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#my second book from the internet archive
shhhitscoffeetime · 6 months
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i love you open access libraries i love you sci hub i love you lib gen and all your pseudo names i love you zlib i love you second hand book shop with textbook section i love you friend from other uni who has access to their library i love you internet friend with PDFs i love you well orgnaised google drive full of books i love you internet archive i love you libby i love you state library with the only physical copy of my textbook i love you tumblr mutual with book hyperfixation i love you discord library pdf horders i love you anna's archive i love you friends who never clear out your downloads folder
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blairstales · 1 year
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How To Get Free Books On Folklore
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I do not believe in gatekeeping knowledge, so this post will be sharing how I get all my folklore books for free, legally.
To explain, when a book gets over a certain age and the copyright is not upkept, it falls under “public domain.” When that happens, many different websites will provide those books as a free download.
This is not restricted to one type of book, either. You can grab anything from Sherlock Holmes to history books, to folklore, and more.
If you are looking for a specific book, you may have to check more than one source, so I suggest bookmarking more than one website.
Example Websites:
Internet Archive
Project Gutenberg
Google Books
Open Library
Electric Scotland (Scottish books)
Sacred Texts
National Library of Scotland: Ossain Collection
Forgotten Books
Hathitrust
For me when I download a book, I then upload them to my Google library so that I can use the search functions as well as bring up the books anywhere, but a popular PC option isCalibre.
If you are interested in Scotland-specific folklore, I do have some suggestions of books you can start with.
Scottish Folklore Books:
(link) A Dictionary of Fairies: Hobgoblins, Brownies, Bogies, and Other Supernatural Creatures by Katharine Briggs (1976)
(link) Folklore of Scottish Lochs and Springs by James M. Mackinlay (1893)
(link) Superstitions of the Highlands & Islands of Scotland by John Gregorson Campbell (1900)
(link) The Peat-Fire Flame: Folk-Tales and Traditions of the Highlands and Islands by Alasdair Alpin MacGregor (1937)
(link) Notes on Folk-Lore of the North-East of Scotland by Walter Gregor, M.A. (1881)
(link) The Fairy-Faith in Celtic Countries by W.Y. Evans-Wentz (1911)
(link) Witchcraft and Superstitious Record in the South-Western District of Scotland by J. Maxwell Wood (1911)
(link) Witchcraft & Second Sight in the Highlands & Islands of Scotland by John Gregorson Campbell (1902)
(link) Folklore of Scottish Lochs and Springs by James M. Mackinlay (1893)
(link) Folk-Lore From The West of Ross-Shire by C.M. Robertson (1908)
(link) The Fairy Mythology / Illustrative of the Romance and Superstition of Various Countries by Thomas Keightley (1850)
(link) Popular Tales of the West Highlands by John Francis Campbell (1862)
(link) Scottish Fairy and Folk Tales by Sir George Douglas
(link) The Scottish Fairy Book By Elizabeth W. Grierson (1918)
(link)
(link) Popular Superstitions of the Highlands By W Grant Stewart (1823)
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waklman · 11 months
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Michelin Star
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summary: you give bradley head during a private dinner or the “you say it’s big, but you take it” lyric from frank ocean.
pairing: bradley bradshaw x female reader.
warnings: no use of y/n. smut 18+ blog minors dni. blowjob/oral (m receiving), pwp, spit kink.
word count: 1.3k
nfl au, billionare bradley, a24 actress reader
city of stars masterlist
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“Look so fuckin’ tiny next to it. Fuck.” Bradley harshly whispers, fully taken by the way your head shrinks in size when you pose next to his straining cock. His stomach knots at how the shadow of his dick rests over your entire face, as it towers past the top of your head. 
Mouth starting to fill with saliva, all you can do is nod in agreement—not wanting to drool over the expensive slacks he’s zippered down for you.
You could only pray that your plea translates through the wide-eyed stare you’re giving him. Because right now, you’d do just about anything to feel the delicious stretch of his thick cock down throat when he inevitably reaches back there.
Under the dinner table of the Michelin restaurant he’s booked out, the precum dripping down his length slips onto the side of your face and you go to eagerly lick it off once it trails down towards your mouth. 
Though, you should be a bit ashamed—acting like this in a public space, you can’t seem to care as your restraint thinned out long ago.
“Please. So big,” you thickly swallow, chest rising up and down as you pull back to watch him throb in your manicured hand, that barely wraps around his girth. The silk table cloth slips down the back of your tweed Chanel archive dress when you move to look at him.
Through pure instinct, you roll your tongue back in on itself, trying to find the fleeting aftertaste of his salty precum somewhere on there. 
Bradley insisted that you’d wait until the driver drops you both off at his penthouse—but how were you supposed to do that when he casually passed a thick bundle of cash to the waiter, suggesting he say a number between five and ten. Smirking when ten hit his ears, Bradley leaned over his main course to tell you that he’s going to make you cum ten times tonight.
And that's when you started begging hard enough that he gave in, letting his seared steak run cold.
“So big, but you take it anyway,” he hums condescendingly, guiding you towards his leaking tip with the hand he has tangled into your hair. You're not sure if it's his Rolex brushing against the shell of your ear or the thought of someone possibly catching you, but a shiver passes down your spine. 
"My dirty fucking girl,” he suddenly growls through clenched teeth. “Lettin’ me stuff that pretty mouth. Don't even care if someone sees, huh?" 
It's almost pathetic how quickly you nod, bleary eyed as you slowly move down his length, bobbing back up to swallow his tangy precum, desperate to not miss a drop.
It’s a brief thought that cuts through his lust, but Bradley wished the paparazzi waiting outside the tinted glass doors would just fuck off for once. Because if he did so much as move in his seat, they’d get a view of his wife on her knees, cherry red lips wrapped around the head of his cock. 
Tightening his grip, he slightly tugs on your roots, moving you back off him for a moment. Instantly, you dart out a tongue, catching the taste of him that brushes over your chin to hide the disappointment of your empty mouth. 
Bradley couldn’t imagine that your manager would particularly enjoy spending his rare day off—scrubbing lewd photos of his rising movie star off the internet—as that would stir trouble around your growing career. But, what Bradley could imagine, was that he has more than enough money to hire someone else clear the pictures within seconds.
“If you make it quick, I’ll fuck you til’ can’t breathe in the back of the Bently. Got it?” He looks down at you, a stern expression dawning his features. Noticing the haze taking over your vision, Bradley presses further, a tinge of impatience leaking into his tone. “Gonna be a good girl and answer me?”
