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#minimal white
catmask · 7 months
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does anyone have like an anti aesthetic. like something you look at and can recognize as a complete fashion/interior design/artistic movement and understand it but it makes you shudder seeing it. i am not talking like “its morally bad” “its poorly structured” like just sheerly devoid of joy for you actually invites a repulse response.
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miamaimania · 2 months
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Effortless Elegance: Mariacarla Boscono Captured by Juergen Teller for Paradis Magazine, Summer 2008
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theroadtofairyland · 4 months
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Soulmates In Starlight
Watercolor On Black Paper
2023, 22"x 30"
White Wild Roses
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gabriela-liar · 15 days
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also shocking lack of appreciation for fang’s open vest tits out tummy out s2 look. are you seeing him???
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photoshamanism · 4 months
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Wabi-Sabi
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vivrosita · 1 month
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♩ ✧ ─── 𓂀ྀི no queda nada, sino lo que miras tú
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alcrego · 1 year
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Weird walk
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vampirictranssexual · 9 months
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Okay, serious discussion about s5e7 of wwdits. I have a lot of mixed feelings about it. The creatures fell into the uncanny valley, why did they choose the donut lady as a plot for nadja when it could've been with the guide, etc. HOWEVER, what I do appreciate about this episode is the meta commentary on how Nandor's culture is simultaneously erased in history classes and then mocked by museums. His culture, his writings, his garments.. almost everything about his history is completely misrepresented by the museum and all of his artifacts were stolen. He literally sees a pair of his underwear on display! He is looked at as an object, a relic of the past. The museum portays him as being unintelligent and frowns upon his writings. And that's based on their narrow understanding of him, Al Q, and his culture. The historians do not know Nandor of course, but they view him through a lense that chooses to only see him and his culture as unintelligent, subhuman even- because why else would someone write something like this? Or wear something like this? Or use weapons like this? It reminds me of those TV shows that theorize the pyramids were made by aliens. Because how else could the Egyptians have been capable of creating the pyramids? Surely they can't be intelligent enough! *eye roll*
Idk someone could probably use better words to communicate what I'm trying to say here, but I wanted to bring it to the table anyway. Oh, also Colin becomes the center of attention by acting like the stereotypical white professor who is more focused on feeding their ego than actually educating his pupils. And this ends up in Nandor being pushed out of the conversation. A literal metaphor for how whiteness obscures and diminishes other cultures and immigrant communities. Of course Colin did that just to feed off of the students. Because then he ends up replacing the museum display with a more accurate representation of Nandor (albeit for comedic effect). And then by taking back his horsie necklace. But.. everyone listened to Colin! And ignored Nandor! Lots to think about in terms of erasure, white washing, forced assimilation, how museums profit off of stolen artifacts and skewing history, etc.
Nandor is an immigrant to Staten island and he was forced to assimilate. Imagine how he must feel when he sees all these stolen artifacts in the museum, and plaques that inaccurately portray his culture and history. And people gawking at the clothes and weapons he proudly wore/still wears. This is a reality for many native and immigrant communities here in America and abroad. Being forced to view your culture, your way of life through the lense of the oppressor.
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yeritos · 5 months
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     ⏇    🥣 ˚   ʕ •ᴥ•ʔ
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     ⏇    🪧 ˚   ʕ •ᴥ•ʔ
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disease · 6 months
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ANTONY GORMLEY / "MATRIX I–IV" / 2016 [aquatint from plates on paper (4) | 11 1/10 × 11 1/10"]
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miamaimania · 2 months
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Slumbering Innocence: A Boy, His Dog, and a Moment Frozen in Time, by Pentti Sammallahti
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theroadtofairyland · 7 months
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Midnight Spectacular
Watercolor On Black Paper
2023, 22"x 30"
White Cherry Blossoms
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skyshipper · 15 days
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@pscentral EVENT 26: MINIMALISM ANDOR (2022) - ONE WAY OUT
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peacephotography · 11 months
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Photograph: Ansel Adams
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arthuntblog · 5 months
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Umberto Mariani [Italy] (b 1936) ~ "The Hidden Form", 2013. Vinyl and sand on lead (120.5 x 90.5 cm).
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