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#since I like how she does panels
mokeonn · 8 months
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Inspired by @punkitt-is-here 's Horsecomix :D
(Original Tweet)
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muffinlance · 8 days
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Read "Suki, Alone". Liked it in general. But can they please, please hire someone who knows both the show's actual events and how to follow through on a character arc? Because guys. Guys. That comic is not implying about Suki what they meant it to be implying, and all because of literally one line.
So like. From a writer's standpoint:
What they meant to do: show Suki as a community-oriented person who cares for her people, and believes in everyone succeeding together.
As opposed to (spoilers): the thief girl they set her up in contrast with, who's pretty upfront and consistent on primarily looking out for herself. She betrays Suki for one (1) corn chip to improve her own life at the prison, no surprise.
But the problem is: they give Suki an inspirational line to the effect of "we're all working together and we'll all break out together"
You know
The thing she does not do in the show
So if both the show and this comic are canon, then instead of setting up a compare/contrast with the thief girl, they've just set up a comparison. One were Suki is arguably worse, because she's been leading a significant number of prisoners on with her "we'll all fight and win our freedom together!" business, only to straight up cut them out of the escape loop and abandon them, whereas the thief is only leading Suki on in the sense that Suki keeps telling her what it's morally correct to think and confuses snide replies with agreement
My dudes. My fellow writers. You people actually being paid for this. There were so many ways to fix those awful implications against our girl's character, the simplest of which would be to not include that line. Or they could have, you know, made it canon compliant with what actually happens in the show, so that this comic doesn't set Suki up as a betrayer instead of a community builder. Like... just send all her good prison buddies off to other prisons in the wake of the warden finding out they're colluding. Have it timed to be right before the next new prisoners arrive, thus setting it immediately before the Boiling Rock episodes, so Suki didn't have anyone left in the prison she'd want to take with her on a breakout. For bonus points, include a page or two of her and her Kyoshi warriors opening up the cell of one of her prison friends post-war, thus implying she's tracking down and actually fulfilling her promises. Maybe even show her doing the same with thief girl, who was established as being imprisoned on false charges anyway, and also showing that Suki is A) the bigger person, and B) willing to acknowledge her own role in mistakes (because I cannot emphasize enough how much thief girl was not hiding her own priorities, and it was Suki who approached HER with all this, not the girl ever doing anything special to weasel her way in) (this would also open up an opportunity for paralleling Suki's earlier in-comic mistake of not listening to one of her friend's very valid thoughts and feeling, which lead to the girl leaving their island alone pre-canon; a "seeing people as they are, not what you want them to be" moment)
Anyway yeah enjoyable enough for a quick read but another one for the "this can't be canon or the characters are So Much Worse than they were in the actual show" pile
At least Aang didn't promise to murder anyone in this one
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beldaroot · 9 months
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blue period: chapter 63 - summer vacation part 9
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hella1975 · 1 year
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why pay for a gym membership when you can go back to the countryside and move bags of concrete for FREE 😍
#my life at home is so glamorous btw#so the thing about my mum is that we have almost 2 acres of land and obviously the upkeep of that is INTENSE#but her attitude - justifiably - is 'if i can do it myself then why would i pay someone to do it?'#so me and my sister have gone our whole lives used to just helping with the chores#like that's not a big deal i really think it's a bit grim how a lot of teenagers just Dont Help with the chores#BUT my point is for me and my sister 'helping with chores' isnt just like. washing up and doing laundry lmao#like we have LAND and ANIMALS and there isn't exactly a man about the house that does all the heavy lifting#so it's my mum powered by sheer rage and stubborness telling me and my sister what to lift and where to put it#and that's just how it is like we move bricks and poles and fence panels etc etc the list goes on#literally a free work out and it's then so funny bc my friends know me to be quite lazy when it comes to activity#like i dont do any sports and i refuse to go gym with them and i like my little bed etc#BUT when put in a position where it's actually shown i will typically be stronger than my friends#including the ones paying extortionate amounts for gym memberships LMAO#like me and two of my mates did ninja warrior not long ago and one of them is a proper gym lad#and i left her in the DUST and she was acc a bit fuming about it? like it made her really insecure i was like how fucking offensive is that#like she was basically insecure bc 'how can i possibly be less fit than [my name] when she does fuck all' LMFAOOOO#i giggled#it's me and my sleeper countryside build against the corporations#BUT since coming uni it has slipped a bit bc ive gone from doing an hour of intense heavy lifting at least every? two days? ish?#to doing fuck all for weeks on end and then doing short bursts of it when i come home#so doing it today was a bit sad bc i cant lift nearly as much as i used to. like i can still lug 15kg dog food bags on my shoulder#like a little farmer boy but icl i was SWEATING today with that concrete when normally i'd do it pretty easy#so maybe i'll get more into my fitness again idk. like as lazy as i am working out does give you that little rush of endorphins#and the kind of workout i do as well gives me that very human satisfaction of simple manual labour#like truly satisfies ten generations of factory workers and farmers in my bloodline lmao they r smiling down on me#hella goes home
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thatbadadvice · 2 months
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Help! I'm a Perfect Genius, but This Potential Employer Asked Me a Boring Interview Question!
Ask A Manager, 13 Feb 2024:
I was rejected from a role for not answering an interview question. I had all the skills they asked for, and the recruiter and hiring manager loved me. I had a final round of interviews — a peer on the hiring team, a peer from another team that I would work closely with, the director of both teams (so my would-be grandboss, which I thought was weird), and then finally a technical test with the hiring manager I had already spoken to. (I don’t know if it matters but I’m male and everyone I interviewed with was female.) The interviews went great, except the grandboss. I asked why she was interviewing me since it was a technical position and she was clearly some kind of middle manager. She told me she had a technical background (although she had been in management 10 years so it’s not like her experience was even relevant), but that she was interviewing for things like communication, ability to prioritize, and soft skills. I still thought it was weird to interview with my boss’s boss. She asked pretty standard (and boring) questions, which I aced. But then she asked me to tell her about the biggest mistake I’ve made in my career and how I handled it. I told her I’m a professional and I don’t make mistakes, and she argued with me! She said everyone makes mistakes, but what matters is how you handle them and prevent the same mistake from happening in the future. I told her maybe she made mistakes as a developer but since I actually went to school for it, I didn’t have that problem. She seemed fine with it and we moved on with the interview. A couple days later, the recruiter emailed me to say they had decided to go with someone else. I asked for feedback on why I wasn’t chosen and she said there were other candidates who were stronger. I wrote back and asked if the grandboss had been the reason I didn’t get the job, and she just told me again that the hiring panel made the decision to hire someone else. I looked the grandboss up on LinkedIn after the rejection and she was a developer at two industry leaders and then an executive at a third. She was also connected to a number of well-known C-level people in our city and industry. I’m thinking of mailing her on LinkedIn to explain why her question was wrong and asking if she’ll consider me for future positions at her company but my wife says it’s a bad idea. What do you think about me mailing her to try to explain?
Sir,
You have been wronged in the most grievous of ways by a coven of retaliatory, self-aggrandizing women who have failed in the extreme to recognize your brilliance, your talent, and above all, your general superiority.
Of course you should mail this mediocre "grandboss" on LinkedIn to inform her of the deep offense she caused you by interviewing you in the first place, let alone doing so using a boring question — indeed, you have a moral and professional obligation to do so in order to preserve your honor and the honor of scores of men like you who have never done a single solitary thing wrong in their lives, ever.
