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stagefoureddiediaz · 1 month

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Costume Meta 7x01

Aaaaaaannnnd we're back!!

OMG I cannot tell you how good it feels to be back writing costume meta - I have missed it so very much and this first episode has given me lots and lots to talk about so lets crack on with it shall we!

Where to start?! Firstly - Its amazing to have Alayna Bell-Price back in the driving seat and she is a genius because she knows the characters better than anyone and I have to say from my perspective there is a pretty clear difference between this episodes costumes and the ones from season 6 - not that s6's costumes were bad, just that you could see the shift of having a designer who didn't know the characters to the same level. I’m going to go in order of character appearance in a non uniform capacity for this one I think so we’re going to jump around from character to character a bit. There is no Maddie or Hen this week, as we don't see them out of uniform, but every one else is accounted for and I've included Norman and Lola as they've got a multi episode arc and their costumes are interesting and playing into a colour theme!

putting it below the cut as its a long post and I on't want to overtake everyones dashes! Enjoy!

We start off with Athena in this pale pink high neck ribbed sweater with large bell sleeves. I've spoken a fair amount about pale pink over the last couple of seasons of costume metas and how, in clothes its representative of childish and immature behaviours or thoughts. That holds true here - the pale pink is playing into Athena's childhood - when she developed her fear of cruise ships - its creating a connection between her childhood experiences and the woman sitting in Franks office.

We get a flashback that shows her in yellow and orange - the yellow for communication and the orange for transformation. A literal moment where we see Athena transform from the innocence of youth to her developing anxiety and fear around cruise ships. Its really clever visual storytelling connecting adult with child and shows us her fear is genuine and founded in something that she may not have been able to articualte fully as a child, but she can as an adult, even if she doesn't actually articulate it to Bobby.

Our next non uniform costume is Chimney. The lighting is really low in this scene, so it's kind of hard to be 100% sure of the colouring, but he seems to be wearing either a dark navy or black button up shirt under a dark green and black bomber jacket. The use of really dark green in combination with black, Back is a colour that can be about hiding ones vulnerabilities - concealment and masking, but it is also a colour associated with magic (generally dark magic) as well as pessimism. The green is growth and renewal, and the hope for a better future. to use them in combination i this way is playing on Chimneys insecurites and fears, his desire to keep the 'magic' alive in his relationship with Maddie, but it also speaks to his growth, that he goes home and talks to her about it (even if he does come up with an insane plan to 'date forever').

Eddie in the locker room - aside from being shirtless for much of it and pulling some epically good faces - was a super interesting costume choice. Especially the use of his watch! first though - Denim shirt time! We don't actually see Eddie in a denim shirt all that often and we've seen him in the super washed out one far more than dark denim shirts. I've been laughing a little bit at a few people (on twitter mostly) claiming its the same shirt he was wearing at the hospital during and after Bucks coma and it being a play on bringing Buck back to life. While I like the theory, its actually a very different shirt - the one in the hospital was black with a grey wash out and was made of velveteen - so different colour and fabric.

This shirt, is however one we have actually seen Eddie wear before and its far more telling than if it were the hospital shirt. You need to bear in mind that this scene is about Buck and Eddies respective girlfriends (or lack there of) and the fact that Christopher has a girlfriend now as well. This shirt is the same shirt Edie was wearing when he (re)introduced Ana to Chris in 4x08 (breaking point my beloved! the gift that keeps on giving!) and this puts a conversation about Marisol and things going well with her into the same category as Ana - suggesting she is ultimately destined for the same fate as Ana. the other thing that plays into this narrative is the use of the watch.

Eddie does not put the Christopher watch on until after he has found out that Buck has broken up with Natalia - so during the entire conversation about their respective girlfriends, he is only holding the Christopher watch, rather than wearing it.

In the picture below from 4x08 you can see that Eddie is wearing his black 'work' watch rather than the brown strapped 'Christopher' watch. Remember that the first time we see the Christopher watch is when he goes for his first date with Ana in Jinx, so he already has this watch and in theory should be wearing it in this scene. The fact he isn't is pretty telling and I'll go into that a bit more later when we get to Chris's (and Eddies) date scene.

Then we have Buck in his outfit of many colours! The white trainers, continue to play into my theory of Buck wearing them when he is in key points on his journey to discover his self - her it is about showing his growth - that he ended the relationship with Natalia - this is a massive thing when we saw how long it took for him to end things with Taylor - The man who clings is growing and getting out before it drags him down!

The jacket is similar in style to many of the ones we've seen him wearing in season 5 and 6, but this one is much brighter and more colourful. I know I go on about white meaning bad things for Buck, but that isn't relevant here - the white bad things happen to Buck theory is much more about t-shirts, jumpers and shirts rather than jackets - its an under-layer rather than a top layer that = danger. So i'm not thinking of its relevance here for this scene. What I am going to say is that this (according to my spreadsheet!) is the first time we've seen Buck in a white jacket of any description. To me, it's playing into the idea of purity and rebirth which is what white is often associated with. This plays into the comment Eddie makes welcoming Buck back to 'the land of the living' but also implies that Buck is starting a new chapter and making a fresh start - the check patterning suggests it might not all be plain sailing though.

The check pattern is an interesting one, obviously check pattern theory comes into play here, but whether its only in relation to the reveal that he split with Natalia, or if its also foreshadowing Buck getting himself into danger/trouble down the line, remains to be seen.

I'm going to quote myself again because I did predict that this scene may be about his relationship with Natalia when we got the stills dropped - the costume department never let us down!

The only thing I can do is scream into the void about check theory because check does't bode well for people - they always end up in the middle of the drama (see my check theory posts linked on my pinned post for more) and while they come out the other side (99% of the time) Buck in check for that scene in 6x18 pretty much doomed his relationship with Natalia (its specific to her and not C&K's baby as Buck wasn't wearing it when he delivered it!) and as that shirt in the still is very un Buck like, has not only yellow ochre in it, but also its a white base (and we all know buck in white is a bad sign!!) and its check patterned - my theory is that this scene is connected to Natalia in some way - either Buck is not being true to him self in more than one way - that things are going to/have come to a head for their relationship (my kingdom for a reverse of Buck to Eddie about Ana in 5x03!!!) and lead to a pretty big change in some way (fingers crossed for Buck to end it and then finally break down and deal with his trauma!!!) Some other things about that shirt - the colour combination - the green blue and yellow ochre are giving me call backs to coma Buck (another reason I think it might be connected to Bucks unresolved trauma around his death and Eddies absense in his dream)

In the quote above, I was also referring to the blue and white check pattern shirt he was wearing when he and Natalia got together, but there was also the fact that in the balcony scene at the end of 6x18, we also saw her in one of Bucks white shirts. I wrote in my 6x18 meta about how those two things combined didn't bode well for that relationship going forward, and thats what leaves me unsure about the check pattern on this white jacket being purely about something that has already happened. If I put my Buddie goggles on, I would perhaps suggest that the troubled times ahead may be more connected to Buck and Eddies relationship, and this would fit in with a couple of the things Oliver and Ryan have said. The thing with check theory though, is that generally speaking if it's on one of the mains, they come out the other side of the dram/trauma stronger than before. So if it is connected to Buck and Eddies relationship, then we can expect it to be in an even stronger position on the other side of whatever goes down (and at this point you can't strengthen their relationship any further and keep them as just friends imo!)

Chimneys forever dating proposal to Maddie, connects with his outfit when he's talking to Hen - it's the same jeans and black shirt, so the meanings of black, can be continued on into this scene - the idea of magic and hiding his vulnerabilities. The addition of the jacket with this brickwork pattern in its weave is a fun choice, it's playing into the idea of building something, but also plays into the idea that Chimney has his walls up - again fitting in with the black meaning of hiding his vulnerabilities - because instead of expressing his fears to Maddie ad then them talking it thorough, he comes up with his insane forever dating concept. the fact that much of this scene is a contrasting parallel with the scene from season 1 when he is pretending to be someone else entirely for Tatiana all ties in perfectly with this costume. The fact that he reverts to wearing blue (ran out of picture spaces so I couldn't include one) later on - when he's realised his plan isn't realistic, talks to Maddie and they end up back on the same page is really good to see - the blue being a signature Chimney colour and is indicative of him being true to himself.

Bobbys blue suit and blue check patterned shirt. The brightness of the blue is a really important choice - it's the only time we see him this brightly coloured on the cruise until he ends up in the bright red at the end. This is important because this is the moment when he's still all excited and hopeful for his honeymoon cruise - everything is good in Bobby's world at this moment in time - the check pattern is telling us that it's not going to stay that way for long. From her on out we see the colours of Bobby's costumes slowly beginning to dull and take on a washed out tone, but here in this moment all is good.

Athena's bright yellow dress is all about making her stand out - communicating with the audience, she is the brightest person in the room (in more ways than one!!). The thing with yellow, apart from the communication aspect, is that it can also be a symbol of anxiety and fear, so this dress plays rather nicely into the theme of Athenas fear of being on that ship.

The colour does have other good traits too - its fresh and bright and is a colour of happiness in its more jewel like tones and I think we can see all of these meanings in these scenes - Athena might be anxious about being on the ship, but she is also happy and enjoying herself with Bobby in that moment.

Lola and Norman. Lola is the one we need to focus on in her very bright very check patterned Victoria Beckham dress. Obviously the check pattern plays into check pattern theory, but the red also acts like a neon sign to the audience - highlighting that Lola is in danger - the ga won't pick up on check theory, although they might connect the dots about the fact this check patterning looks very like a cage - foreshadowing her being held captive later on, but also as a nod to the fact she was incarcerated previously.

The red is also a nod towards romance and love - playing into the rekindling of their relationship and romance in the aftermath of the freeway 'see me Norman' incident.

Ok so Christophers date night and by extension Eddies date night! This is where this meta is goingto get a bit messy and I'm goingto jump around a bit becasue I need to talk about the way colour theory is at play in all the scenes in Christophers bedroom, so we're going to talk about Christophers bedroom as one big thing rather than the two separate scenes that it actually is. They are extensions of one another and build on so much of the groundwork we've already seen in previous seasons.

