention" which can include taking actions or POVs which may be seen as morally ambiguious to others. This guidance system is used to prevent "the painful cycle of rebirth" and free oneself from, essentially, physical/psychological/spiritual deja vu.
Obi-wan: Forgiveness
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Obi-wan begins his journey as a Jedi as an uppity, arrogant young man. He is portrayed in TPM as rule-follower with an intense dislike of deviation from "the books" so to speak, and is baffled by his Master's lackadaisical adherence to the Code. He finds it difficult to bend tradition and holds himself to very high standards of his own design.
He meets Anakin who is his litmus test, his foil, and his eventual partner. It has been said many times that Anakin taught Obi-wan adventure, energy, freedom, flexibility. His other half. The one person he finds purpose with and literally cannot live without. So what does the Force serve him? Betrayal. He is betrayed by Anakin. His rock. His defining partner. The person by whom he defines himself.
Not only has Anakin failed, but ergo he himself failed. An insurmountable grief it takes him years to come to terms with.
How does one learn forgiveness? To find detachment from the need to hold onto grief? To anger? To sorrow? To define oneself by loss as much as by love?
To free those who need forgiveness (ourselves or others), one must free oneself from judgement - judgement of ourselves and others. This judgement comes from a desire for control. This is Obi-wan's journey.
And each time Obi-wan succeeds - he forgives Maul for the murder of Qui-gon and Satine, and helps him die with compassion. He understands Maul's pain, even if his actions were painful. He knows it truly has nothing to do with him. Experiencing emotional pain is different from mentally centering oneself as the target of suffering.
He has an extremely important conversation with Maul here. As Maul is dying he asks Kenobi, "Is he the Chosen One?" to which Obi-wan replies, he is. Maul, with relief, dies in his arms with the last words, "He will avenge us all."
This exchange is extremely important! Not only does Obi-wan make the step to forgive Maul, but through that effort he gains more understanding of Anakin and Vader (his biggest hurdle!). He gets closer to overcoming his greatest challenge.
Along the way he forgives Padme for lying to him about her marriage to Anakin and raises her children. He forgives himself for the blame he carries for Qui-gon's death and Anakin's fall. He forgives Anakin.
Until finally, most importantly, he forgives Vader by realizing there is still light in him, too. That Vader suffered and is a Being of suffering, made of suffering, making others suffer.
He has compassion for Vader! Because one only suffers if they have goodness in them, if they are in moral conflict with themselves. And so he understands Anakin has always been there in Vader. He is not lost and never has been.
This is why he smiles when he dies. He knows neither of them are lost. The circle is now complete. He reaches Enlightenment.
This is how Obi-wan becomes a master of Forgiveness.
Anakin: Balance
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Anakin of course is a demi-god and agent of the Force's will. His entire life he is torn between two ends of a spectrum. IMO if we follow Buddhist tradition in this example, the Force is the entirety of dark and light, all-encompassing, the unit, the whole. There is no nominal "good" or "evil", just well-intended deeds and unwell-intended, failures and successes, both dependent one another.
As an agent of the Force with no real "free will" Anakin is tossed back and forth between extremes and opposites his entire life, fighting desperately for an identity and freedom. The Sith or the Jedi. Obi-wan or Padme. His mother or his duties. Ahsoka or the Council. Republic or Separatists. Sage or Warrior. The Son or the Daughter. Anakin or Vader. Good or Bad. Slave or Master.
This duality tortures him until he finally accepts something most people cannot accept or comprehend about themselves (even the Sith and Jedi): he is both.
We all must balance and accept we belong to the dark and the light, to every edge of our desires, to take responsibility for ourselves - without judgement, to stop fighting, stop warring with ourselves and one another, to see we are all struggling, and to most importantly, not become slaves to our engineered suffering.
When he dies, like Obi-wan, he is smiling, because he sees his son Luke. The person who was able to finally help him see he is not a monster, torn and tortured - he is just a person, like everyone else; and he is the Force, like everyone else.
This is how Anakin becomes a master of Balance.
Luke: Failure
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Luke's arc really is intriguing and my personal favorite. He is a wunderkind and Light of the galaxy. He is revered, worshipped, loved, -- he can do no wrong.
But soon, the Force begins to test him. Grogu rejects his teaching. His Jedi Academy fails. He finds himself distanced from Leia and Han. He takes on the apprentice Ben Solo and fails spectacularly to protect him from the Dark.
He considers ending Ben's life, in a mirror to Vader's slaughter of the younglings, and comes to the personal notion that the Jedi way itself is corrupt. If it wasn't, wouldn't it protect these souls? These children? Wouldn't it make him strong enough to resist that urge.
He feels the Jedi Way (or any adherence to a Way that creates duality) is what corrupted not only him, his father, his nephew, his relationships, but the whole galaxy. He is convinced the Jedi need to end and flees to isolation.
He considers himself a failure to his father, his legacy, his apprentice (Rey), his masters, Obi-wan, Ben, and the Galaxy.
Yet when he seeks to burn the sacred texts he hesitates. Yoda appears to make it clear to him. The greatest teacher failure is.
Luke the Wonderboy needed to face the fact that he was fallable man, not just Luke Skywalker: untouchable son of the Chosen One.
When he faces Ben Solo he accepts that he failed. He wants Ben to know it is okay to fail.
To fall.
And that is how he eventually saves his nephew and gains Enlightenment. The Order fell, not the Jedi way (aka "goodness"). And that's okay, because the Order was only an institution. Maybe it was wrong and corrupt.
And so from that Luke understands the Jedi Way did not fail, he did. And that's okay, even if he's Luke Skywalker.
He says "See you around, kid" because he knows with this last lesson he has finally given hope to a new generation of Force-sensitives. He knows he will not be the last Jedi.
This is how he becomes a Master of Failure.
Leia: Acceptance
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We don't get to see much of Leia's life on screen but it is easy to surmise what her lesson from the Force is. Fierce, independent, fiery Leia, rebel leader Leia, who is convinced she can do or achieve anything - must learn to accept things she cannot change. Must give up control. Understand that some things are unchangeable. Some things you cannot fight.
Leia cannot know her birth parents (Obi-wan tells her only what he can). Leia cannot save Alderaan (an impossible choice). Leia cannot save her son Ben.
It doesn't matter if there is still light in Ben (she can't save him alone and must have Han). She cannot bring Luke back alone (she needs Rey to do that). She cannot save Han (he sacrifices himself). She cannot win the war (that is left to another generation).
No matter how hard she fights, she must admit to herself there is no winning, no "end" to conflict. That the conflict and need to heal it is also within herself.
Leia the fighter must finally lay down her arms. And how does she finally bring her son back to the light? Not kicking, not flailing, not burning into the night - no, she literally lays down, and rests. She finally rests, giving the last of her life to help him survive Rey's saberhit.
And that's when Ben finally hears her.
Leia dies at peace, asleep. Knowing she will never again see her son, knowing the war is not won, knowing Alderaan is not entirely avenged, knowing she cannot fight her way through the truth. Having to accept her effort was enough, even if they never outright win. That winning is not victory, but simply a resolve.
This is how she becomes a Master of Acceptance.
Qui-gon: Responsibility
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With Qui-gon we go briefly to the EU here. Qui-gon was considered for the Council but rejected it on the basis that he would not align with their POVs. He was a freethinker and disliked the Council's orthodoxy and adherence to the Senate's will. This stems from his suspicion about them following Dooku's fall, which wounded him deeply.
He trains Obi-wan but is so damaged from the absence of his Master Dooku that he stays distant and unattached to Obi-wan, causing the boy to seek perfection to obtain respect from his peers. He shirks the Council and insists on training Anakin. He makes jokes of levity about "not being there to free slaves". He leaves Shmi on Tatooine.
Qui-gon avoids responsibility because he does not want to disappoint anyone as Dooku did. He does not entirely trust the Council, either. He can't stand the idea of that failure and is so, so damaged by it. And so, he never commits to anything and rejects responsibility.
So what does the Force hit him with? Maul. The first Sith in ages. And Anakin. The freaking Chosen One. The two biggest responsibilities to ever exist in their time!
He is tasked with protecting the Queen of Naboo and preventing an all-out Galactic War!