But I beg you to consider doing more. A single, private message to one incompetent bitch may not convey to the necessary parties the depth and breadth of the situation. Many, many people have important lessons to learn from your experience, and I encourage you to share it widely. Consider making a public LinkedIn post, and ensure that it is shareable across platforms. Depending on your financial resources, a billboard with your name, professional headshot, and contact information could go a long way toward ensuring that everyone in your industry who needs to know just how you handled the way these women treated you, does know about it. I hope that in your continuing job search, you are able to connect with potential employers who have a much better grasp of all you bring to the table.
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tofixtheshadows · 1 month
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So I've been thinking lately about how Mithrun is Kabru's dark mirror (more on that another time- it needs its own post), and I thought it interesting that one of their parallels is that they were both cared for by Milsiril, but in opposite directions. She took Kabru in as her foster after he was orphaned and tried to convince him not to become an adventurer. On the flip side, she helped rehabilitate Mithrun specifically so that he could rejoin the Canaries.
And I kept wondering: why?
For Kabru, obviously she loves him a whole lot- despite any other shortcomings in their relationship, I do believe that.
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So I get why she tries to convince him not to go dungeoning, and, failing that, at least prepares him as thoroughly as she can.
But why help Mithrun? She used to hate Mithrun, but after realizing what a secretly twisted person he was, she actually thought of him more positively (oh, Milsiril). So it wasn't as if she held the kind of grudge that might motivate her to make his already-depleted life even more miserable by sending him back to the dungeons. And it wasn't that she felt bad for him either, since she didn't visit Mithrun for the first ~20 years of his recovery.
The Adventurer's Bible says that Utaya was the impetus for Mithrun returning to the Canaries, but Milsiril is the one who made the trip to see him and tell him about it.
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Why would Milsiril work so hard to get her old coworker back into fighting fit? Why encourage him to return to such a dangerous lifestyle, when she was the one who chose not to mercy-kill him?
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That last panel is such a crazy thing to hint at and then never elaborate on. Without it we could have just thought that Milsiril wanted the Canaries' work to continue without her, even if it seemed out of character. I think some people even assume she's just a natural caretaker as a foster mom and handwave it to include nursing Mithrun too. What could Milsiril's suspicious motives be? What does she gain from Mithrun joining the Canaries that isn't an altruistic desire to see dungeons safely sealed? Feeling a sense of responsibility for the work she left behind isn't an ulterior motive.
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My theory is: Milsiril, knowing that Mithrun was empty save for the burning desire to face the demon again, wound him up like a clockwork doll and pointed him back at the dungeons.
Hoping that he'd eliminate the biggest threat to Kabru's life, before it was too late for him.
Milsiril the puppetmaster.
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whateversawesome · 5 months
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Some Theories about Anya's Name
Who would have thought a short chapter would bring so much information and discussion? But then again, we're talking about Anya, agent of chaos (according to her papa).
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After that chapter, there's plenty of theories flying around, so I decided to make this post to compile, explain and expand these theories 😉
Ready?
Anya is an acronym: This one is pretty clear has been a popular general theory. It means that the letters of her name stand for something else. What exactly? We don't know yet, but it probably has to do with Project Apple and the infamous lab Anya was created.
Anya...Ania...OstANIA: If you live near small children, you probably know that when they are learning how to talk, they do it by picking up words adults say and many times they say those words wrong. While discussing with some friends, I imagined those scientists constantly saying the word Ostania in front of that little girl. Maybe baby Anya thought that was her name because she heard the word OstANIA all the time, but she couldn't say it right.
Anya, the foreign princess: This one is very simple. It means that her name was spelled differently in her country of origin. This theory is vague, but I do believe a third country could be involved in all this mess. Also, it would make sense for Anya to be hiding in Ostania, if she was born and kept captive in a different country.
Anya...A N/A: This one is one of the most interesting theories! A N/A would mean something like "Non-applicable". You probably think this doesn't say much, but it really does. In the first few chapters of the story we learned that Anya was adopted and returned 4 times. Instead of a child, she was returned as if she was a piece of clothing. Even though it's been barely mentioned, we've also learned that people that participated in Project Apple didn't treat the subjects nicely (see how they treated Bond). Those people called Anya "subject 007". They didn't even give her a name. If we think about it, Anya is very "non-applicable". She was created in a lab, she has a strange power, so she's not like the other kids, she's been adopted and returned 4 times...
The A N/A and Anya being treated like an object instead of a human being fits the Spy x Family premise of the story, which is: Humans like Twilight, Yor, and Anya are used as weapons instead of being treated like humans. The story is about them regaining their humanity through love and family.
So even if A N/A says nothing about Anya, it says a lot about the story.
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Look at this little girl. This illustration was heartbreaking. Do you know when it takes place? It's right before he meets Twilight. We see that it's the same filthy orphanage Twilight visited on chapter 1 and this is not Anya's first orphanage, so that means this illustration happened after she was returned again. The way she's facing the door, her body language, the way she holds Mr. Chimera by the hand is so sad. Here she is, once again, in a place she doesn't want to be, where nobody will take care of her...alone 😭
Enough of that or we'll end up crying...🤧
Some other things to take into consideration about her name:
Mr. Chimera: Since this is a visual story, that panel of Mr. Chimera tells us that this plushie is involved in Anya's name. If you've read certain fic, you know where I stand on that. In this case, I think that yes, the person who helped Anya escape gave Mr. Chimera to her. However, I don't think it was exactly that character (you know who). It probably was someone else, maybe even a new character we don't know yet. It could also be a scientist who took pity on Anya or disagreed with the use of children as lab rats, and helped her escape. We don't know yet.
Twilight: One of the most beautiful panels on that short chapter was seeing Anya's eyes lit up when her papa told her the correct spelling of her name. Did you see it? Those were the eyes of someone who had just learned something new about herself and by doing this, Twilight made her even more human.
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One more thing...I've seen speculations about the next arc of the manga being about Anya's past because of this short mission. In my opinion...I don't think it'll happen yet. Why? If it was the case, this would have been a longer chapter and the actual beginning of the arc.
I believe Anya's past will be one of the last things we learn, because there's plenty of things to resolve and a lot of information we don't have. Stories are like puzzles; this chapter was an important piece, but we're not working on that part yet.
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perrigoaway · 1 month
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Part 2 to a comic I made a little over a month ago! I was going to make it for white day, but I was a bit late TT see the first part here
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more thoughts beneath the cut, as always!
Hi! so as I said before, im a little late for when I wanted to post this. I realized it was white day a few days ago and thought it would be fun to make a little comic with Apollo's attempt at revenge! I started it ON white day, then I realized there was NO way I was getting it out then whoops! Here it is now >:)
I worked on this and it was actually driving me nuts, I continuously thought "does this comic even make sense at this point?" hopefully it does TT
I do want to say though, I went into this thinking that no matter how I made things, I wanted it to MOSTLY backfire on Apollo TT SORRY APOLLO LOVE YOU TT I just think he would have really odd ideas on how to get back at someone. Like what kind of person steals the shirts out of your closet for revenge? Him, I guess. Or me since I was the one who thought up the idea LMAO. ALSO I think that Klapollo as a ship in general is interesting because, no matter how someone writes them, inherently, they're BOTH just losers. Yet, they both want to be the coolest person ever and sometimes (most of the time) it doesn't work out how they want, especially with Apollo. He wants to be cool so bad but says stuff like "um, hiya..!" He's my favorite little guy, just like me fr
AND shout out to my sisters for helping me to block this out TT my younger sister practically did ALL the work for the second panel, she even drew it out for me initially, so thanks gug <3 @abandonedart
I'm only a little sorry for yapping this time >:)
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darkcircles4lyfe · 18 days
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it's a story about hands (reprise)
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Yeah, okay, today's the day.
