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ozzgin · 10 days

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I just watched The First Omen at the cinema and you may go ahead and cuff me for blasphemy, but…

Yandere! Devil x Reader

You have been chosen by the Cult as the one to carry their ungodly plan after many failed attempts. This time it was a success, yet not for the reasons they might expect. The Devil has his eyes on you.

Content: female reader, mentions of pregnancy, religious themes, blasphemy, violence, horror, a non-consent scene!, based on The First Omen (2024); image from the promotional poster

Why you, of all people? You're not particularly devoted to religion, nor do you stand out in terms of virtuousness. Or lack of, for that matter. Alas, their reasons remain unknown.

What's certain is that you woke up one day and found yourself strapped to a foreign bed, staring into a ceiling you didn't recognize. You weren't alone. Around your helpless form stood men and women, dressed in black and wearing a solemn smile. Your forehead received a gentle, encouraging stroke from the hand of the priest. The scent of chrism invaded your nostrils.

You begged them to release you. The older man spoke softly in your ear. "You are serving a greater purpose. It is all in the name of God." God? Purpose? You rolled your eyes back and gazed upon the large painting hanging behind you. Virgin Mary and her blissful smile and stretched out hands felt like a mockery.

The holy image vanished as a black cloth was nonchalantly draped over your face. You felt the rope tighten around your neck and begun gasping for the scarce air barely making it through the thick canvas. A crescendo of muffled chants, and the room went abruptly quiet. Had everyone left?

Then you heard it. That profane growl, causing the entirety of your body to shiver in repugnance and terror. You trashed, and pulled, and screamed, to no avail. A clawed hand rested on your bare stomach, then a second one traced the rest of your body. You laid limp, vision blurred as the room swayed in tandem with the sacrilegious act.

You'd been defiled by a Beast. The next time you opened your eyes, you were back in your bed. Your hopes of it being a mere nightmare were shattered the moment you lifted your gown and noticed the deep scratches, the monstrous prints left on your skin, and the hollow sensation in the pit of your stomach. Your body had been tampered with, and something was growing out of your misfortune. A vile blight, throbbing with life within the comfort of your flesh.

You spent the months haunted by voices and visions. The grotesque, horned Creature would frequently reappear in your mind, exhausting all other thoughts. Such a heavy, imposing presence. It wouldn't let you forget, not even for a second: you belonged to Him, and He would soon return to retrieve you. The mother of His child, the object of His adoration. Was such a thing even conceivable?

You prayed to be left alone, yet the Cult naturally longed for its promised gift, bound to come back eventually. And so, once more, you were facing the people who caused your despair. "We've come for the child", the priest explained, glancing at your obvious, bulging belly. The clawed hand framing it was still a fresh wound that never healed, almost as an ominous warning: this body was owned by a jealous God.

Your trembling hands revealed a pocketknife. This time, you were prepared. The group took a moment to observe your daring gesture, then proceeded to approach you with calculated steps, with newfound resolve. Would you be able to keep them away? Their intentions were clear: you were in possession of the Antichrist, and they needed to secure this immense power.

The ground shook, and everyone froze. You glanced at the altar painting, the same one that witnessed your corruption. Virgin Mary remained with an unfaltering smile. From behind the ornate frame, large, horrid hands creeped out. A travesty of everything Holy. The priest gasped and quickly threw his hands in prayer. This was not part of the plan. This was not meant to happen.

"Pater noster, qui es in caelis-" he began, but his voice was cut short. His face turned pale, and he clutched his chest with a terrible grimace. The nun next to him let out a scream before she was pushed away by an invisible force. Her body hit the wall with a loud, wet sound of bones breaking and flesh tearing. You stared at the massacre unfolding before you, devoid of any fear. Somehow, in the depths of your soul, you knew you'd be safe.

An enormous shadow emerged from behind the painting, twisting, bending, stalking towards you. Your nose scrunched at the stench of blood. You were the last one standing among corpses. To your surprise, you exhaled deeply, shoulders drooping in comfort. A silent voice murmured in your ear, telling you not to fear. That Father was finally home for you.