Chris in plaid check yellow and red check plays perfectly into check pattern theory - it’s a signifier that something is about to go down with him - namely that the fact he’s dating multiple girls at the same time.

He’s also wearing a white shirt which is not a colour we see on him all that often - in fact, the only times we’ve seen him in a completely white shirt is with his suit in 5x01 when suit shopping and again in 6x08 for his school dance. He did wear a white vest when dressed as wolverine for halloween So as you can see its not a common colour for him, but the times have seen him wear it as a solid colour have been connected to school/girls and dating (i’m including the suit shopping in this because Ana was there and it was kind of a Eddie and Ana date of sorts - in that it was suppose to be for this Christening - meet the family - date type thing).

The most interesting thing is the plaid hooded shirt though. It was such an interesting choice to go with for a couple of reasons. the colour way is especially loud - we tend to see Chris wearing greens and blues and greys, with the odd other colour thrown in occasionally. So red and yellow are not common colours for him to be wearing.

On the red front we see him in it a couple of times - the adapted skateboarding scene and the scene in 4x10 when he joins Eddie and Ana on the sofa - getting in the way of their date night. We do also see him wear red in Christmas related episodes (so I don’t tend to count them in the same way as the Christmas colour theming will nearly always override any other colour theming intention - the use of stripes or check or other patterning is more important in those episodes!).

On the yellow front things are even more clear cut - the Tsunami arc, the aftermath of him falling off the skateboard, Mays graduation party and 5x03’s Eddie Ana break up! These (apart from the tsunami shirt) were all bright almost neon yellow.

This new plaid shirt is more into the yellow ochre part of the yellow spectrum, therefore tying much more to the tsunami arc, which is actually really fitting if you think about it in a little more detail - its a connection, not only to Buck, but also to loss and grief. Eddie might have been using his secret weapon (Chris) to get Buck out of his moping (read mourning) over not being able to go back to work, but Christopher is also still grieving the loss of his mother at that point as well, so its not just about cheering Buck up, its also about giving Chris a chance to do something fun and distract him from his own grief. That is why the use of yellow then ties in so nicely with its use on Chris now.

The other thing that really grabbed my attention about this shirt though is the fact that the two times we’ve seen Buck have a conversation with Chris in his bedroom, he has sat in the same spot and has been wearing one of those two colours - post shooting in maroon and this episode in the yellow ochre - if you watch those two scenes side by side, you see that they’ve used almost identical camera angles as well to film Buck.

I've spoken a lot about the use of maroon as a colour connected to parenthood - especially fatherhood , which is how its intended to be read on Buck - connecting to Eddie and his being shot, pushing Buck into a parental role in Eddies absence.

That alone is a pretty loud reference to Christophers connection and relationship to Buck, but then we have the yellow ochre of it all.

I feel a little bit insane about how close my prediction was on what the Buck Christopher scene was going to be about - this is from the meta I wrote when t he stills dropped;

Whatever this scene transpires being about, based on what we've seen with Buck wearing yellow ochre, we can assume its going to continue to play into this idea of Buck not being fully truthful with people and fitting into the role he thinks people want him to pay rather than being true to himself. I do want to add to this theory by looking at Christophers shirt as well. The grey/ yellow combination is a bit reminiscent of Breaking point (the episode that really is the gift that keeps on giving) because we get Chris in grey and Eddie in tan - that is yellowish toned whilst not actually being yellow There isn't a good screenshot of them together, but the placing of Chris and Buck in the new one has echoes of Eddie and Chris in that scene (one that is interestingly enough playing into the idea of changing family dynamics, but also the moment before and the one that happens afterwards at Bucks loft, directly placing Buck into a parental role (as an aside the idea of Buck being a miracle worker plays into the theme of Eddie looking for magic, just saying!))

Indirectly this scene was about Buck not being true to himself with people and fitting into whatever role he thinks people want him to fit into, only this wasn't an active situation - this was a scene where Buck could draw on his experience of having done that in the past to help Christopher - the line from Eddie 'you didn't end up being like you' is such a call to this and actually shows how valuable Bucks own experiences and learnings are in helping Chris (we've all been joking about Eddie choosing Buck to help him with this Chris's issue, but in actual fact he was the perfect person for the job - not just because of his being a 'reformed player', but also because of his relationship with death and the death of a loved one where you are reliant on others for their memories of a person rather than having your own)

The thing with the Yellow ochre (this meta here that i've already quoted from above is the place to go if you'd like more detail on its use on Buck more widely) isn't just its about it's connection to Buck, his place in Christopher's life and more loosely to the will of it all, (the fact that Buck and Eddie are both wearing the same colour ways as in the hospital bed will reveal scene and are both on the same sides of the screen in both scenes is a stroke of genius and is meant to connect these two scenes together) its also its connection to Shannon.

The first time we meet Shannon, she sits on Christophers bed in more or less the same position as we see Buck and Eddie sit, and looks at where Christopher has been positioned in all these conversations, and she is wearing a burnt orange top thats pretty close to the dark yellow ochre we see Buck wearing. Shannon wears a lot of yellow - as in it there are only a couple of times we don't see her wearing something yellow or with yellow in it and those are key scenes (which I will talk about later on).

Shannons appearance in Christophers room to read the letter she wrote him had her in this black top with a floral patterning on it. She was also wearing green trousers (which can be seen in the still below but aren't actually seen during the scene.

I actually really loved the green trousers and black top as a choice because the top is very Shannon - it sits perfectly with the floral patterns we saw her wearing when she was still alive. The green trousers are a bit of a departure for her, but I think its very intentional for two reasons .

The first is that they are very much in the Eddie trousers wheelhouse, especially in combination with black - he wears green khaki trousers a lot. The inference being that the black and green combination is an echo of Eddie.

The second ties to Christopher. Green is also a colour we've seen on Christopher a lot, it's probably the colour we see him in most. It's being used as a reflection of the fact he is growing and transitioning from child to teenager. But having it here in this scene - on Shannon connects a Christopher growing up without his mom.

Both of these combined really connect into Shannon in this scene, tying the three of them together and on Eddies efforts to keep her alive for Christopher - the underlying implication that his growth into who he is so far is as much to do with Shannon as it is to do with Eddie.

Her necklaces were not identical to the ones we saw her in in season 2, but that's most likely because they don't have them any longer, so they've replicated them as best as they can. The other little nod that I enjoyed is the brown bracelets on her right wrist - the same place Eddie wears his brown strapped Christopher watch!

But the top they have her in plays into a couple of other things - the prominent yellow flowers make an obvious connection to Buck from the previous scene, but they also tie into the 'I want a divorce' scene from 2x17 where she is wearing a dark blue dress with bright yellow ochre flowers all over it. the dress is not especially close to the top in the wider sense - blue dress with white squares v black top with florals in a variety of colours, but the yellow flowers are the prominent aspect of both items of clothing and play into the yellow theme connected to Shannon and then to Buck.

This is espeically relevant when you remember that Eddie is in a black suit in that scene and he's wearing black when he gives the letter to Christopher.

The black for this sequence of scenes is such a poignant choice - its Eddie mourning all over again, not for his loss, but for Christophers loss. I did find it telling that again in this scene, we have the absence of the Christopher watch. Eddie has very rarely not been wearing a watch in his scenes, so the times when we don't see him wearing one are very telling.

For me, in this sequence of scenes, it's about the fact that they are not about Eddies relationship with Christopher, but about Shannons relationship with Christopher. The watch is much more about Eddie and Christopher, so to have it absent from this story arc makes total sense and is symbolic of Eddie being a good father

Then we have Christophers grey shirt - I said when we first got the stills from that scene, how it was likely to be connected to complex family relationships - a la when we’ve seen Buck wearing his grey shirt. And what do you know - the scene was about complex family dynamics/ relationships.

It wasn’t perhaps in the manner I was expecting, but that series of scenes played with the full scope of Chris’s complex family relationships - from the relationship he has with Buck -not only as Christophers friend, but also as more or less Eddies co-parent (the way Eddie asked for Bucks help screamed co-parent rather than friend imo - that whole burnt out car scene was two co-parents discussing their child!) to the relationship he has with his dad - which is a pretty great relationship, but it is a complex one.

The relationship he has with his mom - or the fact he feels he doesn’t have a relationship with her despite Eddies best efforts, because as he grows up she feels further and further away.

Eddies 'date' night with Marisol. Again I ran out of pictures (30 is not enough!) so you're going to have to use your imagination or go back and rewatch the scene for yourselves, but trust me when I say that Eddie is wearing the same shirt he was wearing for this date night as he was in 4x10 - when Christopher interrupts because he can't sleep!

It's also a similar tee to the one Eddie wears when he has his breakdown and trashes his room (that one was more green when this one is much browner). Its slouchy and has cut and stretched raw edges at the sleeves and on the pocket - in the same way his breakdown shirt did. there is an element of being in familiar surroundings and being comfortable at home, but stretched out raw edges and Eddie generally tend to mean not so great things.

Of course there is the element of his parenting skills being tested by Christophers having more than one girlfriend, but if that where the only reason, then it would've made more sense to have him in that shirt when he's listening in to Chris talking to Buck, rather than when he's on a date with a new girlfriend.

This is especially true as the screen time for that tee has more connection with Marisol than it does with Chris. Combined with the fact that once again, like in the locker room scene, he is not wearing his Christopher watch in this scene and that speaks volumes.

If we are to read the scene as being about Christopher soley, he should be wearing his watch because that watch is a physical embodiment of the importance of Christopher in Eddies life - that he puts Christopher first in all things.

Got to say I was a bit shocked to see Marisol in his bright magenta silk spaghetti strap top when you consider the costumes we saw her in last season - mostly dressed down, t-shirts, jumpers and dungarees so this is a complete 180 for her character.

There are a few interesting things connected to her outfit, firstly it low key ties into Natalia - we saw Natalia in a red version of this top for her first proper onscreen date with Buck (when they go to the badge and ladder joint) so there is an interesting low key parallel to draw there. There is also the fact that her bracelet is a chain one - much like we've seen on all of Buck and Eddies previous girlfriends - although those have been necklaces, so I'm undecided if this chain bracelet is paying into the same trope as those.

Then there is the pink of it all.