I gave my blog that title for a reason, you know, and it has loomed over me for years because the hand motif is absolutely everywhere and you could go on about it forever.
Maybe that's something I'll never actually attempt to do, but this chapter, we reached a breaking point.
Before I continue, I need to give a big, big disclaimer: I do not have a physical disability, so I'm not able to speak about that from the standpoint of representation as a first-hand perspective. I have at least listened to enough disabled people to know that fictional characters who become amputees only to miraculously gain their limbs back is, um, a trope. Disabled people in general being "healed" is a conception we would really prefer to avoid here. Not to call people out, but I don't think we're giving enough space to acknowledge that.
I don’t feel comfortable making the judgement call about what should happen. I’m leaving that open. I also don't want to downplay people's emotional reactions. Honestly, I don't know if I can accurately define the line between acknowledging real pain vs. ableist pity. But I’d like to talk about the possibilities of what could happen. Other characters have definitely gotten permanent disabilities as a result of their hero work, or even just the side effects of their quirk. But, for better or worse, I don't think this case is really about representation. Not that Horikoshi won't do that justice. He might. What I'm saying is that's not his purpose for having Izuku lose his arms. It's meant to be symbolic, so we can explore what it means. The other thing I’m keeping in mind here is that Horikoshi is notorious for playing with our expectations, like, alllllll the time. I mean, just take a few chapters ago for a classic example. Eri appeared at the end, and we all assumed she was about to take some sort of action to save someone with her quirk. Then, immediately following, we were given an explanation for why that wouldn’t be happening. And now it’s clear he wanted to do that “fake out” not just as a silly cliffhanger prank, but specifically so we would know not to suspect that Eri could be the miraculous solution to Izuku’s loss of his arms. Rest assured, there is no easy way out of this.
The expectation at play in this particular instance is an old one. It’s very understated, but its subtext has burned so brightly, you’d be a fool not to notice it. It sits with anticipation like one half of a call and response. Man, I was so certain. Lots of people still are. I was really looking forward to printing the panel where it happened onto a t shirt and wearing it proudly. All the hand motifs in this story radiate thematically from a single moment, the one that started it all for Izuku.
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It raises all kinds of questions about the act of saving, who needs saving, why, what does it mean, what are the dynamics of power, politics, honesty, exploitation, compassion, pity, disdain, sacrifice. Katsuki has dealt with many of these since he first rejected Izuku’s hand. While Izuku was the one who was convinced Katsuki would keep on rejecting him…
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…Katsuki was the one who kept that moment in his mind all these years and eventually came to regret it.
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Katsuki is the one yearning for that hand-hold, the one who has imbued it with so much more weight than it ever originally had. Izuku, in contrast, does not allow himself to dwell on what he wants. To illustrate this difference, we need to look at another piece of foreshadowing:
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Ugh, do y'all remember when lots of folks were complaining about how there never seemed to be actual consequences for Izuku's destructive treatment of his own body? I don't blame them, I was concerned and confused about it too. There were several "fixes" along the way. Recovery Girl healed him, but left a physical reminder. Then he started training to fight with his legs… sometimes. Then he got support items. All of these were unsatisfying non-conclusions because they didn't present Izuku with a lasting enough impression to change in a meaningful way. They didn't address his core, his origin.
Of course, that all changed this chapter. Now it looks like our frustration was inflicted intentionally. With the current context in mind, all of these moments look more sinister, like this day was always gonna come because they kept putting bandaids on a deep emotional and psychological wound. The problem is pretty much spelled out for us here:
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As Katsuki put it, he just doesn’t take himself into account, ya know? He doesn’t care what happens to him. And he lies about it, to keep others from worrying, to keep them safe. To keep them from returning the favor and putting themselves in harm’s way for his sake. His motivations are noble,
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…but what about the little boy inside Izuku? Who saves him?
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This is all about Izuku giving himself up to the point that he literally has no more to give. The thing is, I bet he saw this coming. He knew his limits and decided to keep going anyway, because his personal safety and wellbeing are not important. Now that way of thinking has come back to bite him because the fight isn’t over yet, and he’s already made his sacrifice. So now we know who will be more distraught over this. Not Izuku—Katsuki.
It’s not about Izuku becoming disabled, it’s about how Katsuki wanted to use the intertwining of their fingers to communicate that he would never let go. Never stop valuing him most. Never let himself make the mistake of rejecting him again. Never let Izuku be so reckless with his life. To say: “we are in this together.”…if only Katsuki believed he deserved to be able to say such things. To reach out his hand would have been the ultimate way to simply imply them and let Izuku be the one to decide. Then, to feel their hands clasped together would be more than either of them dared hope for, but so beautiful, so right. A moment they’ve waited their whole lives for.
Yeah. That’s what we were expecting. We’ve been so comfortable. Horikoshi gave us all the signs. He tempted and teased us over and over. BUT. You know he does this thing were he gives us a desirable, completely plausible and simple thing to look forward to, and then he snatches it away. And THEN he replaces it with something much better, something we were not expecting at all because it seemed too good to be true. That’s exactly what happened when Himiko snatched Izuku away, and we were robbed of the chance to see him and Katsuki fight together. In hindsight, though, I’m glad things went a different way because now there’s so much more depth and angst on display. Likewise, in the present moment, we may consider how, as one door closes, another opens.
As wonderfully meaningful as the hand-hold would have been, perhaps it is still too simple a resolution for Izuku, for his and Katsuki’s relationship. Tbh, it could have been done like 100 chapter ago. At this point, there’s so much more potential. There are a couple of ways it could go. If Izuku stays armless, Katsuki will be forced to use other methods to get his point across. He’ll have to do something else, or say what he means, or both. Yes, I’m talking about what you think I’m talking about. If I say it, I just might jinx it (lol), but I mean it. I’m being serious. Either way, if Izuku did get his arms back in the end, I’m sure that it wouldn’t be an easy fix. It would be hard-won against Izuku’s self-destructive mindset, and/or by Katsuki’s conviction. Again, I say this knowing it is not meant so much as a representation of disability, but as a representation of Izuku’s greatest character flaw taken to the extreme. I know this might sound harsh, like, hasn’t he been through enough? I get that, but… I’ve said it before and I say it again: Izuku is stubborn as hell.
I wish I had a resounding final note to end this on, but I kinda don’t. I’m not sure what’s best. Now we just have to wait and see what Horikoshi has in mind.
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thechekhov · 3 months
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Chekhov Reads Dungeon Meshi: CH51
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Senshi. That's all. Just Senshi.
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Oh how the turns have tabled.
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Makes sense that he would be the one worried about something like that, since Halflings only live to.... what, 50 on average? But humans are given a 60 average. So it's not that huge of a change for him.
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I. I love how much this manga like.... ties everything together.
At first this really feels like a silly one-off monster that almost literally comes out of nowhere. But then you come to this point, and it IS relevant! It's all about change, about transformation. That is SO COOL to see!
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That all makes sense to me, I see no flaws with this plan.
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Chillchuck, you really just wanted to see how crazy of an idea Laios would come up with, right?
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Zero of these options include returning her completely to normal, huh? 😂 I mean, sure, the mushrooms can't change things COMPLETELY but that's still-- I feel like that's still more realistic than hoping to make her live among humans as a velociraptor.
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These things can wield weapons?! Bruh.
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Cuttin' it kinda close, guys.
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Wait, does it change based on who's wielding it?! Does that mean Laios was somehow making it become the winged lion???
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Or.....that.
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The fact that Laios let go when she was in pain and Izutsumi didn't.... 😂
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Rare Chillios moment.
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...lol. That's only the second time I've seen him so mad.
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Damn, the dispersal theory? That honestly makes so much sense.