“I–Yes,” you whimper, regaining focus with a forceful blink. The mere thought of him mercilessly pounding you into the leathered seats with the radio cranked up, stifling the harsh snap of his hips—while the driver blissfully attends to his smoke break, has you instantly clenching your thighs. The carpet under your bare knees scratches at you with the abrupt movement. 
Pleased with your reaction, he scratches at your scalp, prompting you to sink your mouth around him again. “Mm, that's right,” he begins to coo, watching his dick glide past the tip of your tongue. “Thought you’d like that. Making people wait around while you’re crying ‘bout how full you are. Crying ‘bout how you can’t live without this dick in you,” he crudely voices. 
Then like instant karma, an unsuspected groan rips through his chest, putting an end to his teasing.
Bradley’s suddenly forced to bend forward because you’re eagerly hollowing your cheeks, already taking more than half of him. It’s downright shameless how obedient you’re being, sucking in a deep breath and holding it so you don’t gag around his cock.
“Holy shit,” he heaves, steadying his faltering clutch on the roots of your hair. 
“S-Shit. Just like that,” he grits, brows pinched and eyes fixated on the way your nose increasingly gets closer the bejeweled hand you have curled at his base, mouth moving up and down his length, coating him in a clear slick.
The decorated table above you is shaking, the back of your skull cushioned by his thick fingers repeatedly slams against the blunt edge in bursts. 
Bradley’s hazel orbs are dimmed to an inky black color—the only light glimmering through his eyes is from the reflection of burning candles jittering away from its original spot between your plates.
“You tryna’ call the waiter over here? Huh? Needy little thing,” he bites down on his lip, ears zoning in the sound of your muffled moans.
Tongue molding around a protruded vein on his underside, you chase to get the entire stretch of it to lay flat against your tastebuds, ignoring the burn of your mascara in your waterline when your tears mix with it. 
Roughly, Bradley spits a sharp wad right onto the hefty rock perched on your ring finger. “Want you reaching that fuckin’ diamond, baby.” The saliva glossing your wedding ring, spurs you to pick up your pace, sending a continuous vibration down his length. 
Jaw stretched to its limit, your slobber leaks out the side of your mouth. A rush of dizziness surges through you when you finally feel the head of his cock poking the back wall of your throat. 
Curling his other hand firmly around your nape, he mockingly taps his large thumb on the pedant of your necklace. “Almost fuckin’ there,” he runs the digit down line of your throat. “C’mon. Thought you wanted this dick down here.” 
In response, you bob your head faster in unison with the well decorated hand fisted around his length. Above you, Bradley’s incessantly grunting out a string of praise as the wet surface of the glassy crystal nudges at the tip of your runny nose in success. You finally reached the diamond.
Bradley feels the oxygen completely dissipate from his lungs, a sear of building pleasure bats through his ribs while he fights the urge to tip his head back. His eyes nearly shuts, but he wills himself to keep his attention on you. His wife.
And if it’s not the sight of your throat growing in size as his cock spills into it, then it’s the overwhelmed gag that rings around him that finally tips Bradley over.
A shaky praise of Good Girl mindlessly leaves his scratchy throat when you diligently swallow the ropes of cum that shoot down your throat.
Carefully, he moves you off him, lightly laughing when you blankly blink at his deflated dick as if you didn’t just consume his future children instead of dinner.
Moving his hands to cradle your head between them, Bradley extends a thumb to feasibly clean off the smudge of lipstick smeared across your cheek. 
Bradley grins. “You do realize that our waiter who’s been consistently checking up on us, hasn’t come back to our table right?”
The remembrance of the grown man's excitement to constantly ask how the food was, after becoming thousands of dollars richer from the Bradley's loose change makes him laugh again, but you don’t join in.
Instead, you frown a bit as he continues to work off the red stain on your face. “I thought I was pretty quick!” You protest, pondering on how long you actually took.
If you weren’t as fast as you thought, there wouldn't be a chance in hell that he'd start on his promise of making you cum ten times tonight in the car.
Bradley raises an eyebrow at you, biting back his amusement when he says his final statement. “Apparently, not quick enough. Looks like the Bentley is being spared.”
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note: did i write this to live out my rich husband dreams, maybe! anyways thank you for reading and as always reblogs are greatly appreciated <3
join the taglist for this series here or follow me on @waklman-library and turn on notifs to be notified when i post!
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faeriekit · 1 year
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I haven't spent a day without reading after I discovered ffn in high school.*
I genuinely don't have any perspective a life looks like without reading. I used to smuggle library books into middle school math classes, and get all four of them confiscated, one at a time. In the second grade, I smuggled books out onto the playground so I could read longer. In between those years, I spent time taking out books from the 80s and 90s in my school library-- but once I could get free literature on my itouch forever, as long as I had WiFi? Game changing. GAME. CHANGING.
People like to knock on fanfiction and, fine, sure, there's bad stuff out there just like everywhere else, but there's been no greater treasure in my life than clicking open a tab wherever I am-- bus, dr.s office, work, in bed-- and knowing there is a story there for me, if I just adjust my ao3 settings. Fanfiction is a lesson and a story and a celebration of stories all at once. I learned how to write from the fanfics I loved. I learned how to refine my sense of grammar (for better and for worse). I learned what worked and what didn't in a story. I learned what people like, and why they love it. I learned what different shapes and sizes of love look like in different eyes. I learned how many people can well and truly love a story, entirely independent from the media conglomerates that designed it to be marketable. Thousands of strangers freely, happily, embracing a story. Telling each other stories.
And the TAGGING system on ao3 changed my life. Ffn? Awful to navigate. Even worse to search on. The crossover options were limited and the categories were slim. Ao3 is a love letter to fans, and from fans to the media they love. I'm getting sentimental. It's 2am. But I wouldn't trade a thousand hours in my school library for the gift of reading at my fingertips, everywhere I go, for the rest of my life. And it's all because a stranger on the internet wanted to tell me a story.
Anyway. Blister Pack hit 30,000 hits. I write this story for me. But when it means something to all the readers popping comments in my inbox, all I can do is be grateful that it touches something in you, too. I don't know how long it'll mean anything to anyone, but the joy of archiving fics means that there's infinite time in the world for us to find the story we need today. It'll still be there in the morning.
*(I don't think my ventures with livejournal counted. I was only on there sporadically.)