Foolish, ridiculous humans. He'd been willing to entertain their petty plans of grandeur, until he met you: your tender, frail body, your innocent soul. How exalting it was to have his way with you. You were meant to be the one. To carry His offspring into the damned world. But not for some trifling reason of a Cult desperate to crawl their way back into control. Their greatest mistake - which led to their demise - was to assume the Devil himself can be controlled, ordered around. He has allowed you the greatest honor of joining him, out of your free will, to sow the seeds of chaos as his beloved mortal.

Thus, he couldn't have possibly allowed anyone to interfere. What you saw that day, in that old, musty underground cavern, was an omen: a bloodbath awaits the one who dares to approach his human.

You look up into the demonic orbs: trenches of madness, obsession, vulgarity, burning holes into you, slurping your very existence with hunger and lust. You are his.

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gleafer · 3 months

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I do spicy and silly, but every now and then…

I really enjoy saccharine. (It rhymes! Eeee!)

No story behind it, just feeling the feels of my first born turning 15 and me missing little feet with sweet, squeaky voices.

#illustrator #illustration #digital artist #artist on tumblr #crowley #good omens #good omens art #aziraphale #good omens aziraphale #gleafer art #saccharine #sweet #little monsters #happiness #bedtime stories

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good-soupmens · 8 months

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Something I noticed in the confession is that they don't REALLY respond to what the other is saying

Crowley says "run away with me" and Aziraphale says "come with me to heaven"

Both are saying "be with me" but neither stops to figure out why the other wouldn't want to go

Crowley says "you can't leave this bookshop" and Aziraphale says "nothing lasts forever"

Crowley thinks he ended it.

Aziraphale says "we can make a difference" and Crowley says "good luck"

Both are leaving. Neither stayed until they could agree, or at least understand each other

Aziraphale says "I need you" and Crowley says "no nightingales"

Aziraphale thinks he ended it.

Aziraphale says "I forgive you" and Crowley says "don't bother"

That's the one that sticks.

#ineffable husbands #day 14 trying to point out that Aziraphale isn't “”the true monster“” here #he screwed up. but neither is the monster #good omens #aziraphale #good omens season 2 #good omens spoilers #crowley #aziracrow #good omens 2 #good omens finale #crowley good omens #they communicated about what they need but not what the other needs #and they want to need the same thing

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hikarry · 4 months

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So, I was rewatching season 1 and got stuck in that scene between Shadwell and Aziraphale in the bookshop.

What if Aziraphale never stepped into the circle? What if the fire never really happened?

Imagine:

Shadwell is lost in his shenanigans, ready to banish Aziraphale to whatever place witchfinders banish witches, and Aziraphale is slowly walking backward.

"Oh, but this is utterly ridiculous." He stops on his tracks, looking Shadwell in the eye. "I'm sorry, good man, but I have no time for whatever silliness is happening right now. If you don't mind, I have an Armageddon to stop." Aziraphale snaps his fingers, and Shadwell disappears, reapearing a few streets over at the other side of Soho. There surely he wouldn't get in the way.

Careful not to step on the active circle, Aziraphale leaves the bookshop and flags down the first cab he sees. The driver stops right in front of the bookshop, and he gets in, giving him Crowley's address in Mayfair.

The last time he called, the demon was home, so that's exactly where Aziraphale hoped he remained. With a bit of luck, he hadn't left for Alpha Centauri... Now that he thought about it, he mentioned having an old friend over? As far as he knew, he himself was the only friend Crowley had, so that statmebt now sounded like a load of nonsense. But whatever. He just needed to speak with Crowley, old friend present or not. Heaven clearly wanted the war to happen, and he had been naive to think they would see reason. The only chance the Earth had of surviving now was the angel and Crowley. He could only pray it wasn't too late and Crowley wasn't gone. He knew where the Anti-Christ was, after all. They could stop this!

When the cab stopped on the street of Crowley's building, Aziraphale paid his fare and threw a quick blessing in the driver's direction for his speed and efficiency before crossing the street and entering the complex.

He had been to Crowley's flat once or twice in the last 20 years. All he had to do was go through the entrance, get on the lift to the last floor, and walk down the corridor towards the last door. And that's exactly what he did, always fiddling with his fingers in a show of the nervous energy that seemed to take over him. They were running out of time. The end of the world would occur any minute now, and Crowley needed to be home. They still had to drive all the way to Tadfield's airbase, and the clock was tickling rather ominously inside his head.

Finally in front of the door to Crowley's flat, he knocked. A few seconds passed with no response, and he decided to knock again, stronger now, but he got exactly the same result.