I hope Laios writes a book.
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Incredible panel, 10/10
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Damn, that's a straight up improvement in my book!
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Poor Senshi can't get a break.
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Absolutely bonkers.
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Wow, Chillchuck. Did you not get along with Namari? Just asking.
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Okay but. Changeling sword! Changeling swooooord!!!! Let him keep it, come ooonnnnnnn!!!!
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mytheoristavenue · 2 months
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LF Creature x Reader - Mutal Comfort
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Summary: You owed Lisa a favor, but you never expected she'd make you pay it back in the form of babysitting her undead boytoy while she goes to a party.
Warnings: rushed/not proofread, bisexual!reader, reader has an unreciprocated crush on Lisa, angst, fem!reader
"Lisa, I never agreed to this!" You shouted at your best friend as she hurried over to crawl back out of your window.
"I promise I'll make it up," she waved you off, sliding the glass panel up. "It's just for the night, I swear. I'll be back before school."
With that she was gone, hearing no other protests. You stood with your back flattened against the wall, frightened gaze never leaving the thing on the other side of your bedroom.
You were the only person who knew of Creature's presence, being Lisa's very best friend for life or whatever. You'd do anything for her but babysitting her undead little pet was definitely stretching boundaries.
You felt some guilt for your terror, after all, he did look incredibly somber, shrinking into the opposite corner. Maybe he felt bad for scaring you?
"S-Soo...uh," you started, pushing off the wall but only by mere centimeters. "Y-You...Lisa's new boyfriend?" The thing seemed rigid at the thought and reluctantly shook his head. "Let me guess, you wanna be?" You prodded, inching closer still. Another timid nod. The two of you had that in common, apparently.
"You and me both," you sighed, sitting on the edge of your bed. Creature eyed you skeptically, still in the corner but not as glued to the wall as before. "Don't look at me like that, I don't mean I want to be her boyfriend." You paused, wondering if his expression was caused by the thought of you being gay or wanting to be a male, or maybe he was jealous at the thought of competition. "But, I don't know, being girlfriends might be nice..."
By this time, he'd inched close enough to sit on the other side of the bed, still as far away on it as possible, though. You took this as a sign to continue. "It's just that, me and Lis have been besties since like- kindergarten. I even convinced my parents to move her with her after her mom died and it feels like all she does is blow me off now," you ranted. "Like, before the incident, we'd have these long talks about the future, and we were always in each other's but now...I don't know anymore..."
An anguished moan was his only response as he drew his discolored hand to his chest. "Sorry," you said dropping your head. "I know you've gotta be hurting too listening to her ramble on about-" You brought your hands to your cheeks and batted your lashes, making your voice an octave higher to imitate your crush. "Micheal Trent!" He nodded, rolling his eyes slightly. "Y'know, I really don't know what she sees in him? Dude's a class A poser. He pretends to be into all that dark music and poetry but it's literally just to look cool and mysterious so all the preppy girls will fall in love with him."
While you ranted, Creature studied your room, noting how different it was from Lisa's. She had string lights, drawings, and moody posters all over her walls, while yours were tidy and well-organized with framed photos and prints of paintings that matched the color scheme of the walls. Eventually, you caught onto his staring and fell quiet prompting him to glance back to you.
"Didn't mean to fly off the handle, my bad." you muttered, standing up with a sigh. "Anyways, what do you like to do? Got any hobbies?" He stood up with you, wandering over to a keyboard that had collected dust in the corner. Curiously, he stuck a key and cringed at the sound it made. You joined him, explaining it. "That's just my old keyboard. I used to play piano as a kid but when we moved here we couldn't take my piano with us, so my dad got me this. It's kinda like an electric piano, only it's portable. Don't really like it though, too synthy for my taste."
Creature sat down in front of it, fumbling with the buttons on the control board while trying out the keys after each adjustment. Finally, he seemed to have found a setting he liked. "I'm guessing you play?" you cocked a brow. You couldn't have predicted how the cocky smirk then tossed you would make you feel. Following that, he threaded his finders together before pushing them out, cracking his knuckles before dramatically slamming down on the keys.
"Holy shit," you breathed, listening to the classical tune that filled your room. Needless to say, he played beautifully and was incredibly talented. At one point, he even glanced up at you with another shit-eating grin, showcasing the fact that he knew the positions by memory and didn't even need to look.
"You're amazing!" you explained when the song was finished, placing your hands on either shoulder and rocking him gently. "I've never seen that much musical skill from one person! What, were you like a professional pianist in your first life or something?"
To your surprise, he actually nodded. "Jesus christ man, I've never even heard that song before, did you write that?" He nodded again, and again, you were flabbergasted. "I bet you had an extraordinarily hard life." You muttered without thinking. "Art like that only comes out of suffering." As he nodded yet again, this time more bashfully, the two of you shared a moment of silence.
"I'm sorry, that was rude," you realized, glancing away. This time, Creature shook his head, an uncharacteristically peachy hand guiding your face back toward his as he stepped closer. For a moment, you waited to see what wisdom he had to offer, before remembering that no words would come as he stared at you, only able to offer a comforting gaze. "I wish you could talk," you whispered as he pulled you into his chest without you even realizing it. "But then again, maybe it's better you can't." you retorted to yourself bitterly. "I've had enough people tell me to cheer up because life gets better."
Creature stiffened, pushing you to hold you at arm's length, shaking his head again. "You think you got something better?" you asked, rhetorically.
Sensing your irritation, he resigned himself to giving up on communication for now. Taking matters into his own hands, he pressed a palm to his heart, a sign for you to trust him. Gently, he guided you back to your bed, pushing you down onto it. Awkwardly, Creature untucked the quilt from the bed a threw it over you, signalling for you to lay down, before tucking you in. You reluctantly followed his instruction, laying down on your side, tears welling in your eyes from all the overwhelming emotion bubbling inside you. You then watched as he made his way over to your desk, seeming to write something on a sheet of notebook paper Following this, he laid the note at your feet as he took a seat in front of the keyboard again.
You couldn't deny that you were beginning to feel drowsy after the soft music he played filled the room. This song was nothing like the first one. It was sweet and serene, unlike the dark and dramatic one he'd first played- with that cocky grin that made you feel so conflicted.
On the cusp of needing to rest your eyes, you remembered the note he'd left for you, briefly sitting up to reach it before laying back down, holding it up in the air to read what it said as he played your consciousness out.
"The sun does not ever reappear if the rain never stops. To live happily is to find solace in any weather. With the right balance, the flowers will begin to bloom. I hope to one day see a lush garden in you, darling."
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toomuchracket · 1 month
Text
if you're too shy (office nerd!matty x reader fluff)
in which the other music journalist at the magazine you work at is the cutest weird boy you've ever met. enjoy <3
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in hindsight, coming back from a two-week holiday the same day the magazine goes to print was a misguided idea.
your editor-in-chief tells you as much when you enter the office, pulling you into a half hug. “don't get me wrong, it's lovely to see you,” she says, scraping her hair back into a bun and securing it with a pencil. “but you'll be doing nothing all day, i'm afraid. maybe some last minute proofing, but i think everyone in nightlife and reviews has been alright. double-check with marianne.”
you do just that, weaving your way through people running copy and coffee between departments until you reach your own. it's mercifully quiet compared to everywhere else, the ten or so people dotted at desks around the sunlit room looking at their laptops and wearing headphones; you actually have to flick marianne on the back of the head to get her to notice you. “oi.”
“who the- oh, hi!” marianne's face softens when she sees it's you, and she stands to pull you into one of her infamously bone-crushing hugs before pulling back to get a good look. “well, you look annoyingly well-rested. but i suppose a fortnight in a spanish villa will do that to you. bitch.”