Edit: drafted 11/28/2022
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centrally-unplanned · 7 months
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Since I am discussing anime academia today, I was reading another paper that was equally frustrating, along a different axis:
“Do female anime fans exist?” The impact of women-exclusionary discourses on rec.arts.anime
This as a premise is a good concept; someone mining the 90's Usenet anime communities for how the fandom saw female fans back then (the article title is quoting one such thread). So of course, the opening line of this article about the anime fandom in the 90's is....sigh....a reference to Donald Trump:
Commenting on the 2016 American presidential elections, multiple news reporters noted that a relationship could be found between Donald Trump supporters and online anime fans
It of course goes on to discuss Gamergate, 8chan, online right-wing radicalization, references to the "Fascist" themes of Attack on Titan, and on and on. The obvious problem with this is that it is irrelevant; the "methodology" section involves this aside about how they pulled this data from Google Archives but Google is an advertising firm and not a replacement for a real archive and we need to Fight The System and buddy my dude that is not germane to your sample size!!! But more importantly, it is backwards. I don't need to explain the argument here in detail; the article is positing a throughline from 90's anime discourse to modern right-wing internet politics through a sort of 'lock-in' effect of built culture norms around misogyny. Which is fine, you can make that argument - but why is all this future stuff in the first section? You haven't really presented the argument yet! This isn't a book, its not the intro chapter - literally 30% of the text of this article is stating a conclusion upfront, justified not through the text itself but citations to other articles about its truth.
This is something media studies pulled from traditional science - traditional science states "established facts" up front that the paper is building on. But that is because - a thousand caveats aside - in chemistry those facts are....facts. They may be wrong facts, but they can, ostensibly, be objective descriptors. This paper cites "anime is still synonymous with far-right ideologies of white and male supremacy, and events of anti-Blackness" like its citing the covalent bond count of carbon. That is not and never will be a fact one can cite, that is an argument; and its not one that is important for understanding this analysis of Usenet groups. This structure is pulled from other sciences, but it flourishes because it lets you pad the citation count of your peers. Its embarrassing how often you can skip the first 1/3rd of a paper in this field - really the worst possible thing to copy from economics (ding!)
This paper also does the insane thing of jumping between citations from 1992 and events in the 2010's like anime culture is continuous between those time periods. Its an extremely bold claim it just does in the background... but lets set that aside.
This hyper-politicization & hyper-theorizing leads to the second issue of extreme under-analysis. This is the actual value-add of this paper:
From this search, I was able to find the discussion threads “How many females read r.a.a.?” (135 messages; opened on July 13, 1993), “Question: Girls on r.a.a?” (23 messages; opened on February 25, 1994), “Female Otakus” (221 messages; opened on June 25, 1994), “Women watching anime” (72 messages; opened on October 4, 1994), and “Female fans - Do they exist?” (61 messages; opened on October 26, 1995). While these discussions may seem like they were spaces for marginalized users to discuss their experiences, they were often started and overwhelmingly occupied by identified male users. In total, I extracted 252 messages from 1992 to 1996 that were relevant to the gendering of anime fandom, and among those, I classified them as 7 kinds of negative networking discursive practices: (e.g. Table 1. Negative networking practices on rec.arts.anime).
252 messages, five threads - later on it will name other threads, so its more than this, but you get it. It has a bunch of data. And from that data, the article quotes...less than half a dozen examples. There are no quantitative metrics, no threads are presented or discussed in detail from this data set. Some other event is discussed in detail, but again it quotes essentially one person once. The provided "Table 1", the only Table, is a list of the author's categorizations of the data; the data itself is not present. Its file format is a CSV, presumably to mock me for clicking it.
There is, from top to bottom, a complete lack of engagement with the data in question. This would fail an intro anthropology seminar; the conclusion is simply presumed from 1% of the sample size while the rest of the messages are left on read. I just don't think there is any value in that, a handful of messages from 1996 divorced from their context and stapled onto modern politics as a wrap-up. What did the people on this Usenet value? How did they think of women collectively? As anime fans, as outsiders, as romantic partners, as friends? What subfactions existed? Questions like those would presumably be the point of this investigation, but they are treated as distractions.
And this article was, in anime academic circles, a pretty well-trumpeted one. I'm not cherry-picking a bad one here, it was the "hot paper" of the month when it came out. Its just that the standards can be so low, its a field that simply lacks rigor. Which doesn't stop a ton of great work from being done btw, that isn't my point at all. My point is that the great work is not selected for; it goes unrewarded, bogged down by academic standards divorced from discovering real insights.
(I do not think the question "why are they misogynist" ever crossed the author's mind. That should be your literal thesis, and its a ghost. Just ugh.)
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that-ari-blogger · 4 months
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An Interesting Character
Usually, when character is brought up in discussion, it is in reference to the people. If you think of the characters of The Owl House for example, you probably think of Luz, Eda, Bellos, Hunter, and Principal Bump.
But, by pure mechanics, a character is just a force at work in a story. One with personality, and agency, sure, but it's just a force.
This means that, if you squint a little, the Boiling Isles itself is a character, and the Wild Magic is an extension of that. It certainly gets treated like a character by the story, especially in Adventures In Elements.
Let me explain.
SPOILERS AHEAD
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Before I start, let me give one attempt to argue with the pedants. By definition, a character is a person. So, hear me out, the Boiling Isles is literally the body of a titan, who actively talks to Luz later on in the series. That is my justification.
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So... why is wild magic a thing?
I'm not asking for an in-universe answer, because that is multifaceted and not really the point. I'm asking why the writers decided to include this idea, and what effect it has on the story?
The phrase "magic is..." is used four times in this episode. Once by Eda, and thrice in quick succession by Luz. And it is worth taking a look at these statements.
"I know my lessons seem weird, but this is what wild magic is all about! Making a connection with nature. The earliest witches understood that. Human witches need to understand it, too. You wanna learn a second spell? ... Then you have to learn from the island."
There is a lot going on with Eda's guidance. First up is the small detail about the tense. The earliest witches knew that magic is about nature, implying now it is different. But mainly, this is an explanation of the nitty gritty of The Owl House's magic system. It's about two things, nature and connection. And I want to delve into that a little bit.
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There is something fascinating about Bellos and his roots in witch-hunting. Because that was specifically defined by an opposition to things, rather than any actual views of its own.
Malleus Maleficarum, the book that kicked off the witch-hunts is a fascinating read, as long as you understand what it is that you are reading and don't use it as a set of instructions. Internet Archive has a translated version by Prof. Christopher S. Mackay, complete with commentary from latter authors that I highly recommend.
This single book caused a ton of harm to people, and you can examine it from almost any angle you like. The original was written by a terrible person with terrible intentions, and I also recommend Overly Sarcastic Productions' video on Werewolves for more information on that section of history.
What I want to focus on is the vernacular. References "devils" about 400 times and namedrops "witches" with similar regularity. The word "demon" comes up over 1000 times, and the word "pagan" comes up about 40 times. Specifically in reference to "pagan nations" which is about as racist as it sounds, as well as a ton of using the word as a catch all insult ("x type of person is worse than a pagan", etc. etc.). I don't want to get into the theology and history of this word, because it's a complicated minefield. But in this context, specifically around Europe in this time period, it means just about all regional faiths and mythologies. Celtic, Norse, Germanic, and several others.