You see Eddie and Pink on his girlfriends doesn't bode well for Marisol.

Both Shannon and Ana wore pink. Ana wore it a lot - there are two examples below, but generally speaking its her most commonly worn colour - including on her first date with Eddie in Jinx.

The first example below is from the first time we see her in the Diaz house. the shades are different, but the fact that the first time we see both characters in the Diaz house they're both wearing pink, speaks volumes.

The other key use of Pink is when Shannon is at the beach with Eddie and Christopher and she tells Eddie she's pregnant - Eddie takes it as the sign he has been looking for - the chance to effectively start over with their marriage, but this is the beginning of the end for their relationship, even if she hadn't died a short while later. She is wearing pale pink in that scene and it's the only time we see her wear the colour in the show.

The fact we can also contrast the use of pink with when Buck wears it is telling in its own right - we see the relationship between Buck and Eddie strengthening when Buck wears pink - May's graduation party, the tsunami, the Hildy coffee machine - all moments (big and small) that show the development of various aspects of their relationship and its ability to endure.

Essentially all this use of pink on the women he has had previous relationships with, doesn't bode well for Marisol and the longevity of her relationship with Eddie. How quickly it will end I can't say, just that it will end.

I spoke earlier in this post about colour theming for the episode and this is where I talk about it!

Pink - and in particular the very bright pinks we saw scattered across the episode. Marisol above wearing it, isn't just about connecting her to Ana in costume terms (especially as at this point that costume is a departure of her costumes from s6) it also connects her to the other characters we see wearing bright pink in this episode - Lola and Norman.

At this point in time I'm not sure if we're going to see it play out as a theme across the season, but its use in this episode was very loud on characters that are going to be around for more than 1 episode. It suggests that there is some underlying theme that connects them (by this I don't mean that they're gonna meet and hang out I mean that personality traits are going to be similar)

Magenta and bright pink in colour theory means a few different things, and like with all colours, has positive and negative traits. Generally speaking its a loud and brash colour thats designed to stand out and draw attention to it's wearer.

Things that are considered positive traits for this shade of pink are; intensity, acceptance, kindness and it's supportive and uplifting nature. It's connected to naive love (as in lust rather than the passionate and enduring love of red) can also be considered a nurturing colour.

Negative traits are; intensity, volatility, arrogant and impatient, irritability and irritating and frustration. it is also said to be a stress inducing colour and is said to be overly emotional.

Theres a clear and fairly loud connection between Lola and Norman getting into danger - Lola is in magenta trousers when she is kidnaped. Norman also has bright magenta flowers on his shirt at this point as well. My guess at this point is that we're supposed to lean into the stress inducing element, and also the irritating nature of the colour (On Athenas part at the very least!) and we'll see if those are the themes that play out for Marisol as well down the line.

Norman is in bright pink when he's lying and claiming she's unwell from being outside or too long. We also see that he is wearing pink in the ditsy print shirt later on (again I ran out of picture spaces!)

Athena's black top in this scene is much like the use of Chimney in black in his scenes. It's all about power and authority but it's also about her hiding her vulnerabilities. The other thing it does is creates a huge contrast with Bobby and all of the other passengers - she is the only one in black in the scene and it contrasts her with the underlying white of Bobbys shirt - juxtaposing them and visually putting them at odd with one another.

Like I said above about him becoming increasingly pale - here we see Bobby in a sea-foam green shirt - its the palest and washed out colour we've seen him in on this cruise (grey pyjama shirt not being included as its blink and you miss it and a pyjama tee!!!). Sea-foam green doesn't really play into the traditional meanings of green - there is still the element of renewal about it (the sea washes the sand etc)but its mostly a self-conscious and uncertain colour - both things that perfectly sum up how Bobby is feeling in this moment.

The other fun thing about this outfit is the palm tree shorts the patterns Bobby has worn in relation to this cruise, up to this point (and that includes the shirts from season 6) have all been tropical themed but on his shirts, the fact that they've now slipped down onto his shorts is a visual representation of him becoming increasingly dissatisfied with the way his honeymoon is going - that the tropical vacation vibes are slipping away.

Athenas red and white shirt, in my opinion is showing her cross purposes - its the duality of investigating and being on a cruise in a shirt. The bright red ties into the red and blue first responder colour way the show uses (for obvious reasons) while the white and the palm fronds, the lei flowers and the watery theming of the pattern fit into the troipical cruise they're on.

Bobbys red shirt contrasts with the lavender that we see on Athena - its not a colour we see on Bobby all that often and that makes its use all the more important. Especially considering the entire cruise thus far we've seen him in blues and greens - especially pale closer to pastel tones.

This red is bright snd bold and unlike his usual choices. Red is a colour of cross meaning - there is obviously the connection with love and the heart, which is absolutely at play her - his love for Athena is spurring him on and is part of what is pushing him in to investigator Bobby mode - and its representation of love is what is going to be the key player in the up coming episodes on the ship - when he is looking for Athena during the evacuation etc. But the other meaning of red is war, courage and anger and that is very much present here in this episode, and will (i'm assuming) be later on in 7x02 and 3.

The other thing I think its worth pointing out at this point (which is pure conjecture on my part at this moment in time but that I think will become relevant in the next two episodes rather than this one) is the foreshadowed parallel with Buck in season 5 when he broke down Eddies door. The bright red we saw him wearing then was an uncommon colour for him, in the same way it is for Bobby here. It's paralleling the way Buck was prepared to go into battle for Eddie, with the way Bobby is prepared to do so for Athena - going to war for your closest person, your loved one and doing what you need to do to save them.

Putting Athena in lavender the moment she gets to go into cop mode was a choice that had me giggling! Lavender is a colour of relaxation and order so for her to start wearing it the moment she gets to start being a cop again - speaks volumes for her state of being - it shows that her fear of being on the cruise ship and of being alone with bobby, has been overridden by her need to do her job and start investigating things. Its the perfect colour for this moment and for the impeding trouble brewing on the ship - Athena will bring order to things as order has been restored to her inner world.

Hopefully you've enjoyed this little canter through the costumes of 7x01 we're back in business and I can't wait to read your comments in the tags and comments 🥰

Tagging for those who've asked to be tagged - drop me a comment on this post if you'd like to be added to the list for the next meta 😎

@theladyyavilee @mistmarauder @xxfiction-is-my-realityxx @mandzuking17 @spotsandsocks @loveyou2thecore @wanderingwomanwondering @oneawkwardcookie @leothil @copyninjabuckley @nathleigh @shammers86 @crazyfangirlallert @missmagooglie @inandoutoffocus @katyobsesses @radiation-run @gayandbifiremenofmine @lemotmo @bi-moonlight @satvojihusana @crazyaboutotps @princesschez75 @mongreloer @alliaskisthepossibilityoflove @sherlocking-out-loud

#911 abc #I hope you enjoy!#its good to be back #I can't remember my costume tags 😂#911 costume meta #season 7 #s7 costumes #7x01 #Kym costume meta #Kym colour theory #911 costumes #long post #the costume department never fails #still feeling feral about so much of the stuff I got right and the new stufff I've spotted

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ellesliterarycorner · 2 years

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Writing Subplots

Who doesn’t love a good subplot? Some of my favorites books are the ones that have super interesting subplots because who doesn’t love hearing about that secondary character development arc or those lovely side characters with the inevitably doomed romance? What’s not to like? But, subplots can often be one of the hardest to write and the most misunderstood storytelling elements. They aren’t part of the main narrative thread, so they can’t overtake it, but they also need to have their own story arc separate from the main plot. It’s a delicate balance that can be kind hard to strike, because subplots aren’t just secondary plot-lines, they have to serve a narrative purpose and engage with the story’s central conflict.

First, let us define some different kinds of subplots

Mirror Subplot: A subplot where a side character experiences a conflict that mirrors the protagonist’s main conflict and gives the protagonist the insight or motivation they need to resolve their own conflict.

Romantic Subplot: The protagonist’s relationship with a love interest complicates their journey to resolve the story’s central conflict.

Parallel Subplot: a subplot where something seemingly unrelated occurs at the same time as the main plot and then all of a sudden the two plots collide towards the end of the book.

Complicating Subplot: a subplot where a secondary character’s actions actively complicates the protagonist’s journey with the central conflict

Foil Subplot: a subplot where a secondary character experiences the same or a very similar conflict as the protag but wants to resolve that in a different way (this contracts or creates a “foil” that highlights the protagonists qualities and characteristics)

There are a lot more different kinds of subplots, but these are some of the most common, so here are some tips for writing subplots!

Is That Necessary?

This is the first question we should ask ourselves anytime we add anything to our stories, but especially subplots. Sometimes, authors (meaning me) will get to the end of writing their first draft and realize that they are not anywhere close to their goal word count. To remedy this, they will just throw in a cute little subplot. Unfortunately, friends, this does not work. The best, effective subplots should be integral to a story’s central conflict. If you can remove your subplot from the story without their being a big impact on the central conflict, then the subplot doesn’t really serve a strong narrative purpose. We most often see this problem arise in romantic subplots. Authors will just throw in a romance or the dreaded love-triangle as a subplot for absolutely no reason. I’m the first person to admit I love a good romantic subplot, but I also like it to be there for a good reason. That is why the Hunger Games will never go out of my top five all time books/series because despite what a lot of people think the romantic subplot in that story is essential. Katniss and Peeta’s love story is the reason they both survive the Games which is the central conflict of the book. It works perfectly, and if you want a good example of a subplot done well, look no further.

Keep the SUB in Subplot

Honestly, sometimes the subplot really is better than the main plot. That’s not necessarily a good thing, but I think we have all read a book where the main plot just drags and you just can’t wait to get back to your favorite side characters and their little adventure. But, a good subplot shouldn’t steal the limelight from the main plot. It should enhance the main plot and maybe add a layer of complexity but never overshadow. Going back to my example for the day, the Hungers Games does a really good job of this. I read something once where someone said Katniss’s romance overshadows the Games and the Rebellion, and I was like, did we read the same book? If you go back and read the books, Katniss doesn’t think about her romance with Gale or Peeta all that much. She’s mostly thinking about her own survival and the survival of her family. Both of which relate directly to the main plot. We never forget about the romance in the book because it is important, but in my opinion, it never overshadows the main plot of the Games and the Rebellion even in the first book where it’s more heavily featured.