“i had a great time, thanks for asking,” you grin. “how’s everything been with you? stressful, without your star reporter?”
“well, for starters, you've been succeeded for that title.”
you frown only half-jokingly, scanning the room to try and guess which of your colleagues has replaced you as marianne's unofficial favourite. “who the fuck…?”
“language,” she lightly slaps your arm, in spite of the fact she was just about to say the same thing, then smiles suspiciously. “and i’m talking about our newest recruit.”
the brewing annoyance in your stomach dissipates immediately, replaced by a flock of tiny butterflies. “oh,” you try to keep your smile to a minimum. “that's okay. i like him.”
marianne sees right through you, though. she rolls her eyes. “oh, you would.”
“what?”
she sighs, motioning for you to lower your voice and modifying her own to a whisper. “he’s a curly-haired pretty-eyed vaguely scrawny white boy. you'd like him even if he didn't think the sun shone out of your arse.”
“marianne!” you hiss. “he does not!”
“don’t act all indignant, he has literally looked over at you once every thirty seconds since you walked in - and don't look, idiot, you'll freak him out. we need him on the ball, today of all days,” she rubs her eyes. “but yes, he’s very good at his job. i like him, even if i've no idea what in the world he goes off on his tangents about. great writer.”
“yeah, he is,” you risk a glance towards him, but all you can see is the back of his laptop - covered in stickers for things you can only name half of - and dark curls peeking out from the side of his headphones. “i like the references. different perspective from me, innit? that's why we hired him, after all.”
“who's we? you were too pissed off that i was hiring another music critic to agree to be part of the interviewing panel.”
you'd love to disagree, but you really were pissed when marianne and the other editors told you they were expanding the nightlife section. it didn't matter that it was in response to an increase in funding and readership, with the magazine switching to a print format as well as the online edition you'd contributed to since its creation - your fierce independence and pride meant you didn't take the news well, made you think it was an issue with your competence and writing ability that meant you'd be getting a new colleague. but once you were reassured that you'd still get to keep the Big Gigs and restaurant reviews to yourself, you were slightly more agreeable to the idea.
and once you actually met the new guy, stumbling over both his words and his own feet as he introduced himself, you couldn't quite remember why you'd been opposed in the first place.
“well,” you say, snapping back into reality. “thank goodness i'm over it now.”
“because you want to get under him?”
“no!” you stand indignantly, and then grin. “on top, maybe.”
“good grief,” your boss shakes her head. “don't you go bringing it up to him - excuse the pun - before this edition goes to the printers,” she points at you as you move to walk away. “or talking to him at all until then, actually, you hear me? i love you, but you're a distraction to him, and he's my best journo.”
“he's not, but alright,” you pat her head as you walk back towards the door. “i'll be in the staff room if you need me. and i won't talk to anyone, mum, i promise.”
“i'm only five years older than you!”
“whatever you say!” you reply in a singsongy voice, giggling to yourself as you wander towards the sunny kitchen. the little radio on the windowsill is on, as it always is, and you nod along to the cure while you wait for the kettle to boil. once you've made a cuppa (and grabbed a slack handful of the chocolate digestives marianne always keeps the cupboard stocked with), you settle at the table with your laptop, typing out ideas for your next feature and doing your best not to think about the boy down the corridor you've been instructed not to talk to for the time being. for the most part, you succeed.
that is, until he walks into the staff room two hours later.
you frantically wipe your face of biscuit crumbs as he does, smiling as sweetly as you can for someone with no idea if she has chocolate on her teeth or not. “hi, matty. how are you?”
“oh, hi! i'm, uh, i'm alright,” matty smiles widely enough that his verbal emotional downplaying is blatant - still, he's so cute, beaming at you like that with his little sweater paws. he’s always in a jumper or cardigan or hoodie of some kind, and on more than one occasion in the three months you've known him, you've absolutely thought about literally cosying up into him instead of doing any work. “how was spain? and the wedding - it was a family wedding you were going to, yeah?”
“that's right,” it’s not a big deal, but you glow at the fact he remembered. or maybe it's the soft intent he looks at you with. “it was lovely, yeah. although - wait, have we gone to print?” you ask, suddenly recalling marianne's instructions. “i'm not keeping you from work?”
matty's curls bounce as he shakes his head, light hitting off the metal hoop in his earlobe (that you're only mildly obsessed with). “we've gone. i'm just in here to get my lunch,” he pulls a tupperware from the fridge, cheeks rosy as he waves it. “made some soup last night.”
he makes his own soup. the thought is so endearing that it takes everything in you not to sigh; you settle for a smile. “carrot and coriander?”
“you can tell from one glance?”
you shrug. “s'my favourite.”
“really?” matty's face seems to light up. “mine too,” he busies himself with putting the tupperware in the microwave, taking his time pressing buttons and turning dials before looking bashfully at you. “so, you had a nice time at the wedding, then?”
“i did, thank you. do you, um,” you start, suddenly shy. “d'you want to see some photos from it, while you're waiting for the soup to heat up?”
he nods back just as shyly, sitting quite awkwardly on the seat next to yours; while you open your photos app, matty twists a stray curl around his finger, and the movement seems to send your nerves into vibration as well as the molecules in the air. with a series of shallow breaths, you locate the folder of the wedding pictures and set your phone on the table. “feel free to flick through them, if you like.”
“thank you,” matty sits forward, carefully swiping through the album. you lean on your elbow, doing your best not to beam adoringly at the way he looks intently at each photo before moving to the next. “the venue is really beautiful.”
“yeah, it was stunning.”
the next picture is one of you in your bridesmaid dress, taken by your sister the morning of the wedding. you watch, slightly heartsick, as matty's mouth falls open as he looks at you; the feeling worsens when he tentatively does the same thing in real life, those pretty eyes of his sparkling as he smiles softly. “so are you. really. like,” he looks down at the photo again, shaking his head slightly before looking back up at you. “that colour is beautiful on you. honest. you look incredible.”
“thank you,” the words come out in a whisper, and the two of you silently smile at each other for a moment until you clear your throat. “um, there are more of the official pics on my instagram, let me… actually, do you have my private account?”
“oh, no,” matty shakes his head again - god, you love the way his hair moves. “just the one for your writing.”
“well,” you tap on the app with an almost-imperceptibly shaky finger. “that's the username there, if you'd like to follow. no pressure, of course. don’t wanna fuck up your algorithms or anything.”
your nervous chuckle at the end of the sentence turns to a giggle when you see matty's face as you share your username; it lights up so much that you'd be forgiven for thinking he'd just won the lottery. he pulls his own phone out and taps away at it. “you don't have to follow me back, by the way,” his cheeks flush a deep red, a beautiful colour. “m'not posting anything interesting.”
doubtful. he might be one of the most interesting people you've ever met, all talent and sweetness and a wealth of cultural understanding wrapped up in a sweater and a pretty face. “no, i'd like to.”
“alright. thank you,” matty's cheeks seem to get even redder as he watches you hit follow back, face twitching as though he’s trying to stop himself smiling too big. when the microwave dings, he all but skips over to it, almost tripping over the leg of his chair in a sweetly awkward way; he swears under his breath when he lifts the steaming container out, turning back sheepishly to look at you. “sorry.”