Aziraphale looked around the hallway, taking a deep breath and smoothing his waistcoat, considering his options.

"Crowley?" He ended up knocking again. "Crowley, we need to talk!" Silence. "I know you're cross with me after our last conversation, but you were right. I talked to the Metatron. And they want the war. As I told you on the phone, I know where the antichrist is, and it would be very nice of you if you opened the door so we could get a wiggle on and stop the Apocalypse." Once again, he was met with silence.

Was it possible? Did Crowley actually leave for Alpha Centauri? He was here minutes ago! He couldn't have left already, right?

Oh, bless it all. He wasn't going to waste any more time.

With a final deep breath, Aziraphale snapped his fingers, and the door unlocked. He opened it slightly, peering inside.

"Crowley? I'm sorry If I'm intruding but this matter is rather urgent." All he got in return was silence. Not a single noise from the demon himself or the so called old friend.

He pushed the remainder of the door open and stepped inside, silently closing it behind him. He looked at the living room, but it was empty of any living soul, apart from the plants on the far wall.

"Crowley?"

Aziraphale called again, now walking towards the office to the left. The door was slightly ajar already, so he spied inside. It looked empty, but he walked in regardless, almost stepping on a pile of goo right there in front of the floor.

"What the...?" He looked down, stepping over the weird substance.

It smelled weirdly of sulfur and...was that Holy Water?

His head snapped to the desk, where he found the thermos he had given Crowley back in the 60s, the cap unscrewed by its side.

Suddenly, he felt his heart stop, and his veins turn into ice. His body gave an involuntary step back away from the smudge, his back hitting the throne as he lifted a now trembling hand to cover his mouth.

No. This couldn't be happening. He would-! Crowley certainly wouldnt-!

A sob escaped his throat as his whole body started shaking.

Oh lord. This was a nightmare. It could only be a nightmare. This wasn't real. Couldn't possibly be real.

Oh Crowley...

Aziraphale's legs failed him, and he ended up on the floor, back leaning against the side of the ridiculous throne Crowley liked so much. Not that he would like anything ever again because he was gone. Crowley was gone. And it was Aziraphale's fault. He was the one who gave him the cursed thermos against his better judgment. And now all his fears were laid bare right in front of his eyes.

Another sob escaped him and he let the heartache take charge, spilling warm tears down his cheeks.

Crowley was gone. The Apocalypse was coming and Crowley was gone. Not to Alpha Centauri but actually gone. Utterly destroyed. And all that remained of his best friend was an unidentifiable goo. Not a trace of Crowley remained.

He hugged himself, hanging his head low, letting the tears fall on his crossed arms and allowing the wretched sobs to take over. He couldn't bear to look at it a second longer. The smell of sulfur and Holy Water was starting to get nauseating.

Well, contrary to popular belief, Crowley was actually very much alive, speeding through the streets on London in the direction of the bookshop. He parked in his usual place and snapped his finger to open the doors of the building.

"Aziraphale?" He looked around, quickly spotting the active circle. Lifting an eyebrow above his sunglasses, he carefully walked towards it, still searching for any trace of the angel. "Aziraphale, are you here?"

The circle was still active with holy energy, so no one had actually stepped through it, and Aziraphale was clearly not in the bookshop, so where could he possibly be?

With a sigh, Crowley turned around and went back to the Bentley. He drove around Soho for a bit, trying to spot some blond curls in the crowd but falling short of success.

"Aziraphale, where the bloody hell are you?" He muttered to himself, carefully scanning the streets, until he gave up, changing his course back to Mayfair.

He needed to regroup. Without knowing where Aziraphale was and without the information on the antichrist he apparently had, Crowley needed to think.

He made his way back to his flat without paying much attention. When he noticed, he was already unlocking the door with his key and stepping inside. And, as soon as he did so, he heard it. Sobs coming from the office. That was...bizarre. Could it be Hastur? Had he figured out a way to leave the answering machine, and now he was crying over Ligur? Crowley almost laughed at himself with such a thought. Hastur? Crying? Now, that would be a sight he would pay to see.

Still, in the name of caution, he slowly made his way to the office, trying to be as silent as possible, when he quickly spotted the angel he had been looking for throught the wide open door, sitting on the floor besides the throne, arms around himself and face hidden while his whole body shook and heartbreaking sobs escaped his vocal chords.