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Fun fact about me, I am Welsh, which means is that I have a connection to Welsh mythology, and so my analysis of wild magic is through that lens. If you have an understanding of other similar cultures, let me know, I'm fascinated to learn how that affects the reading of the Owl House.
Now, Modern Druidism is a living religion that I am not well versed in and want to treat with the respect befitting any living faith. So, I am sticking to what I know about the history and mythology and trying to make the differentiation between those two and Modern Druidism clear.
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So, Druids in Celtic mythology are religious leaders, and peacekeepers. But what is possibly the most famous thing about them is their connection to nature. And here is where the analysis of The Owl House comes into play. Because the Owl House takes great care to associate magic with the natural, and Bellos with the unnatural.
"It means magic is a gift from the island. It means magic is everywhere. Magic is everywhere!"
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Bellos creates artificial magic through his artificial staff and the destruction of the Palismen to fuel his life. Hunter wields an artificial staff, and in Adventures In Elements, Amity trains with an artificial training wand, which is linked to Bellos through the coven system.
But you would think that Luz's runes would also count as artificial. So what gives?
This episode shows them as part of nature more than the more refined spell circles. Luz's magic is that connection to the island in its purest, rawest form, and as I have said before, Luz's greatest strength is her ability to connect.
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The dynamic between Wild Magic and Coven Magic isn't a dynamic between the artificial and the natural, it's a dynamic between empathy and utilitarianism. Wild Magic borrows, or is gifted, Coven magic takes and uses for its own ends. They are similar concepts, but it's in the minutia that the meaning comes out.
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Final Thoughts
There is one final thing that Wild Magic reminds me of, and its off on a limb a bit. I currently live in Australia, and while Aboriginal spirituality is varied and complex and not my story to tell, I have been gifted this piece of advice that I would like to share: Humans don't own the land, we are a part of it, just as the trees and the beasts and the storms and the fires. Humans are mere custodians, our duty is to watch over and protect, and to connect.
I thought that was relevant.
I am away next week, but I'll be back in the new year with some analysis of The First Day, so stick around if that interests you.
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I don't want to hijack anyone's post so I'm putting my two cents about media piracy/preservation here.
As someone who literally grew up in the era of "Keep Circulating Those Tapes", I have this thing about keeping things. About "owning" them.
If I like something, be it a fanfic or a tv show or even a yt video, I save it. I literally pay money for a yearly subscription to one of the best stream ripping programs out there because I'm obsessive about this. Before that, it was ripping websites. Before that? P2P. Before that it was literally copying and pasting text into a MS Works document and printing it out.
I have fanfictions still printed out from 20 years ago. Catherine Semerjain, one of the biggest authors of Shane McMahon fanfiction in the 90s... I have her stories printed out and saved in little books. Encyclopedia Xenaica, a proto-version of a fan wiki, I have printed out and saved in it's ENTIRETY from before it was taken down.
Yes, I printed a WIKI. This was 2000, the internet was small back then.
This behavior has never stopped.
It has, however, transformed.
So damn many data discs. SO MANY. I have volumes upon volumes of data discs of media that I saved because you literally never know when or where shit will vanish. Somewhere, I have a full series burn (absolute potato) of "You Can't Do That On Television" because that series evaporated for decades until someone uploaded the converted tapes, only for it to vanish again.
But it is preserved. I have it. On disc. On file. On backup.
My backups have backups.
I have FIVE external hard drives, the smallest of which is 3 TB. That's also the oldest and everything on there is backed up at least one other place.
The point I'm making is that I am obsessive about hard copies of things and I have even more digitally.
And it's all because I remember the 90s.
I remember before the internet, before there was streaming, before TV on DVD. Back when if you liked a show you damn sure better have your VHS running when it was on because you might not get a second chance. (I'm looking at you 90s Shanie who accidentally taped over the original broadcast of Xena's banned episode). I have been hardwired to distrust the internet as an archive because I've gotten hurt so many times.
Listen to me closely.
Streaming has never been a savior.
If it's on the internet it is, by definition, temporary. They say "the internet is forever" but that's a lie. Very few things on the internet are truly forever. Everything ends, everything fades, and if you don't preserve these streaming shows while they're around you're gonna find yourself empty handed the moment that the winds change and the mood shifts. Seriously, there's tutorials out there on how to do piracy right. Read them. Learn them. Love them.
Then start doing it.
Because it's been made very clear that corporations don't give a shit about preserving media. It's up to us.
It's always been up to us.
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gallifreyanhotfive · 5 months
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Do you have any recommendations on Dr. Who books/audio format things? I haven't watched the show in a bit because Moffat wasn't my thing and I can't seem to find the old stuff. (If you have any advice on where to find that too I would be very grateful) Following your blog has been a nice reminder of why I liked the show so much. Hope you have a good day!
Aw thank you! Depending on your location, you can find classic who episodes either on BBC iPlayer or Tubi (with ads).
As for books/audios, I'll try to keep this brief as I could write an essay on this.
For books, my favorite author is Kate Orman. Orman writes wonderfully, and my personal favorite is The Year of the Intelligent Tigers. I also really liked Goth Opera, Camera Obscure, History 101, Autumn Mist, Lungbarrow, Divided Loyalties, Somewhere Never etc etc etc etc (so many more but I'm forcing myself to stop here). You can often find free versions of basically every novel (at least all I've looked for) on the internet either as pdfs or epubs or whatever. The Internet Archive is particularly useful. Some examples:
And now for the audios! I personally have sold my soul to Big Finish. I have literally hundreds of recommendations. They do have some audios for free, such as those that came from the Paul Spragg Memorial Competition. You can also find a lot of them (up until Zagreus I think) for free on Spotify. There is also almost always a killer sale going on on the website on top of that too.
As for my recommendations, it's pretty dependent on what Doctor or companion you want to listen to. They even have series centered on UNIT, Romana's Gallifrey, Benny Summerfield, and a ton of other things (including a Masterful special that just had a bunch of Masters fucking around and finding out). I'll put in some of my favorites, one for each Doctor, from what I own (which is far from everything, but I do my best).
One: The Sontarans. It was the first time the Doctor had ever encountered the Sontarans, so he was unfamiliar with them. It takes place during Dalek Master Plan, so Steven and Sara are there.
Two: Lords of the Red Planet! It's a good Ice Warrior origin story and has Jamie and Zoe in it. :)
Three: Terror of the Master. I had pre-ordered it as soon as I heard about it. Three....Delgado Master....what more do you want from an audio? It's narrated by Jon Culshaw.