“don't worry,” you grin at him, feeling slightly bold. “i still think you're sweet when you swear.”
he giggles, and the noise makes your heart leap; in addition to being one of the most interesting people you think you've ever met, matty healy is without doubt the cutest. watching his lips pout in concentration as he stirs the soup and checks the temperature, you briefly imagine what they would feel like against your own, how he would be if the two of you were to kiss. just as giggly and endearingly awkward as he usually is, you think - eager to please, lips and tongue a little sloppy and unsure but enthusiastic enough for you not to mind, slightly unsure of where to put his hands so as to not make you uncomfortable… the scene is as clear as day in your head, and you really, really want to recreate it. you'd devour him right now if you could, the sweetheart.
and then, matty reaches up to get a bowl from the shelf, the hem of his shirt goes with him, and your want to devour him suddenly takes on a less pg-rated meaning than it did a second ago.
he has a fucking hip tattoo.
you’re pretty sure it's only a sliver of the full design you can actually see, but the hints of red and blue and black ink and the glimpse of his happy trail are enough to fuck you up completely. as you register what you're seeing - what you're discovering about the seemingly buttoned-up, shy, unassuming-to-everyone-but-you matty - your breath catches in your throat, forcing you to cough quite obviously on the mouthful of lukewarm tea you'd just taken. one cough turns into another, and you clap a hand over your mouth to make your tattoo reaction attack the least obvious it can be.
still, the ever-perceptive man across the kitchen notices, running over to crouch in front of you with concern filling those beautiful eyes of his. “you alright, darling?”
darling?! no, you most certainly aren't alright.
but you can't tell matty that, so you stick to gesturing to let him know you'll reply once you've managed to swallow your tea. “i am, yeah, thanks. tea just, y'know, went down the wrong way.”
matty tilts his head. “you sure?”
“yeah,” you smile, slightly embarrassed. “really. thank you, though.”
“of course,” he smiles in return, knee brushing lightly against your leg as he steadies himself; he looks down, eyes widening as he registers how close the two of you are, and quickly stands. “i'd better, y'know, get my lunch.”
you nod, despite the strange loneliness settling into your bones at the lack of him next to you. “i can head back to the office, if you want peace?”
“no, no, please stay!” matty all but gasps, turning to look at you like a deer caught in headlights - he clears his throat, blinking a few times before speaking again. “please don't feel the need to leave on my account, i mean. or feel obliged to talk, really - i was just going to read.”
“you're sure i won't be a bother to you?”
matty smiles warmly, shaking his head. “that'll never happen.”
christ.
“okay,” you whisper, winking at him - and savouring the little giggle that bubbles out of him when you do - before turning back to your laptop. 
matty settles at the table a minute or so later, pulling a paperback from his back pocket and holding it open quite attractively with one hand. you peek over the rim of your laptop at him every so often, never for more than a couple of seconds at a time; partially to avoid the mortification of him catching you, but mostly because if you look at him any longer you know your mind will wander back to that fucking hip tattoo of his, and what it might look like completely visible to you, and what it might feel like under your lips, and what noises matty might make if you slowly dragged your tongue all over it before moving to the side to lick a wavy line up the length of his-
enough. he's literally right there.
the room feels hot, all of a sudden, your cheeks flushing and throat drying to match. on only slightly shaky legs, you pick up your waterbottle and head to the water fountain, crouching as best you can to fill it. even though he stays silent, you can feel matty’s eyes on you from across the room, but it doesn't bother you or freak you out in the way that other men ogling you at a water fountain would - it's quite obvious that matty has some sort of more-than-platonic affection for you, but his gaze has always been one of appreciation and awe when it comes to you, not the predatory one you've come to expect from men. and yet, his is the only male gaze that makes you feel slightly nervous, unused to being looked at with such reverence and tenderness by an attractive boy; in complete contrast, though, it also makes you lower your guard, pull down the bricks from the wall you've built around your heart, and allow yourself to actually feel something for matty, for once. something good, honest, promising.
matty looks up from his book as you sit down, smiling pleasantly. he opens his mouth as if to talk, and then closes it immediately, shaking his head slightly.
this intrigues you. “you okay, matty?”
“hmm? oh, yeah, i was just thinking,” his cheeks go a shade of pink you would buy in blush form if you could find it. “when you were first talking about the wedding… you said although, and then we got off-topic slightly. what, um, what were you going to say, if you don't mind me asking?”
“oh, right,” you wrack your brain, doing your best to not get distracted by how cute you find his perception. “i think i was going to say something about how, as good as it all was, there's nothing like a family wedding to remind you of how single you are.”
his jaw falls open. “you… you don't have a boyfriend? wait, sorry,” he blinks. “or a partner?”
you shake your head, biting the inside of your lip to stop yourself smiling. “no boyfriend, no. and thus, constantly advised by a never-ending flock of aunts that i should get one so i could get married.”
“christ,” matty winces. “yeah, my cousin's getting married in a couple of months - not looking forward to everyone asking me when i'm going to meet a nice girl and settle down, as if i can answer.”
no girlfriend. how interesting. “you're single? really?”
he rolls his eyes, still smiling at you. “be serious. course i am.”
“i am being serious! that surprises me,” you lean on one elbow, tilting your head to look at him. “you're lovely, matty.”
matty’s eyes widen, and he blinks adorably a few times before he smiles shyly again. “thank you. i think the same about you.”
“you do?”
he simply nods, total sincerity in those pretty eyes. 
you feel your cheeks warm, but you make no effort to hide it. “thank you.”
matty shrugs. “just telling the truth, darling,” he looks panicked when he realises what he's said. “sorry for calling you that, twice, it just-”
“i like it, matty, it's alright,” you say reassuringly. “and i like-”
“oh, thank god you're both here,” marianne bursts into the room, carrying her laptop; you frown petulantly at her for ruining your moment, but shuffle your chair round closer to matty's so she can sit at the table too. “something weird’s happening.”
matty squints. “what d'you mean by weird?”
marianne pushes her laptop towards you both. “there's overlap in your planned reviews - the band you're going to see at the end of next week, matthew, have just been announced as the opener for the next Big Gig. i need to know how we want to go about this.”
“oh,” he looks at you. “i don't mind if you want to just review them as part of yours.”
you're shaking your head vehemently before he even finishes talking. “no, that's not fair,” you tap your lips with your index finger the way you always do when you concentrate, trying to ignore the glow within your body when you see matty looking at them from the corner of your eye; inspiration strikes, and you turn to marianne. “matty could come with me, couldn't he? if he reviews their headline gig, and then he does a follow-up review of their opening set in the Big Gig feature - we could just do a joint byline, work together on it.”
both of them turn to look at you in slight shock. marianne is the first to speak, her words trickling out slowly as she processes the fact you've just agreed to let someone else work on a Big Gig for the first time. “you're… happy with that?”
“if matty is, yeah,” you turn to him, smiling. “sound alright?”
he beams. “more than. thank you.”
“of course,” you turn back to the boss. “there you go. sorted.”
she sighs, relieved. “thank goodness for that. alright,” she stands, picking up her laptop and heading back to the main office. “i'll coordinate press passes. thanks for making that simple - you're both stars.”
“anytime!” you call after her, before turning back to matty. “you're sure you're happy to do this? i realise i've just given you more work to do, but…”
he laughs, a beautiful sound. “nah, i don't mind. also,” he shuffles in his seat, bashful again. “i actually have a spare ticket for the first show, if you'd like it - bought it before i saw it was on the review roster. doesn't seem fair that i get to go to two gigs while you only get one, i think. i mean, no pressure, obviously, but the offer's there.”
god, he’s so fucking cute. how could you ever say no to him? “i'd like that a lot, matty, thank you,” you beam at him. “i think us working together is going to be a lot of fun.”
matty beams back just as enthusiastically. “i think so too.”
268 notes · View notes
ddarker-dreams · 1 year
Text
Entanglement.
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Yan Kafka x F Reader.