When he dies, fighting the first Sith in memory, he finally is putting his money where his mouth is. He steps up and sacrifices himself for his beliefs. He begs Obi-wan to train Anakin, knowing his importance and commiting his only padawan to that belief.
He is the one who figures out how to become a Force Ghost! He is tasked with training all the masters and sent back to rehabilitate Obi-wan in the desert - his apprentice who deserved his attention long ago. And he gives it, taking responsibility and committing to Obi-wan.
This is how he learns to be a Master of Responsibility.
Yoda: Loss
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And of course, last but not least, Yoda.
In a lot of "anti Jedi"-centric meta is it pointed out Yoda had a huge part in the making of the past 900 years and thus takes a large chunk of responsibility for the path of the Jedi/Sith through the SW timeline.
The fact that Yoda has an enormous influence on the ebb and flow of the SW universe is undeniable at least. Yoda's attachment to the Jedi Order and way, to the outcome of continual balance, to the search for Force-sensitives, to teaching, to leading the Council is something the Force needed to challenge to test Yoda.
Of course we know Sidious defeats Yoda and the Order crumbles. Yoda himself admits the Jedi's attachment to the war, Senate, and rules contributed to the end of the Order as they knew it. He was blind to Sidious' plans because Sidious preyed on Yoda's weakness -- his faith in institutions. Sidious became the institution, something Yoda would never suspect. I am the Senate.
In the end, Yoda dies a hermit. At peace at last. No Order to serve, yet he gets over his shame and fear of his failure and starts again by training Luke. He warns Luke he will be scared. Just as he was to lose the Light, Goodness, and Order of the World. And that fear is sometimes the biggest challenge and roadblock of all.
He leaves Luke with one final warning, no longer a Jedi High Master but an old reclusive man living in a bog.
"There is another," Yoda says. He means Leia, of course, but symbolically he is always giving Luke pivotal life advice that he has finally come to understand after 900 years.
Whatever way you think you must go, never forget there is another.
Let it go if you must.
Fighting endlessly to keep something is sometimes much less valueable than letting it go.
And never forget that this alternate path might be worth walking.
This is how he becomes a Master of Loss.
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Of course there are only the Force Ghosts we have seen on screen! So assumedly others may also reach Enlightenment.
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jewishcissiekj · 6 months
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Oh waitttttt I love Medstar
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bibxrbie · 1 month
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"Luke Skywalker isn’t like the old Jedi. He saves Vader with his attachments!”
Wrong!
Luke Skywalker, at the end of Return of the Jedi, after his confrontation with the Emperor drags Darth Vader through the destructing Death Star. He’s desperate, knuckles white under the heavy weight of his father’s body, a little boy dragging his dad to safety. He sets Vader down for a moment, to catch his breath or maybe to get a better grip. He goes to grab Vader again, but Vader, uncomfortable and in pain, asks Luke to take off the mask. He wants to see Luke through his eyes instead of the eyes Palpatine built for him. Luke refuses, says that removing the mask is a sure way for Vader to die. Luke doesn’t want Vader dead, he wants Vader alive. Not to hold him accountable for his many evil acts, but for the same reason why Luke Skywalker can’t kill Darth Vader; Vader is his father and Luke loves him.
And yet, after a moment, Luke removes Vader’s mask. He doesn’t want to, he hesitates, but he removes the mask with enough slowness to allow Vader to take it back. In that moment, Luke sets aside his desire for Vader in his life, sets aside his desire to see him live, and sets aside his entire mission, the reason he was even on the Death Star in the place. In his compassion for his father, Luke stays with Vader until he dies. It is this moment where we see him be the best damn Jedi he can be. I’d even argue that this moment is the greatest example of non-attached love we see. Because Luke lets Vader go! He lets his father die, and in some ways, by removing the mask, he too kills Vader, he stays with him until his last moment, gives him the kindness of granting his last wish and finally chooses Vader.
And Luke doesn’t have to do this. If Luke Skywalker’s love for his father was an attachment, he would ignore Vader and continue dragging him to the escape pod, put his desire for a father as his central focus and ignore Vader’s wants and discomfort. Maybe he would even save him. But he doesn’t. Instead, he watches as Vader dies.
He builds a Jedi burial for his father and watches it burn the remnants of Vader and Anakin Skywalker away. He mourns Vader, he mourns what they could’ve had as father and son, considers what ifs and maybe-if-I-did-this. Vader/ Anakin is released from his mortal body, from his ‘crude matter’ and Luke lets him go. He says one final goodbye to Anakin. Then, he joins Leia, Han, Chewie, Lando, and the rest of the Rebels and celebrates their victory. He lives in the present and celebrates what he has instead of what he lost.
Luke Skywalker is THE Jedi. Everything about Luke Skywalker serves as the foundational cornerstone of the Jedi, everything about the Jedi as a culture and philosophy is reflected in his character. Luke’s desire for the New Jedi Order isn’t to throw away the values of the old Order, but to vitalise them, breathe life back into dying lungs, and rebuild a path that people set out on their way to destroy. (Yes, his Order is different from the Old, but that’s because it has to be. He doesn’t have the resources or the safety of the Old Order.) The philosophies of the Jedi are difficult and they aren’t for everyone, and like the perfect Jedi that Luke is, he struggles and stumbles and sometimes he even rejects it. But, no matter how far he falls, it is a way of life he chooses again and again and again. It is a way of life that welcomes him back each time
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angelltheninth · 1 year
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Star Wars Threesomes
Pairing: Obi-Wan Kenobi, Darth Maul, Kylo Ren, Hux, Luke Skywalker, Din Djarin, Hunter, Crosshair, Anakin Skywalker, Rex x Fem!Reader
Tags: nsfw, smut, threesomes, rough sex, cilt stimulation, blowjob, rivalry, dirty talk, praise, degradation, hair pulling (for Reader), anal sex, dick riding, breeding kink, double pentation, tit jobs, spit roasting,cunnilingus, fingering, dumbification
A/N: Haven't written many threesomes but this is good practice I think.
OBI-WAN/DARTH MAUL fingering, degradation, cunnilingus, hair-pulling
You moan around Obi-Wan’s cock, licking him up to the tip and swirling your tongue around the leaking tip, your eyes darting up to his frowned brows as he tries to hold onto some composure.
“Does he taste good? I know you’ve got a cock in your mouth you can still speak up can’t you whore?” Maul’s tongue swirls around and teases your opening, his finger knuckle deep inside you in a second, as your head bobs all the way down to Obi-Wan’s balls.
“Don’t call her that.” Obi-Wan growls at him even as his hands tighten in you hair and he pulls you closer towards him. “She’s not a ah-!” You focus on his tip, tongue tapping on the small opening there, a string of cum on your tongue. Obi-Wan pulls bunches a fistful of your hair as he throws his head back, his mind swirling just like your tongue on his cock.
Maul’s chuckle travels all the way through your cunt, “And why not? Seems she enjoys it. Aren’t you?” You muffle out a quick ‘yes’ as he Zabrak pushes another finger inside you, “A Jedi whore. Now I’ve seen everything.”
KYLO REN/HUX rivalry, blowjob, titjob, dumbification, rough sex
You always knew that the Supreme Leader and the General had a bit of a rivalry but nowhere was that more apparent then in the bedroom. They loved to take turns on you, seeing which one can get more orgasm’s out of you, make you scream and moan more.
“Say it! Who fucks you better hm? You came so easily around my cock before, it’s only right you should clean it up.” Hux plays with your tits as he thrusts between them and the tip just barely enters your mouth. You’re looking up at him in tears, too overwhelmed to speak.
Even as you try you feel the pressure of the Force on your throat, a choked sob being all that you manage as Kylo’s cock slams into your cunt, your legs tightly locked around his hips, “And yet it’s my cum that will make her full. My cock that she sucks in the throne room with that talented mouth. Ah fuck, squeeze around me some more.”
Barely able to comprehend orders anymore you did your best, you knew there would be praise from them both later if you did a good job. How you craved to hear those words from them. You’d do anything for them, even be toy for them to take their rivalry out on. To be fucked so hard that all you can do is moan on Hux’s cock while every thought blissfully left your mind from the rough pounding delivered to your slippery hole.