Carefully and confused, he approached, stopping short of the door.

"...Angel?"

Aziraphale's head snapped up, staring at him with wide eyes, his face marked by tears.

"...Crowley?"

"Yeah." He slowly walked his way to the angel, careful not to step on Ligur, squatting in front of him. "Are you alright? What happened?"

He was still staring at him with clear confusing in his eyes, opening and closing his mouth repeatedly until he finally appeared to have found his voice again:

"You-! The-!" Aziraphale's body trembled, looking over Crowley's shoulder and then back at the demon. "You...you're gone!"

Crowley raised an eyebrow, clearly confused.

"I just went to the bookshop searching for you, but when I arrived you weren't there already." Aziraphale shook his head, some more tears escaping his eyes along with a single sob. "Hey, hey." Crowley placed his hands on his shoulders, squeezing them. "What's-?" And then that's when it suddenly clicked inside his head. He looked up at the empty thermos on his desk and back over his shoulder to what remained of Ligur. "Oh, Aziraphale. No, no, no." His hands moved up to Aziraphale's face, forcing him to look up at him, his thumb brushing away some of the new tears running down his face. It burned considerably; angel tears were holy water after all, but right now, that wasn't his focus. "That's Ligur. I used the holy water to make a trap for him and Hastur when they came to take me." He brushes his thumb through Aziraphale's trembling lips, leaning in closer. "That's not me, angel. I'm alright."

Aziraphale sniffed, trying to regain control of himself, but failing miserably.

"I-I thought you were dead. I thought you had used the Holy Water. I thought-"

"Shhh." Crowley wrapped his arms around the angel, leaning his face against his, pulling him into an embrace. They had never hugged before, so it felt a bit strange. Awkward even. "I'm right here. That's not me." The angel grabbed handfuls of his shirt and pulled him closer, burying his face on the crook of his neck, taking deep breaths. "Yeah, that's it. Breathe." He ran his hand through his curls, trying to soothe him. "Everything is alright. I'm right here."

After a while, Aziraphale finally calmed down and moved away, just enough to be able to look at Crowley's face. For a moment or two, they just stared at each other. Aziraphale's red rimmed blue eyes looking right at Crowley's yellow ones; his sunglasses had ended up on his head at some point. The angel's eyes slipped down to the demon's lips for a second and Crowley's licked them involuntarily, before his gaze went back to his eyes.

"You were right." Crowley tilted his head in confusion. "I talked to the Metraton. They want the war to happen...The Anti-Christ..." Aziraphale mumbled those last words.

"Right." Crowley stared down at Aziraphale for a couple more seconds before getting up, offering his hand to the angel to help him do the same. "You said you knew where he was?"

#alas Aziraphale and crowley got away from me once again #this was supposed to be a short lil thing but instead i created a monster #good omens #crowley #aziraphale #ineffable husbands #aziracrow #anthony j crowley

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bowtiepastabitch · 5 months

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Historical Analysis: class and injustice in 'The Ressurrectionists' minisode

Alternate title: why we're tempted to be upset with Aziraphale and why that's only halfway fair

Okay so first off huge thanks to @makewayforbigcrossducks for asking the question (and follow-up questions lol) that brought me to put these thoughts all together into a little history nerd ramble. That question being, Why is Aziraphale so clueless? Obviously, from a plot perspective, we know we need to learn some lessons about human moral dilemmas and injustices. But from a character perspective? A lot of this minisode is about Aziraphale being forced to confront the flaws of heavenly logic. This whole idea that "poverty is ineffable" basically boils down to 'yeah some people are poor, but their souls can be saved just as if not more easily that way, so it's not our problem and they probably deserve it anyway for not working hard enough,' a perspective that persists in many modern religious circles. Aziraphale isn't looking at the human factor here, he's pretty much purely concerned about the dichotomy of good and wicked human behavior and the spiritual consequences thereof, because that's what he's been told to believe. His whole goal is to "show her the error of her ways." He believes, quite wholeheartedly, that he's helping her in the long run.