Warnings: Yandere themes, unhealthy relationships, power imbalance, unwanted kissing, mild not SFW implications. Word count: 1k.
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“You’re still refusing to wear the clothes I gifted you, dearest?” 
A dulcet voice smoother than the finest silk coos from behind. 
You don’t deviate from your original task. Just outside the window, the cold, unforgiving vacuum of space looms. A mere panel of specialized glass is the only barrier between you and infinite nothingness. The concept used to frighten you, to a paralyzing extent. It got to the point your oh-so-benevolent captor had to make adjustments. Using some technology you’re unacquainted with, the dark canvas morphed into a familiar, more palpable set piece: the scenery of your home planet. 
You’ve since overcome this hurdle and no longer require the mirage’s services. 
Space isn’t what you fear anymore. No, it’s the woman with the future in her eyes who holds that distinction. 
“It isn’t to my taste.” 
“I know,” she agrees. Her perfume is near stupefying when it invades your senses. “It's to mine.” 
Kafka is either aggravatingly unassuming or laser-sharp with her intentions. You’re never given time to adjust to her fickle ways, the second you think you might understand her, she reveals just enough that you’re right back where you started. 
Gloved fingers hover over your wrist, causing your hair to stand on end. As if she’s playing a glissando on the piano, her fingers slowly creep up, from your forearm to your bare shoulder. Presently, you’re wearing one of the few garments you were allowed to bring. It’s a plain, white dress that she longs to stain with her own palette. 
Her arms envelop your midsection from behind. She nuzzles her nose into your neck, swaying you back and forth while she hums a haunting ballad. Can she hear the skipping of your heart? Does she consider it just another instrument to compose her hedonistic harmonies? 
“Are the stars truly that interesting?” she murmurs against your skin. “Surely, they aren’t prettier than I am, hm?” 
“Maybe. At least they understand the concept of personal space.” 
“Oh, I do as well. I just choose to ignore it when it comes to you.” 
“I wish you wouldn’t.” 
You can feel her smile.
“You’d be lonely without me. Maddeningly so.” 
“Insanity is tempting if you’re the alternative.” 
She laughs, the sound low and husky, belying any offense taken, if you had the hubris to think anything you said could hurt her. Before you can register anything, she twirls you around. In this new, uncomfortable intimate position, you’re forced to look her in the eye. There’s no quality of hers that unsettles you more. They draw you in and devour you like a black hole, picking apart actions you haven’t even committed yet. 
It reminds you, similar to the path she walks, that nothing you do will ever amount to any meaningful change in your circumstances. 
Kafka settles her gloved pointer finger and thumb on your chin, tilting your head up. Whatever she’s thinking is as unknowable as the universe itself. Her fondness for you is an illness without a cure — even she must know how sick it is. Something tells you that if a remedy for it ever existed, she’d refuse to take it, and would instead crush the vial before your eyes. 
“What a beauty you are,” she praises through lidded eyes. “There is no greater joy than knowing you feel every second we’re apart, just as I do.” 
Irate, you try moving your head away, but this causes her grip to tighten. Never enough to hurt — it’s only meant to warn. 
“I take it you don’t like the cosmetics I brought back, either?” 
Kafka delights in asking questions she already knows the answers to. If she had anything resembling a hobby, you suppose that would be it. 
The skin beneath her eyes crinkled with amusement at your abrupt vow of silence. You fight off a shiver at the look. It’s all-consuming, dangerous in a way that rouses your primal instincts. She leans down close enough that you can feel her breath fan against your face. Her head tilts in a deliberate show of faux curiosity. 
“Is your tongue frozen? Should I think of a way to warm it up?” 
The hand that isn’t holding your head in place toys with the strap of your dress. 
Swallowing thickly, you shake your head. You know when to surrender in a losing game. 
“... No.” 
“No?” She repeats, mimicking the inflection of your voice. “Ah, well, that’s a shame.” 
You almost sigh in relief when her hand retreats. She reaches into a pocket on the inside of her coat and pulls out a tube of lipstick. She applies the roseate pigment, maintaining smoldering eye contact with you all the while.
After what feels like an eternity, she descends upon you, her lips seeking yours in a fit of scathing passion. You freeze up at the unexpected boldness. She takes advantage of your reverie, interlocking your lips in a languid motion. There’s no urgency to the kiss, she takes her time with you, just how she likes it. 
Her hand presses against your back, urging your chest to arch into hers. It isn’t until her hand starts venturing down that you return to your senses. In a fit of panic, you raise your hands to push her away. The defiance gets you nowhere — she catches your wrists with ease and holds them in place. 
Fortunately, she pulls back, although she doesn’t relinquish her grip. 
“I knew this color would look good on you,” Kafka sighs, almost wistful. Then, she raises your wrist and presses a lingering kiss against your pulse point. It leaves a smudged lipstick stain behind. “That leaves the issue of the outfit. Hm, what to do, what to do…” 
As if hit with an epiphany, her eyes light up in microscopic supernovas. “I know. If you need my help applying makeup, then why should getting dressed be any different? Why, you should’ve said so sooner.” 
Indignant, you seethe, “That isn’t…! Fine, I’ll put it on myself. Just— just turn around, okay?” 
“Of course. Anything for my sweet, shy girl.” 
Surprisingly, Kafka acquiesces. She pivots on her heel and covers her eyes with her hands. A teasing gesture, if you had to guess. 
Just when you believe you’re regained a semblance of control over the situation, she throws in a comment that snuffs out this fledgling hope. 
“I’ll give you to the count of a ten before I come and help you myself.” 
1K notes · View notes
animaymay · 1 month
Text
SxF 96 Analysis: Some Small Details About the Reveal
Ok, hear me out. I haven't even read the manga for Spy x Family (yet); I've only watched seasons 1 and 2 of the anime, but I've somehow stumbled upon spoilers for the last two chapters (ch. 95 and ch. 96), and other small bits here and there.
And since I am not totally caught up on the story, I hesitate to call this a proper analysis since I'm mostly going off of what I know from the anime at this point. But!
I've been following the chatter and excitement following chapter 96 and I just wanted to throw this quick analysis out there, since I haven't seen some of these details mentioned yet.
So, I'm going to focus on this particular moment, just for what it is. Down the line, after catching up and having all of the character and story details, I might revisit this scene again with additional insight.
Of course, I'm sure we've all seen this panel at this point.
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At first glance, this panel is beautifully drawn. You can tell that it was drawn with a lot of care and attention to detail. Typically, such manga panels are used to emphasize the fact that this is an important moment for these characters and/or the story.
There are even bits of confetti(?) flying around them, reminiscent of cherry blossom petals; this is another known technique used in manga to indicate the emotional importance of a scene for the characters featured.
That all feels pretty obvious, I'm sure. But I also wanted to point out other small details given here, which could potentially add another layer to this scene for folks.
I've seen a lot of discussion around how Anya's admission here is a big deal (and it is). But I haven't seen anyone mention the small detail here that she whispers, "I can read people's minds."
I believe that is also why we see that speech bubble transparently -- to visually show us the softness of her voice in that moment (in addition to representing Anya's willingness to be transparent about herself).
However, let's consider the conversation up until this moment. Right before, Damian had jokingly asked her, "How did you know about my dog and the pond, anyway? What, did you read my mind or something?!"
Of course, he was not expecting Anya to say, "Yes". But it's not the fact that Anya said, "Yes" that makes this scene impactful. Anya could have easily said the exact same words, at normal volume, with a smirk on her face, and nobody would think twice about it. Damian would have immediately understood that she was teasing him. And anyone overhearing their conversation would have thought the exact same thing.