Four: The Wrath of the Iceni. It was a brilliant historical with Four and Leela and Boudica. Leela gets quite a lesson in this one, first being mad at Four for not helping Boudica and then at Boudica for being cruel.
Okay now we are getting into my favorite Doctors (5-8), so these decisions are going to get difficult.
Five: The Kingmaker! Shakespeare spikes Five's drink to get him absolutely wasted to sneak on the TARDIS, the TARDIS gets hiccups as a result, leading to Peri and Erimem being separated from the Doctor. Shenanigans ensue.
Six: Doctor Who and the Pirates. Six and Evelyn have a really meaningful discussion with one of her depressed students. The third part is a musical!
Seven: The Shadow of the Scourge. Benny Ace and Seven against 8th dimensional eldritch abominations. Seven gets turned into one of these insectoids, and body horror ensues.
Eight: Oh dear I can't choose. At the moment, probably the Great War from Dark Eyes 1. Eight meets Molly and is still grieving here. He is very much doomed by the narrative.
War: The Neverwhen. Lots of the War Doctor is good if you like Time War horror, but this one has a lot of time-as-a-weapon and is well written.
Nine: Battle Scars. A nice short story about that one family Nine saved from the Titanic mentioned in the episode Rose. Has a really fantastic girl in it and a Nine dripping in PTSD.
Ten: The Time Reaver. Ten and Donna! There's this gun that basically slows down time for a single person, so that a few minutes for everyone else is centuries for them. Ten is a self sacrificing dope.
Eleven: The Geronimo boxset is the best in my opinion, but I haven't been able to listen to many of these yet.
Twelve: Another one I haven't managed to buy a lot of yet, but Dead Media is amazing. It's written to sound like a podcast with adverts and everything and is set during his time at St. Luke's. And I cried at the end.
Anyway, I'll shut up now. This was so much fun! Thank you!
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pigeonflavouredcake · 8 months
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How to reference in your grimoire
If you intend on sharing your grimoire with the public or you're a fan of a more academic style of writing then you're gonna want to reference your sources to avoid any kind of plagiarism.
You may have already learned how to reference at your college/uni, in which case follow that method, but if you haven't let me show you what i've been doing in my grimoire.
The referencing style I was taught in my degree is a form of APA 7th edition. This style is best for essays and small research papers and since my grimoire is essentially a bunch of mini contextual essays stuck together I thought it was appropriate.
Here's the format:
Author Surname, Author Initials. (Date of publication/release). Title of source: sub-heading/title of chapter. Publishing company/website. Place of publication/website link. [Format]
So for example, the book I'm currently reading is Buried by Professor Alice Roberts. If I were to reference this book in this format it would look something like this:
Roberts, A. (2023). Buried, An Alternative History of The First Millennium in Britain: Water and Wine. Simon and Schuster. London. [Book]
(Its up to you whether you decide to put the chapter before the book title, it doesn't make a difference, but I prefer doing it this way.)
This reference will need to follow an in-text citation. You can do that by adding a little number in parentheses next to your quote or paraphrase that corresponds to the number on your list of references OR you can make a mini reference following this method:
(Author Surname, Author Initials. (Date of publication). Page number if required)
So following this method an in-text citation would look like this:
(Roberts, A. (2023). p1)
Tips
If you are citing a source with multiple authors, organised them alphabetically by surname, your in text citation only needs to include the first one.
If you're referencing an online upload of an old source like Internet Archive or Project Gutenberg, include the original authors name first, uploaders name/ID second and mark which is which in parenthesis, then the date of original publication if you can find it, followed by the date it was uploaded to the site.
If you are referencing a film/TV episode, use the name of the director and include (Dir) next to their name.
If you can't find a date of publication/upload then write DNA instead.
Always put your references at the back of your grimoire. If your grimoire contains multiple chapters, group them by each chapter and then organise either alphabetically or chronologically. If your in-text citation uses numbers, organise your reference list chronologically. If you're using a mini reference, organise your reference list alphabetically.
This last bit is especially important for practitioners who intend to publish their work. Please please please do not skip referencing! I've read so many traditionally published witchcraft books who's authors don't do this or do it half-assed and I can't stand it.
Readers deserve to know where your information is coming from so they can be the judge on whether or not it's appropriate for them to practice themselves. Not doing so creates a cycle of ignorance among readers and new practitioners that encourages the spread of cultural appropriation, poor media literacy and poor historical and scientific understanding. Always cite your sources.
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ftmtftm · 9 months
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ftmtftm's reading (and watching) list
So I've been putting this list together to help people understand my beliefs and also to expand their own. This is a list of theorists, poets, authors, artists, and people that I often source from whose works have deeply impacted my framework of the world. I hope someone else can find them useful as well.
I've included several videos because I know how inaccessible academic text can be, but I do encourage you to read the text if you're able and seek out copies of books listed at your local libraries or independent book sellers/second hand book shops! When I could not find a PDF for a written work I have added Thrift Books links. Also double check the Internet Archive, Trans Reads, and The Anarchist Library for more readings!!
If any of these links break please let me know and I'll see what I can do to fix them. I'll be adding to this list as time goes on as currently these are just the books I can see on my bookshelf and videos I could remember I've seen before!
3.4.2024 - This list is slightly outdated in that there are several authors and works I need to add. Please seach the names James Baldwin and Audre Lorde or simply my reading list tag on my blog for additional resources.