LUKE/DIN clit stimulation, praise, blowjob, spit roasting, rough sex
You choked on Luke’s cock, his thrusts sloppy, fast, hard and showing not any sign of slowing down any time soon, “How-how do you feel this good? And just your mouth too. Force I could fuck your mouth all day.” Luke almost whined as he gripped and tilted your head a little more.
The new angle allowed him to fuck your throat, muffling your moan as Din rolled the swollen, leaking tip of his cock across your clit, his hands smoothing along the inside of your thighs, edging dangerously close to him backing and slipping away.
“Keep those thighs spread apart. Let him see my cock fucking into that tight, wet little cunt.” Din isn’t gentle, or sloppy at all. Every thrust he delivers is perfectly angled to hit your weak spot and make your walls clench and squeeze his cock, “Good girl. You’re so good for us. Taking these cocks like you were made for them.”
You whimper when Luke leans forward, thighs bracketing your face, his hand joining Din’s to further torture and stimulate your clit. “You’ve brought a Jedi to his knees love. I knew you were special, didn’t I tell you that?” Luke went even further down, slapping Din’s hand away to take your clit in his mouth, lapping at it like a hungry animal while you continued to moan, cry out and squirm under them both.
HUNTER/CROSSHAIR double penetration, rivalry, dirty talk, breeding kink
Hunter growls and bites the shell of your ear, his head on your shoulder, his warm, rough hands massaging your breasts, rolling and pinching your nipples until they pebble under his touch. His cock pushes past Crosshair’s right as the sniper pulls out, leaving you feeling constantly full and stretched.
Crosshair snickers down at him, “What’s wrong Hunter, can’t handle that she’s feeling good from my dick too? That pretty face and the way she’s squeezing when I’m pulling out, it’s telling me all I need to know. Don’t worry baby, I’ll be more than happy to satisfy you when Hunter here goes off on solo missions.”
That promise only seemed to fuel the fire inside of Hunter, his hips smacking against your ass, pulling your back into his chest and leaving bites across your neck, “You won’t need to. I’ll leave her a dripping, sloppy mess. You’ll be full of my cum sweetheart, on your knees and begging me to breed you.”
“Or maybe it’s time to admit what she already knows. That’s she’s a greedy slut that likes to have two big cock at the same time. She’s handling them quite well I’d say. I think she can take two loads at the same time don’t you Hunter?” Hunter grunts, his face now buried in your neck, cock twitching as he empties his seed inside of you, Crosshair smirking at the sight, “I wonder who can fill you up more. Shall we find out tonight? You'd like that, I know you would.” He gives one last thrust forward, another warm surge of cum flooding you before you have time to scream how much you want to take them all night long.
ANAKIN/REX dick riding, anal sex, dirty talk
Your moan echoes through the barracks, your hands gripping the top bunk with all your strength while you look down at Anakin's smug face. He winks at you and grabs fistfuls of your ass, spreading you further to make more room for Rex's dick.
Rex's hand holds you by the shoulder, pushing you down until your head is on Anakin's chest, he tried to be gentle but judging by your little groan he used a little too much strength in his next thrust, "Sorry about that love, ain't my fault you feel too damn good on my dick. Your ass looks great when it's bouncing like this. You're a real good stress reliver I must admit."
Anakin kissed your jaw, his arms circling around your lower back to, encouraging you to move faster on his cock, to push back against Rex, to ruin the sheets and his thighs by the sheer speed at which the drops of combined cum are falling from your cunt and ass.
"Having both holes used at the same time really gets you going. You weren't even hesitant about it, presented that pretty pussy and ass right away for us." The Jedi Master used the Force to angle your head toward him and pry open your mouth for his tongue to explore freely, your walls vibrating around him, ass clenching around Rex's cock as the two men continued to fuck their cocks into you, your moans a warning for any other solder that the barracks were occupied.
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unexpectedreylo · 5 months
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So, It Wasn't Planned After All
https://x.com/RichEisenShow/status/1734703529552699725?s=20
While Adam Driver is making the rounds to promote "Ferrari," he drops by the Rich Eisen Show and when asked about Ben Solo during the True or False segment, Adam spills the tea.
He doesn't get asked much about Star Wars so this is the first time I think he's talked about his character arc since TROS was unleashed upon us 4 years ago. And he drops the bomb that the Ben Solo thing wasn't planned from the beginning. That's right, Bendemption happened late in the game. He says that JJ Abrams told him the idea was Vader In Reverse (starts out vulnerable, ends entrenched in the dark side) and he kept that concept in mind throughout the time he filmed the ST, until they changed it with the last film. Adam has alluded to the concept of Vader In Reverse before but this is the first time he's gone into greater detail about it, including the revelation that the decision to turn Kylo from the dark side came during the third film.
This shouldn't be surprising to anyone who read the Duel of the Fates script and it explains why Ben hardly says a word during his scenes on Exegol. Abrams and Co. conceived of Kylo Ren as an evil bastard whose destiny was to get eviller; killing Han Solo was meant to be what sent him down the path of no return. Then two things happened: TLJ and Driver's commitment to humanizing Kylo Ren. People loved Kylo and Rey together (hence Reylo exploding in popularity) and they fell in love with Adam. They empathized with Kylo. So they changed course with TROS, a little. Kylo returns to the light as Ben but he is quickly dispatched once the big battle is over. I believe Ben's death was for two reasons: one, they were less invested and focused in Ben's part of the story than we were and two, there was always the intent to end the Skywalker line so Star Wars could focus on new characters. Remember, Rey essentially turned Skywalker into a title that could be transferred to anyone.
That the story changed over the course of the trilogy isn't that big a deal. There was no Chosen One prophecy until the prequels. Leia wasn't Luke's sister until Lucas wrote ROTJ. Han wasn't guaranteed to get out of carbonite because nobody was sure if Harrison Ford was going to come back. Instead of a tyrannical, ruthless bastard like Lee Pace's emperor in Apple TV's Foundation show, Kylo Ren gave us quivering lips, teary eyes, and mooning over the heroine who is supposed to be his enemy. When Rian Johnson introduced the bond between Rey and Kylo, Abrams and Terrio explained it as a dyad and made it prominent in the film. The kiss got put in because Reylo was so popular. Okay, fine.
The problem was they never should have made the Jedi Killer from early drafts Han and Leia's only child. As an old Star Wars fan who saw every film since 1977 and followed the Skywalker clan for over 40 years, I didn't want to see Anakin Skywalker's grandson end up even more evil than he was. What a huge bummer that would've been, even worse than if Rey was killed off. (For the record, I hated the whole Darth Jacen thing so much in the legends books I stopped reading them.) Abrams and Terrio probably realized it was going to be a problem returning to the idea that Ben was too evil to save; TROS already comes off as a tragic ending rather than a happy, triumphant one. And it goes against the whole message of Star Wars. So it ends up being Vader 2.0 and fans hoping Ben would survive were disappointed. I wasn't fond of the idea of exile or something as Ben's fate prior to TROS, but now I think that probably would've been the best outcome. It would've left a lot of possibilities to explore in future SW stories without having to come up with a convoluted explanation for bringing him back.
As much as they fumbled the ball, I'm glad they at least spared us Evil Kylo 4 Ever and Adam's turn as Ben was great even without anything to say besides "Ow." Adam sounded a little disappointed to me but maybe I'm just reading into it too much. In any case he has also stated in recent interviews he would be open to returning to Star Wars, so I guess we can still be hopeful even if he doesn't appear in the upcoming film. (Just don't wait 30 years, okay?)