But that isn't what happened. Because Anya was serious in that moment. With a genuine expression on her face, she says, "Yes" and then she whispers her secret to him.
And that is what shocks Damian. That is what causes him to freeze.
In that moment, he's able to sense her sincerity and hear the truth in her words.
His gut reaction is to believe her, whether it's because it's Anya or because of how she said it. It isn't until he has a second to think and his brain kicks into gear that he starts to notice the disparity between what he knows to be true and what Anya is telling him. In a split second, he questions this, and then ultimately rejects the notion that she could be telling the truth.
Why?
The obvious answer would be that what she's told him does not line up with what he knows to be true of reality. The rational and logical part of his brain overrides his heart and his gut, ultimately recognizing this disparity and forcing him to reject Anya's claims.
However, they are at a young enough age that it wouldn't be uncommon to easily believe in "impossible" things like magic or superpowers. So, there's also a chance that it goes a bit deeper than this.
Perhaps this sudden display of sincerity and truth from Anya didn't line up with her typical behavior with him. He's not used to seeing that side of her, and as a result, his mind resorts to him thinking that she's lying to him. He thinks that she's just teasing him. Not only because that's what he expects from her, but also because the only other alternative would be for him to admit that they've just shared a true moment of openness and transparency between them.
Anya's whisper implies, "this is only for you to know." As a defense mechanism, Damian's brain decided that it was more likely that Anya was teasing him than it was that she was being vulnerable with him in that way.
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Another detail from this moment stems from the fact that this reveal takes place while they are dancing together. Partner dancing is an activity that requires cooperation and teamwork. At first, we see Damian and Anya struggle with getting the hang of it, but eventually they start working together.
That, in itself, seems to be a fairly good representation of their relationship with each other. However, even more so, it follows the flow of their conversation in this moment. It isn't until they start cooperating that they start to open up to one another.
And the pinnacle of the conversation -- the reveal -- happens at the exact moment when Damian dips her. Not only does this make for a picturesque panel, but it is also a symbolic visual of what's happening.
Dipping your dance partner inherently requires a level of trust. The person being dipped has to literally put themselves in their partner's hands. Depending on the dip, they are giving up varying levels of control and safety over to their partner. They have to trust that their partner won't drop them, or bring them too close to the floor; they have to give up their balance and trust that their partner can hold the weight that they're giving up. And their partner takes on the responsibility and burden of that person's trust (as well as trusting that the person that they're dipping does not throw themselves around carelessly).
And here, in this scene, despite the bickering we see Anya and Damian do, we see that there is at least that small amount of trust between them. Anya trusts Damian to dip her, and Damian trusts Anya to be dipped.
But underneath the surface level, the fact that Anya whispers her secret to Damian while he's dipping her reinforces the idea that she trusts him with that knowledge. In that moment, she gave up some of her own control and safety, and placed it in Damian's hands. Only his. Her whisper implies, "this is only for you to know." And he's been given the responsibility and burden of deciding whether to hold it, or drop it.
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ohnoitstbskyen · 3 months
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"Luffy... help me..."
It's often been said about One Piece that you should "read it until Arlong Park," but it's one very specific MOMENT in Arlong Park that's important here. If this resonates with you, you're a One Piece fan, and if it doesn't, well, maybe it's not for you.
Let me tell you about it.
TRANSCRIPT:
Which are the best panels in One Piece?
It's often said in the One Piece community that you should stick with it until Arlong Park, and if you're not into One Piece by that point, THAT's when you know it's not a series for you.
I think this is true, and the reason why is this scene. This scene is how you know.
Nami has spent eight years working on her own, since she was a child of only ten, lying, deceiving, stealing, fighting and scamming, all to gather the money that Arlong wants so she can save her village. And now with the goal in sight, Arlong uses the Navy (all Marines are bastards) to steal her money so he can keep exploiting her.
The villagers she has been protecting have had enough, and are going to throw themselves at the fishmen and die, and the beloved friends she made on the Straw Hat Crew keep refusing to leave even though she KNOWS that Arlong will kill them. Her every ray of hope and all of her attempts at keeping control have failed and now, reduced to incoherent rage and sorrow, she sits in the dirt stabbing a dagger into the tattoo on her shoulder, because hurting herself is the only thing she can do to spite Arlong.
And then Luffy comes along and stops her.
She yells at him, throws dirt at him, rejects him, tells him to f*** off basically, and when he doesn't… because she has nothing else left, because there's no plan, because everything is falling down around her, she finally lets down her walls, and says what's in her heart. "Luffy… help me." (p 200, first panel)
And Luffy takes off his hat, his treasure, and gives it to her, and walks forward, and with his characteristic cartoony ridiculousness screams as loud he possibly can "OF COURSE I WILL."
Luffy doesn't know why she needs him. He doesn't know why she lied, why she stole the ship, he doesn't know about Belle-Mère or Nojiko or Nami's deal with Arlong. And he doesn't need to know, because she's his friend and she's his crew, and he loves her, she doesn't need a tragic backstory to deserve his help, she deserves it because she needs it, she deserves it because she asked.
Luffy knows that every time Nami tried to push him away, every time she told him to fuck off and leave her, her heart wasn't in it. Just like he'll know it with Robin, just like he'll know it with Sanji. And he knows that when she asks him for help, she has never meant anything more deeply in her life.
For that, he will move mountains. For that, he will level fortresses, he will smite gods and he will slay dragons. For love does Luffy do these things.
People hype up the moment when the crew get together and go to Arlong Park as the best moment of this chapter, and I'm not gonna say that it isn't awesome. Badass as hell, absolutely certified.
But… this chapter belongs to Nami, and her moment right here, because this is the moment that a girl who has fought so hard and so alone for so long finally finds the strength and the courage that it takes to trust someone else to lift your burdens.
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electrozeistyking · 2 months
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I definitely had a lot more fun behind the scenes with Never Be Alone than I did with She's Gone. So here's the sillies, and some notes.
This is a guide video I made in cause I either forgot how I was rendering it, or I want to make a comic using this style again. I used Panel 3 because it was the original first panel. There is no audio, so you don't need to worry about unmuting it.
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I did this with the flats for Panel 2 because it reminded me of a drawing featured in one of my earliest MD posts. This quote has had me in a choke-hold ever since I made it (by the way, I named that drawing I mentioned: "Heyyy Biiitch!").
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I wanted to make sure a few panels in this comic looked right, so I drew them with my finger (because I wanted to and I felt like it). N's face looks so derpy here and that's by choice.
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I made this because SolverUzi looked like she was accusingly pointing at N. The Solver does seem petty to me, so I feel like It'd do this. Fun fact, that's why It's wearing Uzi's face and why It didn't heal her hand: just so It can rub salt in N's wounds and call him "big brother" like Cyn does to SERIOUSLY fuck with him.
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Pre-Gaussian Blur on the dialogue! This is another panel I drew with my finger to ensure it'd look right later on. The "BASICALLY HIGH AS BALLS" note was added because of his face. It's actually sad in context of the comic, seeing as this is one of the few moments where N genuinely smiles.
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TESSA FOR THE WIN, BABY! I made this because I said "Whoa, suddenly Tessa!" at one point while working on this panel. As for the "Chekhov's stabby stick" part... I mean, come on. There was a closeup of that blade for approximately two seconds. If that's not a surprise tool they can use for later, I don't know what is.
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There is no reason for this one beyond "I thought it was funny." It just exists and there's nothing we can do about it.
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Imagine if I actually went with either this quote or "Well, that could've been a whole lot worse." I had to pick between them for a sillier take on this panel, but imagine if Tessa ACTUALLY said "Well, shit" after all that?
Anyway, that's all the sillies and the notes! :D
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