Theory
Kimberlé Crenshaw:
Critial Race Theory: The Key Writings That Formed The Movement - thrift books
Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color - PDF
The Urgency of Intersectionality - video
Kimberlé Crenshaw Intersectionality is NOT identity - video exerpt from her WOW keynote speech
Angela Davis:
Angela Davis Criticizes "Mainstream Feminism" / Bourgeois Feminism - video
Angela Davis What it means to be a Revolutionary (1972 Interview) - video
Roxane Gay:
Bad Feminist: Essays - Internet Archive
Roxane Gay: Confessions of a bad feminist - video
Roxane Gay, Feminism and Difficult Women - video
bell hooks:
Feminism is for Everybody - PDF
The Will to Change - Internet Archive / audio book - YouTube
All About Love - PDF / audio book - YouTube
Teaching to Transgress PDF / audio book - YouTube
Speaking Freely: bell hooks - video
bell hooks & john a. powell: Belonging Through Connection (Othering & Belonging Conference 2015) - video
bell hooks & Gloria Steinem at Eugene Lang College - video (intro ends 7:24)
Emi Koyama:
The Transfeminist Manifesto - PDF
Ijeoma Oluo:
So You Want to Talk About Race - thrift books
Ijeoma Oluo Talks at Google - video
Public Presentation with Ijeoma Olua - video
History / Journals
P. Carl:
Becoming a Man - thrift books
Library Labyrinth Live Presents: P. Carl Becoming a Man - video (intro ends approx. 3:20)
P. Carl Prologue UCCS - video (audio quality poor)
Keith Haring:
Journals - PDF
Keith Haring Documentary - video
Keith Haring On The Fence - video
Jack Lowery:
It Was Vulgar & It Was Beautiful: How AIDS Activists Used Art to Fight a Pandemic - thrift books
Susan Stryker:
Transgender History - PDF
Transitions, with Susan Stryker - podcast - YouTube
Lou Sullivan:
We Both Laughed in Pleasure: The Selected Diaries of Lou Sullivan 1961-1991 - trans reads
Trans Oral History: Meeting Lou Sullivan - video
A series of video interviews with Lou - playlist
Fiction / Poetry
Chinua Achebe:
Things Fall Apart (novel) - PDF
I'm trying hard to not add too much of my own commentary to this post but personally I really think it's helpful to read Things Fall Apart in theoretical conversation with The Will to Change by bell hooks and in direct conversation with one of the works it was written in response to, The Heart of Darkness
Arundhati Roy:
The God of Small Things (novel) - thrift books
Arundhati Roy talks about her life and views on the world - video
Warsan Shire:
Bless the Daughter Raised by a Voice in Her Head (poetry collection) - thrift books
Warsan Shire reads her poetry - video
Zadie Smith:
White Teeth (novel) - Internet Archive
White Teeth (4 part Real Drama adaptation) - videos
Zadie Smith Interview: On Bad Girls, Good Guys and the Complicated Midlife - video
A Conversation with Zadie Smith - video
Pamela Sneed:
Funeral Diva (poetry and prose collection) - thrift books
Pamela Sneed Discusses "Funeral Diva" - video
I offer you a secret meme for your time (with books I still need to add to this list):
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according2thelore · 1 month
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omg i love that es sam post!!! imagine him “taking a break” from the three of them. he’s a jealous bitch and feels like they don’t even WANT him around, they all like each other better anyway!! cue Flagstaff Part 2: Electric Boogaloo
gosh!
if sam ran away, it would be an absolute shitshow, lol. i don't know if i think he would full-stop run away. i think maybe it would be a miscommunication--especially since for ES!Dean, stanford is so fresh and raw.
in my head, i'm picturing maybe ES!Sam steps out because he found a lead on a surprisingly non-BS book on time travel at a new-age bookshop a town over and gets stuck out overnight. and honestly, he's not that mad about it. he could do with a fresh night at a motel away from the Sammy and Dean show (and will not admit that it stings that he's not the 'sammy' in question). plus! sunlight! he hadn't realized how dark and damp everything is underground until he actually has a room with a window.
at first, as much as it sucks to admit, no one really notices at first. ES!Sam has really tried to distance himself from everyone (much more at the beginning of this ordeal than a few weeks in), and spends most days either archiving a storage room that LS!Sam told him about just to have something to do or in he and ES!Dean’s room avoiding them.
so LS!Dean is the first to notice. he's just had the idea to maybe reach out and offer the kid a grilled cheese for lunch. but...he can't find him. anywhere.
he goes to ask ES!Dean&LS!Sam who are tucked in next to each other in one of the armories, giggling, and LS!Dean gets distracted for a bit at how irritating--and honestly?? kind of arousing--they are together.
they "split up and look for clues" as LS!Dean puts it, quite excitedly, and ES!Dean kind of flushes like 'wow you're such a dork' but he's practically skipping down the hallway and LS!Sam rolls his eyes.
once their search turns up no sam...it's Hit Every Alarm Bell Time.
ES!Dean is the most freaked out. what if ES!Sam got taken back to the past without him? what if ES!Dean's stuck here? what if whatever brought them both to the present kidnapped him? he's guilty because he should've noticed it sooner. he's been spending so much time with LS!Sam that he didn't even notice his own little brother was missing for what? hours? dean's little brother is his whole thing! and he didn't even notice! not to mention stanford is still so fresh for ES!Dean that he's absolutely the most freaked out about the Lack of Sam, and therefore absolutely the least helpful.
LS!Dean is in the middle. that is to say, on a scale of 0 to rip the building apart brick by brick ("hey, stop it kiddo, he's not in the fucking walls." "shut up, old man!") he's a 7. a Missing Sam is a Missing Sam, okay? you could bring any dean (even squirrel dean) in and tell him this, and that's a category five disaster. and this sam is small!!!! and alone in the world!!!!!!! he's calling local hospitals and jails, before widening the search. he's probably even on "foot" patrol (patrolling motels and town with Baby) which he drags ES!Dean into, because that poor kid's fourteen seconds away from having three concurrent heart attacks.
LS!Sam checks ES!Sam's search history. he promises to do a more thorough up-and-down of the bunker, including investigating if any of their artifacts that they've got spilling out of old boxes in almost every room, have the power to transport people. but then, he sees the laptop in ES!Sam's room (kid has a FASCINATION, and LS!Sam cringes to think of a time before laptops were widely available). and okay, yeah. let's check his search history. after 'curious college twink gets ass ate large hunky man hunk bearded middle aged' and oh. okay. ES!Sam found internet porn. cool. (LS!Sam does not notice that the 'hunky man hunk bearded middle aged' has light brown hair and a strong jaw and does not remember the website and thumbnail. because that would be weird!) LS!Sam sees the bookshop.
he calls LS!Dean, and he comes back so they can all hop the town over to go collect him.
they find him immediately under "dean plant" at a motel on the edge of town closest to lebanon.
he's groggy because it's five in the morning. the storm from the night before has barely cleared, and the smell of wet concrete hits him before he's even full awake as the door slams open.
he's got three guns pointed at him (two identical ones, one significantly less scratched than the other; and the third is very familiar) and an ES!Dean that immediately falls upon him like a regency woman reuniting with her long-estranged husband returned after years of war.
LS!Sam keeps trying to calm the situation down with calm words and an annoyed glance at ES!Sam but mostly calm. and LS!Dean is just pissed.