But, Its Still A Plot

On the flip-side of that, even though the subplot shouldn’t overshadow the main plot, it still needs to follow its own narrative arc. This is where a lot of new author’s get lost. A subplot is way more than just a short conversation or a quick event that inconveniences or helps the protagonists. All your subplots need their own beginning, middle, and end. Make sure that you definitely developed all of your story’s subplots accordingly. That includes paying attention to all of your characters’ goals, motivations, and the conflict that they experience. Generally when I’m in the development stages of the subplot, I develop it the same way that I develop one of my main plots. While they do not necessarily need the same attention or development as your main plot, developing them with the same goals in mind will only help you in the long run!

#writers #writers on tumblr #writerscorner #write #writing tip #writing tips #writing advice #writing plots #writing subplots #writing resources #writing resource #writing reference #writing references

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blackopals-world · 7 months

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A Classic Fairytale

Celestial!Yuu x Lilia/Writer!Yuu crossover fic.

Our favorite storyteller delivers a story that is stranger than fiction.

"Sorry everyone. I'm running late this week. You have no idea how chatty a bubbling brook is. They just go on and on as they carry news from upstream." Yuu said setting down for this week's storytime.

The called board read "Meetings under the Moon" the theme was centered around stories of the moon.

The children settled in under Yuu as they waited for them to begin.

The adults and teens found the childlike wonder of the event catching on as they too wanted to hear what came next.

"Well you wouldn't believe it but I was having a chat in the garden one evening with the bluebirds- you know what gossips they can be! They told me that the owls were up early. So I went to ask them why and they told me that their master was visiting and that they needed to clean up their nest. Owls are known to be clean freaks already but they make the nicest decorations out of mouse skulls." Yuu laughed to themselves "I choose to help out and wait for their master. I had to know what they were like and I'd be gobsmacked it was the moon themselves. I shouldn't have been surprised but before you know it I was talking to the moon. I learned alot but when we got to the topic of romantic gossip-because I'm no better than a bluebird- I learned an extraordinary tale. One I will share with you. It's called "The Moon's Groom"

Once upon a time, in a land long ago there was a soldier.

He was returning from battle when he came upon a temple of the sun god. He sought refuge for the night from the brothers who tended to the shrine.

The brothers whispered among themselves before speaking.

"Tonight we can't tend to you. We will be very busy with our worship. If you stay the night you will need to take care of yourself until morning." The eldest said.

The soldier agreed as he only needed a place to rest safely.

During the night he felt thirst overtake him but just as tried to open his eyes he felt the rush of cool fresh water touch his lips. He tried to see who had given him the water he saw nothing but flickering light reflecting off the water.

When he awoke in the morning he thanked the brothers for the shelter and the water. They looked at him puzzled when he asked who gave it to him and shook their heads.

The golden cup that sat on his bedside didn't belong to the temple. But stangly enough it never went empty filled with the clearest water ever tasted.

The soldier relented and continued on his way and when night came he found another temple this one of the shadow deity. The followers didn't regard him much but allowed him to say. The youngest worshipper said they couldn't tend to him because they were very busy.

The soldier happily agreed but as he laid down to sleep he kept one eye open. When he felt a cold wind blow he shivered and before he shook again a blanket fell over him. The blanket was as black as night and covered his eyes. Just as the shadow covered him he pulled it back to reveal the retreating figure of a beautiful silvery being covered in a veil.

The soldier went to chase them but found no one as they disappeared into the darkness.

The next morning the man awoke still covered in the black blanket. The martial blended into the shadows perfectly. The worshippers told him it was a blessing from the shadow deity themselves but the soldier had doubts.

He had a hunch it was someone's else.

The next day the soldier traveled slower as he searched for another temple. The temple of the moon goddess.

The sisters welcomed him open-heartedly they were preparing for a midnight feast. They middle sister invited him to say but he could not eat until all guests arrived.

The soldier agreed as he sent to take a nap.

When he awoke hungry he found a bowl of fruits next to him as the same silver figure placed it down. Quickly he grabbed them by the silk veil that covered them.

The being disappeared in an instant leaving only the veil behind.

Shortly thereafter the guests were called to the feast.

The soldier was called to attend.

Before him was a table and at the head were three figures.

On the far right a man dripping in jewels with hair of molten gold. He smiled cruelly with perfect white teeth as he admired his blazing reflection.

On the far left a shadowy figure of a nebulous being sat. They lifted their thick black veil as they drank from a chalice revealing a ghostly pale face with black lips. The moment the veil fell the soldier no longer remembered their face.

Lastly seated between them was a beautiful woman with silver eyes and iridescent hair that flowed like swirling rivers. Silver bands covered her arms.

The figures all stood and announced the festivities as a challenge. The winner would be granted any wish they desired if they won.

The golden man stood first to give his challenge.

"Find a place where I can't find you." He said.

The soldier accepted the challenge with the other guests.

As the others ran and hid the soldier took the blanket he fashioned into a cloak of the night and hid in the shadow of the golden man.

The golden man couldn't their the footsteps that match his own as he pointed out where each guest hid with no trouble at all. Only a few passed the challenge including the soldier.

The shadowy figure stood next.

"Make a path I can't cross."

No one understood what that could mean. A path is meant to be crossed. Still, they began making barriers that couldn't be crossed.

The soldier picked up the golden cup and began pouring the endless water until it became a rushing river. The moonlight shined on the waters surface.

The shadow couldn't cross the river as it's path was blocked by light. Moreover crossing a river meant breaking a path as the river had its own path. To take its path means never to cross it as it goes in one direction to the ocean.

Only the soldier passed the test as the Silver figure stood.

"Prove who we are."

The soldier smiled proudly. We already knew them.

"The gold in gold is the sun. We can see everything under the sun but not the shadows. I proved it by hiding in his shadow. The figure in black are the shadows. They can't walk in the light like over the river. And lastly you my lady...you are my lover."

Everyone gasped in shock at the announcement.

"What do you mean?!" The woman asked aghast.

"You visit me each night. You give me whatever I desire and if you weren't my lover then why do I hold your favor?" The soldier held up the sliver veil in his hand.

The other gods eyed the woman critically feeling convinced. The guest also believed the proof was convincing.

Due to the challenge, it didn't really matter if it was the full truth but she couldn't refute the claim.

"You have won." She said in defeat but she was also impressed "What is your wish?"

The soldier smiled.

"Well, it's hardly appropriate to be lovers forever. It's best if we get married soon my love. You are the most radiant and kind-hearted being I've ever met. I have watched you from afar for so long and I know you know that my heart has always been yours. So I wish for us to get married tonight." He said firmly as he got on one knee.

That night before the gods and guest they were married. The soldier had gotten his greatest wish to we'd the moon.

And they lived happily ever after

The crowd cheered at the end.

The unmistakable voice of Lilia was heard whispering to a blushing young woman.

"I remembered having the wedding at the castle and I got roped into the challenge by Her Majesty."

"This version sounds more fun. Although you were much more clumsy with your proposal. So cute."

#writer!yuu #celestial!yuu #immoral!yuu #twisted wonderland #twisted wonderland x reader #twst lilia #lilia vanrouge x reader #twisted wonderland lilia #twst yuu #twst mc #twisted wonderland yuu

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andkisses · 5 months

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♡ warmth, gold, and honey | jungwon ♡

prompt: You’re actually a really friendly and chill vampire and at night you float around outside of my bedroom window to talk with me about the universe and stuff

♡ jungwon x gn!reader | wc. 1.8k ♡ genres/tropes: vampire!jungwon, human!reader, college!au, some fluff, some confessions, a kiss ♡ mentions of/warnings: mentions of a cheating ex, i think that’s all? also one pet name usage ♡ a/n: meant to post this at halloween but forgot i had it lol a rewrite of something i had written a long time ago but never posted, enjoy <3 tfw u extend a drabble from 517 words to nearly four times that lol

♡ masterlist ♡

When you first met him, you were terrified. Who wouldn’t be? Everything you’d ever heard about his kind sent chills down your spine and made you want to curl up and hide and never leave. You didn’t even know what he really was then. He was just there, tall and intimidating as hell. You really shouldn’t have come to this party. You should be back at your place, studying for your next exam. A boring life was a safe, vampire-free life, yeah?

But after you met Yang Jungwon and learned his secret truth, your perspective on things changed quite drastically. It happened quite fast, actually, this change of heart. Vampires weren’t 100% scary anymore—though, don’t get it confused, Jungwon, as fair as he may be, could turn scary in an instant. They were merely beings who had memories of great history, and an incredible knack for storytelling.

On nights you couldn’t sleep—because of life, or a test, or that stupid boy who cheated on you—you’d call him and ask for a story. And every time, without question, he’d oblige, honeyed voice coming through the receiver. The stories Jungwon told were so fantastical, so imaginative, it was hard for you to believe they could have ever been true. But, then again, you were hearing them from a real life vampire, so who’s to say what’s real and what’s not?

Eventually, though, your restless nights start to concern him. You try brushing it off, say it was just a phase because that’s just how life is, or an important incoming exam, or because your stupid ex who cheated on you really, really hurt you. You stop calling, too, spending long moonless nights alone and in silence with nothing but the darkness to keep you company. You could try to remember the stories he told you, but your memory always dulls in comparison.

But if there’s anything you’ve learned after meeting Yang Jungwon, out of everything he’s told you or shown you, it’s that he’s good at reading people.

And he’s especially good at reading you.

Another restless night, paging through a chem textbook you’re too exhausted to even try to understand. The only light coming from your desk lamp, and whatever moonlight could filter down through the fire escape. Not that it was much escape, though, with the last bit of ladder broken and still not replaced. Maybe you should have splurged a little more for an off-campus apartment, or gone halfsies with someone else.

But you do enjoy your apartment, as small and as dingy as it is. It’s yours, even if you still feel like you have to clean extra hard because of him.

