I found it funny (derogatory) that the 456 announcement trailer, when showing off all of the major characters in each of the games, showed Edgeworth in DD. that guy barely even does anything there. but it's obvious they put him in because Edgeworth's one of their most popular characters and showing him off in the trailer is more likely to interest trilogy fans.
now, if only there was some way they could promote Edgeworth in a larger role. say, if he was the protagonist of some other ace attorney games. which they could port to all modern platforms. I bet that would interest a lot of people. if only it was possible.
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why must everything that the text clearly states atp be misconstrued like i really dont get it he has plenty of flaws in that relationship but we, and cersei, know that he was ready to kill robert for just the disrespect of the cheating if cersei said the word. he doesnt concern himself with the personal consequences, he is reckless, detached from a lot of things, and can close his eyes at the future if he doesn’t want to acknowledge it. also the concern over the “shame” and ned type judgement feels so overestimated to me atp. he never regrets aerys, he is mad at how he is perceived (but again, notably doesnt try to rectify it by telling the truth for a lot of complex reasons), but he would never take it back. if he believes its the right thing to do, and is not overdosing on copium trying to juggle vows he cares about, he will do it, reputation be damned. though he has selfish concerns regarding being viewed as good, the internal matters so much more than the external: see weirwood dream: who actually shows up? what makes the fire go out? “it was not him. it was never him”, see the trebuchet fiasco, see the choice in adwd. why shouldnt we take cersei at face value when she implies that if jaime knew about the physical abuse he would have killed him? he loves and cares about cersei to an insane degree, even if he can be selfish toxic and unhealthy too. i really find it very very difficult to imagine that he wouldnt have killed him based on almost every single part of his characterization.
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not to get top surgery and then Immediately start rambling about ybc again but like the thing about ybc is . the thing is. the thing is that it's this direct fucking correlation to fob's career trajectory and the turbulence of the hiatus. and i dont know how much of this was intentional or not but the THING about the hiatus is that it seeps into everything they do in this weird wild unfathomable way. like it or not, it is a very distinct "before and after" point. like it's the darkest point in the band's history, and in many ways in each member's individual histories, and ybc is basically a whole narrative crafted around this because it was about their resurgence and return and the phoenix rising from the ashes.
ybc as a narrative starts because of a briefcase. a not insignificant portion of this narrative revolves around this case, and it contains something that we never see. the case contains something terrible. it contains something that the band members are afraid of but overjoyed to have and nonetheless fight and kill each other to protect (pete could feel the band slipping away but wrote about it anyway. patrick and joe were disillusioned and tired and wanted a break from it all). pete clings to this briefcase and shields it with his body at the very end, DIES to protect it (pete was the only one who didn't want the hiatus and didn't know what he was outside of fall out boy). patrick physically ties the case to his body and it has to be cleaved from him, painfully (killing the band arguably nearly killed his career in music). this is a story that starts with the band's faces bathed in a radiant golden glow of something full of so much promise...that subsequently crushes them beneath its heel, mangles them, tortures them, drags them through hell, divides them again and again and again and again (the band became so much bigger than any of them dreamed and yet if they'd never taken the break, it would have broken the band eventually). their lives are uprooted and ruined and ruptured because of it. they tied themselves to this thing that pulled them apart, brutally, in more ways than one.
did they mean it? did they mean it when this case became stained, literally, with their blood? did they mean it when, immediately upon obtaining this case, the band was separated from each other and were quickly captured and tortured? when the case was seized by forces other than themselves? did they mean it when a group of literal kids beat the shit out of the band and left them for dead (it's been years and pete still calls us that - the kids)? when patrick was warped into something uncontrollably monstrous, possessed of a deep-seated hatred toward music as a very concept? when patrick was the one to kill joe, who then went to the platonic ideal of sex drugs and rock and roll hell? when andy died alone, defending something without any backup or hope for resolution? when patrick and pete were the last two standing who murdered each other over this thing, coughing blood in the dust while the spectators gathered around to root hungrily for their demise? when the pair of them died side by side, seemingly unable to survive without one another?
it's this briefcase that contains something ruinous and horrible that rises to tear the band apart (again) but at which the band members do not so much as flinch as they face this fucking thing down. this thing that became so much bigger than they were and threatened to consume them. this thing that they protected and fought and died for and swore to love and defend even as it wanted to rip them apart. and did they mean that? did they mean it when they chose to forgive one another for all their wrongdoings without hesitation and walk back into a world that had been nothing but unkind to them, and fight for it regardless? did they mean this glorious and inexplicable conclusion, white light crashing into red and sending forth a wave of blood that lapped up against the very fucking gates of heaven?
the band had been together for something like a year when this story ended. and i think at this point there was no real knowing whether there'd be a resolution. and maybe on some level they will always feel that push. that adversity. there will always be something they must go up against, some by their own design, some external. but if they have each other -
well. you know how it goes. they've got each other. and that's enough.
fuck, but as long as they have each other, it's enough.
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still losing my mind at the way houses relationship with john would have fucked up the way he sees being an omega. just,,, teen house, young and confused, experiencing these absoloutely brutal heats. not understanding why they are so bad and hard when theyre supposed to be a time where an omega feels good. already feeling broken and wrong, and then having to face john's anger and disappointment over him being an omega
like i can only imagine how it would affect him in heat, a time where he would be less able to think coherently. and constantly remembering how traumatic and horrible his heats as a teen were, the memory making him feel bad and in turn making him feel physically worse. just like,,, a constant feedback loop of remembering and feeling bad -> feeling physically worse in turn -> reminding himself even more of his childhood and feeling worse
i feel like after having to deal with his first few heats without a strong family net to acclimate to the changes, once house is outta there and doing his own thing he tries to never deal with his heats alone. he marks his cycle religiously, makes deals with alphas in med school to help him through them, or even finds street suppressants if he's especially desperate.
man. you just know john has put him outside for some of his heats, too. nothing to nest with, no scent blocking patches, just left him in the yard like a sacrificial lamb. it goes without saying how dangerous that is.
hell, once he's employed i wouldn't be surprised if he stole something from the hospital to bring home in case a heat comes up that he can't deal with, something that'll knock him out for the worst of it.
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