"where'd you go? why'd you go? why are you here? the storm? yeah i guess it was kind of bad. but that's no excuse! oh they closed the bridge because of the flooding. well you could have called! no phone. hm. well. you can't go disappearing like that, kid."
and ES!Sam is kind of equally pleased and annoyed. because honestly, he didn't think they would really notice. he didn't think he was an integral part of this machine that they occupy. he thought he was the weakest link, but they chased him down (even if it was only twelve miles) and—
(and ES!Sam tries not to think it, but it reminds him of a sermon at the church he visited once a month with brady, before brady stopped going to church (the church that made sam's feet tingle as in his shoes as soon as he stepped on hallowed ground); about the shepherd chasing down the wandering lamb, and how fucked is it that sam's thinking, in part, about himself? some bigger, stronger, wiser version of himself bringing him back into the fold? it makes sam shudder a little, bc sam didn't even question the part about dean being god, just himself.)
and later that night is when ES!Sam gets his first "we"--LS!Sam pulls him aside after dinner, and says quietly,
"we can't disappear on dean, okay?" he's quick to continue, because he can see the beginning of ES!Sam's indignant protest. "it was an accident. and they shouldn't've freaked out like that. but we go through...a lot. and he needs us. even in 2006. and he's glad we're here."
ES!Sam shrugs him off, but later that night, when he says goodbye to ES!Dean, he says "goodnight jerk," and dean relaxes against the doorframe. and sam thinks, maybe this isn't the worst thing that's happened to them. not as long as they're all in it together.
every time i say "oh this ran away from me" and UGH! every time it's TRUE! flagstaff pt 2: electric boogaloo would end with a lot less tears and anguish on all parts involved, i think. but like any good sequel, it would increase the stakes (TWO deans losing their minds + a bonus sam!).
thanks for this ask, anon! my brain really took to it, lol!
-lizzy <3
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yakny · 6 months
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GIVING YOU THE SUN, MOON, AND STARS
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The various transformations the clouds, and the background as a whole, went through. Yeah :')
I do really enjoy the second version. Just the overall composition, and colors of it, are pleasant and eye catching to me. The clouds also feel bigger and fluffier, strongly compared to the first version of clouds, which just looked stormy and ominous—although that, in of itself, can add to a mood of blissful ignorance but, it was not one I was going for. Alas... alas.
Also, this page of Walter Wick's, I Spy Fantasy: A Book of Picture Riddles—which you can borrow on the Internet Archive library:
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It is where the inspiration for the way I drew the clouds in the final versions came from. It is so whimsical and dreamy! This, right here, was my childhood, fellas. Indeed, it was.
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clove-pinks · 1 year
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Fashion History Books on Internet Archive
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Illustration in La Mode by Paul Gavarni, c. 1835 (Rijksmuseum)
A selection of some of my favourites, free to read and check out once you create a (free) account!
Handbook of English Costume in the 19th Century, by C. Willett Cunnington and Phillis Cunnington. I can vouch for this as one of the greatest books in my collection, extensive menswear information. By the same authors: English costume in the Eighteenth, Seventeenth, and Sixteenth centuries.
A History of Men’s Fashion, by Farid Chenoune. A masterwork, absolute must-read primer on men’s fashion from the late 18th century to the late 20th century.
The Encyclopedia of World Costume by Doreen Yarwood. Covers many different cultures over a huge span of time so most topics are not treated in-depth, but still a great reference.
The History of Underclothes, by C. Willett Cunnington and Phillis Cunnington. Also covers men’s shirts in Western dress history, as these were considered undergarments.
Fashioning the Body: An Intimate History of the Silhouette, edited by Denis Bruna. A collection of essays on changing dress silhouettes in Western fashion over time, some of them very insightful. 
The Dictionary of Fashion History, by Valerie Cumming. This is the first edition and I have the second, but my top fashion history dictionary and go-to for textiles and items of dress!
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luketaluketa · 9 months
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i was organizing some files and found all the wip stuff from the previous secret samol for @/seamonsterart (go check out their work!), and these are two of my favorite illustrations ever, so here's some insight into how i made these!
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for starters i already had a pretty much finished design for pickman that i had first drawn back in 2021
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she has a completely wrong gun in this version because i did not remember how it was supposed to look like and couldn't find a description of it anywhere. she's wearing a hat because i forgot it was supposed to be a helm and so i ended up giving her the large hat just because the long horns coming through it are a fun image, though today i cannot imagine her wearing anything else. she already has the sword she takes from the lake skeletons, also. her armor is based on the armor the torumekian soldiers and kushana wear in nausicaa of the valley of the wind, with the incredible neck guard and long cape covering their entire body
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i've always loved these designs and how the plates are evocative of insects, but also how mysterious they look with covered faces and bodies. matter of fact, at this point i had no fucking idea what pickman looked like below the cape.
the second inspiration is the young man from angel's egg.
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OK, STAY WITH ME. i cannot explain this other that in my head pickman and him are VERY similar characters. the image of the half pulled cape while he holds his sword-cross-thing over his shoulder and the quiet demeanor are pretty fundamental to how i try to make pickman FEEL. i actually wanted her armor to have more piping, pulling from the biomechanical appearance of his sword-cross, but it didn't feel quite right
and the third inspiration is less inspiration and more reference work, the book "arms & armor, a pictorial archive" by carol grafton
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it's a compilation of illustration works sourced from several books from the 19th century. VERY cool book to take a look at historical armor. it's on the internet archive for free!
there was also a fair ammount of looking at goats and sheep, but eventually i reached this after learning i suck at drawing furry designs. big shoutout to the furry community for making so many tutorials available btw. in highlight a very important study of the character.
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now that i kinda knew what pickman looked like i entered the wonderful phase of "i don't know what the fuck i'm doing" which resulted in a bunch of bad doodles now sitting in a folder dubbed "dev hell". at this point i kinda had an idea for a relaxed scene based on one of the prompts, which i developed for a while on blender but eventually gave up on.
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i then moved on to the second prompt, of pickman being badass. i decided on a low angle to make pickman look incredibly tall but the low angle of a goat's head legitimately kicked my ass so i eventually made a goat head on blender and used it to generate references with the help of designdoll. here i made her design a lot more muscular and fat, also, eventually coming to her final design.
the valve on her chestplate looks WRONG to me now, but at the time i was so tired i just rolled with it. the first pass of her armor was in a completely wrong color, which i corrected later on photoshop. i added the little metal forks pulling from her 2021 design, and the idea of little musical forks for atunning to the shape was cool to me. i also corrected her gun after actually learning what the fuck it was supposed to look like. i already knew i wanted her to be standing on the field of canola flowers, and the sky in the background was the last thing i added, also the time when i decided to really make the picture tall.
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i liked the final result so much i went back and started working on the first prompt again. had a horrible time drawing the horns in the second image which led to this hell cage for building the perspective. im still not confident on the horns on the side of the head. i wanted to bring the atmosphere of a cold winter or fall morning in the second one, and to make pickman seem tired but relaxed. i overall like the second picture a lot more than the first and was very happy with how it came out.
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AND THAT'S HOW THE SAUSAGE IS MADE I GUESS. if you read this whole thing then thank you for your time!