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gffa · 2 years
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I don’t know if I will ever get over how incredible the Obi-Wan Kenobi show was at threading the needle of using mostly established characters, adding new characters that played into the themes that were already established, while also making it feel like it opened up a whole new world of stories to be told. Would a story about Obi-Wan and Luke have been as meaningful, if well told? It’s very possible that it could have been!  But using this opportunity to focus on Leia instead, to take two characters who never really interacted beyond a few lines said about each other, and developing an entire dynamic there, while also tying it directly to the heart of the Obi-Wan & Anakin dynamic, balancing that these two saw each other as themselves just as much as they had a connection because of the other people in their lives, I really can’t get over it. And I can’t get over the inclusion of Reva as a Jedi youngling, she’s not just a fleshed out Inquisitor there to fill up the space, she’s vital to the story being told, she is a face and a voice of the younglings that Anakin slaughtered, she is a character with a journey that is her own path to walk and she will make her own choices, but she is also a reflection of the central Star Wars character (as all characters connected to the heart of the story should be to a degree, in my opinion) in that her choice to not become like Vader illustrates Anakin’s choices all the more. Just as the Obi-Wan & Leia dynamic is a story unto itself, so is Reva’s story, but they are also part of the bigger theme of Anakin Skywalker’s legacy, they are both at the same time, just as Obi-Wan Kenobi is himself, his character is an extension of Anakin’s character on a narrative level, and later an extension of Luke’s character, that is his function in the bigger narrative, but that doesn’t mean his own story within that structure can’t be important and meaningful. The show has Anakin Skywalker’s presence looming over everything in this series, he’s not even actually in that many scenes, but I feel his ghost in almost every single frame of the story, and I’m just never getting over how good that was. I cannot comprehend how well done the character work in this show is, how the characters are serving the themes that George Lucas established, but they’re also telling a story that I was invested in.  I wanted so desperately to see that hug when Obi-Wan and Leia reunited.  I wanted so desperately to see Obi-Wan and Anakin meet one more time, to tear each other apart one more time.  I wanted so desperately to know how Reva’s story would end, how this would affect Leia going forward, how it was a love letter to the prequels movies, how it was connective tissue, the story of how they got from Point A to Point B, but also was a journey worth taking on its own, because I got to see Reva’s face crumple when she asked if she’d become him, I got to see Obi-Wan fix Leia’s droid and teach her a little about the Force, I got to see Owen come to a gentler understanding of Obi-Wan and ask if he wanted to meet Luke, I got to see Anakin absolve Obi-Wan of guilt while still trying desperately to hold onto him. I just cannot get over how it walked the fine line of established characters and something new, that I want approximately a hundred fics about Obi-Wan and Anakin’s conversations in this show, I want another hundred fics of Obi-Wan and Leia, I want a hundred fics about the life Reva could have had in a better world or where she goes from here or how she survived up to this point. I CANNOT GET OVER HOW DEFT THIS SERIES WAS AT GIVING ME THE BEST OF BOTH WORLDS.
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lunarmoonanons · 1 year
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Worries
🌕 🌖 🌗 🌘 🌑 🌒 🌓 🌔 🌕  
Without much news from the battlefront, YN worries about her husband. Worries eat her up inside.
🌕 🌖 🌗 🌘 🌑 🌒 🌓 🌔 🌕  
Masterlist 
It had been a long few months, at least that was what it felt like when you were pregnant. The months dragged on and YN felt lonely without her husband, Anakin. Sure she had her friends Bail, Mon Mothma, and occasionally Ahsoka would sneak into her apartments. But having milestones in her pregnancy missed when her husband was off fighting made YN feel hopelessly lonely.
“Mistress YN, I do wish you would take it easy.” Threepio fussed. The protocol droid always worried about you more so now that you were pregnant.
“I can’t take it easy. I’m so worried. What if he’s hurt or dead?” YN paced and bit her thumbnail, one hand placed on the swell of her stomach. “I wouldn’t know, I’m not entitled to that information.”
“I assure you that master Anakin must be fine. There would be news if he was hurt.” C-3PO always tried his best to calm her down, these past months her nerves became more and more active.
Before YN could retort with more worries, her comlink went off. YN quickly answered it and heaved a sigh of relief. Anakin was back and he was alright. YN threw on a cloak and headed toward his location as quickly as possible. Once there she watched as the chancellor walked away from her husband followed by his attendants and senators. Anakin spied her standing off to the distance and once the chancellor and senators were far enough away he made his way to her.
As soon as they were close enough, Anakin pulled her into a tight embrace. They held each other close for a few second, breathing each other in before YN pulled away and kissed her husband dearly. Anakin sighed into the kissed, bringing his hands up to pet her hair. Eventually they pulled apart for air. YN rested her forehead against his and held his cheek in her palm. Without saying anything, Anakin did the same.
“I’m alright. I came back just like I said I would.” Anakin whispered.
“There were whispers… rumors that you were killed or hurt. I was so worried-”
“I know. But I came back. I wouldn’t leave you.” Anakin kissed her lips once again, then pulled away from her. “Let’s get out of here.”
YN nodded and pulled her husband away. Eventually they found themselves back at her apartments. YN wanted to stand and make some dinner for them both, but her feet hurt too much so they waited on the couch together. Anakin’s favorite thing to do was to rest his hand on her stomach and feel the little kicks against his palm.
“She’s a kicker.” Anakin laughed.
“She’s a he. And he is Luke.” YN teased and threaded her fingers with his.
“Force wielder here. I’m sensing a girl named Leia.” Anakin teased back.
“Well I am the mother and I can tell it’s a boy. Motherly intuition.” YN smiled as he brought her hand to his mouth and kissed her palm.
“Oh I dare not argue against motherly intuition. Even though I am right.” He laughed as YN swatted him on the chest. “I saw Ahsoka.”
YN sat up at that and looked into his face. “When? Where? Is she okay? I haven’t seen her in months and I was worried she left Coruscant without telling me.”
“She’s fine. She’s on a mission with Rex to Mandalore. I saw her off beforeI was called to save the chancellor.” Anakin pulled her to his chest and rested his hand against her hair. “I tried to make it all up to her, but I couldn’t go with her. I disappointed her again.”
“Anakin… You did all you could.”
“I could have gone with her. But I chose to stay with the Jedi.”
YN looked up and held his face in her hands once again. “I know you. You couldn’t leave the Jedi order. It’s your home and family. I’m sure she doesn’t blame you.”
Anakin sighed and kissed her forehead. Calming himself instantly by her touch. His mind still focused on Ahsoka and other things. But when he was with YN, it felt like he could pause the whole galaxy and focus on one thing. Nothing else mattered when he was with her, and that wasn’t something he would give up for anything.
~~~
Later, YN sat up in bed. It was nighttime and she was alone in bed. YN sleepily rubbed her eyes and looked around her room, but there was no sign of Anakin. With a groan, she got up from bed and heaved herself to a standing position. She wandered through her place until she found Anakin on the balcony, visibly shaken and looking down. YN sighed and came up behind him, wrapping her arms around his torso and placing kisses on his shoulder.
“Was it another nightmare?” She whispered against his skin.
“You should be asleep.” Anakin said, holding her hands. When she said nothing he sighed and turned around to look at her. “It was about you.”
“What happened?”
“You were in pain. Dying. I think you and the baby were both dying, and I couldn’t do anything.” Anakin blinked back some tears and gripped her hands harder. “I was as useless as I was when my mother died.”
“You’re not useless.” YN assured and brought her hands to his cheeks. “You couldn’t do anything to save your mother, that is not your fault. Look at me.”
“These dreams, their just like the ones I had before my mother died. What if you die too? What if I lose the both of you?” Anakin placed his forehead against hers. “I won’t lose you the way I lost my mother.”
“No you won’t. But worrying yourself over a nightmare isn’t gonna do anything. I’m right here. I’m not going anywhere.” YN tried to smile to reassure him. “I love you. Now please come back to bed.”
Anakin sighed and kissed her briefly. “I love you too. I won’t ;et anything happen to you.”
With that the two went back to bed, but Anakin didn’t go back to sleep. He just watched his wife sleep, as he rested his hand against her stomach smiling at the small kicks against his palm. He leant down and placed a kiss on the swell of his wife's stomach.
“I won’t let anyone hurt you.”
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azurajae · 4 months
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Thematically, I think Star Wars would be a great world for KH4. Not only just because of the whole Light vs Dark themes, but also mirroring Anakin's decent into darkness to what Sora is (possibly) going through. I know a lot of people wanna fight Dark Vader not befriend him, but hear me out.
Kingdom Hearts always liked to have "Disney" worlds connected thematically with a character's development or overarching plot (ex. KH3 Carribean connecting thematically with Sora's sacrifices in the end). People often talk about how they'd like worlds that theme with 'death' (ex. Coco, Soul) or worlds that give Sora therapy (ex. Encanto, Inside Out, etc), but what about a world that brings out his darkness? To emphasize his pain and isolation?