When you hear a tap on your window and see him floating outside, a happy smile on his face with a teasing expression to his eyes, you really aren’t as surprised as you expect yourself to be. As you should have been. You let him in, pushing the window up before Jungwon slips in like a lithe Peter Pan. He’s feet gently land on your floor, and while he’s still tall, there’s nothing intimidating about Jungwon now. You dare say he’s the exact opposite for you.

He surveys your room with a blank expression before another smile overtakes his features.

“No wonder you can’t sleep,” he says, a small tsk-tsk in his voice. “The front of the building from when I dropped you off is much nicer. Your room is boring—no stories at all.”

“That’s not true!” you reply, pointing to your shelf full of knickknacks and memories and photographs you’d taken over the years. Some places decidedly empty, a symbolic representation of your heart, but nonetheless–stuff!

“Not those stories, silly,” Jungwon chides. He reaches to take your hand, and it sends a chill straight to your heart, the spark it causes and the warmth you feel. Another thing you learned from knowing him–those stories about vampires being cold? Just a silly myth. Jungwon squeezes your hand again. “I mean stories like these.”

With a wave of his hand, a glittering scene appears in the empty space in front of you. An ocean slowly eats away at the shiny shore, everything bathed in the warm, vibrant colors of sunset. You can even hear the waves and smell the salty sea air, seagulls cawing in the distance. The golden glow of the image warms even the darkest corners of your room. You reach for the image, but your hand falls through.

“How did you—?” You look up at him, mouth slightly agape.

Jungwon laughs, a small one that lifts your heart, and uses his free hand to tap at his temple. “Magic,” he chimes with a wink, and now you’re both laughing.

By three in the morning, long after he’d shown up, you’re side by side on your bed, staring at the ceiling as Jungwon plants image after image. Each with their own story he whispers just for you. He even teaches you how to bring them back on your own, with your own brand of mundane magic.

“For whenever you need them,” he whispers, holding your hand close to his heart. “For whenever I can’t be near.”

You blink, and your throat catches at the idea of Jungwon not being here. You scan his face, the features you’ve made yourself very familiar with. You may not be able to recall Jungwon’s stories in color, but you’ve always been able to recall him in sparkling detail. You start to wonder about things, creating a timeline in your head as you gaze back up at the ceiling. Jungwon had told a story of star crossed lovers who actually ended up together. The glittery image of them sitting side by side, staring out into the ocean, curled into one another stares back at you.

You think about the night you met Jungwon, the night you’d your ex–then your boyfriend–making out and cheating on you with someone else in the corner of the kitchen. You’d gone in for more ice, and ended up shattering your reality as you knew. Then, you met a vampire, so maybe that night was destined to be odd.

You think about what’s happened since, the tentative friendship you find blossoming between you two. Jungwon attends your university–which you find stupid because why would you voluntarily submit yourself to such torture as organic chemistry–but Jungwon tells you it’s to see people, see how they’ve changed and how they’ve stayed the same since he’d turned.

“Besides,” Jungwon had said, tapping his pen against his temple when you’d gone to study together after class, “I already know just about everything. Makes test taking really easy.”

You think about how much you truly enjoy being in Jungwon’s company. How he sets you at ease, makes you laugh. The stories he tells, how he seems to have them only for you. You think about right now, his shoulder and knees pressed against your own. How he holds your hand against his heart. How he’s still watching you when you turn back to him, eyes soft and delicate.

As are his words when he asks, barely above a whisper, “What are you thinking about?”

You decide to be honest. “You.”

Jungwon blinks, eyes quickly going over your face, a small smile teasing the corner of his lips. His hold on your hand tightens just that much. “Why?”

“Because…” Your words fall short. Is this really where this conversation is going? You could overthink it to the moon and back, but you already know it would change your mind. There’s a reason you can feel the tips of your ears burning, a reason being so close to him makes your heart race. You stare into his eyes, so sweet and homey, and tell the truth. “I think I like you, Jungwon. A lot.”

He flashes you that brilliant smile, the one you know is just for you, the one that makes your heart lurch. “You like me?” he echoes through a smile. Then, he tilts his head, teasing. “Or my stories?”

You pull your hand free to whack him in the chest, earning you laughter. “I pour my heart out and this is the thanks I get?”

Jungwon’s hand, now free from holding yours, reaches across to cup your cheek. “Darling,” he says, and you feel your skin beneath his touch burn, “you did not pour your heart out. You told the truth, which is good. But pouring your heart out?” He shakes his head softly, turned towards you against the pillow.

Somehow, you’ve both gone from flat on your back to on your side, facing each other. You pout, even if your heart sings at how Jungwon is looking at you. “Then what does pouring your heart out look like, hm?”

Jungwon smiles, something sly and cunning, as if he’s waited a long time for this. “Well, I think it would sound something like this.” He pauses a moment before going on. “It’s how when I first saw you at the party, I thought you were the most beautiful person I’d ever seen. Then I gathered you were already seeing someone, but then to see you cry? Because of what he did to you?”

Jungwon frowns at the memory. “Then we found each other at school, and we kept talking, and talking. And somewhere you found about me, but you didn’t care. And I told you stories every time you called because I needed an excuse to hear your voice or make you laugh. Because it was the best thing I could hear. Then, you stopped calling. And I didn’t expect it to hurt so much.”

“Why?” you ask without even trying. It slips out in a pause in Jungwon’s speech.

He smiles, using his thumb to softly rub back and forth on your cheek. “I didn’t expect it to hurt because I’ve done this before–shared stories with people,” he says. “To be honest, it took me a while to figure out what was wrong, because I hadn’t felt it. At least not in a long time. When I realized it’s because I like you a lot, I had to figure out something to do.”

You can’t help but stare. “You like me back?”

“I fear I may love you,” he says softly, and you feel a knot in your stomach. He moves closer, using his hand on your cheek to tilt your chin up towards him, his lips a breath away from yours. You try to remind yourself to breathe. Your hand reaches out to cling to his shirt. “I’ve met so, so many people in my years, and then I met you. And you were suddenly everything that was missing, and I can’t help but think that…”

“That we’re meant to be?”

In the time you’ve known him, you’ve almost always associated Jungwon with warmth. First, him dispelling that silly legend about vampires being cold, or even heartless. You’d heard it the first time he enveloped you in a hug, when you broke down crying explaining what your ex had done to you. Then, his stories, his honeyed voice painting fantastical stories over the phone. The magic he has, producing the glittery golden scenes around you. His hand, so tender and gentle as it cups your cheek, fingers pressing delicate against the nape of your neck.

But Jungwon’s kisses? The warmest of them all.

#kdiarynet #kwritersworld #kflixnet #k-labels #enhypen fluff #enhypen headcanons #enhypen scenarioes #enhypen imagines #jungwon fluff #jungwon headcanons #jungwon scenarioes #jungwon imagines #enhypen #prose #fluff #vampire!au #au #college!au #all

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sergeantpixie · 6 months

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I love that even as they sit in a room together, conversing, Roderick Usher and Auguste Dupin are living in different genres. Roderick is in a horror story and Auguste is in a crime/legal drama. Since Roderick’s is the true genre of the story, his keeps encroaching on Auguste’s reality until it finally overtakes it as the entire (haunted) house collapses on top of him as Madeline strangles Roderick. It’s such a great storytelling choice, Auguste can’t see the genre they’re in until it becomes impossible to ignore and Roderick can’t escape the genre even as he’s giving his confession.

#the fall of the house of usher #tfothou spoilers #mike flanagan #roderick usher #auguste dupin #i thought about this so much while i was watching and i loved it #mine

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storyofmychoices · 5 months

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The Promise of Today

[Mal Volari x Daenarya Blades 1 + Beyond] [Mal’s Orphanage] [Mal Volari x Daenarya Blades 2 AU]

Pairing: Mal Volari x Daenarya (F!OC) Book: Blades of Light and Shadow, Book 2 Chapter 3 Word Count: >550 Rating/Warnings: General, none Tagging: @choicesficwriterscreations, @choicesbookclub, @choicesflashfics Prompt #3 (in bold)

Synopsis: Mal and Daenarya share a moment together the morning after her return. [This follows The Quest for Daenarya]

This gorgeous art is by the lovely CoffeesforChloe on Instagram.

She paused, letting the soothing symphony of sounds wash over her. The joyful notes of the children's laughter, the delicate crackle of the fire warming the space, and the voices of her friends talking (and maybe arguing a little) as they made breakfast for the children were the sweetest harmonies she could ever hope to hear. For the first time in—well, she wasn't really sure, but that was a problem for another day—for now, Daenarya felt peace, content to stay in the stillness of the moment for as long as she could, knowing moments like this would not come again for a while more.

The sweet scent of honey cakes filled the air, a special treat for the children who successfully completed their first quest. They had repeatedly recounted their heroic tale of adventure to her the night before. Their infectious cheer was positively contagious. Only Mal could inspire such joyous wonder and storytelling. She marveled at how much he had accomplished since she had been gone. These children were a testament to the man she always knew he was.

He slipped his arms around her waist from behind, drawing her nearer. The gentle touch of his fingertips brushing against her sides brought her an immediate sense of comfort. He cherished the warmth and familiarity of her presence as she leaned further into the security of his embrace.

Surrounded by the gentle melody of laughter and sizzling pans, Mal hugged her a little tighter, savoring the delicate fragrance of her hair. He still couldn't believe she was there, back in his arms.

"Shouldn't you be lending a hand with breakfast?" Despite her teasing words, she placed her hand on his arm, holding him to her.

“I’m here with you. I’m right where I belong.” His words were a tender murmur in her ear.

Her eyes closed gently as she savored being back with him, surrounded by almost all those she loved, and with their dream of an orphanage now a reality.

"Me too," she whispered. "I know we're not safe yet. I know there is so much to do, so much to overcome..."

"Shh," he breathed, holding her closer. His mouth opened, but no words came out. He couldn't even make a joke. The time for that had passed. He couldn't promise her it'd be okay. He couldn't promise to protect her. He couldn't save her if they took her again. He had no magic. He had no legendary weapons. He had no piles of gold or treasures to bargain with. He had nothing to offer, and yet, she was there. She had returned to him.

His body tensed as the fear and panic that had consumed his soul threatened to overtake him once more.

"Hey," she turned slightly, her fingers caressing his jaw. "I'm right here. I'm not going anywhere."