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night-spell · 2 months
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Hi I recently bought a second hand Bowie book published in 1983 and it has Bowie photos that aren’t on the internet, so I’d like to share these for the archive site!
I’ve always used your site for drawing references so I’d really like to share these images back!
https://drive.google.com/drive/folders/1h4zVt1j4k9933oAv7KMGGE4lRmcC53gz
Hello and a big thank you! I really appreciate your sharing and since I don't have the possibility to post all these photos (and there are more than a hundred of them) on the archive site I'm glad to share your link with my followers here, with your permission of course. All the best!
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David Bowie photos by Philip Kamin from the book Out of the Cool
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ml-nolan · 4 months
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Kick's 2023 Fic Roundup (YEEEHA!)
[Please use the Kayne Malevolent voice for that title]
SOOOOOO all domains included—fics, original fiction, nonfiction, and copywriting—I wrote over 300k words this year. Of that, fic was 132,449 words! 🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥 I'm pretty proud of it, honestly, so I thought I'd hop on the rundown bandwagon.
Thanks to everyone who read my stuff, kudos-d it, commented on it, and yelled with me about it on Tumblr and Discord (Honk-Honk to all my honkos!!! 💜🖤💜🖤💜🖤). Y'all have made my life so much more fun this year.
The Sandman - Dreamling
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Music When You Speak [Rated E | 72,075 words]
When incognito rock star Dream of the Endless drifts into Hob Gadling's record store, it's instant attraction. Neither of them expected things to get this serious.
This started out as an experiment in "taking time to enjoy the scenery," so naturally I had to [SPOILER ALERT] add a kidnapping subplot that ends with Dream naked and covered in blood.
¯\_(ツ)_/¯ Oops.
I'm so glad so many people loved it. I loved it too. Still do.
Playlist here
Aaaaand complimentary ficlet, Piece by Piece [Rated T | 610 words].
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I'll Make You Sorry [Rated E | 12,035 words]
Things from Hob's past are making Hob's hookups run screaming into the night, and it's really freaking him out. Dream is very concerned (both that other people are dreaming Hob's dreams and that Hob takes so many lovers).
This is my only canon-adjacent fic (so far) that isn't ficlet or pure smut, and I enjoyed making both of them so deeply uncomfortable. Also I need to write more Corinthian because I found his voice disturbingly easy to emulate. 😂😂😂
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On Sex Dreams and Anachronisms [Rated E | 1,818 words]: Two embarrassing times Dream dropped in on Hob's sexy dreams and one much nicer one. Second silliest thing I wrote this year.
(Not) Spellbound [Rated E | 1,192]: This is just bondage smut. You're welcome. ¯\_(ツ)_/¯
How to Extract Your Boyfriend from Toxic Internet Culture [Rated G | 704 words]: By far the silliest thing I wrote this year. Features retired Dream's stint as a True Crime Wine Mom.
One Tall Dark Stranger [Rated G | 565 words]: From the prompt "Accidental Hand Touching."
You Will Not Be Bothered [Rated G | 420 words]: From the prompt "picking a leaf/flower petal out of their hair, or brushing dirt off of their face."
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I'll Be a Better Man Than My Father Ever Was - Chapter 4 by @chaosclimber | for the Dreamling for Ukraine fundraiser.
[PODFIC] Inappropriate Uses of the Dewey Decimal System and Coworkers by Hob Gadling, no PhD (Chapter 2) by @chaosheadspace | for the Dreamling for Ukraine fundraiser.
Metaphysics by @quillingwords
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The Sandman - Femslash Weekend!
This was so fun, and I have at least one more femslash idea I really hope to have the spoons to finish in January. 💜🖤💜🖤
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You're Gonna Catch Hell [Johanna/Mazikeen | Rated E | 2,116 Words]
Johanna Constantine, a gun for hire, is meeting a very dangerous new client at Club Hell. A mysterious woman who spots her right when she enters the club might pose some complications.
Pure smut, although I have an enormous hc around this AU that I'm not sure will ever see the light of day.
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Obliterate All Prior Things [Lucienne/Gault | Rated E | Words 3,421]
Whatever horrible thing Lucienne says is happening to The Dreaming is certainly happening. But the other part—the bit where Lucienne thinks she is the reason for it—cannot be allowed to stand. Run away with me, Gault wants to say. We'll find our own way. Be whoever we want. And you can finally rest.
I have huge feelings about Gaulcienne, which will become extremely clear if you read this.
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The Magnus Archives — Goof Troop (aka., TimGerry)
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Just an Animal Looking for a Home [Rated E | 33,349 words | Love and Nonsense AU - WIP]
When Tim Stoker came to Pinhole Books, it was like someone jammed a foot on the accelerator of Gerry's life. After a health scare, a wedding to his (let's be honest) soul mate, and the exponential growth of the shop, it's showing no signs of slowing down. Now, Pinhole is opening a second location, their beloved Fiona Law is retiring, and Tim and Gerry are bringing a new canine member into their family. But even good changes can be overwhelming, and Gerry finds himself dealing with old trauma he thought he'd left far behind him. Plus, Tim is unexpectedly forced to face old conflicts, which takes him places where Gerry can't follow. With all these stressors on top of the typical growing pains that come with a still-new marriage, Tim and Gerry have to learn to work through their issues together. It's either that or fall apart.
This is the sequel to Hiding in Plain Sight, which I actually started this in 2022 and took a hiatus while I was writing Music When You Speak (so the word count includes 2022 chapters, don't @ me 😂). It's pretty heavy but I think the break will make the story that much better for it, honestly.
Playlist here.
Also in this AU, a couple ficlets set before TimGerry got together.
What's His Deal? [Rated T | 608 words]: Gerry tries to find out what Tim's deal is. Jon is completely unhelpful. From "Blossoming Romance" Tumblr prompt: "Attempting to find out if they are single/available"
Scoop [Rated E | 682 words]: Gerry has just hired a new employee at Pinhole books, and it may just cost him his sanity. Involves ice cream.
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Ad Libitum [Rated E | 1,861 words - WIP]
It's Tim Stoker's first week at The Magnus Conservatory, and his piano accompanist hasn't shown up for auditions. An imposing goth swoops out of the shadows to save him, but Tim worries his instant attraction to the man may make it hard to control himself.
I just started this one! Music conservatory AU where Tim is studying voice and Gerry is a pianist. Excited to see where it goes (honestly, your guess is as good as mine at the moment).
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And of course I've got a book and a Patreon with two serials in progress if you're interested.😉😉😉 But I hope to write a LOT more fic in 2024! Love y'all. 💜🖤💜🖤💜💜🖤💜🖤💜💜🖤💜🖤💜
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