"the lower you start, the more opportunities you have"

So here's what we're asking ourselves: Why did it take him so bloody long to realize how stupid that is? Sure, he's willing to excuse all kinds of things in the name of ineffability, but if someone in the year of our lord 2023 told me he was just now realizing that homelessness was bad after experiencing the past two centuries, I'd be resisting the urge to get violent even if he WAS played by Michael Sheen.

Historical context: a new type of poverty

Prior to the 19th century (1800s), poverty was a very different animal from what we deal with now. The lowest classes went through a dynamic change leading up to the industrial revolution, with proto-industrialization already moving people into more manufacture-focused tasks and rapid urbanization as a result of increasingly unlivable conditions for rural peasantry. The enclosure of common lands and tennancies by wealthy landowners for the more profitable sheep raising displaced lots of families, and in combination with poor harvests and rising rents, many people were driven to cities to seek out new ways of eeking out a living.

Before this, your ability to eat largely would have depended on the harvest in your local area. This can, for our purposes, be read as: you're really only a miracle away from being able to survive the winter. Juxtapose this, then, with the relatively new conundrum of an unhoused urban poor population. Now if you want to eat, you need money itself, no exceptions, unless you want to steal food. Charity at the time was often just as much harm as good, nearly always tied deeply up in religious attitudes and a stronger desire to proselytize than improve quality of lie. As a young woman, finding work in a city is going to be incredibly difficult, especially if you're not clean and proper enough to present as a housemaid or other service laborer. As such, Elspeth turns to body snatching to try to make a better life for herself and Wee Morag. She's out of options and she knows it.

You know who doesn't know that? Aziraphale.

The rise of capitalism

The biggest piece of the puzzle which Aziraphale is missing here is that he hasn't quite caught onto the concept of capitalism yet. To him, human professions are just silly little tasks, and she should be able to support herself if she just tried. Bookselling, weaving, farming, these are all just things humans do, in his mind. He suggests these things as options because it hasn't occurred to him yet that Elspeth is doing this out of desperation, but he also just doesn't grasp the concept of capital. Crowley does, he thinks it's hilarious, but Aziraphale is just confused as to why these occupations aren't genuine options. Farming in particular, as briefly touched on above, was formerly carried out largely on common land, tennancies, or on family plots, and land-as-capital is an emerging concept in this period of time (previously, landowners acted more like local lords than modern landlords). Aziraphale just isn't picking up on the fact that money itself is the root issue.

Even when he realizes that he fucked up by soup-ifying the corpse, he doesn't offer to give them money but rather to help dig up another body. He still isn't processing the systemic issues at play (poverty) merely what's been immediately presented to him (corpses), and this is, from my perspective, half a result of his tunnel-vision on morality and half of his inability to process this new mode of human suffering.

Half a conclusion and other thoughts

So we bring ourselves back around to the question of Aziraphale's cluelessness. Aziraphale is, as an individual, consistently behind on the times. He likes doing things a certain way and rarely changes his methodology unless someone forces his hand. Even with the best intentions, his ability to help in this minisode is hindered by two points: 1)his continued adherance to heavenly dogma 2)his inability to process the changing nature of human society. His strongest desire at any point is to ensure that good is carried out, an objective good as defined by heavenly values, and while I think it's one of his biggest character hangups, I also can't totally blame him for clinging to the only identity given to him or for worrying about something that is, as an ethereal being, a very real concern. Unfortunately, he also lacks an understanding of the actual human needs that present themselves. Where Elspeth knows that what she needs is money, Aziraphale doesn't seem to process that money is the only solution to the immediate problem. This is in part probably because a century prior the needs of the poor were much simpler, and thus miraculous assistance would never have interfered with 'the virtues of poverty'. (You can make someone's crops grow, and they'll eat well, but giving someone money actually changes their economic status.) Thus, his actions in this episode illustrate the intersection of heavenly guidelines with a weak understanding of modern structures.

This especially makes sense with his response to being told to give her money. Our angel is many things, but I would never peg him as having any attachment to his money. He's not hesitant because he doesn't want to part with it, he's hesitant because he's still scared it's the wrong thing to do in this scenario. He really is trying to be good and helpful. So yes, we're justifiably pretty miffed to see him so blatantly unaware and damaging. He definitely holds a lot of responsibility for the genuine tragedy of this minisode, and I think Crowley pointing out that it's 'different when you knew them' is an extremely important moment for Aziraphale's relationship with humanity. Up until now, he's done a pretty good job insulating himself from the capacity of humans for nastiness, his seeming naivity at the Bastille being case in point.