"You can't promise that," he shook his head, trying to hide the tears forming in his eyes.

"I know," she replied solemnly.

There was nothing either of them could say. The future was uncertain, but they had each other, and they had now. So, she'd believe in the promise of today and hope that would be enough to carry them to tomorrow.

She cradled his face gently, guiding it closer to her. She sought solace in the warmth of his lips, pressing a soft, reassuring kiss against his—a promise that despite the challenges ahead of them, their connection could and would withstand it all.

Thank you so much for reading! I hope you enjoyed this little drabble and the gorgeous art commission! I just really love them both a lot!

#mal volari #mal volari x mc #daenarya #blades of light and shadow #bolas #choices #playchoices #choices game #choices book club #fan fiction #lovealexhunt #blades 2 #bolas 2 #blades of light and shadow 2 #dani cries over blades 2 #dani plays blades 2 #december2023 #mal volari x oc

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aheathen-conceivably · 2 months

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Do you actually play with your decades challenge sims in game, or do you just use them for photos, storytelling, etc.? I’m doing my own decades challenge right now in my own game and I find it interesting whether simmers online actually play with the sims & families they post about! :)

Hello there, Nonny! So this answer has shifted back and forth throughout the decades, but the short answer is: kind of.

In the 1890s and 1900s, I absolutely played the game and even incorporated some of the gameplay rules from the original decades challenge into the story. Then I would say by around 1910, the storytelling aspect kinda started overtaking the amount of time I spent playing, so I was mostly using the save to take photos/tell the story with gameplay in between those moments.

This is still very much the way I play, although with each passing decade the time spent playing/vs. shooting has become increasingly more one sided. Even still, I do try and play the game, but more so that I use it to mimic what’s written, rather than just actually leisurely enjoying gameplay, if that makes sense? So the time between “shoots” I spend having the sims live the life that’s portrayed either directly in the scenes, or just kind of the mundanities that would fill in the gaps. This has gotten harder to do as I fit more and more story into each year, but I’ll be expanding my day to year span after this arc so I’ll have more time to just spend with the sims and play the game in this sort of story driven way.

#ask #answered

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samssims · 4 months

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Hi Sam! I was wondering if I could ask for some advice on how to make simblr fun again? I love storytelling (it's how I have fun with the game) but lately with writing posts and even in game, I just find myself stressing over if it's good/interesting enough or if I took good screenshots, if my writing is good, etc. I love this game and sharing my stories with this community, so it sucks to feel like this. Thank you sm ♥

Oh Nonny, how I feel this pain. I wish I had a sure fire answer to this but sadly there isn't just one thing that will work.

I will put some advice below for some things that have worked for me in my experience if you're interested in trying them out to try to find that spark again!

Now I have been on tumblr sharing my sims since 2013 so I have seen the community change a lot. Things change, people come and go, it's just the natural way of things. So a lot of the time your community can change around you and so a few years ago sims storytelling was really popular and it was the thing everyone was doing. And I mean everyone.

But now things have sort of fallen off or shifted and there is no shame in that for those who moved onto other things and hobbies. Sims storytelling, at it's core, is a hobby. No one is making money off of it (unless you write it all down and get it published in which case, hell yeah go you!)

That being said, finding your spark again is going to be finding what YOU like about storytelling in the sims.

So here are some tips you can try out in the game to keep it fresh and exciting:

Play the Game

The game has changed a lot and added a lot. It came out in 2014. It's about to be 10 years old. With expansions still being added. Honestly having a family where you can just play through what the game offers you can offer inspiration on how to use in game things for story related things later on.

I have found having a lowkey gameplay (for yourself or even for your blog if you are posting) is an easy way to stay active in the community while keeping things low stakes and casual for yourself while you work on finding your spark again.

Change Up your Post Style

Idk about you Nonny, but nothing gets me less motivated than having to edit photos. If I could just point, shoot, and post, I would have content coming out my ears. Which is what I started doing with my Princess Legacy. All I do is crop it. I add some things here and there but really it's all pretty much easy.

Now I have done it all.

Prose on photos.

Prose under photos:

Icons Only:

Gameplay Only:

And finally just cropped:

Now what is the best? That is personal preference especially for the project you are doing. However I have definitely discovered the crop method to be SUPER helpful.

It makes me not have to worry about the whole photo. Sometimes I have this SUPER awesome detail in the back of a photo but when I crop them I lose all that. Which is not good for storytelling lets be honest but does force me to focus on what is actually important in the shot.

Example: Here is the full cottage photo from above You can see that I cropped out a lot of the cottage in favor of being able to see the deer and swans as i thought that was more a cozy fairytale vibe than just the cottage itself. I lost a lot of this detail yet the point still came across.

TBH the paired crop photos also makes me cut out a lot of access photos if they don't have a pair. It's sort of made me realize how much I don't need to take screenshots of. Though I am definitely an overtaker of photos so I always have plenty to choose from. Sometimes I even queue them then look back and realize they aren't needed and delete. It's humbled me a bit.

I could break down every one of these posting styles but that's a whole other thing you didn't ask about.

TLDR of this section is to experiment with how you post. You can have a lot of fun with that.

If Something is Boring, Skip it.

Do you hate the infant stage? Age them past it. Do you hate the winter months in game? Set seasons to never have winter. Do you hate in game holidays ruining your plans? Delete them all from your calendar. Is it a crucial part to your story? Not anymore. Write around it. Or find some creative angles and dialogue to write over it.

Make the game fit you!

Follow the Inspo

Have inspiration to make a new sim in CAS? Do it! Want to make a whole new save? Have an idea for one scene that could start a whole story but you have nothing else for it? DO IT!!!

The game is supposed to be fun. If you have inspiration for a project, live in it. Have fun with it.

But Sam, what if only lasts 2 weeks and I never touch it again?

Me too, babes. Happens to me all the time. Own it. Keep it around in case you want to mess with it later. Have 10 million saves. It's your life and if it brings you a moment of joy to work on it, then it totally is worth it.

If you want to be like me: Be chaotic and post it too. Then private the posts later when you decide to never touch it again. Never delete tho. I always tend to regret deleted things.

Find Your Community

You should ultimately write and create for yourself, but find others who are doing it too! Lift them up as well! Use one day a week on your blog to give reblogs or shoutouts to your fellow creators and writers! It's all about lifting each other up and making friends who all have the same hobby as us.

Try New Challenges

A lot of my sims storytelling started from inspiration around legacy challenges. I loved to take challenge rules and figure out how to make a story around them. But remember: Rules are made to be broken. Especially in favor of a good story.

If you are working on a current challenge/story, find another to merge with it or to give yourself a heck of a fun plot twist. There are no rules!

Have Fun!

This is sort of the whole crux of it, right? And if you're not having fun then...

Take a Break

You are not beholden to your queue! Let it die out! Disappear for 6 months. Return when you want. Go play Animal Crossing or BG3 or whatever it is at the moment. Sims is a hobby. But it does not have to be your ONLY hobby. Let your brain rest.

In my case, whenever I leave the sims I am always filled with ideas and ready to come back in like 3 days.

This could also mean take a break from your save too. Maybe spend some time in CAS. Or in build mode. Or cleaning out your mods. You can still do sims things while letting your story brain rest.

TLDR:

There is no right answer for this, Nonny. I promise your photos are all gorgeous and your story is wonderful! But creativity like anything ebbs and flows so give yourself that grace to let yourself rest and just enjoy the game again, or enjoy time away from it! You deserve it you superstar creator!

#Sam Speaks #nonsims #looooong post #so sorry I got carried away #had to wait to get to my laptop to answer this one #which is why it took me a minute #hope you find your spark nonny!

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alpaca-clouds · 5 months

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Cyberpunk and the Individualist

Keeping the theme of Cyberpunk for this week, I want to talk about one other thing about Cyberpunk, that I super rarely see discussed.

Remember a while ago, when I talked about how western Cyberpunk always had this theme of "Japan is overtaking our economy and soon we will be Japanofied!" because of the economic anxieties towards Japan in he 70s and 80s. Which is why Cyberpunk has all those Japanese aesthetics and the Japanese megacorps and what not. It is because of this anxieties...

But... One thing that is often missed among this is the other part of that anxiety. Japan, despite being a capitalist country, is also a collectivist society. Aka a "you do stuff for the good of society" and what not country. Meanwhile western and especially American capitalism is an individualist country, where everything is about the "do your own and only your own" and the illusion "freedom!!!" 🦅

That also is why so much more people died of the pandemic in the USA than in Japan. Because while the US individualist "FREEDOM 🦅" society made a whole thing of "I feel robbed of my freedom while wearing a mask" the Japanese collectivist society was like: "Sure I am wearing a mask if I can protect society through it."

And here is the Cyberpunk thing. The protagonists in Western Cyberpunk stories are individualists. Sure, they might work in small groups, but they are not part of communities. If they start out with a community, they get divorced from the community through the story. Maybe the community gets killed or maybe they turn against the rugged individualist protagonist.

Originally a lot of western cyberpunk obviously had this idea of the noir kinda hero. The out of his luck private detective and what not. But also the street fighter, who has lost everything. A lot of the early stuff also very much focused on a male perspective - and dare I say it? - a toxic masculine approach to things.

And I think this is also where a lot of the defeatism of Cyberpunk storytelling comes from. Because Cyberpunk is of course dystopic. But it is dystopic in a way that has completely given up on things. Cyberpunk is like: "Don't even try to change the system, IT IS HOPELESS." But... Yeah, duh it is if you are working alone or in a small group. You need a community to fight the system. You need to network to do something.

I feel like the true baseline of where Cyberpunk and Solarpunk are different from each other is in fact the idea of community. Cyberpunk with its rugged individualism does not trust community - Solarpunk does.

And here I go again: We silly humans are no good on our own. We actually need community. We need more community than just our little nuclear family. So, just... open yourself up to work with others. Don't be a lonely Street Samurai.

#cyberpunk #solarpunk #anti capitalism #individualism vs collectivism #collectivism #community #communism

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catonator · 3 months

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Funny heading to a blogpost on videogames that’s some sort of reference

Look, I already used the ctrl+alt+delete quote in a blogpost title. It’s February 2024, and it’s already a very wild year for gaming. We’ve had more layoffs than with the entirety of 2023, games shown off at events seem to be stagnating, interest in the art is waning. Youtube is filled with “modern gaming sucks” doomer blackpill videos. It’s a miserable time.