Come KH4, it seems like Sora is beginning his 'Dark Road', with most of the DS Saga only hinting and building the turmoil underneath, just like how Anakin's darkness had been throughout his life in the Prequels.
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My dream scenario would be having the Prequels, specifically the Clone Wars era instead of the OT or Sequel era, just so Sora can physically interact with Anakin and have those parellels with him. Imagine Anakin talking with Sora about how he'd do anything for the people he loves, and Sora realizing he feels exactly the same. And while Sora isn't the typical 'Chosen One' like Anakin is, Sora was pushed into that role by circumstance and feels the stress all the same. Both these characters are pressured to repress their emotions/trauma, which often manifests as rage. Maybe some paralells could be drawn between between Obi-Wan, Padmé, Ahsoka, and Rex with Riku, Kairi, Donald, and Goofy.
Sora would leave the world before RotS happens, so he has no idea what kind of path Anakin was about to follow. He might even be happy that he finds someone who feels the same way as him, completely unaware that he's also spiraling into that same darkness that turned Anakin into Darth Vader.
If you wanna get into this idea even more, let's factor in the 'realm moves at different times', so by the time Riku and friends arrive in Quadratum, It's the OT era and their version of events is helping Obi-Wan or Luke deal with Darth Vader to coincide with Sora's Dark Road.
Honestly, It's more likely that the OT will be the focus if a Star Wars world appeared because its just overall more popular (and like how can you deny the suspiciously placed AT-ST foot on "Endor", which takes place in OT era), but can you imagine the parellels? A Darth Vader boss is scary, but Sora befriending a "Pre-Darth Vader" because they are on the same Dark Road feels a bit scarier, right?
I may also be putting all my chips on Sora becoming a boss down the line for Riku, Kairi, and/or Yozora to fight please
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transmalewife · 2 years
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so back in my overanalizing pretentious fuck days I vaguely remember wanting to write a meta about the madonna whore complex in star wars costume. and while I still think theres a lot to work with there,
(like, a lot)
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I'm just gonna focus on padme right now, specifically Padme's hair because something really interesting just hit me.
look at this for a moment
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this is the most virginal imagery imaginable.
let's get the obvious out of the way and say the blue dress and shawl are almost on the nose references to the virgin mary (maybe a hint at luke being the real chosen one?). But more importantly, in so many cultures around the world, loose long hair, especially combined with flowers, is associated with young girls. there are countless traditions that dictate that women, once they get married or come of age, should wear their hair up, covered or short.
(this might be a good moment to disclaimer that I am very transgendered and irreligious and none of this analysis is coming from a tradwife mindset. it's coming from a 'this is the archetypes that exist in our culture being very clearly and skillfully referenced here')
her dress is made to look like flowing water, carrying flowers. in slavic cultures, on the summer solstice, young women would make flower crowns and throw them into rivers, so potential suitors could fish them out downstream and court them. They would also wear flowers in their hair on their wedding day, and after that, they would cover it with a kerchief. and those traditions still live on in some form in europe today. most girls in my class got their hair cut short after first communion. women still throw bouquets on their wedding day.
There are in universe explanations I could invent here, from the easy 'this is just naboo funeral tradition' to the political "they wanted to distance her from the secret marriage to spare her family the shame of the scandal" but i'm frankly not about all that. and now that i've noticed this, I can't ignore it. all throughout rots padme is shown with her hair down (partialy. will come back to that), and wearing long gowns and hoods. The virgin mary imagery remains in the cut of the velvet hooded gown, in the blue drape of her nightgown when she cries on the balcony, and the, also baby blue, nightgown she wears when anakin has his nightmare literally looks like 1950s sexy lingerie.
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(Also, a note here that I'm not willing to let spiral into a tangent, is that she almost always, and iirc, only, wears blue when she's either on tatooine, or when it's just her and Anakin. And then in her coffin.)
We know, from lucas, from the costume designer and art director, of two costumes that were purposely designed to make her look sexy, romantic, seductive. The corset in the fireplace scene and the iconic lake house balcony dress.
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That makes sense. Those are the scenes where she's falling in love with Anakin, but the corset is extremely restrictive both visually, (and physically, according to natalie portman.) She's wearing metal bands around her head, the scarf looks like a noose and prison bars at the same time, and her hair is pinned up tighter and closer that in any other costume (except maybe on mustafar). She's not allowed the freedom to live in the fantasy of their forbidden love. She's imprisoned in the conventions of her station, quite literally trapped by her clothing.
And while the lake dress does look very free and loose and open, which is what she's tying to let herself be, flirty even, her hair is still quite literally behind bars, (and that type of headwear repeats in many of her costumes) as are her neck and arms.
Worth mentioning that in the floral picnic dress, her hair, while the shape is quite obviously meant to reference Leia's buns, is still held neatly in place by hairnets. This isn't the typical imagery of a young woman enjoying her freedom, frolicking in fields of flowers for the last time before she puts her hair up and grows up.
Padme didn't get to grow up, because she was never a child. In tpm her costumes are heavy, royal, extravagant. they not only hide her hair, but her face and body as well. Because she doesn't really matter. The costume, the crown, her duty matters more than the child underneath. There's quite literally six more of her. (Leia goes through something similar, in that she only ever gets to let her hair down after a battle is won)
Thinking of the costumes in tcw for too long makes my blood boil so i won't linger too long, but the moment Padme takes off her wig to reveal long flowing hair underneath, implying that the short bob she wore for much of the show is also a wig, is incredibly important here. This is a girl who finally got one thing for herself. She got her summer fling turned secret marriage, the first thing in her life that isn't controlled by appearances. and the mask is starting to slip. she wants the freedom, she wants the dreamlike lakeside romance back. she's wearing a middle aged mom wig over her childish waist long curls.
The traditional, deeply ingrained in so many cultures in the world narrative of young girl with flowers in her loose hair, then braids, then cut short and/or covered with a scarf is entirely flipped here. We're introduced to her when she's barely a teenager, but already wearing the elaborate, heavy headgear of a medieval queen. Even when she's "undercover" as a handmaiden on Tatooine, her hair is up in tight, elaborate braids.
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There are a lot of obvious east asian influences in her royal costumes, bordering on appropriation in some cases (like, frankly, the entirety of star wars) which I would not feel comfortable ignoring, but don't have nearly enough knowledge about them to properly explore their meaning and symbolism.
In aotc, she's 24, she's no longer a queen, but even when she's trying to act and look young, her hair is still pinned tightly up. Her gowns on coruscant are still elaborate and restrictive, but we start seeing her in more intimate situations, at home on Naboo, by the lake. (And she spends a good chunk of the last two movies in her pajamas)
I had originally written "she can quite literally only let her hair down around anakin" here, but on second thought, no. Not really. In the scenes I was thinking of, the scenes she's in a nightgown, her hair is loose and long, yes, but always in a half up half down situation. Even in her simplest nightgown, in the first ever pajama scene, the one in her apartment in aotc, a basic white chemise, without any of the capes and tiaras and lace we see on her other sleepwear, her hair is still pinned up.
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She's at her most vulnerable, sleeping, literally acting as bait for an assasin, without any of her senatorial regalia to protect her, but her hair remains controled. (I could say something here about that being the scene where Anakin barges into her bed waving his lightsaber, but lets just keep things tasteful and move on.)
In rots is where we first see her hair actually loose for the first time, though it's still covered by the hood of the velvet gown. Her costumes become simpler, less decorative, to create a cohesive image with the entire galaxy becoming more drab and colorless as the war goes on, heading towards the fully grey hellscape of the original trilogy. And we see padme specifically in more intimate, personal situations, most of her screentime is at her home. She's growing up into her housewife role, but for her that means freedom. For her that means letting her hair down and sinking into the fantasy of running away to Naboo with Anakin and raising their 2.5 kids. But the first, and only time we truly see her with her hair fully loose and uncovered, is at her funeral.
another thing unworthy of a whole tangent here, is that corde dies with her hair falling apart, out of her updo. All the senatorial power that the costumes and the headdresses afford dissolves in death.