In the end, I think Aziraphale's role in this minisode is incredibly complex, especially within its historical context. He's obstinate and clueless but also deeply concerned with spiritual wellbeing (which is, to Aziraphale, simply wellbeing) and doing the right thing to be helpful. While it's easy to allow tiny Crowley (my beloved) to eclipse the tragic nature and moral complexity of this minisode, I think in the end it's just as important to long-term character development as 'A Companion to Owls'. We saw him make the right choice with Job's children, and now we see him make the wrong choice. And that's a thing people do sometimes, a thing humans do.

~~~

also tagging @ineffabildaddy, @kimberellaroo, and @raining-stars-somewhere-else whose comments on the original post were invaluable in helping me organize my thoughts and feelings about this topic. They also provided great insight that, in my opinion, is worth going and reading for yourself, even if it didn't factor into my final analysis/judgement.

If I missed anything or you have additional thoughts, please please share!!! <3

#this was a monster of a post to write #in no small part because I was relying more on my own historical knowledge than usual so I had to double check myself constantly #but I had a lot of fun and I hope you enjoyed it as much as I did #good omens #good omens 2 #neil gaiman #good omens analysis #good omens meta #the resurrectionists #good omens season 2 #good omens minisode #nerd shit #ineffable husbands #aziraphale good omens

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theslowesthnery · 11 months

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happy pride month to mohg elden ring and mohg elden ring only, we stan a problematic king

#elden ring for blacklist #mohg #mohg the omen #mohg lord of blood #hnery's art #MOHG SWEEPS #he's the representation *i* want: pathetic gay monster men

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thepringlesofblood · 1 month

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using the signs in the 1.6 update as intended

#original post #sdv #stardew valley #1.6 update #in case youre wondering this farm is ayda aguefort #after making #an adventure zone themed farm #a monster factory themed farm #a farm exclusively for being in a lesbian relationship with Leah #a star trek themed farm #and a good omens themed farm #(and another good omens themed farm that i share with a friend)#i decided it was time for dimension 20 to have its time in the sun #1.6 spoilers #i guess?

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yandere-toons · 23 days

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Yandere: "is that your family?" S/O: "nope, nah-uh, nada. I've never seen those people in my life"

Years of hard data say you're lying, but they're not about to incriminate themselves by revealing so: Huey Duck, Hunter | Golden Guard, Aziraphale, Sheldon J Plankton, Doctor Nefarious, Tenth Doctor, Shang Tsung, Dr Flug, Perry the Platypus, Midoriya Izuku

Suspects the lie but rolls with it: Ian Malcolm, Louie Duck, Anthony J. Crowley, Nick Wilde, Nagito Komaeda, Captain Jack Sparrow, Lightning McQueen, Ratchet, Kaa, Bugs Bunny, Mike Wazowski, Johnny Loughran, Klaus Hargreeves, Sans Undertale, Arataka Reigen, Tyrion Lannister, Legoshi, Rouge the Bat, Wallace Wells, Kendall Roy, Connor Roy, Finnick Odair

Races over to introduce themselves: Toga Himiko, SpongeBob SquarePants, Dewey Duck, Judy Hopps, Kokichi Ouma, Beetlejuice, Celia Mae, Gaston, Mavis Dracula, Undyne, Beast Boy, Deadpool, Alvin Seville, Phil Dunphy

Believes you: Pinkie Pie, Bluey & Bingo, Jataro Kemuri, Chick Hicks, Caligosto Loboto, GIR, Daffy Duck, Bill & Ted, Olaf, Shigeo Kageyama, Starfire, Scott Pilgrim, Ken, Castiel

Laughs at your thin deceptions: Emperor Belos, Bill Cipher, Black Hat, Scar, Shere Khan, Tai Lung, Lord Shen, Pagan Min, Invader ZiM, Shao Kahn, Eleventh Doctor, Rainbow Dash, Shenzi, Randall Boggs, Duncan Pepperidge Anderson, Agent Smith, Doctor Eggman, Han Solo, Alastor, Izaya Orihara, Gideon Graves, Roman Roy, Shiv Roy, Gristol Malik

Alternative interpretation is equally funny—the yandere is pointing out random groups of people and slowly narrowing down their choices.

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