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cinemacentral666 · 9 months
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The Element of Crime (1984)
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Movie #1,142 • Ranking Lars von Trier #4
Let it be known that during this LVT filmography viewing I made the executive decision to only ever watch full director filmographies in chronological order. That had always been my preferred method, but I thought it would be best if, from time to time, I mixed up the order for [insert reasoning here]. This is the sixth or seventh Trier flick I've consumed (depending on how you want to count his two early shorter films and both the first two seasons of his Danish TV show) and it's essentially ground zero for the man's career. It's as weird and as bold of a debut feature that I've ever seen.
I feel like it's worth mentioning that I am now starting at the beginning and only going forward, because everything about this felt like a shock having digested some of his other work, most notably: his prime "Golden Heart Trilogy" of films (1996-2000) and his most recent work, 2018's The House That Jack Built. It felt like a different director and I say that in the most positive way. Some similarities arose, naturally. The sepia tones were visually similar to The Kingdom's (though more on this later). The conversational voice-over between main character Fisher and his Cairo hypnotist felt like a direct through-line to how the character of Virgil functions in Jack. And the general "frustrated search for something largely intangible that will ultimately disappoint if not fully horrify" evoked pretty much everything I've seen by the man in some way.
But structurally and compositionally, this felt like a whole new world. In fact, in many ways, it is a complete invention of Trier's. This "Europe" consists of fictional cities and towns where it's always night and everything is drenched in liquid. Despite a few grounding allusions, there is no specific state or country, just this cold, wet dystopia broadcast under yellowy sodium lights. The sets used and built for this are fantastic, each a kind of micro-labyrinth, a small mystery onto themselves cutting against the larger noir framework of the movie's plot: a man is on the hunt for a serial killer of small girls before he strikes again. Detective Fisher (Michael Elphick) navigates this spaces in a literal daze, as the entirety of the action is presented as the memory of a man, now an expatriate in Egypt, spilling his guts to a guy with a monkey on his shoulder. This is the first of two primates to get screen-time. The second, notably of the lower order, Fisher finds in a gutter, scared to death and confused, perhaps a stand in for the audience….
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I believe that guy is a loris. To start your film with monkey and end it with a loris speaks to some theme of reverse evolution. The fascist nightmares we see are a product of no less. In fact, this – coupled with the elements of his earlier student work and up through his unfortunate "I'm a Nazi" comments – provide much of the framework for understanding Trier's motives on a larger scale. I do believe it goes beyond simple provocation and is worth explorin. I think he's trying to make sense of a world still drying out from the tsunami that was WWII. But I'll put a pin in it that for now before I get to watch the rest of his films.
The Element of Crime is not a movie made for easily digestible 'understanding' or textbook mystery reveals. Even when you get the gist/uncover the trick, he throws a mysterious postscript that shrouds things further. I'm still trying to make sense of these manic bald men…
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LVT created a world here. His stellar framing, innovative shots, and glorious use of light all cut against the frantic, obtuse and occasionally obscene script in such a delightful way. Sure, maybe it's all an amalgamation of influence (certainly Andrei Tarkovsky and Lynch's Eraserhead among others) but it's still wholly more than the sum of its parts.
I took a weird route to get to this beginning. In a way, I'm glad I did, but I'm even more excited to keep going forward.
SCORE: ⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️
I’ll be counting down all of Lars Von Trier’s movies right here at @cinemacentral666 every Thursday through September 2023
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artofalassa · 2 months
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| Don't leave me All by myself in this world |
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i've been laughing at this tiktok for the past 10 minutes (source)
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astarionancuntnin · 2 months
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as if he wasn't a clown himself
(more bg3)
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eff-plays · 7 months
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unhingedmess · 1 year
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merlin & arthur, in camelot: we made it!
knight, left behind for the umpteenth time: do i mean nothing to you?
part 2
part 3
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scarletgray · 21 days
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they should invent eyesight that doesn't go bad from reading fanfiction on your phone 24/7
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reactionimagesdaily · 3 months
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smolboiremy · 27 days
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Was doom scrolling through snap shorts and found this
They found me 😳
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carameldansan · 30 days
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Y’know… I don’t think Laios is good at social cues… I don’t blame other characters if they think he’s secretly evil 😭
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lord-squiggletits · 1 year
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With all due respect IDW Megatron is the kind of dad that would go out to get cigarettes and then never see his kids again considering that's what he did to all of the Decepticons leaving on the Lost Light + he groomed Tarn into worshipping him as a mentor/authority figure and then basically stopped caring about him.
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zzoupz · 1 year
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kity
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dragonwysper · 11 months
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Kohga after falling down the hole in BOTW
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the-dragon-girl-27 · 3 months
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At this point its tradition I make these for every direct it is my duty and my curse
Here's one for all 2 of my followers who played this game:
What about the planet Elma, what about it.
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radiantmists · 10 months
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reading animorphs sequentially instead of in whatever random order you can get your hands on them is such a trip because you can see these kids getting progressively better at war and worse at being happy, you can see how traumatic events from one book echo into the next ones but never quite get dealt with because these kids have no real way to take care of their mental health, you can see their relationships deepening but simultaneously gaining friction and faultlines as they learn just how far they'd go for each other but also how far they'd go in general...
obviously this series was meant to be episodic in nature, and i actually think that might be the better way to first encounter it, but the arc of the series in publication order is extremely well-crafted
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