I could note here also that this is a weird way to emphasize the tragedy of a 27 year old woman dying in childbirth by associating her with youth. this is tragic regardless. the tragedy here is she never got to have that stage of her life. she never got to grow up, to be a mother. She remains, in anakin's memories, the 14 year old angel, the 24 year old rolling in the grass like a teenager, or rushing alongside him into battle without fear, and the wife in her sexy nightie waiting for him to come back from the war. In the galaxy's eyes however, she will always have been the strong queen, and the tragic martyr, taken before her time. Not a child soldier and a woman who died because she broke the rules and dared to fall in love.
Padme never gets the freedom of childhood. She only gets to let her hair down in death. Did she want it? Is it Naboo releasing her from her responsibility posthumously, or is is another denial of her freedom. She was a ruler when she should have been a girl, and she dies a child when she was ready to grow up.
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antianakin · 3 months
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@theneutralmime
I think that the focus would be, like you've said, on keeping the clones from being ABLE to be turned against the Jedi and taking out Palpatine. I mean, honestly, if you just take out Palpatine in the first place, then you can slowly figure out the situation with the clones without having to worry quite so much about them being a ticking time bomb.
You can certainly argue that it's worthwhile to try to keep Anakin from siding with Palpatine, because having Anakin go Sith right as they take out Palpatine (and maybe Dooku), isn't exactly ideal. Having Anakin's HELP as they go after Palpatine and Dooku WOULD be ideal, and it requires making sure Anakin doesn't go dark.
I've seen a number of different solutions to the time travel issue, and it can depend on who it is that's traveling and how much they do or don't know. Sometimes it's a matter of that one time traveler just gathering up a bunch of Jedi and going to kill Palpatine and that's it job done. Sometimes it's a long drawn out process where the time traveler has to make small changes one by one and just hope that eventually they'll be able to make enough changes quickly enough that things will work out better this time.
I feel like even people like Luke and Obi-Wan who DO care about saving Anakin will still recognize that focusing on him is kind-of pointless. It's Palpatine they need to focus on, especially if they don't know about the chips and therefore can't really trust the clones. You save Anakin by removing Palpatine from the playing board as quickly as possible, and both Luke and Obi-Wan are going to know that. Ahsoka? It's hard to know, given that her initial reaction in Rebels is to blame HERSELF and at no point have we heard her blame Palpatine, but she'd also be perfectly aware of what Palpatine was and what he became, so it's not unreasonable to assume she'd go after him, too. And Ahsoka has the benefit of being one of the few people we know for sure is aware of the chips and could address that or pass that information on to someone.
So, I dunno, I feel like MOST Jedi/Force sensitive time travelers would focus on killing Palpatine, regardless of whether they were someone who cared about Anakin or not, because Palpatine is just one of the most obvious targets to remove. Clones who know about their chips might focus more on that since they'd know that going up against Palpatine themselves would be foolish; clones who DON'T know about the chips it's hard to say because how the fuck would they ever explain what they experienced to someone. Anyone not in those categories like Bail Organa would probably also focus on Palpatine but via a more political route. Even Padme, for all of her blind spots, would likely recognize Palpatine as the bigger threat.
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illuminatedquill · 7 months
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Sabine x Ezra/Anakin x Padme:
It's Like Poetry, It Rhymes
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I'm already falling I couldn't help it, didn't think of the risk I got a problem, problem when I look in your eyes You're mine and you know it I'd still do it even if we were cursed Won't you be my problem? It's okay with me if it hurts - BANKS, Under the Table
George Lucas has a phrase that I always come back to regarding his work: "It's like poetry, it rhymes."
He said this in reference to Luke's battle with Vader in the Emperor's Throne Room aboard the second Death Star. During the climax of the duel, Luke faces the same choice his father did so many years ago.
And Luke chooses differently. Instead of killing Vader, he tosses aside his weapon and chooses to stop fighting. He wins the battle without violence and claims the mantle of Jedi Knight, which helps Anakin return to himself fully and turn on the Emperor.
For this post, I'm using this phrase to another interesting similarity within Star Wars: the relationship between Sabine Wren and Ezra Bridger having echoes of the doomed romance of Anakin Skywalker and Padme Amidala.
There's no way that Filoni is not aware how he's setting these two up.
Sabine, clearly, has resemblances to Ahsoka's former master; it doesn't surprise me that Ahsoka immediately cut Sabine's training short after the Purge of Mandalore.
Sabine is messy, angry, reckless, impulsive, and obviously depressed after experiencing so much trauma in her life. Despite her efforts to keep up appearances that everything's fine with her, we can tell in the Ahoska premiere that she still keenly feels the loss of Ezra and her family.
Anakin was the same way. We know his story; I won't re-hash it here.
Because of Sabine's inability to reflect on her problems - much like Anakin - they tend to influence her decisions. She can't focus on what needs to be done, versus what she wants to be done.
Love versus duty. The age old conundrum.
She should have destroyed the map to Thrawn. She didn't. She could not face returning to a galaxy without Ezra Bridger in it.
Anakin prevented Jedi Master Mace Windu from finishing Palpatine because he wanted the knowledge to save Padme from death.
Anakin's decision, I also want to remind, led to Padme's death being realized. In doing what he did to prevent it, he ended up causing it to come true.
Sabine's decision to save Ezra . . . well, we've yet to see how Filoni plays this out. But I think there might be a similar outcome here; some sort of consequence for Ezra due to Sabine's actions.
The galaxy - both times - shifted on its axis and began to spiral towards darkness. The Empire rose. Thrawn returned.
The seeds of darkness have already been planted in Sabine. Her decision to hand over the map to Baylon was a failure of temptation. And once you go down the path of the dark side, it's incredibly hard to turn away. Yoda told this to Luke and he failed to heed his advice until it was almost too late.
Lucas, with Luke and Vader, had them face the same dilemma in their respective journeys to show how different their choices would be and how their characters, despite being so much alike, were ultimately different.
So Filoni, with Sabine and Ezra, is - at least in my point of view - doing the same. He's going to have these two reckon with what Sabine did only for them to choose differently than what happened with Anakin and Padme.
We never really saw Anakin and Padme reconcile after his fall. That's the tragedy of their relationship.
But with Sabine and Ezra, there's still hope. They can choose better and not end up cursed like their predecessors.
For one, Ahsoka is literally right there. I'm uncertain as to how much she knows about the reason for Anakin's downfall but if she does know (or Anakin's Force ghost reveals it to her) then she's perfectly armed with the knowledge to make sure Sabine doesn't follow the same path.
Sabine and Ezra also have much more of a personal history with each other. Their foundation is built on stronger material than Anakin and Padme's. There's a lot of trust and respect and love already built into it.
But, admittedly, Sabine's actions threaten to unmake that relationship. I've talked about it before in a previous post; that she could end up losing Ezra due to her selfishness.
And that's not even mentioning the reactions from Hera. Hera, thinking of her son, Jacen, and her desire to raise him in a galaxy not at war. Now it's being threatened by Thrawn's return.
All because of Sabine's need to save Ezra.
I really don't know how, but I'm excited to see Sabine and Ezra work it out. Because we've never seen a proper redemption arc in Star Wars. Anakin was redeemed, yes, but he died shortly afterwards.
Sabine has to put in the work to make up for what she did. She's already started on the path by staying behind with Ahsoka instead of going home with Ezra, but being open to the Force now means that there's only more trials and temptations ahead.
I can't overstate how worried we should be for Sabine. She messed up so badly before being able to tap into the Force. And now she has it.
I know she's on the path to set things right but that temptation will never go away. It will only be amplified, going forward, and I'm sure that there will be more opportunities for abuse considering the inevitable conflict between Thrawn and the New Republic.
And then there's Ezra, of course. Her desire to keep him safe.
Because he wouldn't sit on the sidelines, even if he wanted to. Sabine's actions, like it or not, have involved him in ways that he cannot understand. He'll be at the center of this fight.
I expect Sabine is going to experience some troubling visions soon. I'm thinking similar to what Luke faced in the cave on Dagobah, or even what Anakin saw during his encounter with the Mortis gods.
There's nowhere to hide anymore now that she's stuck on Peridea.