Is gaming just over?

Well, no. Of course not. The Sonic franchise has lingered for decades despite consistent failure. Games are more resilient than that.

Humanity’s relation to computing is still pretty fresh, and I’d say that despite the size and scale of a lot of it, we’re still going through major growing pains. Concepts like video games, the internet and special effects are still pretty new, despite being around for twice or thrice as long as most of the people reading this have been alive. Internal combustion engine -powered cars were invented in 1808, made mass produced in the 1910s, and even then it took until the 1950s for them to be common enough for the US government to bother designing cities around them. In the present day, many have come to resent the car-centric design mentality, even though the driving (no pun intended) factor behind them was mainly the same as with technology today: scientific and technological progression is unquestionably good, and therefore new and successful ideas should be pushed and relied upon as hard as possible. What could possibly go wrong?!

Video games are far from the only medium which is seeing similar problems. Movies have suffered greatly from a capeshit infestation, in which the abuse of VFX artists is valued over, you know, basics of good filmmaking, and the general public is clearly sick of it. On the internet, we’ve decided that megastructures like Twitter are better than forms of communication we’re good at, and it’s gone horribly wrong. We’re still learning the “do”s, “don’t”s and “who the fuck thought this was a good idea”s of tech.

Games as an artform are as alive as they ever were, but the sheer scale of the operations has grown to a point where nobody can really understand it. The numbers behind playerbases and the money traffic have so many zeroes that you can’t even fathom the number. Even if I used some metaphorical figure, like 20 000 cars. Shockingly, despite how console sales haven’t really increased in numbers (the top selling console of all time is still the PS2), most of the top-grossing games of all time are relatively recent. This implies that the behaviour of consumers has shifted from purchasing a variety of different kinds of games into purchasing fewer games of fewer different kinds. And I don’t think it’s a case of customers deciding to shift over naturally.

In the past decade or so, the gaming industry has decided sensible experiences are a way of the past, and the future is making games for debt and making back the money with horse armour and other garbage the general public doesn’t really want.

But we’ve seen this shit before. In the 90s, 3D was “the future”, and 2D pixel art or hand-drawn art in general seemed to go the way of the dodo for polygons and ““realism””. About a decade later, 2D art would see a resurgence and in some cases overtake the big lads in lasting impact. In the end, people crave personal stories, varying ideas, and interesting ways to tell them. Not much has changed since ancient Greeks, besides that the medium of storytelling has largely shifted from some guy standing on a stage, trying to explain another world, to electronic devices actually showing us the other worlds.

I think as we play out the Icarus stories in real time, we’ll also learn when boundaries are pushed too far, and the scale of the bullshit simply collapses in on itself. When that happens, the public is forced to step back and reevaluate the ways we thought were the future, and what really is better for all of us.

When a storm flattens a forest of dead, decrepit trees, the sun and rain can now reach the ground and cultivate a new generation of different plant life. Once hidden beneath the dead corpses, now able to grow and bloom in a way the old generation never could. You should just keep doing what you think is right. Now’s the time more than ever to be the backbone of a better industry, for many applications of tech, from games to communication. And it’s better, if the backbone comes from the grassroots, and isn’t defined by the megacorporations. Because those cunts will never learn from their failures.

#monthly blog #“montly” blog #video games #gamedev

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kitsaystransrights · 8 months

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Goodbye Volcano High is Beautiful

I'm about halfway through my first playthrough of Goodbye Volcano High, and honestly I've been blown away so far. I expected to like this game, but it's genuinely incredible. The characters, story, music, and everything else comes together to make a beautiful game that I cannot recommend enough to anyone who likes visual novels.

I've seen so much hate for this game because of THAT "fan" game (you know the one), and genuinely, do not listen to a second of it. This game is so nuanced in its storytelling and characterization, and is almost painfully realistic at times. Especially with its protrayal of Fang's identitiy and their struggle to be accepted by their family.

I've also heard rumblings about technical issues with the game and honestly, I haven't experienced any of this. Maybe it's because I'm playing on a more powerful PC, but the only bugs I've encountered are minor visual issues that resolve themselves almost immediately. I think it could be people are expecting this to be able to run on weaker PCs since it's "just a visual novel" but then ignoring the game's recommended specs on Steam lol.

And the SOUNDTRACK omg it's incredible. I've been listening to the songs I've played through pretty much on loop even when I'm not playing the game XD. Don't Call and Can't Get Back are definitely my favorites so far.

Overall the game is a massive achievement for its devs, visual novels, and indie games as a whole. Spread the word, don't let hate overtake the discussion about this game. And play it if you can, i's a genuinely beautiful experience.

#goodbye volcano high #gvh #fang #indie games #nonbinary #trans #visual novel

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highfantasy-soul · 2 months

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NATLA - Episode 1: Aang (1/4)

[Masterlist of my NATLA thoughts]

An explanation of what I'm doing here and my history with ATLA.

Of course, full spoilers ahead.

Next>

A word on the expositional dialogue:

That's always going to happen when you're being introduced to a fantasy world - it happened a lot in the cartoon, too. The viewer has no idea the political landscape, the rules of the world, magic system, governmental bodies, religion, how close or far the 'gods' are to mortals - and as shows usually don't have much world-building narration in them, dialogue is used to supplement that. I think people forget that and just automatically assume expositional dialogue is 'bad' when it's really not, we've just had the advice 'show don't tell' twisted and bastardized so terribly that we now have a visceral reaction to any 'telling' through dialogue even if it's totally normal storytelling.

Lets also not forget that a whole expositional monologue is given every 20 minutes in the animated version, so let's not pretend that being explicit about the narrative is something that needs to be avoided. You listened to Katara talk about Aang needing to learn all the elements and defeat the Fire Nation 61 times. I think the live-action can say it at least 3.

The show begins by showing some of the magic (bending) and clarifies this for new viewers with the dialogue "An earthbender!" from one of the fire-wielding men. This bit of dialogue is clarifying as it puts limits on the magic and lets new viewers know that that dude probably can only use earth magic - so the viewer isn't sitting there thinking 'why doesn't that dude throw some fire, too instead of just rocks?' or 'Why isn't he teleporting away?'

Also, it lets us know that having an earthbender there wasn't expected - the guard's tone lets us know that it's an unwelcome presence there.

The opening scene shows us a great look at the difference in bending styles - earth is slower, but more directly powerful - fire is quicker, but less forceful. Get hit with flying rocks, you're down and unlikely to get up - get hit with a firebolt, you'll get knocked, but there's not much blunt force trauma in it (fire/force damage vs bludgeoning damage in dnd terms)

Sozin explaining his plan fills 2 roles: characterization in that he likes to taunt his victims and he's overly confident, very sure of his importance and 'rightness'; and it lets the audience know what the political landscape of the world is like at the moment and how underhanded the Fire Nation is willing to be to win.

The redirection of focus from the Air Nomads to the Earth Kingdom is mirrored in the finale where the siege of the north drew eyes (we will assume other nations noticed an armada of Fire Nation ships sailing onto Water Tribe territory) while Ozai's real goal was to overtake Omashu - where the Fire Nation was keeping the Avatar's eyes on the north as well so he didn't rush off to help the Earth Kingdom.

The Earth bender asking Sozin 'why are you doing this?' also displays how such an act of war is inconceivable at this point in history - he genuinely has no idea why one might want to start a world war.

If you know the cartoon, or just real life, you know the reasons people have, so this dialogue might seem like its pushing for exposition, but it, in and of itself, is showing worldbuilding in the fact that while we might think 'yeah, obviously the Fire Nation is the bad guy bent on world domination', the people of the world at the time were wholly unprepared for such a war to begin.

Starting with the fire nation plan/attack was a strong choice to set the stakes immediately

Kids don't really care too much about stakes - they care about jokes and fun characters. If you want to make a story that appeals across the spectrum immediately, stakes are good things to start out with.

When you're gearing toward much younger viewers and the show is episodic - just coming on the channel randomly - it keeps kid's attention better when you start out with strong characters that are easy to grasp (see the animated version), but when you're addressing even a slightly older audience and it's in a format where you have specifically set out to watch this particular story, you start with the world and stakes, usually doing that through some minor or side characters (see Harry Potter and The Lord of the Rings).

This also allows new watchers to have the shocking reveal of Aang having been in the iceberg for 100 years at the same time Aang is learning this. There's no clear time jump from the Fire Nation's attack and Katara waterbending - so the new viewers don't know that's happened and the extra stakes shock really lands - it's not an eminent attack by the firenation, the war has already been going on and the fire nation is winning.

The time jump is hinted at with the wrecked ship Katara practices in, Katara saying fire nation soldiers haven't been seen in years, and when Gran Gran says Aang is an airbender (while he's still asleep), Sokka claims they haven't been seen in years.

These are all hints that there's been a time jump, but how significant of a jump isn't revealed until later - it could have just been 20 years for all we know so far

For those who watched the animated show, all this set up might feel tedious, unnecessary, or like the show is hand-holding the audience, but that's because you already know the story. For those who have never seen the animated show, all this is necessary - as shown by all the new watchers who are praising the exposition as it's a huge world. By the end of episode 1 of the live action, those who watched the animated would have heard the exposition 3 times already - by the end of the season, they'd have heard it 20 times - so you got the luxury of a lot of exposition, let the newbies get some too.

#atla spoilers #atla #natla #natla spoilers #natla episode 1 #avatar the last airbender #neflix avatar

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moe-broey · 8 months

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AUGH Pokemon Scar/Vio DLC spoilers below bc I'm NOT gonna have anyone to talk about this with for a little while LMFAOOO

God I wish when Kieran ran off with the mask, challenged you to a battle to get it back, and lost that battle. I DESPERATELY WISH he just ran off with the mask again anyway. LIKE. For one could you imagine how fucking funny that would have been LMFAO but also!!!!! I think something like that happening would have absolutely raised the stakes, AND would have given you a reason to be mad at him. I think, what Kieran needed MOST as a character and the development they're taking with him, is for him to have moments where he doubles down and is stubborn and bratty.

LIKE. This is going to get SO incoherent LMFAO but I'm thinking about Hortensia Fire Emblem's whole character arc, where you meet her and she's bratty right off the bat. But the thing that GETS me about her is that she doubles down. She's stubborn. And you see Why, you see her scared and hurt and traumatized as she's trying to figure out what to do next. And what REALLY makes her character to me, is when not even Ivy being on your side is enough for her to join you. She still needs time. And by "time", I mean needs to keep digging her grave deeper because she just can't stop yet. LIKE. She's acting out. Which isn't me invalidating anything, like, I'm struggling to find the words for it but she's just 14 about it you know. Something SO horrible has happened and you feel SO MUCH about it that not even your older sister can talk sense into you, at least not right now.

I THINK. The connection I want to make here is that I think Kieran has SO MUCH POTENTIAL as a blooming antagonistic character, he just NEEDED a moment like Hortensia has with Ivy. Where she doubles down on her path. And I think Kieran, maybe initially planning on keeping his word... when you defeat him, and everything just wells up inside and overtakes him. I think THAT would have been a fantastic and shocking moment, if you could see him make that decision to Make Things Worse in real time. And I can only IMAGINE the reaction that would have gotten out of Carmine too!!!

AND. CARMINE. CARMINE. I FIND HER SO FASCINATING. LIKE. Yeah yeah overheard a conversation/misunderstanding tropes are cliche and can be super annoying as a storytelling device. AUGH BUT I FEEL LIKE IT COULD ACTUALLY WORK FOR THEM..... with how both of them Are. I think Carmine and Kieran have SUCH incompatible personalities and there is SO much to explore there. Like. It's established as soon as you meet them, that they must be close and care for each other. You see it in how Carmine looks after Kieran, speaking up for him when he's struggling to, and you see how Kieran admires and looks up to her as he cheers her on in battle. But you ALSO see that Carmine has the emotional intelligence of a brick and she is naturally just. Abrasive and temperamental, with an ego. ALL. HORRIBLE TRAITS TO HAVE IN ONE REALLY HAHAH (I love her though). And you see that Kieran is EXTREMELY sensitive, shy and mopey.

BUT ALSO. WHAT GETS ME ABOUT KIERAN ACTUALLY. Is how you See those traits evolve and twist into more detrimental versions of themselves. AND you start seeing some Similarities he has with Carmine. He also is temperamental. He also has an ego. THIS. WAS SO COOL TO SEE TBH!!! Espppp seeing the uglier aspects of being "shy" and "sensitive". Traits that are really easy to make endearing and to woobify. It's easy to look over just how destructive these traits can get, when you take things too personally and then shut yourself off completely. AND. THE EGO. ADDED ONTO THIS. The fact that he IS a sore loser, the fact that he DOES get bratty about it. Like, I think another thing I really appreciate about Kieran is he acts his age. He quickly starts to feel like the entire world is against him AND he's 14 about it.

In turn, I think I really appreciate how Carmine is so much just an older sister. Like. Yeah, she has a temper and an ego. But also, I think you see that she's a pretty good sport actually. She's competitive, but she's not actually holding anything against you (beyond like, her frustrations about her home town feeling like a tourist spot -- which like! I think is reasonable actually, to dislike that). Like. She's abrasive, she's prideful, but ultimately she does have an air of maturity. She is Not 14 about it. On account of not being 14, unlike her little brother LMFAOOO (ALSO!!! I think it's clear how much she Does care too, how she does end up looking out for you, how she congratulates you and hypes you up... like!!! She's just a little bit of a jackass LMFAO but I love her for it)

And like ultimately maybe all this is just set up for a slow burn, as Kieran goes sicko mode LMFAO but I REALLY wish. There was at least ONE moment where he did something that's just a dick move. And REALLY digs his heels in. Makes it clear, compromise is NOT an option for him, not right now. That, for a while, no one is going to be able to reach him, not even his sister. He just needs to get it out of his system.

Plus, I think it would be incredibly useful for the player to have a reason to be mad at him, because GOD. I HATE. MORE THAN ANYTHING. When Pokemon gives you rivals you just feel bad for!!!!!! Like I just pity him!!!! I think he's right to feel the way he does and I think he has every right to act out. And like, I think I'd Still feel that way actually, if he did actively make bad choices that just makes everything worse and Isn't particularly palatable about it LMFAO. BUT. At VERY least, if he pulled a dick move, I can have something justifiable to want to fight him over. Lowkey Takumi feelings actually, where one of my favorite things about him is When he's an asshole, and it IS entirely on him, like... it's vindicating to see other characters push back. I, as the player, want the characters to get his ass for it. And it's rewarding, when he does come around (either immediately or after some time), and tries to make up for it. Like.... give me a reason to WANT to get Kieran's ass. Piss EVERYONE off in the process, ESPECIALLY your sister for the angst and drama of it all!! I just feel like I stomped on a little autistic boy's dream and stole away the object of his special interest HSKAHKSHA dude THIS SUCKS 😭😭😭😭😭

AUGH!!!!!!!!!! Anyway misc thoughts

The townspeople's turnaround about the ogre off screen was SO STUPID LMFAOOO LIKE. Like yeah yeah Pokemon game......... but you know what else was a Pokemon game. Pokemon Mystery Dungeon Explorers of Sky. LIKE AGSJHSJSJSJJ I FEEL LIKE SUUUUCH A CRAZY RAMBLY OLD MAN but Pokemon Scarlet/Violet HAD THE POTENTIAL. TO BE ON THAT LEVEL. I THINK. PERSONALLY. ON A STORYTELLING FRONT. And AGAIN I feel like there could have been potential here.

Like I think the main issue is the story even in the canon itself took place in too short of a time to develop in the way I think it deserved. But I'm thinking about the whole Process in PMD2 of returning from the Future, you, your partner, and Grovyle. How the three of you Can't just go back to the guild, especially Grovyle in tow, a wanted outlaw in this time period. How it takes days, of laying low, planning carefully, gathering intel, and hitting a wall, before finally deciding you really have no where else to turn BUT Wiggletuff's Guild. AND. AND. THE WHOLE PROCESS. THAT WHOLE THING CHATOT PUTS YOU THROUGH. AFTER TELLING YOUR STORY. Where Every Single Guild Member Individually has to decide, no, Chatot, I'm with Hero and Partner actually. Up against The Great Dusknoir's reputation, Grovyle's reputation, and your standing as the most recent additions to the guild versus Chatot's standing, Wiggletuff's right hand man, second in command, a respected authority figure.

LIKE........ I just think. With the folklore surrounding Ogrepon and the Loyal Three. Even if they didn't have That Much Time to build up to it exactly like that (speaking canonically, school trip constraints), I think. Even just a scene where You're part of trying to tell the town the truth about Ogrepon and the Loyal Three, AND you see the inital pushback, especially from an authority figure (maybe the Caretaker?) would have been enough. Especially would have been nice to see, instead of every NPC talking about how they got things wrong -- if there was divide and conflict, some believing you and feeling regretful towards how Ogrepon was treated, and others not believing you at all, ESPECIALLY as an outsider, who are you to tell us our history? AND even a few NPCs who are on your side, but are still in a state of disbelief or feeling betrayed. Like. Make us feel the weight of Why Carmine and Kieran's family kept this a secret for generations. (ALSO LITERALLY DIDN'T THEIR ANCESTOR TRY TO TELL THE TRUTH AND WAS HARSHLY DISMISSED AND CRITICIZED???? Why would Kieran be treated differently now for doing the same thing???????)

I guess last thoughts about Carmine and Kieran I didn't get to earlier but. I think you can See, as the story plays out, where there is this building frustration that turns to resentment from Kieran, towards how Carmine treats him. How, while she does speak up for him, she also speaks over him. What she sees as probably tough love or standard older-sibling teasing, HE takes it just. So personally. And it festers. It seems he feels ignored, dismissed and invalidated -- and his dialogues where he is mopey, and Carmine (almost on the right track), calls it for what it is -- her baby brother just being a baby. Like, I say "Almost on the right track", because in a way she Is Right. He's Very Loudly sulking and pouting, she sees this and sees he's being 14 about it. But she fails to consider just how much Kieran internalizes this treatment, of being teased and having others around you be told "He'll get over it". WHICH... even if he does. Even if he will. Something that JUMPS out to me IS how loudly he's moping and sulking, how dramatic it is. To me, it's like a cry for attention, for someone to listen to him and take his feelings seriously.

THIS. IS WHAT I MEANT BEFORE. When I talked about how the misunderstanding trope actually lends itself SO well to these two characters, as siblings who do love each other, but there IS this emotional distance. Where Carmine looks over Kieran's feelings, and doesn't know what to do with them, and Kieran is going to internalize all of this until he implodes. And when he DOES implode, when it feels like his entire world is crashing and burning around him (in a way, it IS his whole world!)... he doesn't trust her at all. Whether Carmine meant to or not (which, I don't think she has ever meant to hurt him, I do think it's the incompatibility), Kieran has been made to feel like he's an outcast, like his feelings don't matter, and no matter what he does, no one is going to listen to him or care about him. WHICH IS. AGAIN. WHY. I THINK HE NEEDS TO FUCK SHIT UP MORE. That is the GO TO thing to do when you're a kid and you feel this way LMFAOOO

Aughghhh........ Pokemon Scarlet and Violet you have so much potential I just wish you'd FOLLOW THROUGH and PUT YOUR WHOLE PUSSY INTO IT (AND MAYBE THEY WILL. IN THE FUTURE. THIS IS THE FIRST DLC. HOWEVER. I do think there are certain areas in general, like the ogre ordeal, where they just dropped the ball 😔)

#pokemon #pokemon scarlet and violet #pokemon carmine #pokemon kieran #i am. maybe a little bit predictable. when it comes to which characters drive me to madness LMFAOOO #i love pokemon scarvi. i can't recommend it wholeheartedly in good conscious due to The Quality (or lack thereof)#it's like being a sonic fan circa early 2000s again. it's awesome #but goddammit there are CHARACTERS IN THERE and I LIKE THEM‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️

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