The Force, I'm sure, is going to have a lot to show Sabine about herself that's been hidden away. I hope she's ready.
Much as I want to see these two together and living happily, it can't happen until Sabine and Ezra work through these issues together.
Because if they can't, well . . . we've seen how that story ends.
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pandora15 · 1 month
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Angstpril 2024 Day 2 Prompt: Frozen
“Anakin.”
The transport is rumbling under his feet. Leia is standing to his side, looking at him with a mixture of confusion and worry. The Inquisitor is likely still standing below, trying to find a way to follow them.
He should do something. There may be a way to track the flight path and confirm that they will actually make it to Mapuzo.
He should…say something. Leia is tugging at his robe now, her voice is louder, but he can barely  hear it over the ringing over his ears.
But all he can think about is Anakin.
Anakin — who he’d left burning on the shores of Mustafar.
Anakin — whose very screams haunted his nightmares for the past decade.
Anakin — who fell to the Dark Side, killed all the Jedi in the Temple, killed Padmé, deprived Luke and Leia of the childhood they could have had.
Anakin — who he was absolutely certain did not survive.
Anakin — who has, against all odds, survived and has been looking for him for the past 10 years, intent on revenge.
“He’s alive, Obi-Wan.”
He can’t move.  His heart is hammering in his chest, his breaths ringing in his ears. The surroundings of the transport feel somewhat fuzzy, unreal.
“Anakin Skywalker is alive.”
He can’t breathe.  He can’t.
“Ben?”
Leia’s voice trickles into his thoughts.  Quickly, he shakes his head, shuddering at the motion.
“Did that Inquisiting lady do something? Are you hurt?”
Numbly, he shakes his head again.  His legs are trembling too much.  He lets himself sit down on the floor — the motion is graceless, clumsy, so unlike the man he’d once been all those years ago.
Vaguely, he’s aware of Leia sitting down cross-legged across from him, squinting slightly. The expression is familiar in a way that’s almost haunting.
She is so much like Anakin that it takes his breath away.
He shakes his head again, trying to rid himself of the thought and get himself out of this state.
“What’s Anakin?” she asks.  “When you came in here, you said Anakin.”
The ship continues rumbling.
His breaths shudder in his lungs, he feels himself shivering even though the interior of this transport isn’t really that cold.
He needs to focus on Leia, on getting her home and away from this danger.  The person who he used to be would focus on what’s important, not freeze in the face of adversity.
I’m not him.  Not anymore.
But if he can even just pretend to be Obi-Wan Kenobi for just a little while longer, maybe he can get Leia back to Alderaan without detection from the Empire.
Maybe that will be enough.
Maybe that means that Anakin won’t find them.
He takes a breath, reaches into the Force with a mixture of clumsiness and desperation.
Master Qui-Gon.
His only response is the silence — the cold darkness that has consumed the Force for over a decade.
Please, Master.
I need you.
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pomplalamoose · 7 months
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Love your Luke relationship headcanons! How about headcanons for Luke x Force sensitive reader where you meet after ROTJ?
Thank you thank you thank you, this means a lot to me! I hope you will like these as well🫶🏻
• okay so I think for this we are going to assume you are about Leia's and Luke's age, maybe a little bit older or a little bit younger 
• based on that lets say you had a similar childhood as well, growing up with a loving family in a loving home, leading a calm and uneventful life 
• when you came of age you maybe wanted to help build the New Republic, simply travel or seek out a certain education 
• due to the extinction of the Jedi order before or shortly after your birth, you know nothing about it, even less so about the Force 
• maybe you were told some bed time stories when you were a child, but those always seemed too far away, too fantastical to be true
• unlike Luke you did not have a desert hermit, that then turned out to be the former Jedi Obi-Wan Kenobi, come and pick you up for an adventure around your twenties 
• neither did you encounter Yoda on Dagobah or faced down Darth Vader and the Emperor; at this time the only known force sensitive people still alive
• you weren't introduced to the matter, no matter how brief, like Luke was
• and since it's mentioned during ANH that everything to do with the Jedi is dismissed as an old religion, useless and outdated (at least by many), it would have been pretty much impossible for you to even know about your force sensitivity 
• however you and those around you could have noticed certain special abilities of yours when you were growing up 
• maybe you had a way of easily getting what you wanted, being so charming that hardly anyone could resist you 
• maybe you often managed to be "in the right place at the right time" without planning on it
• maybe you always had an uncanny way to follow your intuition (e.g. because of a gut feeling, a dream, etc.) in certain situations that strangely turned out in your favor 
• maybe, just like Anakin, you were and still are exceptionally talented when it comes to something requiring quick flexes and incredible focus 
• maybe you are so "empathetic and understanding" that one could think you are able to read their mind
• despite these more or less obvious signs nobody thought anything of it, least of all you
• everyone has something they are good at after all and so that was that 
• when you meet Luke he is probably the one that will, after enough time spent with you, recognize your little "quirks" as what they really are 
• even if it might take him a while 
• he just fought a war, found and lost his true father and had to say goodbye to many loved ones 
• also he has shouldered the burden to rebuild an ancient order from scratch and additionally wants to support Leia in her political aspirations 
• plus, for most of his life, he wasn't aware of his own force sensitivity either, so spotting it in others can't be easy if you still have a lot to learn yourself 
• what was noticeable right from the beginning though, was the way you immediately gravitated to each other 
• or rather, how you were drawn to him like a moth to the light 
• obviously you are attracted to him too (many are, let's be real) but there is something else about him, something so familiar and intriguing, you simply can't stay away 
• before even speaking to him once you feel a strong urge to be in his company 
• you never had a crush this intense 
• (you are not aware this is not just a simple crush but the Force making sure your paths cross; instead you think you've gone slightly insane)
• also I feel like crushing on him during that time would be like crushing on a celebrity; he's not just some guy anymore, he's THE Luke Skywalker 
• but because he's Luke, he doesn't let it get to his head; in fact he is rather embarrassed about all the attention 
• so, following your intuition, you try to seek him out whenever you can, unconsciously using the Force to do so
• this will create lots of very embarrassing moments for you though 
• you find, you have a tendency to zone out as soon as you spot him and often get caught in places you have no business being in
• it's like your brain just short circuits in these moments and everything around you fizzles away 
• the more you try to stay away the worse it gets until, finally, he notices you as well
• he's really busy, okay?
• but since he feels pulled in your direction as well, he will make time for you
• in the beginning it's just for a little chat here and there
• Luke enjoys these, especially because you seem genuinely interested in him as a person and not only view him as "the hero" or "the last Jedi"
• so eventually he will ask you to spend more time together, for example inviting you out to take a trip to a market with him
• or, if you're a good mechanic, to tinker around with his x-wing 
• I like to think that there is always a lot of discreet blushing and shyness involved, mostly on your side (on Luke's too but he hides it much better)
• glad that the war is mostly over and he can focus on other things (you), Luke is happy to do so and you grow close rather quickly 
• this too is somewhat unusal, war changes people after all, and for a while Luke was somewhat withdrawn
• through meeting you he slowly comes out of his shell again 
• even more so when you find out about the certain similarities you have 
• while it took him a while to open up about it, you love listening to the way he talks about his life before the war and following that, especially about his time with Obi-Wan and Yoda
• in return he's curious about you as well and more and more are you able to find parallels between each other 
• you dare to admit to the way you felt about him since the very beginning then, trying your best to describe that strange pull towards his person 
• he immediately understands what you are trying to convey, has experienced it himself with Yoda and then you
• he shares his thoughts and together you come to the conclusion that you are either force sensitive, will be playing an important part in his life or both 
• he decides to teach you all that he knows so far
• if that's what the Force wants, who are you two to deny it, right? 
• while outwardly ever the professional, he's secretly relieved, even thrilled to have another reason to spend more time in your presence 
• from the outside it's painfully obvious how much you like each other; meanwhile you both stay unaware 
• you are convinced Luke doesn't return your feelings, instead only seeing you as a close friend 
• he deeply buries the part of him that desperately wants to pursue a romantic relationship with you
• attachment is not allowed and it troubles him a lot
• (Leia is loosing her mind)
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not-wholly-unheroic · 2 years
Text
Captain Hook and Improving Disability Representation in Modern Media
Ask anyone on the street to name a canonically disabled character, and there are a few who immediately come to mind—Daredevil, Professor X, Bucky Barnes, Geordi La Forge, and both Anakin & Luke Skywalker just to name a few. Hook should also make that list but ironically, even though his very NAME suggests his disability, it’s easy to forget that he is, in fact, an amputee.
In part, I think this is because historically, it has been intentionally glossed over in many film and TV versions. He is almost never shown without the iron claw attached at the end of his arm, and even the subject isn’t spoken about much in film. For example, in Spielberg’s 1991 film, Hook, and in Fox’s Peter Pan and the Pirates (1990-1991) we see a few shots of Hook sleeping in his bed and yet still wearing his prosthetic. Likewise, no matter how many times Disney’s (1953) Hook gets his clothes shredded by the crocodile, we never see his injured arm fully laid bare. (In fact, in the few shots where his left shirt sleeve has been torn off, the hook seems to be almost physically unable to be separated from his body. The skin simply stops near the wrist and then we have the iron base of the claw with no sort of harness to actually keep it in place.) Even when Peter begins to tell the story of how he cut off Hook’s hand to the mermaids, he barely gets a few words in before the audience’s attention is purposefully redirected to the captain himself in all of his glorious villainy so we don’t get to thinking too much about the fact that the entire reason he has that hook to begin with is because our hero seriously injured him. We aren’t meant to think of Hook as much beyond the stereotypical “scary amputee villain” character because if we examine him too closely, we’ll start to humanize him and risk asking questions that the filmmakers aren’t prepared to answer. (How did the hand loss occur? Was it a fair fight? Who started it? How much should we sympathize with Hook? How much should we trust Peter?)
More recent visual media has, however, made some improvements in this area. In particular, I’d like to take a closer look at two very different (but equally important) portrayals of Hook that have occurred in the last few decades—Jason Isaacs’ Hook (from P.J. Hogan’s 2003 Peter Pan) and Disney’s more recent spin on the captain in Jake and the Neverland Pirates (2011-2016).
Isaacs’ Hook—arguably the most Barrie-like incarnation we’ve seen on film—is introduced to us in a way unlike any other. He’s not standing proud out on the deck barking orders at his crew or strolling through the forest in search of Pan’s hideout (though we certainly see those moments later). Instead, our first glimpse of the captain shows us who he is underneath all the silk and ceremony—a troubled man pained both mentally and physically by the loss of his hand.
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Looking disheveled, he wakes from a dream about Pan and slowly raises the injured arm for the audience to see. It isn’t the nice, smooth stump one would expect to see if a surgeon had performed the operation. Instead, it looks as though the hand had been crudely cut away. The skin is uneven and scarred. And while we aren’t meant to pity Hook here—the man can clearly take care of himself—we are supposed to see his humanity and recognize that he has experienced trauma. Suddenly, he isn’t just a villain anymore—he’s a person who not only experienced immense physical pain when he lost his hand but continues to experience discomfort daily when he dons the leather harness that must be wrenched tightly into place to keep the claw secure during battle.
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It’s a brief scene overall, lasting only a few minutes, but it adds a lot to his character and the story as a whole. His disability isn’t the main focus but it is openly and respectfully acknowledged. This version of Hook—intended for older children and adults—shows us the darker, more complicated parts of the Captain in a way that hits unsettlingly close to home. Suddenly, his intense responses to the crocodile (and ticking) seem less comical and more akin to the PTSD response one might expect from a soldier who lost a limb in wartime from an explosion hearing fireworks go off.
Another more recent take on Hook that does a good job of normalizing his status as an amputee character is Disney’s Jake and the Neverland Pirates series. While many adult Hook fans have complained about the series making the character too silly, I believe that for the intended audience (pre-school kids), it actually does a great job of showing that disability isn’t something to be feared or made fun of. Taking their target audience into consideration, Disney did a lot in the Jake series to tone down Hook’s scarier elements both in terms of his personality (more of a bully with self-esteem issues than a truly dangerous villain) and his physical appearance (He is visibly less angular with more rounded edges to everything from his facial structure to the claw itself). In an interview, Corey Burton even explained how he vocally changes up a few things between his “traditional” Disney Hook sound and the voice he uses for Hook in the show. He also mentions in one interview that some people were concerned that “a guy with a hook for a hand might be too scary” for little ones, but the series makes it seem so natural that it really doesn’t feel like a big deal. While in the original film, we only see Hook changing out the claw once (for a fancier golden hook), in the Jake series, it happens so frequently that there is literally an entire episode (“Captain Hook’s Hooks”) that is focused on all the different attachments he has and includes a fun song about them.
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Although some of the “hooks” are rather outlandishly imaginative and altogether improbable if not impossible in real life, there are many that DO mimic actual modern prosthetic attachments (a hammer, for instance, or attachments that allow for recreational activities like sports or fishing). In fact, the captain’s set of hooks are made out to be so interesting and fun that Disney Jr. actually had an online game called, “Ready, Set, Hook,” where the player had to help Hook and Smee choose the right prosthetic attachment to complete a set of challenges. What’s more, they even released a set of toy “hooks” for children so they could pretend to be the one-handed captain himself!
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Jake’s version of Hook may not be the intimidating character we have come to expect, but he’s a likable guy with a cool set of hooks who bridges the gap in explaining physical disability and prostheses to young children. In the show, Hook doesn’t feel “other” for missing a hand; rather, switching out prosthetic attachments are so much a part of who he is that nobody thinks twice about it.
Overall, Hook has come a long way in terms of disability representation on-screen, and I hope we continue to see more of it in future productions.
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Making Of Monday What to do with plot bunnies.
I've found that one of the wonderful and terrible things about being a fic writer is all the many plot bunnies. They breed, the little bastards, and I'll never be able to write them all, sadly. I do enjoy playing with them though, just letting my mind run wild with a weird idea. They're something positive for my overactive brain to focus on, and for that I'm grateful.
But what to do with them.
Of course there are the ones I choose to work on, the ones that end up being more than just a plot bunny, but those are the special few. There are many that I should kill off, but I'm possessive and can't bring myself to just let them go, so I put them in deep freeze (stasis sleep) so I can find them at a later date. The list is now incredibly long, there are so many small and large iders just waiting for their chance, but I have no idea if I will ever return to them.
A few I've released, set them loose on Tumblr so that they might torment/inspire others, and I should do this more often, but like I said, I'm possessive of them, so it's difficult.
In my note app on my phone, I have a running list where I can quickly write down the pesky bunnies when they come to me, usually at the most inopportune times. It can be anything from a single sentence, or just the title, to something more.
This is my current list: It's far from all my bunnies, as I'm constantly moving them to the deep freeze (a document on my PC) or promoting them into real plot ideas with their own note.
To have one last day with you
Ghost Ship
You're a pretty devil, I have to agree (Halloween fic angel and demon)
Same age Obi Luke Ani
The elven prince and his human, Elver Obi human Ani
To love a god is a terrible and wonderful thing
The dragon in the soul, Anakin turns in to a dragon
In to the woods, Quiobiani, Werewolves, Found in the woods, Forest time strange, Motorcycles
Hig treason, You are found guilty of having assinated the hig Chancellor and will be executed, They found Padmé in the crowd
Bride of the Dragon
Seeking comfort, Padawan and master sleep together, Ahsoka and Anakin didn't know it but with this they continued a tradition in their lineage.
The Pact, Sith and Jedi married every generation So there is this very old peace treaty saying that in each generation of Sith and Jedi two will be designated to be 'married' to maintain peace and balance (this would probably be in a universe where there are more Sith)
The dark fairytales of the galaxy
R2 secret recordings, Luke discovers that R2 has recordings of sex between two hot men and a woman. He shares with Han and Leia… Unaware that it's their parents and Kenobi. Poor R2…
first kiss reveals a soulmate
fan meet, Anakin Obi and Padme are all fans of meet, modern
song fic, you are the reason, in the end
darkness, gone blind, living in darkness, turning to new other senses, the power of sight.
Feel free to ask about these, I would be thrilled, and if there is one you would like to adopt, abduct, make yours, let me know, I need to practice sharing and letting go.
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